{"title":"EDITIONS HORTUS","description":"","products":[{"product_id":"mendelssohn-f-les-proverbes-sechs-spruche-fur-kirchenjahr-p-vincent-genvrin-orgue-e-f-walcker-de-la-cathedral","title":"MENDELSSOHN: Six Proverbs and Other Works for Organ - Vincent Genvrin, Choeur Sacrum","description":"\u003cp\u003eIm Advent and Weinachten express the solemn joy that announces the coming of the Saviour. Am Neujahrstage, for the New Year, is tinged with a sweet melancholy inspired by the forever lost old year. Three other Proverbs are devoted to the Passion and the Ascension. ‘A very special tone, profoundly original.’ Diapason\u003c\/p\u003e\n\u003cp\u003eChœur Sacrum\u003cbr\u003eVincent Genvrin, orgue\u003cbr\u003eAndris Veismanis, direction\u003c\/p\u003e\n\u003cp\u003eGrand orgue E.F. Walcker de l'Cathédrale de Riga (Lettonie)\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eFelix Mendelssohn (1809-1847)\u003cbr\u003e     Trois préludes et fugues op. 37     \u003cbr\u003e1.    N°1 en Do mineur    7'50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six motets op. 79     \u003cbr\u003e2.    Im Advent (Andante)    1'28\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Trois préludes et fugues op. 37     \u003cbr\u003e3.    N°2 en Sol majeur    8'48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six motets op. 79     \u003cbr\u003e4.    Weihnachten (Allegro moderato)    1'27\u003cbr\u003e5.    Am Neujahrstage (Andante)    3'18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Trois préludes et fugues op. 37     \u003cbr\u003e6.    N°3 en Ré mineur [prélude]    5'18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six motets op. 79     \u003cbr\u003e7.    In der Passionszeit (Adagio)    2'09\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six sonates pour orgue op. 65     \u003cbr\u003e8.    Con moto maestoso    7'56\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six motets op. 79     \u003cbr\u003e9.    Am Charfreitage (Sostenuto e grave)    2'14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six sonates pour orgue op. 65     \u003cbr\u003e10.    Andante tranquillo    2'32\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Trois préludes et fugues op. 37     \u003cbr\u003e11.    N°3 en Ré mineur [fugue]    3'37\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six motets op. 79     \u003cbr\u003e12.    Am Himmelfahrtstage (Allegro maestoso e moderato)    1'21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate pour orgue No. 4 en Si Bémol Majeur op. 65     \u003cbr\u003e13.    Allegro con brio    3'41\u003cbr\u003e14.    Andante religioso    2'55\u003cbr\u003e15.    Allegretto    3'23\u003cbr\u003e16.    Allegro maestoso e vivace    4'18\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886449639674,"sku":"HOR 008","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/008-mendelssohn.png?v=1762206225"},{"product_id":"fortune-musique-du-temps-de-shakespeare-oeuvres-de-dowlan-les-witches","title":"FORTUNE: Instrumental Music from the Time of Shakespeare - Les Witches","description":"\u003cp\u003eParodies, exact quotations, laughter, fright, improvisations, emotions and diversions make up the magic ingredients of this recording of music from the time of Shakespeare.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e“Masques, ayres [airs], ballad tunes and dances mingle with each other in an unbridled rhythm.”\u003c\/em\u003e Répertoire\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e“Dances for nymphs, satyrs, witches and the Furies are each given their turn in this recording.”\u003c\/em\u003e\u003cbr\u003eDiapason\u003c\/p\u003e\n\u003cp\u003eHarpsichord [Clavicen] – Freddy Eichelberger\u003cbr\u003eLute – Pascale Boquet\u003cbr\u003eRecorder [Flûtes à bec] – Claire Michon\u003cbr\u003eViolin – Odile Edouard\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eJohn Dowland (1563-1626)\u003cbr\u003e1.    King of Denmark's Galliard    2'22\u003c\/p\u003e\n\u003cp\u003e2        Market Is Done    2:07\u003cbr\u003e3        Fortune My Foe    1:41\u003cbr\u003e4        Robin Is To The Green Wood Gone    2:21\u003cbr\u003e5        Bonny Sweet Boy    1:25\u003cbr\u003e6        Rowland \/ Kemp's Jig    1:34\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Michael Praetorius\u003cbr\u003e7.    Packington's Pound, courante    3'47\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Maurice Webster\u003cbr\u003e8.    Mascarada    3'12\u003cbr\u003e     John Coperario\u003cbr\u003e9.    Cupareree or Graysinn    2'42\u003cbr\u003e     Nicholas Le Strange\u003cbr\u003e10.    The furies    1'55\u003cbr\u003e     Robert Johnson\u003cbr\u003e12.    The Nobelman    2'11\u003cbr\u003e     Nicholas Le Strange\u003cbr\u003e13.    The second Witches dance    1'40\u003cbr\u003e     William Brade\u003cbr\u003e14.    Satyrn Dance    1'43\u003cbr\u003e     John Dowland (1563-1626)\u003cbr\u003e16.    Pavane Lachrimae    4'14\u003cbr\u003e     Nicholas Le Strange\u003cbr\u003e17.    The Ladyes 2nd Masque    2'55\u003cbr\u003e18.    The Ladyes 1st Masque    2'24\u003cbr\u003e     Thomas Morley\u003cbr\u003e19.    Joyne hands    1'42\u003cbr\u003e     Thomas Robinson\u003cbr\u003e20.    The Bells    3'26\u003cbr\u003e     John Dowland (1563-1626)\u003cbr\u003e21.    My Lord of Oxenford Maske    1'43\u003cbr\u003e     William Brade\u003cbr\u003e22.    The Nymphs Dance    2'45\u003cbr\u003e     Nicholas Le Strange\u003cbr\u003e23.    The Standing Masque \/ Ballette Gravesand    2'22\u003cbr\u003e     John Dowland (1563-1626)\u003cbr\u003e24.    The first Witches Dance    1'54\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886449672442,"sku":"HOR 010","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/010-witches.png?v=1762267637"},{"product_id":"saint-sa-ns-c-n-a-article-supprime-vincent-genvrin-orgue-choeur-de-chambre-les-ele","title":"SAINT-SAENS: Samson Et Dalila À L'Église (Complete Works for Organ and Motets, Volume 2)  - Vincent Genvrin, orgue - Choeur de chambre les Ele","description":"\u003cp\u003eCamille Saint-Saëns’s Motets for solo voices are little known yet quite endearing pieces. Composed for performance at La Madeleine Church in Paris (a place where, in Saint-Saëns’s own words, he ‘spent the best moments of his life’) they can be seen as a manifesto for his conception of church music, served by wonderfully crafted vocal writing: simple yet lyrical, sober but not dry, subtle and well-balanced.\u003c\/p\u003e\n\u003cp\u003eLa Lyre séraphique :\u003cbr\u003eSylvie de May, soprano\u003cbr\u003eFrançoise Masset, soprano\u003cbr\u003eCatherine Ravenne, alto\u003cbr\u003eVincent Genvrin, orgue\u003c\/p\u003e\n\u003cp\u003eOrgue Aristide Cavaillé-Coll de l'Eglise du Gésu de Toulouse\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003eCamille Saint-Saëns\u003cbr\u003e     Rhapsodies sur des cantiques bretons op. 7     \u003cbr\u003e1.    Première rhapsodie    6'19\u003cbr\u003e2.    Ave Maria en La majeur    2'23\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Rhapsodies sur des cantiques bretons op. 7     \u003cbr\u003e3.    Deuxième rhapsodie    6'13\u003cbr\u003e4.    Elévation ou Communion op. 13    6'20\u003cbr\u003e5.    Ave verum en Si mineur, pour deux voies égales et orgue    2'25\u003cbr\u003e6.    Offertoire-Sarabande    3'02\u003cbr\u003e7.    Inviolata en Ré majeur    4'43\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Messe op. 4     \u003cbr\u003e8.    O salutaris    2'05\u003cbr\u003e9.    Interlude fugué    3'17\u003cbr\u003e10.    Tantum ergo    3'48\u003cbr\u003e11.    Praeludium en ut mineur    3'20\u003cbr\u003e12.    Sub tuum praesidium    3'22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Rhapsodies sur des cantiques bretons op. 7     \u003cbr\u003e13.    Troisième rhapsodie    8'27\u003cbr\u003e14.    Deus Abraham en Fa majeur    3'39\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886449737978,"sku":"HOR 014","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/014-samson.png?v=1762200251"},{"product_id":"de-chassy-g-lunes-ensemble-vocal-les-elements-guillaume-de-chass","title":"Lunes: Chamber Jazz - 'Les Elements', Guillaume deChassy, Pierre Dayraud","description":"\u003cp\u003eA creation which draws on flamenco and Eastern European sources, without forgetting Prokofiev or Debussy. An astonishing musical voyage, halway between composition and improvisation in which vocal music becomes \"orchestral\" in nature.\u003c\/p\u003e\n\u003cp\u003eEnsemble vocal Les Eléments\u003cbr\u003eJoël Suhubiette, direction\u003cbr\u003eGuillaume de Chassy, piano\u003cbr\u003ePierre Dayraud, percussions\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGuillaume de Chassy\u003cbr\u003e     Lunes     \u003cbr\u003e     Cantate Jazz pour chœur, piano et percussions\u003cbr\u003e1.    Lune    7'09\u003cbr\u003e2.    Ali baba    4'39\u003cbr\u003e3.    Eté 1917    5'05\u003cbr\u003e4.    Séguiryia    10'04\u003cbr\u003e5.    Louie Louie, por Buléria    8'02\u003cbr\u003e6.    Danse des Trolls    5'23\u003cbr\u003e7.    Post Scriptum    3'15\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886449836282,"sku":"HOR 023","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/023-lunes.png?v=1762196784"},{"product_id":"escaich-t-le-dernier-evangile-ensemble-orchestral-de-paris-maitrise-notre-dame-d","title":"Escaich: Le Dernier évangile - Ensemble Orchestral de Paris, Maîtrise Notre Dame de Paris, John Nelson","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"And the word became flesh.\"\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe work was created in Saint-Malo in June 2000, commissioned by Pierre Marion, parish priest of the cathedral. It was part of the celebrations for the year 2000. The Incarnation of the Word of God served as the source of inspiration for its composition.\u003cbr\u003eWritten by Thierry Escaich, it comprises five hymns echoing the five sequences of the Prologue of the Gospel of John. The music underscores the universal aspect of the Prologue by incorporating Gregorian themes, Bach chorales, and Orthodox declamations.\u003cbr\u003eHe is the organist of Saint-Étienne-du-Mont in Paris, where he succeeded Maurice Duruflé. He is now a renowned composer and improviser, recognized both for his concerts and his recordings.\u003cbr\u003eThe work was revived at Notre-Dame Cathedral in Paris and recorded.\u003cbr\u003eThe Orchestral Ensemble of Paris, founded by Marcel Landowski, has played a significant role in the creation of numerous contemporary works. Under the direction of John Nelson, it has developed a repertoire that includes major works of sacred music.\u003cbr\u003eIn addition to its liturgical role, the Notre-Dame de Paris Choir School offers the cathedral high-quality performances by presenting a wide selection of sacred music, including premieres such as Jacques Rebotier's Requiem and Christian Villeneuve's Office of the Virgin.\u003cbr\u003eOlivier Latry is the titular organist of Notre-Dame de Paris. On the international stage, he is considered one of the most talented ambassadors of French organ music.\u003cbr\u003eThe culmination of a creative process in which Art and Faith engage in dialogue,\u003cbr\u003ethe Institute of Sacred Arts of the Catholic Institute of Paris supported the entire project from its inception to its performance in concert and on record.\u003c\/p\u003e\n\u003cp\u003eThierry Escaich, orgue\u003cbr\u003eOlivier Latry, orgue\u003cbr\u003eEnsemble Orchestral de Paris\u003cbr\u003eMaîtrise Notre-Dame de Paris\u003cbr\u003eNicole Corti\u003cbr\u003eJohn Nelson, direction\u003c\/p\u003e\n\u003cp\u003eGrand orgue de l'Cathédrale Notre-Dame de Paris\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThierry ESCAICH (1965--)\u003cbr\u003e     Le Dernier Évangile     \u003cbr\u003e1.    Acclamation    1'40\u003cbr\u003e2.    I. Hymne à la Genèse    10'06\u003cbr\u003e3.    II. Hymne à la Lumière    6'05\u003cbr\u003e4.    III. Hymne d'Imploration    9'01\u003cbr\u003e5.    IV. Hymne Baptismale    6'49\u003cbr\u003e6.    V. Hymne de Gloire    5'06\u003cbr\u003e     Trois Danses improvisées     \u003cbr\u003e7.    Première Danse sur le choral « Herzliebster Jesu » de la Passion selon saint Jean de J.S. Bach    6'14\u003cbr\u003e8.    Deuxième Danse sur le thème grégorien du Stabat Mater    7'20\u003cbr\u003e9.    Troisième Danse sur le choral final de la Passion selon saint Jean de J.S. Bach et le choral « Herzliebster Jesu »    5'29\u003cbr\u003e10.    Poème symphonique improvisé sur un extrait de l'Apocalypse de saint Jean ouverture du septième sceau, chap. 8    9'14\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886449869050,"sku":"HOR 024","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/024-escaich.png?v=1762207436"},{"product_id":"ton-that-tiet-b-1933-ton-that-tiet-les-elements","title":"Ton-That Tiet: Les sourires de Bouddha - Les éléments","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1 Les sourires de Bouddha: I. Les éléments\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e2 Les sourires de Bouddha: II. Le clos des cerfs \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3 Les sourires de Bouddha: III. Chant de vent printanier\u003c\/p\u003e\n\u003cp\u003e4 Les sourires de Bouddha: IV. Le talus aux hibiscus\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886449934586,"sku":"HOR 027","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/3487720000270_600.jpg?v=1762374422"},{"product_id":"bortniansky-degtiarev-berezovsky-strokine-vedel-missa-russica-1-choeur-orthodoxe-russe-de-riga","title":"MISSA RUSSICA: Russian Vocal Music of the 18th Century by BORTNIANSKY\/DEGTIAREV\/BEREZOVSKY\/STROKINE\/VEDEL)- Orthodox Russian Choir of Riga","description":"\u003cp\u003eMasterpieces of Russian music, superbly served by a homogeneous choir, clear sound and religious fervour. Russian composers travelling to Italy became acquainted with different musical styles and freed themselves from the strict tradition of the Orthodox church. Their choral settings of liturgical texts found huge favour with the public.\u003c\/p\u003e\n\u003cp\u003eChœur orthodoxe russe de Riga\u003cbr\u003eJohann Shenrock, direction\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eS.A. Degtiarev\u003cbr\u003e1.    Aujourd'hui toute la création    5'07\u003cbr\u003e2.    Ce jour unique et saint    5'09\u003cbr\u003e     D.S. Bortniansky\u003cbr\u003e3.    Ce jour que fit le seigneur    7'18\u003cbr\u003e     M.S. Berezovsky\u003cbr\u003e4.    Ne me rejette pas dans ma vieillesse    10'14\u003cbr\u003e     D.S. Bortniansky\u003cbr\u003e5.    Qui est dieu plus grand que notre Dieu    4'18\u003cbr\u003e     M.P. Strokine\u003cbr\u003e6.    Maintenant, ô Maître    3'00\u003cbr\u003e     A.L. Vedel\u003cbr\u003e7.    Ouvre-moi les portes du repentir    7'53\u003cbr\u003e8.    T'étant endormi dans la chair    2'57\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450032890,"sku":"HOR 033","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/033-russica1.png?v=1762184837"},{"product_id":"various-neuf-jeunes-organistes-compositeurs-robin-mernier-carle-marchand-farago","title":"Nine Young Organist-Composers (Neuf Jeunes Organistes Compositeurs) - Robin\/Mernier\/Carle\/Marchand\/Farago","description":"\u003cp\u003eA new generation of organist-composers who perform and comment on their most recent pieces: Thierry Escaich, Benoît Mernier, Éric Lebrun, Valéry Aubertin, Jacques Pichard, Laurent Carle, Christophe Marchand, Pierre Farago, Jean-Baptiste Robin.\u003c\/p\u003e\n\u003cp\u003eValéry Aubertin, orgue\u003cbr\u003eLaurent Carle, orgue\u003cbr\u003eThierry Escaich, orgue\u003cbr\u003ePierre Farago, orgue\u003cbr\u003eEric Lebrun, orgue\u003cbr\u003eBenoït Mernier, orgue\u003cbr\u003eJacques Pichard, orgue\u003cbr\u003eJean-Baptiste Robin, orgue\u003cbr\u003ePascale Rouet, orgue\u003cbr\u003eChristophe Marchand, orgue\u003c\/p\u003e\n\u003cp\u003eOrgue Rieger de l'Conservatoire National Supérieur de Musique de Paris\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003eJean-Baptiste Robin\u003cbr\u003e     Trois éléments d'un songe     \u003cbr\u003e1.    Frontispice    2'35\u003cbr\u003e2.    Souffle    2'49\u003cbr\u003e3.    Crépusculaire    5'34\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Benoït Mernier\u003cbr\u003e     Cinq inventions     \u003cbr\u003e4.    Invention I    3'18\u003cbr\u003e5.    Invention III    4'48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Laurent Carle\u003cbr\u003e     Aphorismes     \u003cbr\u003e6.    Pièce III    1'34\u003cbr\u003e7.    Pièce IV \"Emincé sonore\"    1'55\u003cbr\u003e8.    Pièce V    1'27\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Christophe Marchand\u003cbr\u003e9.    Toccata et Canzone à quatre    5'44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Pierre Farago\u003cbr\u003e10.    Nächtlich geschürzt    10'37\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Eric Lebrun (1967--)\u003cbr\u003e     XV Mystères du Rosaire     \u003cbr\u003e11.    \"Eli, Eli, lamma sabactháni\"    5'54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Valéry Aubertin (1970- -)\u003cbr\u003e12.    Vincent Van Gogh les Fresques - Lamento    7'34\u003cbr\u003e     Poème symphonique\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Jacques Pichard\u003cbr\u003e13.    La trahison de Judas    8'37\u003cbr\u003e     extrait du Livre d'orgue pour le temps de la Passion\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Thierry ESCAICH (1965--)\u003cbr\u003e     Trois esquisses     \u003cbr\u003e14.    Tournoiement    2'25\u003cbr\u003e15.    Rituels    6'08\u003cbr\u003e16.    Variations sur un souvenir    4'27\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450098426,"sku":"HOR 037","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/037-compositeurs.png?v=1762200964"},{"product_id":"falcinelli-evocation-cantabile-impromptu-priere-falcinelli-rollande","title":"FALCINELLI: Evocation\/Cantabile\/Impromptu\/Priere\/ - Rollande Falcinelli","description":"\u003cp\u003eRolande Falcinelli, a great pianist, turned organist at the age of 20, is a central figure in French organ playing. Her records are so rare that one cannot afford to miss one. Here we find Dupré’s triumphal Evocation (with a smooth, living rubato) and his pianistic Scherzo in F minor, then Franck (Cantabile and Prayer), and last but not least Vierne (Impromptu and Gargoyles). ‘A precious document.’ Le Monde de la Musique\u003c\/p\u003e\n\u003cp\u003eOrgue Aristide Cavaillé-Coll de l'Cathédrale de Belley\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003eMarcel Dupré (1886-1971)\u003cbr\u003e     Evocation op. 37     \u003cbr\u003e1.    Moderato    8'39\u003cbr\u003e2.    Adagio con tenerezza    9'46\u003cbr\u003e3.    Allegro deciso    8'41\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     César FRANCK (1822-1890)\u003cbr\u003e4.    Cantabile    7'01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Louis VIERNE (1870-1937)\u003cbr\u003e5.    Impromptu    3'11\u003cbr\u003e6.    Gargouilles et chimères    8'01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     César FRANCK (1822-1890)\u003cbr\u003e7.    Prière    15'34\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Marcel Dupré (1886-1971)\u003cbr\u003e8.    Scherzo en Fa mineur    6'20\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450131194,"sku":"HOR 038","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/038-falcinelli.png?v=1762896488"},{"product_id":"balbastre-dandrieu-daquin-corette-magnificat-noel-au-concert-spirituel-la-camerata-baroque","title":"Magnificat: Noel Au Concert Spirituel (BALBASTRE\/DANDRIEU\/DAQUIN\/CORETTE) - La Camerata Baroque","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eANONYMOUS: Magnificat, \"Motet À Grand Choeur Par M.\" (24:07)\u003cbr\u003e1        Magnificat    2:20\u003cbr\u003e2        Et Exultavit    1:38\u003cbr\u003e3        Quia Respexit    1:38\u003cbr\u003e4        Quia Fecit Mihi Magna    1:30\u003cbr\u003e5        Et Misericordia Eius    2:12\u003cbr\u003e6        Fecit Potentiam    1:51\u003cbr\u003e7        Deposuit    3:31\u003cbr\u003e8        Esurientes    0:48\u003cbr\u003e9        Suscepit Israel    2:21\u003cbr\u003e10        Sicut Locutus Est    1:39\u003cbr\u003e11        Gloria Patri    0:57\u003cbr\u003e12        Sicut Erat In Principio    3:49\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e13        Claude-Bénigne Balbastre: Joseph Revenant Un Jour 5:48\u003cbr\u003e14        Claude-Bénigne Balbastre: Où S'En Vont Ces Gais Bergers 5:42\u003cbr\u003e15        Jean-François Dandrieu: Or Nous Dites Marie 5:22\u003cbr\u003e16        Louis-Claude Daquin: Noël Sur Les Flûtes 7:03\u003cbr\u003e17        Michel Corrette: Tous Les Bourgeois De Chastres 3:30\u003cbr\u003e18        Michel Corrette: Tambourins 1:42\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450229498,"sku":"HOR 043","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/61RWG-zuzYL._SL1005.jpg?v=1761940169"},{"product_id":"buxtehude-bohm-kuhnau-ritter-marais-andreas-bach-buch-alard-benjamin","title":"Andreas Bach Buch (BUXTEHUDE\/BOHM\/KUHNAU\/RITTER\/MARAIS) - Benjamin Alard, organ","description":"\u003cp\u003e\u003cem\u003e‘A pearl! I don’t know what fairy hovered over Benjamin Alard’s crib, but he is a young interpreter who stands apart: laureate of the prestigious Bruges International Harpsichord Competition in 2004, he plays this instrument as brilliantly as the organ, and so sublimely! It is truly surprising to hear from the same musician, and so young at that, the sense of dance, its depth, rhythm and imagination.’ \u003c\/em\u003eCrescendo\u003c\/p\u003e\n\u003cp\u003eOrgue Rémy Mahler de l'Eglise de Saint-Etienne-de-Baïgorry\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Dietrich Buxtehude (1637-1707)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1.\u003cspan\u003e \u003c\/span\u003eCiacona in C BuxWV 159\u003cspan\u003e \u003c\/span\u003e6'14\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Sebastian Bach (1685-1750)\u003c\/div\u003e\n\u003cdiv\u003e2.\u003cspan\u003e \u003c\/span\u003eFantasia in C BWV 1121\u003cspan\u003e \u003c\/span\u003e3'34\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eAdagio\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Caspar Ferdinand Fischer (1656-1746)\u003c\/div\u003e\n\u003cdiv\u003e3.\u003cspan\u003e \u003c\/span\u003ePraeludium\u003cspan\u003e \u003c\/span\u003e1'51\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Caspar Ferdinand Fischer (1656-1746)\u003c\/div\u003e\n\u003cdiv\u003e4.\u003cspan\u003e \u003c\/span\u003eCiacona\u003cspan\u003e \u003c\/span\u003e3'42\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Sebastian Bach (1685-1750)\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eFantasia e imitatio in H BWV 563\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e5.\u003cspan\u003e \u003c\/span\u003eFantasia\u003cspan\u003e \u003c\/span\u003e1'54\u003c\/div\u003e\n\u003cdiv\u003e6.\u003cspan\u003e \u003c\/span\u003eImitatio\u003cspan\u003e \u003c\/span\u003e2'06\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eChristian Ritter\u003c\/div\u003e\n\u003cdiv\u003e7.\u003cspan\u003e \u003c\/span\u003eSuite en Fa# Mineur\u003cspan\u003e \u003c\/span\u003e5'31\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eAllemande\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e8.\u003cspan\u003e \u003c\/span\u003eSuite en Fa# Mineur\u003cspan\u003e \u003c\/span\u003e1'46\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eCourante\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e9.\u003cspan\u003e \u003c\/span\u003eSuite en Fa# Mineur\u003cspan\u003e \u003c\/span\u003e4'17\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eSarabande \u0026amp; deux variations\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e10.\u003cspan\u003e \u003c\/span\u003eSuite en Fa# Mineur\u003cspan\u003e \u003c\/span\u003e2'12\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eAllemande\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eCarlo Francesco Pollarolo\u003c\/div\u003e\n\u003cdiv\u003e11.\u003cspan\u003e \u003c\/span\u003eCapriccio\u003cspan\u003e \u003c\/span\u003e4'43\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eAllegro\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eMarin Marais\u003c\/div\u003e\n\u003cdiv\u003e12.\u003cspan\u003e \u003c\/span\u003eExtrait de la Suite d'Alcide\u003cspan\u003e \u003c\/span\u003e2'48\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eExtrait de la Suite d'Alcide: Ouverture\u003c\/div\u003e\n\u003cdiv\u003e13.\u003cspan\u003e \u003c\/span\u003eextrait de la Suite d'Alcide\u003cspan\u003e \u003c\/span\u003e0'45\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eAire (passepied I)\u003c\/div\u003e\n\u003cdiv\u003e14.\u003cspan\u003e \u003c\/span\u003eExtrait de la Suite d'Alcide\u003cspan\u003e \u003c\/span\u003e0'51\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eAire (passepied II)\u003c\/div\u003e\n\u003cdiv\u003e15.\u003cspan\u003e \u003c\/span\u003eExtrait de la Suite d'Alcide\u003cspan\u003e \u003c\/span\u003e1'36\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eMarche (pour les peuples heureux)\u003c\/div\u003e\n\u003cdiv\u003e16.\u003cspan\u003e \u003c\/span\u003eExtrait de la Suite d'Alcide\u003cspan\u003e \u003c\/span\u003e1'47\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eSarabande (pour les peuples d'Ascatie)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Adam Reincken\u003c\/div\u003e\n\u003cdiv\u003e17.\u003cspan\u003e \u003c\/span\u003eBallet\u003cspan\u003e \u003c\/span\u003e8'11\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003e10 variations\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Sebastian Bach (1685-1750)\u003c\/div\u003e\n\u003cdiv\u003e18.\u003cspan\u003e \u003c\/span\u003eToccata in C BWV 911\u003cspan\u003e \u003c\/span\u003e11'58\u003c\/div\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450295034,"sku":"HOR 045","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/045-alard.png?v=1761941754"},{"product_id":"ton-that-tiet-les-jardins-dautre-monde-ensemble-les-temps-modernes","title":"TON-THAT TIÊT: Les Jardins d'Autre Monde - Ensemble Les Temps Modernes","description":"\u003cp\u003eLes jardins d’autre monde: each tableaux or scenes are sonic representations and spiritual evocations of the graves of the four successive emperors who reigned in Hué, the former capital of Vietnam, from the beginning of the 19th century until 1883.\u003cbr\u003eI drew my inspiration from the Perfume River that bathes the city of Hué and composed Et la rivière chante l’éternité for string trio. 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Cristiano Holtz","description":"\u003cp\u003eThe clavichord reached its peak in the mid-18th century when it also became larger and unfretted. It was especially in Germany and other German-speaking countries that it found its greatest admirers such as C.Ph.E. Bach, who considered it superior to the harpsichord and the pianoforte for solo music. Bach's first biographer Forkel suggests that the clavichord was J.S. Bach's favorite keyboard Instrument, the most suitable to express his highly refined musical thoughts. Cristiano Holtz plays a Klinkhamer copy of Heinrich Silbermann's instrument (Strasbourg, ca. 1775).\u003c\/p\u003e\n\u003cp\u003eCristiano Holtz, clavicorde\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Johann Sebastian Bach (1685-1750)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1.\u003cspan\u003e \u003c\/span\u003ePrelude in C Minor BWV 999\u003cspan\u003e \u003c\/span\u003e1'31\u003c\/div\u003e\n\u003cdiv\u003e2.\u003cspan\u003e \u003c\/span\u003eFughetta in C Minor BWV 961\u003cspan\u003e \u003c\/span\u003e2'01\u003c\/div\u003e\n\u003cdiv\u003e3.\u003cspan\u003e \u003c\/span\u003ePrelude in G Minor BWV 930\u003cspan\u003e \u003c\/span\u003e2'38\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eSuite française n°4 BWV 813\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e4.\u003cspan\u003e \u003c\/span\u003eMenuet\u003cspan\u003e \u003c\/span\u003e1'20\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eSuite en Fa mineur BWV 823\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e5.\u003cspan\u003e \u003c\/span\u003eSarabande\u003cspan\u003e \u003c\/span\u003e4'19\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eXV Inventions à 2 et XV Sinfonies à 3\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e6.\u003cspan\u003e \u003c\/span\u003eInventio 1 (in C Major)\u003cspan\u003e \u003c\/span\u003e1'21\u003c\/div\u003e\n\u003cdiv\u003e7.\u003cspan\u003e \u003c\/span\u003eInventio 2 (in C Minor)\u003cspan\u003e \u003c\/span\u003e2'09\u003c\/div\u003e\n\u003cdiv\u003e8.\u003cspan\u003e \u003c\/span\u003eInventio 3 (in D Major)\u003cspan\u003e \u003c\/span\u003e1'20\u003c\/div\u003e\n\u003cdiv\u003e9.\u003cspan\u003e \u003c\/span\u003eInventio 4 (in D Minor)\u003cspan\u003e \u003c\/span\u003e1'05\u003c\/div\u003e\n\u003cdiv\u003e10.\u003cspan\u003e \u003c\/span\u003eInventio 5 (in E-Flat Major)\u003cspan\u003e \u003c\/span\u003e2'09\u003c\/div\u003e\n\u003cdiv\u003e11.\u003cspan\u003e \u003c\/span\u003eInventio 6 (in E Major)\u003cspan\u003e \u003c\/span\u003e3'29\u003c\/div\u003e\n\u003cdiv\u003e12.\u003cspan\u003e \u003c\/span\u003eInventio 7 (in E Minor)\u003cspan\u003e \u003c\/span\u003e1'35\u003c\/div\u003e\n\u003cdiv\u003e13.\u003cspan\u003e \u003c\/span\u003eInventio 8 (in F Major)\u003cspan\u003e \u003c\/span\u003e1'01\u003c\/div\u003e\n\u003cdiv\u003e14.\u003cspan\u003e \u003c\/span\u003eInventio 9 (in F Minor)\u003cspan\u003e \u003c\/span\u003e2'09\u003c\/div\u003e\n\u003cdiv\u003e15.\u003cspan\u003e \u003c\/span\u003eInventio 10 (in G Major)\u003cspan\u003e \u003c\/span\u003e1'01\u003c\/div\u003e\n\u003cdiv\u003e16.\u003cspan\u003e \u003c\/span\u003eInventio 11 (in G Minor)\u003cspan\u003e \u003c\/span\u003e1'51\u003c\/div\u003e\n\u003cdiv\u003e17.\u003cspan\u003e \u003c\/span\u003eInventio 12 (in A Major)\u003cspan\u003e \u003c\/span\u003e1'44\u003c\/div\u003e\n\u003cdiv\u003e18.\u003cspan\u003e \u003c\/span\u003eInventio 13 (in A Minor)\u003cspan\u003e \u003c\/span\u003e1'31\u003c\/div\u003e\n\u003cdiv\u003e19.\u003cspan\u003e \u003c\/span\u003eInventio 14 (in B-Flat Major)\u003cspan\u003e \u003c\/span\u003e1'40\u003c\/div\u003e\n\u003cdiv\u003e20.\u003cspan\u003e \u003c\/span\u003eInventio 15 (in B Minor)\u003cspan\u003e \u003c\/span\u003e1'37\u003c\/div\u003e\n\u003cdiv\u003e21.\u003cspan\u003e \u003c\/span\u003eSinfonia 1 (in C Major)\u003cspan\u003e \u003c\/span\u003e1'25\u003c\/div\u003e\n\u003cdiv\u003e22.\u003cspan\u003e \u003c\/span\u003eSinfonia 2 (in C Minor)\u003cspan\u003e \u003c\/span\u003e2'02\u003c\/div\u003e\n\u003cdiv\u003e23.\u003cspan\u003e \u003c\/span\u003eSinfonia 3 (in D Major)\u003cspan\u003e \u003c\/span\u003e1'37\u003c\/div\u003e\n\u003cdiv\u003e24.\u003cspan\u003e \u003c\/span\u003eSinfonia 4 (in D Minor)\u003cspan\u003e \u003c\/span\u003e1'55\u003c\/div\u003e\n\u003cdiv\u003e25.\u003cspan\u003e \u003c\/span\u003eSinfonia 5 (in E-Flat Major)\u003cspan\u003e \u003c\/span\u003e3'02\u003c\/div\u003e\n\u003cdiv\u003e26.\u003cspan\u003e \u003c\/span\u003eSinfonia 6 (in E Major)\u003cspan\u003e \u003c\/span\u003e1'28\u003c\/div\u003e\n\u003cdiv\u003e27.\u003cspan\u003e \u003c\/span\u003eSinfonia 7 (in E Minor)\u003cspan\u003e \u003c\/span\u003e2'34\u003c\/div\u003e\n\u003cdiv\u003e28.\u003cspan\u003e \u003c\/span\u003eSinfonia 8 (in F Major)\u003cspan\u003e \u003c\/span\u003e1'17\u003c\/div\u003e\n\u003cdiv\u003e29.\u003cspan\u003e \u003c\/span\u003eSinfonia 9 (in F Minor)\u003cspan\u003e \u003c\/span\u003e4'19\u003c\/div\u003e\n\u003cdiv\u003e30.\u003cspan\u003e \u003c\/span\u003eSinfonia 10 (in G Major)\u003cspan\u003e \u003c\/span\u003e1'12\u003c\/div\u003e\n\u003cdiv\u003e31.\u003cspan\u003e \u003c\/span\u003eSinfonia 11 (in G Minor)\u003cspan\u003e \u003c\/span\u003e2'33\u003c\/div\u003e\n\u003cdiv\u003e32.\u003cspan\u003e \u003c\/span\u003eSinfonia 12 (in A Major)\u003cspan\u003e \u003c\/span\u003e1'34\u003c\/div\u003e\n\u003cdiv\u003e33.\u003cspan\u003e \u003c\/span\u003eSinfonia 13 (in A Minor)\u003cspan\u003e \u003c\/span\u003e1'52\u003c\/div\u003e\n\u003cdiv\u003e34.\u003cspan\u003e \u003c\/span\u003eSinfonia 14 (in B-Flat Major)\u003cspan\u003e \u003c\/span\u003e1'50\u003c\/div\u003e\n\u003cdiv\u003e35.\u003cspan\u003e \u003c\/span\u003eSinfonia 15 (in B Minor)\u003cspan\u003e \u003c\/span\u003e1'42\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450589946,"sku":"HOR 052","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/052-inventions.png?v=1761945180"},{"product_id":"fischer-seger-kerll-muffat-kopriva-last-available-items-kohout-pavel","title":"Prague: The Age of The Baroque (FISCHER\/SEGER\/KERLL\/MUFFAT\/KOPRIVA) - Pavel Kohout, organ","description":"\u003cp\u003ePrague's Baroque Golden Age unveils a selection of works on the Mundt organ, including pieces by composers from Bohemia, such as Josef Seger, one of its first organists, or works that were performed in Prague, a major crossroads and center of cultural exchange in Europe during the Baroque era.\u003c\/p\u003e\n\u003cp\u003eThe Mundt organ is the jewel of Bohemia's historic organs. Its exceptional value, the refinement of its sound, and its extraordinary state of preservation—it is almost entirely original—make it a unique instrument. Few 17th-century European instruments possess such originality.\u003c\/p\u003e\n\u003cp\u003eHans Heinrich Mundt organ (1673) of the Church of Our Lady before Týn in Prague (Czech Republic)\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eJosef Ferdinand Norbert Seger\u003cbr\u003e1.    Prélude et Fugue en do Majeur \/ C dur    5'19\u003cbr\u003e2.    Fantaisie et Fugue en ré mineur \/ D moll    8'50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Johann Caspar Ferdinand Fischer (1656-1746)\u003cbr\u003e3.    Aria    12'59\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Josef Ferdinand Norbert Seger\u003cbr\u003e4.    Prélude et Fugue en do mineur \/ C moll    4'53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Johann Kaspar Kerll\u003cbr\u003e5.    Canzone III en ré mineur \/ D moll    3'40\u003cbr\u003e6.    Passacaille en ré mineur \/ D moll    7'00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Josef Ferdinand Norbert Seger\u003cbr\u003e7.    Toccata et Fugue en ré mineur \/ D moll    4'22\u003cbr\u003e8.    Fugue en la mineur \/ A moll    2'24\u003cbr\u003e9.    Toccata et Fugue Pastorale    4'32\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Georg Muffat (1653-1704)\u003cbr\u003e10.    Aria sub Elevatione    6'23\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Karel Blažej Kopřiva\u003cbr\u003e11.    Fugue en ré mineur \/ D moll    3'18\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450622714,"sku":"HOR 053","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/053-prague.png?v=1762271636"},{"product_id":"leguay-jean-pierre-sonates-ii-iii-missa-deo-gratias-leguay-maitrise-de-notre-dame-de-paris","title":"LEGUAY: Sonates II \u0026 III, Missa Deo Gratias - Leguay, Maïtrise de Notre-Dame de Paris","description":"\u003cp\u003eIn Paris’s Notre Dame cathedral, with its vocal and instrumental forces, my Missa Deo Gratias reveals a universe in which I explore and sculpt the gleam, softness, fervour, the nimble jubilation, the flesh both instrumental and vocal. Voice of the chant. Chant of praise. Sonatas II \u0026amp; III, two sides of my organ universe, two necessary and complementary approaches: in Sonate II extreme reduction of the number of registrations stretched into long passages; in Sonate III the organ treated like a full orchestra; double questioning of the pieces, double response from the same instrument and acoustics.\u003c\/p\u003e\n\u003cp\u003eJean-Pierre Leguay, orgue\u003cbr\u003eYves Castagnet, orgue\u003cbr\u003eMaîtrise Notre-Dame de Paris\u003cbr\u003eEtienne Lamatelle, trombone\u003cbr\u003eJean-Michel Weber, trombone\u003cbr\u003eJean Bollinger, trompette\u003cbr\u003eMatthieu Reinert, trompette\u003cbr\u003eAlain Huteau, percussions\u003cbr\u003eHélène Richer, soprano\u003cbr\u003eNicole Corti, direction\u003c\/p\u003e\n\u003cp\u003eGrand orgue de l'Cathédrale Notre-Dame de Paris\u003cbr\u003eOrgue de chœur Merklin | Boisseau de l'Cathédrale Notre-Dame de Paris\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Jean-Pierre Leguay (1939--)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eSonate III\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e1.\u003cspan\u003e \u003c\/span\u003ePremier mouvement\u003cspan\u003e \u003c\/span\u003e10'03\u003c\/div\u003e\n\u003cdiv\u003e2.\u003cspan\u003e \u003c\/span\u003eDeuxième mouvement\u003cspan\u003e \u003c\/span\u003e13'53\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eMissa Deo Gratias\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e3.\u003cspan\u003e \u003c\/span\u003eKyrie\u003cspan\u003e \u003c\/span\u003e12'12\u003c\/div\u003e\n\u003cdiv\u003e4.\u003cspan\u003e \u003c\/span\u003eSanctus\u003cspan\u003e \u003c\/span\u003e7'16\u003c\/div\u003e\n\u003cdiv\u003e5.\u003cspan\u003e \u003c\/span\u003eAgnus\u003cspan\u003e \u003c\/span\u003e11'06\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eSonate II\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e6.\u003cspan\u003e \u003c\/span\u003ePremier mouvement\u003cspan\u003e \u003c\/span\u003e12'27\u003c\/div\u003e\n\u003cdiv\u003e7.\u003cspan\u003e \u003c\/span\u003eDeuxième mouvement\u003cspan\u003e \u003c\/span\u003e13'29\u003c\/div\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450655482,"sku":"HOR 054","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/054-leguay.png?v=1762210524"},{"product_id":"falcenielli-rolande-azan-battais-brandeis","title":"FALCENIELLI: Azan - Elise Battais, Philippe Brandeis","description":"\u003cp\u003eFrom the Orient to the Occident, Rolande Falcinelli’s musical path opens new horizons for the organ. A full-blooded composer, she leads us from Moslem Iran (Azãn for flute and organ) to the Hindu myths (Krishna-Gopala for flute solo), leaving her mark on both the secular and the liturgical sides of the organ.\u003c\/p\u003e\n\u003cp\u003eElise Battais, flûte\u003cbr\u003ePhilippe Brandeis, orgue\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eRolande Falcinelli (1920-2006)\u003cbr\u003e     Azãn     \u003cbr\u003e     pour flûte et orgue\u003cbr\u003e1.    Louange à Dieu    2'56\u003cbr\u003e2.    Je cherche refuge auprès du créateur    3'11\u003cbr\u003e3.    Un jour tu verras une lumière briller    2'17\u003cbr\u003e4.    Lorsque l'heure sonnera    2'30\u003cbr\u003e5.    Prie matin et soir    4'01\u003cbr\u003e6.    Cor Jesu Sacratissimum op. 36    8'30\u003cbr\u003e7.    Salve Regina op. 43    4'32\u003cbr\u003e8.    Krishna-Gopala op. 66    12'14\u003cbr\u003e9.    Cortège funèbre op. 41    4'25\u003cbr\u003e     Sortie pour la messe des morts\u003cbr\u003e     Initiation à l'orgue     \u003cbr\u003e10.    Etude X : Mouvement perpétuel    1'19\u003cbr\u003e11.    Etude XI : Ricercare    2'37\u003cbr\u003e12.    Etude XII : Toccata (1ère version)    1'21\u003cbr\u003e13.    Etude XII : Toccata (2e version)    1'26\u003cbr\u003e     Triptyque op. 11     \u003cbr\u003e14.    Litanies    7'36\u003cbr\u003e15.    Rondel    2'17\u003cbr\u003e16.    Fugue    5'19\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450721018,"sku":"HOR 059","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/059-azan.png?v=1762267450"},{"product_id":"corrette-gaspard-messe-a-lusage-dune-abbaye-royale-allard-ens-vocal-ad-limina","title":"CORRETTE, Gaspard: Messe à l'usage d'une Abbaye Royale - Regis Allard, Ad Limina","description":"\u003cp\u003ePerformed in alternatim with Nivers \"music plain-chant\" in the context of a church service at the Chelles Royal Abbey, Gaspard Corrette's Organ Mass sounds like a homage of the organ to itself, a celebration of the instrument's particular role in the divine service.\u003c\/p\u003e\n\u003cp\u003eAd Limina, ensemble vocal\u003cbr\u003eRégis Allard, orgue\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGaspard Corrette\u003cbr\u003e     Messe à l'usage d'une Abbaye Royale\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e1.    Introit    0'54\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e2.    Grand Plein Jeu    1'54\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e3.    Kyrie    0'43\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e4.    Fugue    1'28\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e5.    Christe    0'28\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e6.    Chromorne en Taille    2'44\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e7.    Christe    0'29\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e8.    Trio à deux dessus    1'39\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e9.    Kyrie    0'44\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e10.    Dialogue à deux Choeurs    1'39\u003cbr\u003e11.    Gloria in excelsis Deo    0'14\u003cbr\u003e12.    Prélude à deux Choeurs    1'30\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e13.    Laudamus te    0'12\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e14.    Récit tendre pour le Nazard    1'52\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e15.    Adoramus te    0'15\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e16.    Duo    1'09\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e17.    Gratias agimus    0'36\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e18.    Basse de Trompette    1'24\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e19.    Domine Fili    0'28\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e20.    Tierce en Taille    2'29\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e21.    Qui tollis    0'31\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e22.    Dialogue de voix humaine    1'25\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e23.    Qui sedes    0'29\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e24.    Dessus de Tierce par accords    1'57\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e25.    Tu solus Dominus    0'13\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e26.    Concert pour les Flûtes    1'10\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e27.    Cum Sancto    0'30\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e28.    Dialogue à deux Choeurs    1'12\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e29.    Aquae multae    0'53\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e30.    Trio    0'40\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e31.    Plain-chant    3'48\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e32.    Grand dialogue à trois Choeurs    6'47\u003cbr\u003e33.    Intonation    0'55\u003cbr\u003e34.    Plein Jeu    1'01\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e35.    Sanctus    0'20\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e36.    Duo    0'51\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e37.    Pleni sunt    0'53\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e38.    Fond d'orgue pour l'élévation    3'03\u003cbr\u003e     Chanoine Derey\u003cbr\u003e39.    O salutaris Hostia    2'07\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e40.    Chromorne en Taille pour le Benedictus    3'55\u003cbr\u003e41.    Plein Jeu à deux Choeurs pour le premier Agnus Dei    1'28\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e42.    Agnus    0'39\u003cbr\u003e     Agnus\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e43.    Dialogue en Fugue pour le second Agnus Dei    1'45\u003cbr\u003e     Guillaume-Gabriel Nivers (1632-1714)\u003cbr\u003e44.    Domine Salvum fac Regem    1'21\u003cbr\u003e     Gaspard Corrette (1671-1732)\u003cbr\u003e45.    Ite Missa Est    0'28\u003cbr\u003e46.    Grand Plein Jeu    0'32\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450786554,"sku":"HOR 061","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/061-corette.png?v=1762191561"},{"product_id":"charpentier-de-bacilly-airs-de-differens-autheurs-donnes-a-une-dame-ensemble-les-meslanges","title":"Airs de differens autheurs donnés à une Dame (Songs by Different Composers Written for One Woman - Works by CHARPENTIER. de VISEE, CPE BACH, le CAMUS \u0026 DE BACILLY) - Ensemble Les Meslanges","description":"\u003cp\u003e\"Le Camus took a liking to me. He says I sing his songs well. He made some of them divine.\" Madame de Sévigné.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePrimarily devoted to Le Camus, father and son, Airs de différents autheurs donnés à une Dame (Songs by Different Authors Given to a Lady) is composed in the style of a conversation, a genre cultivated as an art form in the salons of the Grand Siècle.\u003cbr\u003eSeveral subjects are addressed: the King, Love, evocations of nature...\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSimplicity and concision characterize these songs. Sometimes, the gallant register gives way to a dramatic flourish: De mes soupirs, de ma langueur (Of My Sighs, Of My Languor), attributed to Charles Le Camus, Tristes déserts (Sad Deserts), or even the Stances du Cid (Stanzas from Charpentier's Le Cid)...\u003cbr\u003eNo, definitely not, the \"Précieuses\" (Precious Ones) are not ridiculous.\u003c\/p\u003e\n\u003cp\u003eLes Meslanges:\u003cbr\u003eThomas Van Essen, baritone and conductor;\u003cbr\u003eEmmanuelle Guigues, viola da gamba;\u003cbr\u003eManuel De Grange, lute and theorbo\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCharles Le Camus\u003cbr\u003e1.    De mes soupirs, de ma langueur    2'12\u003cbr\u003e2.    Iris me paroissait si tendre et si fidèle    2'44\u003cbr\u003e3.    Graves tesmoins    3'22\u003cbr\u003e     Ennemond ou Denis ? Gaultier\u003cbr\u003e4.    Tombeau de Lanclos. Allemande    3'18\u003cbr\u003e     Charles Le Camus\u003cbr\u003e5.    Sur Je veux me plaindre de vos rigueurs    2'04\u003cbr\u003e6.    Je veux me plaindre de vos rigueurs    2'17\u003cbr\u003e     Marc-Antoine Charpentier (1643-1704)\u003cbr\u003e7.    Tristes déserts, sombre retraite    3'42\u003cbr\u003e     Marc-Antoine Sieur Girard (1594-1661)\u003cbr\u003e8.    La jouyssance    1'29\u003cbr\u003e     Marc-Antoine Charpentier (1643-1704)\u003cbr\u003e9.    Ruisseau qui nourris dans ce bois    2'51\u003cbr\u003e     Robert 1660 De Visée (1732)\u003cbr\u003e10.    Prélude    1'49\u003cbr\u003e     Sébastien Le Camus (1610-1677)\u003cbr\u003e11.    Que j'ayme encore ce beau séjour    2'38\u003cbr\u003e     Nicolas Hotman (1613-1663)\u003cbr\u003e12.    Sarabande    1'06\u003cbr\u003e     Charles Le Camus\u003cbr\u003e13.    De ces lieux si charmants    2'56\u003cbr\u003e14.    Quand on ayme bien tendrement    1'16\u003cbr\u003e15.    Dans les plus doux transports d'une flâme nouvelle    2'47\u003cbr\u003e     Sébastien Le Camus (1610-1677)\u003cbr\u003e16.    Enfin, vous revenez dans la saison nouvelle    2'44\u003cbr\u003e     Marc-Antoine Charpentier (1643-1704)\u003cbr\u003e17.    Stances du Cid, percé jusques au fond du cœur    1'40\u003cbr\u003e18.    Stances du Cid, que je sens de rudes combats !    1'44\u003cbr\u003e19.    Stances du Cid, père, maîtresse, honneur, amour    2'09\u003cbr\u003e20.    Cadmus et Hermione, prologue, Récit du soleil    2'12\u003cbr\u003e     Robert 1660 De Visée (1732)\u003cbr\u003e21.    Allemande La royalle    2'43\u003cbr\u003e     Marc-Antoine Charpentier (1643-1704)\u003cbr\u003e22.    Profitez du printemps!    2'11\u003cbr\u003e     Mme de Sévigné\u003cbr\u003e23.    Mme de Sévigné, extrait de lettres à Mme de Grignant (15 janvier 1690) et au comte de Bussy-Rabutin (5 février 1690)    1'11\u003cbr\u003e     Carl Philip Emanuel Bach (1714-1788)\u003cbr\u003e24.    Apprenez à mon cœur    5'24\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450852090,"sku":"HOR 062","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/062-airs.png?v=1762187116"},{"product_id":"various-manuscrit-bauyn-alard-benjamin","title":"Manuscrit Bauyn (Music of L. Couperin, L. Rossi, J.J. Froberger, G. Frescobaldi for Harpsichord) - Alard, Benjamin","description":"\u003cp\u003eThe Bauyn manuscript is to Louis Couperin what the Andreas Bach Buch is to young Bach: a collection of mixed compositions, his own and those of teachers, close friends and acquaintances. In Paris, 1652, a curtain pulls back to show us Couperin and Froberger at a harpsichord in animated conversation. The young organist from Saint Gervais improvises in his host’s style; the famous globe trotter in turn plays several Italian pieces and improvises.\u003c\/p\u003e\n\u003cp\u003eBenjamin Alard, clavecin\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eLouis Couperin\u003cbr\u003e     Pièces en La     \u003cbr\u003e1.    Prélude à l'imitation de Mr Froberger    6'44\u003cbr\u003e2.    Allemande    3'33\u003cbr\u003e3.    Courante (la mignonne)    1'21\u003cbr\u003e4.    Sarabande    2'58\u003cbr\u003e5.    La piémontoise    2'00\u003cbr\u003e     Luigi Rossi\u003cbr\u003e6.    Passacaille    2'57\u003cbr\u003e     Johann Jakob Froberger\u003cbr\u003e7.    Toccata en Ré    4'19\u003cbr\u003e     Girolamo FRESCOBALDI (1583-1643)\u003cbr\u003e8.    Capriccio en Sol    2'54\u003cbr\u003e     Johann Jakob Froberger\u003cbr\u003e9.    Allemande    4'22\u003cbr\u003e     faite à Paris\u003cbr\u003e10.    Gigue    2'18\u003cbr\u003e     Nommée la rusée Mazarinique\u003cbr\u003e11.    Toccata en Fa    3'49\u003cbr\u003e     Louis Couperin\u003cbr\u003e     Pièces en Fa     \u003cbr\u003e12.    Prélude    1'56\u003cbr\u003e13.    Allemande    3'15\u003cbr\u003e14.    Courante    1'08\u003cbr\u003e15.    Sarabande    2'32\u003cbr\u003e16.    Branle de Basque    0'49\u003cbr\u003e17.    Chaconne    3'04\u003cbr\u003e18.    Tombeau de M. de Blancrocher    6'1\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450884858,"sku":"HOR 065","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/065-alard.png?v=1762201171"},{"product_id":"various-une-inauguration-dorgue-en-1900-sauvage-ensemble-vocal-cavaille-coll","title":"Une inauguration d'orgue en 1900 (An organ inauguration in 1900) - Philippe Sauvage, Ensemble vocal Cavaillé-Coll","description":"\u003cp\u003eThe inauguration of the grand Cavaillé-Coll organ in the Church of Saint-Pierre in Neuilly, as well as its restoration in 2007, clearly demonstrates the vitality of the French organ in 1900. At the confluence of a multitude of currents, the organ in 1900 clearly oscillated between tradition and modernity. Heir to an apparently stilted academicism – March of Joan of Arc, Tu es Petrus – Théodore Dubois displays a most poetic inspiration (Ave Maria); Charles Gounod, that of a triumphant Church (Pontifical March); Louis Lefébure-Wely echoes a more popular taste (Concert Bolero); others, like Henri Letocart, rediscover older forms (verse in F), while nevertheless paving the way for a specifically \"French\" style. While Léon Boellmann remained resolutely faithful to a lyrical Romanticism (Prayer to Our Lady), it was Louis Vierne, a genius improviser, who marked a true entry into the 20th century with the Andantino and the Westminster Carillon.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAs a craftsman-musician serving the liturgy, Philippe Sauvage reconciled the Ancients and the Moderns in a 1900s improvisation that resonated with all these currents.\u003c\/p\u003e\n\u003cp\u003ePhilippe Sauvage , organ;\u003cbr\u003eHervé Lamy, tenor;\u003cbr\u003eClaire Louchet-Destremau, soprano;\u003cbr\u003eCavaillé-Coll Vocal Ensemble\u003c\/p\u003e\n\u003cp\u003eGrand Organ Aristide Cavaillé-Coll of the Church of Saint-Pierre in Neuilly\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLouis-James-Alfred Lefébure-Wély (1817-1869)\u003cbr\u003e1.    Boléro de Concert op. 166    4'22\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Charles Gounod (1818-1893)\u003cbr\u003e2.    Marche Pontificale    2'39\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Louis-James-Alfred Lefébure-Wély (1817-1869)\u003cbr\u003e3.    Elévation ou communion    2'37\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     L'Organiste moderne (2e livraison)\u003cbr\u003e     Théodore Dubois (1837-1924)\u003cbr\u003e4.    Regina Caeli    3'58\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Henri Letocart (1846-1945)\u003cbr\u003e5.    Verset    1'53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Louis VIERNE (1870-1937)\u003cbr\u003e6.    Andantino    3'13\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Théodore Dubois (1837-1924)\u003cbr\u003e7.    Tu es Petrus    2'288.    \u003c\/p\u003e\n\u003cp\u003eMarche de Jeanne d'Arc    5'00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Charles Gounod (1818-1893)\u003cbr\u003e9.    O Salutaris    4'03\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Léon BOELLMANN (1862-1897)\u003cbr\u003e10.    Prière à Notre Dame    5'00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Théodore Dubois (1837-1924)\u003cbr\u003e11.    Cantate Domino    3'24\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Louis VIERNE (1870-1937)\u003cbr\u003e12.    Carillon de Westminster    6'57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Henri Letocart (1846-1945)\u003cbr\u003e13.    Entrée    1'55\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Théodore Dubois (1837-1924)\u003cbr\u003e14.    Ave Maria    4'57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Philippe Sauvage\u003cbr\u003e15.    Improvisation 1900    12'19\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450917626,"sku":"HOR 066","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/066-neuilly.png?v=1762286400"},{"product_id":"various-racines-sacrees-safar-mindy","title":"Racines sacrées - Roula Safar, voice, guitar, percussion; Paul Mindy, flute","description":"\u003cp\u003eRoula Safar’s Mediterranean heritage goes back to the Phoenicians, the great explorers of unknown territories, the inventors of the alphabet, who offered incense and prayers to Astarte, the lunar goddess and to Baal, the solar god. Racines sacrées – Sacred Roots – is a modern echo of these ancient voices which, in Akkadian, Sumerian, Ugaritic, Aramaic and so many other languages, have expressed Man’s early devotion to the Divine, but also of the voices which, from time immemorial, have questioned the mysteries of the world and echoed them in poetry.\u003c\/p\u003e\n\u003cp\u003eRoula Safar, mezzo-soprano, guitare et percussions\u003cbr\u003ePaul Mindy, flûte harmonique\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eAnonyme\u003cbr\u003e1.    Qadish Maria (Sanctus, en chaldéen)    1'22\u003cbr\u003e     Roula Safar\u003cbr\u003e2.    Incantation à Ishtar (En akkadien et en sumérien)    4'44\u003cbr\u003e3.    Qaddish - Prière de louanges (En araméen)    4'26\u003cbr\u003e4.    Urtenu (En ougaritique)    2'55\u003cbr\u003e5.    Havoun (Chant liturgique arménien)    4'21\u003cbr\u003e     Mgr Beylouni\u003cbr\u003e6.    Abouned bachmayo (Notre Père, en syriaque)    2'59\u003cbr\u003e     Roula Safar\u003cbr\u003e7.    Alleluia – Tropaire de la venue de l’époux (byzantin en arabe)    3'00\u003cbr\u003e8.    Aasheq El Hob \/ Amoureux de l'amour (Poèmes par Ibn Arabi, en arabe)    2'24\u003cbr\u003e     Florence Baschet\u003cbr\u003e9.    Femmes (Poèmes de M. Darwich, en arabe) [Extraits]    5'30\u003cbr\u003e     Rabbi Levi Yitzhak de Berditchev\u003cbr\u003e10.    Meyerke, main Suhn (En yiddish et en hébreu)    4'28\u003cbr\u003e     Anonyme\u003cbr\u003e11.    Alleluia Dies sanctificatus    1'50\u003cbr\u003e     Roula Safar\u003cbr\u003e12.    Athanatai (Texte dédié à Aphrodite et hymne à la Vierge Marie) [En grec]    4'16\u003cbr\u003e     François-Bernard Mache\u003cbr\u003e13.    Rasna (En étrusque)    5'22\u003cbr\u003e     Karim Haddad\u003cbr\u003e14.    Meditatio I    5'13\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886450950394,"sku":"HOR 067","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/067-safar.png?v=1762355561"},{"product_id":"brahms-johannes-une-jeunesse-intrepide-stavy-nicolas","title":"BRAHMS: Une jeunesse intrépide (Early Piano Works) - Nicolas Stavy, piano","description":"\u003cp\u003eOut of my long-standing fascination for Brahms’s music world, I selected three very different pieces, composed in 1853\/1854 by a then 20-yr old musician : Variations in D minor – Originally for string sextet, the splendid Four Ballads, seem to open new stylistic perspectives… The Third Sonata (opus 5!) - the only piece Brahms submitted to Robert Schumann during its compositional process’.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms (1833-1897)\u003cbr\u003e     Ballades op. 10     \u003cbr\u003e1.    I - Andante    5'08\u003cbr\u003e2.    II - Andante    7'16\u003cbr\u003e3.    III - Intermezzo : Allegro    4'21\u003cbr\u003e4.    IV - Andante con moto    10'40\u003cbr\u003e5.    Thèmes et variations en ré mineur op. 18    11'24\u003cbr\u003e     Version pour piano du 2e mouvement du sextuor à cordes\u003cbr\u003e     Sonate en fa mineur op. 5     \u003cbr\u003e6.    Allegro maestoso    11'18\u003cbr\u003e7.    Andante espressivo    12'56\u003cbr\u003e8.    Schezo- Allegro energico    5'33\u003cbr\u003e9.    Intermezzo - Andante molto    3'49\u003cbr\u003e10.    Finale - Allegro moderato    8'24\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451015930,"sku":"HOR 068","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/068-brahms.png?v=1761943760"},{"product_id":"rachmaninov-sergey-rachmaninov-ou-la-pudeur-romantique-yurkov-mikhail","title":"RACHMANINOV: Rachmaninov ou la pudeur Romantique (Or The Modest Romantic) - Mikhaïl Yurkov","description":"\u003cp\u003eRachmaninoff's piano music is a world in itself but also an open window into the rest of his output. One of the greatest pianists of his time, who had to rely on that talent for a living after several failures as a composer, he poured all his soul into his keyboard music, with much passion and dignity.\u003c\/p\u003e\n\u003cp\u003eMikhaïl Yurkov, piano\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003eSergueï Rachmaninov (1873-1943)\u003cbr\u003e     Sonate No.2 op. 36     \u003cbr\u003e     Allegro agitato\u003cbr\u003e1.    Allegro agitato    8'23\u003cbr\u003e2.    Non allegro    6'32\u003cbr\u003e3.    Allegro molto    5'02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Six moments musicaux op. 16     \u003cbr\u003e4.    Andantino    7'22\u003cbr\u003e5.    Andante cantabile    4'26\u003cbr\u003e6.    Presto    3'20\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Dix préludes op. 23     \u003cbr\u003e7.    Andante cantabile    5'10\u003cbr\u003e8.    Alla marcha    3'58\u003cbr\u003e9.    Lento    5'33\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Etudes-tableaux op. 33     \u003cbr\u003e10.    Grave    4'52\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Etudes-tableaux op. 39     \u003cbr\u003e11.    Allegro agitato    3'06\u003cbr\u003e12.    Appassionato    5'17\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451048698,"sku":"HOR 069","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/069-rachmaninov.png?v=1762966165"},{"product_id":"various-le-sommeil-de-lange-torices-roldan-martin-moro","title":"Le Sommeil de l'Ange (The Sleep of Angels) - Jesus Martin Moro, organ","description":"\u003cp\u003eOn the border between traditional music and so-called art music, the txistu transmits the breath of the Basque soul... The first recording of the new Jean Daldosso organ reveals the riches of Basque sacred music, with a rare repertoire of works never before recorded, and the creation of two works by the young composer Gorka Guesta.\u003c\/p\u003e\n\u003cp\u003eJesus Martin Moro , organ\u003c\/p\u003e\n\u003cp\u003eSergio Torices Roldan , translator\u003c\/p\u003e\n\u003cp\u003eThe Jean Daldosso grand organ of the Church of Saint-Vincent-de-Xaintes in Urrugne (France)\u003c\/p\u003e\n\u003cp\u003eLuis Urteaga (1882-1960)\u003cbr\u003e1.    Marcha religiosa    12'02\u003cbr\u003e     Euskal Suitea     \u003cbr\u003e     (extraits)\u003cbr\u003e2.    Contrapas    2'30\u003cbr\u003e3.    Gavota    4'30\u003cbr\u003e4.    Fandango Bolero    1'55\u003cbr\u003e     Juan Urteaga (1914-1990)\u003cbr\u003e5.    Plegaria    3'40\u003cbr\u003e     (prière)\u003cbr\u003e     Gorka Cuesta (1969)\u003cbr\u003e6.    Le Sommeil de l'ange    10'08\u003cbr\u003e7.    Le Visage du vent    9'46\u003cbr\u003e     Eduardo Gorosarri (1889-1947)\u003cbr\u003e8.    Improvisación sobre un canto vasco    4'09\u003cbr\u003e     Sabin Salaberri (1934--)\u003cbr\u003e9.    Nondik nora    10'36\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451409146,"sku":"HOR 077","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/077-sommeil.png?v=1762287324"},{"product_id":"paulet-vincent-la-ballade-des-pendus-soccoja-quatuor-parisii-ralincourt-heau-vallin","title":"PAULET: La Ballade des pendus - Kruger, Ralincourt, Soccoja, Vallin, du Quatour Parisii","description":"\u003cp\u003e\u003cem\u003e“Human brothers who live after us, \/ Do not harden your hearts against us\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor if you do take pity on us, poor things, \/God will sooner show you mercy.”\u003c\/em\u003e\u003cbr\u003eFrançois Villon\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSuper performers explore the many facets of François Villon’s world in a piece inspired by his famous “testament”. Allegedly written while the poet prepared for a tragic death, Villon’s founding vision has lost none of its intensity over time. Virtuosic and profound, lyrical yet distant, the music conjures up images of nocturnal ceremonies, with moments of irony and hallucinatory delirium. Subtle and intense at the same time, the omnipresent piano reigns supreme over this unique world.\u003c\/p\u003e\n\u003cp\u003eNicolas Krüger, direction\u003cbr\u003eMarion Ralincourt, flûte\u003cbr\u003eIsabel Soccoja, mezzo-soprano\u003cbr\u003eArnaud Vallin, violon\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003edu Quatuor Parisii\u003cbr\u003eFlorent Héau, clarinette\u003cbr\u003eXavier Gagnepain, violoncelle\u003cbr\u003eJean-Michel Dayez, piano\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVincent PAULET (1962--)\u003cbr\u003e     La Ballade des pendus     \u003cbr\u003e1.    Strophe I    5'16\u003cbr\u003e2.    Commentaire I    3'26\u003cbr\u003e3.    Strophe II    3'52\u003cbr\u003e4.    Commentaire II    2'52\u003cbr\u003e5.    Strophe III    3'04\u003cbr\u003e6.    Envoi    3'46\u003cbr\u003e7.    Sonatine pour violon et piano    3'04\u003cbr\u003e8.    Nuit    13'15\u003cbr\u003e     Sonatine pour violon et piano     \u003cbr\u003e9.    I    4'16\u003cbr\u003e     Partita 2     \u003cbr\u003e12.    Prophétique    3'24\u003cbr\u003e13.    Exubérant    2'15\u003cbr\u003e14.    Recueilli    4'27\u003cbr\u003e15.    Dansé    2'26\u003cbr\u003e16.    Sur un nuage    2'50\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451507450,"sku":"HOR 080","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/080-paulet.png?v=1762284622"},{"product_id":"gounod-charles-biondina-souvenir-ditalie-lefort-zaoui","title":"GOUNOD: Biondina (Souvenir d'Italie for Tenor and Piano) - David Lefort, Simon Zaoui","description":"\u003cp\u003eSince the beginning of their collaboration in 2004, David Lefort and Simon Zaoui have regularly performed in recital with various programmes: French song (Gounod, Poulenc, Fauré, Ravel) and lieder (Schubert, Schumann, Mendelssohn). In 2007 they attended a master class in interpretation with Ruben Lifschitz at the Abbey of Royaumont. This great specialist of lied and art song led them to discover the little-known score of Biondina by Charles Gounod. They thereupon developed a real affinity for this work, and — encouraged by Ruben — decided to compose a programme around this cycle. Biondina, composed in 1872, is historically speaking the first cycle of songs written by a French composer in the 19th century.\u003c\/p\u003e\n\u003cp\u003eDavid Lefort, ténor\u003cbr\u003eSimon Zaoui, piano\u003c\/p\u003e\n\u003cp\u003eCharles Gounod (1818-1893)\u003cbr\u003e     Bondina     \u003cbr\u003e     \"Roman musical\" en 12 chapitre, pour ténor et piano\u003cbr\u003e1.    Prologue : Da qualche tempo    1'31\u003cbr\u003e2.    Biondina bella    3'45\u003cbr\u003e3.    Jer l'ho scontrata    2'00\u003cbr\u003e4.    Le labbra elle compoe    2'55\u003cbr\u003e5.    E stati alquanto    1'36\u003cbr\u003e6.    Ho messo nuovo corde    1'41\u003cbr\u003e7.    Se come io son poeta    2'37\u003cbr\u003e8.    Siam'iti l'altro giorno    1'31\u003cbr\u003e9.    E le campagne hanno suontato    2'54\u003cbr\u003e10.    Ell 'è malata    3'06\u003cbr\u003e11.    Jer fu mandata    2'48\u003cbr\u003e12.    L'ho campagnata    3'39\u003cbr\u003e13.    La Veneziana    3'16\u003cbr\u003e14.    Venise    4'01\u003cbr\u003e15.    La Pervenche    2'29\u003cbr\u003e16.    La Rondinella pellegrina    1'56\u003cbr\u003e17.    Oh! Dille tu!    2'36\u003cbr\u003e18.    Le Ruisseau    2'29\u003cbr\u003e     Francesco Paolo Tosti     \u003cbr\u003e19.    Non t'amo più    2'49\u003cbr\u003e20.    Tormento    2'49\u003cbr\u003e21.    L'ultima canzone    3'57\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e22.    Pensée pour piano \"A la Lune\"    2'40\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451638522,"sku":"HOR 084","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/084-biondina.png?v=1762268129"},{"product_id":"liszt-franz-readings-liszt-in-his-literary-inspiration-stavy-nicolas","title":"LISZT: Lectures (Liszt and his literary inspirations) - Nicolas Stavy, piano","description":"\u003cp\u003e“Dear Liszt, through the mists, beyond the rivers, over the cities where pianos sing your glory, where printing translates your wisdom, wherever you may be, in the splendors of the Eternal City or in the mists of dreamy lands, improvising songs of delight or ineffable sorrow, or entrusting your abstruse meditations to paper, singer of eternal voluptuousness and anguish, philosopher, poet, and artist, I salute you in immortality…”\u003c\/p\u003e\n\u003cp\u003eCharles Baudelaire, Paris Spleen, 1869\u003c\/p\u003e\n\u003cp\u003eNicolas Stavy , piano\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eFranz Liszt (1811-1886)\u003cbr\u003e1.    Bénédiction de Dieu dans la solitude    18'48\u003cbr\u003e     [Harmonies poétiques et religieuses]\u003cbr\u003e2.    Sonnet de Pétrarque n°104    7'27\u003cbr\u003e     [Deuxième année des Années de Péleringae]\u003cbr\u003e     Six Consolations S.172     \u003cbr\u003e3.    Consolation 1    1'20\u003cbr\u003e4.    Consolation 2    3'26\u003cbr\u003e5.    Consolation 3    4'33\u003cbr\u003e6.    Consolation 4    3'00\u003cbr\u003e7.    Consolation 5    2'26\u003cbr\u003e8.    Consolation 6    3'36\u003cbr\u003e9.    Après une lecture de Dante, \"fantasia quasi sonata\"    17'59\u003cbr\u003e     [Deuxième année des Années de Pèlerinage]\u003cbr\u003e     Du berceau jusqu'à la tombe     \u003cbr\u003e10.    Le berceau    4'40\u003cbr\u003e11.    Le combat pour la vie    3'06\u003cbr\u003e12.    La tombe : berceau de la vie future    6'40\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451736826,"sku":"HOR 088","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/088-liszt.png?v=1762289059"},{"product_id":"safar-haddad-haendel-monteverdi-frescobaldi-vergers-dexil-echos-mediterraneens-safar-roula","title":"Vergers d'exil, échos méditerranéens (SAFAR\/HADDAD\/HAENDEL\/MONTEVERDI\/FRESCOBALDI)  - Roula Safar","description":"\u003cp\u003eHaddad Karim\u003cbr\u003eRoula Safar, mezzo-soprano\u003c\/p\u003e\n\u003cp\u003eIn Racines sacrées, Voix des Origines - (Hortus067), Roula Safar echoes messages from the remotest cultures of the Near East and the Mediterranean, offering us the sensitive yet serene accents of a nostalgic quest for identity.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHer musical and poetical journey continues with Vergers d’exil, échos méditerranéens, a rich mosaic of diverse æsthetic whose rich variety produces a harmonious result.\u003cbr\u003eBorn of the passage from uprootedness to a fruitful settlement, Vergers d’exil throws light on a secret world where the wounds of irreparable losses are soothed.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRoula Safar\u003cbr\u003e1.    \"Il y a des jardins\"    0'53\u003cbr\u003e     G. Schehadé\u003cbr\u003e2.    \"Nous reviendrons corps de cendre\"    2'24\u003cbr\u003e     G. Schehadé\u003cbr\u003e3.    \"Ils ne savent pas\"    2'13\u003cbr\u003e     G. Schehadé\u003cbr\u003e4.    \"A ceux qui partent\"    1'33\u003cbr\u003e     G. Schehadé\u003cbr\u003e     Karim Haddad\u003cbr\u003e5.    Meditatio II    3'53\u003cbr\u003e     Roula Safar\u003cbr\u003e6.    \"Il n'y a personne\"    4'00\u003cbr\u003e     V. Khoury-Ghata\u003cbr\u003e7.    \"Lascia ch'io pianga\"    4'06\u003cbr\u003e     V. Khoury-Ghata\u003cbr\u003e     Claudio Monteverdi\u003cbr\u003e8.    Lamento della ninfa    3'28\u003cbr\u003e     Transcription : Roula Safar\u003cbr\u003e     Roula Safar\u003cbr\u003e9.    \"Stèle à Nadia T\"    0'23\u003cbr\u003e     G. Schehadé\u003cbr\u003e10.    \"Ton visage en mes mains\"    3'35\u003cbr\u003e     N. Tueni\u003cbr\u003e11.    \"Spasta\"    3'16\u003cbr\u003e     Mélodie populaire grecque\u003cbr\u003e     Transcription : A. Markeas \/ R. Safar\u003cbr\u003e12.    \"Et un sourire\"    1'12\u003cbr\u003e     P. Eluard\u003cbr\u003e13.    \"An nahar el awal\"    1'49\u003cbr\u003e     S. Al Hamdani\u003cbr\u003e14.    Las morillas de Jaén    2'31\u003cbr\u003e     Mélodie du XVème siècle\u003cbr\u003e     Transcription : Roula Safar\u003cbr\u003e15.    \"Se l'aura spira\"    2'56\u003cbr\u003e     G. Frescobaldi\u003cbr\u003e     Transcription : Roula Safar\u003cbr\u003e16.    \"Loosin yelav\"    2'56\u003cbr\u003e     (en arménien)\u003cbr\u003e     Transcription : Roula Safar\u003cbr\u003e17.    \"Rossignolet\"    1'39\u003cbr\u003e     Mélodie populaire française\u003cbr\u003e     Transcription : Roula Safar\u003cbr\u003e18.    \"Berger de mes songes\"    2'30\u003cbr\u003e     S. Toutounji\u003cbr\u003e19.    \"Comme ces lacs\"    2'24\u003cbr\u003e     G. Schehadé\u003cbr\u003e20.    \"O mon amour\"    1'13\u003cbr\u003e     G. Schehadé\u003cbr\u003e21.    \"Si tu es belle\"    2'37\u003cbr\u003e     G. Schehadé\u003cbr\u003e22.    \"L'illusion de jardins accomplis\"    0'14\u003cbr\u003e     A. Chedid\u003cbr\u003e     Karim Haddad\u003cbr\u003e23.    Variation sur \"il y a des jardins\"    0'49\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451802362,"sku":"HOR 089","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/089-safar.png?v=1762966090"},{"product_id":"albeniz-isaac-12-nouvelles-impressions-en-quatre-cahiers-fukuma-kotaro","title":"ALBÉNIZ: Iberia - Kotaro Fukuma (2 CDs)","description":"\u003cp\u003eIsaac Albéniz\u003cbr\u003e     Iberia  \u003c\/p\u003e\n\u003cp\u003eCD 1  \u003cbr\u003e1.    Evocatión    6'29\u003cbr\u003e2.    Cádiz 'El Puerto'    3'54\u003cbr\u003e3.    Corpus Christi en Sevilla    8'51\u003cbr\u003e4.    Rondeña    7'00\u003cbr\u003e5.    Almería    9'55\u003cbr\u003e6.    Triana    5'08\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e1.    El Albaicín    7'59\u003cbr\u003e2.    El Polo    7'20\u003cbr\u003e3.    Lavapiés    6'43\u003cbr\u003e4.    Málaga    5'06\u003cbr\u003e5.    Jerez    11'25\u003cbr\u003e6.    Eritaña    5'59\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886451998970,"sku":"HOR 093","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/619COeZvEJL._SL1500.jpg?v=1761944956"},{"product_id":"wismer-pierre-un-long-voyage-trio-steuermann","title":"WISMER: Un long voyage - Trio Steuermann","description":"\u003cp\u003eThe French-Swiss composer Pierre Wissmer never stopped travelling through music, be it modern, neoclassical or contemporary. Initially showing diverse influences (César Franck, Daniel Lesur), his style developed into a completely unique sound universe distinguished by graceful purpose and force of character, much like the migrating monarch butterflies. Spanning a 35 year period, the piano and chamber music works presented in this CD offer you the discovery of heretofore unknown musical spheres.\u003c\/p\u003e\n\u003cp\u003eThroughout his life Pierre Wissmer’s trips between two homelands – France and Switzerland – nourished his musical imagination. In this wood engraving entitled ‘Long Voyage’ (2001), the American artist Jean Lodge captures the swirling movement of the butterflies enhanced by the natural vein of the wood, calling to mind their annual migration to a wintering site in Mexico four thousand kilometers from North America. As Wissmer said: One must compose with ‘the intuition of a water diviner’ and know how to find a state of equilibrium when the long voyage has come to an end. Such is the case of the millions of butterflies which, from one generation to another, succeed in alighting on the same tree in the forest of Michoacán.\u003c\/p\u003e\n\u003cp\u003eTrio Steuermann :\u003cbr\u003eMaiko Matsuoka, violon\u003cbr\u003eChristophe Mathias, violoncelle\u003cbr\u003eAnne de Fornel, piano\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003ePierre Wissmer (1915-1992)\u003cbr\u003e     Sonatine pour violon et piano     \u003cbr\u003e     (1946)\u003cbr\u003e1.    Allegro    4'29\u003cbr\u003e2.    Romance    3'54\u003cbr\u003e3.    Rondo    4'00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate pour piano     \u003cbr\u003e     (1949)\u003cbr\u003e4.    Allegro    4'59\u003cbr\u003e5.    Andante    5'16\u003cbr\u003e6.    Allegro    4'46\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Trois études pour piano     \u003cbr\u003e     (1967)\u003cbr\u003e7.    Etude n°1 pour la main droite - Allegro    3'21\u003cbr\u003e8.    Etude n°2 pour la main gauche - Allegro    3'59\u003cbr\u003e9.    Etude n°3 pour les deux mains - Allegro    2'26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Trio adelfiano pour trio avec piano     \u003cbr\u003e     (1981)\u003cbr\u003e10.    Prélude et fugue    4'04\u003cbr\u003e11.    Nocturne    4'51\u003cbr\u003e12.    Meletouga    6'00\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886452064506,"sku":"HOR 094","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/094-wissmer.png?v=1762965421"},{"product_id":"leguay-jean-pierre-chant-dairain-cuivres-et-percussions-de-lopl-leguay-rouet","title":"LEGUAY: Chant d'Airain - Brass and Percussion Section of the Orchestre du Luxembourg, Jean-Pierre Leguay","description":"\u003cp\u003e‘Three intersecting worlds: lively brass, overflowing and dynamic; the organ, rich in polymorphic fluidity and in the large number of registrations; the percussion with the flamboyant luminosity of the marimba, the whispered or shouted quivering of the tomtom, the heavy beats and enveloping rolls of the drums. Two rhapsodic frescoes, Granit and Péan I, at times gleaming, at times velvety, tender as well, are answered by Péan II, woven out of the intimacy of chamber music, the rhetoric of symphonic dialogues, the elation of an open sky, and by Chant d’airain with its tribune’s declamation matured by the complicity of the surrounding acoustic. Capriccio is rendered by just the organ, with four hands, and an improvisation by myself, like a signature, a hyphen connecting the written programme and today.’ Jean-Pierre Leguay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBrass and Percussion of l'Orchestre du Luxembourg :\u003cbr\u003eNetty Glesener, marimba\u003cbr\u003eMarc Meyers, trombone\u003cbr\u003eAdam Rixer, trompette\u003cbr\u003eSimone Patz, trombone\u003cbr\u003eRoman Zaremba, trompette\u003cbr\u003eLaurent Lemaire, trombone\u003cbr\u003eVincent Debès, trombone\u003cbr\u003ePaul Mootz, percussions\u003cbr\u003eJean-Pierre Leguay, orgue\u003cbr\u003eJean-Luc Etienne, orgue\u003cbr\u003ePascale Rouet, orgue\u003cbr\u003ePierre Nimax jun., direction\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGrand orgue Stahlhuth | Jann de l'Eglise Saint-Martin de Dudelange (Luxembourg)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003eJean-Pierre Leguay (1939--)\u003cbr\u003e1.    Granit    15'57\u003cbr\u003e     pour deux trompettes, deux trombones et orgue\u003cbr\u003e2.    Capriccio    6'51\u003cbr\u003e     pour orgue à quatre mains\u003cbr\u003e3.    Péan II    10'22\u003cbr\u003e     pour trompette et orgue\u003cbr\u003e4.    Chant d'Airain    10'45\u003cbr\u003e     pour trombone ténor seul\u003cbr\u003e5.    Improvisation    11'34\u003cbr\u003e6.    Péan I    18'59\u003cbr\u003e     pour marimba, trois trombones, orgue et percussions\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886452097274,"sku":"HOR 095","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/095-airain.png?v=1762959769"},{"product_id":"jolas-betsy-b-for-betsy-dutroncy-camatte","title":"JOLAS, Betsy: B for Betsy - Geraldine Dutroncy, Laurent Camatte","description":"\u003cp\u003e« My music !\u003c\/p\u003e\n\u003cp\u003eListening to it live has always been for me a kind of revelation.\u003cbr\u003eA discovery of what I had heard silently singing inside me, and then day after day, and still in silence, worked at translating in musical notation, suddenly projected in the reality of everyday life and sounding in full force.\u003cbr\u003eA discovery of MYSELF in music !\u003cbr\u003eBut there is more to it, and this is something I only recently understood. Indeed, what I am hearing here is not only my music. These wonderful musicians playing it before me with such passion, after spending hours unveiling its most hidden secrets, this pianist, this violist, my beloved performers have left their mark on it as well.. I owe them a good part of this « setting to music » of my life experience. They have sung it here in my name so that everyone can listen to it over and over. »\u003c\/p\u003e\n\u003cp\u003eGéraldine Dutroncy, piano\u003cbr\u003eLaurent Camatte, alto\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBetsy Jolas\u003cbr\u003e     Quatre Duos     \u003cbr\u003e1.    L'Ardente    4'17\u003cbr\u003e2.    L'Interdite    4'19\u003cbr\u003e3.    La Toute-Vive    1'50\u003cbr\u003e4.    La Grande Irenée    2'03\u003cbr\u003e5.    Pièce pour piano    8'38\u003cbr\u003e6.    Quoth the raven    5'50\u003cbr\u003e     (version alto piano)\u003cbr\u003e7.    Pièce pour Saint-Germain    9'25\u003cbr\u003e8.    Ruth wohl    4'27\u003cbr\u003e9.    Episode sixième    8'37\u003cbr\u003e10.    B for Sonata    17'24\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886452228346,"sku":"HOR 099","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/099-betsy.png?v=1762961097"},{"product_id":"machado-leve-leve-muito-leve-machado-jean-marie","title":"MACHADO: Leve Leve muito leve - Jean-Marie Machado, Andy Sheppard, Riccardo del Fra, The Secret Orchestra","description":"\u003cp\u003eJean-Marie Machado – piano\u003cbr\u003eRiccardo del Fra – contrebasse\u003cbr\u003eAndy Sheppard – saxophones\u003cbr\u003eSolistes de Lyon – direction de Bernard Tétu\u003cbr\u003eThe Secret Orchestra – direction : Eric Villevière\u003cbr\u003e– Benat Achiary – voix\u003cbr\u003e– Jean-Yves Penafiel – voix\u003cbr\u003e– Pascal Contet – accordéon\u003cbr\u003e– Christian Hamouy – batterie\u003cbr\u003e– Jacques Mahieux – batterie\u003cbr\u003e– François Merville – batterie\u003c\/p\u003e\n\u003cp\u003eOctet à vents de l’Ensemble Instrumental de l’Ariège\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003e1        Leve Leve Muito Leve    4:05\u003cbr\u003e2        Sinto A Saudade Mais Perto    5:17\u003cbr\u003e3        Navire En Partance    1:42\u003cbr\u003e4        Le Petit Bal    1:45\u003cbr\u003e5        Cada Tua Badalada    4:05\u003cbr\u003e6        O Meu Amor    3:26\u003cbr\u003e7        Sorcière En Neige    9:17\u003cbr\u003e8        Le Mariage    3:34\u003cbr\u003e9        Navio Que Partes Par Longe    2:51\u003cbr\u003e10        Eu Tenho Um Bebe Soloist – Jean-Michel Maury 1:28\u003cbr\u003e11        Passa Ave Passa    7:23\u003cbr\u003e12        Ave Perdida Soloist – Fadhila Chebab 5:10\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e13        Vers Les Lointains    2:15\u003cbr\u003e14        Borboleta Da Luz    5:28\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886452261114,"sku":"HOR 100","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/leve-leve.jpg?v=1762960729"},{"product_id":"handel-george-frideric-theatre-intime-les-lunes-du-cousin-jacques","title":"HANDEL: Théâtre intime - Les Lunes du Cousin Jacques","description":"\u003cp\u003eOutstandingly attuned to human passions, Händel possessed uncanny skill in musically portraying the psychology of complex characters, revealing a humanity teetering between inner strife and public outpourings… Putting instrumental and vocal works face to face gives rise to the emergence of an Intimate Theatre, a thread running through the great Saxon’s entire chamber music production, in unique interplay amongst theatrality, singing, ornamentation, rhetorics and invention.\u003c\/p\u003e\n\u003cp\u003eLes Lunes du Cousin Jacques :\u003cbr\u003eAurore Bucher, soprano\u003cbr\u003eFrédéric Hernandez, clavecin\u003cbr\u003eDiego Salamanca, théorbe\u003cbr\u003eBenoît Toïgo, flûte à bec\u003cbr\u003eAnnabelle Brey, violoncelle\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGeorg Friedrich Haendel (1685-1759)\u003cbr\u003e     Sonate en ré mineur pour flûte à bec et basse continue     \u003cbr\u003e     HWV 367\u003cbr\u003e1.    Largo    2'41\u003cbr\u003e2.    Vivace    3'02\u003cbr\u003e3.    Furioso    2'11\u003cbr\u003e4.    Adagio    1'43\u003cbr\u003e5.    Alla breve    1'44\u003cbr\u003e6.    Andante    2'02\u003cbr\u003e7.    A tempo di Menuet    1'35\u003cbr\u003e8.    \"Son d'Egitto\" air italien solo :    1'18\u003cbr\u003e     (inédit du RCM, London)\u003cbr\u003e9.    Adagio en Fa Majeur \"mis en concert\"    2'28\u003cbr\u003e     (extrait de la \"grande suite en Fa M\" HWW 427 pour clavecin seul)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate en la mineur pour flûte à bec et basse continue HWV 369     \u003cbr\u003e10.    Larghetto    3'19\u003cbr\u003e11.    Allegro    2'37\u003cbr\u003e12.    Adagio    2'38\u003cbr\u003e13.    Allegro    3'25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     \"Nel doce dell'oblio\" cantate pour soprano, flûte à bec et basse continue HWV 134     \u003cbr\u003e14.    Recitativo : Nel dolce dell'oblio    0'45\u003cbr\u003e15.    aria : Giacché il sonno a lei dipinge    2'51\u003cbr\u003e16.    Recitativo : così fida elle vive    0'27\u003cbr\u003e17.    Aria : Ha l'inganno    2'37\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate en Sib Majeur pour flûte à bec et basse continue HWV 377     \u003cbr\u003e18.    Sans indication de mouvement    1'44\u003cbr\u003e19.    Adagio    1'39\u003cbr\u003e20.    Allegro    2'39\u003c\/p\u003e\n\u003cp\u003e21.    \"Non posso dir di più\" air italien solo :    3'54\u003cbr\u003e     (inédit du RCM, London)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate en do Majeur pour flûte à bec et basse continue HWV     \u003cbr\u003e22.    Larghetto    3'03\u003cbr\u003e23.    Allegro    2'18\u003cbr\u003e24.    larghetto    2'09\u003cbr\u003e25.    A tempo di Gavotta    2'05\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886452457722,"sku":"HOR 101","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/101-haendel.png?v=1762268324"},{"product_id":"bach-johann-sebastian-lart-de-la-fugue-allard-regis","title":"BACH, J.S.: L'Art de la Fugue - Regis Allard, Emmanuel Mandrin (2 CDs)","description":"\u003cp\u003eThe twenty fugues from one of the Leipzig Cantor's last masterpieces.\u003c\/p\u003e\n\u003cp\u003eThe sound and color of the greatest German Baroque organ ever built in Paris after the instruments J.S Bach may have known and played at the end of his life.\u003c\/p\u003e\n\u003cp\u003eGrand Orgue Bernard Aubertin de l'Eglise Saint-Louis-en-L'Ile de Paris\u003c\/p\u003e\n\u003cp\u003eRégis Allard, orgue\u003cbr\u003eEmmanuel Mandrin, orgue\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Johann Sebastian Bach (1685-1750)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eFugue simple à 4 voix\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e1.\u003cspan\u003e \u003c\/span\u003eRectus\u003cspan\u003e \u003c\/span\u003e3'43\u003c\/div\u003e\n\u003cdiv\u003e2.\u003cspan\u003e \u003c\/span\u003eInversus\u003cspan\u003e \u003c\/span\u003e2'59\u003c\/div\u003e\n\u003cdiv\u003e3.\u003cspan\u003e \u003c\/span\u003eRectus\u003cspan\u003e \u003c\/span\u003e3'00\u003c\/div\u003e\n\u003cdiv\u003e4.\u003cspan\u003e \u003c\/span\u003eInversus\u003cspan\u003e \u003c\/span\u003e4'58\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eFugue-strette\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e5.\u003cspan\u003e \u003c\/span\u003eInversus\u003cspan\u003e \u003c\/span\u003e3'20\u003c\/div\u003e\n\u003cdiv\u003e6.\u003cspan\u003e \u003c\/span\u003eIn stylo Francese\u003cspan\u003e \u003c\/span\u003e4'41\u003c\/div\u003e\n\u003cdiv\u003e7.\u003cspan\u003e \u003c\/span\u003ePer augmentationem et diminutionem\u003cspan\u003e \u003c\/span\u003e4'08\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eFugue double\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e8.\u003cspan\u003e \u003c\/span\u003eA 4 voix : alla Duodecima\u003cspan\u003e \u003c\/span\u003e3'50\u003c\/div\u003e\n\u003cdiv\u003e9.\u003cspan\u003e \u003c\/span\u003eA 3 voix\u003cspan\u003e \u003c\/span\u003e6'13\u003c\/div\u003e\n\u003cdiv\u003e10.\u003cspan\u003e \u003c\/span\u003eA 4 voix : alla Decima\u003cspan\u003e \u003c\/span\u003e4'29\u003c\/div\u003e\n\u003cdiv\u003e11.\u003cspan\u003e \u003c\/span\u003eA 4 voix\u003cspan\u003e \u003c\/span\u003e7'01\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCD 2\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eJohann Sebastian Bach (1685-1750)\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eFugue miroir\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e1.\u003cspan\u003e \u003c\/span\u003eà 3 voix : Rectus\u003cspan\u003e \u003c\/span\u003e2'28\u003c\/div\u003e\n\u003cdiv\u003e2.\u003cspan\u003e \u003c\/span\u003eA 3 voix : inversus\u003cspan\u003e \u003c\/span\u003e2'33\u003c\/div\u003e\n\u003cdiv\u003e3.\u003cspan\u003e \u003c\/span\u003eA 4 voix : Rectus\u003cspan\u003e \u003c\/span\u003e2'51\u003c\/div\u003e\n\u003cdiv\u003e4.\u003cspan\u003e \u003c\/span\u003eA 4 voix : Inversus\u003cspan\u003e \u003c\/span\u003e2'51\u003c\/div\u003e\n\u003cdiv\u003e \u003cspan\u003e \u003c\/span\u003eCanon\u003cspan\u003e \u003c\/span\u003e \u003c\/div\u003e\n\u003cdiv\u003e5.\u003cspan\u003e \u003c\/span\u003eAlla Duodecima\u003cspan\u003e \u003c\/span\u003e3'48\u003c\/div\u003e\n\u003cdiv\u003e6.\u003cspan\u003e \u003c\/span\u003eAlla Octava\u003cspan\u003e \u003c\/span\u003e4'38\u003c\/div\u003e\n\u003cdiv\u003e7.\u003cspan\u003e \u003c\/span\u003ePer Augmentationem in Contrario Motu\u003cspan\u003e \u003c\/span\u003e4'07\u003c\/div\u003e\n\u003cdiv\u003e8.\u003cspan\u003e \u003c\/span\u003eAlla Decima\u003cspan\u003e \u003c\/span\u003e4'51\u003c\/div\u003e\n\u003cdiv\u003e9.\u003cspan\u003e \u003c\/span\u003eFugue triple inachevée\u003cspan\u003e \u003c\/span\u003e8'34\u003c\/div\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886452949242,"sku":"HOR 1039","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/039-fugue.png?v=1761945290"},{"product_id":"tramages-ensemble-mesostics-tramages-ensemble-mesostics-tramages-ensemble-mesostics","title":"Tramages - Ensemble Mesostics (CD + DVD)","description":"\u003cp\u003eThe CD\/DVD ‘Tramages’ intertwines three different musical languages as it demonstrates the versatility of the Ensemble Mesostics. The specificity of the programme – four Trames by Martin Matalon, Interstices by Philippe Hurel and the Violon Concerto by Bernard Cavanna – is particularly linked to setting up a new and freer relationship between the soloist and the ensemble.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis recording offers the audience an image of stylistic diversity with regard to contemporary creations by highlighting a different soloist in each work: piano, horn, oboe, percussion and violin. Accompanying the CD with a DVD enriches the listening experience with a visual dimension: one can discover the Ensemble in rehearsal and recording sessions, as well as interviews held with the composers, the conductor and the artistic director.\u003c\/p\u003e\n\u003cp\u003eLucie Antunes, percussion\u003cbr\u003eAmaryllis Billet, violon solo\u003cbr\u003eAnne de Fornel, piano\u003cbr\u003eGuillaume Tétu, cor\u003cbr\u003eJulien Weber, hautbois\u003cbr\u003eEnsemble Mesostics\u003cbr\u003eRenaud Déjardin, direction\u003cbr\u003eJean Geoffroy, direction\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMartin Matalon\u003cbr\u003e1.    Trame IV pour piano solo et onze instrumentistes    14'13\u003cbr\u003e2.    Trame VII pour cor solo et quinze instrumentistes    13'43\u003cbr\u003e     Philippe Hurel\u003cbr\u003e3.    Interstices pour piano solo et trois percussionnistes    13'50\u003cbr\u003e     Martin Matalon\u003cbr\u003e4.    Trame I pour hautbois solo et cinq instrumentistes    11'41\u003cbr\u003e5.    Trame VIII pour marimba solo et huit instrumentistes    18'36\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDVD\u003cbr\u003e     Martin Matalon\u003cbr\u003e1.    Sessions de répétition et d'enregistrement des Trames I, IV, et VIII    \u003cbr\u003e     Bernard Cavana\u003cbr\u003e3.    Concerto pour violon\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453014778,"sku":"HOR 104","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/104-tramages.png?v=1762965541"},{"product_id":"sluchin-naaman-i-am-the-wind-hofmeister-michael","title":"Sluchin: I am the wind (Je suis le vent) - Michael Hofmeister","description":"\u003cp\u003e\"… In several ways Sahar’s work plays with spaces that never fit together perfectly, none among them yielding a completely finished entity. His work is characterized by a radicality devoid of any qualms about stretching to the hilt our listening (…)The text is often as if chewed up and thereby removed from immediate comprehension, as if by stretching it, hammering it home, breaking it up into phonemes it were possible to reach a beneath-the-surface, opaque or sacred meaning.\" --Diapason\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSahar Nimrod (1978)\u003cbr\u003e1.    Prélude    4'58\u003cbr\u003e2.    Postlude I    1'16\u003cbr\u003e3.    \"Non je n'existe plus\"    2'14\u003cbr\u003e4.    Coda    6'16\u003cbr\u003e5.    Interlude    0'47\u003cbr\u003e6.    Cérémonie    2'35\u003cbr\u003e7.    Commentaires    2'34\u003cbr\u003e8.    \"Il y a temps de silence ici\"    1'52\u003cbr\u003e9.    \"Tout à l'heure tu disais\"    1'26\u003cbr\u003e10.    Scène I    13'05\u003cbr\u003e11.    \"Alors tu mourrais de froid\"    0'44\u003cbr\u003e12.    Finale    3'26\u003cbr\u003e13.    Scène II    7'13\u003cbr\u003e14.    Postlude II    3'30\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453047546,"sku":"HOR 105","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/105-sahar.png?v=1765576445"},{"product_id":"brahms-the-progressive-m-fossi-brahms-the-progressive-m-fossi-brahms-the-progressive-m-fossi","title":"BRAHMS: Brahms \"The Progressive\" (Piano Works) - Matteo Fossi, piano","description":"\u003cp\u003eIn 1933, Arnold Schönberg defined ‘Brahms the Progressive’ as the initiator of a free language: ‘He was a great innovator in the area of musical language.’ This disc covers the composer’s entire life, starting with the Variations op. 9, composed at the age of just 20 years, then touching the middle period of his production with the Rhapsodies, and finishing with compositions which constitute his farewell to the piano: the Fantaisies and the Klavierstücke, written when he was in his sixties. The feature common to these piano compositions is their characteristic musical language and their Brahmsian power, which is recognised in the first notes of his youthful compositions and is still found, unambiguously, in the intimacy of his last works.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eJohannes Brahms (1833-1897)\u003cbr\u003e     Variations on a theme by Schumann op. 9     \u003cbr\u003e1.    Theme. Variations I - XVI    17'47\u003cbr\u003e     Two Rhapsodies op. 79     \u003cbr\u003e2.    Rhapsody op. 79 n°1 : Aditato (in B minor)    9'51\u003cbr\u003e3.    Rhapsody op. 79 n°2 : Molto passionato ma non troppo allegro (in G minor)    6'43\u003cbr\u003e     Seven Fantasias op. 116     \u003cbr\u003e4.    Capriccio : Presto energico (in D minor)    2'34\u003cbr\u003e5.    Intermezzo : Andante (in A minor)    3'26\u003cbr\u003e6.    Capriccio : Allegro passionato (in G minor)    3'20\u003cbr\u003e7.    Intermezzo : Adagio (in E major)    4'13\u003cbr\u003e8.    Intermezzo : Andante con grazia ed intimissimo sentimento (in E minor)    2'50\u003cbr\u003e10.    Cappriccio : Allegro agitato (in D minor)    2'18\u003cbr\u003e     Four Pieces (Klavierstücke) op. 119     \u003cbr\u003e11.    Intermezzo : Adagio (in B minor)    3'29\u003cbr\u003e12.    Intermezzo : Andantino (in B minor)    4'53\u003cbr\u003e13.    Intermezzo : Grazioso e giocoso (in C major)    1'44\u003cbr\u003e14.    Rhapsody : Allegro risoluto (in E flat major)    5'31\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453145850,"sku":"HOR 108","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/108-brahms.png?v=1761944567"},{"product_id":"js-bach-lart-du-choral-js-bach-lart-du-choral-js-bach-lart-du-choral","title":"BACH: L'Art du Choral - La Camerata Baroque, Daniel Meylan","description":"\u003cp\u003eOrgue Ahrend de l'Eglise des Jésuites de Porrentruy (Suisse)\u003c\/p\u003e\n\u003cp\u003eDaniel Meylan, orgue\u003cbr\u003eLa Camerata Baroque\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Johann Sebastian Bach (1685-1750)\u003cbr\u003e1.    Allein Gott in der Höh' sei Ehr BWV 711    1'36\u003cbr\u003e2.    Nun komm, der Heiden Heiland BWV 599    4'58\u003cbr\u003e3.    In dir ist Freude BWV 615    4'06\u003cbr\u003e4.    O lamm Gottes unschuldig BWV 656a    5'21\u003cbr\u003e5.    Christ lag in Todesbanden BWV 625    2'58\u003cbr\u003e6.    Komm, Gott Schöpfer, heiliger Geist BWV 667    3'27\u003cbr\u003e7.    Wir glauben all' an einen Gott BWV 680    6'02\u003cbr\u003e     In organo pleno\u003cbr\u003e8.    Nun freut euch, lieben Christen g'mein BWV 734    3'25\u003cbr\u003e9.    Kommst du nun, Jesu, vom Himmel herunter BWV 650    4'07\u003cbr\u003e10.    Schmücke dich, o liebe Seele BWV 654    9'04\u003cbr\u003e11.    Wachet auf, ruft uns die Stimme BWV 645    5'57\u003cbr\u003e12.    Ich ruf' zu dir, Herr Jesu Christ BWV 639    3'56\u003cbr\u003e13.    Valet will ich dir geben BWV 736    5'43\u003cbr\u003e14.    Trio super Allein Gott in der Höh' sei Ehr BWV 664    6'14\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453244154,"sku":"HOR 112","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/112-choral.png?v=1762287527"},{"product_id":"debussy-reflets-dans-leau-fukuma-debussy-reflets-dans-leau-fukuma-debussy-reflets-dans-leau-fukuma","title":"Debussy: Reflets dans l'eau - Kotaro Fukuma","description":"\u003cp\u003eThe Chinese character ‘Ko’ in Kotaro suggests ‘light on water’ and inspired Kotaro Fukuma to develop a project close to his heart, ‘Shimmering Water’. Many composers have been similarly attracted by this image, first amongst them Debussy. Kotaro Fukuma’s superb interpretion of these water-inspired pieces by Debussy directly reflects his own self-image.\u003c\/p\u003e\n\u003cp\u003eKotaro Fukuma, piano\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eClaude Debussy (1862-1918)\u003cbr\u003e     Deux arabesques     \u003cbr\u003e1.    Première Arabesque    3'49\u003cbr\u003e2.    Deuxième Arabesque    3'25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Images, Livre I     \u003cbr\u003e3.    Reflets dans l'eau    5'15\u003cbr\u003e4.    Hommage à Rameau    7'03\u003cbr\u003e5.    Mouvement    3'13\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Préludes, Livre II     \u003cbr\u003e6.    Ondine    3'21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Préludes, Livre I     \u003cbr\u003e7.    La cathédrale engloutie    5'58\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Estampes     \u003cbr\u003e8.    Pagodes    4'53\u003cbr\u003e9.    Soirée dans Grenade    5'13\u003cbr\u003e10.    Jardin sous la pluie    3'30\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Rêverie op. L. 69     \u003cbr\u003e11.    Clair de Lune    4'57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Images, Livre II     \u003cbr\u003e12.    Cloches à travers les feuilles    4'29\u003cbr\u003e13.    Et la Lune descend sur le temple qui fut    5'40\u003cbr\u003e14.    Poissons d'or    3'54\u003cbr\u003e15.    L'Isle Joyeuse    6'02\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453276922,"sku":"HOR 113","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/113-debussy.png?v=1762196944"},{"product_id":"loeuvre-dorgue-integral-de-jean-louis-florentz-de-cire-et-or-loeuvre-dorgue-integral-de-jean-louis-florentz-de-cire-et-or-loeuvre-dorgue-integral-de-jean-louis-florentz-de-cire-et-or","title":"FLORENTZ: De Cire et Or (\"Of Wax and Gold\") - Thomas Monnet, organ","description":"\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLes Laudes. Kidân Za-Nageh, 7 Pièces Pour Orgue Op. 5 (32:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eDis-Moi Ton Nom...\u003cspan\u003e \u003c\/span\u003e6:00\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003ePrière Pour Délier Les Charmes\u003cspan\u003e \u003c\/span\u003e2:38\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eHarpe De Marie\u003cspan\u003e \u003c\/span\u003e4:48\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eChant Des Fleurs\u003cspan\u003e \u003c\/span\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003ePleurs De La Vierge\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eRempart De La Vierge\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003e... Seigneur Des Lumières\u003cspan\u003e \u003c\/span\u003e8:07\u003c\/div\u003e\n\u003cdiv\u003eL'Enfant Noir. Conte Symphonique Pour Grand Orgue En 14 Tableaux Op. 17 (Inachevé)\u003cspan\u003e \u003c\/span\u003e(9:36)\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003ePrélude (Tableau 1)\u003cspan\u003e \u003c\/span\u003e9:36\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eDebout Sur Le Soleil. Chant De Résurrection pour Grand Orgue Op. 8\u003cspan\u003e \u003c\/span\u003e26:56\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eLa Croix De Sud. Poème Symphonique Pour Grand Orgue Op. 15\u003cspan\u003e \u003c\/span\u003e17:01\u003c\/div\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453309690,"sku":"HOR 114","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NDUtNTA1MS5qcGVn.jpg?v=1761913609"},{"product_id":"dumka-mussorgsky-glinka-balakirev-fukuma-dumka-mussorgsky-glinka-balakirev-fukuma-dumka-mussorgsky-glinka-balakirev-fukuma","title":"DUMKA: Piano Music of Mussorgsky, Glinka, Balakirev and More - Kotaro Fukuma","description":"\u003cp\u003eDumka is the equivalent of reverie or dreaming’. Of all Tchaikovsky’s piano works, Dumka bears the strongest imprint of Russian folklore. With his own dumka, Kotaro Fukuma invites us to follow him in a splendid promenade.\u003c\/p\u003e\n\u003cp\u003eKotaro Fukuma, piano\u003c\/p\u003e\n\u003cp\u003eModest Mussorgsky\u003cbr\u003e     Tableaux d'une Exposition     \u003cbr\u003e1.    Promenade    1'28\u003cbr\u003e2.    Gnomus    2'37\u003cbr\u003e3.    Promenade    0'52\u003cbr\u003e4.    Il vecchio castello    4'08\u003cbr\u003e5.    Promenade    0'28\u003cbr\u003e6.    Tuileries    1'01\u003cbr\u003e7.    Bydlo    2'55\u003cbr\u003e8.    Promenade    0'47\u003cbr\u003e9.    Ballet des poussins dans leurs coques    1'11\u003cbr\u003e10.    Samuel Goldenberg et Schmuyle    2'21\u003cbr\u003e11.    Promenade    1'32\u003cbr\u003e12.    Le marché de Limoges    1'21\u003cbr\u003e13.    Catacombes    2'19\u003cbr\u003e14.    Cum mortuis in lingua mortua    2'14\u003cbr\u003e15.    La cabane sur des pattes de poule    3'15\u003cbr\u003e16.    La Grande Porte de Kiev    5'24\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Mikhail Glinka\u003cbr\u003e17.    L'Alouette    5'24\u003cbr\u003e     Transcription : Mily Balakirev\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Mily Balakirev\u003cbr\u003e18.    Islamey op. 18    8'43\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Piotr Ilitch Tchaikovski\u003cbr\u003e19.    Dumka op. 59    8'53     Scène rustique russe op.59\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Igor Stravinsky (1882-1971)\u003cbr\u003e     L'Oiseau de feu     \u003cbr\u003e     Transcription : G. Agosti\u003cbr\u003e20.    Danse infernale de Kastcheï    4'56\u003cbr\u003e21.    Berceuse    3'00\u003cbr\u003e22.    Finale    3'18\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453342458,"sku":"HOR 115","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/115-dumka.png?v=1762197450"},{"product_id":"vepres-du-saint-nom-de-marie-m-dupre-vepres-du-saint-nom-de-marie-m-dupre-vepres-du-saint-nom-de-marie-m-dupre","title":"DUPRE: Vêpres du Saint Nom de Marie - Vincent Genvrin, Schola Sainte-Cecile, Thomas Ospital","description":"\u003cp\u003eIn the fall of 1919 Marcel Dupré, at the time assistant to Louis Vierne at the main organ of Notre-Dame in Paris, received a startling letter: the General Director of the Rolls-Royce firm, Claude Johnson, asked him to set to paper improvisations he had heard at Vespers on 15 August, a nameless listener within the vast congregation. Thus the 15 Versets for the Vespers of the Feasts of the Holy Virgin op. 18 were born, published in England the following year. This extraordinary document should be placed in its liturgical context. This is precisely what the Schola Saint Cécile proposed to us, with an accurate restitution of the complete office in which Gregorian plainchant alternates with the great organ, in sonorous praise of exceptional richness.\u003c\/p\u003e\n\u003cp\u003eVincent Genvrin, orgue\u003cbr\u003eSchola Sainte Cécile\u003cbr\u003eThomas Ospital, orgue\u003cbr\u003eHenri Adam de Villiers, direction\u003c\/p\u003e\n\u003cp\u003eMarcel Dupré (1886-1971)\u003cbr\u003e1.    Cortège et Litanie op. 19    5'48\u003cbr\u003e     Anonyme\u003cbr\u003e2.    Ouverture de l'office    1'01\u003cbr\u003e3.    1er psaume    6'11\u003cbr\u003e     Psaume CIX Dixit dominus (IIIe ton)\u003cbr\u003e     Inclus : M. Dupré, Fifteen Pieces founded on Antiphons, Antienne I - Maestoso\u003cbr\u003e4.    2e psaume    5'22\u003cbr\u003e     Psaume CXII Laudate pueri (IVe ton)\u003cbr\u003e     Inclus : Fifteen Pieces founded on Antiphons , Antienne II - Tranquillo\u003cbr\u003e5.    3e psaume    7'28\u003cbr\u003e     Psaume CXXI Laetatus sum (IIIe ton)\u003cbr\u003e     Inclus : Fifteen Pieces founded on Antiphons , Antienne III - Très lent et sans rigueur\u003cbr\u003e6.    4e psaume    3'40\u003cbr\u003e     Psaume CXXVI Nisi Dominus (VIIIe ton)\u003cbr\u003e     Inclus : Fifteen Pieces founded on Antiphons , Antienne IV - Assez animé\u003cbr\u003e7.    5e psaume    5'43\u003cbr\u003e     Psaume CXLVII Laudate Jerusalem (IVe ton)\u003cbr\u003e     Inclus : Fifteen Pieces founded on Antiphons , Antienne V - Andante moderato\u003cbr\u003e8.    Capitule    0'26\u003cbr\u003e9.    Hymne Ave Maris Stella    10'53\u003cbr\u003e     Inclus : Fifteen Pieces founded on Antiphons , quatre versets sur Ave Maris Stella\u003cbr\u003e10.    Verset    0'31\u003cbr\u003e11.    Cantique Magnificat    10'30\u003cbr\u003e     Inclus : Fifteen Pieces founded on Antiphons , six versets pour le Magnificat\u003cbr\u003e12.    Oraison    1'02\u003cbr\u003e13.    Mémoire    2'02\u003cbr\u003e14.    Conclusion de l'office    1'14\u003cbr\u003e     Marcel Dupré (1886-1971)\u003cbr\u003e15.    Carillon    5'23\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453375226,"sku":"HOR 116","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/116-vepres.png?v=1762271334"},{"product_id":"martial-caillebotte-m-piquemal-martial-caillebotte-m-piquemal-martial-caillebotte-m-piquemal","title":"Caillebotte: Dies Irae \/ Une Journee \/ Psalm 132 -  Michel Piquemal","description":"\u003cp\u003eMartial Caillebotte (1853-1910), rediscovered by Michel Piquemal (Solemn Easter Mass), appears today for what he was: a talented composer, not simply the little known brother of Gustave Caillebotte, pillar of impressionism and patron of Monet, Renoir and Degas. His compositions impress us with the strength and richness of his sound palette and llustrate the luster and beauty of musical life in the great Parisian parishes at the end of the 19th century.\u003c\/p\u003e\n\u003cp\u003eChœur régional Vittoria\u003cbr\u003eEric Génovèse\u003cbr\u003eOrchestre Pasdeloup\u003cbr\u003eMichel Piquemal, direction\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMartial Caillebotte\u003cbr\u003e     Dies Irae     \u003cbr\u003e1.    Dies Irae    4'34\u003cbr\u003e2.    Quantus tremor est futurus    4'28\u003cbr\u003e3.    Quid sum miser    4'44\u003cbr\u003e4.    Inter oves locum praesta    2'35\u003cbr\u003e5.    Oro supplex    3'00\u003cbr\u003e6.    Huic ergo    3'54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Une Journée     \u003cbr\u003e7.    Le Lever du Soleil [poème]    1'06\u003cbr\u003e8.    Le Lever du Soleil [musique]    5'50\u003cbr\u003e9.    Le Poète [poème]    0'42\u003cbr\u003e10.    Le Poète [musique]    6'21\u003cbr\u003e11.    Le Régiment qui passe [poème]    1'09\u003cbr\u003e12.    Le Régiment qui passe [musique]    3'59\u003cbr\u003e13.    Promenade aux Champs [poème]    0'47\u003cbr\u003e14.    Promenade aux Champs (musique)    8'27\u003cbr\u003e15.    L’Angélus [poème et musique]    4'49\u003cbr\u003e16.    Le Coucher du Soleil [poème]    0'53\u003cbr\u003e17.    Le Coucher du Soleil [musique]    4'54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Psaume 132     \u003cbr\u003e18.    Ecce quam bonum    5'57\u003cbr\u003e19.    Sicut unguentum    3'24\u003cbr\u003e20.    Quoniam illic    1'23\u003cbr\u003e21.    Ecce quam bonum [reprise]    4'19\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453407994,"sku":"HOR 117","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/117-caillebotte.png?v=1762285200"},{"product_id":"chopin-autour-des-ballades-fukuma-chopin-autour-des-ballades-fukuma-chopin-autour-des-ballades-fukuma","title":"Chopin: Autour des Ballades - Kotaro Fukuma","description":"\u003cp\u003eAfter his trip to Spain (Iberia by Isaac Albéniz) and his Russian promenades in the path of the Pictures from an Exhibition (by Modest Moussorgsky), Kotaro Fukuma is travelling with Frédéric Chopin in the heart of European music. In France, Chopin's soul sings with a poetry which goes beyond all borders (Grande Polonaise Brillante). His Four Ballades, composed in Vienna and Paris, express alternating sentiments, an 'Odyssey of Chopin's soul', as Liszt expressed it (N°1): sadness, anxiety, dreaminess, serenity, elation, always enrobed in beautiul and original harmonic modulations. The universality of the sentiments expressed by the power of his art gives Chopin's music an unsurpassable force. It is a challenge to his interpreters to reveal this. Kotaro Fukuma has taken up this challenge in his album 'Autour des Ballades'.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eFrédéric Chopin\u003cbr\u003e1.    Andante spianato et Grande polonaise brillante en Mi Bémol Majeur op. 22    14'04\u003cbr\u003e2.    Fantaisie-impromptu en Do Dièse Mineur op. 66    4'56\u003cbr\u003e3.    Ballade No.1 en Sol Mineur op. 23    9'36\u003cbr\u003e4.    Valse No. 3 en La Mineur op. 34    6'04\u003cbr\u003e5.    Ballade No.2 en Fa Majeur op. 38    7'47\u003cbr\u003e6.    Ballade No.3 en La Bémol Majeur op. 47    7'23\u003cbr\u003e7.    Nocturne No.13 en Do Mineur op. 48    6'05\u003cbr\u003e8.    Ballade No.4 en Fa Mineur op. 52    11'28\u003cbr\u003e9.    Nocturne No. 4 en Fa Majeur op. 15    4'08\u003cbr\u003e10.    Etude No.3 en Mi Majeur op. 10    4'23\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453440762,"sku":"HOR 118","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/118-chopin.png?v=1762187669"},{"product_id":"schumann-une-vie-en-musique-m-fossi-schumann-une-vie-en-musique-m-fossi-schumann-une-vie-en-musique-m-fossi","title":"Schumann: A Life in Music (Selected Piano Works) -  Matteo Fossi","description":"\u003cp\u003eA complete symbiosis between life and art, and dramatic contrast between the real and the ideal emerges in his music with unusual expressive potency.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe 1838 version of Kreisleriana shows the full revolutionary scope of Schumannian writing.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Geister-Variationen arouses a particolar emotion; it has always deeply impressed me to reflect upon a work whose composition straddles the composer’s suicide attempt, and the last variation is one of the most moving works it has ever been granted me to perform.\u003cbr\u003eThe Bunte Blätter, these scattered pages are like a forest through which everyone must find his own way.’\u003c\/p\u003e\n\u003cp\u003eMatteo Fossi\u003c\/p\u003e\n\u003cp\u003eMatteo Fossi, piano\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eRobert SCHUMANN (1810-1856)\u003cbr\u003e     Kreisleriana op. 16     \u003cbr\u003e1.    Äusserst bewegt    2'15\u003cbr\u003e2.    Sehr innig und nicht zu rasch – Intermezzo I – Intermezzo II    7'41\u003cbr\u003e3.    Sehr aufgeregt    4'26\u003cbr\u003e4.    Sehr langsam    3'51\u003cbr\u003e5.    Sehr lebhaft    3'06\u003cbr\u003e6.    Sehr langsam    3'44\u003cbr\u003e7.    Sehr rasch    2'28\u003cbr\u003e8.    Schnell und spielend    3'49\u003cbr\u003e     Bunte Blätter op. 99     \u003cbr\u003e9.    Stücklein (Nicht schnell, mit Innigkeit)    1'53\u003cbr\u003e10.    Stücklein (Sehr rasch)    1'01\u003cbr\u003e11.    Stücklein (Frisch)    0'57\u003cbr\u003e12.    Albumblätter (Ziemlich Langsam)    1'59\u003cbr\u003e13.    Albumblätter (Schnell)    0'46\u003cbr\u003e14.    Albumblätter (Ziemlich langsam, sehr gesangvoll)    1'33\u003cbr\u003e15.    Albumblätter (Sehr langsam)    2'34\u003cbr\u003e16.    Albumblätter (Langsam)    1'14\u003cbr\u003e17.    Novellete    2'51\u003cbr\u003e18.    Präludium    1'11\u003cbr\u003e19.    Marsch    6'41\u003cbr\u003e20.    Abendmusik    3'10\u003cbr\u003e21.    Scherzo    4'27\u003cbr\u003e22.    Geschwindmarsch    3'39\u003cbr\u003e     Thema mit Variationen (Geister-Variationen)     \u003cbr\u003e23.    I - V    12'53\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453506298,"sku":"HOR 120","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/120-schumann.png?v=1762348434"},{"product_id":"presencias-quintette-avec-guitare-ens-miro-presencias-quintette-avec-guitare-ens-miro-presencias-quintette-avec-guitare-ens-miro","title":"Presencias: Quintets for Guitar - Ensemble MIRO","description":"\u003cp\u003eThe guitar, instrument of ambiguity, the human, the earthly, joins forces with the uncontested monarch among ensembles, home to the finest masterpieces of the repertoire, from Beethoven to Bartók, from Haydn to Ravel: the string quartet.\u003c\/p\u003e\n\u003cp\u003eKuo Li-Kung, violon\u003cbr\u003eNicolas Lestoquoy, guitare\u003cbr\u003eChiang Ming-Yi, violon\u003cbr\u003eChen Ya-Ting, alto\u003cbr\u003eLiu Hui-Fen, violoncelle\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003eMario Castelnuovo-Tedesco\u003cbr\u003e     Quintette pour guitare et quatuor à cordes op. 143     \u003cbr\u003e1.    Allegro, vivo e schietto    5'34\u003cbr\u003e2.    Andante mesto    7'04\u003cbr\u003e3.    Scherzo : Allegro con spirito alla Marcia    4'37\u003cbr\u003e4.    Finale : Allegro con fuoco    6'01\u003cbr\u003e     Carlos Guastavino\u003cbr\u003e     Las Presencias     \u003cbr\u003e5.    Jeromita Linares    12'32\u003cbr\u003e     Pablo De Sarasate (1844-1908)\u003cbr\u003e     Danses espagnoles op. 21     \u003cbr\u003e     Transcription : Klas Krantz\u003cbr\u003e6.    Malagueña    4'51\u003cbr\u003e     Danses espagnoles op. 22     \u003cbr\u003e7.    Romanza Andaluza    4'48\u003cbr\u003e     Danses espagnoles op. 23     \u003cbr\u003e     Transcription : Pierre Augé\u003cbr\u003e8.    Playera    5'05\u003cbr\u003e9.    Zapateado    3'42\u003cbr\u003e     Manuel De Falla (1876-1946)\u003cbr\u003e     Suite populaire espagnole     \u003cbr\u003e     Transcription : Paul Kochanski\u003cbr\u003e10.    El Paño moruno    2'15\u003cbr\u003e12.    Canción    1'45\u003cbr\u003e13.    Polo    1'23\u003cbr\u003e14.    Asturiana    2'25\u003cbr\u003e15.    Jota    3'17\u003cbr\u003e16.    Danse espagnole de « La vida breve »    3'39\u003cbr\u003e     Transcription : Klas Krantz\u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453539066,"sku":"HOR 122","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/122-presencias.png?v=1762284712"},{"product_id":"mozart-sonatas-uyama-bouvard-paulet-mozart-sonatas-uyama-bouvard-paulet-mozart-sonatas-uyama-bouvard-paulet","title":"Mozart: Sonatas for Violin and Piano - Yasuko Uyama-Bouvard, Stephanie Paulet","description":"\u003cp\u003eAmong the genres that owe to Mozart their transition into modernity is the sonata for violin and piano. Instead of favouring one of the two instruments by reducing the keyboard to a harmonic underpinning as did the Baroque composers with the notable exception of Bach), or, like many from his time, writing ‘sonatas for\u003cbr\u003ekeyboard with violin accompaniment’ he placed the two protagonists onto equal footing, creating a genuine dialogue.\u003c\/p\u003e\n\u003cp\u003eYasuko Uyama-Bouvard, pianoforte\u003cbr\u003eStéphanie Paulet, violon\u003c\/p\u003e\n\u003cp\u003eWolfgang-Amadeus MOZART (1756-1791)\u003cbr\u003e     Sonate pour violon en Mi Mineur Kv 304     \u003cbr\u003e1.    Allegro    6'28\u003cbr\u003e2.    Tempo di Menuetto    5'03\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3.    Fantaisie en Ré Mineur Kv 397    5'31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate pour violon en Mi Bémol Majeur Kv 380     \u003cbr\u003e4.    Allegro    6'59\u003cbr\u003e5.    Andante con moto    6'46\u003cbr\u003e6.    Rondeau    4'19\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e7.    Fantaisie en Ut Mineur Kv 475    12'41\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e     Sonate pour violon en Sol Majeur Kv 379     \u003cbr\u003e8.    Adagio - Allegro    11'19\u003cbr\u003e9.    Andantino cantabile    8'54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hortus","offers":[{"title":"Default Title","offer_id":47886453571834,"sku":"HOR 123","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/123-mozart.png?v=1762966472"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/hortus_LOGO_csw_style.jpg?v=1762212806","url":"https:\/\/classicselectworld.com\/collections\/editions-hortus.oembed?page=2","provider":"ClassicSelect World","version":"1.0","type":"link"}