{"title":"BOXED SET OF THE WEEK - END OF SUMMER RECAP","description":null,"products":[{"product_id":"ten-more-great-violinists-10-cds","title":"TEN MORE GREAT VIOLINISTS - ACCARDO, BUSCH, RICCI, SHUMSKY (10 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD1 [79:30] Salvatore Accardo: Paganini 24 Caprices for solo violin \u003cbr\u003e1. No. 1 in E major 01:39\u003cbr\u003e2. No. 2 in B minor 02:29\u003cbr\u003e3. No. 3 in E minor 03:16\u003cbr\u003e4. No. 4 in C minor 06:17\u003cbr\u003e5. No. 5 in A minor 02:42\u003cbr\u003e6. No. 6 in G minor 04:24\u003cbr\u003e7. No. 7 in A minor 03:47\u003cbr\u003e8. No. 8 in Eb major 02:55\u003cbr\u003e9. No. 9 in E major 03:39\u003cbr\u003e10. No. 10 in G minor 02:14\u003cbr\u003e11. No. 11 in C major 04:45\u003cbr\u003e12. No. 12 in Ab major 02:44\u003cbr\u003e13. No. 13 in Bb major 02:32\u003cbr\u003e14. No. 14 in Eb major 01:50\u003cbr\u003e15. No. 15 in E minor 02:41 \u003cbr\u003e16. No. 16 in G minor 01:21\u003cbr\u003e17. No. 17 in Eb major 03:46\u003cbr\u003e18. No. 18 in C major 02:21\u003cbr\u003e19. No. 19 in Eb major 03:05\u003cbr\u003e20. No. 20 in D major 04:03\u003cbr\u003e21. No. 21 in A major 03:38\u003cbr\u003e22. No. 22 in F major 03:39\u003cbr\u003e23. No. 23 in Eb major 05:10\u003cbr\u003e24. No. 24 in A minor 04:19\u003cbr\u003e\u003cbr\u003eCD2 [79:35]: Adolf Busch [newly compiled]\u003cbr\u003eBach: Sonata No.3 in C for solo violin, BWV 1005\u003cbr\u003e1. Adagio 5:05 \u003cbr\u003e2. Fuga 9:39\u003cbr\u003e3. Largo 3:53\u003cbr\u003e4. Allegro assai 3:20\u003cbr\u003eBeethoven: Sonata in Eb, Op.12 No.3 with Rudolf Serkin (piano);\u003cbr\u003e5. Allegro con spirito 5:20\u003cbr\u003e6. Adagio con molta espressione 6:49\u003cbr\u003e7. Rondo: Allegro molto 3:42\u003cbr\u003eBeethoven: Sonata in F, Op.24 “Spring” with Rudolf Serkin (piano);\u003cbr\u003e8. Allegro 6:36 \u003cbr\u003e9. Adagio molto espressivo 5:58\u003cbr\u003e10. Scherzo: Allegro molto 1:09\u003cbr\u003e11. Rondo: Allegro ma non troppo 6:11\u003cbr\u003eBusoni: Violin Concerto in D, Op.35a with Concertgebouw Orchestra \/ Bruno Walter\u003cbr\u003e12. Allegro moderato 6:49 \u003cbr\u003e13. Quasi andante 8:40 \u003cbr\u003e14. Allegro impetuoso 6:01\u003cbr\u003e\u003cbr\u003eCD3 [72:27]: Zino Francescatti plays Encores [Biddulph 80224-2]\u003cbr\u003e1. Chaconne (Tomaso Antonio Vitali) 9:07\u003cbr\u003e2. Preludium and Allegro in the Style of Pugnani (Kreisler) 4:52\u003cbr\u003e3. Grave in the Style of W F Bach (Kreisler) 4:20\u003cbr\u003e4. Minuet in the Style of Porpora (Kreisler) 2:51\u003cbr\u003e5. Allegretto in the Style of Boccherini (Kreisler) 2:18\u003cbr\u003e6. Thais - Meditation (Massenet) 4:51\u003cbr\u003e7. March Joyeuse (Chabrier) 3:59\u003cbr\u003e8. Presto (Poulenc) 1:38\u003cbr\u003e9. O canto do cysne negro (Villa-Lobos)\u003cbr\u003e10. Ao pé da fogueira (Preludio XV) (Vallès)\u003cbr\u003e11. Londonderry Air (Trad. arr. Kreisler)\u003cbr\u003e12. Variations on Carnival of Venice (Paganini) rec 1954 12:08\u003cbr\u003e13. Introduction and Rondo Capriccioso (Saint-Saëns)* rec1950 8:51\u003cbr\u003e14. Tzigane (Ravel) rec.1947 8:23\u003cbr\u003e\u003cbr\u003eCD4 [78:21]: Bronislaw Huberman: [from LAB077\/8, 081\/2]\u003cbr\u003eBeethoven: Sonata No.9 in A major ‘Kreutzer’ (with Ignacy Friedman)\u003cbr\u003e1. I. Adagio sostenuto – Presto 10:42 \u003cbr\u003e2. II. Andante con variazioni 12:41\u003cbr\u003e3. III. Finale. Presto 8:07\u003cbr\u003e4. Bach: Nun komm der Heiden Heiland 4:47\u003cbr\u003e5. Bach: Air on the G String 4:13\u003cbr\u003e6. Schubert: Moment Musical No.3 1:54\u003cbr\u003e7. Schubert: Ave Maria 4:20\u003cbr\u003e8. Brahms: Hungarian Dance No.1 in G minor 2:56\u003cbr\u003e9. Tchaikovsky: Mélodie in E flat major 3:15\u003cbr\u003e10. Bruch: Kol Nidrei 4:56\u003cbr\u003e11. Elgar: La Capricieuse 4:17\u003cbr\u003e12. Sarasate: Romanza andalusa 4:37\u003cbr\u003e13. Zarzycki: Mazurka in G 4:22\u003cbr\u003e14. Bizet\/Sarasate: Carmen Fantasy 7:08\u003cbr\u003e\u003cbr\u003eCD5 [77:24]: Ginette Neveu: HMV treasures\u003cbr\u003eSibelius: Violin Concerto in D minor, Op.47\u003cbr\u003e1. Allegro moderato 15:47 \u003cbr\u003e2. Adagio di molto 8:08 \u003cbr\u003e3. Allegro ma non tanto 7:59\u003cbr\u003eSuk: Four Pieces, Op.17\u003cbr\u003e4. Quasi ballata 4:40 \u003cbr\u003e5. Appassionata 4:22 \u003cbr\u003e6. Un poco triste 4:00 \u003cbr\u003e7. Burleska 3:01\u003cbr\u003e8. Ravel: Tzigane 10:11\u003cbr\u003e9. Ravel: Pièce en forme de habañera 03:09\u003cbr\u003e10. Dinicu arr Heifetz: Hora Staccato 02:23\u003cbr\u003e11. Gluck: Mélodie\/Danse (Orfeo ed Euridice) 02:56\u003cbr\u003e12. Scarlatescu: Bagatelle 03:28\u003cbr\u003e13. Paradies arr Dushkin: Sicilienne 03:09\u003cbr\u003e14. de Falla arr Kreisler: Danse Espagnole 03:26\u003cbr\u003e\u003cbr\u003eCD6 [78:52]: Ruggiero Ricci: 1938 Electrola [LAB044]+ 1955 Decca\u003cbr\u003e1. Bach – Prelude from Partita No.3 in E 3:35\u003cbr\u003e2. Mattheson – Air* 2:24\u003cbr\u003e3. Paganini – “Moses” Fantasy* 4:43\u003cbr\u003e4. Paganini-Kochanski – La Campanella* 4:24\u003cbr\u003e5. Sarasate – Introduction and Tarantelle** 4:44\u003cbr\u003e6. Sarasate – Habañera** 3:46\u003cbr\u003eSarasate – Zigeunerweisen*\u003cbr\u003e7. I. Moderato 0:47 \u003cbr\u003e8. II. Lento 3:18\u003cbr\u003e9. III. Un poco più lento 1:48 \u003cbr\u003e10. IV. Allegro molto vivace 1:42\u003cbr\u003e11. Ysaÿe – Rêve d’Enfant* 4:19\u003cbr\u003e12. Rachmaninov-Press – Vocalise** 4:04\u003cbr\u003e13. Suk – Burleska* 2:35\u003cbr\u003e14. Sarasate – Zapateado, Op 23 No 2** 3:21\u003cbr\u003e15. Kroll – Banjo and Fiddle*** 2:58\u003cbr\u003e16. Paganini Le Streghe - Witches' Dance, Op 8** 7:04\u003cbr\u003e17. Paganini Moto perpetuo (Allegro di conciert) in C, Op 11** 3:52\u003cbr\u003e18. Paganini Variations on 'God Save the Queen', Op 9** 5:26\u003cbr\u003e19. Paganini Sonata No 12 in E minor, Op 3 No 6** 3:48\u003cbr\u003e20. Paganini arr. Kreisler – I Palpiti - Introduction \u0026amp; Variations \u003cbr\u003eon ‘Di tanti palpiti’ from Rossini's 'Tancredi', Op 13** 9:36 \u003cbr\u003e\u003cbr\u003eCD7 [77:00]: Aaron Rosand plays Max Bruch \u003cbr\u003eViolin Concerto No. 1 in G minor, Op. 26*\u003cbr\u003e1. I. Allegro moderato 8:19 \u003cbr\u003e2. II. Adagio 8:45\u003cbr\u003e3. III. Finale - Allegro energico 7:31\u003cbr\u003eViolin Concerto No. 2 in D minor, Op. 44\u003cbr\u003e4. I. Adagio ma non troppo 11:49\u003cbr\u003e5. II. Allegro moderato 3:32\u003cbr\u003e6. III. Finale - Allegro molto 9:01\u003cbr\u003eScottish Fantasy, Op. 46*\u003cbr\u003e7. I. Grave 3:32\u003cbr\u003e8. II. Adagio Cantabile 4:22\u003cbr\u003e9. III. Scherzo – Allegro 6:07 \u003cbr\u003e10. IV. Andante Sostenuto 6:06\u003cbr\u003e11. V. Finale - Allegro guerriero 7:34\u003cbr\u003e\u003cbr\u003eCD8 [62:25]: Wolfgang Schneiderhan (and David Oistrakh)\u003cbr\u003eBeethoven Concerto for Violin in D major, Op.61\u003cbr\u003e[1] Allegro ma non troppo (D major) 24:32 \u003cbr\u003e[2] Larghetto (G major) 10:45\u003cbr\u003e[3] Rondo. Allegro (D major) 10:51 \u003cbr\u003eRomances for Violin \u0026amp; Orchestra Opp.40 \u0026amp; 50\u003cbr\u003e[4] Romance No.1 in G major, Op. 40 7:19\u003cbr\u003e[5] Romance No.2 in F major, Op. 50 8:46\u003cbr\u003e\u003cbr\u003eCD9 [73:31]: Toscha Seidel: Victor \u0026amp; Brunswick highlights [LAB138]\u003cbr\u003e[1] Mozart (arr. Auer) Gavotte in G (Idomeneo) 2:27\u003cbr\u003e[2] Mozart (arr. Burmester) Minuet in D from K334 3:03\u003cbr\u003e[3] Wagner (arr.Wilhelmj) Albumblatt* 4:21\u003cbr\u003e[4] Brahms (arr. Joachim) Hungarian Dance No.l in G minor 3:26\u003cbr\u003e[5] Bakaleinikoff: Brahmsiana* 4:32\u003cbr\u003e[6] Provost: (Escape to Happiness) Intermezzo 3:30\u003cbr\u003eKorngold “Much Ado About Nothing” Violin \u0026amp; Piano Suite \u003cbr\u003e[7] Bridal Morning 3:20 \u003cbr\u003e[8] Dogberry \u0026amp; Verges (March of the Sentinel) 2:30\u003cbr\u003e[9] Intermezzo (Garden Scene) 3:05 \u003cbr\u003e[10] Masquerade (Hornpipe) 2:48\u003cbr\u003e[11] J.Strauss\/Tiomkin (The Great Waltz) One Day When We Were Young 3:24\u003cbr\u003e[12] J.Strauss\/Tiomkin (from The Great Waltz) There’ll Come a Time 3:16\u003cbr\u003e[13] J.Strauss\/Tiomkin: Voices of Spring \/Frühlinstimmen 6:28\u003cbr\u003eFRANCK Violin Sonata in A (recorded early 1950’s, Impressario Records 101)\u003cbr\u003e[14] I. Allegretto ben moderato 5:46 \u003cbr\u003e[15] II. Allegro 8:12\u003cbr\u003e[16] III. Recitativo-Fantasia: ben moderato 7:02\u003cbr\u003e[17] IV. Allegretto poco mosso 6:12\u003cbr\u003e\u003cbr\u003eCD10 [75:15]: Oscar Shumsky The Art of ...Vol.I [LAB136]\u003cbr\u003eOttorio Respighi: Violin Sonata in B minor\u003cbr\u003e[1] I. Moderato 9:32\u003cbr\u003e[2] II. Andante espressivo 9:04\u003cbr\u003e[3] III. Passagaglia: Allegro moderato e energico 6:57\u003cbr\u003eMaurice Ravel: Sonata for Violin \u0026amp; Cello with Bernard Greenhouse (cello)\u003cbr\u003e[4] I. Allegro 4:40\u003cbr\u003e[5] II. Tres vif 3:00\u003cbr\u003e[6] III. Lent 5:31\u003cbr\u003e[7] IV. Vif, avec entrain 5:09\u003cbr\u003eGiovanni Battista Viotti: Violin Concerto No.22 in A minor\u003cbr\u003e[8] I. Moderato 10:27\u003cbr\u003e[9] II. Adagio 4:48\u003cbr\u003e[10] III. Agitato assai 7:10 with Vladimir Sokolov (piano)\u003cbr\u003e[11] Chopin (arr. Sarasate): Nocturne in E flat Op.9\/2 3:28\u003cbr\u003ewith the American Radio Orchestra conducted by D'Artega\u003cbr\u003e[12] Wieniawski: Polonaise in D 4:57\u003cbr\u003e\u003c\/p\u003e","brand":"BIDDULPH RECORDS","offers":[{"title":"Default Title","offer_id":31498843848791,"sku":"5055354481024","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/2529236.jpg?v=1633531190"},{"product_id":"100-best-sacred-music-6-cds","title":"100 BEST SACRED MUSIC (6 CDS)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_3f509f59-fe4f-4f86-9886-843a741b8836_480x480.png?v=1641838621\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eByrd-     Ave Verum Corpus (Gradualia I, 1605)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir David Willcocks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePalestrina -Tu Es Petrus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir David Willcocks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictoria -O Ildephonse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Pro Cantione Antiqua\u003c\/p\u003e\n\u003cp\u003eConductor – Bruno Turner\u003c\/p\u003e\n\u003cp\u003eEnsemble – London Cornett And Sackbut Ensemble\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePalestrina -Salve Regina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chanticleer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerusalem-Responsorio Segundo De S. S. José\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chanticleer\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Joseph Jennings\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTallis -O Nata Lux, Hymn For Lauds On The Feast Of The Transfiguration,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eP. 209 (No. 8 From \"Cantiones Quae Ab Argumento Sacrae Vocantur\", 1575\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge*\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGabrieli-Symphoniae Sacrae II: IV. Buccinate in Neomenia A 19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrass – Philip Jones Brass Ensemble\u003c\/p\u003e\n\u003cp\u003eChoir – The Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Denis Stevens\u003c\/p\u003e\n\u003cp\u003eOrgan – Barry Rose\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDufay-Missa \"L'Homme Armé\": I Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Michael George\u003c\/p\u003e\n\u003cp\u003eConductor – Paul Hillier\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – David James , Michael Chance\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Hilliard Ensemble\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Charles Daniels , Leigh Nixon, Rogers Covey-Crump\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLassus -Missa Super 'Bell' Amfitrit' Altera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Choir Of St John's College, Cambridge*\u003c\/p\u003e\n\u003cp\u003eConductor – George Guest\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eByrd-Mass for Four Voices: V. Agnus Dei\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Paul Hillier\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Hilliard Ensemble\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAllegri -Miserere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort\u003c\/p\u003e\n\u003cp\u003eScore Editor – Hugh Keyte\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonteverdi -Selva Morale E Spirituale\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeatus Vir A 6, SV 268\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – David Thomas\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Emma Kirkby\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nigel Rogers , Rogers Covey-Crump\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTallis -Spem In Alium Nunquam Habui A 40\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonteverdi-Vespro Della Beata Vergine SV 206:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI. \"Deus in Adiutorium\"\u003c\/p\u003e\n\u003cp\u003eChoir – Choralschola Der Capella Antiqua München, The Monteverdi Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Jürgen Jürgens\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurcell -Funeral Music For Queen Mary:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMan That Is Born of Woman, Z. 27\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003eOrgan – Francis Grier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurcell -Funeral Music For Queen Mary:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThou Know'st Lord, Z. 58b (Verse 1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003eOrgan – Francis Grier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurcell -Funeral Music For Queen Mary:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: March, Z. 860i\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003eOrgan – Francis Grier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach-Mass in B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIV. Gloria In Excelsis (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Collegium Vocale\u003c\/p\u003e\n\u003cp\u003eComposed By – J. S. Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Philippe Herreweghe\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach-Mass in B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIV. Sanctus \"Sanctus Dominus Deus Sabaoth\" (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Magnificat In G Minor, RV 610B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnificat Anima Mea\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Magnificat In G Minor, RV 610B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: Et Exsultavit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Magnificat In G Minor, RV 610B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: III. Et Misericordia Ejus (Chorus). Andante Molto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharpentier-Te Deum In D Major, H. 146:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Prelude. Marche En Rondeau\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – William Christie\u003c\/p\u003e\n\u003cp\u003eOrchestra – Les Arts Florissants\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharpentier-Te Deum In D Major, H. 146:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII. Te Deum Laudamus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – William Christie\u003c\/p\u003e\n\u003cp\u003eOrchestra – Les Arts Florissants\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach -St. Matthew Passion, BWV 244,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: \"Erbarme Dich Mein Gott\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Soloists Of The Wiener Sängerknaben*,\u003c\/p\u003e\n\u003cp\u003eKing's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Kurt Equiluz, Nigel Rogers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach -Mass In B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXXV. Agnus Dei - Agnus Dei\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Viennensis\u003c\/p\u003e\n\u003cp\u003eComposed By – Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Paul Esswood\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Angela Maria Blasi\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Kurt Equiluz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Messiah, HWV 56\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: \"Hallelujah\" (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eComposed By – Handel\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eEnsemble – Brandenburg Consort\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Stabat Mater, RV 621:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e. \"Quis Est Homo\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComposed By – Vivaldi\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Philippe Jaroussky\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Artaserse\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Stabat Mater, RV 621:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIX. \"Amen\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Philippe Jaroussky\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Artaserse\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Coronation Anthem No. 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Zadok the Priest\", HWV 258\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eComposed By – Handel\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Gloria in D Major, RV 589:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Gloria In Excelsis Deo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Helen Gough\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Michael Chance\u003c\/p\u003e\n\u003cp\u003eHarpsichord – Alastair Ross\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of Ancient Music\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Gloria in D Major, RV 589:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: III. Laudamus Te\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Helen Gough\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Michael Chance\u003c\/p\u003e\n\u003cp\u003eHarpsichord – Alastair Ross\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of Ancient Music\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach -Christmas Oratorio, BWV 248,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1: No. 1 \"Jauchzet, Frohlocket, Auf, Preiset Die Tage\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Collegium Vocale\u003c\/p\u003e\n\u003cp\u003eConductor – Philippe Herreweghe\u003c\/p\u003e\n\u003cp\u003eOrchestra – Baroque Orchestra Of The Collegium Vocale\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePergolesi -Stabat Mater In F Minor,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eP. 77: I. Stabat Mater Dolorosa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor, Countertenor Vocals – Gérard Lesne\u003c\/p\u003e\n\u003cp\u003eOrchestra – Il Seminario Musicale\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Véronique Gens\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach -St. John Passion, BWV 245,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: No. 39, Chorus \"Ruht Wohl, Ihr Heiligen Gebeine\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eComposed By – Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Requiem In D Minor, K. 626:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Introitus - Requiem Aeternam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The London Philharmonic Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Franz Welser-Möst\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Felicity Lott\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Requiem In D Minor, K. 626: II. Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The London Philharmonic Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Franz Welser-Möst\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Felicity Lott\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach-Cantata No. 147, \"Herz Und Mund Und Tat Und Leben\", BWV 147:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX. Jesus Bleibet Meine Freude\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Tölzer Knabenchor\u003c\/p\u003e\n\u003cp\u003eComposed By – Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach-Magnificat in D Major, BWV 243: I. Magnificat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoir – Collegium Vocale Der Gandersheimer Dommusiken\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchester Der Gandersheimer Dommusiken\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach-Cantata No 140 'Wachet Auf, Ruft Uns Die Stimme', BWV 140:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIV Zion Hort Die Wachter Singen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Michael George\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of Ancient Music\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Lisa Milne, Susan Gritton\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Ian Bostridge\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Mass In C Minor, K. 427, \"Great Mass\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Gloria - Laudamus Te\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Raymond Leppard\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Kiri Te Kanawa\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Mass In C Major, K. 317 \"Coronation\": V. Benedictus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Messiah, HWV56, Part 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor Unto Us A Child Is Born (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Charles Mackerras\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S.Bach-Mass In B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Credo, Et Incarnatus Est (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePergolesi -Stabat Mater In F Minor, P. 77:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVI. Vidit Suum Dulcem Natum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Il Seminario Musicale\u003c\/p\u003e\n\u003cp\u003eConductor – Gérard Lesne\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Véronique Gens\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePergolesi -Stabat Mater In F Minor, P. 77:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: VII. Eja Mater, Fons Amoris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlto Vocals – Véronique Gens\u003c\/p\u003e\n\u003cp\u003eChoir – Il Seminario Musicale\u003c\/p\u003e\n\u003cp\u003eConductor – Gérard Lesne\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGounod -Ave Maria, CG. 89 a (After J.S. Bach's Prelude in C Major, BWV 846)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Eric Ericson\u003c\/p\u003e\n\u003cp\u003eOrchestra – Stockholm Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Barbara Hendricks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Missa In C Minor, K. 427 \"Grosse Messe\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Et Incarnatus Est\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Klaus Mertens\u003c\/p\u003e\n\u003cp\u003eChoir – Cologne Chamber Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Peter Neumann\u003c\/p\u003e\n\u003cp\u003eOrchestra – Collegium Cartusianum\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarg-Elert -Choral-Improvisationen, Op. 65,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook 6, No. 59: Nun Danket Alle Gott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrgan – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S.Bach-Orgel-Buchlein, BWV 599-644:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eO Mensch, Bewein' Dein' Sunde Gross, BWV 622\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrgan – Peter Hurford\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Messiah, HWV 56, Part 3:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Know That My Redeemer Liveth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass-Baritone Vocals – Raimund Herincx\u003c\/p\u003e\n\u003cp\u003eChoir – The Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Charles Mackerras\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Dame Janet Baker\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elizabeth Harwood\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S.Bach-Mass In B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Kyrie, Kyrie Eleison\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Collegium Vocale\u003c\/p\u003e\n\u003cp\u003eConductor – Philippe Herreweghe\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Tantum Ergo In E-Flat Major, D. 962\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Lucia Popp\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Mass In C Major, K. 317 \"Coronation\": III. Credo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Ave Verum Corpus, K. 618\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Schütz Consort\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Roger Norrington\u003c\/p\u003e\n\u003cp\u003eOrchestra – London Classical Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Ellens Gesang III, Op. 52, No. 6: Ave Maria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Gerhard Schmidt-Gaden\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Graunke\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Anneliese Rothenberger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Hymnus An Den Heiligen Geist, D. 964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHaydn -Mass In D Minor, Hob. XXII, 11, \"Nelsonmesse\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Kyrie - Allegro Moderato\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass-Baritone Vocals – Robert Holl\u003c\/p\u003e\n\u003cp\u003eChoir – MDR Rundfunkchor\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOrchestra – Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHaydn -Mass In D Minor, Hob. XXII, 11, \"Nelsonmesse\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\": II. Gloria, 1. Gloria in Excelsis Deo - Allegro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass-Baritone Vocals – Robert Holl\u003c\/p\u003e\n\u003cp\u003eChorus Master – Jörg-Peter Weigle\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOrchestra – Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHummel -Mass In E-Flat Mayor, Op. 80: IV. Sanctus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoir – Stuttgarter Hymnus-Chorknaben\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Gerhard Wilhelm\u003c\/p\u003e\n\u003cp\u003eEnsemble – Instrumental-Ensemble Werner Keltsch\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMendelssohn -Psalm 42, Op. 42:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo. 1 \"Wie Der Hirsch Schreit Nach Frischem Wasser\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – London Symphony Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Richard Hickox\u003c\/p\u003e\n\u003cp\u003eOrchestra – City Of London Sinfonia\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Janet Baker\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrahms -Ein Deutsches Requiem, Op. 45:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIhr Habt Nun Traurigkeit (Langsam)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Schutz Choir of London\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Roger Norrington\u003c\/p\u003e\n\u003cp\u003eEnsemble – London Classical Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBerlioz -L'Enfance Du Christ, Op 25,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: The Flight Into Egypt - L'Adieu Des Bergers À La Sainte Famille\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Royal Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMendelssohn -Elijah, Op. 70, Part 2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo. 31, \"O Rest In The Lord\" (The Angel)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Rafael Frühbeck De Burgos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Gwyneth Jones\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRossini -Stabat Mater: Cujus Animam Gementem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Coro Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003eConductor – Riccardo Muti\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestra Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRossini -Stabat Mater: Inflammatus Et Accensus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Coro Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003eConductor – Riccardo Muti\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestra Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruckner -Te Deum: I. Te Deum Laudamus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Daniel Barenboim\u003c\/p\u003e\n\u003cp\u003eContralto Vocals – Birgit Finnilä\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem: Dies Irae - Dies Irae\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Orfeón Donostiarra\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Plasson\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestre National Du Capitole De Toulouse\u003c\/p\u003e\n\u003cp\u003eViolin – Malcolm Stewart\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem: Lux Aeterna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Roberto Scandiuzzi\u003c\/p\u003e\n\u003cp\u003eChoir – Orfeón Donostiarra\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Plasson\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Felicity Palmer\u003c\/p\u003e\n\u003cp\u003eViolin – Malcolm Stewart\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem: VIII. Recordare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Nicolai Ghiaurov\u003c\/p\u003e\n\u003cp\u003eChoir – Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Carlo Maria Giulini\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem II. Dies Irae - Ingemisco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Nicolai Ghiaurov\u003c\/p\u003e\n\u003cp\u003eChoir – Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Carlo Maria Giulini\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePuccini -Messa Di Gloria, Op. Posth:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII. Gloria - Gloria In Excelsis Deo - In Terra Pax - Laudamus Te\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Thomas Hampson\u003c\/p\u003e\n\u003cp\u003eChoir – London Symphony Chorus\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eConductor – Antonio Pappano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLibera Me: Libera Me Domine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Of The Gulbenkian Foundation\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eOrchestra – Gulbenkian Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranck -Panis Angelicus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Arie Van Beek\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestre D'Auvergne\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Sœur Marie Keyrouz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Cantique de Jean Racine, Op. 11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Ensemble Vocal De Lausanne\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Instrumental De Lausanne\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMendelssohn -Psalm No 42, 'Wie Der Hirsch Schreit', Op 42:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII Meine Seele Durstet Nach Gott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Of The Gulbenkian Foundation\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eOrchestra – Gulbenkian Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeethoven -Mass In C Major, Op. 86: I. Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlto Vocals – Dame Janet Baker\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Marius Rintzler\u003c\/p\u003e\n\u003cp\u003eChoir – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Carlo Maria Giulini\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elly Ameling\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Requiem In D Minor, K. 626:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Sequentia, Lacrimosa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Of St Martin In The Fields\u003c\/p\u003e\n\u003cp\u003eConductor – Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Mass No. 6 in E-Flat Major, D. 950:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVI. Agnus Dei (Andante Con Moto - Andante)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCampra -Requiem (Messe Des Morts):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e. Introit \"Requiem Aeternam\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Nicolas Rivenq\u003c\/p\u003e\n\u003cp\u003eChoir – Les Arts Florissants\u003c\/p\u003e\n\u003cp\u003eConductor – William Christie\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBerlioz -Grande Messe Des Morts, Op. 5, H. 75, \"Requiem\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Requiem Et Kyrie, Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComposed By – Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – André Previn\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Deutsche Messe, D 872:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo 7, Zum Agnus Dei, \"Mein Heiland, Herr Und Meister!\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Brigitte Fassbaender\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Lucia Popp\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem, Op. 48: VI. Libera Me\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Simon Keenlyside\u003c\/p\u003e\n\u003cp\u003eChoir – Winchester Cathedral Choir\u003c\/p\u003e\n\u003cp\u003eConductor – David Hill\u003c\/p\u003e\n\u003cp\u003eOrchestra – Bournemouth Sinfonietta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem, Op. 48: VII. in Paradisum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Simon Keenlyside\u003c\/p\u003e\n\u003cp\u003eChoir – Winchester Cathedral Choir\u003c\/p\u003e\n\u003cp\u003eConductor – David Hill\u003c\/p\u003e\n\u003cp\u003eOrchestra – Bournemouth Sinfonietta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem In D Minor, Op 48:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Introit Et Kyrie (Largo - Andante Moderato)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Ensemble Vocal De Lausanne\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Instrumental De Lausanne\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruckner -Ave Maria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChorus – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Wilhelm Pitz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrahms -Ein Deutsches Requiem, Op 45:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII Denn Alles Fleisch, Es Ist Wie Gras (Langsam Und Marschmassig)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Radiokören\u003c\/p\u003e\n\u003cp\u003eConductor – Paavo Järvi\u003c\/p\u003e\n\u003cp\u003eOrchestra – Radio-Sinfonie-Orchester Frankfurt\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Natalie Dessay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Stabat Mater, FP 148: III. O Quam Tristis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Westminster Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Richard Hickox\u003c\/p\u003e\n\u003cp\u003eOrchestra – City Of London Sinfonia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGounod -Messe Solennelle De Sainte-Cecile, CG 56:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV Benedictus (Adagio)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chœur de Radio France\u003c\/p\u003e\n\u003cp\u003eConductor – Georges Prêtre\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Barbara Hendricks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStolzer -Bist Du Bei Mir\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor, Arranged By – Philippe Rombi\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestre Symphonique Bel'Arte\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Natalie Dessay\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Rolando Villazón\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePuccini -Messa Di Gloria A Quattro Voci:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV. Agnus Dei, \"Agnus Dei Qui Tollis Peccata Mundi\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Thomas Hampson\u003c\/p\u003e\n\u003cp\u003eChoir – London Symphony Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Antonio Pappano\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Stabat Mater, FP 148:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Stabat Mater Dolorosa (Très Calme)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Westminster Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Richard Hickox\u003c\/p\u003e\n\u003cp\u003eOrchestra – City Of London Sinfonia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem, Op. 48: IV. Pie Jesu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Simon Keenlyside\u003c\/p\u003e\n\u003cp\u003eChoir – Winchester Cathedral Choir\u003c\/p\u003e\n\u003cp\u003eConductor – David Hill\u003c\/p\u003e\n\u003cp\u003eOrchestra – Bournemouth Sinfonietta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Quatre Motets Pour Le Temps De Noël, FP 152:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI O Magnum Mysterium (Tres Calme Et Doux)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Sixteen\u003c\/p\u003e\n\u003cp\u003eConductor – Harry Christophers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Quatre Motets Pour Le Temps De Noël, FP 152:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII Quem Vidistis Pastores Dicite (Allegretto)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Sixteen\u003c\/p\u003e\n\u003cp\u003eConductor – Harry Christophers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuruflé -Requiem, Op. 9: Pie Jesu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Olaf Bär\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Ann Murray\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePärt -De Profundis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Estonian Philharmonic Chamber Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Tõnu Kaljuste\u003c\/p\u003e\n\u003cp\u003eOrgan – Christopher Bowers-Broadbent\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJenkins -The Armed Man (A Mass For Peace): X. Agnus Dei\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Guy Johnston\u003c\/p\u003e\n\u003cp\u003eChoir – National Youth Choir Of Great Britain\u003c\/p\u003e\n\u003cp\u003eChorus Master – Mike Brewer\u003c\/p\u003e\n\u003cp\u003eConductor – Karl Jenkins\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLloyd Webber -Requiem: VII. Pie Jesu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Kirk Trevor\u003c\/p\u003e\n\u003cp\u003eOrchestra – Slovak Radio Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eOrgan – Simon Gibson\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Jane Gilchrist\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJenkins -The Armed Man (A Mass For Peace): XII. Benedictus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Guy Johnston\u003c\/p\u003e\n\u003cp\u003eChoir – National Youth Choir Of Great Britain\u003c\/p\u003e\n\u003cp\u003eChorus Master – Mike Brewer\u003c\/p\u003e\n\u003cp\u003eConductor – Karl Jenkins\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003c\/div\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":31687435485271,"sku":"190295794255","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71g6qZXDeLL._SL1200.jpg?v=1585848593"},{"product_id":"yo-yo-ma-plays-cello-masterworks-bach-beethoven-brahms-dvorak-elgar-haydn-schumann-tchaikovsky-8-cds","title":"Yo-Yo Ma Plays Cello Masterworks (8 CDs) — Bach, Beethoven, Brahms, Dvořák, Elgar, Haydn, Schumann \u0026 Tchaikovsky","description":"\u003cp\u003eSpanning eight CDs, this landmark Sony Classical collection brings together Yo-Yo Ma's most celebrated cello recordings — from Bach's unaccompanied suites to the great Romantic concertos by Dvořák, Elgar, and Schumann. Featuring collaborations with Emanuel Ax, André Previn, and the Berlin Philharmonic, it's the definitive introduction to Yo-Yo Ma's artistry and the cello repertoire at its finest. Ideal for classical music enthusiasts, gift-givers, and collectors.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Vivaldi's Cello: Cello Concertos · Aria Arrangements \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVivaldi's Cello, Antonio Vivaldi (1678-1741)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto for 2 Cellos, Strings, and Basso cintinuo in G minor RV 531\u003c\/div\u003e\n\u003cdiv\u003eCello – Jonathan Manson\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eI Allegro\u003cspan\u003e \u003c\/span\u003e3:19\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eII Largo\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003eIII Allegro\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eLargo From Violin Concerto Rv 297 \"Winter\" (The Four Seasons)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello, Strings, And Basso Continuo In B-Flat Major Rv 423\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eI Allegro\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003eII Largo\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eIII Allegro\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003e\"Così Sugl' Occhi Miei\" From La Fida Ninfa Rv 714\u003c\/div\u003e\n\u003cdiv\u003eBassoon – Wouter Verschuren\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOboe – Alfredo Bernardini\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003eViolin – Margaret Faultless\u003c\/div\u003e\n\u003cdiv\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Viola D'amore, Lute And Orchestra RV 540\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eI Allegro\u003cspan\u003e \u003c\/span\u003e5:21\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eII Largo\u003cspan\u003e \u003c\/span\u003e2:29\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eIII Allegro\u003cspan\u003e \u003c\/span\u003e3:07\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003e\"La Gloria Del Mio Sangue\" From Il Giustino Rv 717\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOboe – Alfredo Bernardini, Michel Henry\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello, Strings, And Basso Continuo In C Minor RV 401\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003eI Allegro Non Molto\u003cspan\u003e \u003c\/span\u003e4:16\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003eII Adagio\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003eIII Allegro Ma Non Molto\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003e\"Noli, ò Cara, Te Adorantis\" From Juditha Triumphans RV 644\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOboe – Alfredo Bernardini\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e4:58\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003e\"Laudamus Te\" From Gloria RV 589\u003c\/div\u003e\n\u003cdiv\u003eCello – Jonathan Manson\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003e\"Quanto Magis Generosa\" From Juditha Triumphans RV 644\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003eViola – Katherine McGillivray\u003c\/div\u003e\n\u003cdiv\u003e10:15\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003e\"Dite Oihmè\" From La Fid Ninfa RV 714\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003eConductor, Harpsichord, Organ – Ton Koopman\u003c\/div\u003e\n\u003cdiv\u003eLute – Mike Fentross\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Amsterdam Baroque Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2:25\u003c\/div\u003e\n\u003cdiv\u003eBoccherini: Cello Concerto In B-Flat Major · J. Haydn: Cello Concertos Nos. 1 \u0026amp; 2\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLuigi Boccherini (1743-1805)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra No. 9 In B-Flat Major G 482\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Friedrich Grützmacher\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Luigi Boccherini\u003c\/div\u003e\n\u003cdiv\u003eConductor – Pinchas Zukerman\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Saint Paul Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003eI Allegro Moderato\u003cspan\u003e \u003c\/span\u003e8:49\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003eII Adagio (Non Troppo)\u003cspan\u003e \u003c\/span\u003e6:30\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003eIII Rondo. Allegro\u003cspan\u003e \u003c\/span\u003e4:48\u003c\/div\u003e\n\u003cdiv\u003eJoseph Haydn (1732-1809)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra No. 1 In C Major Hob. Vllb: 1\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Joseph Haydn\u003c\/div\u003e\n\u003cdiv\u003eConductor – José-Luis Garcia\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003eI Moderato\u003cspan\u003e \u003c\/span\u003e9:01\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003eII Adagio\u003cspan\u003e \u003c\/span\u003e8:13\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003eIII Allegro molto\u003cspan\u003e \u003c\/span\u003e6:27\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra No. 1 In D Major Hob. Vllb: 2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Joseph Haydn\u003c\/div\u003e\n\u003cdiv\u003eConductor – José-Luis Garcia\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003eI Allegro Moderato\u003cspan\u003e \u003c\/span\u003e14:14\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003eII Adagio\u003cspan\u003e \u003c\/span\u003e6:00\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003eIII Allegro\u003cspan\u003e \u003c\/span\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003eSchumann: Cello Concerto · Dvořák: Cello Concerto · Silent Woods · Rondo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eRobert Schumann (1810-1856)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra In A Minor Op. 129\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003eConductor – Sir Colin Davis\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Kammerorchester Des Bayerischen Rundfunks\u003c\/div\u003e\n\u003cdiv\u003e3-1\u003cspan\u003e \u003c\/span\u003eNicht Zu Schnell\u003cspan\u003e \u003c\/span\u003e11:42\u003c\/div\u003e\n\u003cdiv\u003e3-2\u003cspan\u003e \u003c\/span\u003eLangsam\u003cspan\u003e \u003c\/span\u003e4:47\u003c\/div\u003e\n\u003cdiv\u003e3-3\u003cspan\u003e \u003c\/span\u003eSehr Lebhaft\u003cspan\u003e \u003c\/span\u003e8:08\u003c\/div\u003e\n\u003cdiv\u003eAntonín Dvořák (1841-1904)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra In B Minor Op. 104\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eConductor – Lorin Maazel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Berliner Philharmoniker\u003c\/div\u003e\n\u003cdiv\u003e3-4\u003cspan\u003e \u003c\/span\u003eI Allegro\u003cspan\u003e \u003c\/span\u003e16:07\u003c\/div\u003e\n\u003cdiv\u003e3-5\u003cspan\u003e \u003c\/span\u003eII Adagio, Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e12:46\u003c\/div\u003e\n\u003cdiv\u003e3-6\u003cspan\u003e \u003c\/span\u003eIII Finale. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e13:18\u003c\/div\u003e\n\u003cdiv\u003e3-7\u003cspan\u003e \u003c\/span\u003eSilent Woods In D-Flat Major From The Bohemian Forest Op. 68: No. 5\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eConductor – Lorin Maazel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Berliner Philharmoniker\u003c\/div\u003e\n\u003cdiv\u003e6:39\u003c\/div\u003e\n\u003cdiv\u003e3-8\u003cspan\u003e \u003c\/span\u003eRondo In G Minor Op. 94\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eConductor – Lorin Maazel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Berliner Philharmoniker\u003c\/div\u003e\n\u003cdiv\u003e8:10\u003c\/div\u003e\n\u003cdiv\u003eSaint-Saëns: Cello Concerto No. 1 · Lalo \u0026amp; Walton: Cello Concertos\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCamille Saint-Saëns (1853-1921)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-1\u003cspan\u003e \u003c\/span\u003eConcerto For Cello And Orchestra No. 1 In A Minor Op. 33\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Camille Saint-Saëns\u003c\/div\u003e\n\u003cdiv\u003eConductor – Lorin Maazel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestre National De France\u003c\/div\u003e\n\u003cdiv\u003e18:53\u003c\/div\u003e\n\u003cdiv\u003eÉdouard Lalo (1823-1892)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Édouard Lalo\u003c\/div\u003e\n\u003cdiv\u003eConductor – Lorin Maazel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestre National De France\u003c\/div\u003e\n\u003cdiv\u003e4-2\u003cspan\u003e \u003c\/span\u003eI Prélude. Lento – Allegro Maestoso\u003cspan\u003e \u003c\/span\u003e13:05\u003c\/div\u003e\n\u003cdiv\u003e4-3\u003cspan\u003e \u003c\/span\u003eII Intermezzo. Andantino Con Moto – Allegro Presto\u003cspan\u003e \u003c\/span\u003e6:19\u003c\/div\u003e\n\u003cdiv\u003e4-4\u003cspan\u003e \u003c\/span\u003eIII Introduction. Andante – Allegro Vivace\u003cspan\u003e \u003c\/span\u003e7:40\u003c\/div\u003e\n\u003cdiv\u003eWilliam Walton (1902-1983)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir William Walton\u003c\/div\u003e\n\u003cdiv\u003eConductor – André Previn\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e4-5\u003cspan\u003e \u003c\/span\u003eI Moderato\u003cspan\u003e \u003c\/span\u003e8:48\u003c\/div\u003e\n\u003cdiv\u003e4-6\u003cspan\u003e \u003c\/span\u003eII Allegro Appasionato\u003cspan\u003e \u003c\/span\u003e6:27\u003c\/div\u003e\n\u003cdiv\u003e4-7\u003cspan\u003e \u003c\/span\u003eIII Lento – Con Moto – Risoluto Temp Giusto. Brioso – Allegro Molto – Rapsodicamente – A Temp di N° 6, I° Mov. Ma Un Po'più Lento – Adagio\u003cspan\u003e \u003c\/span\u003e14:59\u003c\/div\u003e\n\u003cdiv\u003eElgar \u0026amp; Shostakovich: Cello Concertos · Tchaikovsky: Rococo Variations\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eEdward Elgar (1857-1934)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra In E Minor Op. 85\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Edward Elgar\u003c\/div\u003e\n\u003cdiv\u003eConductor – André Previn\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5-1\u003cspan\u003e \u003c\/span\u003eI Adagio – Moderato – Attaca\u003cspan\u003e \u003c\/span\u003e8:01\u003c\/div\u003e\n\u003cdiv\u003e5-2\u003cspan\u003e \u003c\/span\u003eII Lento – Allegro Molto\u003cspan\u003e \u003c\/span\u003e4:25\u003c\/div\u003e\n\u003cdiv\u003e5-3\u003cspan\u003e \u003c\/span\u003eIII Adagio\u003cspan\u003e \u003c\/span\u003e5:01\u003c\/div\u003e\n\u003cdiv\u003e5-4\u003cspan\u003e \u003c\/span\u003eIV Allegro – Moderato – Allegro, Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e11:38\u003c\/div\u003e\n\u003cdiv\u003eDmitri Shostakovich (1906-1975)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Cello And Orchestra No. 1 In E-Flat Major Op. 107\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Dmitri Shostakovich\u003c\/div\u003e\n\u003cdiv\u003eConductor – Eugene Ormandy\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – The Philadelphia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5-5\u003cspan\u003e \u003c\/span\u003eI Allegretto\u003cspan\u003e \u003c\/span\u003e6:23\u003c\/div\u003e\n\u003cdiv\u003e5-6\u003cspan\u003e \u003c\/span\u003eII Moderato – Attacca, III Cadenza – Attacca, IV Allegro Con Moto\u003cspan\u003e \u003c\/span\u003e21:08\u003c\/div\u003e\n\u003cdiv\u003ePyotr Ilyich Tchaikovsky (1840-1893)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eVariations On A Rococo Theme For Cello And Orchestra Op. 33\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/div\u003e\n\u003cdiv\u003eConductor – Lorin Maazel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pittsburgh Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5-7\u003cspan\u003e \u003c\/span\u003eModerato Quasi Andante – Thema. Moderato Semplice\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e5-8\u003cspan\u003e \u003c\/span\u003eVar. I. Tempo Della Thema\u003cspan\u003e \u003c\/span\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003e5-9\u003cspan\u003e \u003c\/span\u003eVar. Ii. Tempo Della Thema\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e5-10\u003cspan\u003e \u003c\/span\u003eVar. Iii. Andante Sostenuto\u003cspan\u003e \u003c\/span\u003e3:41\u003c\/div\u003e\n\u003cdiv\u003e5-11\u003cspan\u003e \u003c\/span\u003eVar. Iv. Andante Grazioso\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e5-12\u003cspan\u003e \u003c\/span\u003eVar. V. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e5-13\u003cspan\u003e \u003c\/span\u003eVar. Vi. Andante\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e5-14\u003cspan\u003e \u003c\/span\u003eVar. VII E Coda. Allegro Vivo\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003eJ.S. Bach: Suites for Unaccompanied Cello Nos. 1, 3, \u0026amp; 5\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eJohann Sebastian Bach (1685-1750)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSuite For Unaccompanied Cello No. 1 In G Major Bwv 1007\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003e6-1\u003cspan\u003e \u003c\/span\u003eI Prélude\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e6-2\u003cspan\u003e \u003c\/span\u003eII Allemande\u003cspan\u003e \u003c\/span\u003e3:47\u003c\/div\u003e\n\u003cdiv\u003e6-3\u003cspan\u003e \u003c\/span\u003eIII Courante\u003cspan\u003e \u003c\/span\u003e2:26\u003c\/div\u003e\n\u003cdiv\u003e6-4\u003cspan\u003e \u003c\/span\u003eIV Sarabande\u003cspan\u003e \u003c\/span\u003e2:56\u003c\/div\u003e\n\u003cdiv\u003e6-5\u003cspan\u003e \u003c\/span\u003eV Menuett I – Menuett II\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e6-6\u003cspan\u003e \u003c\/span\u003eVI Gigue\u003cspan\u003e \u003c\/span\u003e1:47\u003c\/div\u003e\n\u003cdiv\u003eSuite For Unaccompanied Cello No. 3 In C Major Bwv 1009\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003e6-7\u003cspan\u003e \u003c\/span\u003eI Prélude\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e6-8\u003cspan\u003e \u003c\/span\u003eII Allemande\u003cspan\u003e \u003c\/span\u003e3:35\u003c\/div\u003e\n\u003cdiv\u003e6-9\u003cspan\u003e \u003c\/span\u003eIII Courante\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e6-10\u003cspan\u003e \u003c\/span\u003eIV Sarabande\u003cspan\u003e \u003c\/span\u003e3:44\u003c\/div\u003e\n\u003cdiv\u003e6-11\u003cspan\u003e \u003c\/span\u003eV Bourré I – Bourré II\u003cspan\u003e \u003c\/span\u003e3:23\u003c\/div\u003e\n\u003cdiv\u003e6-12\u003cspan\u003e \u003c\/span\u003eVI Gigue\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003eSuite For Unaccompanied Cello No. 5 In C Minor Bwv 1011\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003e6-13\u003cspan\u003e \u003c\/span\u003eI Prélude\u003cspan\u003e \u003c\/span\u003e6:19\u003c\/div\u003e\n\u003cdiv\u003e6-14\u003cspan\u003e \u003c\/span\u003eII Allemande\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e6-15\u003cspan\u003e \u003c\/span\u003eIII Courante\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6-16\u003cspan\u003e \u003c\/span\u003eIV Sarabande\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e6-17\u003cspan\u003e \u003c\/span\u003eV Gavotte I – Gavotte II\u003cspan\u003e \u003c\/span\u003e4:15\u003c\/div\u003e\n\u003cdiv\u003e6-18\u003cspan\u003e \u003c\/span\u003eVI Gigue\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003eBeethoven: Cello Sonatas No. 1 \u0026amp; 3 · Variations\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLudwig Van Beethoven (1770-1827)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata For Piano And Cello No. 1 In F Major Op. 5\/1\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003ePiano – Emanuel Ax\u003c\/div\u003e\n\u003cdiv\u003e7-1\u003cspan\u003e \u003c\/span\u003eI Adagio Sostenuto – Allegro – Adagio – Presto – Tempo I\u003cspan\u003e \u003c\/span\u003e18:36\u003c\/div\u003e\n\u003cdiv\u003e7-2\u003cspan\u003e \u003c\/span\u003eII Rondo. Allegro vivavce\u003cspan\u003e \u003c\/span\u003e7:10\u003c\/div\u003e\n\u003cdiv\u003eSonata For Piano And Cello No. 3 In A Major Op. 69\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003ePiano – Emanuel Ax\u003c\/div\u003e\n\u003cdiv\u003e7-3\u003cspan\u003e \u003c\/span\u003eI Allegro Ma Non Tanto\u003cspan\u003e \u003c\/span\u003e13:52\u003c\/div\u003e\n\u003cdiv\u003e7-4\u003cspan\u003e \u003c\/span\u003eII Scherzo. Allegro Molto\u003cspan\u003e \u003c\/span\u003e5:20\u003c\/div\u003e\n\u003cdiv\u003e7-5\u003cspan\u003e \u003c\/span\u003eIII Adagio Cantabile – Allegro Vivace\u003cspan\u003e \u003c\/span\u003e8:49\u003c\/div\u003e\n\u003cdiv\u003e7-6\u003cspan\u003e \u003c\/span\u003e7 Variations In E-flat Major On \"Bei Männern, Welche Liebe Fühlen\" Woo 46 From Mozart's Opera \"Die Zauberflöte\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003e9:42\u003c\/div\u003e\n\u003cdiv\u003e7-7\u003cspan\u003e \u003c\/span\u003e7 Variations In F Major On \"Ein Mädchen Oder Weibchen\" Op. 66 From Mozart's Opera \"Die Zauberflöte\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003e11:14\u003c\/div\u003e\n\u003cdiv\u003eBrahms: Cello Sonatas Nos. 1 \u0026amp; 2 · Schumann: Adagio \u0026amp; Allegro · Fantasiestücke\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eJohannes Brahms (1833-1897)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata For Piano And Cello No. 1 In E Minor Op. 38\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003ePiano – Emanuel Ax\u003c\/div\u003e\n\u003cdiv\u003e8-1\u003cspan\u003e \u003c\/span\u003eI Allegro Non Troppo\u003cspan\u003e \u003c\/span\u003e14:49\u003c\/div\u003e\n\u003cdiv\u003e8-2\u003cspan\u003e \u003c\/span\u003eII Allegretto Quasi Menuetto – Trio\u003cspan\u003e \u003c\/span\u003e6:02\u003c\/div\u003e\n\u003cdiv\u003e8-3\u003cspan\u003e \u003c\/span\u003eIII Allegro\u003cspan\u003e \u003c\/span\u003e6:37\u003c\/div\u003e\n\u003cdiv\u003eSonata For Piano And Cello No. 2 In F Major Op. 99\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003ePiano – Emanuel Ax\u003c\/div\u003e\n\u003cdiv\u003e8-4\u003cspan\u003e \u003c\/span\u003eI Allegro Vivace\u003cspan\u003e \u003c\/span\u003e9:28\u003c\/div\u003e\n\u003cdiv\u003e8-5\u003cspan\u003e \u003c\/span\u003eII Adagio Affettuoso\u003cspan\u003e \u003c\/span\u003e7:50\u003c\/div\u003e\n\u003cdiv\u003e8-6\u003cspan\u003e \u003c\/span\u003eIII Allegro Passionato [– Trio]\u003cspan\u003e \u003c\/span\u003e7:22\u003c\/div\u003e\n\u003cdiv\u003e8-7\u003cspan\u003e \u003c\/span\u003eIV Allegro Molto\u003cspan\u003e \u003c\/span\u003e4:35\u003c\/div\u003e\n\u003cdiv\u003eRobert Schumann (1810-1856)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eAdagio And Allegro In A-flat Major Op. 70\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003e8-8\u003cspan\u003e \u003c\/span\u003eLangsam, Mit Innigem Ausdruck\u003cspan\u003e \u003c\/span\u003e4:05\u003c\/div\u003e\n\u003cdiv\u003e8-9\u003cspan\u003e \u003c\/span\u003eRasch Und Feurig\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e3 Fantasiestücke Op. 73\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003e8-10\u003cspan\u003e \u003c\/span\u003eNo. 1: Zart Und Mit Ausdruck\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e8-11\u003cspan\u003e \u003c\/span\u003eNo. 2: Lebhaft, Leicht\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e8-12\u003cspan\u003e \u003c\/span\u003eNo. 3: Rasch Und Mit Feuer\u003cspan\u003e \u003c\/span\u003e4:05\u003c\/div\u003e","brand":"SONY CLASSICAL","offers":[{"title":"Default Title","offer_id":31807662194775,"sku":"SYNX438572.2","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/887654385727.jpg?v=1587650508"},{"product_id":"purcell-vaughan-williams-britten-the-very-best-of-english-song","title":"The Very Best Of English Song (5 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_07fbb1df-c5fc-40dc-9216-358ab6fef348_480x480.png?v=1699643704\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e1-1 Ralph Vaughan Williams– Linden Lea—A Dorset Song\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003ePiano – Gerald Moore\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Barnes\u003cbr data-mce-fragment=\"1\"\u003e2:54\u003cbr data-mce-fragment=\"1\"\u003e1-2 John Ireland– The Salley Gardens\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003ePiano – Gerald Moore\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Butler Yeats\u003cbr data-mce-fragment=\"1\"\u003e2:13\u003cbr data-mce-fragment=\"1\"\u003e1-3 Charles Hubert Hastings Parry– O Mistress Mine (English Lyrics Set II No. 1)\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003ePiano – Gerald Moore\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e1:31\u003cbr data-mce-fragment=\"1\"\u003e1-4 Roger Quilter– Love’s Philosophy Op.3 No.1\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003ePiano – Gerald Moore\u003cbr data-mce-fragment=\"1\"\u003eWords By – Percy Bysshe Shelley\u003cbr data-mce-fragment=\"1\"\u003e1:28\u003cbr data-mce-fragment=\"1\"\u003e1-5 Roger Quilter– Now Sleeps The Crimson Petal Op.3 No.2\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Sir Thomas Allen*\u003cbr data-mce-fragment=\"1\"\u003ePiano – Geoffrey Parsons (2)\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Lord Tennyson\u003cbr data-mce-fragment=\"1\"\u003e2:13\u003cbr data-mce-fragment=\"1\"\u003e1-6 Graham Peel (2)– Bredon Hill\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Sir Thomas Allen*\u003cbr data-mce-fragment=\"1\"\u003ePiano – Geoffrey Parsons (2)\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Edward Housman\u003cbr data-mce-fragment=\"1\"\u003e3:40\u003cbr data-mce-fragment=\"1\"\u003e1-7 George Butterworth– Loveliest Of Trees (A Shropshire Lad No.1)\u003cbr data-mce-fragment=\"1\"\u003ePiano – David Willison\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Anthony Rolfe Johnson\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Edward Housman\u003cbr data-mce-fragment=\"1\"\u003e2:51\u003cbr data-mce-fragment=\"1\"\u003e1-8 Ivor Gurney– Down By The Salley Gardens\u003cbr data-mce-fragment=\"1\"\u003ePiano – David Willison\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Anthony Rolfe Johnson\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Butler Yeats\u003cbr data-mce-fragment=\"1\"\u003e2:35\u003cbr data-mce-fragment=\"1\"\u003e1-9 Ivor Gurney– Black Stitchel\u003cbr data-mce-fragment=\"1\"\u003ePiano – David Willison\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Anthony Rolfe Johnson\u003cbr data-mce-fragment=\"1\"\u003eWords By – Wilfrid Gibson\u003cbr data-mce-fragment=\"1\"\u003e2:10\u003cbr data-mce-fragment=\"1\"\u003e1-10 Peter Warlock– My Own Country\u003cbr data-mce-fragment=\"1\"\u003ePiano – David Willison\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Anthony Rolfe Johnson\u003cbr data-mce-fragment=\"1\"\u003eWords By – Hilaire Belloc\u003cbr data-mce-fragment=\"1\"\u003e2:34\u003cbr data-mce-fragment=\"1\"\u003e1-11 Peter Warlock– Passing By\u003cbr data-mce-fragment=\"1\"\u003ePiano – David Willison\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Anthony Rolfe Johnson\u003cbr data-mce-fragment=\"1\"\u003eWords By – Bruce Blunt\u003cbr data-mce-fragment=\"1\"\u003e2:30\u003cbr data-mce-fragment=\"1\"\u003e1-12 Peter Warlock– Pretty Ring Time\u003cbr data-mce-fragment=\"1\"\u003ePiano – David Willison\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Anthony Rolfe Johnson\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e1:11\u003cbr data-mce-fragment=\"1\"\u003e1-13 Ralph Vaughan Williams– The Lamb (Ten Blake Songs No.5)\u003cbr data-mce-fragment=\"1\"\u003eOboe – Janet Craxton\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Ian Partridge\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Blake\u003cbr data-mce-fragment=\"1\"\u003e2:17\u003cbr data-mce-fragment=\"1\"\u003e1-14 Ralph Vaughan Williams– The Shepherd (Ten Blake Songs No.6)\u003cbr data-mce-fragment=\"1\"\u003eOboe – Janet Craxton\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Ian Partridge\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Blake\u003cbr data-mce-fragment=\"1\"\u003e0:50\u003cbr data-mce-fragment=\"1\"\u003e1-15 Ralph Vaughan Williams– Silent Noon (The House of Life No.2)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Julius Drake\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Ian Bostridge\u003cbr data-mce-fragment=\"1\"\u003eWords By – Dante Gabriel Rossetti\u003cbr data-mce-fragment=\"1\"\u003e4:18\u003cbr data-mce-fragment=\"1\"\u003e1-16 Roger Quilter– Come Away, Death Op.6 No.1\u003cbr data-mce-fragment=\"1\"\u003ePiano – Julius Drake\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Ian Bostridge\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e3:01\u003cbr data-mce-fragment=\"1\"\u003e1-17 Gerald Finzi– Since We Loved (Oh Fair To See No.7)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Julius Drake\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Ian Bostridge\u003cbr data-mce-fragment=\"1\"\u003eWords By – Robert Bridges\u003cbr data-mce-fragment=\"1\"\u003e1:12\u003cbr data-mce-fragment=\"1\"\u003e1-18 Gerald Finzi– Rollicum-rorum (Earth And Air And Rain No.6)\u003cbr data-mce-fragment=\"1\"\u003eBass-Baritone Vocals – Jonathan Lemalu\u003cbr data-mce-fragment=\"1\"\u003ePiano – Roger Vignoles\u003cbr data-mce-fragment=\"1\"\u003eWords By – Thomas Hardy\u003cbr data-mce-fragment=\"1\"\u003e2:02\u003cbr data-mce-fragment=\"1\"\u003e1-19 John Ireland– Sea Fever\u003cbr data-mce-fragment=\"1\"\u003eBass-Baritone Vocals – Jonathan Lemalu\u003cbr data-mce-fragment=\"1\"\u003ePiano – Roger Vignoles\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Masefield (2)\u003cbr data-mce-fragment=\"1\"\u003e2:11\u003cbr data-mce-fragment=\"1\"\u003e1-20 Frederick Keel– Trade Winds (Salt-Water Ballads No.2)\u003cbr data-mce-fragment=\"1\"\u003eBass-Baritone Vocals – Jonathan Lemalu\u003cbr data-mce-fragment=\"1\"\u003ePiano – Roger Vignoles\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Masefield (2)\u003cbr data-mce-fragment=\"1\"\u003e2:19\u003cbr data-mce-fragment=\"1\"\u003e1-21 Charles Villiers Stanford– Drake’s Drum (Songs Of The Sea No.1)\u003cbr data-mce-fragment=\"1\"\u003eBass Vocals – Robert Lloyd (4)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Nina Walker\u003cbr data-mce-fragment=\"1\"\u003eWords By – Sir Henry Newbolt\u003cbr data-mce-fragment=\"1\"\u003e2:43\u003cbr data-mce-fragment=\"1\"\u003e1-22 Charles Villiers Stanford– The Old Superb (Songs Of The Sea No.5)\u003cbr data-mce-fragment=\"1\"\u003eBass Vocals – Robert Lloyd (4)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Nina Walker\u003cbr data-mce-fragment=\"1\"\u003eWords By – Sir Henry Newbolt\u003cbr data-mce-fragment=\"1\"\u003e3:24\u003cbr data-mce-fragment=\"1\"\u003e1-23 Amy Woodforde-Finden– Kashmiri Song (Four Indian Love-Lyrics No.3)\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Frederick Harvey\u003cbr data-mce-fragment=\"1\"\u003ePiano – Jack Byfield\u003cbr data-mce-fragment=\"1\"\u003eWords By – Laurence Hope\u003cbr data-mce-fragment=\"1\"\u003e2:56\u003cbr data-mce-fragment=\"1\"\u003e1-24 May Brahe– Bless This House\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003eOrgan – Philip Ledger\u003cbr data-mce-fragment=\"1\"\u003eWords By – Helen Taylor (5)\u003cbr data-mce-fragment=\"1\"\u003e3:18\u003cbr data-mce-fragment=\"1\"\u003e1-25 Peter Warlock– Balulalow\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003eOrgan – Philip Ledger\u003cbr data-mce-fragment=\"1\"\u003eWords By – James, John And Robert Wedderburn\u003cbr data-mce-fragment=\"1\"\u003e1:46\u003cbr data-mce-fragment=\"1\"\u003e1-26 Charles Dibdin– Tom Bowling\u003cbr data-mce-fragment=\"1\"\u003ePiano – Philip Ledger\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003eWords By – Charles Dibdin\u003cbr data-mce-fragment=\"1\"\u003e4:15\u003cbr data-mce-fragment=\"1\"\u003e1-27 Henry Bishop– Home! Sweet Home!\u003cbr data-mce-fragment=\"1\"\u003ePiano – André Previn\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Howard Payne\u003cbr data-mce-fragment=\"1\"\u003e3:34\u003cbr data-mce-fragment=\"1\"\u003e1-28 Michael William Balfe– Come Into The Garden, Maud\u003cbr data-mce-fragment=\"1\"\u003ePiano – André Previn\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Lord Tennyson\u003cbr data-mce-fragment=\"1\"\u003e4:06\u003cbr data-mce-fragment=\"1\"\u003e1-29 Benjamin Britten– The Foggy, Foggy Dew\u003cbr data-mce-fragment=\"1\"\u003ePiano – Philip Ledger\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003e2:24\u003cbr data-mce-fragment=\"1\"\u003e1-30 Benjamin Britten– The Plough Boy\u003cbr data-mce-fragment=\"1\"\u003eComposed By – William Shield\u003cbr data-mce-fragment=\"1\"\u003ePiano – Philip Ledger\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003e1:45\u003cbr data-mce-fragment=\"1\"\u003eEnvoi \u003cbr data-mce-fragment=\"1\"\u003e1-31 Sir William Walton– Popular Song (Façade No.19)\u003cbr data-mce-fragment=\"1\"\u003eConductor – Sir Neville Marriner\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Members Of The Academy Of St. Martin In The Fields\u003cbr data-mce-fragment=\"1\"\u003eRead By – Michael Flanders (45)\u003cbr data-mce-fragment=\"1\"\u003eWords By – Edith Sitwell\u003cbr data-mce-fragment=\"1\"\u003e2:02\u003cbr data-mce-fragment=\"1\"\u003e2-1 Traditional– Greensleeves\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Alfred Deller\u003cbr data-mce-fragment=\"1\"\u003eLute – Desmond Dupré\u003cbr data-mce-fragment=\"1\"\u003e2:13\u003cbr data-mce-fragment=\"1\"\u003e2-2 Thomas Morley– It Was A Lover And His Lass\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Alfred Deller\u003cbr data-mce-fragment=\"1\"\u003eLute – Desmond Dupré\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e3:09\u003cbr data-mce-fragment=\"1\"\u003e2-3 Thomas Morley– O Mistress Mine\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Alfred Deller\u003cbr data-mce-fragment=\"1\"\u003eLute – Desmond Dupré\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e1:39\u003cbr data-mce-fragment=\"1\"\u003e2-4 Anon. 17th Century*– The Willow Song\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Alfred Deller\u003cbr data-mce-fragment=\"1\"\u003eLute – Desmond Dupré\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e4:16\u003cbr data-mce-fragment=\"1\"\u003e2-5 Robert Johnson (9)– Where The Bee Sucks\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Alfred Deller\u003cbr data-mce-fragment=\"1\"\u003eLute – Desmond Dupré\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e1:14\u003cbr data-mce-fragment=\"1\"\u003e2-6 Robert Johnson (9)– Full Fathom Five\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Alfred Deller\u003cbr data-mce-fragment=\"1\"\u003eLute – Desmond Dupré\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Shakespeare\u003cbr data-mce-fragment=\"1\"\u003e2:06\u003cbr data-mce-fragment=\"1\"\u003e2-7 William Byrd– Lullaby, My Sweet Little Baby\u003cbr data-mce-fragment=\"1\"\u003eAccompanied By – Fretwork\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Michael Chance\u003cbr data-mce-fragment=\"1\"\u003e5:59\u003cbr data-mce-fragment=\"1\"\u003e2-8 William Byrd– Elegy On The Death Of Thomas Tallis: Ye Sacred Muses\u003cbr data-mce-fragment=\"1\"\u003eAccompanied By – Fretwork\u003cbr data-mce-fragment=\"1\"\u003eCountertenor Vocals – Michael Chance\u003cbr data-mce-fragment=\"1\"\u003e4:05\u003cbr data-mce-fragment=\"1\"\u003e2-9 John Dowland– Sorrow, Stay! (Second Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute [Orpharion] – Anthony Rooley\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Emma Kirkby\u003cbr data-mce-fragment=\"1\"\u003e3:05\u003cbr data-mce-fragment=\"1\"\u003e2-10 John Dowland– Can She Excuse My Wrongs? (First Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute [Orpharion] – Anthony Rooley\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Emma Kirkby\u003cbr data-mce-fragment=\"1\"\u003e2:32\u003cbr data-mce-fragment=\"1\"\u003e2-11 John Dowland– Awake, Sweet Love (First Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute [Orpharion] – Anthony Rooley\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Emma Kirkby\u003cbr data-mce-fragment=\"1\"\u003e2:48\u003cbr data-mce-fragment=\"1\"\u003e2-12 John Dowland– Woeful Heart (Second Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute [Orpharion] – Anthony Rooley\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Emma Kirkby\u003cbr data-mce-fragment=\"1\"\u003e2:50\u003cbr data-mce-fragment=\"1\"\u003e2-13 John Dowland– Shall I Sue? (Second Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute – David Miller (7)\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Charles Daniels (2)\u003cbr data-mce-fragment=\"1\"\u003e2:36\u003cbr data-mce-fragment=\"1\"\u003e2-14 John Dowland– Me, Me And None But Me (Third And Last Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute – David Miller (7)\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Charles Daniels (2)\u003cbr data-mce-fragment=\"1\"\u003e2:11\u003cbr data-mce-fragment=\"1\"\u003e2-15 John Dowland– Flow, My Tears (Second Book Of Songs)\u003cbr data-mce-fragment=\"1\"\u003eLute – David Miller (7)\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Charles Daniels (2)\u003cbr data-mce-fragment=\"1\"\u003e3:49\u003cbr data-mce-fragment=\"1\"\u003e2-16 Henry Purcell– Fairest Isle\u003cbr data-mce-fragment=\"1\"\u003eLute [Archlute] – Nigel North\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Nancy Argenta\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Dryden\u003cbr data-mce-fragment=\"1\"\u003e2:37\u003cbr data-mce-fragment=\"1\"\u003e2-17 Henry Purcell– Music For A While\u003cbr data-mce-fragment=\"1\"\u003eHarpsichord – John Toll\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Nancy Argenta\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Dryden, Nathaniel Lee (3)\u003cbr data-mce-fragment=\"1\"\u003e3:55\u003cbr data-mce-fragment=\"1\"\u003e2-18 Henry Purcell– I Attempt From Love’s Sickness\u003cbr data-mce-fragment=\"1\"\u003eHarpsichord – Paul Nicholson\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Nancy Argenta\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Dryden, Robert Howard (2)\u003cbr data-mce-fragment=\"1\"\u003e2:02\u003cbr data-mce-fragment=\"1\"\u003e2-19 Henry Purcell– If Music Be The Food Of Love Z379 No.1\u003cbr data-mce-fragment=\"1\"\u003eHarpsichord – John Toll\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Nancy Argenta\u003cbr data-mce-fragment=\"1\"\u003eViola da Gamba – Richard Boothby\u003cbr data-mce-fragment=\"1\"\u003eWords By – Henry Heveningham\u003cbr data-mce-fragment=\"1\"\u003e2:05\u003cbr data-mce-fragment=\"1\"\u003e2-20 Henry Purcell– An Evening Hymn: Now That The Sun Hath Veiled His Light Z193\u003cbr data-mce-fragment=\"1\"\u003eOrgan [Chamber Organ] – Paul Nicholson\u003cbr data-mce-fragment=\"1\"\u003eSoprano Vocals – Nancy Argenta\u003cbr data-mce-fragment=\"1\"\u003e5:19\u003cbr data-mce-fragment=\"1\"\u003e2-21 Peter Warlock– Yarmouth Fair\u003cbr data-mce-fragment=\"1\"\u003eBass Vocals – Owen Brannigan\u003cbr data-mce-fragment=\"1\"\u003ePiano – Ernest Lush\u003cbr data-mce-fragment=\"1\"\u003eWords By – Hal Collins (4)\u003cbr data-mce-fragment=\"1\"\u003e1:40\u003cbr data-mce-fragment=\"1\"\u003e2-22 Charles G. Mortimer– The Smuggler’s Song\u003cbr data-mce-fragment=\"1\"\u003eBass Vocals – Owen Brannigan\u003cbr data-mce-fragment=\"1\"\u003ePiano – Ernest Lush\u003cbr data-mce-fragment=\"1\"\u003eWords By – Rudyard Kipling\u003cbr data-mce-fragment=\"1\"\u003e3:34\u003cbr data-mce-fragment=\"1\"\u003e2-23 Sydney Carter– Down Below\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Ian Wallace (3)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Donald Swann\u003cbr data-mce-fragment=\"1\"\u003e2:42\u003cbr data-mce-fragment=\"1\"\u003e2-24 Donald Swann– A Transport Of Delight\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Ian Wallace (3)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Donald Swann\u003cbr data-mce-fragment=\"1\"\u003eWords By – Michael Flanders\u003cbr data-mce-fragment=\"1\"\u003e2:35\u003cbr data-mce-fragment=\"1\"\u003e2-25 Donald Swann– The Wart Hog\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Ian Wallace (3)\u003cbr data-mce-fragment=\"1\"\u003ePiano – Donald Swann\u003cbr data-mce-fragment=\"1\"\u003eWords By – Michael Flanders\u003cbr data-mce-fragment=\"1\"\u003e3:44\u003cbr data-mce-fragment=\"1\"\u003e2-26 Donald Swann– The Hippopotamus Song (Live At The Fortune Theatre, London, 2 May 1959)\u003cbr data-mce-fragment=\"1\"\u003ePerformer – Flanders \u0026amp; Swann\u003cbr data-mce-fragment=\"1\"\u003e4:04\u003cbr data-mce-fragment=\"1\"\u003eSir Edward Elgar Sea Pictures Op.37\u003cbr data-mce-fragment=\"1\"\u003eConductor – Sir John Barbirolli\u003cbr data-mce-fragment=\"1\"\u003eMezzo-soprano Vocals – Janet Baker\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – London Symphony Orchestra*\u003cbr data-mce-fragment=\"1\"\u003e(22:50)\u003cbr data-mce-fragment=\"1\"\u003e3-1 – I. Sea Slumber Song\u003cbr data-mce-fragment=\"1\"\u003eWords By – Roden Noel\u003cbr data-mce-fragment=\"1\"\u003e5:04\u003cbr data-mce-fragment=\"1\"\u003e3-2 – II. In Haven (Capri)\u003cbr data-mce-fragment=\"1\"\u003eWords By – Caroline Alice Elgar\u003cbr data-mce-fragment=\"1\"\u003e2:06\u003cbr data-mce-fragment=\"1\"\u003e3-3 – III. Sabbath Morning At Sea\u003cbr data-mce-fragment=\"1\"\u003eWords By – Elizabeth Barrett Browning\u003cbr data-mce-fragment=\"1\"\u003e6:20\u003cbr data-mce-fragment=\"1\"\u003e3-4 – IV. Where Corals Lie\u003cbr data-mce-fragment=\"1\"\u003eWords By – Richard Garnett (2)\u003cbr data-mce-fragment=\"1\"\u003e4:11\u003cbr data-mce-fragment=\"1\"\u003e3-5 – V. The Swimmer\u003cbr data-mce-fragment=\"1\"\u003eWords By – Adam Lindsay Gordon\u003cbr data-mce-fragment=\"1\"\u003e5:09\u003cbr data-mce-fragment=\"1\"\u003eRalph Vaughan Williams Songs Of Travel\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Sir Thomas Allen*\u003cbr data-mce-fragment=\"1\"\u003eConductor – Sir Simon Rattle\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – City Of Birmingham Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWords By – Robert Louis Stevenson\u003cbr data-mce-fragment=\"1\"\u003e(22:50)\u003cbr data-mce-fragment=\"1\"\u003e3-6 – 1. The Vagabond\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Ralph Vaughan Williams\u003cbr data-mce-fragment=\"1\"\u003e3:02\u003cbr data-mce-fragment=\"1\"\u003e3-7 – 2. Let Beauty Awake\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Roy Douglas\u003cbr data-mce-fragment=\"1\"\u003e1:41\u003cbr data-mce-fragment=\"1\"\u003e3-8 – 3. The Roadside Fire\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Ralph Vaughan Williams\u003cbr data-mce-fragment=\"1\"\u003e2:20\u003cbr data-mce-fragment=\"1\"\u003e3-9 – 4. Youth And Love\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Roy Douglas\u003cbr data-mce-fragment=\"1\"\u003e3:17\u003cbr data-mce-fragment=\"1\"\u003e3-10 – 5. In Dreams\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Roy Douglas\u003cbr data-mce-fragment=\"1\"\u003e2:36\u003cbr data-mce-fragment=\"1\"\u003e3-11 – 6. The Infinite Shining Heavens\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Roy Douglas\u003cbr data-mce-fragment=\"1\"\u003e2:06\u003cbr data-mce-fragment=\"1\"\u003e3-12 – 7. Whither Must I Wander\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Roy Douglas\u003cbr data-mce-fragment=\"1\"\u003e3:49\u003cbr data-mce-fragment=\"1\"\u003e3-13 – 8. Bright Is The Ring Of Words\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Ralph Vaughan Williams\u003cbr data-mce-fragment=\"1\"\u003e1:55\u003cbr data-mce-fragment=\"1\"\u003e3-14 – 9. I Have Trod The Upward And The Downward Slope\u003cbr data-mce-fragment=\"1\"\u003eOrchestrated By – Roy Douglas\u003cbr data-mce-fragment=\"1\"\u003e2:04\u003cbr data-mce-fragment=\"1\"\u003eBenjamin Britten Serenade For Tenor, Horn And Strings Op.31\u003cbr data-mce-fragment=\"1\"\u003eConductor – Sir Neville Marriner\u003cbr data-mce-fragment=\"1\"\u003eHorn – Alan Civil\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Northern Sinfonia Orchestra*\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003e(28:52)\u003cbr data-mce-fragment=\"1\"\u003e3-15 – Prologue 1:25\u003cbr data-mce-fragment=\"1\"\u003e3-16 – 1. Pastoral: The Day’s Grown Old\u003cbr data-mce-fragment=\"1\"\u003eWords By – Charles Cotton\u003cbr data-mce-fragment=\"1\"\u003e3:44\u003cbr data-mce-fragment=\"1\"\u003e3-17 – 2. Nocturne: The Splendour Fails On Castle Walls\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Lord Tennyson\u003cbr data-mce-fragment=\"1\"\u003e3:28\u003cbr data-mce-fragment=\"1\"\u003e3-18 – 3. Elegy: O Rose, Thou Art Sick\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Blake\u003cbr data-mce-fragment=\"1\"\u003e4:30\u003cbr data-mce-fragment=\"1\"\u003e3-19 – 4. Dirge: This Ae Nighte\u003cbr data-mce-fragment=\"1\"\u003eWords By – Anon. 15th Century*\u003cbr data-mce-fragment=\"1\"\u003e3:25\u003cbr data-mce-fragment=\"1\"\u003e3-20 – 5. Hymn: Queen And Huntress\u003cbr data-mce-fragment=\"1\"\u003eWords By – Ben Johnson*\u003cbr data-mce-fragment=\"1\"\u003e2:02\u003cbr data-mce-fragment=\"1\"\u003e3-21 – 6. Sonnet: O Soft Embalmer Of The Still Midnight\u003cbr data-mce-fragment=\"1\"\u003eWords By – John Keats\u003cbr data-mce-fragment=\"1\"\u003e4:44\u003cbr data-mce-fragment=\"1\"\u003e3-22 – Epilogue 1:34\u003cbr data-mce-fragment=\"1\"\u003e3-23 Benjamin Britten– The Bonny Earl O’Morray (Scottish Tune)\u003cbr data-mce-fragment=\"1\"\u003eConductor – Steuart Bedford\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Scottish Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Neil Mackie (2)\u003cbr data-mce-fragment=\"1\"\u003e2:40\u003cbr data-mce-fragment=\"1\"\u003e3-24 Benjamin Britten– Oliver Cromwell (Nursery Rhyme From Suffolk)\u003cbr data-mce-fragment=\"1\"\u003eConductor – Steuart Bedford\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Scottish Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Neil Mackie (2)\u003cbr data-mce-fragment=\"1\"\u003e0:47\u003cbr data-mce-fragment=\"1\"\u003eRalph Vaughan Williams Five Mystical Songs\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – John Shirley-Quirk\u003cbr data-mce-fragment=\"1\"\u003eChoir – The King's College Choir Of Cambridge\u003cbr data-mce-fragment=\"1\"\u003eConductor – Sir David Willcocks*\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – English Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWords By – George Herbert\u003cbr data-mce-fragment=\"1\"\u003e(18:58)\u003cbr data-mce-fragment=\"1\"\u003e4-1 – 1. Easter 5:12\u003cbr data-mce-fragment=\"1\"\u003e4-2 – 2. I Got Me Flowers 2:53\u003cbr data-mce-fragment=\"1\"\u003e4-3 – 3. Love Bade Me Welcome 5:26\u003cbr data-mce-fragment=\"1\"\u003e4-4 – 4. The Call 2:09\u003cbr data-mce-fragment=\"1\"\u003e4-5 – 5. Antiphon 3:18\u003cbr data-mce-fragment=\"1\"\u003eGerald Finzi Dies Natalis Op.8\u003cbr data-mce-fragment=\"1\"\u003eConductor – Christopher Finzi\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – English Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Wilfred Brown\u003cbr data-mce-fragment=\"1\"\u003e(21:43)\u003cbr data-mce-fragment=\"1\"\u003e4-6 – 1. Intrada— 5:07\u003cbr data-mce-fragment=\"1\"\u003e4-7 – 2. Rhapsody (Recitativo Stromentato) 5:30\u003cbr data-mce-fragment=\"1\"\u003e4-8 – 3. The Rapture (Danza) 3:33\u003cbr data-mce-fragment=\"1\"\u003e4-9 – 4. Wonder (Arioso) 4:19\u003cbr data-mce-fragment=\"1\"\u003e4-10 – 5. The Salutation (Aria) 4:14\u003cbr data-mce-fragment=\"1\"\u003eCharles Villiers Stanford Songs Of The Sea Op.91\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Benjamin Luxon\u003cbr data-mce-fragment=\"1\"\u003eChorus – Bournemouth Symphony Chorus\u003cbr data-mce-fragment=\"1\"\u003eConductor – Norman Del Mar\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Bournemouth Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWords By – Sir Henry Newbolt\u003cbr data-mce-fragment=\"1\"\u003e(18:17)\u003cbr data-mce-fragment=\"1\"\u003e4-11 – 1. Drake’s Drum 3:21\u003cbr data-mce-fragment=\"1\"\u003e4-12 – 2. Outward Bound 3:09\u003cbr data-mce-fragment=\"1\"\u003e4-13 – 3. Devon, O Devon, In Wind And Rain 1:46\u003cbr data-mce-fragment=\"1\"\u003e4-14 – 4. Homeward Bound 6:52\u003cbr data-mce-fragment=\"1\"\u003e4-15 – 5. The Old Superb 3:09\u003cbr data-mce-fragment=\"1\"\u003eSir Edward Elgar Two Songs Op.60\u003cbr data-mce-fragment=\"1\"\u003eComposed By – Pietro d'Alba\u003cbr data-mce-fragment=\"1\"\u003eConductor – Vernon Handley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – City Of Birmingham Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003e(6:08)\u003cbr data-mce-fragment=\"1\"\u003e4-16 – 1. The Torch 2:27\u003cbr data-mce-fragment=\"1\"\u003e4-17 – 2. The River 3:41\u003cbr data-mce-fragment=\"1\"\u003eGeorge Butterworth Love Blows As The Wind Blows\u003cbr data-mce-fragment=\"1\"\u003eConductor – Vernon Handley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – City Of Birmingham Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Robert Tear\u003cbr data-mce-fragment=\"1\"\u003eWords By – William Ernest Henley\u003cbr data-mce-fragment=\"1\"\u003e(10:03)\u003cbr data-mce-fragment=\"1\"\u003e4-18 – In The Year That’s Come And Gone— 3:19\u003cbr data-mce-fragment=\"1\"\u003e4-19 – Life In Her Creaking Shoes— 2:04\u003cbr data-mce-fragment=\"1\"\u003e4-20 – Coming Up From Richmond 4:40\u003cbr data-mce-fragment=\"1\"\u003eBenjamin Britten Les Illuminations Op.18\u003cbr data-mce-fragment=\"1\"\u003eConductor – Nicholas Cleobury\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Britten Sinfonia\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – John Mark Ainsley\u003cbr data-mce-fragment=\"1\"\u003eWords By – Arthur Rimbaud\u003cbr data-mce-fragment=\"1\"\u003e(21:39)\u003cbr data-mce-fragment=\"1\"\u003e5-1 – I. Fanfare 1:53\u003cbr data-mce-fragment=\"1\"\u003e5-2 – II. Villes 2:20\u003cbr data-mce-fragment=\"1\"\u003e5-3 – IIIa. Phrase 0:55\u003cbr data-mce-fragment=\"1\"\u003e5-4 – IIIb. Antique 2:04\u003cbr data-mce-fragment=\"1\"\u003e5-5 – IV. Royauté 1:34\u003cbr data-mce-fragment=\"1\"\u003e5-6 – V. Marine 0:57\u003cbr data-mce-fragment=\"1\"\u003e5-7 – VI. Interlude 2:43\u003cbr data-mce-fragment=\"1\"\u003e5-8 – VII. Being Beauteous 3:54\u003cbr data-mce-fragment=\"1\"\u003e5-9 – VIII. Parade 2:34\u003cbr data-mce-fragment=\"1\"\u003e5-10 – IX. Départ 2:45\u003cbr data-mce-fragment=\"1\"\u003eFrederick Delius Sea Drift\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – John Noble\u003cbr data-mce-fragment=\"1\"\u003eChoir – Liverpool Philharmonic Choir*\u003cbr data-mce-fragment=\"1\"\u003eConductor – Sir Charles Groves\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWords By – Walt Whitman\u003cbr data-mce-fragment=\"1\"\u003e(25:01)\u003cbr data-mce-fragment=\"1\"\u003e5-11 – Once Paumanok— 3:49\u003cbr data-mce-fragment=\"1\"\u003e5-12 – Shine! Shine! Shine!— 1:30\u003cbr data-mce-fragment=\"1\"\u003e5-13 – Till Of A Sudden— 2:37\u003cbr data-mce-fragment=\"1\"\u003e5-14 – Blow! Blow! Blow!— 1:57\u003cbr data-mce-fragment=\"1\"\u003e5-15 – Yes My Brother I Know— 4:05\u003cbr data-mce-fragment=\"1\"\u003e5-16 – O Rising Stars!— 1:36\u003cbr data-mce-fragment=\"1\"\u003e5-17 – O Reckless Despairing Carols— 6:25\u003cbr data-mce-fragment=\"1\"\u003e5-18 – O Past! O Happy Life! 3:02\u003cbr data-mce-fragment=\"1\"\u003eRalph Vaughan Williams On Wenlock Edge\u003cbr data-mce-fragment=\"1\"\u003eConductor – Bernard Haitink\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – London Philharmonic Orchestra*\u003cbr data-mce-fragment=\"1\"\u003eTenor Vocals – Ian Bostridge\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Edward Housman\u003cbr data-mce-fragment=\"1\"\u003e(21:26)\u003cbr data-mce-fragment=\"1\"\u003e5-19 – 1. On Wenlock Edge 3:52\u003cbr data-mce-fragment=\"1\"\u003e5-20 – 2. From Far, From Eve And Morning 2:04\u003cbr data-mce-fragment=\"1\"\u003e5-21 – 3. Is My Team Ploughing 3:47\u003cbr data-mce-fragment=\"1\"\u003e5-22 – 4. Oh, When I Was In Love With You 0:44\u003cbr data-mce-fragment=\"1\"\u003e5-23 – 5. Bredon Hill 7:37\u003cbr data-mce-fragment=\"1\"\u003e5-24 – 6. Clun 3:22\u003cbr data-mce-fragment=\"1\"\u003e5-25 Graham Peel (2)– In Summertime On Bredon\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Frederick Harvey\u003cbr data-mce-fragment=\"1\"\u003eConductor – George Weldon\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Philharmonia Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWords By – Alfred Edward Housman\u003cbr data-mce-fragment=\"1\"\u003e3:09\u003cbr data-mce-fragment=\"1\"\u003e5-26 Wilfrid Sanderson– Devonshire Cream And Cider\u003cbr data-mce-fragment=\"1\"\u003eBaritone Vocals – Frederick Harvey\u003cbr data-mce-fragment=\"1\"\u003eConductor – George Weldon\u003cbr data-mce-fragment=\"1\"\u003eOrchestra – Philharmonia Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWords By – Theodore Curzon\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":44843189502202,"sku":"6805132","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/61dKyyFRZgL.jpg?v=1701736511"},{"product_id":"hollander-complete-rca-album-collection","title":"LORIN HOLLANDER: COMPLETE RCA ALBUM COLLECTION (8 CDS)","description":"\u003cdiv\u003e\u003cspan\u003eThe American pianist Lorin Hollander was only 14 years old in 1958 when he recorded his first album for RCA, a personal selection of \"22 Favorites\" entitled Discovering the Piano. It's success led to a sequel the following year. Over the next eight years he produced an acclaimed series of releases for the Red Label, establishing an international career which would eventually encompass more than 2,500 appearances as a pianist, conductor and passionate advocate for arts education. Hollander has performed with many of the world's leading orchestras and collaborated with conductors such as Bernstein, Szell, Ormandy, Leinsdorf, Previn, Haitink, Ozawa and Mehta. Sony Classical is now pleased to present a new 8-part box set offering Lorin Hollander's complete RCA discography for the first time on album.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Discovering The Piano - A Guide To Piano Playing \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1-01\u003cspan\u003e \u003c\/span\u003eThe Flight Of The Bumblebee\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sergei Vasilyevich Rachmaninoff\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/div\u003e\n\u003cdiv\u003e1-02\u003cspan\u003e \u003c\/span\u003eAndaluza\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Enrique Granados\u003c\/div\u003e\n\u003cdiv\u003e1-03\u003cspan\u003e \u003c\/span\u003eMoment Musical In F Minor D 780\/3\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Schubert\u003c\/div\u003e\n\u003cdiv\u003e1-04\u003cspan\u003e \u003c\/span\u003eSong Without Words\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Felix Mendelssohn-Bartholdy\u003c\/div\u003e\n\u003cdiv\u003e1-05\u003cspan\u003e \u003c\/span\u003eÉtude In C Minor “Revolutionary”\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003e1-06\u003cspan\u003e \u003c\/span\u003eMinuet In G Major “À L’Antique”\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ignacy Jan Paderewski\u003c\/div\u003e\n\u003cdiv\u003e1-07\u003cspan\u003e \u003c\/span\u003eDanza Ritual Del Fuego\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Manuel De Falla\u003c\/div\u003e\n\u003cdiv\u003e1-08\u003cspan\u003e \u003c\/span\u003eLiebestraum No. 3 In A-flat Major\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Liszt\u003c\/div\u003e\n\u003cdiv\u003e1-09\u003cspan\u003e \u003c\/span\u003eBagatelle In A Minor “Für Elise” Woo 59\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003ePrélude In C Minor Op. 28\/20\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eWaltz In A-flat Major Op. 39\/15\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003eClair de Lune L 75\/3\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Claude Debussy\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003eWaltz In C-sharp Minor Op. 64\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003eMinuet In G Major Woo 10\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003ePiano Sonata No. 16 In C Major “Sonata Facile” K 545 I Allegro\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003eMinuet From Don Giovanni K 527\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Lorin Hollander\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003e2-Part Invention No. 13 In A Minor\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003eKlavieralbum Für Die Jugend Op. 68 No. 10: Fröhlicher Landmann\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003eKlavieralbum Für Die Jugend Op. 68 No. 2: Soldatenmarsch\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003e1-20\u003cspan\u003e \u003c\/span\u003eTräumerei Op. 15\/7\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003e1-21\u003cspan\u003e \u003c\/span\u003eAnitra’s Dance Op. 46\/3\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Edvard Grieg\u003c\/div\u003e\n\u003cdiv\u003e1-22\u003cspan\u003e \u003c\/span\u003eÉtude In G-flat Major “Butterfly”\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003ePolonaise\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2-01\u003cspan\u003e \u003c\/span\u003ePolonaise In A-flat Major “Heroic” Op. 53\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003e2-02\u003cspan\u003e \u003c\/span\u003eScherzo No. 2 In B-flat Minor Op. 31\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003e2-03\u003cspan\u003e \u003c\/span\u003eHungarian Rhapsody No. 6 In D-flat Major S 244\/6\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Liszt\u003c\/div\u003e\n\u003cdiv\u003e2-04\u003cspan\u003e \u003c\/span\u003eMephisto Waltz No. 1 (The Dance In The Village Inn) S 514\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Liszt\u003c\/div\u003e\n\u003cdiv\u003e2-05\u003cspan\u003e \u003c\/span\u003eIntermezzo In B-flat Minor Op. 117\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003e2-06\u003cspan\u003e \u003c\/span\u003eRhapsody In G Minor Op. 79\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003e2-07\u003cspan\u003e \u003c\/span\u003ePrélude In C-sharp Minor Op. 3\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Vasilyevich Rachmaninoff\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFantasy and Variations for Piano and Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Norman Dello Joio\u003c\/div\u003e\n\u003cdiv\u003e3-01\u003cspan\u003e \u003c\/span\u003eFantasy\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-02\u003cspan\u003e \u003c\/span\u003eVariations\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Piano And Orchestra In G Major M 83\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Maurice Ravel\u003c\/div\u003e\n\u003cdiv\u003e3-03\u003cspan\u003e \u003c\/span\u003eI Allegramente\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-04\u003cspan\u003e \u003c\/span\u003eII Adagio Assai\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-05\u003cspan\u003e \u003c\/span\u003eIII Presto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Violin And Orchestra No. 1 In D Major Op. 19\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Prokofiev\u003c\/div\u003e\n\u003cdiv\u003e4-01\u003cspan\u003e \u003c\/span\u003eI Andantino – Andante Assai\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-02\u003cspan\u003e \u003c\/span\u003eII Scherzo. Vivacissimo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-03\u003cspan\u003e \u003c\/span\u003eIII Moderato – Allegro moderato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Piano And Orchestra No. 5 In G Major Op. 55\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Prokofiev\u003c\/div\u003e\n\u003cdiv\u003e4-04\u003cspan\u003e \u003c\/span\u003eI Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-05\u003cspan\u003e \u003c\/span\u003eII Moderato Ben Accentuato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-06\u003cspan\u003e \u003c\/span\u003eIII Toccata\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-07\u003cspan\u003e \u003c\/span\u003eIV Larghetto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-08\u003cspan\u003e \u003c\/span\u003eV Vivo – Coda. Allegro Non Troppo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Piano And Orchestra In D-flat Major Op. 38\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Aram Khatchaturian\u003c\/div\u003e\n\u003cdiv\u003e5-01\u003cspan\u003e \u003c\/span\u003eI Allegro Ma Non Troppo E Maestoso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5-02\u003cspan\u003e \u003c\/span\u003eII Andante Con Anima\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5-03\u003cspan\u003e \u003c\/span\u003eIII Allegro Brillante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e5-04\u003cspan\u003e \u003c\/span\u003eScherzo Fantasque B 78\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ernest Bloch\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e6-01-16\u003cspan\u003e \u003c\/span\u003ePictures at an Exhibition\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Modest Mussorgsky\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e6-17\u003cspan\u003e \u003c\/span\u003ePrélude In C-sharp Minor Op. 3\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Vasilyevich Rachmaninoff\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e6-18\u003cspan\u003e \u003c\/span\u003eToccata In D Minor Op. 11\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Prokofiev\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePiano Sonata No. 17 In D Minor “Tempest” Op. 31\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003e7-01\u003cspan\u003e \u003c\/span\u003eI Largo – Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7-02\u003cspan\u003e \u003c\/span\u003eII Adagio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7-03\u003cspan\u003e \u003c\/span\u003eIII Allegretto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e7-04\u003cspan\u003e \u003c\/span\u003eJesus Bleibet Meine Freude\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Myra Hess\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e7-05\u003cspan\u003e \u003c\/span\u003eIntermezzo In B-flat Minor Op. 117\/2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e7-06\u003cspan\u003e \u003c\/span\u003eArabeske In C Major Op. 18\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Robert Schumann\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eModern American Music Series\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8-01\u003cspan\u003e \u003c\/span\u003eLily\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Leon Kirchner\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eString Quartet No. 2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Leon Kirchner\u003c\/div\u003e\n\u003cdiv\u003e8-02\u003cspan\u003e \u003c\/span\u003eI Moderato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8-03\u003cspan\u003e \u003c\/span\u003eII Adagio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8-04\u003cspan\u003e \u003c\/span\u003eIII Allegro molto\u003c\/div\u003e","brand":"Sony Masterworks","offers":[{"title":"Default Title","offer_id":46820596318458,"sku":"19439928782","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/OTgtNjc2Mi5qcGVn.jpg?v=1730669990"},{"product_id":"popp-villazon-gedda-various-artists-voices-of-russian-opera","title":"Voices Of Russian Opera (5 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1-1        La Vie Pour Le Tsar - Acte I : Cavatine Et Rondo D'Antonida - Igor Markevitch - Orch De L'Association Des Concerts Lamoureux - Teresa Stich Randall\u003cbr\u003e1-2        La Vie Pour Le Tsar - Acte VI : Brother, In The Darkness - Belgrade Opera Chorus - Nicolai Gedda - Igor Markevitch - Orch De L'Association Des Concerts Lamoureux\u003cbr\u003e1-3        La Vie Pour Le Tsar - Acte IV : My Poor Horse Is Dead - Belgrade Opera Chorus - Mela Bougarinovitch - Igor Markevitch - Orch De L'Association Des Concerts Lamoureux\u003cbr\u003e1-4        A Life For The Tsar - Act IV : They Begin To Guess The Truth! (Susanin) - Boris Christoff - Igor Markevitch - Orch De L'Association Des Concerts Lamoureux\u003cbr\u003e1-5        A Life For The Tsar - Act IV : Not So Long Ago, At Home (Susanin) - Belgrade Opera Chorus - Boris Christoff - Igor Markevitch - Orch De L'Association Des Concerts Lamoureux\u003cbr\u003e1-6        A Life For The Tsar - Act IV : Death Of Susanin - Belgrade Opera Chorus - Boris Christoff - Igor Markevitch - Orch De L'Association Des Concerts Lamoureux\u003cbr\u003e1-7        Ruslan And Ludmilla (1987 - Remaster): Act 2: Already The Hour Of My Triumph (Farlaf's Rondo) - Feodor Chaliapin\/London Symphony Orchestra\/Max Steinmann\u003cbr\u003e1-8        Rusalka: Act 1: You Young Girls Are All Alike (Miller's Aria) - Feodor Chaliapin\/Georgi Pozemkovsky\/London Symphony Orchestra\/Max Steinmann\u003cbr\u003e1-9        Rusalka: Act 3: Good Morrow, Son-in-law (Mad Scene And Death Of The Miller) - Feodor Chaliapin\/Georgi Pozemkovsky\/London Symphony Orchestra\/Max Steinmann\u003cbr\u003e1-10        Prince Igor (2007 Digital Remaster): Prince Galitsky's Aria (Act 1): I Hate A Dreary Life - Boris Christoff\/Philharmonia Orchestra\/Issay Dobroven\u003cbr\u003e1-11        Konchakovna's Aria - Jerzy Semkow\/Chorus \u0026amp; Orchestra Of The National Opera Theatre Of Sofia\u003cbr\u003e1-12        Vladimir's Aria (Prince Igor, Act Ii) - Todor Todorov\/Jerzy Semkow\/Orchestra Of The National Opera Theatre Of Sofia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e2-1        Prince Igor's Aria (Prince Igor, Act Ii) - Constantin Chekerliski\/Jerzy Semkow\/Orchestra Of The National Opera Theatre Of Sofia\u003cbr\u003e2-2        Khan Konchak's Aria (Prince Igor) - Boris Christoff\/Jerzy Semkow\/Philharmonia Orchestra\u003cbr\u003e2-3        Jaroslavna's Lament (Prince Igor, Act Iv) - Julia Wiener\/Jerzy Semkov\/Orchestra Of The National Opera Theatre Of Sofia\u003cbr\u003e2-4        Boris Godunov (2002 Digital Remaster), Prologue - Scene One: Pravolslávnyyel Nye Umolím Boyárin! (Shchelkalov) - Jacques Mars\/Orchestre de la Société Des Concerts Du Conservatoire\/André Cluytens\u003cbr\u003e2-5        Coronation Scene - Martti Talvela\/Polish Radio Chorus Of Krakow\/Jerzy Semkow\/Polish National Radio Symphony Orchestra\u003cbr\u003e2-6        Pimen's Narrative (Boris Godunov, Act I) - Polish National Radio Symphony Orchestra\/Jerzy Semkow\/Leonard Mroz\u003cbr\u003e2-7        Boris Godunov, Scene Two: Kak Vo Górode Bylo Vo Kazáne (Varlaam) - Aage Haugland\/Krakow Philharmonic Chorus\/Polish National Radio Symphony Orchestra\/Jerzy Semkow\u003cbr\u003e2-8        Boris Godunov - Act II : Song Of The Gnat - Issay Dobrowen - Orch National Radiodiffusion F - Lydia Romanova\u003cbr\u003e2-9        Boris Godunov (2002 Digital Remaster), Act 2: Ekh, Máma Mámushka (Fyodor\/Nurse) - Ana Alexieva\/Mela Bougarinovitch\/Orchestre de la Société Des Concerts Du Conservatoire\/André Cluytens\u003cbr\u003e2-10        Boris Godunov, Act Two: Dostig Ya Vyshey Vlásti (Boris) - Martti Talvela\/Krakow Philharmonic Chorus\/Polish National Radio Symphony Orchestra\/Jerzy Semkow\u003cbr\u003e2-11        Boris Godunov, Act Two: Pópinka Nash Sidyél S Mamkámi V Svetlítse (Fydor\/Boris) - Martti Talvela\/Wiera Baniewicz\/Krakow Philharmonic Chorus\/Polish National Radio Symphony Orchestra\/Jerzy Semkow\u003cbr\u003e2-12        In The Cathedral Of Ulglich - Bohdan Paprocki\/Polish National Radio Symphony Orchestra\/Jerzy Semkow\u003cbr\u003e2-13        Boris Godunov: Act 2: Ah! I Am Suffocating (Clock Scene) - Feodor Chaliapin\/London Symphony Orchestra\/Max Steinmann\u003cbr\u003e2-14        Marina's Aria (Boris Godunov, Act Iii) - Evelyn Lear\/Orchestre de la Société Des Concerts Du Conservatoire\/André Cluytens\u003cbr\u003e2-15        Boris Godunov - Act III : Marina Rangoni Duet - Kim Borg - Issay Dobrowen - Orch National Radiodiffusion F - Eugenia Zareska\u003cbr\u003e2-16        Boris Godunov (2002 Digital Remaster), Scene Two: V Pólnoch ... V Sadú ... U Fontána (Dimitri) - Dimitr Ouzounov\/Orchestre de la Société Des Concerts Du Conservatoire\/André Cluytens\u003cbr\u003e2-17        Boris Godunov, Act II - Scene Two: Iezuít Lukávy Krépko Zhal Menyá - Nicolai Gedda\/Belgrade Philharmonic Orchestra\/Gika Zdravkovitch\u003cbr\u003e2-18        Boris Godunov - Act IV : Shuisky's Evidence - André Bielecki - Choeurs Russes de Paris - Boris Christoff - Issay Dobrowen - Orch National Radiodiffusion F\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3-1        Boris Godunov, Scene Two: Sanovítyye Boyáre! (Shchelkalov) - Andrzej Hiolski\/Krakow Philharmonic Chorus\/Polish National Radio Symphony Orchestra\/Jerzy Semkow\u003cbr\u003e3-2        Boris Godunov (2002 Digital Remaster), Act 4 - Scene One: Trrr... Zhelyézny Kolpák, Zhelyézny Kolpák! (Boys\/Simpleton) - Kiril Dulguerov\/Chorus Of The National Opera Of Sofia\/Orchestre de la Société Des Concerts Du Conservatoire\/André Cluyte\u003cbr\u003e3-3        Boris Godunov, Scene Three!: Lyéytes, Lyéytes Slyózy Górkiye (Simpleton) - Paulos Raptis\/Krakow Philharmonic Chorus\/Polish National Radio Symphony Orchestra\/Jerzy Semkow\u003cbr\u003e3-4        Boris Godunov (2002 Digital Remaster), Scene Two: Proshcháy, Moy Syn, Umiráyu! (Boris) - Boris Christoff\/Orchestre de la Société Des Concerts Du Conservatoire\/André Cluytens\u003cbr\u003e3-5        Boris Godunov (2002 Digital Remaster), Scene Two: Zvon! Pogrebál'ny Zvon! (Boris\/People\/Fyodor\/Church Choir\/Boyars) - Boris Christoff\/Ana Alexieva\/Milen Paounov\/Chorus Of The National Opera Of Sofia\/Orchestre de la Société Des Concerts Du\u003cbr\u003e3-6        Songs And Dances Of Death (orch. Shostakovich) (1995 Digital Remaster): The Feild-Marshal (Vivo - Alla Guerra) - Galina Vishnevskaya\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003cbr\u003e3-7        Sorochinskaya Yarmarka: Zachem Ty, Serdtse, Rysayesh I Stonesh? (Gritzko, Act 1) (Der Jahrmarkt von Sorotschinski: Mein - Nicolai Gedda\/Belgrade Philharmonic Orchestra\/Gika Zdravkovitch\u003cbr\u003e3-8        Khovanshchina (2007 Digital Remaster): Dositheus' Aria: 'Here On This Spot' (Act 5) - Boris Christoff\/Philharmonia Orchestra\/Issay Dobroven\u003cbr\u003e3-9        Eugene Onegin: Pooskai Pogibnoo Ya (Tatiana's Letter Scene) (Act 1) - Lucia Popp\/Münchner Rundfunkorchester\/Stefan Soltesz\u003cbr\u003e3-10        Eugene Onegin: Kuda, Kuda, Kuda Vi Udalilis - Rolando Villazon\/Münchner Rundfunkorchester\/Michel Plasson\u003cbr\u003e3-11        Eugene Onegin, Act Iii: Prince Gremin's Aria - \"Lyubvi Fse Vozrastï Pokornï\" (Prince Gremin) - Jonathan Lemalu\/New Zealand Symphony Orchestra\/James Judd\u003cbr\u003e3-12        Pikovaya Dama: Prosti, Prelestnoe Sozdanye (Hermann, Act 1) (Pique Dame: Verzeihe Mir, Du Himmlisch Wesen; 1996 Digital - Nicolai Gedda\/Belgrade Philharmonic Orchestra\/Gika Zdravkovitch\u003cbr\u003e3-13        Pikovaya Dama (The Queen Of Spades): Uzh Polnoch Blizitsya (It Is Close On Midnight Already) (Act 3) - Lucia Popp\/Münchner Rundfunkorchester\/Stefan Soltesz\u003cbr\u003e3-14        Pikovaya Dama: Chto Nasha Zhizn? Igra! (Hermann, Act 3) (Pique Dame: Das Leben Gleicht Dem Spiel; 1996 Digital Remaster) - Nicolai Gedda\/Belgrade Philharmonic Orchestra\/Gika Zdravkovitch\u003cbr\u003e3-15        The Snow Maiden - Incidental Music Op. 12 (1995 Digital Remaster): Lehl's First Song - Galina Vishnevskaya\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e4-1        Maiskaya Noch: Solnyshko Nizko (Levko, Act 1) (Mainacht: Sonne Schon Sinket; 1996 Digital Remaster) - Nicolai Gedda\/Belgrade Philharmonic Orchestra\/Gika Zdravkovitch\u003cbr\u003e4-2        Sadko: Oj Ty, T'omnaja Dubravushka! (Sadko, Tableau Ii) (Sadko: Ach, Du Dunkler, Schattenreicher Wald; 1996 Digital Rema - Nicolai Gedda\/Belgrade Philharmonic Orchestra\/Gika Zdravkovitch\u003cbr\u003e4-3        Sadko (1995 Digital Remaster): Lullaby Of The Sea Princess: Sleep Went Along The River (Berceuse) - Galina Vishnevskaya\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003cbr\u003e4-4        Sadko: Scene 4: Against The Cruel Rocks (Song Of The Viking Guest) - Feodor Chaliapin\/Orchestra\/Albert Coates\u003cbr\u003e4-5        Tsar Berendey's Cavatina (The Snow Maiden, Act Ii) - Dmitri Smirnov\u003cbr\u003e4-6        The Tsar's Bride (1995 - Remaster): Marfa's Scene \u0026amp; Aria: In Novgorod - Galina Vishnevskaya\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003cbr\u003e4-7        The Legend Of The Invisible City Of Kitezh: Prince Yuri's Aria: 'O Vain Illusion Of Glory And Grandeur' (Act 3) - Boris Christoff\/Philharmonia Orchestra\/Wilhelm Schüchter\u003cbr\u003e4-8        Durch Die Ebenen - Romanze Des Jungen Zigeuners Aus \"Aleko\" [Young Gypsy's Romance] (2013 - Remaster) - Gedda, Nicolai\u003cbr\u003e4-9        Aleko: Act 2: The Moon Is High In The Sky (Aleko's Cavatina) - Feodor Chaliapin\/Orchestra\/Lawrance Collingwood\u003cbr\u003e4-10        Voina y Mir (War And Peace): Kakoye Prove Oni Imyeyet (What Right Have They?) (Scene 3) - Lucia Popp\/Stefan Soltesz\u003cbr\u003e4-11        Ivan The Terrible Op. 116: No.19. Song About The Beaver (Andante Assai) - Irina Arkhipova\/Anatoly Mokrenko\/Boris Morgunov\/Ambrosian Chorus\/Philharmonia Orchestra\/Riccardo Muti\u003cbr\u003e4-12        Ivan The Terrible Op. 116 (1989 Digital Remaster): No.23: Feodor Basmanov's Song (Allegro Moderato) - Irina Arkhipova\/Anatoly Mokrenko\/Boris Morgunov\/Ambrosian Chorus\/Philharmonia Orchestra\/Riccardo Muti\u003cbr\u003e4-13        Oh, I Don't Feel Like Sleep (Lady Macbeth Of Mtsensk, Act I) - London Philharmonic Orchestra\/Mstislav Rostropovich\/Galina Vishnevskaya\u003cbr\u003e4-14        That's What Old Age Means (Lady Macbeth Of Mtsensk, Act Ii) - Dimiter Petkov\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003cbr\u003e4-15        Once A Lady Friend Of Mine (Lady Macbeth Mtsensk, Act Iii) - Robert Tear\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003cbr\u003e4-16        The Police Were Formed (Lady Macbeth Of Mtsensk, Act Iii) - Aage Haugland\/Martyn Hill\/Oliver Broome\/London Philharmonic Orchestra\/Mstislav Rostropovich\/Ambrosian Opera Chorus\u003cbr\u003e4-17        Lady Macbeth Of Mtsensk (2002 Digital Remaster), Act 4, Vieter Akt, Quatrième Acte, Scene 9, Neunte Szene, Neuvième Scèn - Mstislav Rostropovich\/London Philharmonic Orchestra\/Galina Vishnevskaya\u003cbr\u003e4-18        Lady Macbeth Of Mtsensk (2002 Digital Remaster), Act 4, Vieter Akt, Quatrième Acte, Scene 9, Neunte Szene, Neuvième Scèn - Mstislav Rostropovich\/London Philharmonic Orchestra\/Nicolai Gedda\/Birgit Finnilä\u003cbr\u003e4-19        We Trudge Along Day After Day (Lady Macbeth Of Mtsensk, Act Iv) - Alexander Malta\/Ambrosian Opera Chorus\/London Philharmonic Orchestra\/Mstislav Rostropovich\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e5-1        I Look Over The Bare Fields (A Life For The Tsar, Act 1) - Marie Michailova\u003cbr\u003e5-2        Ah, Not To Me, Poor Wretch (A Life For The Tsar, Act Iv) - Eugenia Zbrujeva\/Orchestra\u003cbr\u003e5-3        They Guess The Truth (A Life For The Tsar) - Vladimir Kastorsky\u003cbr\u003e5-4        Ruslan And Ludmilla (Act Iii) O My Ratmir! - Marianne Tcherkasskaya\u003cbr\u003e5-5        I Shall Don My Robe Of Byssus (Judith) - Natalia Yuzhina\u003cbr\u003e5-6        On Desire's Soft, Fleeting Wing (The Demon) - Andrei Labinsky\u003cbr\u003e5-7        In The Quiet Of The Night (The Demon) - Koshetz, Nina\u003cbr\u003e5-8        Accursed World (The Demon) - Joachim Tartakov\u003cbr\u003e5-9        Epithalamium (Nero) - Nicolai Shevelev\u003cbr\u003e5-10        The Sun Was Shining Brightly (Prisoner Of The Caucasus) - Ivan Grizounov\u003cbr\u003e5-11        O Give Me Oblivion (Doubrovsky) - Dimitri Smirnov\/Orchestra\u003cbr\u003e5-12        I Swear Before God And Thee (The Opritchnik) - Nicolai Figner\u003cbr\u003e5-13        In Your House (Eugene Onegin, Act Ii) - Dmitri Smirnov\u003cbr\u003e5-14        Lenski's Aria (Eugene Onegin, Act Ii) - Leonid Sobinov\u003cbr\u003e5-15        Farewell To The Forests (The Maid Of Orleans, Act I) - Vera Petrova-Zvanceva\u003cbr\u003e5-16        It Is Midnight (The Queen Of Spades, Act Iii) - Medea Mei-Figner\u003cbr\u003e5-17        Why Have I Not Known This Before? (Iolanthe, Act I) - Lydia Lipkowska\u003cbr\u003e5-18        My Lord, If I Offend (Iolanthe) - Lev Sibiriakov\/Orchestra\u003cbr\u003e5-19        Gathering Berries (The Snow Maiden, Prologue) - Antonina Nezhdanova\u003cbr\u003e5-20        How Painful It Feels (The Snow Maiden, Act I) - Lydia Lipkovska\u003cbr\u003e5-21        Tsar Berendey's Cavatina (The Snow Maiden, Act Iii) - Leonid Sobinov\u003cbr\u003e5-22        Hymn To The Sun (The Golden Cockerel, Act 2) - Antonina Nezhdanova\/Orchestra\u003cbr\u003e5-23        Flowers Were Blooming (Dobrynia Nikitich) - Leonid Sobinov\/Orchestra\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":47179045699834,"sku":"9280342","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71j79QYPPBL._SL1316.jpg?v=1741365259"},{"product_id":"dmitri-mitropoulus-the-complete-rca-and-columbia-album-collection-69-cds","title":"DMITRI MITROPOULOS: The Complete RCA And Columbia Album Collection (69 CDS)","description":"\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_20051b25-50f8-4e9c-b30a-013b1e24e5b7.png?v=1622733025\"\u003e\u003c\/p\u003e\n\u003cp\u003eSony Classical is proud to announce one of its most significant historic releases of recent years: a 69-CD box set containing the recorded legacy of Dimitri Mitropoulos (1896–1960), who ranks by general consensus among the 20th century’s most brilliant conductors. Many of these legendary performances have never before been transferred from their analogue masters and released on digital medium.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA lifelong ascetic and mystic, Mitropoulos was attracted in his youth to the monastic life but decided against following his older brothers into the Greek Orthodox Church when he learned that music was censured as a forbidden indulgence. After studying piano, composition, theory and conducting, first in his native Athens, then in Rome, Brussels and with Busoni in Berlin – where he served as Erich Kleiber’s assistant at the Staatsoper from 1921–24 – his career took flight in Athens. It was there that he developed his trademark style of conducting without baton or score and brought to his music-making all his religious fervour and passion along with his prodigious memory. As the critic Peter Quantrill astutely noted in an overview of his recordings in Gramophone: “Mitropoulos’s facility of memory could draw out [recurring melodic and motivic strands] at faster-than-usual tempi while maintaining an intuitive proportion between their sections. You seem to hear more of the music in a shorter space of time.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHis international fame began with a 1930 Berlin Philharmonic performance of the Prokofiev Third Piano Concerto, in which Mitropoulos appeared as both soloist and conductor. (He would repeat that tour de force a decade and a half later in Philadelphia, a performance included in this new set.) His American career was launched by sensational concerts with the Boston Symphony Orchestra in 1936, which promptly resulted in his appointment to succeed Eugene Ormandy as principal conductor of the Minneapolis Symphony (now Minnesota) Orchestra. He proceeded to bring that ensemble international fame through recordings which captured the force of his magnetic personality and electrifying musicianship. In Minneapolis, he enjoyed enormous success with critics and audiences, performing half of Mahler’s then still largely unfamiliar output (earning him American Mahler Society Medal of Honor in 1940) and commissioning numerous works by leading American and European composers to make the orchestra a bastion of modern music in the US.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMitropoulos’s association with the New York Philharmonic, which he first conducted in 1940, was hardly less successful artistically, though it was ultimately tarnished by critical hostility having more to do with his sexual orientation than his musical interpretations. From 1949, he served as the orchestra’s co-conductor with Leopold Stokowski, then from 1951 as music director until, after a period of joint leadership with Leonard Bernstein in 1958, he “abdicated with joy” in favour of his protégé, supposedly to devote more time to opera. During his New York years, he was also a commanding presence at the Metropolitan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs Sony Classical’s massive new box set definitively demonstrates, Mitropoulos faithfully documented his eclectically wide-ranging repertoire on disc in Minneapolis and New York, even recording some favourite works in both cities. To cite a few highlights from the MINNEAPOLIS SYMPHONY years: there is the first-ever recording of Mahler’s First Symphony (1940), which “can still be counted among the finest the work has received” (Gramophone); Tchaikovsky’s Symphonies Nos. 4 (1940) and 2 (1946) as well as his First Piano Concerto with Arthur Rubinstein (1946) – “The soloist is in rare form, and this is an example of the grand manner in operation” (High Fidelity). Other symphonies for which Mitropoulos showed his special affinity in Minneapolis include the Borodin Second (1941; MusicWeb International: “The best performance of the Borodin symphony I’ve ever heard”), Schumann’s Second (1940) and “Rhenish” (1947), the Prokofiev “Classical” (1940) and Franck D minor (1940) – “Mitropoulos infuses his reading with unbearable intensity” (Classical Notes).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlso reissued here are Mitropoulos’s celebrated, incandescent Minneapolis readings of Rachmaninoff’s Second Symphony (1947) – “An excellent interpretation … beautifully recorded, with a resonant, spacious quality … played with smooth, virtuosic effect” (Gramophone) – and The Isle of the Dead (1945); as well as Brahms’s “St. Antoni” Variations (1942), Vaughan Williams’s Tallis Fantasia (1945), Ravel’s Tombeau de Couperin (1941) and Milhaud’s Le Boeuf sur le toit (1945). We have Mitropoulos’s fellow Busoni pupil Egon Petri as piano soloist in their teacher’s arrangement of Liszt’s Spanish Rhapsody (1940) and pianist Oscar Levant in concertos by Khachaturian (1950) and Anton Rubinstein (1952).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith the NEW YORK PHILHARMONIC, Mitropoulos conducts the epoch-making first recording of Berg’s Wozzeck (1951) with Mack Harrell and Eileen Farrell – “It is difficult to conceive any other conductor having an equivalent grasp of the score; and Mitropoulos infused his knowledge and vitality into his soloists” (Gramophone); Schoenberg’s Verklärte Nacht, Erwartung with soprano Dorothy Dow (1951) and the first recording of his Violin Concerto, with Louis Krasner, Mitropoulos’s erstwhile Minneapolis concertmaster (1952); Krenek’s Symphonic Elegy (1951); and memorable Berlioz including an “almost hallucinatory” (Classical Net) Symphonie fantastique (1957) and excerpts from Roméo et Juliette (1952).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncluded from New York are also Mendelssohn’s “Scottish” and “Reformation” Symphonies (1953); Tchaikovsky’s Fifth Symphony (1954), Pathétique (1957) – “Mitropoulos achieves some remarkable flexibility of phrase for his expressive purposes … The first chord in the Adagio lamentoso movement of this recording sounds as if the conductor had reached the hearts of every individual string player” (New York Times) – and First Suite (1954); Scriabin’s Poème de l’extase and Promethée (1953); Shostakovich’s Symphonies Nos. 5 (1952) and 10 (1954) – “Mitropoulos had a particular affinity for this symphony. He gave its Western Hemisphere premiere in 1954 … This recording conveys an exciting spontaneity” (High Fidelity), “Mitropoulos’s pioneering account probes more deeply into the heart of this score than any of the recent newcomers” (Gramophone); Debussy’s La Mer (1950) and Stravinsky’s Petrushka (1951); excerpts from Prokofiev’s Romeo and Juliet (1957) as well as that composer’s Lieutenant Kijé and Kodály’s Háry János suites (1956); Vaughan Williams’s Fourth Symphony (1956) – “splendidly alert and unfailingly eloquent (nowhere more so than in the slow movement) … Mitropoulos’s deeply felt interpretation won the enthusiastic approbation of the composer” (Gramophone) – and his Tallis Fantasia in the conductor’s 1958 glorious stereo remake (BBC Music Magazine: “A marvel of fine string playing”).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOther New York recordings with a soloist include David Oistrakh’s “unmissable … spellbinding … not least because of the conducting” (Gramophone) first recording of the Shostakovich Violin Concerto No. 1 (1956); pianist Robert Casadesus in the Beethoven “Emperor” (1955), with “accompaniments as dynamic and exciting as the soloist’s playing” (Classics Today), and Falla’s Nights in the Gardens of Spain (1956–57) – “Remarkable … Listen to the mystery and menace that he and Mitropoulos find in the first movement’s second half, or to the huge passion they bring to its climax” (Classics Today); the Mendelssohn and Tchaikovsky (1954) and Prokofiev’s Second Violin Concerto (1952) with Zino Francescatti and the Prokofiev First Concerto with Isaac Stern (1956). Major American works from New York include the recording premiere of Roger Sessions’s Second Symphony (1950) – “one of the most important symphonic works ever produced in the United States” (Gramophone) – as well as Peter Mennin’s Third Symphony (1954), Gunther Schuller’s Symphony for Brass and Percussion (1956), Morton Gould’s Fall River Legend ballet suite (1952) and Leon Kirchner featured as soloist in his Piano Concerto No. 1 (1956).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFinally, the box also contains Mitropoulos’s complete METROPOLITAN OPERA sets: the world premiere of Samuel Barber’s Vanessa with Eleanor Steber, Nicolai Gedda, Regina Resnik and Rosalind Elias (1958) – “This recording stands the test of time as well as does the opera itself” (Penguin Guide); Verdi’s Un ballo in maschera with Zinka Milanov, Jan Peerce, Leonard Warren and the Met debut of Marian Anderson (1955); and Mussorgsky’s Boris Godunov (in English; abridged) with Giorgio Tozzi (1956).\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eRhapsodie Espagnole BV 58\u003c\/p\u003e\n\u003cp\u003eArranged By – Ferruccio Busoni\u003c\/p\u003e\n\u003cp\u003eComposed By – Franz Liszt\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Egon Petri\u003c\/p\u003e\n\u003cp\u003e1-1                         Lento   1:07\u003c\/p\u003e\n\u003cp\u003e1-2                         I Jota Aragonaise. Allegro       4:17\u003c\/p\u003e\n\u003cp\u003e1-3                         II Un Poco Meno Allegro.\u2028 Allegretto Piacevole – Molto Vivace – Sempre Presto –            2:18\u003c\/p\u003e\n\u003cp\u003e1-4                         III Non Troppo Allegro –\u2028 Più Vivo, Ma Misurato       6:22\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In B Minor = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e1-5                         I Allegro – Animato Assai        6:29\u003c\/p\u003e\n\u003cp\u003e1-6                         II Scherzo. Prestissimo – Allegretto  4:46\u003c\/p\u003e\n\u003cp\u003e1-7                         III Andante       7:56\u003c\/p\u003e\n\u003cp\u003e1-8                         IV Finale. Allegro          5:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eThamos, König In Ägypten K 345 (336a) = Thamos, King Of Egypt = Thamos, Roi D'Egypte (Incidental Music To The Heroic Drama In 5 Acts By Tobias Ph. Freiherr von Gebler)\u003c\/p\u003e\n\u003cp\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eLibretto By – Tobias Ph. Freiherr von Gebler*\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-1                         No. 2. Maestoso – Allegro      3:46\u003c\/p\u003e\n\u003cp\u003e2-2                         No. 3. Andante              3:58\u003c\/p\u003e\n\u003cp\u003e2 Elegiac Melodies Op. 34 = Zwei Elegische Melodien = Deux Mélodies Élégiaques For Strings\u003c\/p\u003e\n\u003cp\u003eComposed By – Edvard Grieg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-3                         No. 1: The Wounded Heart = Herzwunden = Blessures Du Cœur\u2028(Allegretto Espressivo)                2:39\u003c\/p\u003e\n\u003cp\u003e2-4                         No. 2: Last Spring= Leztter Frühling = Denier Printemps\u2028(Andante)          5:21\u003c\/p\u003e\n\u003cp\u003eToccata In C Major BWV 564 = C-Dur = En Ut Majeur\u003c\/p\u003e\n\u003cp\u003eArranged By – Leó Weiner\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-5                         Präludium. Allegro Non Troppo          5:41\u003c\/p\u003e\n\u003cp\u003e2-6                         Adagio 5:28\u003c\/p\u003e\n\u003cp\u003e2-7                         Fuga. Allegretto Ma Poco Moderato, Molto Deciso                4:02\u003c\/p\u003e\n\u003cp\u003e2-8                        Minuetto\u2028 (From Le Temple De La Paix)\u003c\/p\u003e\n\u003cp\u003eArranged By – Felix Mottl\u003c\/p\u003e\n\u003cp\u003eComposed By – Jean-Baptiste Lully\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:36\u003c\/p\u003e\n\u003cp\u003eSlavonic Dances Op. 46 = Slawische Tänze = Danses Slaves\u003c\/p\u003e\n\u003cp\u003eComposed By – Antonín Dvořák\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-9                         No. 1 In C Major. Presto = C-Dur = En Ut Majeur      3:41\u003c\/p\u003e\n\u003cp\u003e2-10                      No. 3 In A-flat Major. Poco Allegro = As-Dur = En La Bémol Majeur             4:08\u003c\/p\u003e\n\u003cp\u003e2-11                      Joyeuse Marche (Marche Française) (Tempo Di Marcia, Molto Risoluto E Giocoso)\u003c\/p\u003e\n\u003cp\u003eComposed By – Emmanuel Chabrier\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:18\u003c\/p\u003e\n\u003cp\u003e2-12                      Marche Du Couronnement = Coronation March = Krönungsmarsch (From Le Prophète) (Tempo Di Marcia Maestoso)\u003c\/p\u003e\n\u003cp\u003eComposed By – Giacomo Meyerbeer\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2:53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003e3-1                         Fantasia (Prelude) And Fugue In G Minor \"Great\" BWV 542 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eArranged By – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e12:48\u003c\/p\u003e\n\u003cp\u003e3-2                        Wir Glauben All An Einen Gott BWV 680 (Chorale Prelude From Clavier-Übung III)\u003c\/p\u003e\n\u003cp\u003eArranged By – H. Bösenroth\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:14\u003c\/p\u003e\n\u003cp\u003e3-3                         Overture No. 1 On 3 Greek Themes Op. 3 (Adagio – Allegro)\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Glazunov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e13:01\u003c\/p\u003e\n\u003cp\u003e3-4                        Pièce En Forme De Habanera (Presque Lent Et Avec Indolence)\u003c\/p\u003e\n\u003cp\u003eArranged By – Yves Chardon\u003c\/p\u003e\n\u003cp\u003eCello – Yves Chardon\u003c\/p\u003e\n\u003cp\u003eComposed By – Maurice Ravel\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:27\u003c\/p\u003e\n\u003cp\u003eChopiniana\u003c\/p\u003e\n\u003cp\u003eArranged By – Dimitri Rogal-Lewitzsky\u003c\/p\u003e\n\u003cp\u003eComposed By – Frédéric Chopin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e3-5                         Étude In C Minor \u2028\"Revolutionary\" Op. 10\/12 = C-Moll = En Ut Mineur \u2028(Allegro Con Fuoco) 2:41\u003c\/p\u003e\n\u003cp\u003e3-6                         Nocturne In C Minor Op. 48\/1 = C-Moll = En Ut Mineur (Lento)     5:50\u003c\/p\u003e\n\u003cp\u003e3-7                         Mazurka In B Minor Op. 33\/4 = H-Moll = En Si Mineur (Mesto)        5:41\u003c\/p\u003e\n\u003cp\u003e3-8                         Waltz In E Minor WN 29 = E-Moll = En Mi Mineur (Vivace) 2:59\u003c\/p\u003e\n\u003cp\u003e3-9                         Polonaise In A-flat Major \"Heroic\" Op. 53 = As-Dur »Heroische«\u2028 = En La Bémol Majeur « Héroïque » (Maestoso)             5:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003eConcerto No. 10 For 2 Pianos And Orchestra In E-flat Major K 365 (316a) = Es-Dur = En Mi Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra of Philadelphia*\u003c\/p\u003e\n\u003cp\u003ePiano – Victor Babin, Vitya Vronsky\u003c\/p\u003e\n\u003cp\u003e4-1                         I Allegro              9:27\u003c\/p\u003e\n\u003cp\u003e4-2                         II Andante         7:25\u003c\/p\u003e\n\u003cp\u003e4-3                         III Rondeau. Allegro    6:46\u003c\/p\u003e\n\u003cp\u003eConcerto No. 7 For 3 Pianos And Orchestra In F Major \"Lodron\" K 242 = F-Dur = En Fa Majeur\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos, Thomas Scherman\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Little Orchestra Society\u003c\/p\u003e\n\u003cp\u003ePiano – Unknown Artist, Victor Babin, Vitya Vronsky\u003c\/p\u003e\n\u003cp\u003e4-4                         I Allegro              8:23\u003c\/p\u003e\n\u003cp\u003e4-5                         II Adagio            9:22\u003c\/p\u003e\n\u003cp\u003e4-6                         III Rondeau. Tempo Di Menuetto       5:18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003e5-1                         Le Bœuf Sur Le Toit Or\u2028 \"The Nothing-Doing Bar\" Op. 58 - The Ox On The Roof = Der Ochse Auf Dem Dach (Ballet By Jean Cocteau)\u003c\/p\u003e\n\u003cp\u003eComposed By – Darius Milhaud\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e13:53\u003c\/p\u003e\n\u003cp\u003eLe Tombeau De Couperin M 68a\u003c\/p\u003e\n\u003cp\u003eComposed By – Maurice Ravel\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e5-2                         I Prélude. Vif   2:59\u003c\/p\u003e\n\u003cp\u003e5-3                         II Forlane. Allegretto  3:11\u003c\/p\u003e\n\u003cp\u003e5-4                         III Menuet. Allegro Moderato                3:17\u003c\/p\u003e\n\u003cp\u003e5-5                         IV Rigaudon. Assez Vif              2:19\u003c\/p\u003e\n\u003cp\u003e5-6                        Overture And Allegro From The Sonata La Sultane\u003c\/p\u003e\n\u003cp\u003eArranged By – Darius Milhaud\u003c\/p\u003e\n\u003cp\u003eComposed By – François Couperin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:39\u003c\/p\u003e\n\u003cp\u003e5-7                         La Procession Nocturne Op. 6 = The Nocturnal Procession = Die Nächtliche Prozession\u003c\/p\u003e\n\u003cp\u003eComposed By – Henri Rabaud\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e14:02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003eSymphony In B-Flat Major Op. 20 = B-Dur = En Si Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ernest Chausson\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e6-1                         I Lent – Allegro Vivo    12:01\u003c\/p\u003e\n\u003cp\u003e6-2                         II Très Lent       8:15\u003c\/p\u003e\n\u003cp\u003e6-3                         III Animé            10:49\u003c\/p\u003e\n\u003cp\u003e6-4                        Portsmouth Point (Concert Overture)\u003c\/p\u003e\n\u003cp\u003eComposed By – William Walton*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 7\u003c\/p\u003e\n\u003cp\u003eManon Lescaut\u003c\/p\u003e\n\u003cp\u003eComposed By – Giacomo Puccini\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-1                         Intermezzo       3:41\u003c\/p\u003e\n\u003cp\u003eCavalleria Rusticana\u003c\/p\u003e\n\u003cp\u003eComposed By – Pietro Mascagni\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-2                         Intermezzo Sinfonico                3:53\u003c\/p\u003e\n\u003cp\u003eI Gioielli Della Madonna\u003c\/p\u003e\n\u003cp\u003eComposed By – Ermanno Wolf-Ferrari\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-3                         Intermezzo (Act II)       3:44\u003c\/p\u003e\n\u003cp\u003e7-4                         Intermezzo (Act III)      3:20\u003c\/p\u003e\n\u003cp\u003eSebastian - Ballet Suite\u003c\/p\u003e\n\u003cp\u003eComposed By – Gian Carlo Menotti\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-5                         I Introduction. Adagio – Allegro Molto            2:01\u003c\/p\u003e\n\u003cp\u003e7-6                         II Barcarolle. Andante Con Moto       3:29\u003c\/p\u003e\n\u003cp\u003e7-7                         III Baruffa = Street Fight. Allegro Energico   1:23\u003c\/p\u003e\n\u003cp\u003e7-8                         IV Cortège. L'istesso Tempo 3:49\u003c\/p\u003e\n\u003cp\u003e7-9                         V Sebastian's Dance. Tempo Di Walzer         2:05\u003c\/p\u003e\n\u003cp\u003e7-10                      VII Pavane. Andante Calmo  3:46\u003c\/p\u003e\n\u003cp\u003eScènes Alsaciennes - Suite No. 7\u003c\/p\u003e\n\u003cp\u003eComposed By – Jules Massenet\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7-11                      I Dimanche Matin. Allegretto Moderato. Andante Religioso            6:04\u003c\/p\u003e\n\u003cp\u003e7-12                      II Au Cabaret. Allegro – Allegro Moderato Assai – Tempo I 4:59\u003c\/p\u003e\n\u003cp\u003e7-13                      III Sous Les Tilleuls. Adagio Sostenuto          4:27\u003c\/p\u003e\n\u003cp\u003e7-14                      IV Dimanche Soir. Allegro Moderato – Air Alsacien – Retraite Française (Dans Les Coulisses). Allegro Moderato – Allegro Vivo Assai  5:51\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003e8-1                         The Isle Of The Dead Op. 29 = Die Toteninsel = L'ile Des Morts (Symphonic Poem Based On The Painting By Arnold Böcklin)\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Rachmaninoff*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e20:17\u003c\/p\u003e\n\u003cp\u003e8-2                         Fantasia On A Theme By Thomas Tallis For Double String Orchestra\u003c\/p\u003e\n\u003cp\u003eComposed By – Ralph Vaughan Williams\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e14:55\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003eSymphony No. 1 In D Major \"Titan\"\u003c\/p\u003e\n\u003cp\u003eComposed By – Gustav Mahler\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e9-1                         I Langsam. Schleppend. Wie Ein Naturlaut – Immer Sehr Gemächlich   13:35\u003c\/p\u003e\n\u003cp\u003e9-2                         Il Kräftig Bewegt, Doch Nicht Zu Schnell – Trio. Recht Gemächlich            6:17\u003c\/p\u003e\n\u003cp\u003e9-3                         III Feierlich Und Gemessen, Ohne Zu Schleppen   10:26\u003c\/p\u003e\n\u003cp\u003e9-4                        IV Stürmisch Bewegt – Energisch – Sehr Gesangsvoll – Wieder Wie Zu Anfang. Stürmisch Bewegt – Sehr Langsam – Höchste Kraft. Wieder Vorwärts Drängend – Triumphal (Nicht Eilen)                17:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 10\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In C Minor \"Little Russian\" Op. 17 = C-Moll = En Ut Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e10-1                      I Andante Sostenuto – Allegro Vivo  9:12\u003c\/p\u003e\n\u003cp\u003e10-2                      I Andantino Marziale, Quasi Moderato          8:21\u003c\/p\u003e\n\u003cp\u003e10-3                      III Scherzo. Allegro Molto Vivace – Trio          4:24\u003c\/p\u003e\n\u003cp\u003e10-4                      IV Moderato Assai – Allegro Vivo – Presto    9:46\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 11\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra In D-flat Major Op. 38 = Des-Dur = En Ré Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Aram Khatchaturian\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Oscar Levant\u003c\/p\u003e\n\u003cp\u003e11-1                      I Allegro Ma Non Troppo\u2028 E Maestoso            14:55\u003c\/p\u003e\n\u003cp\u003e11-2                      II Andante Con Anima              10:57\u003c\/p\u003e\n\u003cp\u003e11-3                      III Allegro Brillante\u2028    8:57\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra\u2028No. 4 In D Minor Op. 70\u2028= D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Anton Rubinstein\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Oscar Levant\u003c\/p\u003e\n\u003cp\u003e11-4                      I Moderato Assai          12:38\u003c\/p\u003e\n\u003cp\u003e11-5                      II Andante         11:27\u003c\/p\u003e\n\u003cp\u003e11-6                      III Allegro           10:06\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 12\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 1 In B-flat Minor Op. 23 = B-Moll = En Si Bémol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Arthur Rubinstein\u003c\/p\u003e\n\u003cp\u003e12-1                      I Allegro Non Troppo E Molto Maestoso – Allegro Con Spirito         19:14\u003c\/p\u003e\n\u003cp\u003e12-2                      Il Andantino Semplice – Prestissimo – Tempo I        7:29\u003c\/p\u003e\n\u003cp\u003e12-3                      Ill Allegro Con Fuoco 6:27\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 13\u003c\/p\u003e\n\u003cp\u003eConcerto For 2 Pianos And Orchestra In D Minor FP 61 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Francis Poulenc\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – RCA Victor Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003ePiano – Arthur Whittemore, Jack Lowe\u003c\/p\u003e\n\u003cp\u003e13-1                      I Allegro Ma Non Troppo          7:39\u003c\/p\u003e\n\u003cp\u003e13-2                      Il Larghetto      6:39\u003c\/p\u003e\n\u003cp\u003e13-3                      III Finale. Allegro Molto            5:28\u003c\/p\u003e\n\u003cp\u003eVariations On A Theme By Joseph Haydn In B-flat Major \"St. Anthony Variations\" Op. 56b = B-Dur = En Si Bémol Majeur For 2 Pianos\u003c\/p\u003e\n\u003cp\u003eComposed By – Joseph Haydn\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – RCA Victor Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003ePiano – Arthur Whittemore, Jack Lowe\u003c\/p\u003e\n\u003cp\u003e13-4                      Thema. Chorale St. Antoni. Andante              1:56\u003c\/p\u003e\n\u003cp\u003e13-5                      Variation 1. Andante Con Moto          1:10\u003c\/p\u003e\n\u003cp\u003e13-6                      Variation 2. Vivace      0:59\u003c\/p\u003e\n\u003cp\u003e13-7                      Variation 3. Con Moto               1:32\u003c\/p\u003e\n\u003cp\u003e13-8                      Variation 4. Andante  1:46\u003c\/p\u003e\n\u003cp\u003e13-9                      Variation 5. Poco Presto          0:56\u003c\/p\u003e\n\u003cp\u003e13-10                   Variation 6. Vivace      1:09\u003c\/p\u003e\n\u003cp\u003e13-11                   Variation 7. Grazioso 2:32\u003c\/p\u003e\n\u003cp\u003e13-12                   Variation 8. Poco Presto          0:51\u003c\/p\u003e\n\u003cp\u003e13-13                   Finale. Andante            3:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 14\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 (To The Memory Of Franklin Delano Roosevelt)\u003c\/p\u003e\n\u003cp\u003eComposed By – Roger Sessions\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e14-1                      I Molto Agitato – Tranquillo E Misterioso       9:26\u003c\/p\u003e\n\u003cp\u003e14-2                      Il Allegretto Capriccioso         1:50\u003c\/p\u003e\n\u003cp\u003e14-3                      III Adagio, Tranquillo Ed Espressivo 7:31\u003c\/p\u003e\n\u003cp\u003e14-4                      IV Allegramente            6:25\u003c\/p\u003e\n\u003cp\u003e14-5                      Philharmonic Waltzes\u003c\/p\u003e\n\u003cp\u003eComposed By – Morton Gould\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e9:22\u003c\/p\u003e\n\u003cp\u003e14-6                      Le Roi D'Ys - Overture (Andante – Allegro – Andantino Non Troppo – Allegro - Presto)\u003c\/p\u003e\n\u003cp\u003eComposed By – Édouard Lalo\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e11:18\u003c\/p\u003e\n\u003cp\u003eOzark Set\u003c\/p\u003e\n\u003cp\u003eComposed By – Elie Siegmeister\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e14-7                      I Morning In The Hills 4:07\u003c\/p\u003e\n\u003cp\u003e14-8                      II Camp Meeting           2:54\u003c\/p\u003e\n\u003cp\u003e14-9                      Ill Lazy Afternoon         4:09\u003c\/p\u003e\n\u003cp\u003e14-10                   IV Saturday Night         3:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 15\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In E-flat Major \"Rhenish\" Op. 97 = Es-Dur »Rheinische« = En Mi Bémol Majeur « Rhénane »\u003c\/p\u003e\n\u003cp\u003eComposed By – Robert Schumann\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e15-1                      I Lebhaft            9:50\u003c\/p\u003e\n\u003cp\u003e15-2                      Il Scherzo. Sehr Mäßig              4:46\u003c\/p\u003e\n\u003cp\u003e15-3                      III Nicht Schnell            4:34\u003c\/p\u003e\n\u003cp\u003e15-4                      IV Feierlich       5:28\u003c\/p\u003e\n\u003cp\u003e15-5                      V Lebhaft – Schneller                5:03\u003c\/p\u003e\n\u003cp\u003e15-6                      Polka And Fugue (From Schwanda The Bagpiper)\u003c\/p\u003e\n\u003cp\u003eComposed By – Jaromír Weinberger*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:37\u003c\/p\u003e\n\u003cp\u003e15-7                      Minstrel Show\u003c\/p\u003e\n\u003cp\u003eComposed By – Morton Gould\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 16\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In E Minor Op. 27 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Rachmaninoff*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e16-1                      I Largo – Allegro Moderato     15:52\u003c\/p\u003e\n\u003cp\u003e16-2                      II Allegro Molto              7:26\u003c\/p\u003e\n\u003cp\u003e16-3                      III Adagio           11:05\u003c\/p\u003e\n\u003cp\u003e16-4                      IV Allegro Vivace          10:28\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 17\u003c\/p\u003e\n\u003cp\u003eSymphony In D Minor FWV 48 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – César Franck\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e17-1                      I Lento – Allegro Non Troppo – Allegro            19:19\u003c\/p\u003e\n\u003cp\u003e17-2                      II Allegretto      9:11\u003c\/p\u003e\n\u003cp\u003e17-3                      Ili Allegro Non Troppo               9:25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD18\u003c\/p\u003e\n\u003cp\u003eSymphony No. 4 In F Minor Op. 36 = F-Moll = En Fa Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e18-1                      I Andante Sostenuto – Moderato Con Anima – Moderato Assai, Quasi Andante – Allegro Con Anima       16:49\u003c\/p\u003e\n\u003cp\u003e18-2                      Il Andantino Modo Di Canzone           9:06\u003c\/p\u003e\n\u003cp\u003e18-3                      Ill Scherzo. Pizzicato Ostinato – Allegro        5:03\u003c\/p\u003e\n\u003cp\u003e18-4                      IV Finale. Allegro Con Fuoco                7:56\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 19\u003c\/p\u003e\n\u003cp\u003eSymphony No. 6 In F Major \"Pastoral\" Op. 68 = F-Dur = En Fa Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e19-1                      I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo (Awakening Of Cheerful Feelings Upon Arrival In The Country = Éveil D'impressions Agréables En Arrivant À La Campagne)       8:08\u003c\/p\u003e\n\u003cp\u003e19-2                      Il Szene Am Bach. Andante Molto Moto (Scene By The Brook = Au Bord Du Ruisseau)                12:18\u003c\/p\u003e\n\u003cp\u003e19-3                      III Lustiges Zusammensein Der Landleute. Allegro - Attacca = Merry Gathering Of Country Folk = Joyeuse Assemblée De Paysans         4:54\u003c\/p\u003e\n\u003cp\u003e19-4                      IV Gewitter, Sturm. Allegro - Attacca = Thunderstorm = Orage, Tempête                3:59\u003c\/p\u003e\n\u003cp\u003e19-5                      Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto = Shepherd's Song. Happy And Thankful Feelings After The Storm Chant Pastoral = Sentiments De Joie Et De Reconnaissance Après L'orage          10:01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 20\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In A Minor \"Scottish\" Op. 56 = A-Moll »Schottische« = En La Mineur « Écossaise »\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e20-1                      I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca              11:15\u003c\/p\u003e\n\u003cp\u003e20-2                      Il Vivace Non Troppo - Attacca           3:45\u003c\/p\u003e\n\u003cp\u003e20-3                      Ill Adagio - Attacca     9:33\u003c\/p\u003e\n\u003cp\u003e20-4                      IV Allegro Vivacissimo – Allegro Maestoso Assai    7:19\u003c\/p\u003e\n\u003cp\u003e20-5                      Capriccio Brillant For Piano And Orchestra In B Minor Op. 22 = H-Moll = En Si Mineur (Andante – Allegro Con Fuoco)\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Joanna Graudan\u003c\/p\u003e\n\u003cp\u003e10:49\u003c\/p\u003e\n\u003cp\u003e20-6                      Octet In E-flat Major Op. 20 = Es-Dur = En Mi Bémol Majeur - Ill Scherzo. Allegro Leggierissimo\u003c\/p\u003e\n\u003cp\u003eComposed By, Arranged By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 21\u003c\/p\u003e\n\u003cp\u003e21-1                      L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling\u003c\/p\u003e\n\u003cp\u003eComposed By – Paul Dukas\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e9:46\u003c\/p\u003e\n\u003cp\u003e4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or\u003c\/p\u003e\n\u003cp\u003eArranged By [Compiled and Edited By] – Alexander Glazunov, Maximilian Steinberg\u003c\/p\u003e\n\u003cp\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e21-2                      I Tsar Dodon In His Palace = Zar Dodon In Seinem Palast = Le Tsar Dodon Dans Son Palais                8:00\u003c\/p\u003e\n\u003cp\u003e21-3                      III Tsar Dodon As The Guest Of The Queen Of Shemakhan = Zar Dodon Bei Der Königin Von Schemacha Le Tsar Dodon Et La Reine Chemakha    4:36\u003c\/p\u003e\n\u003cp\u003e21-4                      IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon               3:55\u003c\/p\u003e\n\u003cp\u003eSymphony No. 1 In D Major \"Classical\" Op. 25 = D-Dur = Symphonie Classique En Ré Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e21-5                      I Allegro              3:56\u003c\/p\u003e\n\u003cp\u003e21-6                      Il Larghetto      4:09\u003c\/p\u003e\n\u003cp\u003e21-7                      Ill Gavotta. Non Troppo Allegro           1:16\u003c\/p\u003e\n\u003cp\u003e21-8                      IV Finale. Molto Vivace             3:04\u003c\/p\u003e\n\u003cp\u003e21-9                      Russian Sailors' Dance = Russischer Seemannstanz = Danse Des Marins Russes From The Red Poppy\u003c\/p\u003e\n\u003cp\u003eComposed By – Reinhold Glière\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:19\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 22\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In C Major Op. 61 = C-Dur = En Ut Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Robert Schumann\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e22-1                      I Sostenuto Assai – Allegro, Ma Non Troppo               11:26\u003c\/p\u003e\n\u003cp\u003e22-2                      II Scherzo. Allegro Vivace – Trio I – Trio II       6:36\u003c\/p\u003e\n\u003cp\u003e22-3                      III Adagio Espressivo 10:21\u003c\/p\u003e\n\u003cp\u003e22-4                      IV Allegro Molto Vivace            7:55\u003c\/p\u003e\n\u003cp\u003e4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or\u003c\/p\u003e\n\u003cp\u003eArranged By [Compiled and Edited By] – Alexander Glazunov, Maximilian Steinberg\u003c\/p\u003e\n\u003cp\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e22-5                      IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon               3:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 23\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 1 In E Minor Op. 11 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Frédéric Chopin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Edward Kilényi*\u003c\/p\u003e\n\u003cp\u003e23-1                      I Allegro Maestoso      15:34\u003c\/p\u003e\n\u003cp\u003e23-2                      II Romance. Larghetto - Attacca        8:40\u003c\/p\u003e\n\u003cp\u003e23-3                      III Rondo. Vivace          9:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 24\u003c\/p\u003e\n\u003cp\u003eVariations On A Theme By Joseph Haydn In B-flat Major \"St. Anthony Variations\" Op. 56a = B-Dur = En Si Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Joseph Haydn\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e24-1                      Thema. Chorale St. Antoni. Andante              2:06\u003c\/p\u003e\n\u003cp\u003e24-2                      Variation I. Poco Più Animato              1:29\u003c\/p\u003e\n\u003cp\u003e24-3                      Variation II. Più Vivace              1:01\u003c\/p\u003e\n\u003cp\u003e24-4                      Variation III. Con Moto             1:49\u003c\/p\u003e\n\u003cp\u003e24-4                      Variation IV. Andante Con Moto         1:53\u003c\/p\u003e\n\u003cp\u003e24-5                      Variation V. Vivace      0:49\u003c\/p\u003e\n\u003cp\u003e24-6                      Variation VI. Vivace    0:53\u003c\/p\u003e\n\u003cp\u003e24-7                      Variation VII. Grazioso              2:13\u003c\/p\u003e\n\u003cp\u003e24-8                      Variation VIII. Presto Non Troppo      1:13\u003c\/p\u003e\n\u003cp\u003e24-9                      Finale. Andante            3:23\u003c\/p\u003e\n\u003cp\u003e24-10                   Jubilation Overture = Jubel-Ouvertüre = Ouverture Du Jubilé\u003c\/p\u003e\n\u003cp\u003eComposed By – Carl Maria von Weber\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e6:54\u003c\/p\u003e\n\u003cp\u003e24-11                   Coriolan Overture Op. 62 (Allegro Con Brio)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:52\u003c\/p\u003e\n\u003cp\u003e24-12                   \"Leonore Ill\" Overture Op. 72a (Adagio – Allegro)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 25\u003c\/p\u003e\n\u003cp\u003e25-1                      Hebraic Rhapsody For Cello And Orchestra (Lento Moderato – Andante Moderato – Allegro Moderato – Allegro – Andante Moderato)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ernest Bloch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Dimitri Mitropoulos, Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e21:44\u003c\/p\u003e\n\u003cp\u003e25-2                      Concerto For Cello And Orchestra No. 1 In A Minor Op. 33 = A-Moll = En La Mineur (Allegro Non Troppo – Animato - Allegro Molto – Tempo I – Allegretto Con Moto – Tempo I – Un Peu Moins Vite – Molto Allegro)\u003c\/p\u003e\n\u003cp\u003eCello – Leonard Rose\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e19:18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 26\u003c\/p\u003e\n\u003cp\u003ePétrouchka = Petrushka = Petruschka (Burlesque In 4 Tableaux) - Original Version (1911)\u003c\/p\u003e\n\u003cp\u003eComposed By – Igor Stravinsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e26-1                      Tableau I | Fête Populaire De La Semaine Grasse = The Shrovetide Fair = Jahrmarkt In Der Fastnachtswoche       0:50\u003c\/p\u003e\n\u003cp\u003e26-2                      La Foule = The Crowds = Die Menge               4:13\u003c\/p\u003e\n\u003cp\u003e26-3                      Le Tour De Passe-passe = The Magic Trick = Hokuspokus 1:41\u003c\/p\u003e\n\u003cp\u003e26-4                      Danse Russe = Russian Dance = Russischer Tanz 2:46\u003c\/p\u003e\n\u003cp\u003e26-5                      Tableau II | Chez Pétrouchka = Petrushka's Room = Bei Petruschka          4:26\u003c\/p\u003e\n\u003cp\u003e26-6                      Tableau III | Chez Le Maure = The Moor's Room = Beim Mohren   3:07\u003c\/p\u003e\n\u003cp\u003e26-7                      Danse De La Ballerine = Dance Of The Ballerina = Tanz Der Ballerina      0:41\u003c\/p\u003e\n\u003cp\u003e26-8                      Valse. La Ballerine Et Le Maure = Waltz. The Ballerina And The Moor = Walzer. Die Ballerina Und Der Mohr           3:25\u003c\/p\u003e\n\u003cp\u003e26-9                      Tableau IV | Fête Populaire De La Semaine Grasse (Vers Le Soir) = The Shrovetide Fair (Towards Evening) = Jahrmarkt In Der Fastnachtswoche (Gegen Abend)               1:09\u003c\/p\u003e\n\u003cp\u003e26-10                   Danse Des Nounous = Dance Of The Nursemaids = Tanz Der Ammen    2:10\u003c\/p\u003e\n\u003cp\u003e26-11                   Le Paysan Et L'Ours = The Peasant And The Bear = Der Bauer Und Der Bär          1:29\u003c\/p\u003e\n\u003cp\u003e26-12                   Un Marchand Fêtard Avec Deux Tziganes = The Jovial Merchant With Two Gypsy Girls = Der Genusssüchtige Kaufmann Mit Zwei Zigeunerinnen   0:52\u003c\/p\u003e\n\u003cp\u003e26-13                   Danse Des Cochers Et Des Palefreniers = Dance Of The Coachmen And Grooms = Tanz Der Kutscher Und Stallknechte          1:54\u003c\/p\u003e\n\u003cp\u003e26-14                   Les Déguisés – La Rixe : Le Maure Et Pétrouchka = The Masqueraders – The Fight: The Moor And Petrushka = Die Maskierten – Der Kampf: Der Mohr Und Petruschka 2:05\u003c\/p\u003e\n\u003cp\u003e26-15                   Mort De Pétrouchka – La Police Et Le Charlatan – Apparition Du Double De Pétrouchka = Death Of Petrushka - The Police And The Charlatan - Apparition Of Petroushka's Double = Petruschkas Tod – Die Polizei Und Der Gaukler – Erscheinung Von Petruschkas Geist               2:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 27\u003c\/p\u003e\n\u003cp\u003eWozzeck Op. 7 (Opera In 3 Acts After Georg Büchner's Woyzeck)\u003c\/p\u003e\n\u003cp\u003eAlto Vocals [Margret] – Edwina Eustis\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [1st Apprentice] – Adolph Anderson\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Wozzeck] – Mack Harrell\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Doctor] – Ralph Herbert\u003c\/p\u003e\n\u003cp\u003eChorus – Chorus Of The Schola Cantorum*, The High School Of Music And Art Chorus*\u003c\/p\u003e\n\u003cp\u003eChorus Master – Hugh Ross\u003c\/p\u003e\n\u003cp\u003eComposed By – Alban Berg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Marie's Boy] – Bess Ann Herdt\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Marie] – Eileen Farrell\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [2nd Apprentice] – Hubert Norville\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Andres] – David Lloyd (3)\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Captain, Soldier, Fool] – Joseph Mordino\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Drum Major] – Frederick Jagel\u003c\/p\u003e\n\u003cp\u003e27-1.1                  Act I - 5 Character Pieces | Scene 1: The Captain Der Hauptmann = Le Capitaine          7:30\u003c\/p\u003e\n\u003cp\u003e27-1.2                  \"Langsam, Wozzeck, Langsam!\" (Captain, Wozzeck)\u003c\/p\u003e\n\u003cp\u003e27-2                      Scene 2: Andres \"Du, Der Platz Ist Verflucht!\" (Wozzeck, Andres)              7:49\u003c\/p\u003e\n\u003cp\u003e27-3                      Scene 3: Marie \"Tschin Bum! Hörst Du, Bub? Da Kommen Sie!\" (Marie, Margret, Wozzeck)                8:39\u003c\/p\u003e\n\u003cp\u003e27-4                      Scene 4: The Doctor \"Was Erleb' Ich, Wozzeck?\" (Doctor, Wozzeck)        6:40\u003c\/p\u003e\n\u003cp\u003e27-5                      Scene 5: The Drum Major = Der Tambourmajor \"Geh Einmal Vor Dich Hin\" (Marie, Drum Major) 3:47\u003c\/p\u003e\n\u003cp\u003e27-6                      Act II - Symphony In 5 Movements | Scene 1: Sonata Movement \"Was Die Steine Glänzen!\" (Marie, Wozzeck)  4:58\u003c\/p\u003e\n\u003cp\u003e27-7                      Scene 2: Invention And Fugue On 3 Themes \"Wohin So Eilig, Geehrtester Herr Sargnagel?\" (Captain, Doctor, Wozzeck)  7:57\u003c\/p\u003e\n\u003cp\u003e27-8                      Scene 3: Largo \"Guten Tag, Franz\" ... \"Ich Seh' Nichts\" (Marie, Wozzeck)               3:34\u003c\/p\u003e\n\u003cp\u003e27-9                      Scene 4: Extended Scherzo And Trio Movement \"Ich Hab Ein Hemdlein An\" (1st And 2nd Apprentices, Wozzeck, Marie, Drum Major, Lads, Soldiers, Andres, Fool)             9:14\u003c\/p\u003e\n\u003cp\u003e27-10                   Scene 5: Rondo Marziale Con Introduzione \"Oh! Oh! Andres! Ich Kann Nicht Schlafen\" (Wozzeck, Andres, Drum Major, Soldiers)   5:21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 28\u003c\/p\u003e\n\u003cp\u003e28-1                      Act III - 6 Inventions | Scene 1: Invention On A Theme (Theme, 7 Variations \u0026amp; Fugue) \"Und Ist Kein Betrug In Seinem Munde Erfunden Worden\" (Marie)          4:45\u003c\/p\u003e\n\u003cp\u003e28-2                      Scene 2: Invention On 1 Note (B) \"Dort Links Geht's In Die Stadt\" (Marie, Wozzeck)       4:15\u003c\/p\u003e\n\u003cp\u003e28-3                      Scene 3: Invention On A Rhythm \"Tanzt Alle; Tanzt Nur Zu!\" (Wozzeck, Margret, Lads, Harlots)             3:46\u003c\/p\u003e\n\u003cp\u003e28-4.1                 Scene 4: Invention On A 6-Note Chord \"Das Messer? Wo Ist Das Messer?\" (Wozzeck, Captain, Doctor)          4:08\u003c\/p\u003e\n\u003cp\u003e28-4.2                 Orchestral Interlude In D Minor – Invention On A Key\u003c\/p\u003e\n\u003cp\u003e28-5                      Epilogue. Scene 5: Invention On A Quaver Rhythm \"Ringel, Ringel, Rosenkranz\" (Children, Marie's Boy)    5:21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 29\u003c\/p\u003e\n\u003cp\u003eLa Mer L 109 = The Sea = Das Meer (3 Symphonic Sketches)\u003c\/p\u003e\n\u003cp\u003eComposed By – Claude Debussy\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e29-1                      I De L'aube À Midi Sur La Mer = From Dawn To Midday On The Sea = Vom Morgen Bis Zum Mittag Auf Dem Meer (Très Lent)       8:28\u003c\/p\u003e\n\u003cp\u003e29-2                      Il Jeux De Vagues = Play Of The Waves = Spiel Der Wellen (Allegro)           6:07\u003c\/p\u003e\n\u003cp\u003e29-3                      III Dialogue Du Vent Et De La Mer = Dialogue Of The Wind And The Sea = Gespräch Zwischen Wind Und Meer (Animé Et Tumultueux) 8:01\u003c\/p\u003e\n\u003cp\u003eIbéria L 122\/2 (From Images Pour Orchestre)\u003c\/p\u003e\n\u003cp\u003eComposed By – Claude Debussy\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003e29-4                      I Par Les Rues Et Par Les Chemins = In The Streets And Byways = In Den Straßen Und Gassen               6:56\u003c\/p\u003e\n\u003cp\u003e29-5                      II Les Parfums De La Nuit = The Fragrances Of The Night = Die Düfte Der Nacht               7:52\u003c\/p\u003e\n\u003cp\u003e29-6                      Ill Le Matin D'un Jour De Fête = The Morning Of A Festival Day = Der Morgen Eines Festtags                4:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 30\u003c\/p\u003e\n\u003cp\u003eErwartung Op. 17 = Expectation = Attente (Monodrama In 1 Act For Soprano And Orchestra)\u003c\/p\u003e\n\u003cp\u003eComposed By – Arnold Schoenberg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dorothy Dow\u003c\/p\u003e\n\u003cp\u003eText By – Marie Pappenheim\u003c\/p\u003e\n\u003cp\u003e30-1                      Scene 1 | \"Hier Hinein?... Man Sieht Den Weg Nicht\"          2:48\u003c\/p\u003e\n\u003cp\u003e30-2                      Scene 2 | \"Ist Das Noch Der Weg?\"  2:43\u003c\/p\u003e\n\u003cp\u003e30-3                      Scene 3 | \"Da Kommt Ein Licht!\"        1:45\u003c\/p\u003e\n\u003cp\u003e30-4                      Scene 4 | \"Er Ist Auch Nicht Da\"         1:57\u003c\/p\u003e\n\u003cp\u003e30-5                      \"Das Mondlicht... Nein Dort\"               7:59\u003c\/p\u003e\n\u003cp\u003e30-6                      \"Nein, Das Ist Doch Nicht Möglich\" 1:35\u003c\/p\u003e\n\u003cp\u003e30-7                      \"Du Siehst Wieder Dort Hin!\"               6:26\u003c\/p\u003e\n\u003cp\u003e30-8                      \"Der Morgen Trennt Uns\"        3:13\u003c\/p\u003e\n\u003cp\u003e30-9                      Symphonic Elegy Op. 105 For String Orchestra (In Memoriam Anton Webern)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ernst Krenek\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e15:32\u003c\/p\u003e\n\u003cp\u003e30-10                   Verklärte Nacht Op. 4 = Transfigured Night = La Nuit Transfigurée After The Poem By Richard Dehmel (Version For String Orchestra (1943))\u003c\/p\u003e\n\u003cp\u003eComposed By – Arnold Schoenberg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos, Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e25:15\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD31\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 1 In G Minor Op. 26 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Max Bruch\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e31-1                      I Vorspiel. Allegro Moderato - Attacca            8:12\u003c\/p\u003e\n\u003cp\u003e31-2                      Il Adagio            8:32\u003c\/p\u003e\n\u003cp\u003e31-3                      Ili Finale. Allegro Energico – Presto  6:57\u003c\/p\u003e\n\u003cp\u003e31-4                      Romance For Violin And Orchestra No. 1 In G Major Op. 40 = G-Dur = En Sol Majeur (Andante)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e7:30\u003c\/p\u003e\n\u003cp\u003e31-5                      Romance For Violin And Orchestra No. 2 In F Major Op. 50 = F-Dur = En Fa Majeur (Andante Cantabile)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e8:45\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 3 In B Minor Op. 61 = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e31-6                      I Allegro Non Troppo  8:17\u003c\/p\u003e\n\u003cp\u003e31-7                      Il Andantino Quasi Allegretto               7:20\u003c\/p\u003e\n\u003cp\u003e31-8                      III Molto Moderato E Maestoso – Allegro Non Troppo – Più Allegro              9:25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 32\u003c\/p\u003e\n\u003cp\u003eCakewalk (Ballet Suite Adapted And Orchestrated By Hershey Kay)\u003c\/p\u003e\n\u003cp\u003eAdapted By, Orchestrated By – Hershey Kay\u003c\/p\u003e\n\u003cp\u003eComposed By – Louis Moreau Gottschalk\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003e32-1                      I Grand Introductory Walkaround     3:05\u003c\/p\u003e\n\u003cp\u003e32-2                      Il 3 Variations | Wallflower Waltz –    2:10\u003c\/p\u003e\n\u003cp\u003e32-3                      Sleight Of Feet –           2:00\u003c\/p\u003e\n\u003cp\u003e32-4                      Perpendicular Points –             2:12\u003c\/p\u003e\n\u003cp\u003e32-5                      III Freebee        3:57\u003c\/p\u003e\n\u003cp\u003e32-6                      IV Magic Act | Entrance Of The Magicians –                1:08\u003c\/p\u003e\n\u003cp\u003e32-7                      Venus And The Three Graces –           1:19\u003c\/p\u003e\n\u003cp\u003e32-8                      The Wild Pony –             1:50\u003c\/p\u003e\n\u003cp\u003e32-9                      Pas De Deux –                3:25\u003c\/p\u003e\n\u003cp\u003e32-10                   Ride-out –         0:37\u003c\/p\u003e\n\u003cp\u003e32-11                   V Finale. Gala Cakewalk         3:35\u003c\/p\u003e\n\u003cp\u003eFall River Legend (Ballet Suite)\u003c\/p\u003e\n\u003cp\u003eComposed By – Morton Gould\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e32-12                   I Prologue And Waltzes            3:21\u003c\/p\u003e\n\u003cp\u003e32-13                   II Elegy                3:31\u003c\/p\u003e\n\u003cp\u003e32-14                   III Church Social          3:33\u003c\/p\u003e\n\u003cp\u003e32-15                   IV Serenade    3:34\u003c\/p\u003e\n\u003cp\u003e32-16                   V Hymnal Variations  4:23\u003c\/p\u003e\n\u003cp\u003e32-17                   VI Cotillion       3:37\u003c\/p\u003e\n\u003cp\u003e32-18                   VII Epilogue     2:41\u003c\/p\u003e\n\u003cp\u003e32-19                   Overture And Allegro From The Sonata \"La Sultane\"\u003c\/p\u003e\n\u003cp\u003eArranged By – Darius Milhaud\u003c\/p\u003e\n\u003cp\u003eComposed By – François Couperin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e6:50\u003c\/p\u003e\n\u003cp\u003e32-20                   Symphonic Allegro\u003c\/p\u003e\n\u003cp\u003eComposed By – Roy Travis\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 33\u003c\/p\u003e\n\u003cp\u003eRoméo Et Juliette Op. 17 (Symphonie Dramatique; Complete Orchestral Score)\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e33-1                      Part I | Introduction. Combats – Tumulte – Intervention Du Prince. Allegro Fugato – Fièrement, Un Peu Retenu Et Avec Le Caractère Du Récitatif = Fighting – Tumult – Intervention Of The Prince = Kämpfe – Tumult – Intervention Des Prinzen          4:11\u003c\/p\u003e\n\u003cp\u003e33-2                      Part II | II Roméo Seul – Tristesse – Bruits Lointains De Concert Et De Bal – Grande Fête Chez Capulet. Andante Malinconico E Sostenuto - Larghetto Espressivo - Allegro = Romeo Alone - Sadness - Distant Sounds Of Music And Dancing - Great Festivities At The Capulets' = Romeo Allein – Traurigkeit – Entfernte Klänge von Konzert Und Ball – Großes Fest Bei Den Capulets     12:51\u003c\/p\u003e\n\u003cp\u003e33-3                      III Nuit Sereine – Le Jardin De Capulet, Silencieux Et Désert – Scène D'amour. Allegretto – Adagio = Serene Night – The Capulets' Garden, Silent And Deserted – Love Scene = Heitere Nacht – Der Garten Der Capulets, Still Und Verlassen – Liebesszene  15:17\u003c\/p\u003e\n\u003cp\u003e33-4                      IV La Reine Mab, Ou La Fée Des Songes. Scherzo. Prestissimo = Queen Mab, The Dream Fairy = Königin Mab Oder Die Traumfee        7:35\u003c\/p\u003e\n\u003cp\u003e33-5                      Part III VI Roméo Au Tombeau Des Capulets. Invocation – Réveil De Juliette – Joie Délirante – Dernières Angoisses Et Mort Des Deux Amants. Allegro Agitato E Disperato, Con Moto – Largo — L'istesso Tempo – Allegro Vivace Ed Appassionato Assai – L'istesso Tempo = Romeo In The Family Vault Of The Capulets – Invocation 6:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 34\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e34-1                      I Allegro Moderato       10:17\u003c\/p\u003e\n\u003cp\u003e34-2                      II Andante Assai – Allegretto – Andante Assai           8:49\u003c\/p\u003e\n\u003cp\u003e34-3                      III Allegro, Ben Marcato            6:13\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin, Strings And Basso Continuo No. 2 In E Major BWV 1042 = E–Dur = En Mi Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – George Szell\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e34-4                      I Allegro              8:10\u003c\/p\u003e\n\u003cp\u003e34-5                      II Adagio            7:14\u003c\/p\u003e\n\u003cp\u003e34-6                      III Allegro Assai             2:55\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 3 In C Major Op. 26 = C–Dur = En Ut Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003ePiano – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003e34-7                      I Andante – Allegro      8:48\u003c\/p\u003e\n\u003cp\u003e34-8                      II Tema. Andantino – Variation I. L'istesso Tempo – Var. II. Allegro – Var. III. Allegro Moderato – Var. IV. Andantino Meditativo – Var. V. Allegro Giusto – Tema. L'istesso Tempo         8:18\u003c\/p\u003e\n\u003cp\u003e34-9                      III Allegro Ma Non Troppo       8:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 35\u003c\/p\u003e\n\u003cp\u003eLe Poème De L'Extase (Symphony No. 4)\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Scriabin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eTrumpet – William Vacchiano\u003c\/p\u003e\n\u003cp\u003e35-1                      Andante. Languido – Lento. Soavamente – 1:35\u003c\/p\u003e\n\u003cp\u003e35-2                      Allegro Volando –         0:26\u003c\/p\u003e\n\u003cp\u003e35-3                      Lento. Allegro Non Troppo – Moderato Avec Délice –           3:26\u003c\/p\u003e\n\u003cp\u003e35-4                      Allegro – Allegro Dramatico – Tragico –          3:59\u003c\/p\u003e\n\u003cp\u003e35-5                      Lento –               1:07\u003c\/p\u003e\n\u003cp\u003e35-6                      Allegro Volando –         0:33\u003c\/p\u003e\n\u003cp\u003e35-7                      Lento – Allegro – Charmé – Scherzando –    5:06\u003c\/p\u003e\n\u003cp\u003e35-8                      Allegro Molto. Leggierissimo. Volando – Maestoso               2:22\u003c\/p\u003e\n\u003cp\u003e35-9                      Prométhée. Le Poème Du Feu (Symphony No. 5) Op. 60 For Large Orchestra And Piano. Lento. Brumeux – Prestissimo\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Scriabin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Leonid Hambro\u003c\/p\u003e\n\u003cp\u003e20:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 36\u003c\/p\u003e\n\u003cp\u003eSymphony No. 5 In D Minor Op. 47 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Dmitri Shostakovich\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e36-1                      I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato                16:52\u003c\/p\u003e\n\u003cp\u003e36-2                      II Allegretto – Largamente – Poco Più Mosso             5:13\u003c\/p\u003e\n\u003cp\u003e36-3                      III Largo              14:33\u003c\/p\u003e\n\u003cp\u003e36-4                      IV Allegro Non Troppo – Allegro – Più Mosso              8:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 37\u003c\/p\u003e\n\u003cp\u003eCaucasian Sketches - Orchestral Suite No. 1 Op. 10 = Kaukasische Skizzen = Esquisses Caucasiennes\u003c\/p\u003e\n\u003cp\u003eComposed By – Mikhail Ippolitov-Ivanov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e37-1                      No. 1: In The Mountain Pass = Im Engpass = Dans Le Defilé. Allegro Moderato – Moderato Assai – Tempo I             9:01\u003c\/p\u003e\n\u003cp\u003e37-2                      No. 2: In The Village = Dorfszene = Dans L'aoul. Larghetto – Allegretto Grazioso – Tempo I                4:50\u003c\/p\u003e\n\u003cp\u003e37-3                      No. 3: In The Mosque = In Der Moschee = Dans La Mosquée. Adagietto 3:46\u003c\/p\u003e\n\u003cp\u003e37-4                      No. 4: Procession Of The Sardar = Aufzug Des Sardar = Cortège Du Serdar.        4:03\u003c\/p\u003e\n\u003cp\u003ePolovtsian Dances From Prince Igor - Act II = Polowetzer Tänze = Danses Polovtsiennes\u003c\/p\u003e\n\u003cp\u003eArranged By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e37-5                      Dance Of The Polovtsian Maidens = Tanz Der Polowetzer Mädchen = Danse Des Filles Polovtsiennes                2:21\u003c\/p\u003e\n\u003cp\u003e37-6                      Polovtsian Dance. Introduzione. Andantino –           0:50\u003c\/p\u003e\n\u003cp\u003e37-7                      [Andantino –]  1:45\u003c\/p\u003e\n\u003cp\u003e37-8                      Allegro Vivo –  1:19\u003c\/p\u003e\n\u003cp\u003e37-9                      Allegro –             2:26\u003c\/p\u003e\n\u003cp\u003e37-10                   Presto – Moderato Alla Breve – Presto – Allegro Con Spirito – Più Animato            5:50\u003c\/p\u003e\n\u003cp\u003e37-11                   In The Steppes Of Central Asia = Eine Steppenskizze Aus Mittelasien = Dans Les Steppes De L'Asie Centrale\u003c\/p\u003e\n\u003cp\u003eArranged By – Alexander Glazunov\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:51\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 38\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra Op. 36\u003c\/p\u003e\n\u003cp\u003eComposed By – Arnold Schoenberg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Louis Krasner\u003c\/p\u003e\n\u003cp\u003e38-1                      I Poco Allegro 12:19\u003c\/p\u003e\n\u003cp\u003e38-2                      II Andante Grazioso   7:41\u003c\/p\u003e\n\u003cp\u003e38-3                      III Finale. Allegro           11:20\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra \"To The Memory Of An Angel\" = »Dem Andenken Eines Engels« = « À La Mémoire D'un Ange »\u003c\/p\u003e\n\u003cp\u003eComposed By – Alban Berg\u003c\/p\u003e\n\u003cp\u003eConductor – Artur Rodzínski*\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Cleveland Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Louis Krasner\u003c\/p\u003e\n\u003cp\u003e38-4                      Andante (♩= 56) – Allegretto (♪= 112) (Scherzando)\u003c\/p\u003e\n\u003cp\u003e38-5                      Allegro (♩= 69) (Ma Sempre Rubato, Frei Wie Eine Kadenz) – Adagio (♩= 54)          12:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 39\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In A Minor \"Scottish\" Op. 56 = A-Moll »Schottische« = En La Mineur « Ecossaise »\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e39-1                      I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca              10:57\u003c\/p\u003e\n\u003cp\u003e39-2                      Il Vivace Non Troppo - Attacca           3:54\u003c\/p\u003e\n\u003cp\u003e39-3                      III Adagio - Attacca     8:51\u003c\/p\u003e\n\u003cp\u003e39-4                      IV Allegro Vivacissimo – Allegro Maestoso Assai    7:49\u003c\/p\u003e\n\u003cp\u003eSymphony No. 5 In D Major \/ D Minor \"Reformation\" Op. 107 = D-Dur\/D-Moll = En Ré Majeur\/ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e39-5                      I Andante – Allegro Con Fuoco            10:04\u003c\/p\u003e\n\u003cp\u003e39-6                      Il Allegro Vivace            5:34\u003c\/p\u003e\n\u003cp\u003e39-7                      Ill Andante - Attacca  3:33\u003c\/p\u003e\n\u003cp\u003e39-8                      IV Chorale: \"Ein' Feste Burg Ist Unser Gott\". Andante Con Moto – Allegro Vivace – Allegro Maestoso Assai            7:57\u003c\/p\u003e\n\u003cp\u003e39-9                      The Hebrides (\"Fingal's Cave\") Op. 26 = Die Hebriden (»Die Fingalshöhle«) = Les Hébrides (« La Grotte De Fingal ») - Concert Overture\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e39-10                   Ruy Blas Op. 95 - Overture To The Play By Victor Hugo (Lento - Allegro Molto)\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:15\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 40\u003c\/p\u003e\n\u003cp\u003eSymphony No. 10 In E Minor Op. 93 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Dmitri Shostakovich\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e40-1                      I Moderato        20:58\u003c\/p\u003e\n\u003cp\u003e40-2                      Il Allegro            3:50\u003c\/p\u003e\n\u003cp\u003e40-3                      Ill Allegretto     10:31\u003c\/p\u003e\n\u003cp\u003e40-4                      IV Andante – Allegro   13:06\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 41\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In G Major Op. 42 = G-Dur = En Sol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Wallingford Riegger\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Eastman-Rochester Symphony Orchestra*\u003c\/p\u003e\n\u003cp\u003e41-1                I Moderato – Allegro   8:19\u003c\/p\u003e\n\u003cp\u003e41-2                Il Andante Affettuoso        5:49\u003c\/p\u003e\n\u003cp\u003e41-3                III Moderato – Allegro Molto    5:21\u003c\/p\u003e\n\u003cp\u003e41-4                IV Beginning Rather Slowly – Allegro – Allegro Feroce – Moderato     6:35\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3\u003c\/p\u003e\n\u003cp\u003eComposed By – Peter Mennin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e41-5                I Allegro Robusto        5:14\u003c\/p\u003e\n\u003cp\u003e41-6                Il Andante Moderato 9:04\u003c\/p\u003e\n\u003cp\u003e41-7                Ill Allegro Assai   7:55\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 42\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLes Nuits D'été Op. 7 = Summer Nights = Sommernächte\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By – Théophile Gautier\u003c\/p\u003e\n\u003cp\u003e42-1                I Villanelle: \"Quand Viendra La Saison Nouvelle\" (Ländliches Lied)       2:51\u003c\/p\u003e\n\u003cp\u003e42-2               II Le Spectre De La Rose = The Wraith Of A Rose = Der Geist Der Rose: \"Soulève Ta Paupière Close\"    6:24\u003c\/p\u003e\n\u003cp\u003e42-3               III Sur Les Lagunes (Lamento) = On The Lagoons = Auf Den Lagunen: \"Ma Belle Amie Est Morte\" 7:20\u003c\/p\u003e\n\u003cp\u003e42-4               IV Absence = Trennung: \"Reviens, Reviens, Ma Bien-aimée!\"       5:41\u003c\/p\u003e\n\u003cp\u003e42-5               V Au Cimetière (Clair De Lune) = In The Graveyard (Moonlight) = Auf Dem Friedhof (Mondschein): \"Connaissez-vous La Blanche Tombe\"  5:50\u003c\/p\u003e\n\u003cp\u003e42-6               VI L'île Inconnue = The Unknown Land = Die Unbekannte Insel: \"Dites, La Jeune Belle\"  3:53\u003c\/p\u003e\n\u003cp\u003e42-7                La Captive. Rèverie = The Captive Maid. Revery = Die Gefangene. Träumerei Op. 12\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By – Victor Hugo\u003c\/p\u003e\n\u003cp\u003e7:55\u003c\/p\u003e\n\u003cp\u003e42-8               Le Jeune Pâtre Breton = The Young Breton Shepherd = Der Junge Bretonische Hirte Op. 13\/4\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By [from Fleurs des landes] – Auguste Brizeux\u003c\/p\u003e\n\u003cp\u003e5:52\u003c\/p\u003e\n\u003cp\u003e42-9               Zaide. Boléro Op. 19\/1\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By [from Feuillets d'Album] – Roger De Beauvoir\u003c\/p\u003e\n\u003cp\u003e3:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 43\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra In E Minor = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e43-1                I Allegro Molto Appassionato - Attacca        11:40\u003c\/p\u003e\n\u003cp\u003e43-2               Il Andante     7:26\u003c\/p\u003e\n\u003cp\u003e43-3               III Allegretto Non Troppo – Allegro 6:10\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra In D Major Op. 35 = D-Dur = En Ré Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e43-4               I Allegro Moderato – Moderato Assai    17:02\u003c\/p\u003e\n\u003cp\u003e43-5               Il Canzonetta. Andante - Attacca  6:34\u003c\/p\u003e\n\u003cp\u003e43-6               III Finale. Allegro Vivacissimo 9:22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 44\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In B Minor = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e44-1                I Allegro – Animato Assai  6:56\u003c\/p\u003e\n\u003cp\u003e44-2               II Scherzo. Prestissimo – Allegretto       5:11\u003c\/p\u003e\n\u003cp\u003e44-3               III Andante    8:15\u003c\/p\u003e\n\u003cp\u003e44-4               IV Finale. Allegro 6:23\u003c\/p\u003e\n\u003cp\u003eSuite No. 1 In D Minor Op. 43 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e44-5               I Introduzione E Fuga. Andante Sostenuto – Moderato E Con Anima    9:54\u003c\/p\u003e\n\u003cp\u003e44-6               Il Divertimento. Allegro Moderato  5:01\u003c\/p\u003e\n\u003cp\u003e44-7                IV Marche Miniature. Moderato Con Moto  2:02\u003c\/p\u003e\n\u003cp\u003e44-8               V Scherzo. Allegro Con Moto  7:10\u003c\/p\u003e\n\u003cp\u003e44-9               VI Gavotte. Allegro     5:01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 45\u003c\/p\u003e\n\u003cp\u003eSymphony No. 5 In E Minor Op. 64 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e45-1                I Andante – Allegro Con Anima       12:29\u003c\/p\u003e\n\u003cp\u003e45-2               II Andante Cantabile, Con Alcuna Licenza – Moderato Con Anima – Andante Mosso – Allegro Non Troppo – Tempo I 12:57\u003c\/p\u003e\n\u003cp\u003e45-3               III Valse. Allegro Moderato       5:58\u003c\/p\u003e\n\u003cp\u003e45-4                IV Finale. Andante Maestoso – Allegro Vivace – Molto Vivace – Moderato Assai E Molto Maestoso – Presto        11:34\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 46\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 1 In A Minor Op. 77 = A-Moll = En La Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Dmitri Shostakovich\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e46-1                I Nocturne. Moderato        12:01\u003c\/p\u003e\n\u003cp\u003e46-2               Il Scherzo. Allegro Non Troppo       6:14\u003c\/p\u003e\n\u003cp\u003e46-3               Iil Passacaglia. Andante – Cadenza - Attacca        13:20\u003c\/p\u003e\n\u003cp\u003e46-4               IV Burlesque. Allegro Con Brio – Presto       4:45\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 47\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 5 In E-flat Major \"Emperor\" Op. 73 = Es-Dur = En Mi Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Robert Casadesus\u003c\/p\u003e\n\u003cp\u003e47-1                I Allegro 18:58\u003c\/p\u003e\n\u003cp\u003e47-2               Il Adagio Un Poco Moto - Attacca  6:40\u003c\/p\u003e\n\u003cp\u003e47-3               III Rondo. Allegro        10:04\u003c\/p\u003e\n\u003cp\u003eConcerto For 3 Keyboards, Strings And Basso Continuo In D Minor BWV 1063 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Gaby Casadesus, Jean Casadesus, Robert Casadesus\u003c\/p\u003e\n\u003cp\u003e47-4               I [...]        5:37\u003c\/p\u003e\n\u003cp\u003e47-5               Il Alla Siciliana    5:32\u003c\/p\u003e\n\u003cp\u003e47-6               Ill Allegro 5:05     5:05\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 48\u003c\/p\u003e\n\u003cp\u003eLieutenant Kijé Suite Op. 60\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e48-1                I Kijé's Birth = Kijés Geburt = Naissance De Kijé        3:51\u003c\/p\u003e\n\u003cp\u003e48-2               Il Romance  4:36\u003c\/p\u003e\n\u003cp\u003e48-3                Ill Kijé's Wedding = Kijés Hochzeit = Noces De Kijé 2:48\u003c\/p\u003e\n\u003cp\u003e48-4               IV Troïka        2:39\u003c\/p\u003e\n\u003cp\u003e48-5               V Kijé's Burial = Kijés Begräbnis = Enterrement De Kijé 6:05\u003c\/p\u003e\n\u003cp\u003eHáry János Suite\u003c\/p\u003e\n\u003cp\u003eComposed By – Zoltán Kodály\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e48-6               I Prelude. The Fairy Tale Begins = Vorspiel. Das Märchen Beginnt Prélude. L'Histoire Commence. Con Moto – Tranquillo, Molto Moderato     3:22\u003c\/p\u003e\n\u003cp\u003e48-7                Il Viennese Musical Clock = Wiener Spielwerk = L'Horloge Musicale De Vienne. Allegretto   2:09\u003c\/p\u003e\n\u003cp\u003e48-8               III Song = Lied = Chanson. Andante, Poco Rubato        5:45\u003c\/p\u003e\n\u003cp\u003e48-9               V The Battle And Defeat Of Napoleon = Schlacht Und Niederlage Napoleons = Bataille Et Défaite De Napoléon. Alla Marcia   4:07\u003c\/p\u003e\n\u003cp\u003e48-10             V Intermezzo. Andante Maestoso, Ma Con Fuoco        4:33\u003c\/p\u003e\n\u003cp\u003e48-11             VI Entrance Of The Emperor And His Court = Einzug Des Kaiserlichen Hofes = Entrée De La Cour Impériale. Alla Marcia   2:50\u003c\/p\u003e\n\u003cp\u003e                                                                                                                                               \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 49\u003c\/p\u003e\n\u003cp\u003e49-1                Danse Macabre Op. 40 = Dance Of Death = Totentanz\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – John Corigliano (2)\u003c\/p\u003e\n\u003cp\u003e7:25\u003c\/p\u003e\n\u003cp\u003e49-2               Le Rouet D'Omphal Op. 31 = The Spinning Wheel Of Omphale = Omphales Spinnrad\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:10\u003c\/p\u003e\n\u003cp\u003e49-3               Phaëton Op. 39\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e8:47\u003c\/p\u003e\n\u003cp\u003e49-4               La Jeunesse D'Hercule Op. 50 = Hercules' Youth = Herkules' Jugend\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e16:14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 50\u003c\/p\u003e\n\u003cp\u003eSymphony No. 4 In F Minor = F-Moll = En Fa Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ralph Vaughan Williams\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e50-1                I Allegro – Lento  7:49\u003c\/p\u003e\n\u003cp\u003e50-2               II Andante Moderato 9:49\u003c\/p\u003e\n\u003cp\u003e50-3               III Scherzo. Allegro Molto - Attacca       5:39\u003c\/p\u003e\n\u003cp\u003e50-4               IV Finale Con Epilogo Fugato  8:01\u003c\/p\u003e\n\u003cp\u003e50-5               V Allegro Molto – Con Anima  12:46\u003c\/p\u003e\n\u003cp\u003e50-6               Fantasia On A Theme By Thomas Tallis For Double String Orchestra\u003c\/p\u003e\n\u003cp\u003eComposed By – Ralph Vaughan Williams\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 51\u003c\/p\u003e\n\u003cp\u003eSymphony For Brass And Percussion Op. 16\u003c\/p\u003e\n\u003cp\u003eComposed By – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003e51-1                I Andante (♩ = 66-69) – Allegro (𝅗𝅥 = 72-76)    4:50\u003c\/p\u003e\n\u003cp\u003e51-2                II Vivace (𝅗𝅥. = 84) 4:09\u003c\/p\u003e\n\u003cp\u003e51-3                III Lento Desolato (𝅘𝅥𝅮 = 69)        3:10\u003c\/p\u003e\n\u003cp\u003e51-4                IV Introduction. Quasi Cadenza (𝅗𝅥 = 88-92) - Allegro (♩ = 144, In 4) 5:15\u003c\/p\u003e\n\u003cp\u003e51-5                Poem For Brass\u003c\/p\u003e\n\u003cp\u003eComposed By – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eConductor – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003eFlugelhorn – Miles Davis\u003c\/p\u003e\n\u003cp\u003eTrombone – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eTrumpet – Joe Wilder\u003c\/p\u003e\n\u003cp\u003e10:04\u003c\/p\u003e\n\u003cp\u003e51-6                Three Little Feelings\u003c\/p\u003e\n\u003cp\u003eComposed By – John Lewis (2)\u003c\/p\u003e\n\u003cp\u003eConductor – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003eFlugelhorn, Trumpet – Miles Davis\u003c\/p\u003e\n\u003cp\u003eTrombone – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eTrumpet – Joe Wilder\u003c\/p\u003e\n\u003cp\u003e10:45\u003c\/p\u003e\n\u003cp\u003e51-7                Pharaoh\u003c\/p\u003e\n\u003cp\u003eComposed By – Jimmy Giuffre\u003c\/p\u003e\n\u003cp\u003eConductor – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eConductor [Schuller] – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003eTrombone – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eTrumpet – Joe Wilder\u003c\/p\u003e\n\u003cp\u003e4:32\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 52\u003c\/p\u003e\n\u003cp\u003eCredendum (Article of Faith)\u003c\/p\u003e\n\u003cp\u003eComposed By – William Schuman\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003e52-1                I Declaration. Moderato Con Fuoco - Attacca        3:11\u003c\/p\u003e\n\u003cp\u003e52-2               Il Chorale. Lento - Attacca       7:24\u003c\/p\u003e\n\u003cp\u003e52-3               III Finale. Presto  6:57\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 1\u003c\/p\u003e\n\u003cp\u003eComposed By – Leon Kirchner\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Leon Kirchner\u003c\/p\u003e\n\u003cp\u003e52-4               I Allegro ♩= ca. 92       10:50\u003c\/p\u003e\n\u003cp\u003e52-5               II ♩= 72-76     10:05\u003c\/p\u003e\n\u003cp\u003e52-6               II ♩= 66-72     9:25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 53\u003c\/p\u003e\n\u003cp\u003eNoches En Los Jardines De España Nights = In The Gardens Of Spain = Nächte In Den Gärten Spaniens = Nuits Dans Les Jardins D'Espagne (Symphonic Impressions For Piano And Orchestra)\u003c\/p\u003e\n\u003cp\u003eComposed By – Manuel de Falla*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Robert Casadesus\u003c\/p\u003e\n\u003cp\u003e53-1                I En El Generalite        9:43\u003c\/p\u003e\n\u003cp\u003e53-2               Il Danza Lejana - Attacca 4:38\u003c\/p\u003e\n\u003cp\u003e53-3               Ill En Los Jardines De La Sierra De Córdoba        8:35\u003c\/p\u003e\n\u003cp\u003eEl Sombrero De Tres Picos - Suite No. 2 = The Three-Cornered Hat = Der Dreispitz = Le Tricorne\u003c\/p\u003e\n\u003cp\u003eComposed By – Manuel de Falla*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e53-4               I Danza De Los Vecinos (Seguidilla) = Dance Of The Neighbours = Tanz Der Nachbarn = Danse Des Voisins        3:05\u003c\/p\u003e\n\u003cp\u003e53-5               Il Danza Del Molinero (Farruca) = Dance Of The Miller = Tanz Des Müllers = Danse Du Meunier  2:57\u003c\/p\u003e\n\u003cp\u003e53-6                III Danza Final (Jota) = Final Dance = Schlusstanz = Danse Finale    6:00\u003c\/p\u003e\n\u003cp\u003e53-7                Intermedio - Danza Española No. 1 (from La Vida Breve)\u003c\/p\u003e\n\u003cp\u003eComposed By – Manuel de Falla*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 54\u003c\/p\u003e\n\u003cp\u003e54-1                L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling (Scherzo After A Ballad By Goethe)\u003c\/p\u003e\n\u003cp\u003eComposed By – Paul Dukas\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e9:41\u003c\/p\u003e\n\u003cp\u003e54-2               Polka And Fugue From Schwanda, The Bagpiper\u003c\/p\u003e\n\u003cp\u003eComposed By – Jaromir Weinberger\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:36\u003c\/p\u003e\n\u003cp\u003e54-3               Anz Der Sieben Schleier = Dance Of The Seven Veils = Danse Des Sept Voiles From Salome Op. 54\u003c\/p\u003e\n\u003cp\u003eComposed By – Richard Strauss\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e8:47\u003c\/p\u003e\n\u003cp\u003eLes Préludes S 97 (Symphonic Poem No. 3 After Alphonse De Lamartine)\u003c\/p\u003e\n\u003cp\u003eComposed By – Franz Liszt\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e54-4               Andante – Andante Maestoso –     2:59\u003c\/p\u003e\n\u003cp\u003e54-5               L'istesso Tempo – L'istesso Tempo –     1:09\u003c\/p\u003e\n\u003cp\u003e54-6                Allegro Ma Non Troppo – Allegro Tempestuoso –        3:02\u003c\/p\u003e\n\u003cp\u003e54-7                Allegretto Pastorale – Allegro Marziale –      3:05\u003c\/p\u003e\n\u003cp\u003e54-8               Allegro Marziale Animato –      3:34\u003c\/p\u003e\n\u003cp\u003e54-9               Andante Maestoso    2:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 55\u003c\/p\u003e\n\u003cp\u003eSymphony No. 6 In B Minor \"Pathétique\" Op. 74 = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e55-1                I Adagio – Allegro Non Troppo – Andante – Moderato Mosso – Andante – Moderato Assai – Allegro Vivo – Andante Come Prima – Andante Mosso      15:38\u003c\/p\u003e\n\u003cp\u003e55-2               Il Allegro Con Grazia  7:35\u003c\/p\u003e\n\u003cp\u003e55-3               Ili Allegro Molto Vivace     8:39\u003c\/p\u003e\n\u003cp\u003e55-4               IV Finale. Adagio Lamentoso – Andante      8:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 56\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 1 In D Major Op. 19 = D-Dur = En Ré Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eViolin – Isaac Stern\u003c\/p\u003e\n\u003cp\u003e56-1                I Andantino – Andante Assai   8:57\u003c\/p\u003e\n\u003cp\u003e56-2               II Scherzo. Vivacissimo    3:33\u003c\/p\u003e\n\u003cp\u003e56-3                III Moderato – Allegro Moderato – Moderato – Più Tranquillo     7:34\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eViolin – Isaac Stern\u003c\/p\u003e\n\u003cp\u003e56-4               I Allegro Moderato      10:37\u003c\/p\u003e\n\u003cp\u003e56-5               Il Andante Assai – Allegretto – Andante Assai        10:23\u003c\/p\u003e\n\u003cp\u003e56-6               III Allegro, Ben Marcato    6:04\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 57\u003c\/p\u003e\n\u003cp\u003eVanessa Op. 32 (Original 1957 Version)\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Nicholas] – George Cehanovsky\u003c\/p\u003e\n\u003cp\u003eBass Vocals [The Old Doctor] – Giorgio Tozzi, Giorgio Tozzi\u003c\/p\u003e\n\u003cp\u003eChorus – Metropolitan Opera Chorus\u003c\/p\u003e\n\u003cp\u003eChorus Master – Kurt Adler*\u003c\/p\u003e\n\u003cp\u003eComposed By – Samuel Barber\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eConductor [Assistant Conductor] – Ignace Strasfogel\u003c\/p\u003e\n\u003cp\u003eLibretto By – Gian Carlo Menotti\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Erika] – Rosalind Elias\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [The Old Baroness] – Regina Resnik\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Vanessa] – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [A Footman] – Robert Nagy (2)\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Anatol] – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e57-1                Act | \"Potage Crème Aux Perles\" (Erika)       3:31\u003c\/p\u003e\n\u003cp\u003e57-2               \"No, I cannot understand\" (Vanessa)   4:59\u003c\/p\u003e\n\u003cp\u003e57-3               \"Must The Winter Come So Soon?\" (Erika) 2:16\u003c\/p\u003e\n\u003cp\u003e57-4               \"Listen! ... They Are Here\" (Erika)   1:38\u003c\/p\u003e\n\u003cp\u003e57-5               \"Do Not Utter A Word, Anatol\" (Vanessa)    4:45\u003c\/p\u003e\n\u003cp\u003e57-6               \"Yes, I Believe I Shall Love You\" (Anatol)      1:50\u003c\/p\u003e\n\u003cp\u003e57-7                \"Who Are You?\" (Erika)     5:40\u003c\/p\u003e\n\u003cp\u003e57-8               Act II | \"And Then?\" – \"He Made Me Drink\" (Baroness)    4:09\u003c\/p\u003e\n\u003cp\u003e57-9               \"No, You Are Not As Good A Skater...\" (Vanessa)        2:59\u003c\/p\u003e\n\u003cp\u003e57-10             \"Under The Willow Tree\" (Doctor)  2:21\u003c\/p\u003e\n\u003cp\u003e57-11             \"Erika, I Am So Happy\" (Vanessa)  1:19\u003c\/p\u003e\n\u003cp\u003e57-12             \"Our Arms Entwined\" (Vanessa)    4:03\u003c\/p\u003e\n\u003cp\u003e57-13             \"Did You Hear Her?\" (Erika)     4:01\u003c\/p\u003e\n\u003cp\u003e57-14             \"Outside This House The World Has Changed\" (Anatol) 5:11\u003c\/p\u003e\n\u003cp\u003e57-15             Orchestral Interlude – Hymn  4:35\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 58\u003c\/p\u003e\n\u003cp\u003e58-1                Act III | \"The Count And Countess D'Albany\" (Baroness)    3:17\u003c\/p\u003e\n\u003cp\u003e58-2               \"I Should Never Have Been A Doctor\" (Doctor)        3:14\u003c\/p\u003e\n\u003cp\u003e58-3               \"Here You Are!\" (Vanessa)       1:24\u003c\/p\u003e\n\u003cp\u003e58-4               \"At Last I've Found You\"' (Anatol)   6:22\u003c\/p\u003e\n\u003cp\u003e58-5               \"Nothing To Worry About\" (Doctor)       6:26\u003c\/p\u003e\n\u003cp\u003e58-6               Act IV | Scene 1 | \"Why Did No One Warn Me?\" (Vanessa)     4:28\u003c\/p\u003e\n\u003cp\u003e58-7                \"Why Must The Greatest Sorrows\" (Vanessa)        2:02\u003c\/p\u003e\n\u003cp\u003e58-8               \"There, Look!\" (Doctor)     5:25\u003c\/p\u003e\n\u003cp\u003e58-9               \"Anatol, Tell Me The Truth!\" (Vanessa)  1:06\u003c\/p\u003e\n\u003cp\u003e58-10             \"Take Me Away\"  1:25\u003c\/p\u003e\n\u003cp\u003e58-11             Grandmother!\" – \"Yes, Erika\" (Erika, Baroness)        2:18\u003c\/p\u003e\n\u003cp\u003e58-12             Intermezzo. With Quiet Motion      3:33\u003c\/p\u003e\n\u003cp\u003e58-13             Scene 2 | \"By The Time We Arrive\" (Anatol) 1:02\u003c\/p\u003e\n\u003cp\u003e58-14             \"For Every Love There Is A Last Farewell\" (Doctor)        2:20\u003c\/p\u003e\n\u003cp\u003e58-15             \"And You, My Friend\" (Vanessa)     6:08\u003c\/p\u003e\n\u003cp\u003e58-16             Quintet: \"To Leave, To Break\" (Vanessa, Anatol, Erika, Baroness, Doctor)  3:43\u003c\/p\u003e\n\u003cp\u003e58-17             \"Goodbye, Erika\" – \"Goodbye, Be Happy, Aunt Vanessa\" (Vanessa, Erika)       6:14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 59\u003c\/p\u003e\n\u003cp\u003eRomeo And Juliet Op. 64 - Excerpts From Ballet Suites No. 1 Op. 64a And No. 2 Op. 64b\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e59-1                The Montagues And Capulets = Montagues Und Capulets = Montaigus Et Capulets (Suite No. 2\/1) Andante – Allegro Pesante – Moderato Tranquillo – Allegro Pesante        44:25\u003c\/p\u003e\n\u003cp\u003e59-2                Juliet, The Young Girl = Das Mädchen Julia = La Jeune Juliette (Suite No. 2\/2) Vivace – Più Tranquillo (Quasi Andantino) – Più Animato – Più Animato (Vivace II)  4:16\u003c\/p\u003e\n\u003cp\u003e59-3               Folk Dance = Volkstanz - Danse Populaire (Suite No. 1\/1) Allegro Giocoso  4:20\u003c\/p\u003e\n\u003cp\u003e59-4               Masks = Masken - Masques (Suite No. 1\/5) Andante Marciale       2:16\u003c\/p\u003e\n\u003cp\u003e59-5               Romeo Und Julia = Roméo Et Juliette (Suite No. 1\/6) Larghetto – Andante 6:38\u003c\/p\u003e\n\u003cp\u003e59-6               Death Of Tybalt = Tybalts Tod = Mort De Tybalt (Suite No. 1\/7) Precipitato – Presto – Adagio Drammatico        4:42\u003c\/p\u003e\n\u003cp\u003e59-7                Romeo And Juliet Before Parting = Romeo Bei Julia Vor Der Trennung = Roméo Auprès De Juliette Avant Leur Séparation (Suite No. 2\/5) Lento – Andante - Adagio – Poco Più Animato – Adagio – Andante   8:22\u003c\/p\u003e\n\u003cp\u003e59-8               Friar Laurence = Pater Lorenzo = Frère Laurent (Suite No. 2\/3) Andante Espressivo      2:43\u003c\/p\u003e\n\u003cp\u003e59-9               Romeo At Juliet's Tomb = Romeo Am Grabe Julias = Roméo Au Tombeau De Juliette (Suite No. 2\/7) Adagio Funebre – Adagio       5:49\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 60\u003c\/p\u003e\n\u003cp\u003eBoris Godunov (Abridged, Sung In English)\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Andrey Shchelkalov \/ Mitiukha] – Arthur Budney\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Rangoni] – Frank Valentino*\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Boris Godunov] – Giorgio Tozzi\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Brother Pimen] – Norman Scott\u003c\/p\u003e\n\u003cp\u003eChorus – Metropolitan Opera Chorus\u003c\/p\u003e\n\u003cp\u003eChorus Master – Kurt Adler*\u003c\/p\u003e\n\u003cp\u003eComposed By – Modest Mussorgsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eConductor [Assistant Conductor] – Ignace Strasfogel\u003c\/p\u003e\n\u003cp\u003eLibretto By – Modest Mussorgsky\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Fyodor] – Margaret Roggero\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Maria Mnishek] – Nell Rankin\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Xenia's nurse] – Sandra Warfield\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Xenia] – Laurel Hurley\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Grigory; Dimitri the Pretender] – Albert Da Costa\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Price Vasiliy Ivanovich Shuisky] – Charles Kullman\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Simpleton] – Paul Franke\u003c\/p\u003e\n\u003cp\u003eText By – Pushkin*\u003c\/p\u003e\n\u003cp\u003eText By [Edited By] – Karol Rathaus\u003c\/p\u003e\n\u003cp\u003eTranslated By – John Gutman\u003c\/p\u003e\n\u003cp\u003e60-1                Act I | Scene 2 | Introduction   1:40\u003c\/p\u003e\n\u003cp\u003e60-2                \"Long May He Live, Tsar Boris Fyodorovich!\" (Shuisky, Chorus)       2:24\u003c\/p\u003e\n\u003cp\u003e60-3               My Heart Is Sad\" (Boris)   2:54\u003c\/p\u003e\n\u003cp\u003e60-4               \"Glory!\" (Chorus)        1:21\u003c\/p\u003e\n\u003cp\u003e60-5               Scene 3 | Introduction      0:33\u003c\/p\u003e\n\u003cp\u003e60-6               \"Just one more page\" (Pimen) 1:13\u003c\/p\u003e\n\u003cp\u003e60-7                \"All Through The Night\" (Grigory, Pimen)     1:05\u003c\/p\u003e\n\u003cp\u003e60-8               \"But Now, I Want To Ask\" (Grigory) 3:40\u003c\/p\u003e\n\u003cp\u003e60-9               \"How Old Was He, Dimitri, The Tsarevich?\" (Grigory, Pimen)  2:12\u003c\/p\u003e\n\u003cp\u003e60-10             \"This Is The Matin Bell\" (Pimen, Chorus, Grigory)        2:52\u003c\/p\u003e\n\u003cp\u003e60-11             Act II | \"Where Are You, Love Of Mine\" (Xenia, Fyodor)  2:11\u003c\/p\u003e\n\u003cp\u003e60-12             \"My Child, Darling Tsarevna\" (Nurse, Xenia, Fyodor)  2:11\u003c\/p\u003e\n\u003cp\u003e60-13             \"Here's A Tale\" (Fyodor, Nurse)       1:25\u003c\/p\u003e\n\u003cp\u003e60-14             \"What's This?\" (Boris, Nurse, Xenia, Fyodor)        3:14\u003c\/p\u003e\n\u003cp\u003e60-15             \"The Time Will Come\" (Boris)  2:39\u003c\/p\u003e\n\u003cp\u003e60-16             \"Like Lightning, Death Sweeps Down\" (Boris, Nurses) 3:46\u003c\/p\u003e\n\u003cp\u003e60-17             \"Almighty Tsar And Lord\" (Boyar, Boris, Fyodor, Shuisky)        1:45\u003c\/p\u003e\n\u003cp\u003e60-18             \"Believe Me, Tsar\" (Shuisky, Boris, Fyodor) 2:33\u003c\/p\u003e\n\u003cp\u003e60-19             \"The Day In Uglich\" (Boris, Shuisky)      1:31\u003c\/p\u003e\n\u003cp\u003e60-20             \"You Don't Believe Me, Tsar\" (Shuisky, Boris)        2:48\u003c\/p\u003e\n\u003cp\u003e60-21             \"Ah! For Some Air\" (Boris)        3:10\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 61\u003c\/p\u003e\n\u003cp\u003e61-1                Act III | Scene 1 | \"In Humbleness, As Servant Of The Lord\" (Rangoni, Marina)   1:02\u003c\/p\u003e\n\u003cp\u003e61-2                \"Hear Me, Child\" (Rangoni, Marina)      2:23\u003c\/p\u003e\n\u003cp\u003e61-3                \"Enslave With Your Beauty\" (Rangoni, Marina)        3:32\u003c\/p\u003e\n\u003cp\u003e61-4                To Me Who Comes From The Lord\" (Rangoni)        1:07\u003c\/p\u003e\n\u003cp\u003e61-5                Scene 2 | Introduction. Alla Polacca    2:40\u003c\/p\u003e\n\u003cp\u003e61-6               \"You Have Come, Beloved\" (Grigory, Marina)        3:32\u003c\/p\u003e\n\u003cp\u003e61-7                \"No, Marina!\" (Grigory, Marina, Rangoni)    4:56\u003c\/p\u003e\n\u003cp\u003e61-8                Act IV | Scene 1 I Introduction 1:35\u003c\/p\u003e\n\u003cp\u003e61-9                \"Listen, Brothers\" (Mitiukha, Chorus)  1:18\u003c\/p\u003e\n\u003cp\u003e61-10             \"Trrr, Trrr – His Hat Is Of Tin\" (chorus, Simpleton)        1:38\u003c\/p\u003e\n\u003cp\u003e61-11             \"Greetings, Greetings\" (Chorus, Simpleton)        2:18\u003c\/p\u003e\n\u003cp\u003e61-12              \"Why Does He Cry So?\" (Boris, Simpleton, Shuisky)        3:08\u003c\/p\u003e\n\u003cp\u003e61-13              Scene 2 | Introduction      1:29\u003c\/p\u003e\n\u003cp\u003e61-14             \"You Have Met To Judge A Traitor\" (Shchelkalov)        0:51\u003c\/p\u003e\n\u003cp\u003e61-15             \"Yes! Let's Take A Vote On It\" (Boyars, Chorus)        2:01\u003c\/p\u003e\n\u003cp\u003e61-16              \"But... Shuisky Is Not With Us?\" (Boyars, Shuisky)        2:26\u003c\/p\u003e\n\u003cp\u003e61-17              \"Oh, What A Frightful Scene I Witnessed\"' (Shuisky, Boyars, Boris)    1:57\u003c\/p\u003e\n\u003cp\u003e61-18             \"I Called For You, My Counsel\" (Boris, Shuisky)        2:14\u003c\/p\u003e\n\u003cp\u003e61-19              \"My Name Is Pimen\" (Pimen, Boris)      2:03\u003c\/p\u003e\n\u003cp\u003e61-20             \"In Vain I Tried To Heal Them\" (Pimen) 2:18\u003c\/p\u003e\n\u003cp\u003e61-21             \"Next Morning I Remembered\" (Pimen, Boris)        1:12\u003c\/p\u003e\n\u003cp\u003e61-22             \"I Want To See My Son\" (Boris)       2:23\u003c\/p\u003e\n\u003cp\u003e61-23             \"Do Not Trust The Boyars\" (Boris)  1:54\u003c\/p\u003e\n\u003cp\u003e61-24             \"Father! See My Children\" (Boris)  1:39\u003c\/p\u003e\n\u003cp\u003e61-25             \"Hear Those Sepulchral Sounds\" (Boris, Chorus, Fyodor)  2:24\u003c\/p\u003e\n\u003cp\u003e61-26             \"It Is Not Time Yet\" (Boris, Boyars) 1:54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 62\u003c\/p\u003e\n\u003cp\u003eSymphonie Fantastique Op. 14 = Episode De La Vie D'un Artiste = Episode In The Life Of An Artist = Episode Aus Dem Leben Eines Künstlers\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e62-1                I Rêveries – Passions = Dreams – Passions = Träume – Leidenschaften (Largo – Allegro Agitato Ed Appassionato Assai) 13:45\u003c\/p\u003e\n\u003cp\u003e62-2               Il Un Bal = A Ball = Ein Ball (Valse Allegro Non Troppo)  6:29\u003c\/p\u003e\n\u003cp\u003e62-3               III Scène Aux Champs = Scene In The Country = Szene Aut Dem Lande (Adagio)      14:55\u003c\/p\u003e\n\u003cp\u003e62-4               IV Marche Au Supplice = March To The Scaffold = Gang Zum Richtplatz (Allegretto Non Troppo)   5:10\u003c\/p\u003e\n\u003cp\u003e62-5               V Songe D'une Nuit De Sabbat = Dream Of A Sabbath Night = Traum Einer Sabbatnacht (Larghetto – Allegro)  10:14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 63\u003c\/p\u003e\n\u003cp\u003e63-1                Slavonic March Op. 31 = Slawischer Marsch = Marche Slave (Moderato In Modo Di Marcia Funebre – Più Mosso. Allegro – Andante Molto Maestoso – Allegro Risoluto)\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e10:00\u003c\/p\u003e\n\u003cp\u003e63-2               A Night On Bald Mountain = Eine Nacht Auf Dem Kahlen Berge = Une Nuit Sur Le Mont Chauve (Allegro Feroce)\u003c\/p\u003e\n\u003cp\u003eComposed By – Modest Mussorgsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eOrchestrated By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003e11:05\u003c\/p\u003e\n\u003cp\u003e63-3               Capriccio Italien Op. 45 (Andante Un Poco Rubato – Allegro Moderato – Andante – Presto – Allegro Moderato – Presto – Prestissimo)\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e4 Greek Dances Op. 11 = Vier Griechische Tänze = Quatre Danses Grecques\u003c\/p\u003e\n\u003cp\u003eComposed By – Nikos Skalkottas\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e63-4               Peloponnisiakost       2:03\u003c\/p\u003e\n\u003cp\u003e63-5               Epirotikos     1:57\u003c\/p\u003e\n\u003cp\u003e63-6               Hostianos     3:36\u003c\/p\u003e\n\u003cp\u003e63-7                Kleftikos        2:10\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 64\u003c\/p\u003e\n\u003cp\u003eUn Ballo In Maschera = A Masked Ball = Ein Maskenball (Excerpts)\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Renato] – Leonard Warren\u003c\/p\u003e\n\u003cp\u003eComposed By – Giuseppe Verdi\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eContralto Vocals [Ulrica] – Marian Anderson\u003c\/p\u003e\n\u003cp\u003eLibretto By – Antonio Somma\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Amelia] – Zinka Milanov\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Oscar] – Roberta Peters\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Riccardo] – Jan Peerce\u003c\/p\u003e\n\u003cp\u003eText By – Eugène Scribe\u003c\/p\u003e\n\u003cp\u003e64-1                Preludio 4:22\u003c\/p\u003e\n\u003cp\u003e64-2               Act I | Scene 1 | \"Alla Vita Che T'arride\" (Renato)        3:34\u003c\/p\u003e\n\u003cp\u003e64-3               Scene 2 | \"Re Dell'abisso, Affrettati\" (Ulrica, Riccardo)      6:59\u003c\/p\u003e\n\u003cp\u003e64-4               АСТ II | \"Ecco L'orrido Campo ... Ma Dall'arido Stelo Divulsa\" (Amelia)     9:09\u003c\/p\u003e\n\u003cp\u003e64-5               \"Teco Io Sto\" (Riccardo, Amelia)    5:08\u003c\/p\u003e\n\u003cp\u003e64-6               \"M'Ami, M'ami\" (Riccardo, Amelia) – \"Ahimè! S'appressa Alcun!\" (Amelia, Riccardo, Renato) 8:34\u003c\/p\u003e\n\u003cp\u003e64-7                Act III | Scene 1 | \"Morrò, Ma Prima In Grazia\" (Amelia, Renato) 4:29\u003c\/p\u003e\n\u003cp\u003e64-8               \"Alzati! Là Tuo Figlio ... Eri Tu\" (Renato)        6:23\u003c\/p\u003e\n\u003cp\u003e64-9                Scene 2 | \"Forse La Soglia Attinse ... Ma Se M'è Forza Perderti\" (Riccardo)       5:13\u003c\/p\u003e\n\u003cp\u003e64-10             Scene 3 | \"Saper Vorreste\" (Oscar)       2:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 65\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra In B Minor = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – William Walton*\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e65-1                I Andante Tranquillo  10:41\u003c\/p\u003e\n\u003cp\u003e65-2               Il Presto Capriccioso Alla Napolitana  6:13\u003c\/p\u003e\n\u003cp\u003e65-3               Ill Vivace       11:56\u003c\/p\u003e\n\u003cp\u003eSymphonie Espagnole In D Minor Op. 21 = D-Moll = En Ré Mineur For Violin And Orchestra\u003c\/p\u003e\n\u003cp\u003eComposed By – Édouard Lalo\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e65-4               I Allegro Non Troppo  7:37\u003c\/p\u003e\n\u003cp\u003e65-5               Il Scherzando. Allegro Molto   4:10\u003c\/p\u003e\n\u003cp\u003e65-6               IV Andante   6:40\u003c\/p\u003e\n\u003cp\u003e65-7                V Rondo. Allegro 8:06\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 66\u003c\/p\u003e\n\u003cp\u003eSonata For Oboe And Piano\u003c\/p\u003e\n\u003cp\u003eComposed By – Paul Hindemith\u003c\/p\u003e\n\u003cp\u003eOboe – Harold Gomberg\u003c\/p\u003e\n\u003cp\u003ePiano – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003e66-1                I Munter 3:51\u003c\/p\u003e\n\u003cp\u003e66-2               Il Sehr Langsam – Lebhaft – Sehr Langsam, Wie Zuerst – Lebhatt 8:28\u003c\/p\u003e\n\u003cp\u003e2 Rhapsodies For Oboe, Viola And Piano After 2 Poems By Maurice Rollinat\u003c\/p\u003e\n\u003cp\u003eComposed By – Charles Martin Loeffler\u003c\/p\u003e\n\u003cp\u003eOboe – Harold Gomberg\u003c\/p\u003e\n\u003cp\u003ePiano – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eViola – Milton Katims\u003c\/p\u003e\n\u003cp\u003e66-3               No. 1: L'Étang = The Pond = Der Weiher (Lento (Un Poco Andante) – Le Double Plus Vite – Molto Lamentoso – Adagio Molto – Andante)  9:47\u003c\/p\u003e\n\u003cp\u003e66-4               No. 2: La Cornemuse = The Bagpipe = Der Dudelsack (Un Poco Maestoso – Andante – Allegro – Le Double Plus Lent – Andante Grazioso – Moderato – Andante)        13:30\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 67\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 3 In C Minor Op. 37 = C-Moll = En Ut Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003ePiano – Jean Casadesus\u003c\/p\u003e\n\u003cp\u003e67-1                I Allegro Con Brio       14:33\u003c\/p\u003e\n\u003cp\u003e67-2               Il Largo  8:50\u003c\/p\u003e\n\u003cp\u003e67-3               III Rondo. Allegro        8:40\u003c\/p\u003e\n\u003cp\u003e9 Variations On A Minuet By Jean-Pierre Duport K 573\u003c\/p\u003e\n\u003cp\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/p\u003e\n\u003cp\u003e(12:41)\u003c\/p\u003e\n\u003cp\u003e67-4.1            [Thema]\u003c\/p\u003e\n\u003cp\u003e67-4.2            Var. I\u003c\/p\u003e\n\u003cp\u003e67-4.3            Var. II\u003c\/p\u003e\n\u003cp\u003e67-4.4            Var. III\u003c\/p\u003e\n\u003cp\u003e67-4.5            Var. IV\u003c\/p\u003e\n\u003cp\u003e67-4.6            Var. V\u003c\/p\u003e\n\u003cp\u003e67-4.7            Var. VI\u003c\/p\u003e\n\u003cp\u003e67-4.8            Var. VII\u003c\/p\u003e\n\u003cp\u003e67-4.9            Var. VIII. Adagio\u003c\/p\u003e\n\u003cp\u003e67-4.10         Var. IX. Allegro – Tempo I\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 68\u003c\/p\u003e\n\u003cp\u003eUn Ballo In Maschera = A Masked Ball = Ein Maskenball\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Renato] – Robert Merrill\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Silvano] – Calvin Marsh\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Samuel] – Giorgio Tozzi\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Tom] – Norman Scott\u003c\/p\u003e\n\u003cp\u003eComposed By – Giuseppe Verdi\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eContralto Vocals [Ulrica] – Marian Anderson\u003c\/p\u003e\n\u003cp\u003eLibretto By – Marian Anderson\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Amelia] – Zinka Milanov\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Oscar] – Roberta Peters\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [A Judge] – James McCracken\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [A Servant] – Charles Anthony (3)\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Riccardo] – Jan Peerce\u003c\/p\u003e\n\u003cp\u003e68-1                Prelude 3:54\u003c\/p\u003e\n\u003cp\u003e68-2               Act I | Scene 1 \"Posa In Pace, A' Bei Sogni Ristora\" (Samuel, Tom, Chorus)    1:29\u003c\/p\u003e\n\u003cp\u003e68-3               \"S'avanza Il Re ... La Rivedrà Nell'estasi\" (Oscar, Riccardo, Samuel, Tom, Chorus)   3:24\u003c\/p\u003e\n\u003cp\u003e68-4               \"Il Cenno Mio Di Là Con Essi Attendi\" (Riccardo, Oscar, Renato)    2:21\u003c\/p\u003e\n\u003cp\u003e68-5               \"Alla Vita Che T'arride\" (Renato)    2:41\u003c\/p\u003e\n\u003cp\u003e68-6               \"Il Primo Giudice\" (Oscar, Riccardo, Judge)        1:27\u003c\/p\u003e\n\u003cp\u003e68-7                \"Volta La Terrea\" (Oscar)  1:45\u003c\/p\u003e\n\u003cp\u003e68-8               \"Signori, Oggi D'Ulrica ... Ogni Cura Si Doni Al Diletto\" (Riccardo, Renato, Oscar, Chorus)        2:55\u003c\/p\u003e\n\u003cp\u003e68-9               Scene 2 | \"Zitti. ... L'incanto Non Dèssi Turbare ... Re Dell'abisso, Affrettati\"' (Ulrica, Chorus) 3:32\u003c\/p\u003e\n\u003cp\u003e68-10             \"Arrivo Il Primo! ... È Lui! È Lui! Ne' Palpiti\" (Riccardo, Ulrica, Chorus)       2:45\u003c\/p\u003e\n\u003cp\u003e68-11             \"Su, Fatemi Largo\" (Silvano, Ulrica, Riccardo, Servant, Chorus)        3:11\u003c\/p\u003e\n\u003cp\u003e68-12             \"Che V'agita Così?\" (Ulrica, Amelia, Riccardo)        1:23\u003c\/p\u003e\n\u003cp\u003e68-13             \"Della Città All'occaso\" (Ulrica, Amelia, Riccardo, Chorus) 3:50\u003c\/p\u003e\n\u003cp\u003e68-14             \"Su, Profetessa ... Di' Tu Se Fedele\" (Samuel, Tom, Oscar, Riccardo, Chorus)      3:33\u003c\/p\u003e\n\u003cp\u003e68-15             \"Chi Voi Siate\" (Ulrica, Riccardo, Samuel, Oscar, Tom, Chorus)       2:17\u003c\/p\u003e\n\u003cp\u003e68-16             \"È Scherzo Od È Follia\" (Riccardo, Ulrica, Samuel, Tom, Oscar, Chorus) 3:33\u003c\/p\u003e\n\u003cp\u003e68-17             \"Finisci Il Vaticinio\" (Riccardo, Ulrica, Samuel, Tom, Renato, Silvano, Oscar, Chorus) 4:22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 69\u003c\/p\u003e\n\u003cp\u003e69-1                Act Il | Prelude     2:12\u003c\/p\u003e\n\u003cp\u003e69-2               \"Ecco L'orrido Campo\" (Amelia)    1:22\u003c\/p\u003e\n\u003cp\u003e69-3               \"Ma Dall'arido Stelo Divulsa\" (Amelia) 5:33\u003c\/p\u003e\n\u003cp\u003e69-4               \"Teco Io Sto ... Non Sai Tu Che Se L'anima Mia\" (Riccardo, Amelia)     5:29\u003c\/p\u003e\n\u003cp\u003e69-5               \"Oh, Qual Soave Brivido\" (Riccardo, Amelia)        3:42\u003c\/p\u003e\n\u003cp\u003e69-6               \"Ahimè! S'appressa Alcun! ... Odi Tu Come Fremono\" (Amelia, Riccardo, Renato) 4:34\u003c\/p\u003e\n\u003cp\u003e69-7                \"Seguitemi\" (Renato, Amelia, Samuel, Tom, Chorus) 2:26\u003c\/p\u003e\n\u003cp\u003e69-8               \"Ve' Se Di Notte Qui Colla Sposa\" (Samuel, Tom, Renato, Amelia, Chorus) 5:12\u003c\/p\u003e\n\u003cp\u003e69-9               Act III | Scene 1 | \"A Tal Colpa È Nulla Il Pianto\" (Renato, Amelia) 2:15\u003c\/p\u003e\n\u003cp\u003e69-10             \"Morrò, Ma Prima In Grazia\" (Amelia)   4:29\u003c\/p\u003e\n\u003cp\u003e69-11             \"Alzati! Là Tuo Figlio\" (Renato)        1:39\u003c\/p\u003e\n\u003cp\u003e69-12             \"Eri Tu Che Macchiavi\" (Renato)    4:43\u003c\/p\u003e\n\u003cp\u003e69-13             \"Siam Soli. Udite\" (Renato, Tom, Samuel)  3:44\u003c\/p\u003e\n\u003cp\u003e69-14             \"E Chi Vien? Tu?\" (Renato, Amelia, Samuel, Tom)        3:50\u003c\/p\u003e\n\u003cp\u003e69-15             \"Il Messaggio Entri ... Ah! Di Che Fulgor\" (Renato, Oscar, Amelia, Samuel, Tom) 3:37\u003c\/p\u003e\n\u003cp\u003e69-16             Scene 2 | \"Forse La Soglia Attinse ... Ma Se M'è Forza Perderti\" (Riccardo)       5:03\u003c\/p\u003e\n\u003cp\u003e69-17             \"Ah! Dessa È Là\" (Riccardo, Oscar)       1:20\u003c\/p\u003e\n\u003cp\u003e69-18             Scene 3 | \"Fervono Amori E Danze\" (Samuel, Renato, Tom, Oscar, Chorus) 2:14\u003c\/p\u003e\n\u003cp\u003e69-19             \"Saper Vorreste\" (Oscar)  1:57\u003c\/p\u003e\n\u003cp\u003e69-20             \"Fervono Amori E Danze\" (Renato, Oscar, Chorus) 1:32\u003c\/p\u003e\n\u003cp\u003e69-21             \"Ah! Perchè Qui! Fuggite\" (Amelia, Riccardo, Renato, Oscar, Chorus)    5:03\u003c\/p\u003e\n\u003cp\u003e69-22             \"Ella È Pura: In Braccio A Morte\" (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, Chorus) 4:26\u003c\/p\u003e","brand":"SONY CLASSICAL","offers":[{"title":"Default Title","offer_id":47546254557434,"sku":"0194398882529","price":129.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NDUtNzY0NC5qcGVn.jpg?v=1753393502"},{"product_id":"christmas-classics-5-cds","title":"Christmas Classics (5 CDs)","description":"\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/christmas_TRACK_LISTING_WITH_WORLD_transparent_blue_background_5d95e750-11ee-40f1-94b9-2887362ceb32.png?v=1637097241\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eJim Reeves - Twelve Songs Of Christmas \u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eJingle Bells\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eBlue Christmas\u003c\/div\u003e\n\u003cdiv\u003e1-3 Señor Santa Claus\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eAn Old Christmas Carol\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eThe Merry Christmas Polka\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003eWhite Christmas\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eSilver Bells\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003eC-H-R-I-S-T-M-A-S\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eO Little Town Of Bethlehem\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eMary's Little Boy Child\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eO Come, All Ye Faithful\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003eSilent Night\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eElvis' Christmas Album\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003eSanta Claus Is Back In Town\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003eWhite Christmas\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003eHere Comes Santa Claus (Right Down Santa Claus Lane)\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003eI'll Be Home For Christmas\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003eBlue Christmas\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003eSanta Bring My Baby Back (To Me)\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003eOh Little Town Of Bethlehem\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003eSilent Night\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003e(There'll Be) Peace In The Valley (For Me)\u003c\/div\u003e\n\u003cdiv\u003e2-10\u003cspan\u003e \u003c\/span\u003eI Believe\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003eTake My Hand, Precious Lord\u003c\/div\u003e\n\u003cdiv\u003e2-12\u003cspan\u003e \u003c\/span\u003eIt Is No Secret (What God Can Do)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eThe Perry Como Christmas Album\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-1\u003cspan\u003e \u003c\/span\u003eChristmas Eve\u003c\/div\u003e\n\u003cdiv\u003e3-2\u003cspan\u003e \u003c\/span\u003eDo You Hear What I Hear?\u003c\/div\u003e\n\u003cdiv\u003e3-3\u003cspan\u003e \u003c\/span\u003eChrist Is Born\u003c\/div\u003e\n\u003cdiv\u003e3-4\u003cspan\u003e \u003c\/span\u003eThe Little Drummer Boy\u003c\/div\u003e\n\u003cdiv\u003e3-5\u003cspan\u003e \u003c\/span\u003eThere Is No Christmas Like A Home Christmas\u003c\/div\u003e\n\u003cdiv\u003e3-6\u003cspan\u003e \u003c\/span\u003eO Holy Night\u003c\/div\u003e\n\u003cdiv\u003eCarol Medley\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-7a\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eCaroling, Caroling\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-7b\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eThe First Noel\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-7c\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eHark! The Herald Angels Sing\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-7d\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eSilent Night\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-8\u003cspan\u003e \u003c\/span\u003eSilver Bells\u003c\/div\u003e\n\u003cdiv\u003e3-9\u003cspan\u003e \u003c\/span\u003eToyland\u003c\/div\u003e\n\u003cdiv\u003e3-10\u003cspan\u003e \u003c\/span\u003eHave Yourself A Merry Little Christmas\u003c\/div\u003e\n\u003cdiv\u003e3-11\u003cspan\u003e \u003c\/span\u003eAve Maria\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eThe Johnny Cash Family Christmas\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4-1\u003cspan\u003e \u003c\/span\u003eOpening Dialogue\u003c\/div\u003e\n\u003cdiv\u003e4-2\u003cspan\u003e \u003c\/span\u003eKing Of Love\u003c\/div\u003e\n\u003cdiv\u003e4-3\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-4\u003cspan\u003e \u003c\/span\u003eJingle Bells\u003c\/div\u003e\n\u003cdiv\u003e4-5\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-6\u003cspan\u003e \u003c\/span\u003eThat Christmasy Feeling\u003c\/div\u003e\n\u003cdiv\u003e4-7\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-8\u003cspan\u003e \u003c\/span\u003eMy Merry Christmas Song\u003c\/div\u003e\n\u003cdiv\u003e4-9\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-10\u003cspan\u003e \u003c\/span\u003eMerry Christmas Mary\u003c\/div\u003e\n\u003cdiv\u003e4-11\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-12\u003cspan\u003e \u003c\/span\u003eChristmas Time's A-Comin'\u003c\/div\u003e\n\u003cdiv\u003e4-13\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-14\u003cspan\u003e \u003c\/span\u003eChristmas With You\u003c\/div\u003e\n\u003cdiv\u003e4-15\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-16\u003cspan\u003e \u003c\/span\u003eChristmas As I Know It\u003c\/div\u003e\n\u003cdiv\u003e4-17\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-18\u003cspan\u003e \u003c\/span\u003eWhen You're Twenty-One\u003c\/div\u003e\n\u003cdiv\u003e4-19\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-20\u003cspan\u003e \u003c\/span\u003eAn Old Fashioned Tree\u003c\/div\u003e\n\u003cdiv\u003e4-21\u003cspan\u003e \u003c\/span\u003eDialogue\u003c\/div\u003e\n\u003cdiv\u003e4-22\u003cspan\u003e \u003c\/span\u003eSilent Night\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eThe Andy Williams Christmas Album\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5-1\u003cspan\u003e \u003c\/span\u003eWhite Christmas\u003c\/div\u003e\n\u003cdiv\u003e5-2a\u003cspan\u003e \u003c\/span\u003eHappy Holiday\u003c\/div\u003e\n\u003cdiv\u003e5-2b\u003cspan\u003e \u003c\/span\u003eThe Holiday Season\u003c\/div\u003e\n\u003cdiv\u003e5-3\u003cspan\u003e \u003c\/span\u003eThe Christmas Song (Chestnuts Roasting On An Open Fire)\u003c\/div\u003e\n\u003cdiv\u003e5-4\u003cspan\u003e \u003c\/span\u003eIt's The Most Wonderful Time Of The Year\u003c\/div\u003e\n\u003cdiv\u003e5-5\u003cspan\u003e \u003c\/span\u003eA Song And A Christmas Tree (The Twelve Days Of Christmas)\u003c\/div\u003e\n\u003cdiv\u003e5-6\u003cspan\u003e \u003c\/span\u003eKay Thompson's Jingle Bells\u003c\/div\u003e\n\u003cdiv\u003e5-7\u003cspan\u003e \u003c\/span\u003eThe First Noel\u003c\/div\u003e\n\u003cdiv\u003e5-8\u003cspan\u003e \u003c\/span\u003eO Holy Night\u003c\/div\u003e\n\u003cdiv\u003e5-9\u003cspan\u003e \u003c\/span\u003eAway In A Manger\u003c\/div\u003e\n\u003cdiv\u003e5-10\u003cspan\u003e \u003c\/span\u003eSweet Little Jesus Boy\u003c\/div\u003e\n\u003cdiv\u003e5-11\u003cspan\u003e \u003c\/span\u003eThe Little Drummer Boy\u003c\/div\u003e\n\u003cdiv\u003e5-12\u003cspan\u003e \u003c\/span\u003eSilent Night, Holy Night\u003c\/div\u003e","brand":"SONY LEGACY","offers":[{"title":"Default Title","offer_id":48135644086522,"sku":"889854746629","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81LUFeoz2TL._SL1211.jpg?v=1766100582"},{"product_id":"martha-argerich-daniel-barenboim-various-artists-the-greatest-50-piano-works","title":"The Greatest 50 Piano Works (Argerich, Andsnes, Barenboim, Ciccolini, Francois and More) 6 CDs","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMozart; Piano Concerto No. 23 II. Adagio - Daniel Barenboim, English Chamber Orchestra\u003c\/li\u003e\n\u003cli\u003eBeethoven: Sonata No. 23 \"Appassionata\" I. Allegro assai - piu allegro - Stephen Kovacevich\u003c\/li\u003e\n\u003cli\u003eMendelssohn: Songs Without Words Op. 62, No. 6 - Spring Song - Andras Schiff\u003c\/li\u003e\n\u003cli\u003eRachmaninov: Piano Concerto No. 3 I. Allegro ma non troppo - Leif Ove Andnes, London Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eTchaikovsky: The Seasons - June: Barcarolle - Mikhail Pletnev\u003c\/li\u003e\n\u003cli\u003eLiszt: 6 Etudes after Paganini \"La Campanella\" - Geoges Cziffra\u003c\/li\u003e\n\u003cli\u003eGrieg: Piano Concerto, Op. 16 I. Allegro molto moderato - Leif Ove Andnes, Berlin Philharmonic, Mariss Janssons\u003c\/li\u003e\n\u003cli\u003eSchubert Fantasie for piano four hands D. 940 - Justus Franz \u0026amp; Christoph Eschenbach\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eCD 2:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeethoven: Sonata No. 8 \"Pathetique\" I. Grave - Allegro - Stephen Kovacevich\u003c\/li\u003e\n\u003cli\u003eBrahms: Piano Concerto No. 2 - III. Andante - Nicolas Angelich, Frankfort Radio Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eBach: Goldberg Variations I. Aria - Dong Hyek Lim\u003c\/li\u003e\n\u003cli\u003eMozart: Piano Concerto No. 20 - I. Allegro - Piotr Anderszewski, Ecosse Chamber Orchestra\u003c\/li\u003e\n\u003cli\u003eSchubert: Sonata D 959 II. Andantino - Stephen Kovacevich\u003c\/li\u003e\n\u003cli\u003eRachmaninov: Rhapsody on a Theme by Paganini, Op. 43 (Variations I-X) - Mikhail Pletnev, Philharmonia Orchestra\u003c\/li\u003e\n\u003cli\u003eGrieg: Lyric Pieces, Op. 65, No. 6 - Leif Ove Andnes\u003c\/li\u003e\n\u003cli\u003eLiszt: Reve d'amour - Leif Ove Andsnes\u003c\/li\u003e\n\u003cli\u003eChopin: PIaon Concerto No. 2 I. Maestoso - Martha Argerich, Charles Dutoit, Montreal Symphony Orchestra\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eCD 3:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBach: Concerto in D Minor, BWV 1052 I. Allegro - Alexandre Tharaud, Les Violins du Roy, Bernard Labadie\u003c\/li\u003e\n\u003cli\u003eBrahms: Intermezzo, Op. 117 No. 2 - Nicholas Angelich\u003c\/li\u003e\n\u003cli\u003eSchubert: Sonata No. 23, D. 960 III. Scherzo - Christian Zacharias\u003c\/li\u003e\n\u003cli\u003eTchaikovsky: Piano Concerto No. 1 II. Andante semplice \u0026amp; III. Allegro con fuoco - Emil Gilels, New Philharmonia Orchestra, Lorin Maazel\u003c\/li\u003e\n\u003cli\u003eSchumann: Kinderszenen, Op 15 (I-XV) - Martha Argerich\u003c\/li\u003e\n\u003cli\u003eHaydn: Sonata Hob. XVI:49 II. Adagio e Cantabile - Leif Ove Andsnes\u003c\/li\u003e\n\u003cli\u003eBeethoven: Piano Concerto No. 4 I. Allegro moderato - Christian Zacharias, Dresden State Orchestra, Hans Vonk\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eCD4:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDebussy: Suite Bergamasque: Clair de Lune - Samson Francois\u003c\/li\u003e\n\u003cli\u003eAlbeniz: Suite espanola - Asturias - Alicia deLarrocha\u003c\/li\u003e\n\u003cli\u003eRavel: Piano Concerto II. Adagio asssai - Arturo Benedetto Michelangeli, Philharmonia Orchestra, Ettone Gracis\u003c\/li\u003e\n\u003cli\u003eBrahms: Waltzes, Op. 39 Nos. 12-16 - Mikhail Rudy\u003c\/li\u003e\n\u003cli\u003eRachmaninov: Piano Concerto No. 2, Op. 18 III. Allegro scherzando - Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti\u003c\/li\u003e\n\u003cli\u003eChopin: Ballade No. 1 - Maurizio Pollini\u003c\/li\u003e\n\u003cli\u003eMozart: Piano Concerto No. 27 K. 595 I. Allegro - Daniel Barenboim, English Chamber Orchestra\u003c\/li\u003e\n\u003cli\u003eBeethoven: Sonata No. 32, Op. 111 II. Arietta; Adagio molto, semplice e cantabile - L'istesso tempo - Stephen Kovacevich\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eCD5\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChopin: Nocturne, No. 8 - Yundi Li\u003c\/li\u003e\n\u003cli\u003eSchumann: PIano Concerto No. 54 I. Allegro affetuoso - Martha Argerich, Orchestra de la Suisse Italienne\u003c\/li\u003e\n\u003cli\u003eBrahms: Hungarian Dance No. 4 - Nicholas Angelich \u0026amp; Frank Braley\u003c\/li\u003e\n\u003cli\u003eGershwin: Rhapsody in Blue - Wayne Marshall, Aaiborg Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSatie: Trois Gnossiennes (Nos 1 \u0026amp; 3) - Aldo Ciccolini\u003c\/li\u003e\n\u003cli\u003eMozart: Sonata No. 8 K. 310 I. Allegro maestoso - Daniel Barenboim\u003c\/li\u003e\n\u003cli\u003eBeethoven: Piano Concerto No. 5, Op. 73 Mvts II and III - Christian Zacharias, Dresden State Orchestra\u003c\/li\u003e\n\u003cli\u003eBach: Well Tempered Clavier, Book I - Prelude No 1 \u0026amp; 6 - Christian Zacharias\u003c\/li\u003e\n\u003cli\u003eBach: Piano Concerto BWV 1056 II. Adagio - Alexandre Tharaud, Les Violins du Roy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eCD6\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHaydn: Piano Concerto in D Major, III. Rondo all'Ungarese - Leif Ove Andsnes\u003c\/li\u003e\n\u003cli\u003eSchubert; Impromptu No. 4, D. 899 - Dong Hyek Lim\u003c\/li\u003e\n\u003cli\u003eBeethoven: Sonata No. 14 I. Maestoso - Daniel Barenboim\u003c\/li\u003e\n\u003cli\u003eBrahms: Piano Concerto No. 1 I. Maestoso - Leif Ove Andsnes, City of Birmingham Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eRachmaninov: Morceau de fantasie Op. 3 No. 2 - Simon Trpceski\u003c\/li\u003e\n\u003cli\u003eMussorgsky: Pictures at an Exhibition - Bydio\/Promenade\/Ballet of the Chicks\/Samuel Goldenberg and Schmuyle - Leif Ove Andsnes\u003c\/li\u003e\n\u003cli\u003eStravinsky: Three Movements from Petrouchka - I. Danse russe \u0026amp; II. Chez Petrouchka - Simon Typceski\u003c\/li\u003e\n\u003cli\u003eDebussy: Preludes - La Fille aus cheveux de lin - Youri Egorov\u003c\/li\u003e\n\u003cli\u003eRavel: Concerto for the Left Hand - Samson Francois, Orchestrade la Societe des Concerts du Conservatoire\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":48284363784442,"sku":"5099997897026","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71QpMbi26UL._SL1500.jpg?v=1770737232"},{"product_id":"natalie-dessay-joyce-di-donato-various-lunivers-des-castrats-la-voix-des-anges","title":"LA VOIX DES ANGES (The Voice of Angels - The World of the Castrati) - von Otter, Dessay, Jaroussky, Gens, Di Donato (2 CDs + DVD)","description":"\u003cp\u003eContains excerpts from:\u003c\/p\u003e\n\u003cp\u003eL'orféo \/ Natalie Dessay - Monteverdi.\u003c\/p\u003e\n\u003cp\u003eLa resurrezione \/ Kate Royal, Sonia Prina - Haendel.\u003c\/p\u003e\n\u003cp\u003eGiulio Cesare \/ Stephanie Blythe - Haendel.\u003c\/p\u003e\n\u003cp\u003eLa Passione di Gesù Cristo Signor Nostro \/ Laura Polverelli - Caldara.\u003c\/p\u003e\n\u003cp\u003eLa fida ninfa \/ Vivica Genaux - Vivaldi.\u003c\/p\u003e\n\u003cp\u003eBajazet \/ Vivica Genaux, Elina Garanca, Patrizia Ciofi - Vivaldi.\u003c\/p\u003e\n\u003cp\u003eAriodante \/ Joyce Didonato - Haendel.\u003c\/p\u003e\n\u003cp\u003eAlcina \/ Della Jones - Haendel.\u003c\/p\u003e\n\u003cp\u003eSerse \/ Joyce DiDonato, Anne Sofie von Otter - Haendel.\u003c\/p\u003e\n\u003cp\u003eLa Clemenza di Tito \/ Véronique Gens - Mozart.\u003c\/p\u003e\n\u003cp\u003eGiustino \/ Philippe Jaroussky - Vivaldi.\u003c\/p\u003e\n\u003cp\u003eAdmeto \/ James Bowman, René Jacobs - Haendel.\u003c\/p\u003e\n\u003cp\u003eFernando \/ Lawrence zazzo - Haendel.\u003c\/p\u003e\n\u003cp\u003eLa Clemenza di Tito \/ Philippe Jaroussky - Hasse.\u003c\/p\u003e\n\u003cp\u003eFaramondo \/ Max Emanuel Cencic - Haendel.\u003c\/p\u003e\n\u003cp\u003eSerse \/ Gérard Lesne - Haendel.\u003c\/p\u003e\n\u003cp\u003eOrfeo ed Euridice \/ David Daniels - Gluck.\u003c\/p\u003e\n\u003cp\u003eMitridate, re di Punto \/ David Daniels - Mozart.\u003c\/p\u003e\n\u003cp\u003eEbben si vada... lo ti lascio \/ Philippe Jaroussky - Johann Christian Bach.\u003c\/p\u003e\n\u003cp\u003eAureliano in Palmira \/ Max Emanuel Cencic - Rossini\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":48284363981050,"sku":"6275902","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81OpP2rJSWL._SL1500.jpg?v=1770331864"},{"product_id":"rudy-st-petersburg-po-jansons-rachmaninov-complete-piano","title":"RACHMANINOFF: The Complete Piano Concertos, Rhapsody on a Theme by Paganini; TCHAIKOVSKY: Piano Concerto No. 1 - Rudy, Janssons, St. Petersburg Symphony (3 CDs)","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_a0acf29f-01ad-4c7d-bf4d-a26262f33292.png?v=1707070885\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003eTCHAIKOVSKY: Piano Concerto No. 1 \u003c\/span\u003e(34:56)\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eAllegro Non Troppo E Molto Maestoso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eAndantino Semplice - Prestissimo - Tempo Primo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003eAllegro Con Fuoco\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRACHMANINOFF: Piano Concerto No. 2 (35:35)\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eModerato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eAdagio Sostenuto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003eAllegro Scherzando\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRACHMANINOFF: Piano Concerto No. 3\u003cspan\u003e \u003c\/span\u003e(42:03)\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003eAllegro Ma Non Tanto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003eIntermezzo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003eFinale\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRACHMANINOFF: Rhapsody On A Theme Of Paganini (24:01)\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003eIntroduction - Allegro Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003eVariation I - Precedente\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003eTema - L'istessa Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003eVariation II - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003eVariation III - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003eVariation IV - Piu Vivo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-10\u003cspan\u003e \u003c\/span\u003eVariation V - Tempo Precedente\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003eVariation VI - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-12\u003cspan\u003e \u003c\/span\u003eVariation VII - Meno Mosso, A Tempo Moderato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-13\u003cspan\u003e \u003c\/span\u003eVariation VIII - Tempo I\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-14\u003cspan\u003e \u003c\/span\u003eVariation IX - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-15\u003cspan\u003e \u003c\/span\u003eVariation X\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-16\u003cspan\u003e \u003c\/span\u003eVariation XI - Moderato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-17\u003cspan\u003e \u003c\/span\u003eVariation XII - Tempo Di Minuetto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-18\u003cspan\u003e \u003c\/span\u003eVariation XIII - Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-19\u003cspan\u003e \u003c\/span\u003eVariation XIV - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-20\u003cspan\u003e \u003c\/span\u003eVariation XV - Piu Vivo. Scherzando\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-21\u003cspan\u003e \u003c\/span\u003eVariation XVI - Allegretto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-22\u003cspan\u003e \u003c\/span\u003eVariation XVII\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-23\u003cspan\u003e \u003c\/span\u003eVariation XVIII - Andante Cantabile\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-24\u003cspan\u003e \u003c\/span\u003eVariation XIX - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-25\u003cspan\u003e \u003c\/span\u003eVariation XX - Un Poco Piu Vivo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-26\u003cspan\u003e \u003c\/span\u003eVariation XXI - Un Poco Piu Vivo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-27\u003cspan\u003e \u003c\/span\u003eVariation XXII - Un Poco Piu Vivo - Alla Breve\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-28\u003cspan\u003e \u003c\/span\u003eVariation XXIII - L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-29\u003cspan\u003e \u003c\/span\u003eVariation XXIV (A Tempo Un Poco Meno Mosso)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRACHMANINOFF: Piano Concerto No. 4\u003c\/div\u003e\n\u003cdiv\u003e(36:36)\u003c\/div\u003e\n\u003cdiv\u003e3-1\u003cspan\u003e \u003c\/span\u003eAllegro Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-2\u003cspan\u003e \u003c\/span\u003eLargo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-3\u003cspan\u003e \u003c\/span\u003eAllegro Vivace (Revised Version)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-4\u003cspan\u003e \u003c\/span\u003eAllegro Vivace (Original Version)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRACHMANINOFF: Piano Concerto No. 1\u003c\/div\u003e\n\u003cdiv\u003e(28:14)\u003c\/div\u003e\n\u003cdiv\u003e3-5\u003cspan\u003e \u003c\/span\u003eVivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-6\u003cspan\u003e \u003c\/span\u003eAndante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-7\u003cspan\u003e \u003c\/span\u003eAllegro Vivace\u003c\/div\u003e\n\u003c\/div\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":48284364472570,"sku":"0851982","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/OTMtMjY2MS5qcGVn.jpg?v=1770331412"},{"product_id":"ornette-coleman-genesis-of-genius","title":"ORNETTE COLEMAN - Genesis Of Genius (2 CDs)","description":"\u003cp\u003eFeaturing two seminal releases, 1958's 'Something Else!!!! The Music of Ornette Coleman' and 1959's 'Tomorrow Is the Question! The New Music of Ornette Coleman'. These albums transformed an unknown jazz visionary from the hinterlands into the talk of the New York scene. Featuring Coleman's working band with Don Cherry on trumpet, pianist Walter Norris, bassist Don Payne and drummer Billy Higgins, the album 'Something Else!!!!' sounds less radical today than strikingly individual and steeped in the blues. With nine Coleman originals, the session introduced several tunes that became standards, including 'The Blessing' and 'When Will the Blues Leave?'.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003cbr\u003e1: Invisible\u003cbr\u003e2: The Blessing\u003cbr\u003e3: Jayne\u003cbr\u003e4: Chippie\u003cbr\u003e5: The Disguise\u003cbr\u003e6: Angel Voice\u003cbr\u003e7: Alpha\u003cbr\u003e8: When Will the Blues Leave?\u003cbr\u003e9: The Sphinx\u003c\/p\u003e\n\u003cp\u003eDisc 2\u003cbr\u003e1: Tomorrow Is the Question!\u003cbr\u003e2: Tears Inside\u003cbr\u003e3: Mind and Time\u003cbr\u003e4: Compassion\u003cbr\u003e5: Giggin'\u003cbr\u003e6: Rejoicing\u003cbr\u003e7: Lorraine\u003cbr\u003e8: Turnaround\u003cbr\u003e9: Endless\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":48284365259002,"sku":"7217153","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/orig_9724435_1017661_740x740_34606710-7499-4a09-bf2c-871fc5ab04ea.jpg?v=1770332680"},{"product_id":"spirit-of-family","title":"HARMONIA MUNDI: THE FAMILY SPIRIT (18 CDS)","description":"\u003cdiv\u003e\u003cspan\u003eOver the past sixty years, several 'families' of musicians have written the history of harmonia mundi. After the success of Atys and the St. Matthew Passion, those families began branching out and opening up to new generations. They continued a legacy defined by a passion for excellence and a sincerity of interpretation. This 18-disc set (volume two of two) invites you to relive the highlights of the label's last thirty years from 1988-2018.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e THE HEIRS OF ALFRED DELLER \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAntonio Vivaldi: Stabat Mater Rv 621\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eStabat Mater dolorosa\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eCujus animam gementem\u003cspan\u003e \u003c\/span\u003e1:47\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003eO quam tristis\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eQuis est homo\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eQuis non posset\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003ePro peccatis suae gentis\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eEja Mater, fons amoris\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003eFac ut ardeat\u003cspan\u003e \u003c\/span\u003e1:39\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eAmen\u003cspan\u003e \u003c\/span\u003e1:04\u003c\/div\u003e\n\u003cdiv\u003eFrancesco Cavalli: Giasone\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eDela: Voli il tempo, se sa\u003cspan\u003e \u003c\/span\u003e3:00\u003c\/div\u003e\n\u003cdiv\u003eFrancesco Cavalli: La Calisto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eIl Satirino, Linfea: Ninfa bella\u003cspan\u003e \u003c\/span\u003e3:55\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003eIl Satirino: Alfin la tanto rigida\u003cspan\u003e \u003c\/span\u003e1:43\u003c\/div\u003e\n\u003cdiv\u003eGeorg Friedrich Händel: Agrippina\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003eNarciso: Volo pronto e lieto il core\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003eAria Narciso: Spererò, poiché mel dice\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003eGeorg Friedrich Händel: Flavio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003eAria: Rompo i lacci\u003cspan\u003e \u003c\/span\u003e5:51\u003c\/div\u003e\n\u003cdiv\u003eGeorg Friedrich Händel: Giulio Cesare\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003eAria: Va tacito\u003cspan\u003e \u003c\/span\u003e7:01\u003c\/div\u003e\n\u003cdiv\u003eGeorg Friedrich Händel: Radamisto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003eAria: Ombra cara di mia sposa\u003cspan\u003e \u003c\/span\u003e9:31\u003c\/div\u003e\n\u003cdiv\u003eGeorg Friedrich Händel: Rodelinda\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003eFra tempeste funeste\u003cspan\u003e \u003c\/span\u003e4:46\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003eCon rauco mormorio\u003cspan\u003e \u003c\/span\u003e7:12\u003c\/div\u003e\n\u003cdiv\u003eGeorg Friedrich Händel: Sosarme\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-20\u003cspan\u003e \u003c\/span\u003eDuetto: Per le porte del tormento\u003cspan\u003e \u003c\/span\u003e9:38\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE OPERATIC ODYSSEY OF RENÉ JACOBS\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 2\u003cspan\u003e \u003c\/span\u003eArias From Cavalieri to Mozart\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE LADIES OF BASEL\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 3\u003cspan\u003e \u003c\/span\u003eFrom Monteverdi To Vivald\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE NEW KEYBOARD VIRTUOSOS\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 4\u003cspan\u003e \u003c\/span\u003eF. Couperin, J. S. Bach, Soler, Mozart\u003c\/div\u003e\n\u003cdiv\u003eCD 5\u003cspan\u003e \u003c\/span\u003eBeethoven: Variations Diabelli \/ Brahms: Sonate Pour Piano Op. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE CLASSICAL STYLE REVISITED\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 6\u003cspan\u003e \u003c\/span\u003eHaydn: The Seasons (Sping \u0026amp; Summer)\u003c\/div\u003e\n\u003cdiv\u003eCD 7\u003cspan\u003e \u003c\/span\u003eHaydn: The Seasons (Autumn \u0026amp; Winter)\u003c\/div\u003e\n\u003cdiv\u003eCD 8\u003cspan\u003e \u003c\/span\u003eBeethoven: Missa Solemnis Op. 123\u003c\/div\u003e\n\u003cdiv\u003eCD 9\u003cspan\u003e \u003c\/span\u003eConcertos by Haydn \u0026amp; Mozart\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE FRENCH CELLO SCHOOL\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 10\u003cspan\u003e \u003c\/span\u003eJ. S. Bach, Schubert, Offenbach, Dutilleux\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDIE NEUE ROMANTIK\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 11\u003cspan\u003e \u003c\/span\u003eMendelssohn: Violin Concerto Op. 64 \/ Piano Concerto MWV 02 \/ Symphony No.4 \"Italian\"\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTOWARDS 'HISTORICALLY INFORMED PERFORMANCE’\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 12\u003cspan\u003e \u003c\/span\u003eRavel: Daphnis Et Chloé (2nd \u0026amp; 3rd Part) \/ Ma Mère L'Oye\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eA TRIO OD STARS... AND THE STAR TRIO\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 13\u003cspan\u003e \u003c\/span\u003eWorks By Schumann And Brahms\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE MASTERS OF THE LIED\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 14\u003cspan\u003e \u003c\/span\u003eSchubert, Schumann, Wolf, Eisler\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE NEW EXPLORERS\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 15\u003cspan\u003e \u003c\/span\u003eRossini, Donizetti, Bellini, Vieuxtemps, De Falla\u003c\/div\u003e\n\u003cdiv\u003eCD 16\u003cspan\u003e \u003c\/span\u003eChopin, Debussy, Gershwin, Reich\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTHE NEW GENERATION\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 17\u003cspan\u003e \u003c\/span\u003eLe Concert Royal de la Nuit; English Airs And Tunes Of Locke, Purcell, Draghi Le Caravansérail, Bertrand Cuiller; Rhinemaidens - Works By Wagner, Schumann, Schubert\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eMASTERS OF EVERY STYLE\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCD 18\u003cspan\u003e \u003c\/span\u003eFrom Haydn To Kurtág, J.S. Bach To Bartók, Chopin To Shostakovich, F. Couperin To Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracks\u003cbr\u003eDisc 1\u003cbr\u003eStabat Mater RV 621~Stabat Mater dolorosa. Largo  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Cujus animam gementem. Adagio  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~O quam tristis. Andante  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Quis est homo. Largo  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Quis non posset. Adagio  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Pro peccatis suae gentis. Andante  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Eja mater, fons amoris. Largo  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Fac ut ardeat. Lento  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eStabat Mater RV 621~Amen. Allegro  - Julien Azais  - Chiara Banchini  -  Ensemble 415  - Andreas Scholl  - Antonio Vivaldi\u003cbr\u003eGiasone~Act I, No. 7. Voli il tempo, se sa  - Francesco Cavalli  -  Concerto Vocale  - Thomas Gallia  - Rene Jacobs  - Klaus L. Neumann\u003cbr\u003eLa Calisto~Act I, No. 13. Ninfa bella  - Martin Andrae  - Gotz Burki  - Francesco Cavalli  -  Concerto Vocale  - Rene Jacobs  - Claire Luhan  - Gilles Ragon  - Martin Sauer\u003cbr\u003eLa Calisto~Act II, No. 3. Alfin la tqanto rigida  - Martin Andrae  - Gotz Burki  - Francesco Cavalli  -  Concerto Vocale  - Rene Jacobs  - Claire Luhan  - Martin Sauer\u003cbr\u003eAgrippina~Act II, No. 5. Volo pronto e lieto il core  -  Akademie fur Alte Musik  - George Frederick Handel  - Rene Jacobs  - Rene Moller  - Martin Sauer  - Dominique Visse\u003cbr\u003eAgrippina~Act II, No. 16. Sperer¿¿, poich¿¿ mel dice  -  Akademie fur Alte Musik  - George Frederick Handel  - Rene Jacobs  - Rene Moller  - Martin Sauer  - Dominique Visse\u003cbr\u003eFlavio~Act II, No. 6. Rompo i lacci  - David Bates  - Brad Michel  -  Nuova Musica  - Robina G. Young  - Lawrence Zazzo\u003cbr\u003eGiulio Cesare~Act I, No. 9. Aria. Va tacito  - David Bates  - Brad Michel  -  Nuova Musica  - Robina G. Young  - Lawrence Zazzo\u003cbr\u003eRadamisto~Act II, No. 2. Aria. Ombra cara di mia sposa  -  Freiburger Barockorchester  - Rene Jacobs  - Martin Litauer  - Bejun Mehta  - Rene Moller  - Martin Sauer\u003cbr\u003eRodelina~Act II, No. 4. Fra tempeste funeste  -  Freiburger Barockorchester  - Rene Jacobs  - Martin Litauer  - Bejun Mehta  - Rene Moller  - Martin Sauer\u003cbr\u003eRodelina~Act II, No. 5. Con rauco mormorio  -  Freiburger Barockorchester  - Rene Jacobs  - Martin Litauer  - Bejun Mehta  - Rene Moller  - Martin Sauer\u003cbr\u003eSosarme~Act II, No. 8. Duetto. Per le porte del tormento  -  Freiburger Barockorchester  - Rene Jacobs  - Rosemary Joshua  - Martin Litauer  - Bejun Mehta  - Rene Moller  - Martin Sauer\u003cbr\u003eDisc 2\u003cbr\u003eRappresentatione di anima et di corpo~Act III, No. 9. Chor. Festa  -  Akademie fur Alte Musik  -  Berlin State Opera Chorus  - Emilio de' Cavalieri  -  Concerto Vocale  - Elsa Desjardins  - Rene Moller  - Martin Sauer\u003cbr\u003eL' Incoronazione di Poppea~Act II, No. 7. Addio Roma  -  Concerto Vocale  - Paul Dery  - Jennifer Larmore  - Claudio Monteverdi\u003cbr\u003eL' Orfeo~Act I. Rosa del ciel  - Martin Andrae  - Efrat Ben-Nun  - Gotz Burki  -  Concerto Vocale  - Laurence Dale  - Claudio Monteverdi  - Martin Sauer\u003cbr\u003eL' Orfeo~Act I. Vieni Imeneo  - Martin Andrae  - Efrat Ben-Nun  - Gotz Burki  -  Concerto Vocale  - Laurence Dale  - Claudio Monteverdi  - Martin Sauer\u003cbr\u003eLa Calisto~Act I, No. 14. Piante ombrose  - Martin Andrae  - Maria Bayo  - Gotz Burki  - Francesco Cavalli  -  Concerto Vocale  - Claire Luhan  - Martin Sauer\u003cbr\u003eMaddalena ai piedi di Cristo~Act II, No. 47. Aria. Per il mar del pianto mio  - Chiara Banchini  - Antonio Caldara  - Pere Casulleras  - Maria Cristina Kiehr  -  Schola Cantorum Basiliensis Orchestra\u003cbr\u003eCroesus~Act II, No. 5. Aria. Ihr stummen Fische seid dem gleich  -  Akademie fur Alte Musik  - Eberhard Geiger  - Michael Glaser  - Rene Jacobs  - Reinhard Keiser  - Horst Langheinrich  - Dorothea Roschmann\u003cbr\u003eWeihnachts-Oratorium BWV 248~Aria. Bereite dich, Zion, mit z¿¿rtlichen Trieben  -  Akademie fur Alte Musik  - Johann Sebastian Bach  - Eberhard Geiger  - Michael Glaser  - Horst Langheinrich  - Wolfgang Ragwitz  - Andreas Scholl\u003cbr\u003eMatth¿¿us-Passion BWV 244~Aria. Erbarme dich  -  Akademie fur Alte Musik  - Johann Sebastian Bach  -  Berlin RIAS Chamber Choir  - Bernarda Fink  - Rene Moller  - Martin Sauer  -  Staats- und Domchor Berlin\u003cbr\u003eFlavio~Act I, No. 1. Recitativo \u0026amp; duo. Ricordati mio ben  - Chiara Banchini  - Paul Dery  -  Ensemble 415  - Bernarda Fink  - Thomas Gallia  - George Frederick Handel  - Christina Hogman  - Klaus Neumann\u003cbr\u003eGiulio Cesare~Act I, No. 4. Aria. Svegliatevi nel core  - Gotz Burki  -  Concerto Koln  - Thomas Gallia  - George Frederick Handel  - Franck Jaffres  - Klaus L. Neumann  - Marianne Rorholm  - Werner Strasser\u003cbr\u003eRinaldo~Act I, No. 5. Aria. Furie terribili  -  Freiburger Barockorchester  - George Frederick Handel  - Inga Kalna  - Rene Moller  - Martin Sauer\u003cbr\u003eAgrippina~Act I, No. 23. Aria. Non ho cor che per amarti  -  Akademie fur Alte Musik  - George Frederick Handel  - Rene Moller  - Alex Penda  - Martin Sauer\u003cbr\u003eDie Sch¿¿pfung~Act II. No. 21. Rezitativ. Gleich ¿¿ffnet sich der Erde Scho¿¿  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Moller  - Hans-Christoph Rademann  - Martin Sauer  - Johannes Weisser\u003cbr\u003eCos¿¿ fan tutte K. 588~Act II, No. 5. Duetto. Il core vi dono  - Marcel Boone  -  Cologne Chamber Choir  -  Concerto Koln  - Bernarda Fink  - Mark Hohn  - Rene Moller  - Wolfgang Amadeus Mozart  - Walter Platte  - Martin Sauer  - Barbara Valentin\u003cbr\u003eDon Giovanni K. 527~Act I, No. 9. Duettino. L¿¿ ci darem la mano  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Sunhae Im  - Rene Moller  - Wolfgang Amadeus Mozart  - Martin Sauer  - Johannes Weisser\u003cbr\u003eLa Fl¿¿te enchant¿¿e~Act II, No. 14. Aria. Der H¿¿lle Rache kocht in meinem Herzen  -  Akademie fur Alte Musik  -  Berlin RIAS Chamber Choir  - Anne-Kristiina Kaappola  - Tobias Lehmann  - Martin Litauer  - Rene Moller  - Wolfgang Amadeus Mozart  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eDie Entf¿¿hrung aus dem Serail K. 384~Act II, Nr. 15. Aria. Wenn der Freude Tr¿¿nen fliessen  -  Akademie fur Alte Musik  -  Berlin RIAS Chamber Choir  - Rene Moller  - Wolfgang Amadeus Mozart  - Martin Sauer  - Maximilian Schmitt\u003cbr\u003eDisc 3\u003cbr\u003eConfitebor a voce sola con violini (Messa a quattro voci e Salmi, Venise, 1650)  - Jean-Marc Aymes  - Pere Casulleras  -  Concerto Soave  - Maria Cristina Kiehr  - Claudio Monteverdi\u003cbr\u003eSinfonia Terzo Tuono (Sonate da chiesa e da camera, Venise, 1655)  - Jean-Marc Aymes  - Pere Casulleras  -  Concerto Soave  - Maria Cristina Kiehr  - Biagio Marini\u003cbr\u003eCurrite Populi (Ghirlanda Sacra, Venise, 1625)  - Jean-Marc Aymes  - Pere Casulleras  -  Concerto Soave  - Maria Cristina Kiehr  - Claudio Monteverdi\u003cbr\u003eO quam pulchra es (Ghirlanda Sacra, Venise, 1625)  - Jean-Marc Aymes  - Pere Casulleras  -  Concerto Soave  - Maria Cristina Kiehr  - Claudio Monteverdi\u003cbr\u003eVenite, Videte (Motetti a voce sola, Venise, 1625)  - Jean-Marc Aymes  - Pere Casulleras  -  Concerto Soave  - Maria Cristina Kiehr  - Claudio Monteverdi\u003cbr\u003eLa Follia Sonata Op. 1 no. 12, RV 63 r¿¿ mineur  - Chiara Banchini  - Pere Casulleras  - Jesper Christensen  -  Ensemble 415  - Kathi Gohl  - Veronique Mejean  - Antonio Vivaldi\u003cbr\u003eSonata Op. 1 no. 8, RV 64 r¿¿ mineur~Preludio. Largo  - Chiara Banchini  - Pere Casulleras  - Jesper Christensen  -  Ensemble 415  - Kathi Gohl  - Veronique Mejean  - Antonio Vivaldi\u003cbr\u003eSonata Op. 1 no. 8, RV 64 r¿¿ mineur~Corrente. Allegro  - Chiara Banchini  - Pere Casulleras  - Jesper Christensen  -  Ensemble 415  - Kathi Gohl  - Veronique Mejean  - Antonio Vivaldi\u003cbr\u003eSonata Op. 1 no. 8, RV 64 r¿¿ mineur~Grave  - Chiara Banchini  - Pere Casulleras  - Jesper Christensen  -  Ensemble 415  - Kathi Gohl  - Veronique Mejean  - Antonio Vivaldi\u003cbr\u003eSonata Op. 1 no. 8, RV 64 r¿¿ mineur~Giga. Allegro  - Chiara Banchini  - Pere Casulleras  - Jesper Christensen  -  Ensemble 415  - Kathi Gohl  - Veronique Mejean  - Antonio Vivaldi\u003cbr\u003eL' Olimpiade, RV 725, Ut majeur~Sinfonia: I. Allegro  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eL' Olimpiade, RV 725, Ut majeur~Sinfonia: II. Andante  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eL' Olimpiade, RV 725, Ut majeur~Sinfonia: III. Allegro  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eConcerto per Violino, RV 282, Fa majeur~I. Allegro poco  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eConcerto per Violino, RV 282, Fa majeur~II. Largo  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eConcerto per Violino, RV 282, Fa majeur~III. Allegro  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eConcerto per Violino scordato, RV 391, si mineur~I. Allegro non molto  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eConcerto per Violino scordato, RV 391, si mineur~II. Largo  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eConcerto per Violino scordato, RV 391, si mineur~III. Allegro  - Amandine Beyer  -  Incogniti  - Alban Moreau  - Antonio Vivaldi\u003cbr\u003eDisc 4\u003cbr\u003eLe Rossignol en Amour. Lentement et tr¿¿s tendrement, quoique mesur¿¿ (Troisi¿¿me Livre de Pi¿¿ces de clavecin: Quatorzi¿¿me ordre (r¿¿))  - Francois Couperin  - David Ley  - Michel Pierre  - Christophe Rousset  - Martin Sauer\u003cbr\u003eDouble du Rossignol (Troisi¿¿me Livre de Pi¿¿ces de clavecin: Quatorzi¿¿me ordre (r¿¿))  - Francois Couperin  - David Ley  - Michel Pierre  - Christophe Rousset  - Martin Sauer\u003cbr\u003eLa Linote ¿¿farouch¿¿e. Rondeau. L¿¿g¿¿rement (Troisi¿¿me Livre de Pi¿¿ces de clavecin: Quatorzi¿¿me ordre (r¿¿))  - Francois Couperin  - David Ley  - Michel Pierre  - Christophe Rousset  - Martin Sauer\u003cbr\u003eLes Faur¿¿tes plaintives. Tr¿¿s tendrement (Troisi¿¿me Livre de Pi¿¿ces de clavecin: Quatorzi¿¿me ordre (r¿¿))  - Francois Couperin  - David Ley  - Michel Pierre  - Christophe Rousset  - Martin Sauer\u003cbr\u003eLe Rossignol vainqueur. Tr¿¿s l¿¿g¿¿rement (Troisi¿¿me Livre de Pi¿¿ces de clavecin: Quatorzi¿¿me ordre (r¿¿))  - Francois Couperin  - David Ley  - Michel Pierre  - Christophe Rousset  - Martin Sauer\u003cbr\u003eLa Julliet. Rondeau. Gayement (Troisi¿¿me Livre de Pi¿¿ces de clavecin: Quatorzi¿¿me ordre (r¿¿))  - Francois Couperin  - David Ley  - Michel Pierre  - Blandine Rannou  - Christophe Rousset  - Martin Sauer\u003cbr\u003eSuite no. 1, BWV 812, r¿¿ mineur~I. Allemande  - Johann Sebastian Bach  - Richard Egarr  - Brad Michel  - Robina G. Young\u003cbr\u003eSuite no. 1, BWV 812, r¿¿ mineur~II. Courante  - Johann Sebastian Bach  - Richard Egarr  - Brad Michel  - Robina G. Young\u003cbr\u003eSuite no. 1, BWV 812, r¿¿ mineur~III. Sarabande  - Johann Sebastian Bach  - Richard Egarr  - Brad Michel  - Robina G. Young\u003cbr\u003eSuite no. 1, BWV 812, r¿¿ mineur~IV. Menuets I \u0026amp; II  - Johann Sebastian Bach  - Richard Egarr  - Brad Michel  - Robina G. Young\u003cbr\u003eSuite no. 1, BWV 812, r¿¿ mineur~V. Gigue  - Johann Sebastian Bach  - Richard Egarr  - Brad Michel  - Robina G. Young\u003cbr\u003ePr¿¿lude no. 3 Ut majeur  - Diego Ares  - Alban Moraud  - Antonio Soler\u003cbr\u003eSonate no. 1 Ut majeur  - Diego Ares  - Alban Moraud  - Antonio Soler\u003cbr\u003eSonate no. 2 Ut majeur  - Diego Ares  - Alban Moraud  - Antonio Soler\u003cbr\u003eSonate no. 17 la mineur  - Diego Ares  - Alban Moraud  - Antonio Soler\u003cbr\u003eSonate no. 18 la mineur  - Diego Ares  - Alban Moraud  - Antonio Soler\u003cbr\u003eSonate no. 40 r¿¿ mineur  - Diego Ares  - Alban Moraud  - Antonio Soler\u003cbr\u003eSonate, K. 333, Si b¿¿mol majeur~I. Allegro  - Kristian Bezuidenhout  - Brad Michel  - Wolfgang Amadeus Mozart\u003cbr\u003eSonate, K. 333, Si b¿¿mol majeur~II. Andante cantabile  - Kristian Bezuidenhout  - Brad Michel  - Wolfgang Amadeus Mozart\u003cbr\u003eSonate, K. 333, Si b¿¿mol majeur~III. Allegretto grazioso  - Kristian Bezuidenhout  - Brad Michel  - Wolfgang Amadeus Mozart\u003cbr\u003eDisc 5\u003cbr\u003eVariations Diabelli Op. 120~Thema. Vivace  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. I. Alla Marcia maestoso  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. II. Poco allegro  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. III. L'istesso tempo  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. IV. Un poco pi¿¿ vivace  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. V. Allegro vivace  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. VI. Allegro ma non troppo e serioso  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. VII. Un poco pi¿¿ allegro  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. VIII. Poco vivace  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. IX. Allegro pesante e risoluto  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. X. Presto  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XI. Allegretto  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XII. Un poco pi¿¿ moto  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XIII. Vivace  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XIV. Grave e maestoso  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XV. Presto scherzando  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XVI. Allegro  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XVII.  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XVIII. Poco moderato  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XIX. Presto  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XX. Andante  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXI. Allegro con brio - Meno allegro  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXII. Allegro molto  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXIII. Allegro assai  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXIV. Fughetta. Andante  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXV. Allegro  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXVI.  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXVII. Vivace  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXVIII. Allegro  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXIV. Adagio ma non troppo  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXX. Andante, sempre cantabile  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXXI. Largo molto, espressivo  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXXII. Fuga, Allegro - Poco adagio  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eVariations Diabelli Op. 120~Var. XXXIII. Tempo di Menuetto moderato  - Ludwig van Beethoven  - Anton Diabelli  - Tobias Lehmann  - Martin Sauer  - Julian Schwenkner  - Andreas Staier\u003cbr\u003eSonate pour piano Op. 2, en fa di¿¿se mineur~I. Allegro non troppo, ma energico  - Johannes Brahms  - Philipp Knop  - Alexander Melnikov  - Julian Schwenkner\u003cbr\u003eSonate pour piano Op. 2, en fa di¿¿se mineur~II. Andante con espressione  - Johannes Brahms  - Philipp Knop  - Alexander Melnikov  - Julian Schwenkner\u003cbr\u003eSonate pour piano Op. 2, en fa di¿¿se mineur~III. Scherzo. Allegro - Trio  - Johannes Brahms  - Philipp Knop  - Alexander Melnikov  - Julian Schwenkner\u003cbr\u003eSonate pour piano Op. 2, en fa di¿¿se mineur~IV. Finale. Introduzione - Allegro non troppo e rubato  - Johannes Brahms  - Philipp Knop  - Alexander Melnikov  - Julian Schwenkner\u003cbr\u003eDisc 6\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Einleitung und Rezitativ: Seht, wie der strenge Winter flieht!  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Chor des Landvolkes: Komm, holder Lenz!  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Rezitativ: Vom Widder strahlet jetzt  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Arie: Schon eilet froh der Ackersmann  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Rezitativ: Der Landmann hat sein Werk vollbracht  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Terzett und Chor: Sei uns gn¿¿dig, milder Himmel!  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Rezitativ: Erh¿¿rt ist unser Flehn  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: O wie lieblich ist der Anblick  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Fr¿¿hling: Maestoso: Ewiger, m¿¿chtiger, g¿¿tiger Gott  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Einleitung und Rezitativ: Im grauen Schleier r¿¿ckt heran  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Arie und Rezitativ: Der munt're Hirt versammelt nun  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Terzett und Chor: Sie steigt herauf, die Sonne  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Rezitativ: Nun regt und bewegt sich  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Rezitativ: Die Mittagssonne brennt jetzt  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Kavatine: Dem Druck erliegt die Natur  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Rezitativ: Willkommen jetzt, o dunkler Hain  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Arie: Welche Labung f¿¿r die Sinne  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Rezitativ: O seht! Es steiget in der schw¿¿len Luft  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Chor: Ach, das Ungewitter naht  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Sommer: Terzett und Chor: Die d¿¿st'ren Wolken trennen sich  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDisc 7\u003cbr\u003eDie Jahreszeiten~Der Herbst: Einleitung und Rezitativ: Was durch seine Bl¿¿te  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Rezitativ: Den reichen Vorrat f¿¿hrt er nun  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Terzett und Chor: So lohnet die Natur den Flei¿¿  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Rezitativ: Seht, wie zum Haselbusche dort  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Duett: Ihr Sch¿¿nen aus der Stadt  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Rezitativ: Nun zeiget das entbl¿¿¿¿te Feld  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Arie: Seht auf die breiten Wiesen hin  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Rezitativ: Hier treibt ein dichter Kreis  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Chor: H¿¿rt, das laute Get¿¿n  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Rezitativ: Am Rebenstocke blinket jetzt  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Herbst: Chor: Juchhe, der Wein ist da  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Einleitung: Adagio ma non troppo  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Rezitativ: Nun senket sich das blasse Jahr  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Kavatine: Licht und Leben sind geschw¿¿chet  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Rezitativ: Gefesselt steht der breite See  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Arie: Hier steht der Wandrer nun  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Rezitativ: Sowie er naht, schallt in sein Ohr  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Lied mit Chor: Knurre, schnurre, knurre  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Rezitativ: Abgesponnen ist der Flachs  -  Freiburger Barockorchester  - Werner Gura  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Lied mit Chor: Ein M¿¿dchen, das auf Ehre hielt  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Marlis Petersen  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Rezitativ: Vom d¿¿rren Osten dringt  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Arie: Erblicke hier, bet¿¿rter Mensch  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Rezitativ: Die bleibt allein und leitet uns  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Dietrich Henschel  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDie Jahreszeiten~Der Winter: Terzett und Doppelchor: Dann bricht der gro¿¿e Morgen an  -  Berlin RIAS Chamber Choir  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Rene Jacobs  - Rene Moller  - Martin Sauer\u003cbr\u003eDisc 8\u003cbr\u003eMissa Solemnis Op. 123 R¿¿ majeur~Kyrie  - Ludwig van Beethoven  -  Chapelle Royale  -  Collegium Vocale  - Jean-Martial Golaz  - Cornelius Hauptmann  - Philippe Herreweghe  - Rosa Mannion  -  Orchestre des Champs-Elysees  - Birgit Remmert  - Jean-Philippe Rousseau  - James Taylor\u003cbr\u003eMissa Solemnis Op. 123 R¿¿ majeur~Gloria  - Ludwig van Beethoven  -  Chapelle Royale  -  Collegium Vocale  - Jean-Martial Golaz  - Cornelius Hauptmann  - Philippe Herreweghe  - Rosa Mannion  -  Orchestre des Champs-Elysees  - Birgit Remmert  - Jean-Philippe Rousseau  - James Taylor\u003cbr\u003eMissa Solemnis Op. 123 R¿¿ majeur~Credo  - Ludwig van Beethoven  -  Chapelle Royale  -  Collegium Vocale  - Jean-Martial Golaz  - Cornelius Hauptmann  - Philippe Herreweghe  - Rosa Mannion  -  Orchestre des Champs-Elysees  - Birgit Remmert  - Jean-Philippe Rousseau  - James Taylor\u003cbr\u003eMissa Solemnis Op. 123 R¿¿ majeur~Sanctus  - Ludwig van Beethoven  -  Chapelle Royale  -  Collegium Vocale  - Jean-Martial Golaz  - Cornelius Hauptmann  - Philippe Herreweghe  - Rosa Mannion  -  Orchestre des Champs-Elysees  - Birgit Remmert  - Jean-Philippe Rousseau  - James Taylor\u003cbr\u003eMissa Solemnis Op. 123 R¿¿ majeur~Benedictus  - Ludwig van Beethoven  -  Chapelle Royale  -  Collegium Vocale  - Jean-Martial Golaz  - Cornelius Hauptmann  - Philippe Herreweghe  - Rosa Mannion  -  Orchestre des Champs-Elysees  - Birgit Remmert  - Jean-Philippe Rousseau  - James Taylor\u003cbr\u003eMissa Solemnis Op. 123 R¿¿ majeur~Agnus Dei  - Ludwig van Beethoven  -  Chapelle Royale  -  Collegium Vocale  - Jean-Martial Golaz  - Cornelius Hauptmann  - Philippe Herreweghe  - Rosa Mannion  -  Orchestre des Champs-Elysees  - Birgit Remmert  - Jean-Philippe Rousseau  - James Taylor\u003cbr\u003eDisc 9\u003cbr\u003eConcerto pour violoncelle et orchestre Hob. VIIb:1~Moderato  - Friedemann Engelbrecht  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Philipp Knop  - Petra Mullejans  - Jean-Guihen Queyras\u003cbr\u003eConcerto pour violoncelle et orchestre Hob. VIIb:1~Adagio  - Friedemann Engelbrecht  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Philipp Knop  - Petra Mullejans  - Jean-Guihen Queyras\u003cbr\u003eConcerto pour violoncelle et orchestre Hob. VIIb:1~Finale Allegro molto  - Friedemann Engelbrecht  -  Freiburger Barockorchester  - Franz Joseph Haydn  - Philipp Knop  - Petra Mullejans  - Jean-Guihen Queyras\u003cbr\u003eConcerto pour piano no. 12, K. 414~I. Allegro  - Kristian Bezuidenhout  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Tobias Lehmann  - Wolfgang Amadeus Mozart  - Martin Sauer\u003cbr\u003eConcerto pour piano no. 12, K. 414~II. Andante  - Kristian Bezuidenhout  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Tobias Lehmann  - Wolfgang Amadeus Mozart  - Martin Sauer\u003cbr\u003eConcerto pour piano no. 12, K. 414~III. Rondeau. Allegretto  - Kristian Bezuidenhout  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Tobias Lehmann  - Wolfgang Amadeus Mozart  - Martin Sauer\u003cbr\u003eConcerto pour clarinette et orchestre, K. 622~I. Allegro  - Lorenzo Coppola  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Wolfgang Amadeus Mozart\u003cbr\u003eConcerto pour clarinette et orchestre, K. 622~II. Adagio  - Lorenzo Coppola  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Wolfgang Amadeus Mozart\u003cbr\u003eConcerto pour clarinette et orchestre, K. 622~III. Allegro  - Lorenzo Coppola  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Wolfgang Amadeus Mozart\u003cbr\u003eDisc 10\u003cbr\u003eSuites pour deux violoncelles~Premi¿¿re Suite: Allegro ma non troppo  - Jacques Offenbach  - Etienne Peclard  - Roland Pidoux  - Jean-Francois Pontefract\u003cbr\u003eSuites pour deux violoncelles~Premi¿¿re Suite: Adagio religioso  - Jacques Offenbach  - Etienne Peclard  - Roland Pidoux  - Jean-Francois Pontefract\u003cbr\u003eSuites pour deux violoncelles~Premi¿¿re Suite: Rondo. Allegro  - Jacques Offenbach  - Etienne Peclard  - Roland Pidoux  - Jean-Francois Pontefract\u003cbr\u003eSuite pour violoncelle seul no. 1, BWV 1007, Sol majeur~I. Pr¿¿lude  - Johann Sebastian Bach  - Cecile Lenoir  - Jean-Guihen Queyras\u003cbr\u003eSuite pour violoncelle seul no. 1, BWV 1007, Sol majeur~II. Allemande  - Johann Sebastian Bach  - Cecile Lenoir  - Jean-Guihen Queyras\u003cbr\u003eSuite pour violoncelle seul no. 1, BWV 1007, Sol majeur~III. Courante  - Johann Sebastian Bach  - Cecile Lenoir  - Jean-Guihen Queyras\u003cbr\u003eSuite pour violoncelle seul no. 1, BWV 1007, Sol majeur~IV. Sarabande  - Johann Sebastian Bach  - Cecile Lenoir  - Jean-Guihen Queyras\u003cbr\u003eSuite pour violoncelle seul no. 1, BWV 1007, Sol majeur~V. Menuets I \u0026amp; II  - Johann Sebastian Bach  - Cecile Lenoir  - Jean-Guihen Queyras\u003cbr\u003eSuite pour violoncelle seul no. 1, BWV 1007, Sol majeur~VI. Gigue  - Johann Sebastian Bach  - Cecile Lenoir  - Jean-Guihen Queyras\u003cbr\u003eTrois Strophes sur le nom de Sacher pour violoncelle seul~I. Un poco indeciso  - Emmanuelle Bertrand  - Alain Duchemin  - Henri Dutilleux  - Remi Fessart  - Christian Prevot\u003cbr\u003eTrois Strophes sur le nom de Sacher pour violoncelle seul~II. Andante sostenuto  - Emmanuelle Bertrand  - Alain Duchemin  - Henri Dutilleux  - Remi Fessart  - Christian Prevot\u003cbr\u003eTrois Strophes sur le nom de Sacher pour violoncelle seul~III. Vivace  - Emmanuelle Bertrand  - Alain Duchemin  - Henri Dutilleux  - Remi Fessart  - Christian Prevot\u003cbr\u003eSonate pour arpeggione et piano, d. 821~I. Allegro moderato  - Bruno Philippe  - Franz Schubert  - Tanguy de Williencourt\u003cbr\u003eSonate pour arpeggione et piano, d. 821~II. Adagio  - Bruno Philippe  - Franz Schubert  - Tanguy de Williencourt\u003cbr\u003eSonate pour arpeggione et piano, d. 821~III. Allegretto  - Bruno Philippe  - Franz Schubert  - Tanguy de Williencourt\u003cbr\u003eDisc 11\u003cbr\u003eConcerto pour violon, Op. 64~I. Allegro molto appassionato  - Thomas Bossl  - Isabelle Faust  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Tobias Lehmann  - Felix Mendelssohn  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eConcerto pour violon, Op. 64~II. Andante - Allegretto non troppo  - Thomas Bossl  - Isabelle Faust  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Tobias Lehmann  - Felix Mendelssohn  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eConcerto pour violon, Op. 64~III. Allegro molto vivace  - Thomas Bossl  - Isabelle Faust  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Tobias Lehmann  - Felix Mendelssohn  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eConcerto pour piano et cordes, MWV 02~I. Allegro  - Kristian Bezuidenhout  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Tobias Lehmann  - Felix Mendelssohn  - Rene Moller  - Martin Sauer\u003cbr\u003eConcerto pour piano et cordes, MWV 02~III. Finale. Allegro ma non troppo  - Kristian Bezuidenhout  -  Freiburger Barockorchester  - Gottfried von der Goltz  - Tobias Lehmann  - Felix Mendelssohn  - Rene Moller  - Martin Sauer\u003cbr\u003eSymphonie no. 4 \"Italienne\", Op. 90~I. Allegro vivace  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Klemens Kamp  - Felix Mendelssohn  - Rene Moller  - Martin Sauer\u003cbr\u003eSymphonie no. 4 \"Italienne\", Op. 90~II. Andante con moto  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Klemens Kamp  - Felix Mendelssohn  - Rene Moller  - Martin Sauer\u003cbr\u003eSymphonie no. 4 \"Italienne\", Op. 90~III. Con moto moderato  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Klemens Kamp  - Felix Mendelssohn  - Rene Moller  - Martin Sauer\u003cbr\u003eSymphonie no. 4 \"Italienne\", Op. 90~IV. Presto and Finale: Saltarello  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Klemens Kamp  - Felix Mendelssohn  - Rene Moller  - Martin Sauer\u003cbr\u003eDisc 12\u003cbr\u003eDaphnis et Chlo¿¿~Deuxi¿¿me partie: Introduction - Danse guerri¿¿re  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Deuxi¿¿me partie: Danse suppliante de Chlo¿¿  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Deuxi¿¿me partie: Lent [Soudain l'atmosph¿¿re semble charg¿¿e d'¿¿l¿¿ments insolites]  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Troisi¿¿me partie: Lever du jour - Sc¿¿ne  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Troisi¿¿me partie: Pantomime [Daphnis \u0026amp; Chlo¿¿ miment l'aventure de Pan et de Syrinx]  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Troisi¿¿me partie: Tr¿¿s lent [Chlo¿¿ figure par sa danse les accents de la fl¿¿te]  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Troisi¿¿me partie: Chlo¿¿ tombe dans les bras de Daphnis  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eDaphnis et Chlo¿¿~Troisi¿¿me partie: Anim¿¿ - Danse g¿¿n¿¿rale  - Marie-Ange Carrez  - Charles-Alexandre Englebert  -  Ensemble Aedes  - Jiri Heger  - Marion Ralincourt  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles  - Alexandre Treille\u003cbr\u003eMa M¿¿re l'Oye Ballet~Pr¿¿lude. Tr¿¿s lent  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Premier tableau: Danse du rouet et sc¿¿ne. Allegro  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Interlude. Un peu moins anim¿¿  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Deuxi¿¿me tableau: Pavane de la Belle au bois dormant. Lent  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Interlude. Plus lent  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Troisi¿¿me tableau: Les entretiens de la Belle et la B¿¿te. Mouvement de valse mod¿¿r¿¿  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Interlude. Lent  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Quatri¿¿me tableau: Petit Poucet. Tr¿¿s mod¿¿r¿¿  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Interlude. Lent  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Cinqui¿¿me tableau: Laideronnette, imp¿¿ratrice des pagodes. Mouvement de marche  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Interlude. Allegro  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eMa M¿¿re l'Oye Ballet~Apoth¿¿ose - Le jardin f¿¿erique. Lent et grave  - Jiri Heger  - Helene Mourot  - Maurice Ravel  - Francois-Xavier Roth  -  Siecles\u003cbr\u003eDisc 13\u003cbr\u003eTrio pour piano no. 2, Op. 80~I. Sehr lebhaft  - Isabelle Faust  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eTrio pour piano no. 2, Op. 80~II. Mit innigem Ausdruck  - Isabelle Faust  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eTrio pour piano no. 2, Op. 80~III. In m¿¿¿¿iger Bewegung  - Isabelle Faust  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eTrio pour piano no. 2, Op. 80~IV. Nicht zu rasch  - Isabelle Faust  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eConcerto pour piano, Op. 54~I. Allegro affetuoso  - Isabelle Faust  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eConcerto pour piano, Op. 54~II. Intermezzo. Andantino grazioso  - Isabelle Faust  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eConcerto pour piano, Op. 54~III. Allegro vivace  - Isabelle Faust  -  Freiburger Barockorchester  - Pablo Heras-Casado  - Alexander Melnikov  - Rene Moller  - Sebastian Nattkemper  - Jean-Guihen Queyras  - Martin Sauer  - Robert Schumann  - Julian Schwenkner\u003cbr\u003eTrio no. 3 Op. 101 ut mineur~Allegro energico  - Johannes Brahms  - Jean-Martial Golaz  -  Trio Wanderer\u003cbr\u003eTrio no. 3 Op. 101 ut mineur~Presto non assai  - Johannes Brahms  - Jean-Martial Golaz  -  Trio Wanderer\u003cbr\u003eTrio no. 3 Op. 101 ut mineur~Andante grazioso  - Johannes Brahms  - Jean-Martial Golaz  -  Trio Wanderer\u003cbr\u003eTrio no. 3 Op. 101 ut mineur~Finale. Allegro molto  - Johannes Brahms  - Jean-Martial Golaz  -  Trio Wanderer\u003cbr\u003eDisc 14\u003cbr\u003eGute Nacht (Winterreise D. 911)  - Christoph Berner  - Werner Gura  - Markus Heiland  - Wilhelm Muller  - Franz Schubert\u003cbr\u003eDie Wetterfahne (Winterreise D. 911)  - Christoph Berner  - Werner Gura  - Markus Heiland  - Wilhelm Muller  - Franz Schubert\u003cbr\u003eGefrorne Tr¿¿nen (Winterreise D. 911)  - Christoph Berner  - Werner Gura  - Markus Heiland  - Wilhelm Muller  - Franz Schubert\u003cbr\u003eErstarrung (Winterreise D. 911)  - Christoph Berner  - Werner Gura  - Markus Heiland  - Wilhelm Muller  - Franz Schubert\u003cbr\u003eDer Lindenbaum (Winterreise D. 911)  - Christoph Berner  - Werner Gura  - Markus Heiland  - Wilhelm Muller  - Franz Schubert\u003cbr\u003eLiederkreis Op. 24~Morgens steh' ich auf  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Es treibt mich hin  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Ich wandelte unter den B¿¿umen  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Lieb' Liebchen  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Sch¿¿ne Wiege meiner Leiden  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Warte, warte, wilder Schiffsmann  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Berg' und Burgen schau'n herunter  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Anfangs wollt' ich fast verzagen  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eLiederkreis Op. 24~Mit Myrten und Rosen  - Kristian Bezuidenhout  - Heinrich Heine  - Brad Michel  - Robert Schumann  - Robina G. Young\u003cbr\u003eMignon I. Hei¿¿ mich nicht reden  - Eugene Asti  - Johann Wolfgang von Goethe  - Sophie Karthauser  - Tobias Lehmann  - Martin Sauer  - Hugo Wolf\u003cbr\u003eMignon II. Nur wer die Sehnsucht kennt, wei¿¿, was ich leide!  - Eugene Asti  - Sophie Karthauser  - Tobias Lehmann  - Martin Sauer  - Hugo Wolf\u003cbr\u003eMignon III. So lasst mich scheinen, bis ich werde  - Eugene Asti  - Sophie Karthauser  - Tobias Lehmann  - Martin Sauer  - Hugo Wolf\u003cbr\u003eMausefallenspr¿¿chlein  - Eugene Asti  - Sophie Karthauser  - Tobias Lehmann  - Eduard Morike  - Martin Sauer  - Hugo Wolf\u003cbr\u003eDas verlassene M¿¿gdelein  - Eugene Asti  - Sophie Karthauser  - Tobias Lehmann  - Eduard Morike  - Martin Sauer  - Hugo Wolf\u003cbr\u003eNixe Binsefu¿¿  - Eugene Asti  - Sophie Karthauser  - Tobias Lehmann  - Eduard Morike  - Martin Sauer  - Hugo Wolf\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~Vorspiel und Spruch  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Friedrich Holderlin  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~1. Asyl  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Friedrich Holderlin  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~2. Traurigkeit  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Tobias Lehmann  - Rene Moller  - Martin Sauer  - Berthold Viertel\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~3. Verzweiflung  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Tobias Lehmann  - Giacomo Leopardi  - Rene Moller  - Martin Sauer\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~4. Hoffnung  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Friedrich Holderlin  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~5. XX. Parteitag  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Tobias Lehmann  - Rene Moller  - Helmut Richter  - Martin Sauer\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~6. Komm ins Offene, Freund!  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Friedrich Holderlin  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003eErnste Ges¿¿nge pour ensemble instrumental et baryton~7. Epilog  - Hanns Eisler  -  Ensemble Resonanz  - Matthias Goerne  - Stephan Hermlin  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003eErlk¿¿nig D. 328  - Matthias Goerne  - Andreas Haefliger  - Tobias Lehmann  - Rene Moller  - Martin Sauer  - Franz Schubert\u003cbr\u003eDer J¿¿ngling und der Tod D. 545  - Matthias Goerne  - Andreas Haefliger  - Rene Moller  - Martin Sauer  - Franz Schubert  - Ansgar Wempe\u003cbr\u003eSt¿¿ndchen D. 889  - Matthias Goerne  - Andreas Haefliger  - Tobias Lehmann  - Rene Moller  - Martin Sauer  - Franz Schubert\u003cbr\u003eDisc 15\u003cbr\u003eUne larme pour violoncelle et piano: Th¿¿me et variations  - Roel Dieltiens  -  Ensemble Explorations  - Jean-Martial Golaz  - Gioachino Rossini  - Jan Vermeulen\u003cbr\u003eLa Fille du r¿¿giment~Air de Marie: Il faut partir  - Gaetano Donizetti  - Tobias Lehmann  - Martin Sauer  - Antoine Tamestit  - Cedric Tiberghien\u003cbr\u003eLa Favorita~Air de L¿¿onore: ¿¿mon Fernand  - Gaetano Donizetti  - Tobias Lehmann  - Martin Sauer  - Antoine Tamestit  - Cedric Tiberghien\u003cbr\u003eNorma~Air de Norma: Casta Diva  - Vincenzo Bellini  - Tobias Lehmann  - Martin Sauer  - Antoine Tamestit  - Cedric Tiberghien\u003cbr\u003eCapriccio Op. 55 pour alto seul, ut mineur  - Tobias Lehmann  - Martin Sauer  - Antoine Tamestit  - Cedric Tiberghien  - Henri Vieuxtemps\u003cbr\u003eEl Amor brujo~Quadre Primer: Introduccion y escena  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Primer: Canc¿¿on del amor dolido  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Primer: Sortilegio  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Primer: Danza del fin del dia  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Primer: Escena  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Primer: Romance del pescador  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Primer: Intermezzo  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Introduccion  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Escena  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Danza del fuego fatuo  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Interludio  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Canci¿¿n del fuego fatuo  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Conjuro para reconquistar el amor perdido  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Escena  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Danza y canci¿¿n de la bruja fingida  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eEl Amor brujo~Quadre Segon: Final  - Joan Cabero  - Pere Casulleras  - Manuel de Falla  - Inaki Fresan  - Joan Martin  -  Orquestra de Cambra Teatre Lliure  - Ginesa Ortega  - Josep Pons\u003cbr\u003eHoly Manna Brethren, we have met to worship  -  Anonymous 4  - Brad Michel  - Paul F. Witt  - Robina G. Young\u003cbr\u003eAbbeville Come, Holy Spirit, come  -  Anonymous 4  - Brad Michel  - Paul F. Witt  - Robina G. Young\u003cbr\u003eWondrous Love What wondrous love is this!  -  Anonymous 4  - Brad Michel  - Paul F. Witt  - Robina G. Young\u003cbr\u003eSweet Hour of Prayer  -  Anonymous 4  - Brad Michel  - Paul F. Witt  - Robina G. Young\u003cbr\u003eDisc 16\u003cbr\u003eBerceuse Op. 57  - Frederic Chopin  - Tobias Lehmann  - Javier Perianes  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eClair de lune (Suite bergamasque. Andante tr¿¿s expressif)  - Claude Debussy  - Tobias Lehmann  - Javier Perianes  - Martin Sauer  - Julian Schwenkner\u003cbr\u003e¿¿tude Op. 25\/1  - Frederic Chopin  - Tobias Lehmann  - Javier Perianes  - Martin Sauer  - Julian Schwenkner\u003cbr\u003e¿¿tude XI. Pour les arp¿¿ges compos¿¿s  - Claude Debussy  - Tobias Lehmann  - Javier Perianes  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eBallade Op. 52  - Frederic Chopin  - Tobias Lehmann  - Javier Perianes  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eThe Man I Love  - Adam Abeshouse  - Paul Cox  - Al Gallodoro  - George Gershwin  -  Harmonie Ensemble New York  - Steven Richman  - Robina G. Young\u003cbr\u003eFascinating Rhythm  - Adam Abeshouse  - Paul Cox  - Al Gallodoro  - George Gershwin  -  Harmonie Ensemble New York  - Lincoln Mayorga  - Steven Richman  - Robina G. Young\u003cbr\u003eSummertime  - Adam Abeshouse  - Paul Cox  - Al Gallodoro  - George Gershwin  -  Harmonie Ensemble New York  - Lincoln Mayorga  - Steven Richman  - Robina G. Young\u003cbr\u003eRhapsody in Blue  - Adam Abeshouse  - Paul Cox  - George Gershwin  -  Harmonie Ensemble New York  - Steven Richman  - Robina G. Young\u003cbr\u003eDouble Sextet~I. Fast  -  Ensemble Signal  - Bradley Lubman  - Steve McLaughlin  - Lauren Radnofsky  - Steve Reich  - Michael Riesman  - Jeffrey Svatek  - Robina G. Young\u003cbr\u003eDouble Sextet~II. Slow  -  Ensemble Signal  - Bradley Lubman  - Steve McLaughlin  - Lauren Radnofsky  - Steve Reich  - Michael Riesman  - Jeffrey Svatek  - Robina G. Young\u003cbr\u003eDouble Sextet~III. Fast  -  Ensemble Signal  - Bradley Lubman  - Steve McLaughlin  - Lauren Radnofsky  - Steve Reich  - Michael Riesman  - Jeffrey Svatek  - Robina G. Young\u003cbr\u003eDisc 17\u003cbr\u003eLe Concert Royal de la Nuit~Ouverture  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: R¿¿cit de la Nuit: Languissante clart¿¿, cachwz-vous dessous l'onde  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Lucile Richardot  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: R¿¿cit des Heures: Vous poussez le Soleil ¿¿ bout  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Violaine Le Chenadec  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: R¿¿cit de la Nuit: Je descends pour charmer ses yeux et ses oreilles  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Lucile Richardot  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: R¿¿cit des Heures: Tenez donc vos rideaux tirez  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: Entr¿¿e pour les Quatre heures - 2e air pour les mesmes  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: Six Chasseurs - 2e air pour les mesmes  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: Deux Bergers \u0026amp; deux Berg¿¿res - Quatre Pa¿¿sans  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: [Un Mercier et] deux Bandits - Air pour les mesmes en Carosse  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: Deux Galands \u0026amp; deux Coquetes  - Isaac de Benserade  - Antoine Boesset  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Sebastien Dauce  -  Ensemble Correspondances  - Michel Lambert  - Alban Moraud  - Luigi Rossi\u003cbr\u003eLe Concert Royal de la Nuit~Premi¿¿re Veille: la Nuit: R¿¿cit de Mn¿¿mosyne: Quelles beaut¿¿s, ¿¿ mortels  - Etienne Bazola  - Isaac de Benserade  - Antoine Boesset  - Renaud Bres  - Jean de Cambefort  - Francesco Cavalli  - Louis Constantin  - Davy Cornillot  - Sebastien Dauce  -  Ensemble Correspondances  - Marie-Frederique Girod  - Michel Lambert  - Alban Moraud  - Lucile Richardot  - Luigi Rossi\u003cbr\u003eCurtain Tune (The Rare Theatrical)  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Matthew Locke  - Rachel Redmond\u003cbr\u003eThe Vitruous Wife, Z. 611~Ouverture  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Henry Purcell  - Rachel Redmond\u003cbr\u003eRomulus and Hersilia~Where are thou, God of Dreams!  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  - Giovanni Battista Draghi  -  Le Caravanserail  - Rachel Redmond\u003cbr\u003eHornpipe (The Fairy Queen, Z. 629)  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Henry Purcell  - Rachel Redmond\u003cbr\u003eMust I ever sigh in vain?  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  - Giovanni Battista Draghi  -  Le Caravanserail  - Rachel Redmond\u003cbr\u003eI see, she flies me (Aureng-Zebe, Z. 573)  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Henry Purcell  - Rachel Redmond\u003cbr\u003eLilk (The Rare Theatrical)  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Matthew Locke  - Rachel Redmond\u003cbr\u003eThe Vitruous Wife, Z. 611~Second Music  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Henry Purcell  - Rachel Redmond\u003cbr\u003eO Solitude!  - Aline Blondiau  - Bertrand Cuiller  - Hughes Deschaux  -  Le Caravanserail  - Henry Purcell  - Rachel Redmond\u003cbr\u003eRheinm¿¿dchen~Auf dem Grunde des Rheines  - Aline Blondiau  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion  - Richard Wagner\u003cbr\u003eWiegenlied Op. 78\/4 pour voix de femmes et harpe  - Aline Blondiau  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion  - Robert Schumann\u003cbr\u003eIch schwing mein Horn ins Jammertal Op. 41\/1, 4 cors  - Aline Blondiau  - Johannes Brahms  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion\u003cbr\u003eMeerfey romance ¿¿ voix ¿¿gales Op. 69 no. 5  - Aline Blondiau  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion  - Robert Schumann\u003cbr\u003ePsaume XXIII Gott ist mein Hirt D. 706 pour voix de femmes et harpe  - Aline Blondiau  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion  - Franz Schubert\u003cbr\u003eIn meeres Mitten romance ¿¿ voix ¿¿gales Op. 91 no. 6  - Aline Blondiau  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion  - Robert Schumann\u003cbr\u003eSiegfried~Sonnerie de Siegfried pour cor solo  - Aline Blondiau  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion  - Richard Wagner\u003cbr\u003eWille, wille will der Mann ist kommen!  - Aline Blondiau  - Johannes Brahms  - Hughes Deschaux  - Raphael Pichon  -  Pygmalion\u003cbr\u003eSt¿¿ndchen D. 920 pour mezzo-soprano, ch¿¿ur de femmes et harpe  - Aline Blondiau  - Hughes Deschaux  - Bernarda Fink  - Raphael Pichon  -  Pygmalion  - Franz Schubert\u003cbr\u003eDisc 18\u003cbr\u003eQuatuor ¿¿ cordes Op. 33 no. 4 Hob. III:40~I. Allegro moderato  - Robin Bos  -  Cuarteto Casals  - Franz Joseph Haydn  - Tobias Lehmann  - Martin Litauer  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eQuatuor ¿¿ cordes Op. 33 no. 4 Hob. III:40~II. Scherzo. Allegretto  - Robin Bos  -  Cuarteto Casals  - Franz Joseph Haydn  - Tobias Lehmann  - Martin Litauer  - Martin Sauer  - Julian Schwenkner\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~1.  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~2.  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~3.  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~4. Presto  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~5. Lontano, calmo, appena sentito  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~6.  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~7.  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~8. Con slancio  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~9. Pesante, con moto - Leggiero  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~10. Molto agitato  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~11.  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003e12 Microludes pour quatuor ¿¿ cordes Op. 13~12. Leggiero, con moto, non dolce  -  Cuarteto Casals  - Gyorgy Kurtag  - Tobias Lehmann  - Rene Moller  - Martin Sauer\u003cbr\u003eSonate pour violon seul no. 1 BWV 1001 sol mineur~I. Adagio  - Johann Sebastian Bach  - Isabelle Faust  - Rene Moller  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eSonate pour violon seul no. 1 BWV 1001 sol mineur~II. Fuga. Allegro  - Johann Sebastian Bach  - Isabelle Faust  - Rene Moller  - Martin Sauer  - Julian Schwenkner\u003cbr\u003eSonate pour violon seul Sz. 117 sol mineur~I. Tempo di Ciaccona  - Bela Bartok  - Philippe Carminati  - Alain Duchemin  - Isabelle Faust  - Agnes Wargnier\u003cbr\u003eSonate pour violon seul Sz. 117 sol mineur~II. Fuga  - Bela Bartok  - Philippe Carminati  - Alain Duchemin  - Isabelle Faust  - Agnes Wargnier\u003cbr\u003ePr¿¿lude \u0026amp; Fugue No. 1 in C major~Prelude  - Philipp Knop  - Alexander Melnikov  - Martin Sauer  - Dmitry Shostakovich\u003cbr\u003ePr¿¿lude \u0026amp; Fugue No. 1 in C major~Fugue  - Philipp Knop  - Alexander Melnikov  - Martin Sauer  - Dmitry Shostakovich\u003cbr\u003e¿¿tude No. 1 in C major, Op. 101  - Frederic Chopin  - Tobias Lehmann  - Alexander Melnikov  - Sebastian Nattkemper  - Julian Schwenkner\u003cbr\u003e¿¿tude No. 2 in A minor, Op. 10\/2  - Frederic Chopin  - Tobias Lehmann  - Alexander Melnikov  - Sebastian Nattkemper  - Julian Schwenkner\u003cbr\u003e¿¿tude No. 3 in E major, Op. 10\/3  - Frederic Chopin  - Tobias Lehmann  - Alexander Melnikov  - Sebastian Nattkemper  - Julian Schwenkner\u003cbr\u003eLes Baricades Mist¿¿rieuses  - Francois Couperin  - Cecile Lenoir  - Alexandre Tharaud\u003cbr\u003eLe Tic-Toc-Choc ou Les Maillotins  - Francois Couperin  - Cecile Lenoir  - Alexandre Tharaud\u003cbr\u003eLa Couperin  - Francois Couperin  - Cecile Lenoir  - Alexandre Tharaud\u003cbr\u003eCin¿¿ma  - Cecile Lenoir  - Darius Milhaud  - Eric Le Sage  - Erik Satie  - Alexandre Tharaud\u003c\/div\u003e","brand":"Harmonia Mundi","offers":[{"title":"Default Title","offer_id":48853096661242,"sku":"HMX2908920","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/OTItNzI0OS5qcGVn.jpg?v=1778270614"},{"product_id":"the-virtuoso-flute-julius-baker-3-cds","title":"THE VIRTUOSO FLUTE - Julius Baker (3 CDs)","description":"\u003cdiv\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eConcerto In C For Flute, Harp And Orchestra, K. 299\/297c\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e(29:57)\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e10:24\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAndantino\u003cspan\u003e \u003c\/span\u003e9:13\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eRondo\u003cspan\u003e \u003c\/span\u003e10:15\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSuite In A Minor For Flute And Strings\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Georg Philipp Telemann\u003c\/div\u003e\n\u003cdiv\u003e(23:31)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eOuverture\u003cspan\u003e \u003c\/span\u003e6:27\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eLes Plaisirs\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eAir A L'Italien\u003cspan\u003e \u003c\/span\u003e4:16\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eMenuetto I \u0026amp; II\u003cspan\u003e \u003c\/span\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eRéjouissance\u003cspan\u003e \u003c\/span\u003e2:29\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003ePassapied I \u0026amp; II\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003ePolonaise\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto In G Minor For Flute, Bassoon, Strings \u0026amp; Harpsichord, La Notte, RV 104\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003e(9:31)\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eLargo\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003ePresto, Fantasmi\u003cspan\u003e \u003c\/span\u003e2:46\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eLargo, Il Sonno\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e Concerto For Flute And Orchestra No. 1 In G Major, K. 315\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e(24:46)\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro Maestoso\u003cspan\u003e \u003c\/span\u003e8:29\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAdagio Non Troppo\u003cspan\u003e \u003c\/span\u003e8:13\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eRondo: Tempo Di Menuetto\u003cspan\u003e \u003c\/span\u003e8:02\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eAndante For Flute And Orchestra In C, K. 315\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e6:25\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Flute And Strings In D, \"Il Cardellino\" (The Goldfinch), R. 428\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003e(10:04)\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eCantabile\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Piccolo, Strings, And Continuo In C Major, R. 443\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003e(10:36)\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e3:55\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eLargo\u003cspan\u003e \u003c\/span\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eAllegro Molto\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eFantasia On \"Greensleeves\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ralph Vaughan Williams\u003c\/div\u003e\n\u003cdiv\u003e4:3\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eConcerto For Flute And Orchestra No. 2 In D Major, K. 314\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e(21:18)\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro Aperto\u003cspan\u003e \u003c\/span\u003e8:26\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAndante Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e7:06\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e5:45\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Piccolo, Strings And Continuo In A Minor, R. 445\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003e(12:48)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e5:51\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eLarghetto\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Piccolo, Strings And Continuo In C Major, R. 444\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonio Vivaldi\u003c\/div\u003e\n\u003cdiv\u003e(10:57)\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eAllegro Non Molto\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eLargo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eAllegro Molto\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eDance Of The Blessed Spirits From \"Orfeo Ed Euridice\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Christoph Willibald Gluck\u003c\/div\u003e\n\u003cdiv\u003e6:00\u003c\/div\u003e","brand":"Musical Heritage Society","offers":[{"title":"Default Title","offer_id":48893678092538,"sku":null,"price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/virtuosoflutebundle2.jpg?v=1778872685"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/sunset.png?v=1789504692","url":"https:\/\/classicselectworld.com\/collections\/boxed-set-of-the-week-end-of-summer-recap.oembed","provider":"ClassicSelect World","version":"1.0","type":"link"}