{"title":"GRAND PIANO","description":"","products":[{"product_id":"debussy-dindy-godard-gouvy-saint-saens-satie-french","title":"FRENCH IMPRESSIONS - A Potpourri of French Piano Styles, from the Romantics to a New Age - Debussy, d'Indy, Godard, Gouvy, Saint-Saens \u0026 Satie  (6-CD Box Set)","description":"\u003cp\u003eThe range and variety of French piano music in the 19th and 20th centuries is exemplifi ed in these critically acclaimed albums bringing together rarely encountered pieces, a number of which are performed on period instruments. Théodore Gouvy’s little-known sonatas and Benjamin Godard’s fragrant lyricism are part of a lineage that includes the masterful large-scale Piano Sonata of Vincent d’Indy, the virtuosic rarities – many in première recordings – of Saint-Saëns, Satie’s tenderness and wit, and unknown piano versions of some of Debussy’s greatest orchestral masterpieces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGOUVY, L.T.: Sonatas for Piano 4 Hands, Opp. 36, 49 and 51 (Naoumoff, Yau Cheng)  GP676\u003cbr\u003eSAINT-SAËNS, C.: Piano Works (Complete), Vol. 5 (Burleson)  GP626\u003cbr\u003eDEBUSSY, C.: Rare Piano Music (The Unknown Debussy) (Horvath)  GP822\u003cbr\u003eSATIE, E.: Piano Works (Complete), Vol. 4 (New Salabert Edition) (Horvath)  GP823\u003cbr\u003ed'INDY, V.: Piano Sonata \/ Tableaux de Voyage (excerpts) (Armengaud)  GP756\u003cbr\u003eGODARD, B.: Piano Works, Vol. 2 (E. Reyes)  GP684\u003c\/p\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836183290,"sku":"GP900X","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP900X.jpg?v=1777494410"},{"product_id":"ekanayaka-twelve-piano-prisms-silvestrov-works-glass-pi","title":"PERFECT MOODS - Piano Music of the 21st Century (6 CDs)","description":"\u003cp\u003ePerfect Moods is a collection of acclaimed albums that together present a multi-cultural journey of inspiring and contemplative modern piano repertoire for the 21st century. Armenian pianist Mikael Ayrapetyan explores his countryman Haro Stepanian’s exquisite Preludes; the spiritual and sensual Melodies of the Upper Worlds by the prominent Kabbalist Baal HaSulam; as well as Ayrapetyan’s own A Whole in 12. Composer-pianist Tanya Ekanayaka performs her Twelve Piano Prisms – a diverse mix of melodies from her native Sri Lanka combined with music from other countries and genres. The album devoted to Valentin Silvestrov presents an essential overview of this Ukrainian composer’s ‘post-modern’ piano music, with its lingering allusions to the past. For Philip Glass the focus is on love, not least in music for the BAFTA-winning score for The Hours, but also in the breathtaking Modern Love Waltz. All of the composers included in this set showcase contemporary piano music at its most accessible, tonal and expressive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBAAL HASULAM: Melodies of the Upper Worlds (Ayrapetyan)  GP808\u003cbr\u003eSTEPANIAN, H.: Preludes, Opp. 47, 48 and 63 (Ayrapetyan)  GP760\u003cbr\u003eSILVESTROV, V.: Piano Music - Naive Music \/ Der Bote \/ 2 Waltzes \/ 4 Pieces \/ 2 Bagatelles \/ Kitsch-Musik (Blumina)  GP639\u003cbr\u003eGLASS, P.: Glassworlds, Vol. 4 - Hours (The) \/ Modern Love Waltz \/ Notes on a Scandal \/ Music in Fifths (On Love) (Horvath)  GP692\u003cbr\u003eEKANAYAKA, T.: 12 Piano Prisms (Ekanayaka)  GP785\u003cbr\u003eAYRAPETYAN, M.: Whole in Twelve (A) (Ayrapetyan)  GP809\u003c\/p\u003e\n\u003cp\u003e1-1        Krivu Li = Draw Close To Me (1926)    5:15\u003cbr\u003e1-2        Ki Chilattzta Nafshi = You Saved My Soul (1926)    3:34\u003cbr\u003e1-3        Hamol Al Masecha = Have Pity On Your Deeds (1926)    4:21\u003cbr\u003e1-4        Nigun = Melody (1926)    4:07\u003cbr\u003eBneii Heichala = The Sons Of King's Palace (1926)    (8:00)\u003cbr\u003e1-5        Part I    4:47\u003cbr\u003e1-6        Part II    3:38\u003cbr\u003e1-7        Chasal Seder Pesach = Passover Meal (1926)    2:00\u003cbr\u003e1-8        Kel Mistater = The Creator Hides In Secrecy (1926)    3:45\u003cbr\u003e1-9        March (1926)    3:17\u003cbr\u003e1-10        Ia'ale Tachanuneinu = Accept Our Prayers (1926)    4:25\u003cbr\u003e1-11        Hiney Ke Homer = Like Matter Is His Hands (1926)    4:39\u003cbr\u003e1-12        Mizmor Le David = David's Song (1926)    3:32\u003cbr\u003e1-13        Misod Chachamim = The Assembly Of Sages (1926)    4:39\u003cbr\u003e1-14        Leagid Baboker = To Proclaim In The Morning About Your Mercy (1926)    2:55\u003cbr\u003e1-15        Kadish = Consecration (1926)    3:47\u003cbr\u003e1-16        Tzadik = Saint (1926)    3:17\u003cbr\u003e1-17        Iadid Nefesh = Beloved Of The Soul (1926)    7:12\u003cbr\u003e8 Preludes, Op. 47 (1947)    \u003cbr\u003e2-1        No. 1 In G Minor    2:52\u003cbr\u003e2-2        No. 2 In A Major    1:37\u003cbr\u003e2-3        No. 3 In F Minor    2:33\u003cbr\u003e2-4        No. 4 In F-Sharp Minor    1:41\u003cbr\u003e2-5        No. 5 In G Major    1:59\u003cbr\u003e2-6        No. 6 In F Minor    2:29\u003cbr\u003e2-7        No. 7 In C Minor    3:06\u003cbr\u003e2-8        No. 8 In F-Sharp Minor    1:43\u003cbr\u003e8 Preludes, Op. 48 (1948)    (17:03)\u003cbr\u003e2-9        No. 1 In E Minor    1:41\u003cbr\u003e2-10        No. 2 In C Minor    2:30\u003cbr\u003e2-11        No. 3 In A Major    2:15\u003cbr\u003e2-12        No. 4 In A Minor    1:42\u003cbr\u003e2-13        No. 5 In F Minor    1:59\u003cbr\u003e2-14        No. 6 In F-Sharp Minor    2:37\u003cbr\u003e2-15        No. 7 In G Minor    2:20\u003cbr\u003e2-16        No. 8 In F Major    1:59\u003cbr\u003e8 Preludes, Op. 63 (1956)    (14:32)\u003cbr\u003e2-17        No. 1 In E Minor    2:01\u003cbr\u003e2-18        No. 2 In G Minor    1:29\u003cbr\u003e2-19        No. 3 In F-Sharp Major    1:52\u003cbr\u003e2-20        No. 4 In A Minor    1:23\u003cbr\u003e2-21        No. 5 In B Minor    2:31\u003cbr\u003e2-22        No. 6 In B Minor    1:18\u003cbr\u003e2-23        No. 7 In B Major    2:01\u003cbr\u003e2-24        No. 8 In G Minor    1:57\u003cbr\u003e2-25        Prelude In A Major (1964)    2:41\u003cbr\u003e2-26        Prelude In F Minor (1965)    2:30\u003cbr\u003eNaive Music (1955)    (26:36)\u003cbr\u003e3-1        No. 1. Waltz    3:42\u003cbr\u003e3-2        No. 2. Nocturne    2:36\u003cbr\u003e3-3        No. 3. Fairy Tale    6:53\u003cbr\u003e3-4        No. 4. Idyll    4:43\u003cbr\u003e3-5        No. 5. Nocturne    2:14\u003cbr\u003e3-6        No. 6. Prelude    2:06\u003cbr\u003e3-7        No. 7. Waltz    4:22\u003cbr\u003e3-8        The Messenger = Der Bote (1996) (Version For Piano)    7:30\u003cbr\u003e2 Waltzes, Op. 153 (2009)    (5:00)\u003cbr\u003e3-9        No. 1. Allegro Assai    1:57\u003cbr\u003e3-10        No. 2. Allegretto    2:28\u003cbr\u003e4 Pieces, Op. 2 (2006)    (8:00)\u003cbr\u003e3-11        No. 1. Lullaby: Moderato    2:46\u003cbr\u003e3-12        No. 2. Pastorale: Vivace    2:02\u003cbr\u003e3-13        No. 3. Bagatelle: Moderato    2:12\u003cbr\u003e3-14        No. 4. Postludium: Moderato    2:01\u003cbr\u003e2 Bagatelles, Op. 173 (2011)    (4:00)\u003cbr\u003e3-15        No. 1. Moderato    1:27\u003cbr\u003e3-16        No. 2. Andantino    2:08\u003cbr\u003eKitsch-Musik    (16:22)\u003cbr\u003e3-17        I. Allegro Vivace    3:24\u003cbr\u003e3-18        II. Moderato    3:57\u003cbr\u003e3-19        III. Allegretto    3:02\u003cbr\u003e3-20        IV. Moderato    2:43\u003cbr\u003e3-21        V. Allegretto    1:46\u003cbr\u003eThe Hours (2002)    (47:22)\u003cbr\u003e4-1        The Poet Acts    3:20\u003cbr\u003e4-2        Morning Passages    5:06\u003cbr\u003e4-3        Something She Has To Do    2:55\u003cbr\u003e4-4        For Your Own Benefit    1:55\u003cbr\u003e4-5        Vanessa And The Changelings    1:29\u003cbr\u003e4-6        I'm Going To Make A Cake    3:02\u003cbr\u003e4-7        An Unwelcome Friend    4:17\u003cbr\u003e4-8        Dead Things    2:49\u003cbr\u003e4-9        The Kiss    3:37\u003cbr\u003e4-10        Why Does Someone Have To Die?    3:05\u003cbr\u003e4-11        Tearing Herself Away    3:20\u003cbr\u003e4-12        Escape!    3:08\u003cbr\u003e4-13        Choosing Life    3:44\u003cbr\u003e4-14        The Hours    5:35\u003cbr\u003e4-15        Modern Love Waltz (1977)    3:36\u003cbr\u003e4-16        Notes On A Scandal: The Harts - I Knew Her (Version For Piano) (2006)    4:15\u003cbr\u003e4-17        Music In Fifths (1969)    5:59\u003cbr\u003e5-1        Piano Prism No. 1. E Flat - July 2016\/17 (2017)    4:36\u003cbr\u003e5-2        Piano Prism No. 2. B Flat - Armenia To A Pearl (2017)    2:40\u003cbr\u003e5-3        Piano Prism No. 3. C - Emerald Lapwing Karpet (2017)    5:36\u003cbr\u003e5-4        Piano Prism No. 4. D Flat - Intuition, Auld Lang Syne \u0026amp; An Asian Sacred (2017)    4:14\u003cbr\u003e5-5        Piano Prism No. 5. G - With Paaru Kavi (2016)    5:33\u003cbr\u003e5-6        Piano Prism No. 6. F - Renewal \u0026amp; Goyam Kapuma (2016)    8:32\u003cbr\u003e5-7        Piano Prism No. 7. E - Arrow-and (2017)    2:10\u003cbr\u003e5-8        Piano Prism No. 8. A - Zuni Sea (2017)    3:23\u003cbr\u003e5-9        Piano Prism No. 9. A Flat Scintilla: Komitas Unto Childhood (2017)    3:05\u003cbr\u003e5-10        Piano Prism No. 10. B - Of Vannam \u0026amp; Zhuang Tai Qiu Si (2017)    1:56\u003cbr\u003e5-11        Piano Prism No. 11. F Sharp - Kitty \u0026amp; Bambaru (2016)    9:45\u003cbr\u003e5-12        Piano Prisms No. 12. D - Hana Hare    4:03\u003cbr\u003e6-1        Autumnal (2018)    4:31\u003cbr\u003e6-2        The Lady Plays (2018)    5:03\u003cbr\u003e6-3        Longing (2018)    4:21\u003cbr\u003e6-4        Dilemma (2018)    4:30\u003cbr\u003e6-5        Arousal (2018)    4:24\u003cbr\u003e6-6        Prayer (2018)    5:06\u003cbr\u003e6-7        Clouds (2018)    4:52\u003cbr\u003e6-8        The First Snow (2018)    3:18\u003cbr\u003e6-9        Christmas Eve (2018)    4:37\u003cbr\u003e6-10        Totality (2018)    5:15\u003cbr\u003e6-11        Rain And Rendezvous (2018)    4:15\u003cbr\u003e6-12        Finality (2018)    4:15\u003c\/p\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836248826,"sku":"GP898X","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81bZAaSQMdL._SL1500.jpg?v=1777558890"},{"product_id":"three-centuries-of-female-composers","title":"Three Centuries of Female Composers (10 CDs)","description":"\u003cp\u003eGrand Piano celebrates its 10th anniversary with a series of limited⁠-⁠edition boxed sets, starting with a collection of piano music by female composers on 10 CDs.\u003c\/p\u003e\n\u003cp\u003eRanging from the 18th century to the music of our time, this collection of critically acclaimed recordings explores the significant contribution to solo piano repertoire made by a wide variety of women composers. These rare and important pieces include the works of the celebrated pianist Anne-Louise Brillon de Jouy and of Hélène de Montgeroult, whose sonatas are distinctive additions to the Classical and early Romantic periods. Maria Szymanowska’s deft dances contrast with the fearsome demands of Teresa Carreño, herself a great virtuoso. Vítězslava Kaprálová was the most important female Czech composer of the 20th century, while Agathe Backer Grøndahl was one of Norway’s most respected composer-pianists. Tanya Ekanayaka continues the lineage in her own diverse and hybrid pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBRILLON DE JOUY, A.-L. B. d'H.: Piano Sonatas Discovered (The) (Horvath)  GP872-73\u003cbr\u003eMONTGEROULT, H.-A.-M. de N. de: Piano Sonatas (Complete) (Horvath)  GP885-86\u003cbr\u003eSZYMANOWSKA, M.: Dances for Solo Piano (Complete) (Kostritsa)  GP685\u003cbr\u003eBACKER GRØNDAHL, A.: Piano Works - Norwegian Folksongs and Dances, Opp. 30 and 33 (excerpts) \/ Études and Studies (Smiseth)  GP902\u003cbr\u003eCARREÑO, T.: Rêverie - Selected Music for Piano (Oehler)  GP660\u003cbr\u003eKAPRÁLOVÁ, V.: Piano Music (Complete) (Koukl)  GP708\u003cbr\u003eEKANAYAKA, T.: Planets and Humanity (The) - Piano Reflections (Ekanayaka)  GP879\u003cbr\u003ePiano Recital: Ishimoto, Hiroko - BACKER GRØNDAHL, A. \/ BĄDARZEWSKA-BARANOWSKA, T. \/ BEACH, A. \/ BON, A. (Pioneers - Piano Works by Female Composers)  GP844\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e CD 1 - The Piano Sonatas Rediscovered \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSonnatte in A Minor\u003cspan\u003e \u003c\/span\u003e(8:39)\u003c\/div\u003e\n\u003cdiv\u003e1.1\u003cspan\u003e \u003c\/span\u003eI. Andanté molto con éxprésioné\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003e1.2\u003cspan\u003e \u003c\/span\u003eII. Allégro con motto\u003cspan\u003e \u003c\/span\u003e4:36\u003c\/div\u003e\n\u003cdiv\u003eTroisème Recueil De Sonates Pour Le Pianoforte Avec Accompagnement Ad Libitum\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 1 In C Minor\u003cspan\u003e \u003c\/span\u003e(8:10)\u003c\/div\u003e\n\u003cdiv\u003e1.3\u003cspan\u003e \u003c\/span\u003eI. Allegro Non Tanto\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e1.4\u003cspan\u003e \u003c\/span\u003eII. Minuetto\u003cspan\u003e \u003c\/span\u003e5:08\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 In B Flat Major\u003cspan\u003e \u003c\/span\u003e(8:44)\u003c\/div\u003e\n\u003cdiv\u003e1.5\u003cspan\u003e \u003c\/span\u003eI. Allegro Molto Moderato\u003cspan\u003e \u003c\/span\u003e3:35\u003c\/div\u003e\n\u003cdiv\u003e1.6\u003cspan\u003e \u003c\/span\u003eII. Rondo Et Variations\u003cspan\u003e \u003c\/span\u003e5:07\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 3 In C Major\u003cspan\u003e \u003c\/span\u003e(8:09)\u003c\/div\u003e\n\u003cdiv\u003e1.7\u003cspan\u003e \u003c\/span\u003eI. Andante\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003e1.8\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 4 In G Minor\u003cspan\u003e \u003c\/span\u003e(6:22)\u003c\/div\u003e\n\u003cdiv\u003e1.9\u003cspan\u003e \u003c\/span\u003eI. Andante Con Espressione\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e1.10\u003cspan\u003e \u003c\/span\u003eII. Rondo\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 5 In E Flat Major\u003cspan\u003e \u003c\/span\u003e(8:05)\u003c\/div\u003e\n\u003cdiv\u003e1.11\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:44\u003c\/div\u003e\n\u003cdiv\u003e1.12\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003eCD 2 - The Piano Sonatas Rediscovered\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 6 In D Minor\u003cspan\u003e \u003c\/span\u003e(13:25)\u003c\/div\u003e\n\u003cdiv\u003e2.1\u003cspan\u003e \u003c\/span\u003eI. Cantabile\u003cspan\u003e \u003c\/span\u003e7:20\u003c\/div\u003e\n\u003cdiv\u003e2.2\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e6:01\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 7 In B Flat Major\u003cspan\u003e \u003c\/span\u003e(10:52)\u003c\/div\u003e\n\u003cdiv\u003e2.3\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e2.4\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e2.5\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e3:54\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 8 In A Minor\u003cspan\u003e \u003c\/span\u003e(6:33)\u003c\/div\u003e\n\u003cdiv\u003e2.6\u003cspan\u003e \u003c\/span\u003eI. —\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e2.7\u003cspan\u003e \u003c\/span\u003eII. Minuetto E Trio\u003cspan\u003e \u003c\/span\u003e4:06\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 9 In F Minor\u003cspan\u003e \u003c\/span\u003e(6:42)\u003c\/div\u003e\n\u003cdiv\u003e2.8\u003cspan\u003e \u003c\/span\u003eI. Andante Amoroso\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e2.9\u003cspan\u003e \u003c\/span\u003eII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 In G Minor\u003cspan\u003e \u003c\/span\u003e(10:39)\u003c\/div\u003e\n\u003cdiv\u003e2.10\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e6:24\u003c\/div\u003e\n\u003cdiv\u003e2.11\u003cspan\u003e \u003c\/span\u003eII. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 11 In D Minor\u003cspan\u003e \u003c\/span\u003e(14:24)\u003c\/div\u003e\n\u003cdiv\u003e2.12\u003cspan\u003e \u003c\/span\u003eI. Andante Un Poco Allegro\u003cspan\u003e \u003c\/span\u003e6:47\u003c\/div\u003e\n\u003cdiv\u003e2.13\u003cspan\u003e \u003c\/span\u003eII. Rondeau Allegro\u003cspan\u003e \u003c\/span\u003e7:34\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 12 In C Minor\u003cspan\u003e \u003c\/span\u003e(7:51)\u003c\/div\u003e\n\u003cdiv\u003e2.14\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e2.15\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003eCD 3 - Complete Piano Sonatas\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Forte-Piano, Œuvre Premiére (Pub. 1795)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata I In F Major\u003cspan\u003e \u003c\/span\u003e(9:45)\u003c\/div\u003e\n\u003cdiv\u003e3.1\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Spirito\u003cspan\u003e \u003c\/span\u003e4:29\u003c\/div\u003e\n\u003cdiv\u003e3.2\u003cspan\u003e \u003c\/span\u003eII. Prestissimo\u003cspan\u003e \u003c\/span\u003e5:12\u003c\/div\u003e\n\u003cdiv\u003eSonata II In E Flat Major\u003cspan\u003e \u003c\/span\u003e(14:29)\u003c\/div\u003e\n\u003cdiv\u003e3.3\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Motor\u003cspan\u003e \u003c\/span\u003e8:29\u003c\/div\u003e\n\u003cdiv\u003e3.4\u003cspan\u003e \u003c\/span\u003eII. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:58\u003c\/div\u003e\n\u003cdiv\u003eSonata III In F Minor\u003cspan\u003e \u003c\/span\u003e(19:26)\u003c\/div\u003e\n\u003cdiv\u003e3.5\u003cspan\u003e \u003c\/span\u003eI. Maëstoso Con Espressione\u003cspan\u003e \u003c\/span\u003e8:48\u003c\/div\u003e\n\u003cdiv\u003e3.6\u003cspan\u003e \u003c\/span\u003eII. Allegro Agitato\u003cspan\u003e \u003c\/span\u003e10:35\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Forte Piano, c Deuxiéme (Pub. c. 1800)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePrima Sonata In G Minor\u003cspan\u003e \u003c\/span\u003e(12:06)\u003c\/div\u003e\n\u003cdiv\u003e3.7\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Moto E Espressione\u003cspan\u003e \u003c\/span\u003e6:17\u003c\/div\u003e\n\u003cdiv\u003e3.8\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003eSeconda Sonata In C Major\u003cspan\u003e \u003c\/span\u003e(19:40)\u003c\/div\u003e\n\u003cdiv\u003e3.9\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e9:24\u003c\/div\u003e\n\u003cdiv\u003e3.10\u003cspan\u003e \u003c\/span\u003eII. Andantino Quasi Allegretto\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e3.11\u003cspan\u003e \u003c\/span\u003eIII. Allegro Con Brio, Vivace\u003cspan\u003e \u003c\/span\u003e6:01\u003c\/div\u003e\n\u003cdiv\u003eCD 4 - Complete Piano Sonatas\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTerza Sonata In A Minor\u003cspan\u003e \u003c\/span\u003e(17:07)\u003c\/div\u003e\n\u003cdiv\u003e4.1\u003cspan\u003e \u003c\/span\u003eI. Agitato\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e4.2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e7:19\u003c\/div\u003e\n\u003cdiv\u003e4.3\u003cspan\u003e \u003c\/span\u003eIII. Vivace Con Espressione\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Piano Forte,Œuvre Cinquième (Pub. 1811)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePrima Sonata In D Major\u003cspan\u003e \u003c\/span\u003e(26:01)\u003c\/div\u003e\n\u003cdiv\u003e4.4\u003cspan\u003e \u003c\/span\u003eI. Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e13:47\u003c\/div\u003e\n\u003cdiv\u003e4.5\u003cspan\u003e \u003c\/span\u003eII. Adagio Non Troppo\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e4.6\u003cspan\u003e \u003c\/span\u003eIII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e1:17\u003c\/div\u003e\n\u003cdiv\u003e4.7\u003cspan\u003e \u003c\/span\u003eIV. Presto\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003eSeconda Sonata In F Minor\u003cspan\u003e \u003c\/span\u003e(21:21)\u003c\/div\u003e\n\u003cdiv\u003e4.8\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato Con Espressione\u003cspan\u003e \u003c\/span\u003e9:08\u003c\/div\u003e\n\u003cdiv\u003e4.9\u003cspan\u003e \u003c\/span\u003eII. Aria Con Espressione\u003cspan\u003e \u003c\/span\u003e5:04\u003c\/div\u003e\n\u003cdiv\u003e4.10\u003cspan\u003e \u003c\/span\u003eIII. Allegro, Agitato Con Fuoco\u003cspan\u003e \u003c\/span\u003e7:04\u003c\/div\u003e\n\u003cdiv\u003eTerza Sonata In F Sharp Minor\u003cspan\u003e \u003c\/span\u003e(16:26)\u003c\/div\u003e\n\u003cdiv\u003e4.11\u003cspan\u003e \u003c\/span\u003eI. Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e7:01\u003c\/div\u003e\n\u003cdiv\u003e4.12\u003cspan\u003e \u003c\/span\u003eII. Adagio Non Troppo\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e4.13\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003eCD 5 Complete Dances For Solo Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e18 Danses\u003cspan\u003e \u003c\/span\u003e(33:40)\u003c\/div\u003e\n\u003cdiv\u003e5.1\u003cspan\u003e \u003c\/span\u003eNo. 1. Polonaise In C Major\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e5.2\u003cspan\u003e \u003c\/span\u003eNo. 2. Polonaise In E Minor\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e5.3\u003cspan\u003e \u003c\/span\u003eNo. 3. Polonaise In A Major\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e5.4\u003cspan\u003e \u003c\/span\u003eNo. 4. Polonaise In F Minor\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e5.5\u003cspan\u003e \u003c\/span\u003eNo. 5. Valse In E Flat Major\u003cspan\u003e \u003c\/span\u003e1:26\u003c\/div\u003e\n\u003cdiv\u003e5.6\u003cspan\u003e \u003c\/span\u003eNo. 6. Valse In A Major\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e5.7\u003cspan\u003e \u003c\/span\u003eNo. 7. Valse in B Flat Major\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e5.8\u003cspan\u003e \u003c\/span\u003eNo. 8. Valse In F Major\u003cspan\u003e \u003c\/span\u003e0:50\u003c\/div\u003e\n\u003cdiv\u003e5.9\u003cspan\u003e \u003c\/span\u003eNo. 9. Anglaise In E Flat Major\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e5.10\u003cspan\u003e \u003c\/span\u003eNo. 10. Anglaise In B Flat Major\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e5.11\u003cspan\u003e \u003c\/span\u003eNo. 11. Anglaise In A Flat Major\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e5.12\u003cspan\u003e \u003c\/span\u003eNo. 12. Anglaise In E Flat Major\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e5.13\u003cspan\u003e \u003c\/span\u003eNo. 13. Contredanse In B Flat Major\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e5.14\u003cspan\u003e \u003c\/span\u003eNo. 14. Contredanse In A Flat Major\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e5.15\u003cspan\u003e \u003c\/span\u003eNo. 15. Quadrille in E Flat Major\u003cspan\u003e \u003c\/span\u003e1:02\u003c\/div\u003e\n\u003cdiv\u003e5.16\u003cspan\u003e \u003c\/span\u003eNo. 16. Quadrille In F Major\u003cspan\u003e \u003c\/span\u003e1:22\u003c\/div\u003e\n\u003cdiv\u003e5.17\u003cspan\u003e \u003c\/span\u003eNo. 17. Mazurek In C Major\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e5.18\u003cspan\u003e \u003c\/span\u003eNo. 18. Cotillon In A Flat Major\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e24 Mazurkas\u003cspan\u003e \u003c\/span\u003e(13:57)\u003c\/div\u003e\n\u003cdiv\u003e5.19\u003cspan\u003e \u003c\/span\u003eMazurka No. 1\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e5.20\u003cspan\u003e \u003c\/span\u003eMazurka No. 2\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e5.21\u003cspan\u003e \u003c\/span\u003eMazurka No. 3\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e5.22\u003cspan\u003e \u003c\/span\u003eMazurka No. 4\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e5.23\u003cspan\u003e \u003c\/span\u003eMazurka No. 5\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e5.24\u003cspan\u003e \u003c\/span\u003eMazurka No. 6\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e5.25\u003cspan\u003e \u003c\/span\u003eMazurka No. 7\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e5.26\u003cspan\u003e \u003c\/span\u003eMazurka No. 8\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e5.27\u003cspan\u003e \u003c\/span\u003eMazurka No. 9\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e5.28\u003cspan\u003e \u003c\/span\u003eMazurka No. 10\u003cspan\u003e \u003c\/span\u003e0:37\u003c\/div\u003e\n\u003cdiv\u003e5.29\u003cspan\u003e \u003c\/span\u003eMazurka No. 11\u003cspan\u003e \u003c\/span\u003e0:17\u003c\/div\u003e\n\u003cdiv\u003e5.30\u003cspan\u003e \u003c\/span\u003eMazurka No. 12\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e5.31\u003cspan\u003e \u003c\/span\u003eMazurka No. 13\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.32\u003cspan\u003e \u003c\/span\u003eMazurka No. 14\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.33\u003cspan\u003e \u003c\/span\u003eMazurka No. 15\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e5.34\u003cspan\u003e \u003c\/span\u003eMazurka No. 16\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e5.35\u003cspan\u003e \u003c\/span\u003eMazurka No. 17\u003cspan\u003e \u003c\/span\u003e0:53\u003c\/div\u003e\n\u003cdiv\u003e5.36\u003cspan\u003e \u003c\/span\u003eMazurka No. 18\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e5.37\u003cspan\u003e \u003c\/span\u003eMazurka No. 19\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e5.38\u003cspan\u003e \u003c\/span\u003eMazurka No. 20\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.39\u003cspan\u003e \u003c\/span\u003eMazurka No. 21\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e5.40\u003cspan\u003e \u003c\/span\u003eMazurka No. 22\u003cspan\u003e \u003c\/span\u003e0:13\u003c\/div\u003e\n\u003cdiv\u003e5.41\u003cspan\u003e \u003c\/span\u003eMazurka No. 23\u003cspan\u003e \u003c\/span\u003e0:22\u003c\/div\u003e\n\u003cdiv\u003e5.42\u003cspan\u003e \u003c\/span\u003eMazurka No. 24\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e6 Minuets\u003cspan\u003e \u003c\/span\u003e(16:22)\u003c\/div\u003e\n\u003cdiv\u003e5.43\u003cspan\u003e \u003c\/span\u003eNo. 1 In A Minor: Allegretto\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e5.44\u003cspan\u003e \u003c\/span\u003eNo. 2 In G Minor: Quasi Allegro\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e5.45\u003cspan\u003e \u003c\/span\u003eNo. 3 In E Flat Major: Modarato\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e5.46\u003cspan\u003e \u003c\/span\u003eNo. 4 In G Minor: Vivace Agitato\u003cspan\u003e \u003c\/span\u003e2:28\u003c\/div\u003e\n\u003cdiv\u003e5.47\u003cspan\u003e \u003c\/span\u003eNo. 5 In E Major: Allegro\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e5.48\u003cspan\u003e \u003c\/span\u003eNo. 6 In D Minor: Vivace\u003cspan\u003e \u003c\/span\u003e2:29\u003c\/div\u003e\n\u003cdiv\u003e5.49\u003cspan\u003e \u003c\/span\u003ePolonaise Sur L'Air National Favori Du Feu Prince Joseph Poniatowsky\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e5.50\u003cspan\u003e \u003c\/span\u003eDanse Polonaise\u003cspan\u003e \u003c\/span\u003e3:39\u003c\/div\u003e\n\u003cdiv\u003e5.51\u003cspan\u003e \u003c\/span\u003eCotillon Ou Valse Figurée\u003cspan\u003e \u003c\/span\u003e4:09\u003c\/div\u003e\n\u003cdiv\u003eCD6 - Piano Works\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6.1\u003cspan\u003e \u003c\/span\u003eSuite, Op. 20 (1887): I. Prelude\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e6.2\u003cspan\u003e \u003c\/span\u003e3 Morceaux, Op. 15 (1882): I. Sérénade\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e6.3\u003cspan\u003e \u003c\/span\u003eÉtudes De Concert, Op. 57 (1903): I. Allegretto\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e6.4\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891): I. Brudeslaat (Lom?)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e6.5\u003cspan\u003e \u003c\/span\u003e6 Idylles, Op. 24 (1888): I. Allegretto Leggiero\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891)\u003cspan\u003e \u003c\/span\u003e(7:43)\u003c\/div\u003e\n\u003cdiv\u003e6.6\u003cspan\u003e \u003c\/span\u003eIX. Siklebækken (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e6.7\u003cspan\u003e \u003c\/span\u003eX. Kivlemøyerne (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e6.8\u003cspan\u003e \u003c\/span\u003eXI. Fanitullen (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e6.9\u003cspan\u003e \u003c\/span\u003e6 Idylles, Op. 24 (1888): V. Allegretto Tranquillo\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e6.10\u003cspan\u003e \u003c\/span\u003e6 Fantasistykker, Barnlige Billeder, Op. 66 (1905): I. Ride, Ride Ranke\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e6.11\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): III. Laat I Fjellet\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e6.12\u003cspan\u003e \u003c\/span\u003e3 Ungarske Studier ('Three Hungarian Studies'), Op. 38 (1896): II. Intermezzo\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e6.13\u003cspan\u003e \u003c\/span\u003eFantasistykker For Piano, 2den Samling, Op. 39 (1896): Hefte I: I. Souvenir\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e6.14\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): VIII. Bruralaat (Valdres)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e6.15\u003cspan\u003e \u003c\/span\u003e4 Skizzer (\"Sketches\"), Op. 19 (1886): I. Allegretto Leggiero\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e6.16\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlege, Op. 33 (1894): I. Halling\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e6.17\u003cspan\u003e \u003c\/span\u003eSmaa Fantasistykker For Piano, 4de Samling, Op. 55 (1902): IV. Et Farvel\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6.18\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): VI. Springdans (Vinje)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e6.19\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891): V. Springdans\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e6.20\u003cspan\u003e \u003c\/span\u003eSuite, Op. 20 (1887): II. Nocturne\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e6.21\u003cspan\u003e \u003c\/span\u003eHuldreslaatt (\"Dance Of The Huldra\")(1887)\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e6:22\u003cspan\u003e \u003c\/span\u003eSmaa Fantasistykker For Piano, 4de Samling, Op. 55 (1902): IX. Romance\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e6.23\u003cspan\u003e \u003c\/span\u003eI Blaafjellet ('In The Blue Mountains'). Eventyr Suite 1 6 Claverstykker, Op. 44 (1894): II. I Trollhallen\u003cspan\u003e \u003c\/span\u003e4:40\u003c\/div\u003e\n\u003cdiv\u003e6.24\u003cspan\u003e \u003c\/span\u003e6 Études De Concert, Op. 11 (1881): IV. Allegretto\u003cspan\u003e \u003c\/span\u003e6:37\u003c\/div\u003e\n\u003cdiv\u003eCD7 - Rêverie - Selected Music For Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7.1\u003cspan\u003e \u003c\/span\u003eNocturne, 'Souvenirs De Mons Pays', Op. 10: Andante Molto Espressivo\u003cspan\u003e \u003c\/span\u003e7:14\u003c\/div\u003e\n\u003cdiv\u003e7.2\u003cspan\u003e \u003c\/span\u003eCaprice-Étude No. 1, Op. 4: Andante Non Troppo\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e7.3\u003cspan\u003e \u003c\/span\u003ePrière, Op. 12: Andante Religioso\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e7.4\u003cspan\u003e \u003c\/span\u003eRêverie-Impromptu, Op. 3: Andantino\u003cspan\u003e \u003c\/span\u003e6:53\u003c\/div\u003e\n\u003cdiv\u003e7.5\u003cspan\u003e \u003c\/span\u003eMarch Funèbre, Op. 11: Maestoso\u003cspan\u003e \u003c\/span\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003e7.6\u003cspan\u003e \u003c\/span\u003eCaprice-Étude No. 2, Op. 6: Maestoso\u003cspan\u003e \u003c\/span\u003e8:35\u003c\/div\u003e\n\u003cdiv\u003e7.7\u003cspan\u003e \u003c\/span\u003eÉlégie, Op. 18: Andante Maestoso, Quasi Adagio\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e7.8\u003cspan\u003e \u003c\/span\u003eMélodies, 'Plaintes Au Bord D'Une Tombe', Op. 22: No. 6: Andante\u003cspan\u003e \u003c\/span\u003e9:46\u003c\/div\u003e\n\u003cdiv\u003e7.9\u003cspan\u003e \u003c\/span\u003eImpromptu, 'Une Larme', Op. 5: Andante Cantabile\u003cspan\u003e \u003c\/span\u003e3:19\u003c\/div\u003e\n\u003cdiv\u003e7.10\u003cspan\u003e \u003c\/span\u003eGottschalk Waltz No.1: Introduction (Andante) - Waltz\u003cspan\u003e \u003c\/span\u003e7:42\u003c\/div\u003e\n\u003cdiv\u003eCD8 - Complete Piano Music\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata Appassionata, Op. 6 (1933)\u003cspan\u003e \u003c\/span\u003e(18:45)\u003c\/div\u003e\n\u003cdiv\u003e8.1\u003cspan\u003e \u003c\/span\u003eI. Maestoso. Appassionato.\u003cspan\u003e \u003c\/span\u003e7:58\u003c\/div\u003e\n\u003cdiv\u003e8.2\u003cspan\u003e \u003c\/span\u003eII. Theme And Variations (Theme: Andante Semplice)\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e8.3\u003cspan\u003e \u003c\/span\u003eVariation 1 — Più Mosso\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e8.4\u003cspan\u003e \u003c\/span\u003eVariation 2 — Scherzando\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e8.5\u003cspan\u003e \u003c\/span\u003eVariation 3 — Con Moto\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e8.6\u003cspan\u003e \u003c\/span\u003eVariation 4 — Vivace\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e8.7\u003cspan\u003e \u003c\/span\u003eVariation 5 — Largo\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e8.8\u003cspan\u003e \u003c\/span\u003eVariation 6 — Vivo\u003cspan\u003e \u003c\/span\u003e5:19\u003c\/div\u003e\n\u003cdiv\u003eThree Piano Pieces, Op. 9 (Excerpts)(1935)\u003cspan\u003e \u003c\/span\u003e(6:23)\u003c\/div\u003e\n\u003cdiv\u003e8.9\u003cspan\u003e \u003c\/span\u003eI. Praeludium\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e8.10\u003cspan\u003e \u003c\/span\u003eII. Crab Canon\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e8.11\u003cspan\u003e \u003c\/span\u003eGrotesque Passacaglia (1935)\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003eFive Piano Compositions (1931-32)\u003cspan\u003e \u003c\/span\u003e(13:07)\u003c\/div\u003e\n\u003cdiv\u003e8.12\u003cspan\u003e \u003c\/span\u003eMaestoso\u003cspan\u003e \u003c\/span\u003e1:30\u003c\/div\u003e\n\u003cdiv\u003e8.13\u003cspan\u003e \u003c\/span\u003eCantabile-Moderato\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e8.14\u003cspan\u003e \u003c\/span\u003eAndante Con Moto\u003cspan\u003e \u003c\/span\u003e1:31\u003c\/div\u003e\n\u003cdiv\u003e8.15\u003cspan\u003e \u003c\/span\u003eTempo Di Menuetto\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e8.16\u003cspan\u003e \u003c\/span\u003eAlla Marcia Funebre\u003cspan\u003e \u003c\/span\u003e6:15\u003c\/div\u003e\n\u003cdiv\u003eDubnová Preludia, Op. 13 (April Preludes)(1937\u003cspan\u003e \u003c\/span\u003e(9:06)\u003c\/div\u003e\n\u003cdiv\u003e8.17\u003cspan\u003e \u003c\/span\u003eAllegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e8.18\u003cspan\u003e \u003c\/span\u003eAndante\u003cspan\u003e \u003c\/span\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e8.19\u003cspan\u003e \u003c\/span\u003eAndante Semplice\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e8.20\u003cspan\u003e \u003c\/span\u003eVivo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003eVariations Sur Carillon De L'Église St-Étienne-Du-Mont, Op. 16 (1838)\u003cspan\u003e \u003c\/span\u003e(7:59)\u003c\/div\u003e\n\u003cdiv\u003e8.21\u003cspan\u003e \u003c\/span\u003eTheme (Andante) and Variation 1 - Più vivo\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e8.22\u003cspan\u003e \u003c\/span\u003eVariation 2— Allegretto\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e8.23\u003cspan\u003e \u003c\/span\u003eVariation 3 — Lento, Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e8.24\u003cspan\u003e \u003c\/span\u003eVariation 4 — Quasi Étude-Vivo\u003cspan\u003e \u003c\/span\u003e0:45\u003c\/div\u003e\n\u003cdiv\u003e8.25\u003cspan\u003e \u003c\/span\u003eVariation 5 — Choral\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e8.26\u003cspan\u003e \u003c\/span\u003eVariation 6 — Allegro E Coda\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e8.27\u003cspan\u003e \u003c\/span\u003eDance For Piano (1940 Unpublished, Reconstructed By Giorgio Koukl)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003eDvě Kytičky (Two Bouquets Of Flowers)(1935)\u003cspan\u003e \u003c\/span\u003e(1:36)\u003c\/div\u003e\n\u003cdiv\u003e8.28\u003cspan\u003e \u003c\/span\u003eKytička Fialek (Small Bouquet Of Violets)\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e8.29\u003cspan\u003e \u003c\/span\u003ePodzimni Listu (Autumn Leaves)\u003cspan\u003e \u003c\/span\u003e0:55\u003c\/div\u003e\n\u003cdiv\u003e8.30\u003cspan\u003e \u003c\/span\u003ePísnička (Little Song)(1936)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e8.31\u003cspan\u003e \u003c\/span\u003eOstinato Fox (1937)\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e8.32\u003cspan\u003e \u003c\/span\u003eSlavnostní Fanfára (Festive Fanfare) (1940)\u003cspan\u003e \u003c\/span\u003e0:24\u003c\/div\u003e\n\u003cdiv\u003eCD9 - The Planets And Humanity - Piano Reflection\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9.1\u003cspan\u003e \u003c\/span\u003eNeptune: Asháninka Kindled\u003cspan\u003e \u003c\/span\u003e16:44\u003c\/div\u003e\n\u003cdiv\u003e9.2\u003cspan\u003e \u003c\/span\u003eMercury With Antarctica\u003cspan\u003e \u003c\/span\u003e5:11\u003c\/div\u003e\n\u003cdiv\u003e9.3\u003cspan\u003e \u003c\/span\u003eUranus: Numbulwar Sustaining\u003cspan\u003e \u003c\/span\u003e5:50\u003c\/div\u003e\n\u003cdiv\u003e9.4\u003cspan\u003e \u003c\/span\u003eVenus: Sámi Traced\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e9.5\u003cspan\u003e \u003c\/span\u003eSaturn: Gond Inspired\u003cspan\u003e \u003c\/span\u003e10:12\u003c\/div\u003e\n\u003cdiv\u003e9.6\u003cspan\u003e \u003c\/span\u003eEarth - Life\u003cspan\u003e \u003c\/span\u003e5:01\u003c\/div\u003e\n\u003cdiv\u003e9.7\u003cspan\u003e \u003c\/span\u003eJupiter: Cree Cast\u003cspan\u003e \u003c\/span\u003e5:26\u003c\/div\u003e\n\u003cdiv\u003e9.8\u003cspan\u003e \u003c\/span\u003eMars: Hadzabe Touched\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003eCD10 - Piano Works By Female Composers\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10.1\u003cspan\u003e \u003c\/span\u003eBlumenlegen ('Life Of Flowers'), Op. 19 - No. 5. Rose (1904-05)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Dora Pejačević\u003c\/div\u003e\n\u003cdiv\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e10.2\u003cspan\u003e \u003c\/span\u003eValse-Caprice, Op. 33 (Pub. ?1885)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Cécile Chaminade\u003c\/div\u003e\n\u003cdiv\u003e5:09\u003c\/div\u003e\n\u003cdiv\u003e10.3\u003cspan\u003e \u003c\/span\u003eKeyboard Sonata In B Flat Major, Op. 2, No. 2 (Pub. 1757)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Anna Bon\u003c\/div\u003e\n\u003cdiv\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003e10.4\u003cspan\u003e \u003c\/span\u003e3 Romances, Op. 21 - No. 1 In A Minor (1853-55)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Clara Schumann\u003c\/div\u003e\n\u003cdiv\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e10.5\u003cspan\u003e \u003c\/span\u003e3 Morceaux, Op. 15 - No. 3. Humoresque In G Minor (Pub. 1882)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Agathe Backer Grøndahl\u003c\/div\u003e\n\u003cdiv\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e10.6\u003cspan\u003e \u003c\/span\u003eHermit Thrush At Eve\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amy Marcy Cheney Beach\u003c\/div\u003e\n\u003cdiv\u003e4:58\u003c\/div\u003e\n\u003cdiv\u003e10.7\u003cspan\u003e \u003c\/span\u003eScottish Legend, Op. 54, No. 1 (1903)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amy Marcy Cheney Beach\u003c\/div\u003e\n\u003cdiv\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e10.8\u003cspan\u003e \u003c\/span\u003eValses Viennoises (c. 1925)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Emma Kodály\u003c\/div\u003e\n\u003cdiv\u003e9:57\u003c\/div\u003e\n\u003cdiv\u003e3 Morceaux Pour Piano\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Lili Boulanger\u003c\/div\u003e\n\u003cdiv\u003e(6:21)\u003c\/div\u003e\n\u003cdiv\u003e10.9\u003cspan\u003e \u003c\/span\u003eNo. 1. D'un Vieux jardin\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e10.10\u003cspan\u003e \u003c\/span\u003eNo. 2. D'un Jardin Clair\u003cspan\u003e \u003c\/span\u003e1:54\u003c\/div\u003e\n\u003cdiv\u003e10.11\u003cspan\u003e \u003c\/span\u003eNo. 3. Cortège\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e10.12\u003cspan\u003e \u003c\/span\u003eCananéa, Valsa (?1900)\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Anonymous\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Chiquinha Gonzaga\u003c\/div\u003e\n\u003cdiv\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e10.13\u003cspan\u003e \u003c\/span\u003eÁgua Do Vintém ('The Water Of Vintem') (Pub. C. 1897)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Chiquinha Gonzaga\u003c\/div\u003e\n\u003cdiv\u003e2:04\u003c\/div\u003e\n\u003cdiv\u003e10.14\u003cspan\u003e \u003c\/span\u003e3 Klaverstykker, Op. 35 - No. 2. Albumblad (Pub. 1894)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Agathe Backer Grøndahl\u003c\/div\u003e\n\u003cdiv\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e10.15\u003cspan\u003e \u003c\/span\u003eDouce Rèverie (Mazurka) (Pub. 1863)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tekla Bądarzewska-Baranowska\u003c\/div\u003e\n\u003cdiv\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e10.16\u003cspan\u003e \u003c\/span\u003ePiano Sonata In E Minor - II. Andante (Pub. 1932)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Florence B. Price\u003c\/div\u003e\n\u003cdiv\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003eAlbum For Children, Op. 19 (Selection)(1958)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tatiana Nikolayeva\u003c\/div\u003e\n\u003cdiv\u003e(3:39)\u003c\/div\u003e\n\u003cdiv\u003e10.17\u003cspan\u003e \u003c\/span\u003eNo. 1. March\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e10.18\u003cspan\u003e \u003c\/span\u003eNo. 2. Music Box\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e10.19\u003cspan\u003e \u003c\/span\u003eNo. 3. Old Waltz\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e10.20\u003cspan\u003e \u003c\/span\u003eDubnová Preludia ('April Preludes'), Op. 13 - No. 2. Andante (1937)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Vítězslava Kaprálová\u003c\/div\u003e\n\u003cdiv\u003e2:45\u003c\/div\u003e\n\u003cdiv\u003e10.21\u003cspan\u003e \u003c\/span\u003e43° North - A Tango (2019 Version For Piano)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Haruna Miyake\u003c\/div\u003e\n\u003cdiv\u003e7:19\u003c\/div\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836347130,"sku":"GP897X","price":55.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81NzXkX224L._SL1500.jpg?v=1777666062"},{"product_id":"balassa-complete-piano-music-vol-1","title":"Balassa: Complete Piano Music, Vol. 1 - István Kassai","description":"\u003cdiv\u003e\u003cspan\u003eDistinguished Hungarian composer Sándor Balassa’s philosophy on his music is that it ‘has to be whole, beautiful, interesting and appealing; as natural as if it were this way since the beginning of time, and so that anyone can pick it up with a feeling of joy.’ Balassa’s uniquely sophisticated textures, timbres and lyrical style can be heard here in pieces for young pianists, remarkable works originally written for cimbalom, and in the Baroque references and sweeping momentum of the Szonatina No. 1.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Testvér (5 Brothers), Op. 5 (1960) (00:09:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Moderato, poco espressivo (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto movimento (00:00:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Sostenuto, pesante (00:00:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Allegro ma non troppo (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Andante cantabile (00:03:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLevelek a rezervátumból (Letters from the Reservation), Op. 87 (version for piano) (2004) (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Moderato (00:00:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Vivo (00:01:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Andante (00:02:20)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Movimento con moto (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Cantabile tranquillo (00:02:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Presto (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Zongoradarab (2 Piano Pieces), Op. 137 (2014) (00:07:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Adagio - Allegretto - Adagio (00:03:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegro ma non troppo (00:02:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLádafia, Vol. 1 (From an Old Chest, Vol. 1), Op. 113 (2009) (00:14:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Pasztorál (Pastorale) (00:00:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto (00:00:34)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Üzenet (Message) (00:00:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Etűd (Etude) (00:00:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Horizont (Horizon) (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Dallam (Melody) (00:00:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Legato (00:02:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Kürtök és trombiták (Horns and Trumpets) (00:01:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Különös arc (A Peculiar Face) (00:00:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Nyári könnyu szello (Light Summer Breeze) (00:00:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Allegro (00:01:12)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Szelíden és vadul (Gently and Fiercely) (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 13. Egyszerű ének (Simple Song) (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 14. Fürge játék (Fast Game) (00:01:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLádafia, Vol. 2 (From an Old Chest, Vol. 2), Op. 120 (2010) (00:21:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Prelúdium (Prelude) (00:01:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Kicsi (Little) (00:00:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Dombról jövet (Coming Down the Hill) (00:02:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Capriccio (00:01:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Borsószem (A Pea) (00:01:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Elutasított kérés (Request Denied) (00:02:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Csőlátó (Tunnel Vision) (00:00:59)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Barlangban (In a Cave) (00:01:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Ugróiskola (Hopscotch) (00:01:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Kápolna (Chapel) (00:01:04)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Tánczene (Dance Music) (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Furcsa pár (Strange Couple) (00:00:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 13. Titkos kert (Secret Garden) (00:02:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 14. Posztludium (Postlude) (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Sonatina No. 1, Op. 23, No. 5 (1961) (00:10:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Andantino (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Marciale, con movimento (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Tranquillo cantabile (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Veloce (00:03:27)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077590266,"sku":"GP803","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp803.jpg?v=1778174042"},{"product_id":"castiglioni-complete-piano-works-vol-1","title":"Castiglioni: Complete Piano Works, Vol. 1 - Aldo Orvieto","description":"\u003cp\u003e \u003cbr\u003ePiano Sonatina in G Major (1952) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto (00:03:27)\u003cbr\u003e2\u003cbr\u003eII. Andantino (00:03:50)\u003cbr\u003e3\u003cbr\u003eIII. Minuetto - Trio I-II (00:02:17)\u003cbr\u003e \u003cbr\u003ePiccola suite in G (1952) (00:10:11 )\u003cbr\u003e4\u003cbr\u003eI. Marcetta (00:01:00)\u003cbr\u003e5\u003cbr\u003eII. Nenia: Andante (00:02:12)\u003cbr\u003e6\u003cbr\u003eIII. Caccia: Allegro (00:01:18)\u003cbr\u003e7\u003cbr\u003eIV. Larghetto (00:01:40)\u003cbr\u003e8\u003cbr\u003eV. Allegrino (00:01:05)\u003cbr\u003e9\u003cbr\u003eVI. Walzer: Molto moderato (00:01:39)\u003cbr\u003e10\u003cbr\u003eVII. Melodia: Moderato, a tempo sempre (00:01:12)\u003cbr\u003e \u003cbr\u003e4 Canti (1954) (00:06:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Ostinato (00:01:07)\u003cbr\u003e12\u003cbr\u003eNo. 2. Aria: Molto calmo (00:01:18)\u003cbr\u003e13\u003cbr\u003eNo. 3. Intermezzo: Larghetto (00:01:13)\u003cbr\u003e14\u003cbr\u003eNo. 4. Corale: Sostenuto, quasi grave (00:01:56)\u003cbr\u003e \u003cbr\u003eMomento musicale (1954) (00:03:00 )\u003cbr\u003e15\u003cbr\u003eI. Prestissimo - (00:00:22)\u003cbr\u003e16\u003cbr\u003eII. Il più presto possibile (00:00:29)\u003cbr\u003e17\u003cbr\u003eIII. Il più presto possibile (00:00:25)\u003cbr\u003e18\u003cbr\u003eIV. Il più presto possibile (00:00:35)\u003cbr\u003e19\u003cbr\u003eV. Concitato, molto liberamente (00:00:41)\u003cbr\u003e \u003cbr\u003eCome io passo l'estate (1983) (00:10:00 )\u003cbr\u003e20\u003cbr\u003eI. Arrivo a Tires (00:00:51)\u003cbr\u003e21\u003cbr\u003eII. La Fossa del lupo (00:01:34)\u003cbr\u003e22\u003cbr\u003eIII. Andiamo al rifugio Bergamo (00:00:55)\u003cbr\u003e23\u003cbr\u003eIV. La valle del Ciamin (00:00:51)\u003cbr\u003e24\u003cbr\u003eV. Il buco dell'orso (00:01:17)\u003cbr\u003e25\u003cbr\u003eVI. La fontanella di Ganna (00:00:37)\u003cbr\u003e26\u003cbr\u003eVII. Ghiaccio sul Rosengarten (00:01:11)\u003cbr\u003e27\u003cbr\u003eVIII. Antonio Ballista dorme in casa dei Carabinieri (00:01:55)\u003cbr\u003e28\u003cbr\u003eIX. Il fantasma del castello di Presule (for upright piano) (00:00:27)\u003cbr\u003e29\u003cbr\u003eX. Canzone per il mio compleanno (00:01:09)\u003cbr\u003e \u003cbr\u003ePiano Sonatina (1984) (1984) (00:07:00 )\u003cbr\u003e30\u003cbr\u003eI. Andantino mosso assai dolcino (00:03:47)\u003cbr\u003e31\u003cbr\u003eII. Laendler (00:01:27)\u003cbr\u003e32\u003cbr\u003eIII. Fughetta (00:01:09)\u003cbr\u003e33\u003cbr\u003ePiano Sonatina (1987) (1987) (00:03:29)\u003cbr\u003e34\u003cbr\u003eDas Reh im Wald (1988) (00:02:10)\u003cbr\u003e \u003cbr\u003eIn principio era la danza (1989) (00:02:00 )\u003cbr\u003e35\u003cbr\u003eI. Valzer A (00:00:14)\u003cbr\u003e36\u003cbr\u003eII. Canzone del bruco (00:00:20)\u003cbr\u003e37\u003cbr\u003eIII. Valzer B (00:00:14)\u003cbr\u003e38\u003cbr\u003eIV. Canzone della farfalla (00:00:06)\u003cbr\u003e39\u003cbr\u003eV. Valzer C (00:00:33)\u003cbr\u003e \u003cbr\u003ePreludio, Corale e Fuga (1994) (00:04:00 )\u003cbr\u003e40\u003cbr\u003ePreludio: Liquido (00:01:16)\u003cbr\u003e41\u003cbr\u003eCorale (00:00:57)\u003cbr\u003e42\u003cbr\u003eFuga (00:02:17)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077950714,"sku":"GP862","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp862.jpg?v=1778195000"},{"product_id":"schmitt-complete-original-works-for-piano-duet-duo-vol","title":"Schmitt: Complete Original Works for Piano Duet \u0026 Duo, Vol. 3 (March of the 163 Infantry Regiment • Travel Pages Books 1 and 2 • Carnival Music) - Invencia Piano Duo","description":"\u003cp\u003eFlorent Schmitt remains one of the most important and influential French composers of the twentieth-century. Although he wrote successfully in almost all forms except opera, he was by training a formidable pianist and his writing for the instrument is colourful, bold and harmonically dextrous. Schmitt was also an inveterate traveller and this permeates his poetic and Romantic Feuillets de voyage (Travel Pages), Op. 26 whilst Musiques foraines (Carnival Music) Op. 22 reveals Schmitt the festive humorist.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eMarche du 163 R.I., Op. 48, No. 2 (1916) * (00:07:13)\u003cbr\u003e \u003cbr\u003eFeuillets de voyage, Book 1, Op. 26 (1913) (00:11:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Sérénade (00:03:46)\u003cbr\u003e3\u003cbr\u003eNo. 2. Visite (00:03:26)\u003cbr\u003e4\u003cbr\u003eNo. 3. Compliments (00:01:14)\u003cbr\u003e5\u003cbr\u003eNo. 4. Douceur du soir (00:02:12)\u003cbr\u003e6\u003cbr\u003eNo. 5. Danse britannique (00:01:36)\u003cbr\u003e \u003cbr\u003eFeuillets de voyage, Book 2, Op. 26 (1913) (00:13:59 )\u003cbr\u003e7\u003cbr\u003eNo. 1. Berceuse (00:04:27)\u003cbr\u003e8\u003cbr\u003eNo. 2. Mazurka (00:01:30)\u003cbr\u003e9\u003cbr\u003eNo. 3. Marche burlesque (00:02:17)\u003cbr\u003e10\u003cbr\u003eNo. 4. Retour à l'endroit familier (00:03:08)\u003cbr\u003e11\u003cbr\u003eNo. 5. Valse (00:03:45)\u003cbr\u003e \u003cbr\u003eMusiques foraines, Op. 22 (1902) (00:25:22 )\u003cbr\u003e12\u003cbr\u003eI. Parade * (00:04:38)\u003cbr\u003e13\u003cbr\u003eII. Boniment de clowns * (00:02:41)\u003cbr\u003e14\u003cbr\u003eIII. La belle Fathma * (00:03:37)\u003cbr\u003e15\u003cbr\u003eIV. Les éléphants savants * (00:04:29)\u003cbr\u003e16\u003cbr\u003eV. La pythonisse * (00:04:39)\u003cbr\u003e17\u003cbr\u003eVI. Chevaux de bois * (00:05:13)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077983482,"sku":"GP623","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp623.jpg?v=1778192158"},{"product_id":"tcherepnin-complete-piano-music-vol-4","title":"Tcherepnin: Complete Piano Music, Vol. 4 - Giorgio Koukl","description":"\u003cp\u003eDrawn from different parts of Tcherepnin’s life, the Entretiens display distinct cinematic qualities. With their exhaustive range of expression the Twelve Preludes vividly demonstrate the multi-faceted genius of their composer. The Romances contrast tenderness and warmth with unsettling moods and the Five Concert Etudes show an infatuation with all things Chinese.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEntretiens, Op. 46 (1930) (00:12:12 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Lento (00:01:30)\u003cbr\u003e2\u003cbr\u003eNo. 2. Animato (00:00:31)\u003cbr\u003e3\u003cbr\u003eNo. 3. Moderato (00:01:45)\u003cbr\u003e4\u003cbr\u003eNo. 4. Allegretto (00:01:15)\u003cbr\u003e5\u003cbr\u003eNo. 5. Recitando (00:00:26)\u003cbr\u003e6\u003cbr\u003eNo. 6. Animato (00:00:49)\u003cbr\u003e7\u003cbr\u003eNo. 7. Moderato (00:01:11)\u003cbr\u003e8\u003cbr\u003eNo. 8. Animato (00:00:58)\u003cbr\u003e9\u003cbr\u003eNo. 9. Grave (00:02:29)\u003cbr\u003e10\u003cbr\u003eNo. 10. Allegretto (00:01:07)\u003cbr\u003e \u003cbr\u003e12 Preludes, Op. 85 (1953) (00:25:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Adagio (00:02:56)\u003cbr\u003e12\u003cbr\u003eNo. 2. Animato (00:02:05)\u003cbr\u003e13\u003cbr\u003eNo. 3. Lento (00:02:09)\u003cbr\u003e14\u003cbr\u003eNo. 4. Allegro (00:01:25)\u003cbr\u003e15\u003cbr\u003eNo. 5. Allegretto (00:01:29)\u003cbr\u003e16\u003cbr\u003eNo. 6. Lento recitando (00:01:23)\u003cbr\u003e17\u003cbr\u003eNo. 7. Animato (00:01:05)\u003cbr\u003e18\u003cbr\u003eNo. 8. Mesto (00:03:20)\u003cbr\u003e19\u003cbr\u003eNo. 9. Allegro (00:01:22)\u003cbr\u003e20\u003cbr\u003eNo. 10. Lento marciale (00:01:23)\u003cbr\u003e21\u003cbr\u003eNo. 11. Agitato (00:01:52)\u003cbr\u003e22\u003cbr\u003eNo. 12. Lento (00:01:40)\u003cbr\u003e \u003cbr\u003e4 Romances, Op. 31 (1924) (00:08:00 )\u003cbr\u003e23\u003cbr\u003eNo. 1. Lento * (00:01:47)\u003cbr\u003e24\u003cbr\u003eNo. 2. Tempo risoluto * (00:01:49)\u003cbr\u003e25\u003cbr\u003eNo. 3. Allegro * (00:02:06)\u003cbr\u003e26\u003cbr\u003eNo. 4. Andantino * (00:01:56)\u003cbr\u003e \u003cbr\u003e5 Concert Études, Op. 52, \"Chinese\" (1936) (00:16:00 )\u003cbr\u003e27\u003cbr\u003eNo. 1. Shadow Play (00:03:09)\u003cbr\u003e28\u003cbr\u003eNo. 2. The Lute (00:03:35)\u003cbr\u003e29\u003cbr\u003eNo. 3. Homage to China (00:02:32)\u003cbr\u003e30\u003cbr\u003eNo. 4. Punch and Judy (00:02:04)\u003cbr\u003e31\u003cbr\u003eNo. 5. Chant (00:04:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078147322,"sku":"GP649","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp649.jpg?v=1778191020"},{"product_id":"tcherepnin-piano-music-vol-3","title":"Tcherepnin: Piano Music, Vol. 3 - Giorgio Koukl","description":"\u003cp\u003eGiorgio Koukl’s survey of Tcherepnin’s inventive piano music continues with two 1950s collections that reflect a synthesis of his earlier technical and expressive innovations – the virtuosic Eight Pieces and the beguiling Expressions. These two cycles bracket a varied group of scores, from the youthful Feuilles libres through the restrained lyricism of the Préludes, and the quirky modernism of the Intermezzo and Tanz, to the relaxed songfulness of the Etudes, written following a concert tour of the Far East.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e8 Pieces, Op. 88 (1955) (00:15:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Meditation (00:02:33)\u003cbr\u003e2\u003cbr\u003eNo. 2. Intermezzo (00:01:13)\u003cbr\u003e3\u003cbr\u003eNo. 3. Reverie (00:02:29)\u003cbr\u003e4\u003cbr\u003eNo. 4. Impromptu (00:01:12)\u003cbr\u003e5\u003cbr\u003eNo. 5. Invocation (00:01:34)\u003cbr\u003e6\u003cbr\u003eNo. 6. The Chase (00:01:41)\u003cbr\u003e7\u003cbr\u003eNo. 7. Etude (00:00:35)\u003cbr\u003e8\u003cbr\u003eNo. 8. Burlesque (00:02:34)\u003cbr\u003e \u003cbr\u003eFeuilles libres, Op. 10 (1920) (00:07:29 )\u003cbr\u003e9\u003cbr\u003eI. Grave * (00:01:59)\u003cbr\u003e10\u003cbr\u003eII. Avec douleur * (00:02:31)\u003cbr\u003e11\u003cbr\u003eIII. Excité * (00:00:47)\u003cbr\u003e12\u003cbr\u003eIV. Lent avec tristesse * (00:02:15)\u003cbr\u003e \u003cbr\u003e4 Nostalgic Preludes, Op. 23 (1922) (00:06:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Lento (00:02:15)\u003cbr\u003e14\u003cbr\u003eNo. 2. Allegretto (00:00:36)\u003cbr\u003e15\u003cbr\u003eNo. 3. Tempestoso (00:00:46)\u003cbr\u003e16\u003cbr\u003eNo. 4. Con dolore (00:02:30)\u003cbr\u003e \u003cbr\u003e4 Preludes, Op. 24 (1923) (00:04:58 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Giocoso * (00:01:26)\u003cbr\u003e18\u003cbr\u003eNo. 2. Adagio * (00:00:50)\u003cbr\u003e19\u003cbr\u003eNo. 3. Allegretto * (00:00:45)\u003cbr\u003e20\u003cbr\u003eNo. 4. Allegro * (00:01:57)\u003cbr\u003e21\u003cbr\u003eIntermezzo, Op. 33a (1926) * (00:01:59)\u003cbr\u003e22\u003cbr\u003eTanz (Dance), Op. posth. (1928) * (00:01:32)\u003cbr\u003e \u003cbr\u003e7 Etudes, Op. 56 (1938) (00:11:09 )\u003cbr\u003e23\u003cbr\u003eNo. 1. Moderato (00:01:33)\u003cbr\u003e24\u003cbr\u003eNo. 2. Allegro (00:00:51)\u003cbr\u003e25\u003cbr\u003eNo. 3. Allegro marciale (00:01:28)\u003cbr\u003e26\u003cbr\u003eNo. 4. Allegro (00:01:46)\u003cbr\u003e27\u003cbr\u003eNo. 5. Allegro risoluto (00:01:13)\u003cbr\u003e28\u003cbr\u003eNo. 6. Allegro moderato (00:01:37)\u003cbr\u003e29\u003cbr\u003eNo. 7. Andantino (00:02:44)\u003cbr\u003e \u003cbr\u003eExpressions, Op. 81 (1951) (00:15:00 )\u003cbr\u003e30\u003cbr\u003eI. Entrance (00:00:52)\u003cbr\u003e31\u003cbr\u003eII. The Hour of Death (00:02:17)\u003cbr\u003e32\u003cbr\u003eIII. Caprice (00:01:03)\u003cbr\u003e33\u003cbr\u003eIV. Silly Story of the White Oxen (00:00:45)\u003cbr\u003e34\u003cbr\u003eV. Thief in the Night (00:00:51)\u003cbr\u003e35\u003cbr\u003eVI. At the Fair (00:01:14)\u003cbr\u003e36\u003cbr\u003eVII. Barcarole (00:01:50)\u003cbr\u003e37\u003cbr\u003eVIII. Blind Man's Buff (00:00:42)\u003cbr\u003e38\u003cbr\u003eIX. At Dawn (00:01:26)\u003cbr\u003e39\u003cbr\u003eX. Exit (00:00:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078245626,"sku":"GP635","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp635.jpg?v=1778190928"},{"product_id":"rota-complete-solo-piano-works-vol-1","title":"Rota: Complete Solo Piano Works, Vol. 1 - Eleanor Hodgkinson","description":"\u003cp\u003eNino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness and communicative generosity and it is not therefore surprising that he should be best known for his epochal film scores—the music for The Godfather pre-eminently.\u003c\/p\u003e\n\u003cp\u003eNino Rota’s 15 Preludes utilise melodic and harmonic explorations to chart music that is agitated and melancholic, but also joyous and comedic. The Fantasia in G comprises seven themes—folkloric, droll and ultimately heroic. A late work, the 7 Pezzi difficili per bambini is generous in its emotional directness.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e15 Preludes (1964) (00:21:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Allegro molto (00:01:43)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegro, ma espressivo e delicato (00:01:41)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto con spirito (00:01:26)\u003cbr\u003e4\u003cbr\u003eNo. 4. Andante sostenuto ed espressivo (00:01:53)\u003cbr\u003e5\u003cbr\u003eNo. 5. Con impeto (00:02:13)\u003cbr\u003e6\u003cbr\u003eNo. 6. Andante (00:01:57)\u003cbr\u003e7\u003cbr\u003eNo. 7. Allegro con spirito (00:01:30)\u003cbr\u003e8\u003cbr\u003eNo. 8. Lento con accento (00:02:16)\u003cbr\u003e9\u003cbr\u003eNo. 9. Allegretto quasi andantino (00:01:41)\u003cbr\u003e10\u003cbr\u003eNo. 10. Allegro mosso e marcato (00:01:10)\u003cbr\u003e11\u003cbr\u003eNo. 11. Andante senza lentezza (00:02:39)\u003cbr\u003e12\u003cbr\u003eNo. 12. Allegro (00:01:56)\u003cbr\u003e13\u003cbr\u003eNo. 13. Andante cantabile (00:02:23)\u003cbr\u003e14\u003cbr\u003eNo. 14. Allegro non troppo e marcato (00:01:44)\u003cbr\u003e15\u003cbr\u003eNo. 15. Allegro robusto (00:01:28)\u003cbr\u003e16\u003cbr\u003eFantasia in G Major (1945) (00:16:32)\u003cbr\u003e \u003cbr\u003e7 Pezzi Difficili per Bambini (7 Difficult Pieces for Children) (1971) (00:12:00 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Salti e giochi (Skips and Games) (00:01:00)\u003cbr\u003e18\u003cbr\u003eNo. 2. Capriccio (Caprice) (00:01:12)\u003cbr\u003e19\u003cbr\u003eNo. 3. Cantilena (Lullaby) (00:02:40)\u003cbr\u003e20\u003cbr\u003eNo. 4. Le scalette (Little Scales) (00:01:50)\u003cbr\u003e21\u003cbr\u003eNo. 5. Grillo notturno (Cricket in the Night) (00:01:33)\u003cbr\u003e22\u003cbr\u003eNo. 6. Puccettino nella giungla (Puccettino in the Jungle) (00:02:09)\u003cbr\u003e23\u003cbr\u003eNo. 7. L'acrobata (The Acrobat) (00:01:46)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078343930,"sku":"GP827","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp827.jpg?v=1778185305"},{"product_id":"khachaturian-original-piano-works-transcriptions","title":"Khachaturian: Original Piano Works \u0026 Transcriptions - Kariné Poghosyan","description":"\u003cp\u003eAlthough Khachaturian is today renowned for his great ballet scores, his piano works have been relatively neglected. Performed by the award-winning Armenian pianist Kariné Poghosyan, this programme features arrangements of excerpts from two of Khachaturian’s most popular works, Spartacus and Masquerade, alongside the technically demanding Toccata and Poem from the earlier part of his career and the impressive 1961 Piano Sonata, one of the most formally classical of the composer’s larger works.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eToccata (1932) (00:04:37)\u003cbr\u003e \u003cbr\u003eWaltz-Caprice and Dance (1926) (00:04:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Waltz-Caprice (00:02:23)\u003cbr\u003e3\u003cbr\u003eNo. 2. Dance (00:01:39)\u003cbr\u003e4\u003cbr\u003eSpartacus: Adagio (arr. M. Cameron for piano) (1954) * (00:09:07)\u003cbr\u003e5\u003cbr\u003ePoem (1926) (1926) (00:07:00)\u003cbr\u003e \u003cbr\u003ePiano Sonata (1961) (00:22:00 )\u003cbr\u003e6\u003cbr\u003eI. Allegro vivace (00:07:29)\u003cbr\u003e7\u003cbr\u003eII. Andante tranquillo (00:10:35)\u003cbr\u003e8\u003cbr\u003eIII. Allegro assai (00:08:06)\u003cbr\u003e \u003cbr\u003eMasquerade Suite (arr. A. Dolukhanian for piano) (1941) (00:16:00 )\u003cbr\u003e9\u003cbr\u003eII. Nocturne * (00:03:27)\u003cbr\u003e10\u003cbr\u003eIV. Romance * (00:03:27)\u003cbr\u003e11\u003cbr\u003eI. Waltz * (00:04:12)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078540538,"sku":"GP673","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp673.jpg?v=1778182739"},{"product_id":"prado-complete-cartas-celestes-vol-2","title":"REZENDE DE ALMEIDA PRADO, J.A.: Cartas Celestes, Vol. 2 - Nos. 4-6 - Aleyson Scopel","description":"\u003cdiv\u003eCartas Celestes (Celestial Charts) is a colossal 18-movement cycle of works depicting celestial bodies to be seen in the Brazilian sky, for which Almeida Prado, one of Brazil’s most prolific and best-known composers, invented a new harmonic language called “transtonality”. Dense and rhythmically charged and saturated in the richest colours, Nos. 4, 5 and 6 complete the composer’s portrayal of the planets.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRezende de Almeida Prado, José Antônio\u003c\/div\u003e\n\u003cdiv\u003e Cartas Celestes No. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Cartas Celestes No. 4 30:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cartas Celestes No. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Cartas Celestes No. 5 24:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cartas Celestes No. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Cartas Celestes No. 6 21:40\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079097594,"sku":"GP710","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP710.jpg?v=1780242039"},{"product_id":"vanhal-keyboard-capriccios","title":"Vanhal: Keyboard Capriccios - Michael Tsalka","description":"\u003cp\u003eOne of the leading composers of the Classical and early Romantic eras, Vanhal played a vital role in the development of Viennese music between 1750 and 1780. He composed prolifically in many genres, including a large number of quartets, symphonies, sacred works, vocal and instrumental works. Vanhal was at his most inspirational and improvisational in his keyboard Capriccios composed in the 1780s, which are some of the most creative examples of the Viennese Classical style, not least in their almost symphonic force.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Yamaha Grand Piano.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 1 in F Major, \"Clementis and Silentis\" () (00:09:59 )\u003cbr\u003e1\u003cbr\u003eI. Adagio - Allegro (00:05:28)\u003cbr\u003e2\u003cbr\u003eII. Andante (00:01:47)\u003cbr\u003e3\u003cbr\u003eIII. Allegro molto (00:02:46)\u003cbr\u003e \u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 2 in G Minor, \"Amoroso\" () (00:15:16 )\u003cbr\u003e4\u003cbr\u003eI. Adagio - Allegro moderato (00:07:45)\u003cbr\u003e5\u003cbr\u003eII. Andante (00:04:01)\u003cbr\u003e6\u003cbr\u003eIII. Allegretto (00:03:30)\u003cbr\u003e \u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 3 in F Minor, \"Dolente\" () (00:12:07 )\u003cbr\u003e7\u003cbr\u003eI. Adagio - Allegro (00:04:50)\u003cbr\u003e8\u003cbr\u003eII. Adagio (00:03:09)\u003cbr\u003e9\u003cbr\u003eIII. Allegro (00:04:05)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 1 in G Major () (00:14:32 )\u003cbr\u003e10\u003cbr\u003eI. Adagio - Allegro moderato (00:08:05)\u003cbr\u003e11\u003cbr\u003eII. Andantino (00:04:21)\u003cbr\u003e12\u003cbr\u003eIII. Allegretto (00:02:09)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 2 in E-Flat Major () (00:13:51 )\u003cbr\u003e13\u003cbr\u003eI. Adagio - Allegro moderato (00:08:44)\u003cbr\u003e14\u003cbr\u003eII. Rondo: Allegro (00:05:07)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 3 in G Minor () (00:14:07 )\u003cbr\u003e15\u003cbr\u003eI. Adagio - Allegro moderato (00:06:27)\u003cbr\u003e16\u003cbr\u003eII. Rondo: Allegro (00:07:45)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079228666,"sku":"GP680","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp680.jpg?v=1778192518"},{"product_id":"rieti-complete-piano-solo-duo-music-vol-2","title":"Rieti: Complete Piano Solo \u0026 Duo Music, Vol. 2 - Virginia Rossetti, Giorgio Koukl","description":"\u003cdiv\u003eVittorio Rieti’s admission that his musical style was largely neo-Classical belies a cosmopolitan openness to influences that range from Les Six, the Second Viennese School and Stravinsky. This recording shows a youthful and at times mischievous approach – Rieti frequently puts a smile on the face of his music, united with a fondness for brevity, and melodies reminiscent of the atmosphere of Parisian clubs. The Chess Serenade has a whiff of New York Broadway about it, and the dance character in many of these pieces reflects Rieti’s successful work for the stage. Following on from the critically acclaimed first volume (GP921), Giorgio Koukl – described as ‘one of the five or six greatest living pianists today’ by The Art Music Lounge – is once again joined in the works for piano duo by the prize-winning pianist Virginia Rossetti.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRieti, Vittorio\u003c\/div\u003e\n\u003cdiv\u003e Briciole\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Berceuse 01:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Il Carillon rotto 01:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Il Carillon scordato 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Chopin-Debussy 01:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Marionette 01:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 2 Studi\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. Semplice e con moto 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. Scorrevole 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Suite (1926): IV. Canzonetta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Piano Suite (1926): IV. Canzonetta 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Chess Serenade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Prelude 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Gavotte 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Serenade 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 IV. Valse 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 V. Clown March 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Contrasti\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 1. Preludio 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 2. Variazioni 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 3. Bagatella 00:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 4. Elegia 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 5. Girandola 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e New Waltzes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 1. Belinda Waltz 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 2. Valse Caprice 06:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 3. Valse Champêtre 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 4. Valse Légère 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 5. Valse Lente 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 6. Rondo Waltz 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Chironomos\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 I. Preludio 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 II. Allegro volante 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 III. Intermezzo 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 IV. Mazurka 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 V. Improvviso 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 VI. Epilogo 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Valse pour Léonor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 31 Valse pour Léonor 01:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Piano Pieces (1992)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 32 No. 1. Tempo giusto 01:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 33 No. 2. L'istesso tempo 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 34 No. 3. Andante poco mosso 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 35 No. 4. Allegro alla tarantella 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079326970,"sku":"GP938","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP938_c9454173-89e2-427a-bdfb-2f62e151d737.jpg?v=1780242725"},{"product_id":"vorisek-complete-works-for-piano-vol-3","title":"Voríšek: Complete Works for Piano, Vol. 3 - 12 Rhapsodies - Biljana Urban","description":"\u003cdiv\u003eJan Hugo Voříšek, the ‘prodigy from Prague’, arrived in Vienna at the age of 22 and almost immediately earned the approval and admiration of Beethoven. His works foreshadow Schubert, Chopin and Schumann but he was so individualistic a composer that he resists easy categorisation either as a Classicist or a Romantic. This third and last volume of his complete piano works is devoted to the Twelve Rhapsodies, Op. 1, which extend the form of the scherzo in a lyrical vein suggestive of Brahms’ Two Rhapsodies, Op. 79.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eVoříšek, Jan Hugo\u003c\/div\u003e\n\u003cdiv\u003e 12 Rhapsodies, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1 in C-Sharp Minor: Allegro 07:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2 in E Major: Allegro 05:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3 in A Minor: Allegro con brio 08:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4 in F Major: Vivace 05:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5 in F Minor: Allegro 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6 in A-Flat Major: Allegretto ma agitato 07:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7 in D Minor: Allegro furioso 05:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8 in D Major: Veloce, ardito 04:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9 in G Minor: Allegro appassionato 05:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10 in C Major: Allegro risvegliato 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11 in B Minor: Allegro brioso 07:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 12 in E-Flat Major: Allegro tempestoso 06:3\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079392506,"sku":"GP672","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP672.jpg?v=1780243905"},{"product_id":"gan-ru-piano-music-vol-2-12-etudes-for-extended-piano","title":"Gan-Ru: Piano Music, Vol. 2 (12 Etudes for Extended Piano) - Yiming Zhang","description":"\u003cdiv\u003eGe Gan-ru, ‘China’s first avant-garde composer’, is regarded as one of the most original voices of his generation. Composed in close collaboration with pianist Yiming Zhang, 12 Études for Extended Piano explores techniques using the hands on the strings and keys of the piano, as well as employing a variety of objects to create effects that range from menacing darkness to the kaleidoscopic magic of harmonics, and from skilful drumming to atmospheres as calm as flowing water. Yiming Zhang continues his survey of Ge Gan-ru’s piano music in this second volume of the composer’s works.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eGe, Gan-Ru\u003c\/div\u003e\n\u003cdiv\u003e 12 Études for Extended Piano\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Harmonics 05:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Rhythm on A 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Pizzicato 04:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Muted 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Glissando across Strings 04:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Drumming 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. With Soft Plectrums 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. With Finger Cymbal 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9. With Paper 05:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10. With Rubber Mallets and Magnets 05:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11. With Hard Plectrum 05:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 12. With Drum Mallets 05:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079458042,"sku":"GP940","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP940.jpg?v=1780236067"},{"product_id":"tcherepnin-piano-music-vol-5","title":"Tcherepnin: Piano Music, Vol. 5 - Giorgio Koukl","description":"\u003cp\u003e \u003cbr\u003e8 Preludes, Op. 9 (1920) (00:08:32 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Moderato (00:01:22)\u003cbr\u003e2\u003cbr\u003eNo. 2. Lent (00:01:43)\u003cbr\u003e3\u003cbr\u003eNo. 3. Rubato (00:00:40)\u003cbr\u003e4\u003cbr\u003eNo. 4. Sostenuto (00:00:57)\u003cbr\u003e5\u003cbr\u003eNo. 5. Lento (00:01:07)\u003cbr\u003e6\u003cbr\u003eNo. 6. Agitato (00:00:51)\u003cbr\u003e7\u003cbr\u003eNo. 7. Rubato (00:00:45)\u003cbr\u003e8\u003cbr\u003eNo. 8. Sostenuto tranquillo (00:01:03)\u003cbr\u003e \u003cbr\u003eArabesques, Op. 11 (1921) (00:05:23 )\u003cbr\u003e9\u003cbr\u003eNo. 1. Andantino (00:01:38)\u003cbr\u003e10\u003cbr\u003eNo. 2. Allegro vivo (00:01:27)\u003cbr\u003e11\u003cbr\u003eNo. 3. Allegretto (00:00:57)\u003cbr\u003e12\u003cbr\u003eNo. 4. Presto (00:01:20)\u003cbr\u003e \u003cbr\u003e12 Pieces (1969) (00:09:57 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Moderato * (00:00:55)\u003cbr\u003e14\u003cbr\u003eNo. 2. Lento * (00:00:38)\u003cbr\u003e15\u003cbr\u003eNo. 3. Animato * (00:00:41)\u003cbr\u003e16\u003cbr\u003eNo. 4. Agitato - No. 5. — * (00:01:10)\u003cbr\u003e17\u003cbr\u003eNo. 6. Molto animato * (00:00:46)\u003cbr\u003e18\u003cbr\u003eNo. 7. Lento * (00:01:15)\u003cbr\u003e19\u003cbr\u003eNo. 8. En allant * (00:01:23)\u003cbr\u003e20\u003cbr\u003eNo. 9. — * (00:00:32)\u003cbr\u003e21\u003cbr\u003eNo. 10. Lento * (00:01:10)\u003cbr\u003e22\u003cbr\u003eNo. 11. Ascension * (00:00:53)\u003cbr\u003e23\u003cbr\u003eNo. 12. Jeu de cubes * (00:00:31)\u003cbr\u003e \u003cbr\u003eOpivochki, Op. 109 (1977) (00:30:55 )\u003cbr\u003e24\u003cbr\u003eNo. 1. Lento * (00:00:49)\u003cbr\u003e25\u003cbr\u003eNo. 2. Moderato * (00:00:29)\u003cbr\u003e26\u003cbr\u003eNo. 3. Slowly * (00:01:19)\u003cbr\u003e27\u003cbr\u003eNo. 4. Very slowly * (00:01:09)\u003cbr\u003e28\u003cbr\u003eNo. 5. — * (00:00:46)\u003cbr\u003e29\u003cbr\u003eNo. 6. For the beginning of a merry Pickwick overture * (00:00:21)\u003cbr\u003e30\u003cbr\u003eNo. 7. — * (00:00:26)\u003cbr\u003e31\u003cbr\u003eNo. 8. So sad at heart * (00:00:54)\u003cbr\u003e32\u003cbr\u003eNo. 9. Animato * (00:00:21)\u003cbr\u003e33\u003cbr\u003eNo. 10. — * (00:00:53)\u003cbr\u003e34\u003cbr\u003eNo. 11. — * (00:00:42)\u003cbr\u003e35\u003cbr\u003eNo. 12. — * (00:00:23)\u003cbr\u003e36\u003cbr\u003eNo. 13. — * (00:00:37)\u003cbr\u003e37\u003cbr\u003eNo. 14. — * (00:00:42)\u003cbr\u003e38\u003cbr\u003eNo. 15. — * (00:00:47)\u003cbr\u003e39\u003cbr\u003eNo. 16. — * (00:00:48)\u003cbr\u003e40\u003cbr\u003eNo. 17. Animato * (00:00:54)\u003cbr\u003e41\u003cbr\u003eNo. 18. Recitando * (00:00:53)\u003cbr\u003e42\u003cbr\u003eNo. 19. — * (00:00:25)\u003cbr\u003e43\u003cbr\u003eNo. 20. — * (00:01:02)\u003cbr\u003e44\u003cbr\u003eNo. 21. — * (00:00:52)\u003cbr\u003e45\u003cbr\u003eNo. 22. Lento * (00:01:14)\u003cbr\u003e46\u003cbr\u003eNo. 23. Mesto * (00:00:47)\u003cbr\u003e47\u003cbr\u003eNo. 24. — * (00:01:04)\u003cbr\u003e48\u003cbr\u003eNo. 25. Lento * (00:01:30)\u003cbr\u003e49\u003cbr\u003eNo. 26. Lento * (00:00:43)\u003cbr\u003e50\u003cbr\u003eNo. 27. Andantino * (00:00:22)\u003cbr\u003e51\u003cbr\u003eNo. 28. — * (00:00:20)\u003cbr\u003e52\u003cbr\u003eNo. 29. En allant * (00:00:39)\u003cbr\u003e53\u003cbr\u003eNo. 30. Animato * (00:00:27)\u003cbr\u003e54\u003cbr\u003eNo. 31. Moderato * (00:00:31)\u003cbr\u003e55\u003cbr\u003eNo. 32. Left hand * (00:00:54)\u003cbr\u003e56\u003cbr\u003eNo. 33. Lento * (00:00:20)\u003cbr\u003e57\u003cbr\u003eNo. 34. — * (00:00:41)\u003cbr\u003e58\u003cbr\u003eNo. 35. — * (00:01:12)\u003cbr\u003e59\u003cbr\u003eNo. 36. Grave * (00:01:58)\u003cbr\u003e60\u003cbr\u003eNo. 37. Lento * (00:00:41)\u003cbr\u003e61\u003cbr\u003eNo. 38. Lento * (00:00:27)\u003cbr\u003e62\u003cbr\u003eNo. 39. — * (00:01:17)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079556346,"sku":"GP650","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp650.jpg?v=1778190861"},{"product_id":"castiglioni-complete-piano-works-vol-2","title":"Castiglioni: Complete Piano Works, Vol. 2 - Aldo Orvieto","description":"\u003cp\u003eNiccolò Castiglioni’s music has at its heart a quest for different timbres and new musical perspectives. After the neo-Classical exercises of his student years he moved towards serial techniques with explorations of contrast and transformation. Castiglioni made his name with Inizio di movimento, consolidating this with Cangianti in which the piano becomes a ‘lyrical instrument of the most tender poetry’. The award-winning Italian pianist Aldo Orvieto continues his survey of piano works by one of Italy’s most unique 20th-century composers.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e5 Innodie (1953) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Ostinato (00:01:43)\u003cbr\u003e2\u003cbr\u003eNo. 2. Giubilazione (00:00:54)\u003cbr\u003e3\u003cbr\u003eNo. 3. Contrappunto su sol (00:01:35)\u003cbr\u003e4\u003cbr\u003eNo. 4. Inno (00:02:04)\u003cbr\u003e5\u003cbr\u003eNo. 5. Contrappunto su un canto fermo, \"Ubi caritas et amor, Deus ibi est\" (00:02:18)\u003cbr\u003e \u003cbr\u003e3 Studi (1954) (00:05:00 )\u003cbr\u003e6\u003cbr\u003eNo. 1. Il più presto possibile (00:00:17)\u003cbr\u003e7\u003cbr\u003eNo. 2. Lento e sempre ugualmente pianissimo (00:01:10)\u003cbr\u003e8\u003cbr\u003eNo. 3. Il più presto possibile (00:02:23)\u003cbr\u003e9\u003cbr\u003eInizio di movimento (1958) (00:02:58)\u003cbr\u003e10\u003cbr\u003eCangianti (1959) (00:10:24)\u003cbr\u003e \u003cbr\u003e3 Pezzi (1978) (00:16:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Sweet (00:05:41)\u003cbr\u003e12\u003cbr\u003eNo. 2. Kinderlied ohne Worte (00:05:10)\u003cbr\u003e13\u003cbr\u003eNo. 3. Fregi (00:06:31)\u003cbr\u003e \u003cbr\u003eDulce refrigerium (1984) (00:09:00 )\u003cbr\u003e14\u003cbr\u003eNo. 1. Humilitas (00:01:49)\u003cbr\u003e15\u003cbr\u003eNo. 2. Humus (00:02:00)\u003cbr\u003e16\u003cbr\u003eNo. 3. Urquelle (00:01:20)\u003cbr\u003e17\u003cbr\u003eNo. 4. Lied (00:01:55)\u003cbr\u003e18\u003cbr\u003eNo. 5. Liebeslied (00:01:07)\u003cbr\u003e19\u003cbr\u003eNo. 6. Choral, \"Ah! ritorni il vecchio affetto a regnar nel vostro cor\" (00:00:17)\u003cbr\u003e20\u003cbr\u003eHe (1990) (00:08:30)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079589114,"sku":"GP863","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp863.jpg?v=1778195158"},{"product_id":"ekanayaka-reinventions-rhapsodies-for-piano","title":"Ekanayaka: Reinventions – Rhapsodies for Piano","description":"\u003cdiv\u003eTanya Ekanayaka is one of Sri Lanka’s foremost pianists and an internationally acclaimed composer. Her ‘deeply autobiographical’ piano compositions, or reinventions, introduce a novel and hybrid musical genre that takes a wide variety of Sri Lankan melodies—ancient, folk and popular—and blends them with motifs inspired by the tonal centres of established classical compositions by Bach, Beethoven, Ravel and others.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eEkanayaka, Tanya\u003c\/div\u003e\n\u003cdiv\u003e Adahas: Of Wings Of Roots\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Adahas: Of Wings Of Roots 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dew Encounters: Of Scottish Walks, Vannam (Udara) \u0026amp; Sri Lanka's Bugs Bunny\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Dew Encounters: Of Scottish Walks, Vannam (Udara) and Sri Lanka's Bugs Bunny 04:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dhaivaya: Alter(ing) Hue\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Dhaivaya: Alter(ing) Hue 10:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vannam (Gajaga, Mayura \u0026amp; Hanuma) \u0026amp; You\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Vannam (Gajaga, Mayura and Hanuma) and You 09:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e In Lotus: Olu Pipila With Moment\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 In Lotus: Olu Pipila With Moment 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Labyrinth; Vannam Lent\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Labyrinth; Vannam Lent 05:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 2013\/14 June Echoes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 2013\/14 June Echoes 15:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079752954,"sku":"GP693","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP693.jpg?v=1780235654"},{"product_id":"frid-piano-works","title":"Frid: Piano Works - Children's Pieces, Opp. 25, 39, 41; Inventions, Op. 46 - Elisaveta Blumina","description":"\u003cp\u003eGrigori (Grigory) Samuilovich Frid was a distinguished member of the generation of composers born in Russia just before the Revolution of 1917. Frid’s significant corpus of piano music can trace its lineage to Tchaikovsky, Mussorgsky and Stravinsky, and his skill in conjuring entire worlds in music can be heard throughout this recording. His albums of Children’s Pieces are rich in gems that evoke poetic nostalgia, seasonal moods and witty pictorial descriptions that genuinely transcend their didactic purpose. In these world première recordings, distinguished pianist Elisaveta Blumina reveals Frid’s extraordinary character – a gifted composer, pedagogue and artist who lived his life to the full, despite many personal setbacks and difficulties.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Pieces for Piano 4 Hands: No. 1. Allegretto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 6 Pieces for Piano 4 Hands: No. 1. Allegretto 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Children's Pieces, Op. 41 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. On a Summer's Morning 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. Mishka 00:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. Dance (Scherzo) 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 4. Duet 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 5. The Merry Fiddler 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. March 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. Byliny Tune 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9. Gallop. Etude 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10. Autumn Tale 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11. Two Girlfriends. Canon 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 13. Morning Stroll 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 14. Toccata 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 15. Flute and Double Bass 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 16. Melody 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 17. Dance of the Silvan Dew Drops. Étude 01:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 19. Joke 00:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 20. Gaidar's Tale 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 21. Accordion 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 22. Thoughtful Waltz 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Inventions, Op. 46 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 1. Tranquillo 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 6. Allegretto 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 8. Andante risoluto - Adagio 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 9. Allegretto - Poco sostenuto 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Children's Pieces, Op. 25 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 No. 3. Song of Spring 00:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 No. 5. Lily of the Valley 01:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 No. 6. In the Summer 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 No. 8. Noon 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Children's Pieces, Op. 39 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 No. 4. Sad Song 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 No. 8. Polka 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 31 No. 10. Strolling Around 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 32 No. 15. The Shepherd Boy 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 33 No. 16. Clocks 00:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 34 No. 17. Negro Lullaby 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 35 No. 19. Ditty 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 36 No. 22. Sadly 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 37 No. 23. In Springtime 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 38 No. 25. Nocturne 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 39 No. 28. On the Riverbank. Udmurt Melody 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 40 No. 30. Masha Sleeps 00:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 41 No. 32. Chicklets 00:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 42 No. 33. The Baby Bird 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 43 No. 37. Rain. Étude 00:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 44 No. 38. Humorous Song 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 45 No. 40. The Path. Étude 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 46 No. 41. Fughetta 01:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 47 No. 42. Invention in B minor 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 48 No. 43. Little Waltz 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079818490,"sku":"GP870","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP870.jpg?v=1780235892"},{"product_id":"turk-keyboard-sonatas-collection-1-2","title":"Turk: Keyboard Sonatas Collection 1 \u0026 2 - Michael Tsalka, spinet (2 CDs)","description":"\u003cp\u003eDaniel Gottlob Türk is best known for his influential pedagogical treatise Klavierschule (1789). His 48 inventive and varied keyboard sonatas were influenced by Sonatas of other North German composers such as C. P. E. Bach and J. W. Hässler. The five historical keyboards employed in this recording reflect the diversity of the instruments available in Türk’s day. The twelve sonatas encompassed in his first and second collections show how the composer’s sensitive, at times dramatic, oratorical style relates beautifully to the nuanced expressive capabilities of these instruments.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on period instruments:\u003cbr\u003eCD1, Sonata No. 1: Spinet by Johann Heinrich Silbermann, Strasbourg, 1785\u003cbr\u003eCD1, Sonata No. 2; CD2, Sonatas Nos. 4 \u0026amp; 6: Harpsichord by Joseph Kirkman [Kirckman], London, 17895\u003cbr\u003eCD1, Sonata Nos. 3 \u0026amp; 6; CD2, Sonata No. 2: Fortepiano by Anton Martin Thӱm, Vienna, ca. 1815–20\u003cbr\u003eCD1, Sonata No. 4; CD2, Sonata No. 3: Tangent Piano by Frantz Jacob Spath \u0026amp; Christoph Friedrich Schmahl, Regensburg, ca. 1780\u003cbr\u003eCD1, sonata No. 5; CD2, Sonatas Nos. 1 \u0026amp; 5: Clavichord by Johann paul Kraemer \u0026amp; Sons, Göttingen, 1804\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 1 in C Major (1777) (00:12:12 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto * (00:05:10)\u003cbr\u003e2\u003cbr\u003eII. Un poco adagio * (00:02:43)\u003cbr\u003e3\u003cbr\u003eIII. Allegro * (00:04:26)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 2 in B-Flat Major (1777) (00:14:00 )\u003cbr\u003e4\u003cbr\u003eI. Allegro grazioso * (00:07:13)\u003cbr\u003e5\u003cbr\u003eII. Largo * (00:01:27)\u003cbr\u003e6\u003cbr\u003eIII. Tempo di minuetto * (00:04:06)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 3 in D Major (1777) (00:11:53 )\u003cbr\u003e7\u003cbr\u003eI. Allegro di molto * (00:07:40)\u003cbr\u003e8\u003cbr\u003eII. Largo e tenero * (00:02:52)\u003cbr\u003e9\u003cbr\u003eIII. Un poco allegro * (00:03:38)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 4 in G Minor (1777) (00:11:53 )\u003cbr\u003e10\u003cbr\u003eI. Allegro con spirito * (00:04:51)\u003cbr\u003e11\u003cbr\u003eII. Andantino. Un poco adagio * (00:02:27)\u003cbr\u003e12\u003cbr\u003eIII. Presto * (00:04:43)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 5 in A Minor (1777) (00:13:00 )\u003cbr\u003e13\u003cbr\u003eI. Allegro * (00:05:08)\u003cbr\u003e14\u003cbr\u003eII. Affectuoso * (00:03:24)\u003cbr\u003e15\u003cbr\u003eIII. Allegro assai * (00:04:37)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 6 in F Major (1777) (00:13:18 )\u003cbr\u003e16\u003cbr\u003eI. Moderato * (00:06:14)\u003cbr\u003e17\u003cbr\u003eII. Adagio * (00:02:44)\u003cbr\u003e18\u003cbr\u003eIII. Rondeau: Moderato * (00:04:32)\u003cbr\u003eDisc 2\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas (1777), Collection 2: Sonata No. 1 in D Minor (1777) (00:14:32 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto * (00:06:34)\u003cbr\u003e2\u003cbr\u003eII. Adagio * (00:03:05)\u003cbr\u003e3\u003cbr\u003eIII. Allegro assai * (00:04:59)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 2 in E-Flat Major (1777) (00:14:05 )\u003cbr\u003e4\u003cbr\u003eI. Allegro con spirito * (00:06:14)\u003cbr\u003e5\u003cbr\u003eII. Adagio assai * (00:02:48)\u003cbr\u003e6\u003cbr\u003eIII. Tempo di minuetto * (00:05:11)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 3 in A Major (1777) (00:09:44 )\u003cbr\u003e7\u003cbr\u003eI. Presto * (00:04:43)\u003cbr\u003e8\u003cbr\u003eII. Andante * (00:02:38)\u003cbr\u003e9\u003cbr\u003eIII. Prestissimo * (00:02:30)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 4 in G Minor (1777) (00:13:57 )\u003cbr\u003e10\u003cbr\u003eI. Allegretto grazioso * (00:06:59)\u003cbr\u003e11\u003cbr\u003eII. Largo molto e tenero * (00:02:40)\u003cbr\u003e12\u003cbr\u003eIII. Allegro assai e scherzando * (00:04:25)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 5 in C Minor (1777) (00:13:32 )\u003cbr\u003e13\u003cbr\u003eI. Allegro moderato * (00:05:57)\u003cbr\u003e14\u003cbr\u003eII. Larghetto * (00:01:41)\u003cbr\u003e15\u003cbr\u003eIII. Allegro spirituoso * (00:06:01)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 6 in G Major (1777) (00:12:27 )\u003cbr\u003e16\u003cbr\u003eI. Allegro di molto * (00:04:17)\u003cbr\u003e17\u003cbr\u003eII. Grave * (00:03:24)\u003cbr\u003e18\u003cbr\u003eIII. Poco allegro * (00:04:59)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079884026,"sku":"GP627-28","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp627-28.jpg?v=1778192427"},{"product_id":"elmas-complete-piano-works-vol-2","title":"Elmas: Complete Piano Works, Vol. 2 - Mazurkas - Mikael Ayrapetyan","description":"\u003cdiv\u003eA child prodigy, Stephan Elmas met Franz Liszt and made his acclaimed Viennese performing debut in 1885. Like Chopin, Elmas combined the character of folk-music dance forms to create sophisticated and deeply personal statements, and his Mazurkas are musical poems and paintings in which depictions of everyday scenes are combined with soulful lyricism. This world premiere recording by Armenian music specialist Mikael Ayrapetyan provides ample evidence of the great contribution Elmas’s Mazurkas make to the piano repertoire and to the musical heritage of Armenia and beyond.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eElmas, Stephan\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 1 in F-Sharp Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Mazurka No. 1 in F-Sharp Major (ed. M. Ayrapetyan) 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 2 in E-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Mazurka No. 2 in E-Flat Major (ed. M. Ayrapetyan) 03:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 3 in B-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Mazurka No. 3 in B-Flat Major (ed. M. Ayrapetyan) 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 4 in E Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Mazurka No. 4 in E Major (ed. M. Ayrapetyan) 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 5 in C-Sharp Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Mazurka No. 5 in C-Sharp Minor (ed. M. Ayrapetyan) 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 6 in D Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Mazurka No. 6 in D Minor (ed. M. Ayrapetyan) 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 7 in E Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Mazurka No. 7 in E Minor (ed. M. Ayrapetyan) 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 8 in D Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Mazurka No. 8 in D Major (ed. M. Ayrapetyan) 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 9 in D Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Mazurka No. 9 in D Minor (ed. M. Ayrapetyan) 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 10 in C-Sharp Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Mazurka No. 10 in C-Sharp Minor (ed. M. Ayrapetyan) 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 11 in B-Flat Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Mazurka No. 11 in B-Flat Minor (ed. M. Ayrapetyan) 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 12 in A-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Mazurka No. 12 in A-Flat Major (ed. M. Ayrapetyan) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 13 in B-Flat Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Mazurka No. 13 in B-Flat Minor (ed. M. Ayrapetyan) 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 14 in A Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Mazurka No. 14 in A Minor (ed. M. Ayrapetyan) 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 15 in G Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Mazurka No. 15 in G Minor (ed. M. Ayrapetyan) 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 16 in C Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Mazurka No. 16 in C Minor (ed. M. Ayrapetyan) 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 17 in D-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Mazurka No. 17 in D-Flat Major (ed. M. Ayrapetyan) 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 18 in D Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Mazurka No. 18 in D Minor (ed. M. Ayrapetyan) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 19 in B Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Mazurka No. 19 in B Minor (ed. M. Ayrapetyan) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 20 in E Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Mazurka No. 20 in E Minor (ed. M. Ayrapetyan) 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 21 in F Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Mazurka No. 21 in F Major (ed. M. Ayrapetyan) 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 22 in B-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Mazurka No. 22 in B-Flat Major (ed. M. Ayrapetyan) 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 23 in A Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Mazurka No. 23 in A Major (ed. M. Ayrapetyan) 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 24 in B-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Mazurka No. 24 in B-Flat Major (ed. M. Ayrapetyan) 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 25 in A Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Mazurka No. 25 in A Major (ed. M. Ayrapetyan) 03:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 26 in F Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Mazurka No. 26 in F Major (ed. M. Ayrapetyan) 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 27 in B Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Mazurka No. 27 in B Major (ed. M. Ayrapetyan) 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079949562,"sku":"GP928","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP928.jpg?v=1780235768"},{"product_id":"szechenyi-piano-music-from-a-hungarian-dynasty-1800-1920","title":"Széchényi: Piano Music from a Hungarian Dynasty, 1800-1920 - István Kassai, György Lázár","description":"\u003cdiv\u003eSzéchényi, Félicie\u003c\/div\u003e\n\u003cdiv\u003e Dorette, Polka française, Op. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Dorette, Polka française, Op. 4 02:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Herzblatt (Sweetheart), Polka-Mazur, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Herzblatt (Sweetheart), Polka-Mazur, Op. 1 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Immer lustig (Always Cheerful), Polka française\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Immer lustig (Always Cheerful), Polka française 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 7 Uhr früh (7 in the Morning), Polka schnell, Op. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 7 Uhr früh (7 in the Morning), Polka schnell, Op. 3 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Franciska\u003c\/div\u003e\n\u003cdiv\u003e 6 Ländler\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 6 Ländler 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Lajos\u003c\/div\u003e\n\u003cdiv\u003e 3 Magyar tántzok (3 Hungarian Dances)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. — 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. — 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. — 01:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Deutscher mit Coda\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Deutscher mit Coda 03:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 10 Ländler und 1 Mazurka\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 10 Ländler und 1 Mazurka 08:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Ödön\u003c\/div\u003e\n\u003cdiv\u003e Hajósegyleti Polka (Shipowners Association Polka)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Hajósegyleti Polka (Shipowners Association Polka) 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Marien-Polka\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Marien-Polka 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Viszontlátási örömhangok keringő (Joyful Sounds of Goodbye, Waltz)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Viszontlátási örömhangok keringő (Joyful Sounds of Goodbye, Waltz) 07:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Pull-on! galopp\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Pull-on! galopp 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Regatta négyes (Regatta Foursome)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Regatta négyes (Regatta Foursome) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ez az élet gyöngyélet, Csilli csárdás (This Life is a Pearly Life)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Ez az élet gyöngyélet, Csilli csárdás (This Life is a Pearly Life) 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Hableány polka (Mermaid Polka)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Hableány polka (Mermaid Polka) 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Gisa\u003c\/div\u003e\n\u003cdiv\u003eGound, Robert - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Abendsonne (Setting Sun), Act III: Vorspiel (arr. R. Gound for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Abendsonne (Setting Sun), Act III: Vorspiel (arr. R. Gound for piano) 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Andor\u003c\/div\u003e\n\u003cdiv\u003e Ein Marsch mehr! (One More March!)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Ein Marsch mehr! (One More March!) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Gedanken-Walzer (Thinking Waltz)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Gedanken-Walzer (Thinking Waltz) 06:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Tritsch-Tratsch-Polka\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Tritsch-Tratsch-Polka 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Imre\u003c\/div\u003e\n\u003cdiv\u003e 3 Walzer for piano 4 hands: No. 1. —\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 3 Walzer for piano 4 hands: No. 1. — 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079982330,"sku":"GP786","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP786.jpg?v=1780243546"},{"product_id":"solal-works-for-piano-2-pianos","title":"Solal: Works for Piano \u0026 2 Pianos - Eric Ferrand-N’Kaoua","description":"\u003cdiv\u003eEuropean jazz legend Martial Solal is an imaginative and creative thinker for the piano, and one never straightjacketed by music genres. Voyage en Anatolie is a kind of survey of Jazz, with 13 brilliantly linked variations. The Jazz Preludes and Études explore piquant harmonies through innovative pianistic figures, whilst the Exercice de concert offers a stunningly transcribed improvisation. Solal himself plays the first piano part in the Ballade for two pianos.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSolal, Martial\u003c\/div\u003e\n\u003cdiv\u003e Voyage en Anatolie (Journey to Anatolia)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Voyage en Anatolie (Journey to Anatolia) 05:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Jazz Preludes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. — 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. — 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. — 01:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 4. — 03:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 5. — 02:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 6. — 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 7. — 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWetzel, Pascal\u003c\/div\u003e\n\u003cdiv\u003eSolal, Martial\u003c\/div\u003e\n\u003cdiv\u003e Exercice de Concert (Concert Exercise)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Exercice de Concert (Concert Exercise) 05:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSolal, Martial\u003c\/div\u003e\n\u003cdiv\u003e 11 Etudes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 1. La Nonchalante (The Nonchalant) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 2. La Syncopée (The Syncopated) 01:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 3. La Jazzifiante (The Jazzyfying) 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 4. La Joyeuse (The Joyful) 01:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 5. La Charmante (The Charming) 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 6. La Calme et agitée (The Calm and Agitated) 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 7. La Chantante (The Singing) 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 8. La Motorisée (The Motorized) 00:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 9. La Tonique (The Tonic) 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 10. La Trépidante (The Thrilling) 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 11. La Lancinante (The Haunting) 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade for 2 Pianos\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Ballade for 2 Pianos 06:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853080113402,"sku":"GP697","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71-r9jB99hL._SL1200.jpg?v=1780243037"},{"product_id":"szczerbinski-complete-piano-music-vol-2","title":"Szczerbinski: Complete Piano Music, Vol. 2 - Giorgio Koukl","description":"\u003cdiv\u003ePolish composer Alfons Szczerbiński was a Romantic who revered Bach, Haydn and Mozart above all others. Many of his scores were lost during the First World War or destroyed by the composer himself. His most extrovert music exudes the panache and rhythmic brio of Chopin whilst his series of Chansons sans paroles display a flair for harmonic fantasy and melodic beauty reminiscent of Mendelssohn. Giorgio Koukl’s second volume of Szczerbiński’s complete piano music reveals yet more discoveries by this unjustly neglected composer.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Polonez in B-Flat Major, Op. 13\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Polonez in B-Flat Major, Op. 13 08:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Rondeau in F Major, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Rondeau in F Major, Op. 1 06:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Romances sans paroles, Op. 8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 1. Souvenir 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 2. Désir du printemps 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 3. Méditation 02:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Tema e variazioni in G Minor (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Tema e variazioni in G Minor (edited and completed by G. Koukl) 08:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Chanson sans paroles in E Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Chanson sans paroles in E Minor 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Capriccio in D Minor (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Capriccio in D Minor (edited and completed by G. Koukl) 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Chanson sans paroles in A-Flat Major, Op. 16\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Chanson sans paroles in A-Flat Major, Op. 16 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Andante con variazioni in F Major (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Andante con variazioni in F Major (edited and completed by G. Koukl) 12:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Chanson sans paroles in C-Sharp Minor, Op. 31\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Chanson sans paroles in C-Sharp Minor, Op. 31 05:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Fuga in C Major (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Fuga in C Major (edited and completed by G. Koukl) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853080867066,"sku":"GP884","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP884.jpg?v=1780243213"},{"product_id":"jaberi-the-bab-piano-sonatas-ballades","title":"Jaberi: The Báb – Piano Sonatas \u0026 Ballades","description":"\u003cdiv\u003eIranian composer Afshin Jaberi’s powerful music combines 19th-century western piano traditions with eastern melodic influences. It is strongly connected with the message of equality and peaceful unity promoted by his religious faith. The Báb Ballades depict dramatic heroism and tragic sacrifice, while the Sonatas express the horrors of war and the fragility of remote cultures, out of which new hope and the chance for reconciliation can emerge.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eJaberi, Afshin\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 1, \"The Seeker\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro 06:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Rondo: Allegro 07:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 2, \"The Path to Peace\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Agitato 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Andante 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Allegretto 05:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 3, \"The Bedouin\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Andante - Allegro 07:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Adagio 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Rondo 05:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade No. 1, \"The Herold\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Ballade No. 1, \"The Herold\" 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade No. 2, \"Eroica\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Ballade No. 2, \"Eroica\" 12:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade No. 3, \"The Martyrdom\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Ballade No. 3, \"The Martyrdom\" 09:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853083095290,"sku":"GP694","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP694.jpg?v=1780236884"},{"product_id":"harsanyi-complete-piano-works-vol-1","title":"Harsányi: Complete Piano Works, Vol. 1 - Giorgio Koukl","description":"\u003cp\u003eTibor Harsányi is always associated with ‘L’École de Paris’, a loosely knit collection of expatriate composers living in the city, among them Martinů, Tansman and Tcherepnin. He embraced music from a wide variety of sources, notably from North and South America, and this enriched his own music’s rhythmic vitality and sense of colour.\u003c\/p\u003e\n\u003cp\u003eIn his piano music, Harsányi drew on diverse source material, a free-spirted absorption of Hungarian traditions, neo-Baroque, the comic and jazz, as can be heard in the 5 Préludes brefs. Baby-Dancing draws on the foxtrot, Boston, czárdás and samba, while La Semaine, seven pieces, one for each day of the week, contains nocturnes of stillness, off-beat folk songs and a wealth of colour and verve.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e5 Préludes brefs (1928) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Lento * (00:02:54)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegro * (00:01:37)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto grazioso * (00:01:28)\u003cbr\u003e4\u003cbr\u003eNo. 4. Allegro * (00:01:21)\u003cbr\u003e5\u003cbr\u003eNo. 5. Lento * (00:02:22)\u003cbr\u003e \u003cbr\u003eLa Semaine (1924) (00:11:00 )\u003cbr\u003e6\u003cbr\u003eNo. 1. Pour lundi: Allegro agitato molto * (00:01:13)\u003cbr\u003e7\u003cbr\u003eNo. 2. Pour mardi: Allegretto grazioso * (00:01:04)\u003cbr\u003e8\u003cbr\u003eNo. 3. Pour mercredi: Andante cantabile * (00:01:55)\u003cbr\u003e9\u003cbr\u003eNo. 4. Pour jeudi: Tempo di Fox-trot * (00:01:31)\u003cbr\u003e10\u003cbr\u003eNo. 5. Pour vendredi: Allegretto sostenuto * (00:01:27)\u003cbr\u003e11\u003cbr\u003eNo. 6. Pour samedi: Allegro * (00:01:39)\u003cbr\u003e12\u003cbr\u003eNo. 7. Pour dimanche: Sostenuto * (00:02:18)\u003cbr\u003e \u003cbr\u003ePastorales (1934) (00:07:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Prélude: Allegro giusto, ben ritmato * (00:01:28)\u003cbr\u003e14\u003cbr\u003eNo. 2. Elégie: Allegretto quasi andantino * (00:01:42)\u003cbr\u003e15\u003cbr\u003eNo. 3. Musette: Allegro ma non troppo * (00:01:48)\u003cbr\u003e16\u003cbr\u003eNo. 4. Danse: Allegro giocoso * (00:01:27)\u003cbr\u003e \u003cbr\u003eBaby-Dancing (1934) (00:11:00 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Fox-Trot: Allegretto * (00:01:10)\u003cbr\u003e18\u003cbr\u003eNo. 2. Tango: Andante quasi allegretto * (00:01:12)\u003cbr\u003e19\u003cbr\u003eNo. 3. Boston: Andantino * (00:01:32)\u003cbr\u003e20\u003cbr\u003eNo. 4. Csárdás I: Allegretto - No. 5. Csárdás II: Vivo * (00:02:44)\u003cbr\u003e21\u003cbr\u003eNo. 6. Blue: Andantino * (00:01:59)\u003cbr\u003e22\u003cbr\u003eNo. 7. Samba: Allegro * (00:01:16)\u003cbr\u003e23\u003cbr\u003eNo. 8. One-Step: Allegretto * (00:01:07)\u003cbr\u003e \u003cbr\u003eBagatelles (1930) (00:10:00 )\u003cbr\u003e24\u003cbr\u003eNo. 1. Tempo di marcia * (00:01:46)\u003cbr\u003e25\u003cbr\u003eNo. 2. Andante * (00:02:18)\u003cbr\u003e26\u003cbr\u003eNo. 3. Allegretto scherzando * (00:02:24)\u003cbr\u003e27\u003cbr\u003eNo. 4. Lento * (00:01:42)\u003cbr\u003e28\u003cbr\u003eNo. 5. Allegro * (00:01:53)\u003cbr\u003e \u003cbr\u003e5 Études rythmiques (c1933) (00:10:00 )\u003cbr\u003e29\u003cbr\u003eNo. 1. Allegro vivace * (00:02:17)\u003cbr\u003e30\u003cbr\u003eNo. 2. Moderato cantabile ma ben ritmato * (00:01:46)\u003cbr\u003e31\u003cbr\u003eNo. 3. Allegro giocoso * (00:01:32)\u003cbr\u003e32\u003cbr\u003eNo. 4. Quasi andantino * (00:02:25)\u003cbr\u003e33\u003cbr\u003eNo. 5. Allegro giusto * (00:01:46)\u003cbr\u003e34\u003cbr\u003eVocalise-étude, \"Blues\" (version for piano) (1929) * (00:02:42)\u003cbr\u003e \u003cbr\u003e6 Pièces courtes (1927) (00:09:00 )\u003cbr\u003e35\u003cbr\u003eNo. 1. Tempo di marcia * (00:02:29)\u003cbr\u003e36\u003cbr\u003eNo. 2. Andante * (00:01:44)\u003cbr\u003e37\u003cbr\u003eNo. 3. Allegro * (00:01:24)\u003cbr\u003e38\u003cbr\u003eNo. 4. Lento * (00:01:01)\u003cbr\u003e39\u003cbr\u003eNo. 5. Allegro ma non troppo * (00:01:07)\u003cbr\u003e40\u003cbr\u003eNo. 6. Presto * (00:01:15)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087158522,"sku":"GP806","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp806.jpg?v=1778191745"},{"product_id":"kuula-complete-works-for-solo-piano","title":"Kuula: Complete Works for Solo Piano - Adam Johnson","description":"\u003cdiv\u003eFinnish composer and conductor Toivo Kuula was a student of Sibelius, and pieces such as the majestic Juhlamarssi (‘Festive March’) share the great master’s national flavour while the descriptive folktales of Satukuvia create their own beautifully romantic atmosphere. Kuula’s piano music is notable for its vast array of colour and variety of style, from the melancholy Surumarssi (‘Funeral March’) (from Six Pieces, Op. 26) to the lighthearted Schottis (‘Scottish Dance’), while countless Finnish couples have been married to the accompaniment of Kuula’s Häämarssi (‘Wedding March’).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eKuula, Toivo\u003c\/div\u003e\n\u003cdiv\u003e Satukuvia pianolle (3 Folk-Tale pictures), Op. 19\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Andante semplice 05:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Presto 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Tranquillamento 05:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Piano Pieces, Op. 3b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 1. Elegia (Elegy) 04:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 2. Häämarssi (Wedding March) 05:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 3. Pikku gavotti (Little Gavotte) 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Juhlamarssi (Festive March), Op. 13b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Juhlamarssi (Festive March), Op. 13b 09:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Lampaanpolska (Mutton Dance)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Lampaanpolska (Dance of the Sheep) 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Air varié in E Minor, \"Variations on a Finnish Air\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Air varié in E Minor, \"Variations on a Finnish Air\" 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Schottis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Schottis (Scottish Dance) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Piano Pieces, Op. 26\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 1. Piirileikki (Round Dance) 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 2. Paimentunnelma (Pastoral Atmosphere) 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 3. Tanssi-improvisaatio (Dance Improvisation) 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 4. Nocturne 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 5. Rauha (Peace) 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 6. Surumarssi (Funeral March) 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Virta venhettä vie, Op. 4, No. 5b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Virta venhettä vie (The Current Carries the Boat), Op. 4, No. 5b 03:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Venelaulu (Barcarolle), Op. 21, No. 2b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Venelaulu (Barcarolle), Op. 21, No. 2b 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vanha syyslaulu (An Old Autumn Song), Op. 24, No. 3b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Vanha syyslaulu (An Old Autumn Song), Op. 24, No. 3b 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Invention in E Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Invention in E Minor 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087256826,"sku":"GP780","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP780.jpg?v=1780237140"},{"product_id":"palmgren-complete-piano-works-vol-4","title":"Palmgren: Complete Piano Works, Vol. 4 - Jouni Somero","description":"\u003cdiv\u003eSelim Palmgren studied with Busoni and developed a formidable technique, later becoming one of the leading Nordic composer-pianists of his generation. This fourth volume of Palmgren’s complete piano works reveals yet more remarkable contributions to 20th-century piano literature including one of his masterpieces, the Nocturne in Three Scenes, a compound of Impressionist and Romantic elements. His fruitful years in America are reflected by the jazz-influenced Three Fantasies and throughout one can hear examples of the beautiful folk-based music that is so much a feature of his compositions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePalmgren, Selim\u003c\/div\u003e\n\u003cdiv\u003e Vårbäckarnas brus (The Rushing of the Spring Brooklets)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Vårbäckarnas brus (The Rushing of the Spring Brooklets) 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Valse d'amour\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Valse d'amour 07:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Une nocturne en trois scenes (Nocturne in Three Scenes), Op. 72\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 1. Les étoiles scintillent (Stars Twinkling) 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 2. Chanson de nuit (Song of the Night) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 3. L'aube (Dawn) 02:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Fantasier (3 Fantasies), Op. 82\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. En sommarfantasi (A Summer Phantasy) 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. En höstdröm (A Dream of Fall) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. Ett minne (A Memory) 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Triptych, Op. 81\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. En dröm om vår (A Dream of Spring) 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 2. Rapsodi (Rhapsody) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 3. Vaggsång för sårade hjärtan (A Lullaby for Wounded Hearts) 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Uusia klaveeriskitsejä (New Piano-sketches), Op. 87\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 1. Preludium 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 2. Humoreski (Humoresque) 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 3. Kesäinen laulu (A Summersong) 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 4. Staccato (Staccato-Etude) 00:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 5. Maininki (Swell) 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 6. Epiloogi (Epilogue) 01:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Pieni romanssi (Small Romance)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Pieni romanssi (Small Romance) 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Juhlatilaisuus (Festive Occasion)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Juhlatilaisuus (Festive Occasion) 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vakava välikohtaus (A Serious Incident)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Vakava välikohtaus (A Serious Incident) 00:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e En längtansvals och andra klaverstycken (A Waltz of Longing and Other Piano Pieces), Op. 49\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 1. Finsk visa (A Finnish Song) 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 2. Scherzino 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 3. Cantilena 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 4. En längtansvals (A Waltz of Longing) 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Spinning Song, Op. 76, No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Spinning Song, Op. 76, No. 1 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude in A-Flat Major, Op. 76, No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Etude in A-Flat Major, Op. 76, No. 2 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Lullaby, Op. 76, No. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Lullaby, Op. 76, No. 3 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude in A Minor, Op. 76, No. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 Etude in A Minor, Op. 76, No. 4 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Contradictions, Op. 76, No. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 Contradictions, Op. 76, No. 5 00:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Pinwheel, Op. 76, No. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 The Pinwheel, Op. 76, No. 6 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087453434,"sku":"GP907","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP907.jpg?v=1780241735"},{"product_id":"a-whole-in-twelve","title":"Ayrapetyan: A Whole in Twelve","description":"\u003cdiv\u003e\u003cspan\u003eArmenian pianist Mikael Ayrapetyan has become internationally recognised for performances of his country’s music all over the world with his Secrets of Armenia project. Ayrapetyan’s piano cycle A Whole in 12 is special to his artistic life, being both a deeply personal and universal story told in scenes that range from inner peace and feelings of endless space, to all-consuming creative impulses and the magic of Christmas, contrasting vibrant textural complexity with profoundly expressive lyricism.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAutumnal (2018) * (00:04:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe lady plays (2018) * (00:05:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLonging (2018) * (00:04:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDilemma (2018) * (00:04:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArousal (2018) * (00:04:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrayer (2018) * (00:05:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClouds (2018) * (00:04:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe First Snow (2018) * (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristmas Eve (2018) * (00:04:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTotality (2018) * (00:05:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRain and rendezvous (2018) * (00:04:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFinality (2018) * (00:04:15)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087518970,"sku":"GP809","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/91EjqwovUgL._SL1500.jpg?v=1778109706"},{"product_id":"alfred-cortot-piano-arrangements","title":"Alfred Cortot: Piano Arrangements (Bach • Brahms • Chopin • Fauré • Franck • Schubert) Yue He","description":"\u003cdiv\u003e\u003cspan\u003eegendary pianist Alfred Cortot’s distinguished reputation as an educator is demonstrated in these magnificent arrangements of chamber music for solo piano. They cover every aspect of technique and expression, from Bach’s demanding Toccata and Fugue in D minor to Fauré’s delectable Dolly Suite and the grand scale of Franck’s Violin Sonata. Award-winning pianist He Yue is a young and rising star of the Chinese musical firmament.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFauré, Gabriel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDolly, Op. 56 (arr. A Cortot for piano) (1896) (00:14:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Berceuse: Allegretto moderato (00:02:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Mi-a-ou: Allegro vivo (00:01:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Le jardin de Dolly: Andantino (00:02:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Kitty-valse: Tempo di valse (00:02:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Tendresse: Andante (00:03:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Le pas espagnol: Allegro (00:02:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBach, Johann Sebastian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eToccata and Fugue in D Minor, BWV 565 (arr. A. Cortot for piano) (1708) (00:08:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBrahms, Johannes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Lieder, Op. 49: No. 4. Wiegenlied (arr. A. Cortot for piano) (1868) (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBach, Johann Sebastian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKeyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano as Arioso) (1742) (00:02:23)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChopin, Fryderyk\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCello Sonata in G Minor, Op. 65: III. Largo (arr. A. Cortot for piano) (1846) (00:02:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSchubert, Franz\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHeidenroslein, Op. 3, No. 3, D. 257 (arr. A. Cortot for piano) (1815) (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFranck, César\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eViolin Sonata in A Major, M. 8 (arr. A. Cortot for piano) (1886) (00:25:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Allegretto ben moderato (00:05:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Allegro (00:07:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Recitativo - Fantasia: Ben moderato - molto lento (00:05:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Allegretto poco mosso (00:05:57)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087584506,"sku":"GP641","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp641.jpg?v=1778173323"},{"product_id":"nenov-piano-music","title":"Nenov: Piano Music - Viktor Valkov","description":"\u003cdiv\u003eDimitar Nenov was a leading figure of early 20th-century Bulgarian classical music. The entire range of his solo piano works is covered on this recording, from the austere and dissonant Cinema Suite to the romantic Etudes and exquisite Theme and Variations in F sharp major. The highly charged Toccata is Nenov’s most popular work, while Fairy Tale and Dance, his last work for piano, is the most distilled example of his art.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eNenov, Dimitar\u003c\/div\u003e\n\u003cdiv\u003e Theme and Variations in F-Sharp Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Theme and Variations in F-Sharp Major 16:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fairytale and Dance\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Fairytale and Dance 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Miniatures\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 1. Prelude 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 2. Song 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 3. Staccato 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 4. Pastoral 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 5. Bagpipe 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dance\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Dance 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Etude No. 1 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Etude No. 2 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Toccata\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Toccata 08:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cinema Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 I. Presto 00:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 II. — 04:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 III. Sehr schnell (Da capo ad infinitum) 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 IV. Langsam 04:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 V. Sehr langsame Ganze 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 VI. Presto 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087650042,"sku":"GP652","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP652.jpg?v=1780239582"},{"product_id":"burgess-the-bad-tempered-electronic-keyboard","title":"Burgess: The Bad-Tempered Electronic Keyboard - Stephane Ginsburgh","description":"\u003cp\u003eDuring a prolific period in his artistic life, both musically and as an author—he often referred to himself principally as a composer who had drifted into authorship – Anthony Burgess composed a set of 24 Preludes and Fugues called The Bad-Tempered Electronic Keyboard, written to celebrate the 300th anniversary of the birth of Johann Sebastian Bach. This ingenious and inventive piece, with its brief romantic and music hall elements, oscillates between the classicism of Bach and the modernity of Shostakovich, whose own set of Preludes and Fugues had been written in 1950–51.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eThe Bad-Tempered Electronic Keyboard (1985) (00:14:00 )\u003cbr\u003e1\u003cbr\u003ePrelude No. 1 in C Major * (00:00:43)\u003cbr\u003e2\u003cbr\u003eFugue No. 1 in C Major * (00:01:50)\u003cbr\u003e3\u003cbr\u003ePrelude No. 2 in D-Flat Major * (00:00:43)\u003cbr\u003e4\u003cbr\u003eFugue No. 2 in D-Flat Major * (00:01:12)\u003cbr\u003e5\u003cbr\u003ePrelude No. 3 in D Major * (00:01:33)\u003cbr\u003e6\u003cbr\u003eFugue No. 3 in D Major * (00:01:04)\u003cbr\u003e7\u003cbr\u003ePrelude No. 4 in E-Flat Major * (00:01:02)\u003cbr\u003e8\u003cbr\u003eFugue No. 4 in E-Flat Major * (00:01:32)\u003cbr\u003e9\u003cbr\u003ePrelude No. 5 in E Major * (00:01:22)\u003cbr\u003e10\u003cbr\u003eFugue No. 5 in E Major * (00:01:19)\u003cbr\u003e11\u003cbr\u003ePrelude No. 6 in F Major * (00:00:47)\u003cbr\u003e12\u003cbr\u003eFugue No. 6 in F Major * (00:01:35)\u003cbr\u003e13\u003cbr\u003ePrelude No. 7 in G-Flat Major * (00:00:54)\u003cbr\u003e14\u003cbr\u003eFugue No. 7 in G-Flat Major * (00:02:05)\u003cbr\u003e15\u003cbr\u003ePrelude No. 8 in G Major * (00:01:50)\u003cbr\u003e16\u003cbr\u003eFugue No. 8 in G Major * (00:01:55)\u003cbr\u003e17\u003cbr\u003ePrelude No. 9 in A-Flat Major * (00:01:26)\u003cbr\u003e18\u003cbr\u003eFugue No. 9 in A-Flat Major * (00:02:28)\u003cbr\u003e19\u003cbr\u003ePrelude No. 10 in A Major * (00:00:45)\u003cbr\u003e20\u003cbr\u003eFugue No. 10 in A Major * (00:01:51)\u003cbr\u003e21\u003cbr\u003ePrelude No. 11 in B-Flat Major * (00:00:33)\u003cbr\u003e22\u003cbr\u003eFugue No. 11 in B-Flat Major * (00:01:57)\u003cbr\u003e23\u003cbr\u003ePrelude No. 12 in B Major * (00:03:31)\u003cbr\u003e24\u003cbr\u003eFugue No. 12 in B Major * (00:02:37)\u003cbr\u003e25\u003cbr\u003ePrelude No. 13 in C Minor * (00:02:17)\u003cbr\u003e26\u003cbr\u003eFugue No. 13 in C Minor * (00:01:26)\u003cbr\u003e27\u003cbr\u003ePrelude No. 14 in C-Sharp Minor * (00:01:12)\u003cbr\u003e28\u003cbr\u003eFugue No. 14 in C-Sharp Minor * (00:02:35)\u003cbr\u003e29\u003cbr\u003ePrelude No. 15 in D Minor * (00:01:31)\u003cbr\u003e30\u003cbr\u003eFugue No. 15 in D Minor * (00:01:13)\u003cbr\u003e31\u003cbr\u003ePrelude No. 16 in E-Flat Minor * (00:02:31)\u003cbr\u003e32\u003cbr\u003eFugue No. 16 in E-Flat Minor * (00:02:22)\u003cbr\u003e33\u003cbr\u003ePrelude No. 17 in E Minor * (00:01:39)\u003cbr\u003e34\u003cbr\u003eFugue No. 17 in E Minor * (00:01:04)\u003cbr\u003e35\u003cbr\u003ePrelude No. 18 in F Minor * (00:01:39)\u003cbr\u003e36\u003cbr\u003eFugue No. 18 in F Minor * (00:01:38)\u003cbr\u003e37\u003cbr\u003ePrelude No. 19 in F-Sharp Minor * (00:00:29)\u003cbr\u003e38\u003cbr\u003eFugue No. 19 in F-Sharp Minor * (00:00:55)\u003cbr\u003e39\u003cbr\u003ePrelude No. 20 in G Minor * (00:02:17)\u003cbr\u003e40\u003cbr\u003eFugue No. 20 in G Minor * (00:02:46)\u003cbr\u003e41\u003cbr\u003ePrelude No. 21 in G-Sharp Minor * (00:02:06)\u003cbr\u003e42\u003cbr\u003eFugue No. 21 in G-Sharp Minor * (00:01:46)\u003cbr\u003e43\u003cbr\u003ePrelude No. 22 in A Minor * (00:01:08)\u003cbr\u003e44\u003cbr\u003eFugue No. 22 in A Minor * (00:02:12)\u003cbr\u003e45\u003cbr\u003ePrelude No. 23 in B-Flat Minor, \"Fantasia on B.A.C.H.\" * (00:03:03)\u003cbr\u003e46\u003cbr\u003eFugue No. 23 in B-Flat Minor * (00:01:20)\u003cbr\u003e47\u003cbr\u003ePrelude No. 24 in B Minor * (00:02:15)\u003cbr\u003e48\u003cbr\u003eFugue No. 24 in B Minor * (00:03:33)\u003cbr\u003e49\u003cbr\u003eFinale: Natale 1985 (1985) * (00:02:04)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087781114,"sku":"GP773","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp773.jpg?v=1778190036"},{"product_id":"hassler-360-preludes-in-all-major-minor-keys-fantaisie-e","title":"Hässler: 360 Preludes in All Major \u0026 Minor Keys, Fantaisie et Sonate • Grande Sonate - Vitlaus von Horn (2 CDs)","description":"\u003cp\u003eJohann Wilhelm Hässler is remembered by musicologists for his contest in organ playing with Mozart, but the mostly premiere recordings show him to be an astonishing enigma whose predilection for composing miniatures reached a pinnacle with the 360 Preludes in All Keys. This remarkable tour de force shows an amazing control of textures and not insignificant humour, its style ranging from CPE Bach’s Empfindsamkeit to prophetic insights anticipating Schumann. The Grande Sonate is a true masterpiece that compares in scope, invention and effect with the best of Haydn’s sonatas.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eDisc 1\u003cbr\u003e \u003cbr\u003e360 Preludes in All Major and Minor Keys, Op. 47 (1817) (01:41:38 )\u003cbr\u003e1\u003cbr\u003e15 Preludes in C Major * (00:04:05)\u003cbr\u003e2\u003cbr\u003e15 Preludes in C Minor * (00:03:15)\u003cbr\u003e3\u003cbr\u003e15 Preludes in G Major * (00:02:31)\u003cbr\u003e4\u003cbr\u003e15 Preludes in G Minor * (00:03:02)\u003cbr\u003e5\u003cbr\u003e15 Preludes in D Major * (00:02:45)\u003cbr\u003e6\u003cbr\u003e15 Preludes in D Minor * (00:03:47)\u003cbr\u003e7\u003cbr\u003e15 Preludes in A Major * (00:03:51)\u003cbr\u003e8\u003cbr\u003e15 Preludes in A Minor * (00:03:45)\u003cbr\u003e9\u003cbr\u003e15 Preludes in E Major * (00:03:22)\u003cbr\u003e10\u003cbr\u003e15 Preludes in E Minor * (00:03:24)\u003cbr\u003e11\u003cbr\u003e15 Preludes in B Major * (00:04:04)\u003cbr\u003e12\u003cbr\u003e15 Preludes in B Minor * (00:03:41)\u003cbr\u003e13\u003cbr\u003e15 Preludes in F-Sharp Major * (00:03:40)\u003cbr\u003e14\u003cbr\u003e15 Preludes in F-Sharp Minor * (00:05:00)\u003cbr\u003e15\u003cbr\u003e15 Preludes in C-Sharp Major * (00:05:50)\u003cbr\u003e16\u003cbr\u003e15 Preludes in C-Sharp Minor * (00:06:11)\u003cbr\u003e17\u003cbr\u003e15 Preludes in A-Flat Major * (00:06:12)\u003cbr\u003e18\u003cbr\u003e15 Preludes in G-Sharp Minor * (00:04:27)\u003cbr\u003e19\u003cbr\u003e15 Preludes in E-Flat Major * (00:05:06)\u003cbr\u003eDisc 2\u003cbr\u003e \u003cbr\u003e360 Preludes in All Major and Minor Keys, Op. 47 (1817) (01:41:38 )\u003cbr\u003e1\u003cbr\u003e15 Preludes in E-Flat Minor * (00:03:33)\u003cbr\u003e2\u003cbr\u003e15 Preludes in B-Flat Major * (00:04:50)\u003cbr\u003e3\u003cbr\u003e15 Preludes in B-Flat Minor * (00:06:00)\u003cbr\u003e4\u003cbr\u003e15 Preludes in F Major * (00:04:18)\u003cbr\u003e5\u003cbr\u003e15 Preludes in F Minor * (00:10:03)\u003cbr\u003e \u003cbr\u003e6 Keyboard Sonatas: No. 6 in A Minor (1776) (00:13:26 )\u003cbr\u003e6\u003cbr\u003eI. Poco allegro (00:04:04)\u003cbr\u003e7\u003cbr\u003eII. Largo (00:01:48)\u003cbr\u003e8\u003cbr\u003eIII. Presto (00:04:55)\u003cbr\u003e \u003cbr\u003eFantaisie et Sonate in C Major, Op. 4 () (00:12:59 )\u003cbr\u003e9\u003cbr\u003eFantasia: Allegro (00:02:01)\u003cbr\u003e10\u003cbr\u003eSonata: I. Vivace (00:01:51)\u003cbr\u003e11\u003cbr\u003eSonata: II. Recitativo (00:03:18)\u003cbr\u003e12\u003cbr\u003eSonata: III. Andante (00:02:08)\u003cbr\u003e13\u003cbr\u003eSonata: IV. Allegro (00:02:07)\u003cbr\u003e \u003cbr\u003eGrande Sonate in E-Flat Major, Op. 26 () (00:21:33 )\u003cbr\u003e14\u003cbr\u003eI. Moderato * (00:07:05)\u003cbr\u003e15\u003cbr\u003eII. Adagio * (00:07:23)\u003cbr\u003e16\u003cbr\u003eIII. Rondo: Presto * (00:07:09)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087846650,"sku":"GP686-87","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp686-87.jpg?v=1778194104"},{"product_id":"mozartiana-rarities-and-arrangements-performed-on-historica","title":"Mozartiana: Rarities and Arrangements Performed on Historica - Michael Tsalka, tangent piano","description":"\u003cp\u003eKeyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel—a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics—and the pantalon square piano. This is the first recording ever made of a historical pantalon.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a period instrument: Berner Tangentenflügel and Maucher Pantalon Square Piano from the Pooya Radbon Collection\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eAdagio in B Minor, K. 540 (1788) (00:08:07)\u003cbr\u003e \u003cbr\u003eMusik zu einer Pantomime Pantalon und Colombine, K. 446 (completed, edited and arranged by F. Beyer for piano) (1783) (00:24:49 )\u003cbr\u003e2\u003cbr\u003eOverture (arr. from Symphony No. 11 in D Major, K. 84: I. Allegro) (00:03:17)\u003cbr\u003e3\u003cbr\u003eNo. 1. Allegro: Pantalon und Colombine zanken sich (00:00:43)\u003cbr\u003e4\u003cbr\u003eNo. 2. Maestoso: Der Dottore kommt (00:02:05)\u003cbr\u003e5\u003cbr\u003eNo. 3. Allegro: Pierò kommt gelaufen. Pantalon, Pierò und Dottore liegen aufe der Erde (00:01:06)\u003cbr\u003e6\u003cbr\u003eNo. 4. Poco Adagio: Dottore und Colombine steht unbeweglich (00:00:48)\u003cbr\u003e7\u003cbr\u003eNo. 5. Andante molto: Pantalon und Pierò bringen den Tisch (00:00:50)\u003cbr\u003e8\u003cbr\u003eNo. 6. Adagio: Colombine ist ganz traurig - Allegro: Arlequin guckt aus dem Kasten heraus (00:04:47)\u003cbr\u003e9\u003cbr\u003eNo. 7. Allegro maestoso (00:01:05)\u003cbr\u003e10\u003cbr\u003eNo. 8. Larghetto: Pierò geht auf und ab, sieht den Türken (00:01:31)\u003cbr\u003e11\u003cbr\u003eNo. 9. Allegro (ma non troppo) - Presto (00:00:58)\u003cbr\u003e12\u003cbr\u003eNo. 10. Maestoso (00:02:49)\u003cbr\u003e13\u003cbr\u003eNo. 11. Allegro: Pierò fürchtet sich vor dem toten Arlequin - Marcia - Allegro (00:03:39)\u003cbr\u003e14\u003cbr\u003eNo. 12. Finale (arr. from Presto in D Major, K. 120) (00:01:11)\u003cbr\u003e15\u003cbr\u003eKeyboard Piece in F Major, K. Anh. A6 (previously known as K. 33B) (1766) (00:01:02)\u003cbr\u003e16\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Allegretto] in F Major, K. 15a (1765) (00:01:06)\u003cbr\u003e17\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Andantino] in C Major, K. 15b (1765) (00:01:33)\u003cbr\u003e18\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Contredanse] in F Major, K. 15h (1765) (00:00:50)\u003cbr\u003e19\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Minore] in A Minor, K. 15k (1765) (00:01:09)\u003cbr\u003e20\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Siciliano] in D Minor, K. 15u (1765) (00:01:31)\u003cbr\u003e21\u003cbr\u003eMinuet in G Major, K. 1 (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 1) (1762) (00:02:14)\u003cbr\u003e22\u003cbr\u003eKeyboard Piece (Minuet) in F Major, K. 2 (arr. E. Fischer for tangent piano) (1762) (00:00:47)\u003cbr\u003e23\u003cbr\u003ePiece in D Major, K. Anh. H24, No. 18 (previously known as Minuet, K. 94) (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 3) (1769) (00:01:18)\u003cbr\u003e24\u003cbr\u003eFantasy in F Minor, K. 608 (arr. E. Fischer for piano as Mozartiana: II.) (1791) (00:11:51)\u003cbr\u003e25\u003cbr\u003eAndantino in E-Flat Major, K. 236 (Mozart's arr. of Non vi turbate from C.W. Gluck's Alceste, arr. E. Fischer for piano as Mozartiana: III.) () (00:01:09)\u003cbr\u003e26\u003cbr\u003eContredanse in D Major, K. 534, \"Das Donnerwetter\" (arr. E. Fischer for piano as Mozartiana: IV.) (1788) (00:02:39)\u003cbr\u003e27\u003cbr\u003eRomance in A-Flat Major, K. Anh. 205\/K. Anh. C27.04 (arr. E. Fischer for piano as Mozartiana: V.) () (00:05:04)\u003cbr\u003e28\u003cbr\u003eVariations on an Arietta from G. Sarti's I Finti Eredi, K. Anh. 289\/K. Anh. C26.06 (arr. E. Fischer for piano as Mozartiana: VI.) () (00:07:57)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087944954,"sku":"GP849","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp849.jpg?v=1778184738"},{"product_id":"niemann-piano-music","title":"Niemann: Piano Music  - Sonatas Nos. 1 and 2; 3 Compositions for Piano; Fantasie-Mazurka - Bing Bing Li","description":"\u003cdiv\u003eHighly respected in his day as a scholar, composer and pianist, Walter Niemann fell out of favour after the Second World War. His prolific output for piano, which includes several full-scale sonatas, is mainly romantic and reflective in style, yet with an underlying passion. The Sonata No. 1 is notable for its contrast between impassioned writing and wistful expressiveness, while the heartfelt Sonata No. 2 ‘Nordic’, which features an exquisite and plangent slow movement, is testament to Niemann’s Scandinavian sympathies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eNiemann, Walter Rudolph\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 1 in A Minor, Op. 60, \"Romantic\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro moderato (Im romantischen Balladenton) 09:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Poco adagio 09:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Non troppo allegro e poco giocoso 06:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Compositions for Piano, Op. 7\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 1. Intrata: Allegro non troppo, ma sempre con molto espressione 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 2. Erinnerung: Andante mesto 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 3. Arabeske: Vivace e leggiero 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 2, Op. 75, \"Nordische\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Un poco sostenuto 08:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Adagio mesto 08:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Poco allegro agitato 07:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fantasie-Mazurka, Op. 53\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Fantasie-Mazurka, Op. 53 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088010490,"sku":"GP662","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP662.jpg?v=1780239751"},{"product_id":"godard-piano-works-vol-1","title":"Godard: Piano Works, Vol. 1 - Eliane Reyes","description":"\u003cp\u003eBenjamin Godard was regarded as one of the most promising French composers of the second half of the nineteenth century but, as he stood firm against the ‘Wagner fever’ of his contemporaries, his music fell out of favour after his untimely death. Most of his piano works are delightful character pieces or miniatures but his two powerful piano sonatas make him one of the very few French composers to have experimented with this form.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 2, Op. 94 () (00:24:18 )\u003cbr\u003e1\u003cbr\u003eI. Allegro con moto ma non troppo (00:10:01)\u003cbr\u003e2\u003cbr\u003eII. Quasi adagio, molto tranquillo (00:08:15)\u003cbr\u003e3\u003cbr\u003eIII. Scherzo-Final: Allegro non troppo (00:07:16)\u003cbr\u003e \u003cbr\u003eSonate Fantastique, Op. 63 () (00:24:39 )\u003cbr\u003e4\u003cbr\u003eI. Les Genies de la Foret: Allegro vivace (00:10:16)\u003cbr\u003e5\u003cbr\u003eII. Les Farfadets: Scherzo, vivace ma non troppo (00:03:26)\u003cbr\u003e6\u003cbr\u003eIII. La Fee d'Amour: Quasi adagio (00:06:25)\u003cbr\u003e7\u003cbr\u003eIV. Les Esprits de la Mer: Allegro vivace (00:04:42)\u003cbr\u003e8\u003cbr\u003ePromenade en Mer, Op. 86 () * (00:03:28)\u003cbr\u003e9\u003cbr\u003eSur la Mer, Op. 44 () * (00:04:13)\u003cbr\u003e10\u003cbr\u003eAu Matin, Op. 83 (1887) * (00:05:30)\u003cbr\u003e11\u003cbr\u003eConte de Fee, Op. 62 () * (00:06:08)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088108794,"sku":"GP683","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp683.jpg?v=1778193937"},{"product_id":"oswald-works-for-piano","title":"Oswald: Pagine d'Album \/ Álbumes, Opp. 32, 33, 36 \/ 3 Études \/ Estudo para a mão esquerda - Sergio Monteiro","description":"\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHenrique Oswald was one of the most important composers in South America in the late 19th and early 20th centuries. His European-influenced music was suppressed by Brazilian nationalist sentiment in the 1930s and 40s, but on Oswald’s death Villa-Lobos described him as “the most admirable composer of this country”. This programme provides an excellent overview of his stylistic development, from the youthful, salon music aesthetic of Pagine d’album to the French impressionism of the Album Op. 36 and the masterful Trois Études.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eOswald, Henrique\u003c\/div\u003e\n\u003cdiv\u003e Pagine d'Album, Op. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Preludio 01:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Sognando 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Impromptu 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. In Hamac 04:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Romanza 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Scherzo 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Impromptu, Op. 19\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Impromptu, Op. 19 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Album, Op. 32\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 1. Romance 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 2. Valse 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 3. Serenade 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 4. Menuet 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Album, Op. 33\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 1. Sur la Plage 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 2. Idylle 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 3. Pierrot 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Album, Op. 36\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 1. Bebe s'endort 02:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 2. Pierrot se meurt 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 3. Chauve-Sourris 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Valsa Lenta, Op. posth.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Valsa Lenta, Op. posth. 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e En Nacelle\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 En Nacelle 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Etudes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 1 in D-Flat Major 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 2 in C Minor 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 3. in E Major 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Estudo para a mao esquerda\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Estudo para a mao esquerda 06:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Estudo (posthumous edition)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Estudo (posthumous edition) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088207098,"sku":"GP682","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP682.jpg?v=1780241479"},{"product_id":"schifrin-piano-works","title":"Schifrin: Piano Works - Mirian Conti","description":"\u003cp\u003eLalo Schifrin, the internationally renowned composer of classic film and TV scores such as Bullitt, Dirty Harry and Rush Hour, has collaborated with fellow Argentinian pianist Mirian Conti for this collection of his works for solo piano, including several world premières. A unique arrangement of the famous theme to Mission: Impossible is included, as well as his most recent compositions: the two richly sensuous tangos and the powerful Jazz Sonata, composed especially for Conti.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Yamaha CFX Concert Grand\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eMission: Impossible: Main Theme (version for piano) (1973) * (00:02:01)\u003cbr\u003e2\u003cbr\u003eTango: Main Theme, \"Tango del Atardecer\" (version for piano) (1997) * (00:06:14)\u003cbr\u003e3\u003cbr\u003ePampas (version for piano) (2009) * (00:09:17)\u003cbr\u003e \u003cbr\u003eJazz Piano Sonata, Op. 1 (2016 version) (1963) (00:23:57 )\u003cbr\u003e4\u003cbr\u003eI. Allegro * (00:09:13)\u003cbr\u003e5\u003cbr\u003eII. Andante * (00:09:58)\u003cbr\u003e6\u003cbr\u003eIII. Molto vivace * (00:04:49)\u003cbr\u003e7\u003cbr\u003eDanza de los Montes (version for piano) (2005) * (00:04:02)\u003cbr\u003e8\u003cbr\u003eTheme and 10 Variations on an Original Theme (2016) * (00:11:43)\u003cbr\u003e9\u003cbr\u003eTango a Borges (version for piano) (2005) * (00:05:48)\u003cbr\u003e10\u003cbr\u003eLa Calle y la Luna (version for piano) (2005) * (00:08:34)\u003cbr\u003e11\u003cbr\u003eLullaby for Jack () (00:01:40)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088272634,"sku":"GP776","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp776.jpg?v=1778185229"},{"product_id":"palmgren-complete-piano-works-vol-1","title":"Palmgren: Complete Piano Works, Vol. 1 - Jouni Somero","description":"\u003cdiv\u003eSelim Palmgren, a native of Finland and a student of Busoni, was one of the most prominent and prolific Nordic composer-pianists since Edvard Grieg, with works that were widely performed by some of the most notable concert pianists of his day. From early pieces influenced by Chopin via the tour de force of his only surviving Piano Sonata, to the darker Autumn Prologue – this is the first volume of a complete edition that includes première recordings of unpublished works, showcasing every side of Palmgren’s varied character.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePalmgren, Selim\u003c\/div\u003e\n\u003cdiv\u003e Souvenir de Chopin\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Souvenir de Chopin 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Intermezzo (1895)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Intermezzo (1895) 00:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Aria\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Aria 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Prélude, Op. 1, No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Prélude, Op. 1, No. 1 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Illusion, Op. 1, No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Illusion, Op. 1, No. 2 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude, Op. 1, No. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Etude, Op. 1, No. 3 01:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Klaverstycken (3 Piano Pieces), Op. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 1. Berceuse 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 2. Élégie 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 3. Vals-Intermezzo 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Tuutulaulu (Cradle Song, Refrain de Berceau) (version for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Tuutulaulu (Cradle Song, Refrain de Berceau) (version for piano) 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Syysproloogi (Autumn Prologue)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Syysproloogi (Autumn Prologue) 03:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Studie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Studie 01:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Finnische Lyrik: 12 Klavierstücke (Finnish Lyrics: Album of 12 Pieces for Piano), Op. 22\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 1. Ländliches Bild (Maalaiskuvaus, Pastorale) 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 2. Finnische Volksweise (Suomalainen kansanlaulu, Popular Song of Finland) 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 3. Paganini (Pieni harjoitelma, Little Study) 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 4. Humor (Huumoria, Fun) 01:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 5. Die Glockenblumen (Sinikellot, The Bell-flowers) 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 6. Gavotte and Musette 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 7. Polska (Finnischer Volkstanz, Dance of Finland) 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 8. Lenznacht (Kevätyö, Spring Night) 03:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 9. Serenade (Ständchen) 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 10. Walzer aus Österbotten (Pohjalainen valssi, Waltz from Ostrobothnia) 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 11. Einsames Lied (Yksinäisen laulu, Solitary Song) 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 12. Frühlingseinzug (Kevään tulo, Spring's Arrival) 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata in D Minor, Op. 11\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 I. Un poco sostenuto - Allegro 06:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 II. Un poco moderato 04:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 III. Finale: Molto allegro con spirito 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088370938,"sku":"GP867","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP867.jpg?v=1780241610"},{"product_id":"barmotin-piano-works-vol-3","title":"Barmotin: Piano Works, Vol. 3 - Christopher Williams","description":"\u003cdiv\u003e\u003cspan\u003eA student of Rimsky-Korsakov and Balakirev and a contemporary of Stravinsky and Rachmaninov, Semyon Alexeyevich Barmotin (1877–1939) flourished in the years before the Russian Revolution. His was probably the first Ballade for solo piano written by a Russian composer and this large-scale work exemplifies his perfect control of expansive form, Lisztian virtuosic impulse and thematic variety. The two sets of Morceaux enshrine other essential elements of his art – folkloric influences, crystalline sonorities and true expressive depth. Christopher Williams’ third instalment in this acclaimed cycle features all world première recordings.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBallade in B-Flat Minor, Op. 10 () (00:17:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 Morceaux, Op. 5 () (00:22:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Pastorale (00:02:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Minuetto (00:04:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Berceuse (00:03:00)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Valse mélancolique (00:02:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Leggenda (00:05:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Mazurka rustique (00:03:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10 Morceaux, Op. 6 () (00:34:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Intermezzo (00:07:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Pastorale norvégienne (00:02:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Prélude (00:02:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Chant du Nord (00:01:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. La Coquetterie (00:02:39)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Valse capricieuse (00:04:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Élégie (00:04:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Prélude (00:01:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Rêverie (00:01:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Valse-Scherzo (00:04:31)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088469242,"sku":"GP866","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp866.jpg?v=1778174712"},{"product_id":"20th-century-foxtrots-vol-6-southern-europe","title":"20th Century Foxtrots, Vol. 6: Southern Europe - Gottlieb Wallisch","description":"\u003cdiv\u003e\u003cspan\u003eThis sixth volume of Gottlieb Wallisch’s acclaimed 20th Century Foxtrots series takes us to Southern Europe, with composers in Italy, Spain and other Mediterranean countries becoming caught up in the jazz craze that swept through dance and concert halls by the 1920s. International influences blend with regional character and famous names jostle with new discoveries, all of whose contributions create a joyous mix of exuberant theatricality, evocative elegance and colourful blues.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCasavola, Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTango Viola da Cabaret Epilettico (1925) (00:02:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGattari, Alfredo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Novelty Piano Solos: No. 2. Chopin's Charleston Dream () (00:02:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBossi, Marco Enrico\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Valzer, Op. 221: No. 2. Venus Valse, Boston-Valse (1921) (00:03:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDe Sabata, Victor\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrincipe, Fox-Trot () (00:02:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePuccini, Giacomo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiccolo Tango (1907) (00:01:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCasella, Alfredo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCocktail's Dance (1918) (00:01:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9 Pezzi, Op. 24: No. 8. In Modo di Tango (1914) (00:03:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDesderi, Ettore\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePreludio, Corale e Fuga in modo sincopato (1934) (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePreludio (00:01:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCorale (00:02:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFuga (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCastelnuovo-Tedesco, Mario\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMedia Difficoltà (1931) (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Tango (00:02:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Fox-Trot (00:02:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBianchini, Emma\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDanze della mia bambola, Op. 8 () (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Hésitation (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. One-Step (00:00:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDanze della mia bambola, Op. 9 () (00:04:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Tango (00:01:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Charleston (00:00:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMortari, Virgilio\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFox-Trot del Teatro della Sorpresa (1921) (00:02:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSavino, Domenico\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArabesque in Blue (1928) (00:03:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFuleihan, Anis\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom the Aegean: II. Tango (1946) (00:01:29)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSkalkottas, Nikos\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSuite for Piano: III. Shimmy tempo (1924) (fragment) (1924) (00:04:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSakellaridis, Theophrastus\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTo Please Her Husband: Foxtrot-Schimmy (1922) (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCamilleri, Charles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Études, Book 3, \"The Picasso Set\" () (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Foxtrot (00:00:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eV. Blues (00:02:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMartí i Cristià, Josep\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Joyous American: Rag-time (version for piano) () (00:02:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWorsley, Clifton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFive O'Clock Tea, Fox Trot () (00:01:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTriste Illusion, Valse triple Boston () (00:03:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMompou, Federico\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFox-Trot (1916) (1916) (00:02:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTango (1919) (1919) (00:03:38)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBallet: V. Temps de blues (1949) (00:00:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLima, António Tomás de\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlbum infantil, Series 3: No. 4. O Cuco bailarino, One-Step () (00:01:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlbum infantil, Series 1 () (00:06:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Buffooning, Fox-Trot (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Good-bye, One-Step (00:00:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRibeiro d'Almeida, Pedro F.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArraial, One-Step sobre motivos do fado () (00:01:01)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088534778,"sku":"GP926","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71Le22H8RuL._SL1425.jpg?v=1778173219"},{"product_id":"a-russian-dynasty","title":"PIANO MUSIC FROM A RUSSIAN DYNASTY(K.N. Liadov • A.N. Liadov • A.K. Liadov • Pomazansky)","description":"\u003cp\u003eThe uniquely influential Russian musical and theatrical dynasty of the Liadov, Antipov and Pomazansky families supplied Russian culture with nearly 20 musical and theatrical performers, conductors, composers, and ballet dancers over the course of 150 years. Including numerous world première recordings, these wonderful pièces de salon are gems of Russian dance music, full of charming grace, melodic delicacy and nobility. A quote from Anatoly Liadov can stand as representative for all: 'such is my character: do everything so that every bar gratifies.' Olga Solovieva is a laureate of several international competitions. In May 2019 she received the Glinka Medal for her contribution to musical art. She has performed in Russia and internationally, and has collaborated with musicians and ensembles across the globe. Dmitry Korostelyov was awarded the prize for Best Accompanist at the 2005 Rimsky Korsakov Wind and Percussion Instruments Competition in Saint Petersburg. As a pianist he has performed with the Russian State Orchestra, Volgograd Philharmonic Orchestra, and more.\u003c\/p\u003e\n\u003cp\u003eDmitry Korostelyov, piano\u003cbr\u003eOlga Solovieva, piano\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLiadov, Konstantin Nikolayevich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTarantelle (c1844) (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka Militaire (1852) (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka-Mazurka, \"La Silphide\" (c. 1850) (00:03:34)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMarche Funèbre (1852) (00:05:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGaribaldi-Quadrille (c1869) (00:05:42)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka Russe (c1852) (00:02:38)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eQuadrille, \"Mariage Russe\" (1852) (00:05:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePomazansky, Eugeny Ivanovich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBerceuse (c. 1940) (00:00:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCuckoo (1940) (00:00:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChanson d'automne (c. 1940) (00:00:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAntipov, Konstantin Afanasievich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Preludes, Op. 8 () (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Allegretto (00:01:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Andantino (00:03:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariations on a Theme, \"Chizhyk-pyzhyk\" (1892) (00:01:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNocturne in A-Flat Major, Op. 12 () (00:03:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLiadov, Alexander Nikolayevich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHousewarming (?1839) (00:11:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Polonaise (00:03:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. French Quadrille (00:04:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Mazurka (00:01:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Galoppe (00:01:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePomazansky, Ivan Aleksandrovich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka (c. 1880) (00:02:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLiadov, Anatol Konstantinovich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 P'yesï (2 Pieces), Op. 24: No. 1. Prelude in E Major (1890) (00:03:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNovinka (Novelette), Op. 20 (1889) (00:02:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrelude in B Major, Op. 42, No. 2 (1898) (00:00:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNa luzhayke: Nabrosok (In the Glade: Sketch), Op. 23 (1890) (00:02:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZoryushka (sketch fragment) (1889) (00:00:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePro starinu (About Olden Times), Op. 21 (1889) (00:05:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088633082,"sku":"GP858","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/A16ls9G6hFL._SL1500.jpg?v=1778108950"},{"product_id":"tigranian-armenian-folkdances-mugam-arrangements-opp-2","title":"Tigranian: Armenian Folkdances; Mugam arrangements - Mikael Ayrapetyan","description":"\u003cp\u003eNikoghayos Tigranian belongs to the first generation of composers and folk song collectors who laid the foundation of an Armenian national style. Tigranian’s piano transcriptions of folk dances is perhaps his most important legacy, emulating folk instruments and capturing and preserving colourful depictions of Armenian folk life that are simple in texture and rich with harmonic and melodic detail. His interest also extended to Persian improvisational vocal-instrumental poems or mugams; expressive pieces that influenced contemporaries and subsequent generations of composers.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eArmyanskiye narodnïye tantsï (Armenian Folk Dances) () (00:26:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Findjan * (00:01:48)\u003cbr\u003e2\u003cbr\u003eNo. 2. Faten Kitam * (00:01:40)\u003cbr\u003e3\u003cbr\u003eNo. 3. Rangi * (00:01:59)\u003cbr\u003e4\u003cbr\u003eNo. 4. 3 Round Dances: Kyandrabz - Vard Koshikes - Shavali * (00:04:01)\u003cbr\u003e5\u003cbr\u003eNo. 5. Dyuz Par * (00:02:17)\u003cbr\u003e6\u003cbr\u003eNo. 6. Round Dance of Gyumri * (00:03:35)\u003cbr\u003e7\u003cbr\u003eNo. 7. Round Dance of the Erzrumi * (00:02:28)\u003cbr\u003e8\u003cbr\u003eNo. 8. Dance, \"Daghstani\" * (00:01:09)\u003cbr\u003e9\u003cbr\u003eNo. 9. Back and Forth * (00:02:48)\u003cbr\u003e10\u003cbr\u003eNo. 10. Ver-ver * (00:02:41)\u003cbr\u003e11\u003cbr\u003eNo. 11. Zourni Trngi * (00:01:32)\u003cbr\u003e12\u003cbr\u003eBayati-kurd, Op. 2 () * (00:10:17)\u003cbr\u003e13\u003cbr\u003eBayati-shiraz, Op. 3 () * (00:08:24)\u003cbr\u003e14\u003cbr\u003eHeydari, Op. 5 (version for piano) () * (00:03:30)\u003cbr\u003e15\u003cbr\u003eShakhnaz, Op. 6 (version for piano) () * (00:07:27)\u003cbr\u003e16\u003cbr\u003eNouruz arabi, Op. 10 () * (00:05:07)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088665850,"sku":"GP798","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp798.jpg?v=1778192612"},{"product_id":"barkhudarian-4-oriental-dances-12-armenian-dances-piano","title":"Barkhudarian: 4 Oriental Dances, 12 Armenian Dances \u0026 Piano Pieces, Series 1 and 2 - Mikael Ayrapetyan","description":"\u003cdiv\u003e\u003cspan\u003eThe Armenian and Georgian composer Sarkis Vasil’evich Barkhudarian is famed for his piano miniatures. Some are among the first piano works to use Armenian folk themes as the basis for a series of original compositions. His colourful and unusual harmonies, created by the sinuous, interweaving modes of Armenian music, are immediately attractive and his miniatures, whether full of grace or pungent dance rhythms, bear out Glazunov’s admiration of his ‘sincerity, elegance and harmony of form’.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVostochniye plyaski (Oriental Dances) (1913) (00:10:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 1 * (00:02:59)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 2 * (00:01:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 3 * (00:02:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 4 * (00:01:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12 Armenian Dances () (00:23:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Dance of the Bride * (00:01:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Children's Dance * (00:01:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Dance of the Matchmaker * (00:01:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Dance of the Rural Girls * (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Provocative Dance (Men's) * (00:01:33)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Maiden's Roundelay * (00:01:20)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Dance of Friendship (Men's) * (00:02:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Dance of a Mountain Girl * (00:02:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Dance of Farewell (Women's) * (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Masker's Dance (Men's) * (00:02:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Circular Dance (Joint) * (00:02:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Festive Dance (Men's) * (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Pieces, Series 1 (1918) (00:19:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Naz-Par * (00:02:29)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Fairy Tale * (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Sketch in B Minor * (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Watercolor * (00:01:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Smooth Dance * (00:01:33)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Lullaby * (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Maiden Dance * (00:01:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Boots-Dragonfly * (00:00:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Dance in A-Flat Major * (00:01:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Sketch in D Minor * (00:02:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Pieces, Series 2 (1923) (00:22:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Scherzo * (00:03:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Circular Dance in B Minor * (00:02:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Gulnara's Dance * (00:01:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Nanochka's Dance * (00:01:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Anoush's Sorrow * (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Prelude in D Minor * (00:00:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Prelude in D-Sharp Minor * (00:01:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Nocturne * (00:04:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Sketch in A Major * (00:02:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Lullaby of Shushani * (00:02:41)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088731386,"sku":"GP775","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp775.jpg?v=1778174485"},{"product_id":"harsanyi-complete-piano-works-vol-3","title":"Harsányi: Complete Piano Works, Vol. 3 - Giorgio Koukl","description":"\u003cp\u003eTibor Harsányi, a student of Zoltán Kodály at the Budapest Conservatory, lived in France from 1923 where he became one of the leading expatriate composers to form the group known as L’École de Paris. As the 4 Morceaux show, his piano music is notable for its variety of character and genre. The Piano Sonata reveals his enthusiasm for dance rhythms and for joyful lyricism as well as quietly sombre elements, while the Burlesques flirt with jazz. The Piano Suite conjures up a vivid series of atmospheres in a work that is songlike, dissonant and ambient.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata (1926) (00:13:00 )\u003cbr\u003e1\u003cbr\u003eI. Molto agitato (00:03:53)\u003cbr\u003e2\u003cbr\u003eII. Lento (00:02:36)\u003cbr\u003e3\u003cbr\u003eIII. Allegretto scherzando (00:02:27)\u003cbr\u003e4\u003cbr\u003eIV. Allegro giocoso (00:03:46)\u003cbr\u003e \u003cbr\u003e4 Morceaux (1924) (00:16:00 )\u003cbr\u003e5\u003cbr\u003eNo. 1. Prélude (00:02:40)\u003cbr\u003e6\u003cbr\u003eNo. 2. Serenade (00:07:30)\u003cbr\u003e7\u003cbr\u003eNo. 3. Air (00:02:39)\u003cbr\u003e8\u003cbr\u003eNo. 4. Danse (00:03:31)\u003cbr\u003e \u003cbr\u003ePetite Suite pour Enfants (1923) (00:11:00 )\u003cbr\u003e9\u003cbr\u003eI. Prélude (00:02:01)\u003cbr\u003e10\u003cbr\u003eII. Valsette (00:03:55)\u003cbr\u003e11\u003cbr\u003eIII. Minuetto (00:02:21)\u003cbr\u003e12\u003cbr\u003eIV. Marche (00:03:02)\u003cbr\u003e \u003cbr\u003ePiano Suite (1930) (00:08:00 )\u003cbr\u003e13\u003cbr\u003eI. Prélude (00:02:13)\u003cbr\u003e14\u003cbr\u003eII. Romance (00:02:20)\u003cbr\u003e15\u003cbr\u003eIII. Intermezzo (00:01:55)\u003cbr\u003e16\u003cbr\u003eIV. Nocturne (00:01:27)\u003cbr\u003e17\u003cbr\u003eParc d'attractions Expo 1937: Le tourbillon mécanique (1937) (00:03:33)\u003cbr\u003e \u003cbr\u003e2 Burlesques (1927) (00:05:00 )\u003cbr\u003e18\u003cbr\u003eNo. 1. Con brio (00:02:34)\u003cbr\u003e19\u003cbr\u003eNo. 2. Animato (00:02:33)\u003cbr\u003e20\u003cbr\u003eNovellette (1925) (00:06:34)\u003cbr\u003e21\u003cbr\u003eRhapsodie for Piano (1924) (00:05:51)\u003cbr\u003e \u003cbr\u003e3 Impromptus (1952) (00:10:00 )\u003cbr\u003e22\u003cbr\u003eNo. 1. Mouvement (00:03:18)\u003cbr\u003e23\u003cbr\u003eNo. 2. Flânerie (00:04:12)\u003cbr\u003e24\u003cbr\u003eNo. 3. Nocturne (00:02:31)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088829690,"sku":"GP831","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp831.jpg?v=1778191884"},{"product_id":"stanchinsky-complete-piano-works-vol-2","title":"Stanchinsky: Complete Piano Works, Vol. 2 - Olga Solovieva","description":"\u003cp\u003eThis second and final volume of Olga Solovieva’s complete edition contains all of Alexey Stanchinsky’s published piano pieces composed after 1910, as well as recently discovered early works. Stanchinsky’s piano music is an unparalleled phenomenon, anticipating future musical developments and including the invention of new ‘canonprelude’ and ‘sketch’ genres. From the dramatic Sonatas to the miniature universes captured in his Sketches, Stanchinsky’s vivid and heartfelt melodies are relatable to us all. ‘Stanchinsky’s music is like an exposed nerve, all at the limits of the senses. It reveals the innermost feelings, expressing what is in the soul.’ – Olga Solovieva\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eAllegro in F Major, Op. 2 (1912) (00:05:27)\u003cbr\u003e \u003cbr\u003eCanon-Preludes (1914) (00:14:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Canon à 2 voix en renversement in C Major: Allegro risoluto (00:01:59)\u003cbr\u003e3\u003cbr\u003eNo. 2. Canon à 3 voix in G Major: Vivace (00:02:47)\u003cbr\u003e4\u003cbr\u003eNo. 3. Canon à 4 voix in A Major (E Mixolydian): Andante sostenuto (00:05:35)\u003cbr\u003e5\u003cbr\u003eNo. 4. Canon à 2 voix en augmentation in E-Flat Minor: Veloce (00:02:36)\u003cbr\u003e6\u003cbr\u003ePrelude in C Minor (1912) (1912) (00:02:00)\u003cbr\u003e7\u003cbr\u003eVariations (1911) (00:04:13)\u003cbr\u003e \u003cbr\u003e3 Sketches (1913) (00:03:00 )\u003cbr\u003e8\u003cbr\u003eNo. 1. Allegro moderato (00:00:34)\u003cbr\u003e9\u003cbr\u003eNo. 2. Allegretto (00:01:19)\u003cbr\u003e10\u003cbr\u003eNo. 3. Presto tempestoso (00:01:02)\u003cbr\u003e \u003cbr\u003e12 Sketches, Op. 1 (1913) (00:01:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Moderato (00:02:21)\u003cbr\u003e12\u003cbr\u003eNo. 2. Presto (00:00:46)\u003cbr\u003e13\u003cbr\u003eNo. 3. Vivace (00:00:37)\u003cbr\u003e14\u003cbr\u003eNo. 4. Lento cantabile (00:02:03)\u003cbr\u003e15\u003cbr\u003eNo. 5. Allegro (00:00:56)\u003cbr\u003e16\u003cbr\u003eNo. 6. Andante epico (00:02:28)\u003cbr\u003e17\u003cbr\u003eNo. 7. Adagio teneramente (00:02:48)\u003cbr\u003e18\u003cbr\u003eNo. 8. Molto vivace (00:00:53)\u003cbr\u003e19\u003cbr\u003eNo. 9. Largamente (00:02:30)\u003cbr\u003e20\u003cbr\u003eNo. 10. Con moto (00:00:52)\u003cbr\u003e21\u003cbr\u003eNo. 11. Allegro con spirito (00:00:50)\u003cbr\u003e22\u003cbr\u003eNo. 12. Presto assai (00:01:03)\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 1 in F Major (1912) (00:17:00 )\u003cbr\u003e23\u003cbr\u003eI. Allegro (00:06:05)\u003cbr\u003e24\u003cbr\u003eII. Adagio (00:05:53)\u003cbr\u003e25\u003cbr\u003eIII. Presto (00:02:43)\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 2 in G Major (1912) (00:13:00 )\u003cbr\u003e26\u003cbr\u003eI. Fuga: Lento espressivo (00:06:34)\u003cbr\u003e27\u003cbr\u003eII. Presto (00:06:09)\u003cbr\u003e28\u003cbr\u003eMusical Sketch in E Minor (c. 1904) (1904) (00:03:32)\u003cbr\u003e29\u003cbr\u003eSorrowful Motive in C-Sharp Minor (1903) (00:02:08)\u003cbr\u003e30\u003cbr\u003eMusical Fragment in C Major (1908) (1908) (00:00:52)\u003cbr\u003e31\u003cbr\u003ePrelude in F Minor (1907) (1907) (00:01:44)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089124602,"sku":"GP842","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp842.jpg?v=1778192853"},{"product_id":"barmotin-20-preludes-op-12-theme-and-variations-op-1","title":"Barmotin: 20 Preludes, Op. 12 - Theme and Variations, Op. 1 - Christopher Williams","description":"\u003cdiv\u003e\u003cspan\u003eSemyon Alexeyevich Barmotin (1877–1939) was a student of Balakirev and Rimsky-Korsakov, and his fate under the Soviet regime in the 1930s remains a mystery, but what survives of his music is impressive in both scale and content. These world première recordings are filled with colour and contrast: the Tema con variazioni transforms its material into a multitude of moods to conclude in a symphonic march, while the 20 Preludes are striking in their sophisticated harmonies and heightened emotional impact.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20 Preludes, Op. 12 () (00:51:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 1. Adagietto con dolore (00:02:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 2. Allegretto con dolce maniera (00:02:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 3. Moderato con morbidezza (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 4. Andantino (00:04:10)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 5. Moderato con spirito (00:02:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 6. Allegro ma non tanto (00:01:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 7. Andante affettuoso (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 8. Allegro con grazia (00:03:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 9. Andantino cantabile (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 10. Allegro moderato con spirito (00:03:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 11. Adagietto con anima (00:02:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 12. Vivace con impeto (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 13. Andante religioso (00:04:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 14. Allegro con agilita (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 15. Andante con molto espressione (00:01:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 16. Allegro assai (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 17. Andante cantabile (00:02:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 18. Moderato - Allegro moderato (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 19. Larghetto con tristezza (00:02:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 20. Tempo di Marcia (00:01:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTheme and Variations, Op. 1 () (00:27:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTheme: Andantino cantabile (00:01:42)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 1: Allegro (00:01:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 2: Andantino (00:01:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 3: Presto assai (00:00:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 4: Andantino con anima (00:02:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 5: Moderato (00:02:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 6: Andantino (00:02:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 7: Allegro ma non troppo (00:01:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 8: Valse: Tempo di Valse (00:01:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 9: Mazurka: Andantino (00:02:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 10: Andante maestoso (00:03:00)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 11: Andante (00:01:52)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089222906,"sku":"GP799","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp799.jpg?v=1778174558"},{"product_id":"brahms-transcriptions-for-piano","title":"Brahms: Transcriptions for Piano (Trio for Violin, Horn and Piano • Clarinet Quintet, arr. P. Klengel for Piano) Christopher Williams","description":"\u003cp\u003eThe 19th century witnessed an almost insatiable demand for arrangements and transcriptions to be played on domestic pianos. Brahms himself wrote such works under the names GW Marks and Karl Würth but friends and colleagues also contributed. The violinist, pianist and conductor Paul Klengel, brother of the eminent cellist Julius, made solo piano versions of the Horn Trio and the Clarinet Quintet, transcribing with remarkable fidelity and sensitivity Brahms’ myriad expressive and technical demands.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eTrio for Violin, Horn and Piano in E-Flat Major, Op. 40 (arr. P. Klengel for piano) (1865) (00:29:00 )\u003cbr\u003e1\u003cbr\u003eI. Andante - Poco più animato * (00:08:47)\u003cbr\u003e2\u003cbr\u003eII. Scherzo: Allegro * (00:06:41)\u003cbr\u003e3\u003cbr\u003eIII. Adagio mesto * (00:07:14)\u003cbr\u003e4\u003cbr\u003eIV. Finale: Allegro con brio * (00:06:06)\u003cbr\u003e \u003cbr\u003eClarinet Quintet in B Minor, Op. 115 (arr. P. Klengel for piano) (1891) (00:41:00 )\u003cbr\u003e5\u003cbr\u003eI. Allegro * (00:13:03)\u003cbr\u003e6\u003cbr\u003eII. Adagio * (00:12:08)\u003cbr\u003e7\u003cbr\u003eIII. Andantino - Presto non assai, ma con sentimento * (00:05:56)\u003cbr\u003e8\u003cbr\u003eIV. Con moto * (00:10:22)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089288442,"sku":"GP749","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp749.jpg?v=1778182385"},{"product_id":"lebanese-piano-music-vol-2","title":"Lebanese Piano Music, Vol. 2 (Fuleihan • Gelalian • Howrani • Khoury) - Tatiana Primak-Khoury","description":"\u003cp\u003e\u003cbr\u003eFuleihan, Anis\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 4 (1963) (00:25:00 )\u003cbr\u003e1\u003cbr\u003eI. Allegro moderato (00:09:22)\u003cbr\u003e2\u003cbr\u003eII. Andantino, mesto (00:08:18)\u003cbr\u003e3\u003cbr\u003eIntermezzo: Allegro molto moderato (00:01:35)\u003cbr\u003e4\u003cbr\u003eIII. Allegro molto, ritmico (a la grèque) (00:05:28)\u003cbr\u003eKhoury, Houtaf\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 4, \"Sham\" (2016) (00:19:00 )\u003cbr\u003e5\u003cbr\u003eI. Morass (00:05:17)\u003cbr\u003e6\u003cbr\u003eII. Désolation (00:11:44)\u003cbr\u003e7\u003cbr\u003eIII. Sham (00:03:44)\u003cbr\u003eGelalian, Boghos\u003cbr\u003e \u003cbr\u003ePiano Sonata (1964) (00:13:00 )\u003cbr\u003e8\u003cbr\u003eI. Allegro vivo (00:03:44)\u003cbr\u003e9\u003cbr\u003eII. Andantino (00:05:06)\u003cbr\u003e10\u003cbr\u003eIII. Molto vivace e brioso (00:03:22)\u003cbr\u003eHowrani, Waleed\u003cbr\u003e11\u003cbr\u003eLebanese Rhapsody (1996) (00:13:41)\u003cbr\u003eFuleihan, Anis\u003cbr\u003e \u003cbr\u003eAir and Fugue on White Keys (1943) (00:07:00 )\u003cbr\u003e12\u003cbr\u003eAir: Largo (00:04:31)\u003cbr\u003e13\u003cbr\u003eFugue: Vivace (00:02:12)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089321210,"sku":"GP812","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp812.jpg?v=1778191297"},{"product_id":"kozeluch-complete-keyboard-sonatas-vol-6","title":"Koželuch: Complete Keyboard Sonatas, Vol. 6 - Kemp English","description":"\u003cp\u003eIn 1785 and 1786 Mozart’s piano concertos were winning many admirers in the public concert halls of Vienna. Koželuch, however, continued to excel as master of the piano sonata, plying his art in the city’s ubiquitous private concert soirées. Indeed, the four works presented here ably demonstrate why his sonatas might aptly be called “the ideal of the high-Classic style”. To be sure, Mozart’s influence is felt in Sonatas Nos. 21, 23 and 24 but in Sonata No. 22, Koželuch leads the way by paring away the textures and introducing figurations of simplicity and grace; hallmarks of Mozart’s much later penultimate Sonata in B flat major K570.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on period instruments:\u003cbr\u003eFortepiano by Paul Downie (NZ), after Anton Walter (c. 1795) (Sonata No. 21);\u003cbr\u003eFortepiano by Thomas and Barbara Wolf (USA), after Anton Walter (c. 1795) (Sonatas Nos. 22–24)\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata in E-Flat Major, Op. 17, No. 3, P. XII:22 (1785) (00:15:18 )\u003cbr\u003e1\u003cbr\u003eI. Allegro * (00:09:19)\u003cbr\u003e2\u003cbr\u003eII. Rondeau: Allegretto * (00:06:09)\u003cbr\u003e \u003cbr\u003ePiano Sonata in F Major, Op. 20, No. 1, P. XII:23 (1786) (00:12:05 )\u003cbr\u003e3\u003cbr\u003eI. Allegro * (00:05:30)\u003cbr\u003e4\u003cbr\u003eII. Adagio * (00:03:16)\u003cbr\u003e5\u003cbr\u003eIII. Rondeau: Allegretto * (00:03:21)\u003cbr\u003e \u003cbr\u003ePiano Sonata in C Major, Op. 20, No. 2, P. XII:24 (1786) (00:13:20 )\u003cbr\u003e6\u003cbr\u003eI. Allegro * (00:05:54)\u003cbr\u003e7\u003cbr\u003eII. Adagio * (00:03:29)\u003cbr\u003e8\u003cbr\u003eIII. Rondeau: Allegretto * (00:04:09)\u003cbr\u003e \u003cbr\u003ePiano Sonata in D Minor, Op. 20, No. 3, P. XII:25 (1786) (00:13:05 )\u003cbr\u003e9\u003cbr\u003eI. Moderato (00:06:20)\u003cbr\u003e10\u003cbr\u003eII. Poco adagio (00:02:36)\u003cbr\u003e11\u003cbr\u003eIII. Rondeau: Allegretto (00:04:19)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089419514,"sku":"GP647","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp647.jpg?v=1778194574"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/grand_piano_label_card_a550ddda-313a-4520-85ae-351f30b9981e.jpg?v=1782168394","url":"https:\/\/classicselectworld.com\/collections\/grand-piano-prices-start-at-6-99.oembed?page=4","provider":"ClassicSelect World","version":"1.0","type":"link"}