{"title":"GRAND PIANO","description":"","products":[{"product_id":"debussy-dindy-godard-gouvy-saint-saens-satie-french","title":"FRENCH IMPRESSIONS - A Potpourri of French Piano Styles, from the Romantics to a New Age - Debussy, d'Indy, Godard, Gouvy, Saint-Saens \u0026 Satie  (6-CD Box Set)","description":"\u003cp\u003eThe range and variety of French piano music in the 19th and 20th centuries is exemplifi ed in these critically acclaimed albums bringing together rarely encountered pieces, a number of which are performed on period instruments. Théodore Gouvy’s little-known sonatas and Benjamin Godard’s fragrant lyricism are part of a lineage that includes the masterful large-scale Piano Sonata of Vincent d’Indy, the virtuosic rarities – many in première recordings – of Saint-Saëns, Satie’s tenderness and wit, and unknown piano versions of some of Debussy’s greatest orchestral masterpieces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGOUVY, L.T.: Sonatas for Piano 4 Hands, Opp. 36, 49 and 51 (Naoumoff, Yau Cheng)  GP676\u003cbr\u003eSAINT-SAËNS, C.: Piano Works (Complete), Vol. 5 (Burleson)  GP626\u003cbr\u003eDEBUSSY, C.: Rare Piano Music (The Unknown Debussy) (Horvath)  GP822\u003cbr\u003eSATIE, E.: Piano Works (Complete), Vol. 4 (New Salabert Edition) (Horvath)  GP823\u003cbr\u003ed'INDY, V.: Piano Sonata \/ Tableaux de Voyage (excerpts) (Armengaud)  GP756\u003cbr\u003eGODARD, B.: Piano Works, Vol. 2 (E. Reyes)  GP684\u003c\/p\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836183290,"sku":"GP900X","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP900X.jpg?v=1777494410"},{"product_id":"ekanayaka-twelve-piano-prisms-silvestrov-works-glass-pi","title":"PERFECT MOODS - Piano Music of the 21st Century (6 CDs)","description":"\u003cp\u003ePerfect Moods is a collection of acclaimed albums that together present a multi-cultural journey of inspiring and contemplative modern piano repertoire for the 21st century. Armenian pianist Mikael Ayrapetyan explores his countryman Haro Stepanian’s exquisite Preludes; the spiritual and sensual Melodies of the Upper Worlds by the prominent Kabbalist Baal HaSulam; as well as Ayrapetyan’s own A Whole in 12. Composer-pianist Tanya Ekanayaka performs her Twelve Piano Prisms – a diverse mix of melodies from her native Sri Lanka combined with music from other countries and genres. The album devoted to Valentin Silvestrov presents an essential overview of this Ukrainian composer’s ‘post-modern’ piano music, with its lingering allusions to the past. For Philip Glass the focus is on love, not least in music for the BAFTA-winning score for The Hours, but also in the breathtaking Modern Love Waltz. All of the composers included in this set showcase contemporary piano music at its most accessible, tonal and expressive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBAAL HASULAM: Melodies of the Upper Worlds (Ayrapetyan)  GP808\u003cbr\u003eSTEPANIAN, H.: Preludes, Opp. 47, 48 and 63 (Ayrapetyan)  GP760\u003cbr\u003eSILVESTROV, V.: Piano Music - Naive Music \/ Der Bote \/ 2 Waltzes \/ 4 Pieces \/ 2 Bagatelles \/ Kitsch-Musik (Blumina)  GP639\u003cbr\u003eGLASS, P.: Glassworlds, Vol. 4 - Hours (The) \/ Modern Love Waltz \/ Notes on a Scandal \/ Music in Fifths (On Love) (Horvath)  GP692\u003cbr\u003eEKANAYAKA, T.: 12 Piano Prisms (Ekanayaka)  GP785\u003cbr\u003eAYRAPETYAN, M.: Whole in Twelve (A) (Ayrapetyan)  GP809\u003c\/p\u003e\n\u003cp\u003e1-1        Krivu Li = Draw Close To Me (1926)    5:15\u003cbr\u003e1-2        Ki Chilattzta Nafshi = You Saved My Soul (1926)    3:34\u003cbr\u003e1-3        Hamol Al Masecha = Have Pity On Your Deeds (1926)    4:21\u003cbr\u003e1-4        Nigun = Melody (1926)    4:07\u003cbr\u003eBneii Heichala = The Sons Of King's Palace (1926)    (8:00)\u003cbr\u003e1-5        Part I    4:47\u003cbr\u003e1-6        Part II    3:38\u003cbr\u003e1-7        Chasal Seder Pesach = Passover Meal (1926)    2:00\u003cbr\u003e1-8        Kel Mistater = The Creator Hides In Secrecy (1926)    3:45\u003cbr\u003e1-9        March (1926)    3:17\u003cbr\u003e1-10        Ia'ale Tachanuneinu = Accept Our Prayers (1926)    4:25\u003cbr\u003e1-11        Hiney Ke Homer = Like Matter Is His Hands (1926)    4:39\u003cbr\u003e1-12        Mizmor Le David = David's Song (1926)    3:32\u003cbr\u003e1-13        Misod Chachamim = The Assembly Of Sages (1926)    4:39\u003cbr\u003e1-14        Leagid Baboker = To Proclaim In The Morning About Your Mercy (1926)    2:55\u003cbr\u003e1-15        Kadish = Consecration (1926)    3:47\u003cbr\u003e1-16        Tzadik = Saint (1926)    3:17\u003cbr\u003e1-17        Iadid Nefesh = Beloved Of The Soul (1926)    7:12\u003cbr\u003e8 Preludes, Op. 47 (1947)    \u003cbr\u003e2-1        No. 1 In G Minor    2:52\u003cbr\u003e2-2        No. 2 In A Major    1:37\u003cbr\u003e2-3        No. 3 In F Minor    2:33\u003cbr\u003e2-4        No. 4 In F-Sharp Minor    1:41\u003cbr\u003e2-5        No. 5 In G Major    1:59\u003cbr\u003e2-6        No. 6 In F Minor    2:29\u003cbr\u003e2-7        No. 7 In C Minor    3:06\u003cbr\u003e2-8        No. 8 In F-Sharp Minor    1:43\u003cbr\u003e8 Preludes, Op. 48 (1948)    (17:03)\u003cbr\u003e2-9        No. 1 In E Minor    1:41\u003cbr\u003e2-10        No. 2 In C Minor    2:30\u003cbr\u003e2-11        No. 3 In A Major    2:15\u003cbr\u003e2-12        No. 4 In A Minor    1:42\u003cbr\u003e2-13        No. 5 In F Minor    1:59\u003cbr\u003e2-14        No. 6 In F-Sharp Minor    2:37\u003cbr\u003e2-15        No. 7 In G Minor    2:20\u003cbr\u003e2-16        No. 8 In F Major    1:59\u003cbr\u003e8 Preludes, Op. 63 (1956)    (14:32)\u003cbr\u003e2-17        No. 1 In E Minor    2:01\u003cbr\u003e2-18        No. 2 In G Minor    1:29\u003cbr\u003e2-19        No. 3 In F-Sharp Major    1:52\u003cbr\u003e2-20        No. 4 In A Minor    1:23\u003cbr\u003e2-21        No. 5 In B Minor    2:31\u003cbr\u003e2-22        No. 6 In B Minor    1:18\u003cbr\u003e2-23        No. 7 In B Major    2:01\u003cbr\u003e2-24        No. 8 In G Minor    1:57\u003cbr\u003e2-25        Prelude In A Major (1964)    2:41\u003cbr\u003e2-26        Prelude In F Minor (1965)    2:30\u003cbr\u003eNaive Music (1955)    (26:36)\u003cbr\u003e3-1        No. 1. Waltz    3:42\u003cbr\u003e3-2        No. 2. Nocturne    2:36\u003cbr\u003e3-3        No. 3. Fairy Tale    6:53\u003cbr\u003e3-4        No. 4. Idyll    4:43\u003cbr\u003e3-5        No. 5. Nocturne    2:14\u003cbr\u003e3-6        No. 6. Prelude    2:06\u003cbr\u003e3-7        No. 7. Waltz    4:22\u003cbr\u003e3-8        The Messenger = Der Bote (1996) (Version For Piano)    7:30\u003cbr\u003e2 Waltzes, Op. 153 (2009)    (5:00)\u003cbr\u003e3-9        No. 1. Allegro Assai    1:57\u003cbr\u003e3-10        No. 2. Allegretto    2:28\u003cbr\u003e4 Pieces, Op. 2 (2006)    (8:00)\u003cbr\u003e3-11        No. 1. Lullaby: Moderato    2:46\u003cbr\u003e3-12        No. 2. Pastorale: Vivace    2:02\u003cbr\u003e3-13        No. 3. Bagatelle: Moderato    2:12\u003cbr\u003e3-14        No. 4. Postludium: Moderato    2:01\u003cbr\u003e2 Bagatelles, Op. 173 (2011)    (4:00)\u003cbr\u003e3-15        No. 1. Moderato    1:27\u003cbr\u003e3-16        No. 2. Andantino    2:08\u003cbr\u003eKitsch-Musik    (16:22)\u003cbr\u003e3-17        I. Allegro Vivace    3:24\u003cbr\u003e3-18        II. Moderato    3:57\u003cbr\u003e3-19        III. Allegretto    3:02\u003cbr\u003e3-20        IV. Moderato    2:43\u003cbr\u003e3-21        V. Allegretto    1:46\u003cbr\u003eThe Hours (2002)    (47:22)\u003cbr\u003e4-1        The Poet Acts    3:20\u003cbr\u003e4-2        Morning Passages    5:06\u003cbr\u003e4-3        Something She Has To Do    2:55\u003cbr\u003e4-4        For Your Own Benefit    1:55\u003cbr\u003e4-5        Vanessa And The Changelings    1:29\u003cbr\u003e4-6        I'm Going To Make A Cake    3:02\u003cbr\u003e4-7        An Unwelcome Friend    4:17\u003cbr\u003e4-8        Dead Things    2:49\u003cbr\u003e4-9        The Kiss    3:37\u003cbr\u003e4-10        Why Does Someone Have To Die?    3:05\u003cbr\u003e4-11        Tearing Herself Away    3:20\u003cbr\u003e4-12        Escape!    3:08\u003cbr\u003e4-13        Choosing Life    3:44\u003cbr\u003e4-14        The Hours    5:35\u003cbr\u003e4-15        Modern Love Waltz (1977)    3:36\u003cbr\u003e4-16        Notes On A Scandal: The Harts - I Knew Her (Version For Piano) (2006)    4:15\u003cbr\u003e4-17        Music In Fifths (1969)    5:59\u003cbr\u003e5-1        Piano Prism No. 1. E Flat - July 2016\/17 (2017)    4:36\u003cbr\u003e5-2        Piano Prism No. 2. B Flat - Armenia To A Pearl (2017)    2:40\u003cbr\u003e5-3        Piano Prism No. 3. C - Emerald Lapwing Karpet (2017)    5:36\u003cbr\u003e5-4        Piano Prism No. 4. D Flat - Intuition, Auld Lang Syne \u0026amp; An Asian Sacred (2017)    4:14\u003cbr\u003e5-5        Piano Prism No. 5. G - With Paaru Kavi (2016)    5:33\u003cbr\u003e5-6        Piano Prism No. 6. F - Renewal \u0026amp; Goyam Kapuma (2016)    8:32\u003cbr\u003e5-7        Piano Prism No. 7. E - Arrow-and (2017)    2:10\u003cbr\u003e5-8        Piano Prism No. 8. A - Zuni Sea (2017)    3:23\u003cbr\u003e5-9        Piano Prism No. 9. A Flat Scintilla: Komitas Unto Childhood (2017)    3:05\u003cbr\u003e5-10        Piano Prism No. 10. B - Of Vannam \u0026amp; Zhuang Tai Qiu Si (2017)    1:56\u003cbr\u003e5-11        Piano Prism No. 11. F Sharp - Kitty \u0026amp; Bambaru (2016)    9:45\u003cbr\u003e5-12        Piano Prisms No. 12. D - Hana Hare    4:03\u003cbr\u003e6-1        Autumnal (2018)    4:31\u003cbr\u003e6-2        The Lady Plays (2018)    5:03\u003cbr\u003e6-3        Longing (2018)    4:21\u003cbr\u003e6-4        Dilemma (2018)    4:30\u003cbr\u003e6-5        Arousal (2018)    4:24\u003cbr\u003e6-6        Prayer (2018)    5:06\u003cbr\u003e6-7        Clouds (2018)    4:52\u003cbr\u003e6-8        The First Snow (2018)    3:18\u003cbr\u003e6-9        Christmas Eve (2018)    4:37\u003cbr\u003e6-10        Totality (2018)    5:15\u003cbr\u003e6-11        Rain And Rendezvous (2018)    4:15\u003cbr\u003e6-12        Finality (2018)    4:15\u003c\/p\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836248826,"sku":"GP898X","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81bZAaSQMdL._SL1500.jpg?v=1777558890"},{"product_id":"three-centuries-of-female-composers","title":"Three Centuries of Female Composers (10 CDs)","description":"\u003cp\u003eGrand Piano celebrates its 10th anniversary with a series of limited⁠-⁠edition boxed sets, starting with a collection of piano music by female composers on 10 CDs.\u003c\/p\u003e\n\u003cp\u003eRanging from the 18th century to the music of our time, this collection of critically acclaimed recordings explores the significant contribution to solo piano repertoire made by a wide variety of women composers. These rare and important pieces include the works of the celebrated pianist Anne-Louise Brillon de Jouy and of Hélène de Montgeroult, whose sonatas are distinctive additions to the Classical and early Romantic periods. Maria Szymanowska’s deft dances contrast with the fearsome demands of Teresa Carreño, herself a great virtuoso. Vítězslava Kaprálová was the most important female Czech composer of the 20th century, while Agathe Backer Grøndahl was one of Norway’s most respected composer-pianists. Tanya Ekanayaka continues the lineage in her own diverse and hybrid pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBRILLON DE JOUY, A.-L. B. d'H.: Piano Sonatas Discovered (The) (Horvath)  GP872-73\u003cbr\u003eMONTGEROULT, H.-A.-M. de N. de: Piano Sonatas (Complete) (Horvath)  GP885-86\u003cbr\u003eSZYMANOWSKA, M.: Dances for Solo Piano (Complete) (Kostritsa)  GP685\u003cbr\u003eBACKER GRØNDAHL, A.: Piano Works - Norwegian Folksongs and Dances, Opp. 30 and 33 (excerpts) \/ Études and Studies (Smiseth)  GP902\u003cbr\u003eCARREÑO, T.: Rêverie - Selected Music for Piano (Oehler)  GP660\u003cbr\u003eKAPRÁLOVÁ, V.: Piano Music (Complete) (Koukl)  GP708\u003cbr\u003eEKANAYAKA, T.: Planets and Humanity (The) - Piano Reflections (Ekanayaka)  GP879\u003cbr\u003ePiano Recital: Ishimoto, Hiroko - BACKER GRØNDAHL, A. \/ BĄDARZEWSKA-BARANOWSKA, T. \/ BEACH, A. \/ BON, A. (Pioneers - Piano Works by Female Composers)  GP844\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e CD 1 - The Piano Sonatas Rediscovered \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSonnatte in A Minor\u003cspan\u003e \u003c\/span\u003e(8:39)\u003c\/div\u003e\n\u003cdiv\u003e1.1\u003cspan\u003e \u003c\/span\u003eI. Andanté molto con éxprésioné\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003e1.2\u003cspan\u003e \u003c\/span\u003eII. Allégro con motto\u003cspan\u003e \u003c\/span\u003e4:36\u003c\/div\u003e\n\u003cdiv\u003eTroisème Recueil De Sonates Pour Le Pianoforte Avec Accompagnement Ad Libitum\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 1 In C Minor\u003cspan\u003e \u003c\/span\u003e(8:10)\u003c\/div\u003e\n\u003cdiv\u003e1.3\u003cspan\u003e \u003c\/span\u003eI. Allegro Non Tanto\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e1.4\u003cspan\u003e \u003c\/span\u003eII. Minuetto\u003cspan\u003e \u003c\/span\u003e5:08\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 In B Flat Major\u003cspan\u003e \u003c\/span\u003e(8:44)\u003c\/div\u003e\n\u003cdiv\u003e1.5\u003cspan\u003e \u003c\/span\u003eI. Allegro Molto Moderato\u003cspan\u003e \u003c\/span\u003e3:35\u003c\/div\u003e\n\u003cdiv\u003e1.6\u003cspan\u003e \u003c\/span\u003eII. Rondo Et Variations\u003cspan\u003e \u003c\/span\u003e5:07\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 3 In C Major\u003cspan\u003e \u003c\/span\u003e(8:09)\u003c\/div\u003e\n\u003cdiv\u003e1.7\u003cspan\u003e \u003c\/span\u003eI. Andante\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003e1.8\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 4 In G Minor\u003cspan\u003e \u003c\/span\u003e(6:22)\u003c\/div\u003e\n\u003cdiv\u003e1.9\u003cspan\u003e \u003c\/span\u003eI. Andante Con Espressione\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e1.10\u003cspan\u003e \u003c\/span\u003eII. Rondo\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 5 In E Flat Major\u003cspan\u003e \u003c\/span\u003e(8:05)\u003c\/div\u003e\n\u003cdiv\u003e1.11\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:44\u003c\/div\u003e\n\u003cdiv\u003e1.12\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003eCD 2 - The Piano Sonatas Rediscovered\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 6 In D Minor\u003cspan\u003e \u003c\/span\u003e(13:25)\u003c\/div\u003e\n\u003cdiv\u003e2.1\u003cspan\u003e \u003c\/span\u003eI. Cantabile\u003cspan\u003e \u003c\/span\u003e7:20\u003c\/div\u003e\n\u003cdiv\u003e2.2\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e6:01\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 7 In B Flat Major\u003cspan\u003e \u003c\/span\u003e(10:52)\u003c\/div\u003e\n\u003cdiv\u003e2.3\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e2.4\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e2.5\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e3:54\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 8 In A Minor\u003cspan\u003e \u003c\/span\u003e(6:33)\u003c\/div\u003e\n\u003cdiv\u003e2.6\u003cspan\u003e \u003c\/span\u003eI. —\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e2.7\u003cspan\u003e \u003c\/span\u003eII. Minuetto E Trio\u003cspan\u003e \u003c\/span\u003e4:06\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 9 In F Minor\u003cspan\u003e \u003c\/span\u003e(6:42)\u003c\/div\u003e\n\u003cdiv\u003e2.8\u003cspan\u003e \u003c\/span\u003eI. Andante Amoroso\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e2.9\u003cspan\u003e \u003c\/span\u003eII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 In G Minor\u003cspan\u003e \u003c\/span\u003e(10:39)\u003c\/div\u003e\n\u003cdiv\u003e2.10\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e6:24\u003c\/div\u003e\n\u003cdiv\u003e2.11\u003cspan\u003e \u003c\/span\u003eII. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 11 In D Minor\u003cspan\u003e \u003c\/span\u003e(14:24)\u003c\/div\u003e\n\u003cdiv\u003e2.12\u003cspan\u003e \u003c\/span\u003eI. Andante Un Poco Allegro\u003cspan\u003e \u003c\/span\u003e6:47\u003c\/div\u003e\n\u003cdiv\u003e2.13\u003cspan\u003e \u003c\/span\u003eII. Rondeau Allegro\u003cspan\u003e \u003c\/span\u003e7:34\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 12 In C Minor\u003cspan\u003e \u003c\/span\u003e(7:51)\u003c\/div\u003e\n\u003cdiv\u003e2.14\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e2.15\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003eCD 3 - Complete Piano Sonatas\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Forte-Piano, Œuvre Premiére (Pub. 1795)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata I In F Major\u003cspan\u003e \u003c\/span\u003e(9:45)\u003c\/div\u003e\n\u003cdiv\u003e3.1\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Spirito\u003cspan\u003e \u003c\/span\u003e4:29\u003c\/div\u003e\n\u003cdiv\u003e3.2\u003cspan\u003e \u003c\/span\u003eII. Prestissimo\u003cspan\u003e \u003c\/span\u003e5:12\u003c\/div\u003e\n\u003cdiv\u003eSonata II In E Flat Major\u003cspan\u003e \u003c\/span\u003e(14:29)\u003c\/div\u003e\n\u003cdiv\u003e3.3\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Motor\u003cspan\u003e \u003c\/span\u003e8:29\u003c\/div\u003e\n\u003cdiv\u003e3.4\u003cspan\u003e \u003c\/span\u003eII. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:58\u003c\/div\u003e\n\u003cdiv\u003eSonata III In F Minor\u003cspan\u003e \u003c\/span\u003e(19:26)\u003c\/div\u003e\n\u003cdiv\u003e3.5\u003cspan\u003e \u003c\/span\u003eI. Maëstoso Con Espressione\u003cspan\u003e \u003c\/span\u003e8:48\u003c\/div\u003e\n\u003cdiv\u003e3.6\u003cspan\u003e \u003c\/span\u003eII. Allegro Agitato\u003cspan\u003e \u003c\/span\u003e10:35\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Forte Piano, c Deuxiéme (Pub. c. 1800)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePrima Sonata In G Minor\u003cspan\u003e \u003c\/span\u003e(12:06)\u003c\/div\u003e\n\u003cdiv\u003e3.7\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Moto E Espressione\u003cspan\u003e \u003c\/span\u003e6:17\u003c\/div\u003e\n\u003cdiv\u003e3.8\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003eSeconda Sonata In C Major\u003cspan\u003e \u003c\/span\u003e(19:40)\u003c\/div\u003e\n\u003cdiv\u003e3.9\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e9:24\u003c\/div\u003e\n\u003cdiv\u003e3.10\u003cspan\u003e \u003c\/span\u003eII. Andantino Quasi Allegretto\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e3.11\u003cspan\u003e \u003c\/span\u003eIII. Allegro Con Brio, Vivace\u003cspan\u003e \u003c\/span\u003e6:01\u003c\/div\u003e\n\u003cdiv\u003eCD 4 - Complete Piano Sonatas\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTerza Sonata In A Minor\u003cspan\u003e \u003c\/span\u003e(17:07)\u003c\/div\u003e\n\u003cdiv\u003e4.1\u003cspan\u003e \u003c\/span\u003eI. Agitato\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e4.2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e7:19\u003c\/div\u003e\n\u003cdiv\u003e4.3\u003cspan\u003e \u003c\/span\u003eIII. Vivace Con Espressione\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Piano Forte,Œuvre Cinquième (Pub. 1811)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePrima Sonata In D Major\u003cspan\u003e \u003c\/span\u003e(26:01)\u003c\/div\u003e\n\u003cdiv\u003e4.4\u003cspan\u003e \u003c\/span\u003eI. Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e13:47\u003c\/div\u003e\n\u003cdiv\u003e4.5\u003cspan\u003e \u003c\/span\u003eII. Adagio Non Troppo\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e4.6\u003cspan\u003e \u003c\/span\u003eIII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e1:17\u003c\/div\u003e\n\u003cdiv\u003e4.7\u003cspan\u003e \u003c\/span\u003eIV. Presto\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003eSeconda Sonata In F Minor\u003cspan\u003e \u003c\/span\u003e(21:21)\u003c\/div\u003e\n\u003cdiv\u003e4.8\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato Con Espressione\u003cspan\u003e \u003c\/span\u003e9:08\u003c\/div\u003e\n\u003cdiv\u003e4.9\u003cspan\u003e \u003c\/span\u003eII. Aria Con Espressione\u003cspan\u003e \u003c\/span\u003e5:04\u003c\/div\u003e\n\u003cdiv\u003e4.10\u003cspan\u003e \u003c\/span\u003eIII. Allegro, Agitato Con Fuoco\u003cspan\u003e \u003c\/span\u003e7:04\u003c\/div\u003e\n\u003cdiv\u003eTerza Sonata In F Sharp Minor\u003cspan\u003e \u003c\/span\u003e(16:26)\u003c\/div\u003e\n\u003cdiv\u003e4.11\u003cspan\u003e \u003c\/span\u003eI. Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e7:01\u003c\/div\u003e\n\u003cdiv\u003e4.12\u003cspan\u003e \u003c\/span\u003eII. Adagio Non Troppo\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e4.13\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003eCD 5 Complete Dances For Solo Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e18 Danses\u003cspan\u003e \u003c\/span\u003e(33:40)\u003c\/div\u003e\n\u003cdiv\u003e5.1\u003cspan\u003e \u003c\/span\u003eNo. 1. Polonaise In C Major\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e5.2\u003cspan\u003e \u003c\/span\u003eNo. 2. Polonaise In E Minor\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e5.3\u003cspan\u003e \u003c\/span\u003eNo. 3. Polonaise In A Major\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e5.4\u003cspan\u003e \u003c\/span\u003eNo. 4. Polonaise In F Minor\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e5.5\u003cspan\u003e \u003c\/span\u003eNo. 5. Valse In E Flat Major\u003cspan\u003e \u003c\/span\u003e1:26\u003c\/div\u003e\n\u003cdiv\u003e5.6\u003cspan\u003e \u003c\/span\u003eNo. 6. Valse In A Major\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e5.7\u003cspan\u003e \u003c\/span\u003eNo. 7. Valse in B Flat Major\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e5.8\u003cspan\u003e \u003c\/span\u003eNo. 8. Valse In F Major\u003cspan\u003e \u003c\/span\u003e0:50\u003c\/div\u003e\n\u003cdiv\u003e5.9\u003cspan\u003e \u003c\/span\u003eNo. 9. Anglaise In E Flat Major\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e5.10\u003cspan\u003e \u003c\/span\u003eNo. 10. Anglaise In B Flat Major\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e5.11\u003cspan\u003e \u003c\/span\u003eNo. 11. Anglaise In A Flat Major\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e5.12\u003cspan\u003e \u003c\/span\u003eNo. 12. Anglaise In E Flat Major\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e5.13\u003cspan\u003e \u003c\/span\u003eNo. 13. Contredanse In B Flat Major\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e5.14\u003cspan\u003e \u003c\/span\u003eNo. 14. Contredanse In A Flat Major\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e5.15\u003cspan\u003e \u003c\/span\u003eNo. 15. Quadrille in E Flat Major\u003cspan\u003e \u003c\/span\u003e1:02\u003c\/div\u003e\n\u003cdiv\u003e5.16\u003cspan\u003e \u003c\/span\u003eNo. 16. Quadrille In F Major\u003cspan\u003e \u003c\/span\u003e1:22\u003c\/div\u003e\n\u003cdiv\u003e5.17\u003cspan\u003e \u003c\/span\u003eNo. 17. Mazurek In C Major\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e5.18\u003cspan\u003e \u003c\/span\u003eNo. 18. Cotillon In A Flat Major\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e24 Mazurkas\u003cspan\u003e \u003c\/span\u003e(13:57)\u003c\/div\u003e\n\u003cdiv\u003e5.19\u003cspan\u003e \u003c\/span\u003eMazurka No. 1\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e5.20\u003cspan\u003e \u003c\/span\u003eMazurka No. 2\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e5.21\u003cspan\u003e \u003c\/span\u003eMazurka No. 3\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e5.22\u003cspan\u003e \u003c\/span\u003eMazurka No. 4\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e5.23\u003cspan\u003e \u003c\/span\u003eMazurka No. 5\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e5.24\u003cspan\u003e \u003c\/span\u003eMazurka No. 6\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e5.25\u003cspan\u003e \u003c\/span\u003eMazurka No. 7\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e5.26\u003cspan\u003e \u003c\/span\u003eMazurka No. 8\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e5.27\u003cspan\u003e \u003c\/span\u003eMazurka No. 9\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e5.28\u003cspan\u003e \u003c\/span\u003eMazurka No. 10\u003cspan\u003e \u003c\/span\u003e0:37\u003c\/div\u003e\n\u003cdiv\u003e5.29\u003cspan\u003e \u003c\/span\u003eMazurka No. 11\u003cspan\u003e \u003c\/span\u003e0:17\u003c\/div\u003e\n\u003cdiv\u003e5.30\u003cspan\u003e \u003c\/span\u003eMazurka No. 12\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e5.31\u003cspan\u003e \u003c\/span\u003eMazurka No. 13\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.32\u003cspan\u003e \u003c\/span\u003eMazurka No. 14\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.33\u003cspan\u003e \u003c\/span\u003eMazurka No. 15\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e5.34\u003cspan\u003e \u003c\/span\u003eMazurka No. 16\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e5.35\u003cspan\u003e \u003c\/span\u003eMazurka No. 17\u003cspan\u003e \u003c\/span\u003e0:53\u003c\/div\u003e\n\u003cdiv\u003e5.36\u003cspan\u003e \u003c\/span\u003eMazurka No. 18\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e5.37\u003cspan\u003e \u003c\/span\u003eMazurka No. 19\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e5.38\u003cspan\u003e \u003c\/span\u003eMazurka No. 20\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.39\u003cspan\u003e \u003c\/span\u003eMazurka No. 21\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e5.40\u003cspan\u003e \u003c\/span\u003eMazurka No. 22\u003cspan\u003e \u003c\/span\u003e0:13\u003c\/div\u003e\n\u003cdiv\u003e5.41\u003cspan\u003e \u003c\/span\u003eMazurka No. 23\u003cspan\u003e \u003c\/span\u003e0:22\u003c\/div\u003e\n\u003cdiv\u003e5.42\u003cspan\u003e \u003c\/span\u003eMazurka No. 24\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e6 Minuets\u003cspan\u003e \u003c\/span\u003e(16:22)\u003c\/div\u003e\n\u003cdiv\u003e5.43\u003cspan\u003e \u003c\/span\u003eNo. 1 In A Minor: Allegretto\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e5.44\u003cspan\u003e \u003c\/span\u003eNo. 2 In G Minor: Quasi Allegro\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e5.45\u003cspan\u003e \u003c\/span\u003eNo. 3 In E Flat Major: Modarato\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e5.46\u003cspan\u003e \u003c\/span\u003eNo. 4 In G Minor: Vivace Agitato\u003cspan\u003e \u003c\/span\u003e2:28\u003c\/div\u003e\n\u003cdiv\u003e5.47\u003cspan\u003e \u003c\/span\u003eNo. 5 In E Major: Allegro\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e5.48\u003cspan\u003e \u003c\/span\u003eNo. 6 In D Minor: Vivace\u003cspan\u003e \u003c\/span\u003e2:29\u003c\/div\u003e\n\u003cdiv\u003e5.49\u003cspan\u003e \u003c\/span\u003ePolonaise Sur L'Air National Favori Du Feu Prince Joseph Poniatowsky\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e5.50\u003cspan\u003e \u003c\/span\u003eDanse Polonaise\u003cspan\u003e \u003c\/span\u003e3:39\u003c\/div\u003e\n\u003cdiv\u003e5.51\u003cspan\u003e \u003c\/span\u003eCotillon Ou Valse Figurée\u003cspan\u003e \u003c\/span\u003e4:09\u003c\/div\u003e\n\u003cdiv\u003eCD6 - Piano Works\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6.1\u003cspan\u003e \u003c\/span\u003eSuite, Op. 20 (1887): I. Prelude\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e6.2\u003cspan\u003e \u003c\/span\u003e3 Morceaux, Op. 15 (1882): I. Sérénade\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e6.3\u003cspan\u003e \u003c\/span\u003eÉtudes De Concert, Op. 57 (1903): I. Allegretto\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e6.4\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891): I. Brudeslaat (Lom?)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e6.5\u003cspan\u003e \u003c\/span\u003e6 Idylles, Op. 24 (1888): I. Allegretto Leggiero\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891)\u003cspan\u003e \u003c\/span\u003e(7:43)\u003c\/div\u003e\n\u003cdiv\u003e6.6\u003cspan\u003e \u003c\/span\u003eIX. Siklebækken (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e6.7\u003cspan\u003e \u003c\/span\u003eX. Kivlemøyerne (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e6.8\u003cspan\u003e \u003c\/span\u003eXI. Fanitullen (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e6.9\u003cspan\u003e \u003c\/span\u003e6 Idylles, Op. 24 (1888): V. Allegretto Tranquillo\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e6.10\u003cspan\u003e \u003c\/span\u003e6 Fantasistykker, Barnlige Billeder, Op. 66 (1905): I. Ride, Ride Ranke\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e6.11\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): III. Laat I Fjellet\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e6.12\u003cspan\u003e \u003c\/span\u003e3 Ungarske Studier ('Three Hungarian Studies'), Op. 38 (1896): II. Intermezzo\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e6.13\u003cspan\u003e \u003c\/span\u003eFantasistykker For Piano, 2den Samling, Op. 39 (1896): Hefte I: I. Souvenir\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e6.14\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): VIII. Bruralaat (Valdres)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e6.15\u003cspan\u003e \u003c\/span\u003e4 Skizzer (\"Sketches\"), Op. 19 (1886): I. Allegretto Leggiero\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e6.16\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlege, Op. 33 (1894): I. Halling\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e6.17\u003cspan\u003e \u003c\/span\u003eSmaa Fantasistykker For Piano, 4de Samling, Op. 55 (1902): IV. Et Farvel\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6.18\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): VI. Springdans (Vinje)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e6.19\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891): V. Springdans\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e6.20\u003cspan\u003e \u003c\/span\u003eSuite, Op. 20 (1887): II. Nocturne\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e6.21\u003cspan\u003e \u003c\/span\u003eHuldreslaatt (\"Dance Of The Huldra\")(1887)\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e6:22\u003cspan\u003e \u003c\/span\u003eSmaa Fantasistykker For Piano, 4de Samling, Op. 55 (1902): IX. Romance\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e6.23\u003cspan\u003e \u003c\/span\u003eI Blaafjellet ('In The Blue Mountains'). Eventyr Suite 1 6 Claverstykker, Op. 44 (1894): II. I Trollhallen\u003cspan\u003e \u003c\/span\u003e4:40\u003c\/div\u003e\n\u003cdiv\u003e6.24\u003cspan\u003e \u003c\/span\u003e6 Études De Concert, Op. 11 (1881): IV. Allegretto\u003cspan\u003e \u003c\/span\u003e6:37\u003c\/div\u003e\n\u003cdiv\u003eCD7 - Rêverie - Selected Music For Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7.1\u003cspan\u003e \u003c\/span\u003eNocturne, 'Souvenirs De Mons Pays', Op. 10: Andante Molto Espressivo\u003cspan\u003e \u003c\/span\u003e7:14\u003c\/div\u003e\n\u003cdiv\u003e7.2\u003cspan\u003e \u003c\/span\u003eCaprice-Étude No. 1, Op. 4: Andante Non Troppo\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e7.3\u003cspan\u003e \u003c\/span\u003ePrière, Op. 12: Andante Religioso\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e7.4\u003cspan\u003e \u003c\/span\u003eRêverie-Impromptu, Op. 3: Andantino\u003cspan\u003e \u003c\/span\u003e6:53\u003c\/div\u003e\n\u003cdiv\u003e7.5\u003cspan\u003e \u003c\/span\u003eMarch Funèbre, Op. 11: Maestoso\u003cspan\u003e \u003c\/span\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003e7.6\u003cspan\u003e \u003c\/span\u003eCaprice-Étude No. 2, Op. 6: Maestoso\u003cspan\u003e \u003c\/span\u003e8:35\u003c\/div\u003e\n\u003cdiv\u003e7.7\u003cspan\u003e \u003c\/span\u003eÉlégie, Op. 18: Andante Maestoso, Quasi Adagio\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e7.8\u003cspan\u003e \u003c\/span\u003eMélodies, 'Plaintes Au Bord D'Une Tombe', Op. 22: No. 6: Andante\u003cspan\u003e \u003c\/span\u003e9:46\u003c\/div\u003e\n\u003cdiv\u003e7.9\u003cspan\u003e \u003c\/span\u003eImpromptu, 'Une Larme', Op. 5: Andante Cantabile\u003cspan\u003e \u003c\/span\u003e3:19\u003c\/div\u003e\n\u003cdiv\u003e7.10\u003cspan\u003e \u003c\/span\u003eGottschalk Waltz No.1: Introduction (Andante) - Waltz\u003cspan\u003e \u003c\/span\u003e7:42\u003c\/div\u003e\n\u003cdiv\u003eCD8 - Complete Piano Music\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata Appassionata, Op. 6 (1933)\u003cspan\u003e \u003c\/span\u003e(18:45)\u003c\/div\u003e\n\u003cdiv\u003e8.1\u003cspan\u003e \u003c\/span\u003eI. Maestoso. Appassionato.\u003cspan\u003e \u003c\/span\u003e7:58\u003c\/div\u003e\n\u003cdiv\u003e8.2\u003cspan\u003e \u003c\/span\u003eII. Theme And Variations (Theme: Andante Semplice)\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e8.3\u003cspan\u003e \u003c\/span\u003eVariation 1 — Più Mosso\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e8.4\u003cspan\u003e \u003c\/span\u003eVariation 2 — Scherzando\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e8.5\u003cspan\u003e \u003c\/span\u003eVariation 3 — Con Moto\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e8.6\u003cspan\u003e \u003c\/span\u003eVariation 4 — Vivace\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e8.7\u003cspan\u003e \u003c\/span\u003eVariation 5 — Largo\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e8.8\u003cspan\u003e \u003c\/span\u003eVariation 6 — Vivo\u003cspan\u003e \u003c\/span\u003e5:19\u003c\/div\u003e\n\u003cdiv\u003eThree Piano Pieces, Op. 9 (Excerpts)(1935)\u003cspan\u003e \u003c\/span\u003e(6:23)\u003c\/div\u003e\n\u003cdiv\u003e8.9\u003cspan\u003e \u003c\/span\u003eI. Praeludium\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e8.10\u003cspan\u003e \u003c\/span\u003eII. Crab Canon\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e8.11\u003cspan\u003e \u003c\/span\u003eGrotesque Passacaglia (1935)\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003eFive Piano Compositions (1931-32)\u003cspan\u003e \u003c\/span\u003e(13:07)\u003c\/div\u003e\n\u003cdiv\u003e8.12\u003cspan\u003e \u003c\/span\u003eMaestoso\u003cspan\u003e \u003c\/span\u003e1:30\u003c\/div\u003e\n\u003cdiv\u003e8.13\u003cspan\u003e \u003c\/span\u003eCantabile-Moderato\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e8.14\u003cspan\u003e \u003c\/span\u003eAndante Con Moto\u003cspan\u003e \u003c\/span\u003e1:31\u003c\/div\u003e\n\u003cdiv\u003e8.15\u003cspan\u003e \u003c\/span\u003eTempo Di Menuetto\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e8.16\u003cspan\u003e \u003c\/span\u003eAlla Marcia Funebre\u003cspan\u003e \u003c\/span\u003e6:15\u003c\/div\u003e\n\u003cdiv\u003eDubnová Preludia, Op. 13 (April Preludes)(1937\u003cspan\u003e \u003c\/span\u003e(9:06)\u003c\/div\u003e\n\u003cdiv\u003e8.17\u003cspan\u003e \u003c\/span\u003eAllegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e8.18\u003cspan\u003e \u003c\/span\u003eAndante\u003cspan\u003e \u003c\/span\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e8.19\u003cspan\u003e \u003c\/span\u003eAndante Semplice\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e8.20\u003cspan\u003e \u003c\/span\u003eVivo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003eVariations Sur Carillon De L'Église St-Étienne-Du-Mont, Op. 16 (1838)\u003cspan\u003e \u003c\/span\u003e(7:59)\u003c\/div\u003e\n\u003cdiv\u003e8.21\u003cspan\u003e \u003c\/span\u003eTheme (Andante) and Variation 1 - Più vivo\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e8.22\u003cspan\u003e \u003c\/span\u003eVariation 2— Allegretto\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e8.23\u003cspan\u003e \u003c\/span\u003eVariation 3 — Lento, Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e8.24\u003cspan\u003e \u003c\/span\u003eVariation 4 — Quasi Étude-Vivo\u003cspan\u003e \u003c\/span\u003e0:45\u003c\/div\u003e\n\u003cdiv\u003e8.25\u003cspan\u003e \u003c\/span\u003eVariation 5 — Choral\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e8.26\u003cspan\u003e \u003c\/span\u003eVariation 6 — Allegro E Coda\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e8.27\u003cspan\u003e \u003c\/span\u003eDance For Piano (1940 Unpublished, Reconstructed By Giorgio Koukl)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003eDvě Kytičky (Two Bouquets Of Flowers)(1935)\u003cspan\u003e \u003c\/span\u003e(1:36)\u003c\/div\u003e\n\u003cdiv\u003e8.28\u003cspan\u003e \u003c\/span\u003eKytička Fialek (Small Bouquet Of Violets)\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e8.29\u003cspan\u003e \u003c\/span\u003ePodzimni Listu (Autumn Leaves)\u003cspan\u003e \u003c\/span\u003e0:55\u003c\/div\u003e\n\u003cdiv\u003e8.30\u003cspan\u003e \u003c\/span\u003ePísnička (Little Song)(1936)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e8.31\u003cspan\u003e \u003c\/span\u003eOstinato Fox (1937)\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e8.32\u003cspan\u003e \u003c\/span\u003eSlavnostní Fanfára (Festive Fanfare) (1940)\u003cspan\u003e \u003c\/span\u003e0:24\u003c\/div\u003e\n\u003cdiv\u003eCD9 - The Planets And Humanity - Piano Reflection\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9.1\u003cspan\u003e \u003c\/span\u003eNeptune: Asháninka Kindled\u003cspan\u003e \u003c\/span\u003e16:44\u003c\/div\u003e\n\u003cdiv\u003e9.2\u003cspan\u003e \u003c\/span\u003eMercury With Antarctica\u003cspan\u003e \u003c\/span\u003e5:11\u003c\/div\u003e\n\u003cdiv\u003e9.3\u003cspan\u003e \u003c\/span\u003eUranus: Numbulwar Sustaining\u003cspan\u003e \u003c\/span\u003e5:50\u003c\/div\u003e\n\u003cdiv\u003e9.4\u003cspan\u003e \u003c\/span\u003eVenus: Sámi Traced\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e9.5\u003cspan\u003e \u003c\/span\u003eSaturn: Gond Inspired\u003cspan\u003e \u003c\/span\u003e10:12\u003c\/div\u003e\n\u003cdiv\u003e9.6\u003cspan\u003e \u003c\/span\u003eEarth - Life\u003cspan\u003e \u003c\/span\u003e5:01\u003c\/div\u003e\n\u003cdiv\u003e9.7\u003cspan\u003e \u003c\/span\u003eJupiter: Cree Cast\u003cspan\u003e \u003c\/span\u003e5:26\u003c\/div\u003e\n\u003cdiv\u003e9.8\u003cspan\u003e \u003c\/span\u003eMars: Hadzabe Touched\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003eCD10 - Piano Works By Female Composers\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10.1\u003cspan\u003e \u003c\/span\u003eBlumenlegen ('Life Of Flowers'), Op. 19 - No. 5. Rose (1904-05)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Dora Pejačević\u003c\/div\u003e\n\u003cdiv\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e10.2\u003cspan\u003e \u003c\/span\u003eValse-Caprice, Op. 33 (Pub. ?1885)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Cécile Chaminade\u003c\/div\u003e\n\u003cdiv\u003e5:09\u003c\/div\u003e\n\u003cdiv\u003e10.3\u003cspan\u003e \u003c\/span\u003eKeyboard Sonata In B Flat Major, Op. 2, No. 2 (Pub. 1757)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Anna Bon\u003c\/div\u003e\n\u003cdiv\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003e10.4\u003cspan\u003e \u003c\/span\u003e3 Romances, Op. 21 - No. 1 In A Minor (1853-55)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Clara Schumann\u003c\/div\u003e\n\u003cdiv\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e10.5\u003cspan\u003e \u003c\/span\u003e3 Morceaux, Op. 15 - No. 3. Humoresque In G Minor (Pub. 1882)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Agathe Backer Grøndahl\u003c\/div\u003e\n\u003cdiv\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e10.6\u003cspan\u003e \u003c\/span\u003eHermit Thrush At Eve\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amy Marcy Cheney Beach\u003c\/div\u003e\n\u003cdiv\u003e4:58\u003c\/div\u003e\n\u003cdiv\u003e10.7\u003cspan\u003e \u003c\/span\u003eScottish Legend, Op. 54, No. 1 (1903)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amy Marcy Cheney Beach\u003c\/div\u003e\n\u003cdiv\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e10.8\u003cspan\u003e \u003c\/span\u003eValses Viennoises (c. 1925)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Emma Kodály\u003c\/div\u003e\n\u003cdiv\u003e9:57\u003c\/div\u003e\n\u003cdiv\u003e3 Morceaux Pour Piano\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Lili Boulanger\u003c\/div\u003e\n\u003cdiv\u003e(6:21)\u003c\/div\u003e\n\u003cdiv\u003e10.9\u003cspan\u003e \u003c\/span\u003eNo. 1. D'un Vieux jardin\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e10.10\u003cspan\u003e \u003c\/span\u003eNo. 2. D'un Jardin Clair\u003cspan\u003e \u003c\/span\u003e1:54\u003c\/div\u003e\n\u003cdiv\u003e10.11\u003cspan\u003e \u003c\/span\u003eNo. 3. Cortège\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e10.12\u003cspan\u003e \u003c\/span\u003eCananéa, Valsa (?1900)\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Anonymous\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Chiquinha Gonzaga\u003c\/div\u003e\n\u003cdiv\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e10.13\u003cspan\u003e \u003c\/span\u003eÁgua Do Vintém ('The Water Of Vintem') (Pub. C. 1897)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Chiquinha Gonzaga\u003c\/div\u003e\n\u003cdiv\u003e2:04\u003c\/div\u003e\n\u003cdiv\u003e10.14\u003cspan\u003e \u003c\/span\u003e3 Klaverstykker, Op. 35 - No. 2. Albumblad (Pub. 1894)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Agathe Backer Grøndahl\u003c\/div\u003e\n\u003cdiv\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e10.15\u003cspan\u003e \u003c\/span\u003eDouce Rèverie (Mazurka) (Pub. 1863)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tekla Bądarzewska-Baranowska\u003c\/div\u003e\n\u003cdiv\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e10.16\u003cspan\u003e \u003c\/span\u003ePiano Sonata In E Minor - II. Andante (Pub. 1932)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Florence B. Price\u003c\/div\u003e\n\u003cdiv\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003eAlbum For Children, Op. 19 (Selection)(1958)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tatiana Nikolayeva\u003c\/div\u003e\n\u003cdiv\u003e(3:39)\u003c\/div\u003e\n\u003cdiv\u003e10.17\u003cspan\u003e \u003c\/span\u003eNo. 1. March\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e10.18\u003cspan\u003e \u003c\/span\u003eNo. 2. Music Box\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e10.19\u003cspan\u003e \u003c\/span\u003eNo. 3. Old Waltz\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e10.20\u003cspan\u003e \u003c\/span\u003eDubnová Preludia ('April Preludes'), Op. 13 - No. 2. Andante (1937)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Vítězslava Kaprálová\u003c\/div\u003e\n\u003cdiv\u003e2:45\u003c\/div\u003e\n\u003cdiv\u003e10.21\u003cspan\u003e \u003c\/span\u003e43° North - A Tango (2019 Version For Piano)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Haruna Miyake\u003c\/div\u003e\n\u003cdiv\u003e7:19\u003c\/div\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836347130,"sku":"GP897X","price":55.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81NzXkX224L._SL1500.jpg?v=1777666062"},{"product_id":"grainger-folk-inspired-works-for-piano-duet-and-duo","title":"Grainger: Folk-Inspired Works for Piano Duet and Duo - Caroline Weichert, Clemens Rave","description":"\u003cp\u003eThe essence of Percy Grainger’s music is most evident in his piano pieces. He took ownership of traditional and popular influences, rejecting outdated conventions to create works of ingenious variation, textures and moods. No catalogue of piano repertoire should be without a strong selection of works by Grainger, and this duo\/duet programme covers the entire range of his spectacular genius in arranging and re-working popular musical material and making it entirely his own. Grainger’s sparkling talent can be heard throughout, ranging from the fantastically popular Country Gardens to the elaborate Fantasy on ‘Porgy and Bess’. Award-winning pianist Caroline Weichert has been praised for her “strong, crystalline tone” (Spiegel Online) in the music of Erwin Schulhoff (GP604), and Clemens Rave’s playing is consistently praised, including in his ability “to handle sound and expression [with] sensitive awareness” (Generalanzeiger Bonn).\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eHandel in the Strand, \"Clog Dance\" (version for 2 pianos) (1912) (00:04:39)\u003cbr\u003e2\u003cbr\u003eMolly on the Shore, \"An Irish Reel\" (version for 2 pianos) (1907) (00:04:46)\u003cbr\u003e3\u003cbr\u003eShepherd's Hey (version for 2 pianos) (1913) (00:02:21)\u003cbr\u003e4\u003cbr\u003eHarvest Hymn, \"Harvest Time in Sweden\" (version for piano 4 hands) (1906) (00:02:25)\u003cbr\u003e5\u003cbr\u003eCountry Gardens (version for piano 4 hands) (1918) (00:02:24)\u003cbr\u003e6\u003cbr\u003eSong from the Faroer Islands: Let's Dance Gay in Green Meadow (1905) (00:02:31)\u003cbr\u003e7\u003cbr\u003eSpoon River (version for 2 pianos) (1922) (00:04:27)\u003cbr\u003e8\u003cbr\u003eAs Sally Sat A-Weeping (version for 2 pianos) (1912) (00:01:07)\u003cbr\u003e \u003cbr\u003eLincolnshire Posy (version for 2 pianos) (1937) (00:17:00 )\u003cbr\u003e9\u003cbr\u003eI. Lisbon (00:02:05)\u003cbr\u003e10\u003cbr\u003eII. Horkstow Grange (00:02:26)\u003cbr\u003e11\u003cbr\u003eIII. Rufford Park Poachers (00:04:28)\u003cbr\u003e12\u003cbr\u003eIV. The Brisk Young Sailor (00:01:44)\u003cbr\u003e13\u003cbr\u003eV. Lord Melbourne (00:03:50)\u003cbr\u003e14\u003cbr\u003eVI. The Lost Lady Found (00:02:29)\u003cbr\u003e15\u003cbr\u003eFantasy on George Gershwin's Porgy and Bess (1951) (00:20:59)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853075656954,"sku":"GP633","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp633.jpg?v=1778182030"},{"product_id":"abramian-24-preludes-for-piano","title":"Abramian: 24 Preludes for Piano - Mikael Ayrapetyan","description":"\u003cdiv\u003e\u003cspan\u003e 24 Preludes (1958) (1:00:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1 No. 1 In E Flat Major 1:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 No. 2 In C Major 2:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 No. 3 In E Minor 2:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4 No. 4 In E Flat Minor 3:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 No. 5 In D Minor 4:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 No. 6 In C Sharp Minor 2:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7 No. 7 In D Flat Major 2:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8 No. 8 In B Flat Major 2:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9 No. 9 In F Sharp Major 2:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10 No. 10 In E Major 1:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11 No. 11 In F Sharp Minor 3:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12 No. 12 In F Minor 1:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13 No. 13 In A Major 3:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14 No. 14 In B Flat Minor 1:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15 No. 15 In D Minor 3:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16 No. 16 In F Major 2:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17 No. 17 In B Major 1:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18 No. 18 In G Minor 2:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19 No. 19 In G Sharp Minor 2:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20 No. 20 In A Flat Major 2:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21 No. 21 In C Minor 1:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22 No. 22 In G Major 3:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23 No. 23 In E Flat Minor 2:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24 No. 24 In B Minor 2:42\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853075820794,"sku":"GP665","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71WVt0jYz5L._SL1200.jpg?v=1778109885"},{"product_id":"franck-piano-rarities-original-works-transcriptions","title":"Franck: Piano Rarities (Original Works \u0026 Transcriptions) - Jean-Pierre Armengaud","description":"\u003cp\u003eFew composers have enjoyed a late flowering to compare with that of César Franck. Many of the great works in this recording were composed during his final decades and still stand today as powerful representatives of French music in the post-Franco-Prussian War period. The influence of Wagner can be heard in the poetic evocations of Les Éolides, while the magnificent Prélude, Choral et Fugue, much admired by Liszt, reinterprets well-known Baroque-era genres into an unforgettably expressive Romantic aesthetic. Widely acknowledged as one today’s great interpreters of French music, Jean-Pierre Armengaud presents an album of rarities composed for piano by Franck and arrangements of the composer’s works by distinguished musicians from the early 20th century.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePrélude, fugue et variation in B Minor, Op. 18, M. 30 (arr. H. Bauer for piano) (1860) (00:04:00 )\u003cbr\u003e1\u003cbr\u003ePrélude: Andantino cantabile (00:03:43)\u003cbr\u003e2\u003cbr\u003ePrélude: Lento (00:00:59)\u003cbr\u003e3\u003cbr\u003eFugue (00:03:22)\u003cbr\u003e4\u003cbr\u003eVariation (00:04:04)\u003cbr\u003e5\u003cbr\u003eLes Éolides, M. 43 (arr. G. Samazeuilh and J.-P. Armengaud for piano) (1876) (00:14:53)\u003cbr\u003e6\u003cbr\u003ePrière, Op. 20, M. 32 (arr. B. Selva for piano) (1862) (00:14:12)\u003cbr\u003e \u003cbr\u003ePrélude, choral et fugue (Prelude, Chorale and Fugue), M. 21 (1884) (00:18:00 )\u003cbr\u003e7\u003cbr\u003ePrélude - (00:05:04)\u003cbr\u003e8\u003cbr\u003eChoral - (00:06:15)\u003cbr\u003e9\u003cbr\u003eFugue (00:08:48)\u003cbr\u003e10\u003cbr\u003eRuth, églogue biblique, Part I: Introduction (version for piano) (1871) (00:07:33)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853076050170,"sku":"GP906","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp906.jpg?v=1778182108"},{"product_id":"balassa-complete-piano-music-vol-1","title":"Balassa: Complete Piano Music, Vol. 1 - István Kassai","description":"\u003cdiv\u003e\u003cspan\u003eDistinguished Hungarian composer Sándor Balassa’s philosophy on his music is that it ‘has to be whole, beautiful, interesting and appealing; as natural as if it were this way since the beginning of time, and so that anyone can pick it up with a feeling of joy.’ Balassa’s uniquely sophisticated textures, timbres and lyrical style can be heard here in pieces for young pianists, remarkable works originally written for cimbalom, and in the Baroque references and sweeping momentum of the Szonatina No. 1.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Testvér (5 Brothers), Op. 5 (1960) (00:09:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Moderato, poco espressivo (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto movimento (00:00:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Sostenuto, pesante (00:00:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Allegro ma non troppo (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Andante cantabile (00:03:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLevelek a rezervátumból (Letters from the Reservation), Op. 87 (version for piano) (2004) (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Moderato (00:00:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Vivo (00:01:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Andante (00:02:20)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Movimento con moto (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Cantabile tranquillo (00:02:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Presto (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Zongoradarab (2 Piano Pieces), Op. 137 (2014) (00:07:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Adagio - Allegretto - Adagio (00:03:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegro ma non troppo (00:02:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLádafia, Vol. 1 (From an Old Chest, Vol. 1), Op. 113 (2009) (00:14:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Pasztorál (Pastorale) (00:00:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto (00:00:34)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Üzenet (Message) (00:00:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Etűd (Etude) (00:00:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Horizont (Horizon) (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Dallam (Melody) (00:00:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Legato (00:02:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Kürtök és trombiták (Horns and Trumpets) (00:01:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Különös arc (A Peculiar Face) (00:00:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Nyári könnyu szello (Light Summer Breeze) (00:00:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Allegro (00:01:12)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Szelíden és vadul (Gently and Fiercely) (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 13. Egyszerű ének (Simple Song) (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 14. Fürge játék (Fast Game) (00:01:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLádafia, Vol. 2 (From an Old Chest, Vol. 2), Op. 120 (2010) (00:21:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Prelúdium (Prelude) (00:01:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Kicsi (Little) (00:00:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Dombról jövet (Coming Down the Hill) (00:02:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Capriccio (00:01:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Borsószem (A Pea) (00:01:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Elutasított kérés (Request Denied) (00:02:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Csőlátó (Tunnel Vision) (00:00:59)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Barlangban (In a Cave) (00:01:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Ugróiskola (Hopscotch) (00:01:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Kápolna (Chapel) (00:01:04)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Tánczene (Dance Music) (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Furcsa pár (Strange Couple) (00:00:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 13. Titkos kert (Secret Garden) (00:02:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 14. Posztludium (Postlude) (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Sonatina No. 1, Op. 23, No. 5 (1961) (00:10:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Andantino (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Marciale, con movimento (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Tranquillo cantabile (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Veloce (00:03:27)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077590266,"sku":"GP803","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp803.jpg?v=1778174042"},{"product_id":"raff-piano-works-vol-3","title":"Raff: Piano Works, Vol. 3 (Album Lyrique, Op. 17 • Cinq Eglogues, Op. 105 • Impromptu-Valse, Op. 94 • Fantaisie-Polonaise, Op. 106) - Tra Nguyen","description":"\u003cp\u003eJoachim Raff, Liszt’s amanuensis and confidante in Weimar, was one of Germany’s leading composers, a reputation based largely on his symphonic works. But he was prolific in other forms as well, excelling in chamber and vocal music, and especially in numerous and varied compositions for the piano. The Album Lyrique, Op.17 contains a distillation of Raff’s gifts for writing richly varied character pieces for the piano. They are often slow and meditative, but become increasingly dramatic and sonorous as the music progresses. The Cinq Eglogues, Op.105 are poetic gems, the Impromptu-Valse, Op. 94 attained huge popularity, whilst the Fantaisie-Polonaise, Op.106 reveals Raff’s bravura side.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eAlbum lyrique, Op. 17 (1849 version) (1845) (00:46:54 )\u003cbr\u003e1\u003cbr\u003eVolume 1: No. 1. Reverie: Larghetto rubato * (00:04:08)\u003cbr\u003e2\u003cbr\u003eVolume 1: No. 2. Reverie: Lento * (00:04:11)\u003cbr\u003e3\u003cbr\u003eVolume 1: No. 3. Reverie: Andante con moto, quasi allegretto * (00:04:09)\u003cbr\u003e4\u003cbr\u003eVolume 2: No. 4. Romance: Moderato * (00:04:33)\u003cbr\u003e5\u003cbr\u003eVolume 2: No. 5. Ballade: Allegro * (00:04:37)\u003cbr\u003e6\u003cbr\u003eVolume 3: No. 6. Nocturne: Lento * (00:05:59)\u003cbr\u003e7\u003cbr\u003eVolume 3: No. 7. Nocturne: Larghetto * (00:04:49)\u003cbr\u003e8\u003cbr\u003eVolume 4: No. 8. Scherzo: Allegro * (00:05:22)\u003cbr\u003e9\u003cbr\u003eVolume 5: No. 9. Introduction and Fugue: Allegro * (00:09:04)\u003cbr\u003e \u003cbr\u003e5 Eglogues, Op. 105 (1861) (00:18:26 )\u003cbr\u003e10\u003cbr\u003eNo. 1. Allegro molto * (00:04:20)\u003cbr\u003e11\u003cbr\u003eNo. 2. Andante con moto * (00:04:22)\u003cbr\u003e12\u003cbr\u003eNo. 3. Andante quasi larghetto * (00:03:57)\u003cbr\u003e13\u003cbr\u003eNo. 4. Andante mosso * (00:02:39)\u003cbr\u003e14\u003cbr\u003eNo. 5. Presto giojoso * (00:03:06)\u003cbr\u003e15\u003cbr\u003eImpromptu-valse, Op. 94 (1860) * (00:04:15)\u003cbr\u003e16\u003cbr\u003eFantaisie-polonaise, Op. 106 (1861) * (00:07:02)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077655802,"sku":"GP634","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp634.jpg?v=1778186643"},{"product_id":"schmitt-complete-original-works-for-piano-duet-duo-vol","title":"Schmitt: Complete Original Works for Piano Duet \u0026 Duo, Vol. 3 (March of the 163 Infantry Regiment • Travel Pages Books 1 and 2 • Carnival Music) - Invencia Piano Duo","description":"\u003cp\u003eFlorent Schmitt remains one of the most important and influential French composers of the twentieth-century. Although he wrote successfully in almost all forms except opera, he was by training a formidable pianist and his writing for the instrument is colourful, bold and harmonically dextrous. Schmitt was also an inveterate traveller and this permeates his poetic and Romantic Feuillets de voyage (Travel Pages), Op. 26 whilst Musiques foraines (Carnival Music) Op. 22 reveals Schmitt the festive humorist.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eMarche du 163 R.I., Op. 48, No. 2 (1916) * (00:07:13)\u003cbr\u003e \u003cbr\u003eFeuillets de voyage, Book 1, Op. 26 (1913) (00:11:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Sérénade (00:03:46)\u003cbr\u003e3\u003cbr\u003eNo. 2. Visite (00:03:26)\u003cbr\u003e4\u003cbr\u003eNo. 3. Compliments (00:01:14)\u003cbr\u003e5\u003cbr\u003eNo. 4. Douceur du soir (00:02:12)\u003cbr\u003e6\u003cbr\u003eNo. 5. Danse britannique (00:01:36)\u003cbr\u003e \u003cbr\u003eFeuillets de voyage, Book 2, Op. 26 (1913) (00:13:59 )\u003cbr\u003e7\u003cbr\u003eNo. 1. Berceuse (00:04:27)\u003cbr\u003e8\u003cbr\u003eNo. 2. Mazurka (00:01:30)\u003cbr\u003e9\u003cbr\u003eNo. 3. Marche burlesque (00:02:17)\u003cbr\u003e10\u003cbr\u003eNo. 4. Retour à l'endroit familier (00:03:08)\u003cbr\u003e11\u003cbr\u003eNo. 5. Valse (00:03:45)\u003cbr\u003e \u003cbr\u003eMusiques foraines, Op. 22 (1902) (00:25:22 )\u003cbr\u003e12\u003cbr\u003eI. Parade * (00:04:38)\u003cbr\u003e13\u003cbr\u003eII. Boniment de clowns * (00:02:41)\u003cbr\u003e14\u003cbr\u003eIII. La belle Fathma * (00:03:37)\u003cbr\u003e15\u003cbr\u003eIV. Les éléphants savants * (00:04:29)\u003cbr\u003e16\u003cbr\u003eV. La pythonisse * (00:04:39)\u003cbr\u003e17\u003cbr\u003eVI. Chevaux de bois * (00:05:13)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077983482,"sku":"GP623","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp623.jpg?v=1778192158"},{"product_id":"medtner-complete-piano-sonatas-vol-1","title":"Medtner: Complete Piano Sonatas, Vol. 1 - Paul Stewart","description":"\u003cp\u003eLike his near-contemporary Rachmaninov, who called him ‘the greatest composer of our time’, Nikolay Medtner was a composer, pianist and an exile from his native Russia. His portfolio of works includes a remarkable series of pieces for his own instrument, including fourteen sonatas and some hugely evocative, deeply poetic miniatures. Medtner’s gift for melody is immediately discerned in the early Sonatina in G minor. The Sonata No. 1, Op. 5, his first large-scale work, enshrines autobiographical elements and is both intense and spiritually charged. Poetry and nostalgia flood the beautiful Sonata-Reminiscenza in A minor. This is the first volume of a complete cycle of the Medtner Piano Sonatas.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eSonatina in G Minor (1898) (00:07:23 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto, ma non troppo (00:02:42)\u003cbr\u003e2\u003cbr\u003eII. Scherzo: Allegro (00:04:47)\u003cbr\u003e \u003cbr\u003ePiano Sonata in F Minor, Op. 5 (1903) (00:31:00 )\u003cbr\u003e3\u003cbr\u003eI. Allegro (00:13:50)\u003cbr\u003e4\u003cbr\u003eII. Intermezzo: Allegro - (00:03:41)\u003cbr\u003e5\u003cbr\u003eIII. Largo - (00:08:43)\u003cbr\u003e6\u003cbr\u003eIV. Finale: Allegro risoluto (00:09:12)\u003cbr\u003e7\u003cbr\u003eForgotten Melodies, Op. 38: No. 1. Sonata reminiscenza (1922) (00:15:27)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078081786,"sku":"GP617","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp617.jpg?v=1778184592"},{"product_id":"tcherepnin-complete-piano-music-vol-4","title":"Tcherepnin: Complete Piano Music, Vol. 4 - Giorgio Koukl","description":"\u003cp\u003eDrawn from different parts of Tcherepnin’s life, the Entretiens display distinct cinematic qualities. With their exhaustive range of expression the Twelve Preludes vividly demonstrate the multi-faceted genius of their composer. The Romances contrast tenderness and warmth with unsettling moods and the Five Concert Etudes show an infatuation with all things Chinese.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEntretiens, Op. 46 (1930) (00:12:12 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Lento (00:01:30)\u003cbr\u003e2\u003cbr\u003eNo. 2. Animato (00:00:31)\u003cbr\u003e3\u003cbr\u003eNo. 3. Moderato (00:01:45)\u003cbr\u003e4\u003cbr\u003eNo. 4. Allegretto (00:01:15)\u003cbr\u003e5\u003cbr\u003eNo. 5. Recitando (00:00:26)\u003cbr\u003e6\u003cbr\u003eNo. 6. Animato (00:00:49)\u003cbr\u003e7\u003cbr\u003eNo. 7. Moderato (00:01:11)\u003cbr\u003e8\u003cbr\u003eNo. 8. Animato (00:00:58)\u003cbr\u003e9\u003cbr\u003eNo. 9. Grave (00:02:29)\u003cbr\u003e10\u003cbr\u003eNo. 10. Allegretto (00:01:07)\u003cbr\u003e \u003cbr\u003e12 Preludes, Op. 85 (1953) (00:25:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Adagio (00:02:56)\u003cbr\u003e12\u003cbr\u003eNo. 2. Animato (00:02:05)\u003cbr\u003e13\u003cbr\u003eNo. 3. Lento (00:02:09)\u003cbr\u003e14\u003cbr\u003eNo. 4. Allegro (00:01:25)\u003cbr\u003e15\u003cbr\u003eNo. 5. Allegretto (00:01:29)\u003cbr\u003e16\u003cbr\u003eNo. 6. Lento recitando (00:01:23)\u003cbr\u003e17\u003cbr\u003eNo. 7. Animato (00:01:05)\u003cbr\u003e18\u003cbr\u003eNo. 8. Mesto (00:03:20)\u003cbr\u003e19\u003cbr\u003eNo. 9. Allegro (00:01:22)\u003cbr\u003e20\u003cbr\u003eNo. 10. Lento marciale (00:01:23)\u003cbr\u003e21\u003cbr\u003eNo. 11. Agitato (00:01:52)\u003cbr\u003e22\u003cbr\u003eNo. 12. Lento (00:01:40)\u003cbr\u003e \u003cbr\u003e4 Romances, Op. 31 (1924) (00:08:00 )\u003cbr\u003e23\u003cbr\u003eNo. 1. Lento * (00:01:47)\u003cbr\u003e24\u003cbr\u003eNo. 2. Tempo risoluto * (00:01:49)\u003cbr\u003e25\u003cbr\u003eNo. 3. Allegro * (00:02:06)\u003cbr\u003e26\u003cbr\u003eNo. 4. Andantino * (00:01:56)\u003cbr\u003e \u003cbr\u003e5 Concert Études, Op. 52, \"Chinese\" (1936) (00:16:00 )\u003cbr\u003e27\u003cbr\u003eNo. 1. Shadow Play (00:03:09)\u003cbr\u003e28\u003cbr\u003eNo. 2. The Lute (00:03:35)\u003cbr\u003e29\u003cbr\u003eNo. 3. Homage to China (00:02:32)\u003cbr\u003e30\u003cbr\u003eNo. 4. Punch and Judy (00:02:04)\u003cbr\u003e31\u003cbr\u003eNo. 5. Chant (00:04:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078147322,"sku":"GP649","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp649.jpg?v=1778191020"},{"product_id":"tcherepnin-piano-music-vol-3","title":"Tcherepnin: Piano Music, Vol. 3 - Giorgio Koukl","description":"\u003cp\u003eGiorgio Koukl’s survey of Tcherepnin’s inventive piano music continues with two 1950s collections that reflect a synthesis of his earlier technical and expressive innovations – the virtuosic Eight Pieces and the beguiling Expressions. These two cycles bracket a varied group of scores, from the youthful Feuilles libres through the restrained lyricism of the Préludes, and the quirky modernism of the Intermezzo and Tanz, to the relaxed songfulness of the Etudes, written following a concert tour of the Far East.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e8 Pieces, Op. 88 (1955) (00:15:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Meditation (00:02:33)\u003cbr\u003e2\u003cbr\u003eNo. 2. Intermezzo (00:01:13)\u003cbr\u003e3\u003cbr\u003eNo. 3. Reverie (00:02:29)\u003cbr\u003e4\u003cbr\u003eNo. 4. Impromptu (00:01:12)\u003cbr\u003e5\u003cbr\u003eNo. 5. Invocation (00:01:34)\u003cbr\u003e6\u003cbr\u003eNo. 6. The Chase (00:01:41)\u003cbr\u003e7\u003cbr\u003eNo. 7. Etude (00:00:35)\u003cbr\u003e8\u003cbr\u003eNo. 8. Burlesque (00:02:34)\u003cbr\u003e \u003cbr\u003eFeuilles libres, Op. 10 (1920) (00:07:29 )\u003cbr\u003e9\u003cbr\u003eI. Grave * (00:01:59)\u003cbr\u003e10\u003cbr\u003eII. Avec douleur * (00:02:31)\u003cbr\u003e11\u003cbr\u003eIII. Excité * (00:00:47)\u003cbr\u003e12\u003cbr\u003eIV. Lent avec tristesse * (00:02:15)\u003cbr\u003e \u003cbr\u003e4 Nostalgic Preludes, Op. 23 (1922) (00:06:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Lento (00:02:15)\u003cbr\u003e14\u003cbr\u003eNo. 2. Allegretto (00:00:36)\u003cbr\u003e15\u003cbr\u003eNo. 3. Tempestoso (00:00:46)\u003cbr\u003e16\u003cbr\u003eNo. 4. Con dolore (00:02:30)\u003cbr\u003e \u003cbr\u003e4 Preludes, Op. 24 (1923) (00:04:58 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Giocoso * (00:01:26)\u003cbr\u003e18\u003cbr\u003eNo. 2. Adagio * (00:00:50)\u003cbr\u003e19\u003cbr\u003eNo. 3. Allegretto * (00:00:45)\u003cbr\u003e20\u003cbr\u003eNo. 4. Allegro * (00:01:57)\u003cbr\u003e21\u003cbr\u003eIntermezzo, Op. 33a (1926) * (00:01:59)\u003cbr\u003e22\u003cbr\u003eTanz (Dance), Op. posth. (1928) * (00:01:32)\u003cbr\u003e \u003cbr\u003e7 Etudes, Op. 56 (1938) (00:11:09 )\u003cbr\u003e23\u003cbr\u003eNo. 1. Moderato (00:01:33)\u003cbr\u003e24\u003cbr\u003eNo. 2. Allegro (00:00:51)\u003cbr\u003e25\u003cbr\u003eNo. 3. Allegro marciale (00:01:28)\u003cbr\u003e26\u003cbr\u003eNo. 4. Allegro (00:01:46)\u003cbr\u003e27\u003cbr\u003eNo. 5. Allegro risoluto (00:01:13)\u003cbr\u003e28\u003cbr\u003eNo. 6. Allegro moderato (00:01:37)\u003cbr\u003e29\u003cbr\u003eNo. 7. Andantino (00:02:44)\u003cbr\u003e \u003cbr\u003eExpressions, Op. 81 (1951) (00:15:00 )\u003cbr\u003e30\u003cbr\u003eI. Entrance (00:00:52)\u003cbr\u003e31\u003cbr\u003eII. The Hour of Death (00:02:17)\u003cbr\u003e32\u003cbr\u003eIII. Caprice (00:01:03)\u003cbr\u003e33\u003cbr\u003eIV. Silly Story of the White Oxen (00:00:45)\u003cbr\u003e34\u003cbr\u003eV. Thief in the Night (00:00:51)\u003cbr\u003e35\u003cbr\u003eVI. At the Fair (00:01:14)\u003cbr\u003e36\u003cbr\u003eVII. Barcarole (00:01:50)\u003cbr\u003e37\u003cbr\u003eVIII. Blind Man's Buff (00:00:42)\u003cbr\u003e38\u003cbr\u003eIX. At Dawn (00:01:26)\u003cbr\u003e39\u003cbr\u003eX. Exit (00:00:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078245626,"sku":"GP635","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp635.jpg?v=1778190928"},{"product_id":"rota-complete-solo-piano-works-vol-1","title":"Rota: Complete Solo Piano Works, Vol. 1 - Eleanor Hodgkinson","description":"\u003cp\u003eNino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness and communicative generosity and it is not therefore surprising that he should be best known for his epochal film scores—the music for The Godfather pre-eminently.\u003c\/p\u003e\n\u003cp\u003eNino Rota’s 15 Preludes utilise melodic and harmonic explorations to chart music that is agitated and melancholic, but also joyous and comedic. The Fantasia in G comprises seven themes—folkloric, droll and ultimately heroic. A late work, the 7 Pezzi difficili per bambini is generous in its emotional directness.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e15 Preludes (1964) (00:21:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Allegro molto (00:01:43)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegro, ma espressivo e delicato (00:01:41)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto con spirito (00:01:26)\u003cbr\u003e4\u003cbr\u003eNo. 4. Andante sostenuto ed espressivo (00:01:53)\u003cbr\u003e5\u003cbr\u003eNo. 5. Con impeto (00:02:13)\u003cbr\u003e6\u003cbr\u003eNo. 6. Andante (00:01:57)\u003cbr\u003e7\u003cbr\u003eNo. 7. Allegro con spirito (00:01:30)\u003cbr\u003e8\u003cbr\u003eNo. 8. Lento con accento (00:02:16)\u003cbr\u003e9\u003cbr\u003eNo. 9. Allegretto quasi andantino (00:01:41)\u003cbr\u003e10\u003cbr\u003eNo. 10. Allegro mosso e marcato (00:01:10)\u003cbr\u003e11\u003cbr\u003eNo. 11. Andante senza lentezza (00:02:39)\u003cbr\u003e12\u003cbr\u003eNo. 12. Allegro (00:01:56)\u003cbr\u003e13\u003cbr\u003eNo. 13. Andante cantabile (00:02:23)\u003cbr\u003e14\u003cbr\u003eNo. 14. Allegro non troppo e marcato (00:01:44)\u003cbr\u003e15\u003cbr\u003eNo. 15. Allegro robusto (00:01:28)\u003cbr\u003e16\u003cbr\u003eFantasia in G Major (1945) (00:16:32)\u003cbr\u003e \u003cbr\u003e7 Pezzi Difficili per Bambini (7 Difficult Pieces for Children) (1971) (00:12:00 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Salti e giochi (Skips and Games) (00:01:00)\u003cbr\u003e18\u003cbr\u003eNo. 2. Capriccio (Caprice) (00:01:12)\u003cbr\u003e19\u003cbr\u003eNo. 3. Cantilena (Lullaby) (00:02:40)\u003cbr\u003e20\u003cbr\u003eNo. 4. Le scalette (Little Scales) (00:01:50)\u003cbr\u003e21\u003cbr\u003eNo. 5. Grillo notturno (Cricket in the Night) (00:01:33)\u003cbr\u003e22\u003cbr\u003eNo. 6. Puccettino nella giungla (Puccettino in the Jungle) (00:02:09)\u003cbr\u003e23\u003cbr\u003eNo. 7. L'acrobata (The Acrobat) (00:01:46)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078343930,"sku":"GP827","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp827.jpg?v=1778185305"},{"product_id":"khachaturian-original-piano-works-transcriptions","title":"Khachaturian: Original Piano Works \u0026 Transcriptions - Kariné Poghosyan","description":"\u003cp\u003eAlthough Khachaturian is today renowned for his great ballet scores, his piano works have been relatively neglected. Performed by the award-winning Armenian pianist Kariné Poghosyan, this programme features arrangements of excerpts from two of Khachaturian’s most popular works, Spartacus and Masquerade, alongside the technically demanding Toccata and Poem from the earlier part of his career and the impressive 1961 Piano Sonata, one of the most formally classical of the composer’s larger works.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eToccata (1932) (00:04:37)\u003cbr\u003e \u003cbr\u003eWaltz-Caprice and Dance (1926) (00:04:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Waltz-Caprice (00:02:23)\u003cbr\u003e3\u003cbr\u003eNo. 2. Dance (00:01:39)\u003cbr\u003e4\u003cbr\u003eSpartacus: Adagio (arr. M. Cameron for piano) (1954) * (00:09:07)\u003cbr\u003e5\u003cbr\u003ePoem (1926) (1926) (00:07:00)\u003cbr\u003e \u003cbr\u003ePiano Sonata (1961) (00:22:00 )\u003cbr\u003e6\u003cbr\u003eI. Allegro vivace (00:07:29)\u003cbr\u003e7\u003cbr\u003eII. Andante tranquillo (00:10:35)\u003cbr\u003e8\u003cbr\u003eIII. Allegro assai (00:08:06)\u003cbr\u003e \u003cbr\u003eMasquerade Suite (arr. A. Dolukhanian for piano) (1941) (00:16:00 )\u003cbr\u003e9\u003cbr\u003eII. Nocturne * (00:03:27)\u003cbr\u003e10\u003cbr\u003eIV. Romance * (00:03:27)\u003cbr\u003e11\u003cbr\u003eI. Waltz * (00:04:12)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078540538,"sku":"GP673","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp673.jpg?v=1778182739"},{"product_id":"gulda-piano-works","title":"Gulda: Piano Works - Martin David Jones","description":"\u003cp\u003e\u003cbr\u003e1\u003cbr\u003eVariations on Light My Fire (1970) (00:14:47)\u003cbr\u003e \u003cbr\u003ePlay Piano Play, \"10 Pieces for Yuko\" (1971) (00:31:11 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Moderato (00:01:59)\u003cbr\u003e3\u003cbr\u003eNo. 2. Alla marcia, risoluto (00:03:16)\u003cbr\u003e4\u003cbr\u003eNo. 3. Andante serioso (00:03:32)\u003cbr\u003e5\u003cbr\u003eNo. 4. Allegro ma non troppo (00:04:15)\u003cbr\u003e6\u003cbr\u003eNo. 5. Moderato, poco mosso (00:02:38)\u003cbr\u003e7\u003cbr\u003eNo. 6. Presto possibile (00:01:56)\u003cbr\u003e8\u003cbr\u003eNo. 7. Lento, molto tranquillo e piano (00:03:49)\u003cbr\u003e9\u003cbr\u003eNo. 8. Tempo giusto e risoluto (00:03:15)\u003cbr\u003e10\u003cbr\u003eNo. 9. Allegro, dolce (00:02:25)\u003cbr\u003e11\u003cbr\u003eNo. 10. Allegro pesante (00:03:00)\u003cbr\u003e \u003cbr\u003ePrelude and Fugue (1965) (00:03:58 )\u003cbr\u003e12\u003cbr\u003ePrelude (00:02:19)\u003cbr\u003e13\u003cbr\u003eFugue (00:02:24)\u003cbr\u003e \u003cbr\u003eSonatine (1967) (00:19:00 )\u003cbr\u003e14\u003cbr\u003eI. Entrée (00:07:31)\u003cbr\u003e15\u003cbr\u003eII. Ballad (00:07:04)\u003cbr\u003e16\u003cbr\u003eIII. Shuffle (00:03:10)\u003cbr\u003e17\u003cbr\u003eFür Rico (1974) (00:02:46)\u003cbr\u003e18\u003cbr\u003eFür Paul (1974) (00:03:08)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078606074,"sku":"GP759","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp759.jpg?v=1778189305"},{"product_id":"a-hundred-years-of-british-piano-miniatures","title":"A Hundred Years of British Piano Miniatures","description":"\u003cp\u003eThe piano pieces here trace a trajectory from the Edwardian poetry of Leo Livens to the overdubbing of Peter Reynolds by way of a century of evocative, descriptive and exciting miniatures. Reflecting pastoral, light and experimental traditions, these previously unrecorded works offer rich variety from neglected composers. Duncan Honeybourne enjoys a colorful and unique career as solo pianist, chamber musician, educator and artistic director. He has appeared at many major concert halls and at leading festivals, and has been a frequent broadcaster at home and abroad. One of his generation's leading exponents of 20th century English piano music, several celebrated contemporary composers have also dedicated major new works to him. An inspiring teacher and educator, he has devised and written several recital programmes blending words and music and has created and directed several series of piano and chamber concerts. Duncan is also sought-after nationwide as a thought-provoking and entertaining lecturer on his experience of living with autism.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e1 Moonbeams\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Leo Livens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Shadows\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Evangeline Livens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 Severn Country\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Julius Harbison\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4 Idyll In G Flat Major\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Constance Warren\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLakeland Summer Nights, Op. 10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Arthur Butterworth\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(10:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Evening \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 Rain \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7 Night Sky \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e8 Italian Dance\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Christopher Headington\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e9 Regent Street\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – John Longmire (2)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e10 Quavers\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Howard Skempton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11 Intermezzo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Howard Skempton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTwo Expressions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Peter Racine Fricker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(5:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12 No. 1 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13 No. 2 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEight Miniatures\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – David Power (6)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(8:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14 No. 1 0:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15 No. 2 1:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16 No. 3 0:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17 No. 4 1:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18 No. 5 0:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19 No. 6 0:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20 No. 7 0:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21 No. 8 2:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCippyn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Peter Reynolds (6)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(9:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22 I. 1:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23 II. 1:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24 III. 0:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25 IV. 1:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26 V 1:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27 VI. 1:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28 VII. 1:28\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078769914,"sku":"GP789","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MTctMzg0Mi5qcGVn.jpg?v=1778108374"},{"product_id":"vanhal-keyboard-capriccios","title":"Vanhal: Keyboard Capriccios - Michael Tsalka","description":"\u003cp\u003eOne of the leading composers of the Classical and early Romantic eras, Vanhal played a vital role in the development of Viennese music between 1750 and 1780. He composed prolifically in many genres, including a large number of quartets, symphonies, sacred works, vocal and instrumental works. Vanhal was at his most inspirational and improvisational in his keyboard Capriccios composed in the 1780s, which are some of the most creative examples of the Viennese Classical style, not least in their almost symphonic force.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Yamaha Grand Piano.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 1 in F Major, \"Clementis and Silentis\" () (00:09:59 )\u003cbr\u003e1\u003cbr\u003eI. Adagio - Allegro (00:05:28)\u003cbr\u003e2\u003cbr\u003eII. Andante (00:01:47)\u003cbr\u003e3\u003cbr\u003eIII. Allegro molto (00:02:46)\u003cbr\u003e \u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 2 in G Minor, \"Amoroso\" () (00:15:16 )\u003cbr\u003e4\u003cbr\u003eI. Adagio - Allegro moderato (00:07:45)\u003cbr\u003e5\u003cbr\u003eII. Andante (00:04:01)\u003cbr\u003e6\u003cbr\u003eIII. Allegretto (00:03:30)\u003cbr\u003e \u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 3 in F Minor, \"Dolente\" () (00:12:07 )\u003cbr\u003e7\u003cbr\u003eI. Adagio - Allegro (00:04:50)\u003cbr\u003e8\u003cbr\u003eII. Adagio (00:03:09)\u003cbr\u003e9\u003cbr\u003eIII. Allegro (00:04:05)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 1 in G Major () (00:14:32 )\u003cbr\u003e10\u003cbr\u003eI. Adagio - Allegro moderato (00:08:05)\u003cbr\u003e11\u003cbr\u003eII. Andantino (00:04:21)\u003cbr\u003e12\u003cbr\u003eIII. Allegretto (00:02:09)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 2 in E-Flat Major () (00:13:51 )\u003cbr\u003e13\u003cbr\u003eI. Adagio - Allegro moderato (00:08:44)\u003cbr\u003e14\u003cbr\u003eII. Rondo: Allegro (00:05:07)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 3 in G Minor () (00:14:07 )\u003cbr\u003e15\u003cbr\u003eI. Adagio - Allegro moderato (00:06:27)\u003cbr\u003e16\u003cbr\u003eII. Rondo: Allegro (00:07:45)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079228666,"sku":"GP680","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp680.jpg?v=1778192518"},{"product_id":"tcherepnin-piano-music-vol-5","title":"Tcherepnin: Piano Music, Vol. 5 - Giorgio Koukl","description":"\u003cp\u003e \u003cbr\u003e8 Preludes, Op. 9 (1920) (00:08:32 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Moderato (00:01:22)\u003cbr\u003e2\u003cbr\u003eNo. 2. Lent (00:01:43)\u003cbr\u003e3\u003cbr\u003eNo. 3. Rubato (00:00:40)\u003cbr\u003e4\u003cbr\u003eNo. 4. Sostenuto (00:00:57)\u003cbr\u003e5\u003cbr\u003eNo. 5. Lento (00:01:07)\u003cbr\u003e6\u003cbr\u003eNo. 6. Agitato (00:00:51)\u003cbr\u003e7\u003cbr\u003eNo. 7. Rubato (00:00:45)\u003cbr\u003e8\u003cbr\u003eNo. 8. Sostenuto tranquillo (00:01:03)\u003cbr\u003e \u003cbr\u003eArabesques, Op. 11 (1921) (00:05:23 )\u003cbr\u003e9\u003cbr\u003eNo. 1. Andantino (00:01:38)\u003cbr\u003e10\u003cbr\u003eNo. 2. Allegro vivo (00:01:27)\u003cbr\u003e11\u003cbr\u003eNo. 3. Allegretto (00:00:57)\u003cbr\u003e12\u003cbr\u003eNo. 4. Presto (00:01:20)\u003cbr\u003e \u003cbr\u003e12 Pieces (1969) (00:09:57 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Moderato * (00:00:55)\u003cbr\u003e14\u003cbr\u003eNo. 2. Lento * (00:00:38)\u003cbr\u003e15\u003cbr\u003eNo. 3. Animato * (00:00:41)\u003cbr\u003e16\u003cbr\u003eNo. 4. Agitato - No. 5. — * (00:01:10)\u003cbr\u003e17\u003cbr\u003eNo. 6. Molto animato * (00:00:46)\u003cbr\u003e18\u003cbr\u003eNo. 7. Lento * (00:01:15)\u003cbr\u003e19\u003cbr\u003eNo. 8. En allant * (00:01:23)\u003cbr\u003e20\u003cbr\u003eNo. 9. — * (00:00:32)\u003cbr\u003e21\u003cbr\u003eNo. 10. Lento * (00:01:10)\u003cbr\u003e22\u003cbr\u003eNo. 11. Ascension * (00:00:53)\u003cbr\u003e23\u003cbr\u003eNo. 12. Jeu de cubes * (00:00:31)\u003cbr\u003e \u003cbr\u003eOpivochki, Op. 109 (1977) (00:30:55 )\u003cbr\u003e24\u003cbr\u003eNo. 1. Lento * (00:00:49)\u003cbr\u003e25\u003cbr\u003eNo. 2. Moderato * (00:00:29)\u003cbr\u003e26\u003cbr\u003eNo. 3. Slowly * (00:01:19)\u003cbr\u003e27\u003cbr\u003eNo. 4. Very slowly * (00:01:09)\u003cbr\u003e28\u003cbr\u003eNo. 5. — * (00:00:46)\u003cbr\u003e29\u003cbr\u003eNo. 6. For the beginning of a merry Pickwick overture * (00:00:21)\u003cbr\u003e30\u003cbr\u003eNo. 7. — * (00:00:26)\u003cbr\u003e31\u003cbr\u003eNo. 8. So sad at heart * (00:00:54)\u003cbr\u003e32\u003cbr\u003eNo. 9. Animato * (00:00:21)\u003cbr\u003e33\u003cbr\u003eNo. 10. — * (00:00:53)\u003cbr\u003e34\u003cbr\u003eNo. 11. — * (00:00:42)\u003cbr\u003e35\u003cbr\u003eNo. 12. — * (00:00:23)\u003cbr\u003e36\u003cbr\u003eNo. 13. — * (00:00:37)\u003cbr\u003e37\u003cbr\u003eNo. 14. — * (00:00:42)\u003cbr\u003e38\u003cbr\u003eNo. 15. — * (00:00:47)\u003cbr\u003e39\u003cbr\u003eNo. 16. — * (00:00:48)\u003cbr\u003e40\u003cbr\u003eNo. 17. Animato * (00:00:54)\u003cbr\u003e41\u003cbr\u003eNo. 18. Recitando * (00:00:53)\u003cbr\u003e42\u003cbr\u003eNo. 19. — * (00:00:25)\u003cbr\u003e43\u003cbr\u003eNo. 20. — * (00:01:02)\u003cbr\u003e44\u003cbr\u003eNo. 21. — * (00:00:52)\u003cbr\u003e45\u003cbr\u003eNo. 22. Lento * (00:01:14)\u003cbr\u003e46\u003cbr\u003eNo. 23. Mesto * (00:00:47)\u003cbr\u003e47\u003cbr\u003eNo. 24. — * (00:01:04)\u003cbr\u003e48\u003cbr\u003eNo. 25. Lento * (00:01:30)\u003cbr\u003e49\u003cbr\u003eNo. 26. Lento * (00:00:43)\u003cbr\u003e50\u003cbr\u003eNo. 27. Andantino * (00:00:22)\u003cbr\u003e51\u003cbr\u003eNo. 28. — * (00:00:20)\u003cbr\u003e52\u003cbr\u003eNo. 29. En allant * (00:00:39)\u003cbr\u003e53\u003cbr\u003eNo. 30. Animato * (00:00:27)\u003cbr\u003e54\u003cbr\u003eNo. 31. Moderato * (00:00:31)\u003cbr\u003e55\u003cbr\u003eNo. 32. Left hand * (00:00:54)\u003cbr\u003e56\u003cbr\u003eNo. 33. Lento * (00:00:20)\u003cbr\u003e57\u003cbr\u003eNo. 34. — * (00:00:41)\u003cbr\u003e58\u003cbr\u003eNo. 35. — * (00:01:12)\u003cbr\u003e59\u003cbr\u003eNo. 36. Grave * (00:01:58)\u003cbr\u003e60\u003cbr\u003eNo. 37. Lento * (00:00:41)\u003cbr\u003e61\u003cbr\u003eNo. 38. Lento * (00:00:27)\u003cbr\u003e62\u003cbr\u003eNo. 39. — * (00:01:17)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079556346,"sku":"GP650","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp650.jpg?v=1778190861"},{"product_id":"indy-piano-sonata-in-e-tableaux-de-voyage-excerpts","title":"D'Indy: Piano Sonata in E - Tableaux de Voyage (excerpts) - Jean-Pierre Armengaud","description":"\u003cp\u003eA student of Franck, Vincent d’Indy founded the Schola Cantorum de Paris where he taught for many years. He was also a conductor, with a busy schedule of international touring. His compositions were permeated by the influence of Wagner—he attended the premiere of the Ring cycle—but in time he also absorbed the influence of French folk music, especially from the Vivarais, his ancestral home.\u003c\/p\u003e\n\u003cp\u003eVincent d’Indy’s large-scale Piano Sonata is one of a small but masterful sequence of non-programmatic instrumental works that he wrote in the first decade of the 20th century. Notable for a novel application of variation form in its opening movement it fuses experimentation with expressive power. Poetic atmospheres and landscapes are evoked in the Tableaux de voyage, postcards of his walks in Germany.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata, Op. 63 (1907) (00:35:00 )\u003cbr\u003e1\u003cbr\u003eI. Modéré: [Introduction] - (00:04:14)\u003cbr\u003e2\u003cbr\u003eI. Variation 1: Un peu plus animé - (00:01:44)\u003cbr\u003e3\u003cbr\u003eI. Variation 2: Lent - (00:02:10)\u003cbr\u003e4\u003cbr\u003eI. Variation 3: Plus vite - (00:02:26)\u003cbr\u003e5\u003cbr\u003eI. Variation 4: Modérément animé - (00:01:51)\u003cbr\u003e6\u003cbr\u003eI. Premier mouvement du thème - (00:01:23)\u003cbr\u003e7\u003cbr\u003eI. Thema mutatum (00:03:03)\u003cbr\u003e8\u003cbr\u003eII. Très animé - (00:00:48)\u003cbr\u003e9\u003cbr\u003eII. Un peu moins vite - (00:02:04)\u003cbr\u003e10\u003cbr\u003eII. Premier mouvement: Très animé - (00:00:30)\u003cbr\u003e11\u003cbr\u003eII. [bars 99-156] - (00:02:05)\u003cbr\u003e12\u003cbr\u003eII. Au mouvement (00:01:48)\u003cbr\u003e13\u003cbr\u003eIII. Modéré - (00:02:43)\u003cbr\u003e14\u003cbr\u003eIII. Même mouvement - (00:01:21)\u003cbr\u003e15\u003cbr\u003eIII. Un peu plus animé - (00:00:26)\u003cbr\u003e16\u003cbr\u003eIII. Au mouvement - (00:01:56)\u003cbr\u003e17\u003cbr\u003eIII. Premier mouvement - (00:02:27)\u003cbr\u003e18\u003cbr\u003eIII. Thema premier mouvement - (00:01:02)\u003cbr\u003e19\u003cbr\u003eIII. Au mouvement - (00:01:15)\u003cbr\u003e20\u003cbr\u003eIII. Un peu plus animé - (00:00:33)\u003cbr\u003e21\u003cbr\u003eIII. [bars 245-287] - (00:01:54)\u003cbr\u003e22\u003cbr\u003eIII. Au mouvement - (00:01:37)\u003cbr\u003e23\u003cbr\u003eIII. Thema: Très large et puissant (00:03:41)\u003cbr\u003e \u003cbr\u003eTableaux de voyage, Op. 33 (1889) (00:37:00 )\u003cbr\u003e24\u003cbr\u003eNo. 1. ? (00:01:48)\u003cbr\u003e25\u003cbr\u003eNo. 3. Pâturage (00:02:54)\u003cbr\u003e26\u003cbr\u003eNo. 4. Lac Vert (00:02:13)\u003cbr\u003e27\u003cbr\u003eNo. 5. Le Glas (00:02:55)\u003cbr\u003e28\u003cbr\u003eNo. 11. Beuron (00:02:07)\u003cbr\u003e29\u003cbr\u003eNo. 12. La Pluie (00:05:20)\u003cbr\u003e30\u003cbr\u003eNo. 13. Rêve (00:05:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079687418,"sku":"GP756","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp756.jpg?v=1778190620"},{"product_id":"turk-keyboard-sonatas-collection-1-2","title":"Turk: Keyboard Sonatas Collection 1 \u0026 2 - Michael Tsalka, spinet (2 CDs)","description":"\u003cp\u003eDaniel Gottlob Türk is best known for his influential pedagogical treatise Klavierschule (1789). His 48 inventive and varied keyboard sonatas were influenced by Sonatas of other North German composers such as C. P. E. Bach and J. W. Hässler. The five historical keyboards employed in this recording reflect the diversity of the instruments available in Türk’s day. The twelve sonatas encompassed in his first and second collections show how the composer’s sensitive, at times dramatic, oratorical style relates beautifully to the nuanced expressive capabilities of these instruments.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on period instruments:\u003cbr\u003eCD1, Sonata No. 1: Spinet by Johann Heinrich Silbermann, Strasbourg, 1785\u003cbr\u003eCD1, Sonata No. 2; CD2, Sonatas Nos. 4 \u0026amp; 6: Harpsichord by Joseph Kirkman [Kirckman], London, 17895\u003cbr\u003eCD1, Sonata Nos. 3 \u0026amp; 6; CD2, Sonata No. 2: Fortepiano by Anton Martin Thӱm, Vienna, ca. 1815–20\u003cbr\u003eCD1, Sonata No. 4; CD2, Sonata No. 3: Tangent Piano by Frantz Jacob Spath \u0026amp; Christoph Friedrich Schmahl, Regensburg, ca. 1780\u003cbr\u003eCD1, sonata No. 5; CD2, Sonatas Nos. 1 \u0026amp; 5: Clavichord by Johann paul Kraemer \u0026amp; Sons, Göttingen, 1804\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 1 in C Major (1777) (00:12:12 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto * (00:05:10)\u003cbr\u003e2\u003cbr\u003eII. Un poco adagio * (00:02:43)\u003cbr\u003e3\u003cbr\u003eIII. Allegro * (00:04:26)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 2 in B-Flat Major (1777) (00:14:00 )\u003cbr\u003e4\u003cbr\u003eI. Allegro grazioso * (00:07:13)\u003cbr\u003e5\u003cbr\u003eII. Largo * (00:01:27)\u003cbr\u003e6\u003cbr\u003eIII. Tempo di minuetto * (00:04:06)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 3 in D Major (1777) (00:11:53 )\u003cbr\u003e7\u003cbr\u003eI. Allegro di molto * (00:07:40)\u003cbr\u003e8\u003cbr\u003eII. Largo e tenero * (00:02:52)\u003cbr\u003e9\u003cbr\u003eIII. Un poco allegro * (00:03:38)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 4 in G Minor (1777) (00:11:53 )\u003cbr\u003e10\u003cbr\u003eI. Allegro con spirito * (00:04:51)\u003cbr\u003e11\u003cbr\u003eII. Andantino. Un poco adagio * (00:02:27)\u003cbr\u003e12\u003cbr\u003eIII. Presto * (00:04:43)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 5 in A Minor (1777) (00:13:00 )\u003cbr\u003e13\u003cbr\u003eI. Allegro * (00:05:08)\u003cbr\u003e14\u003cbr\u003eII. Affectuoso * (00:03:24)\u003cbr\u003e15\u003cbr\u003eIII. Allegro assai * (00:04:37)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 6 in F Major (1777) (00:13:18 )\u003cbr\u003e16\u003cbr\u003eI. Moderato * (00:06:14)\u003cbr\u003e17\u003cbr\u003eII. Adagio * (00:02:44)\u003cbr\u003e18\u003cbr\u003eIII. Rondeau: Moderato * (00:04:32)\u003cbr\u003eDisc 2\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas (1777), Collection 2: Sonata No. 1 in D Minor (1777) (00:14:32 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto * (00:06:34)\u003cbr\u003e2\u003cbr\u003eII. Adagio * (00:03:05)\u003cbr\u003e3\u003cbr\u003eIII. Allegro assai * (00:04:59)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 2 in E-Flat Major (1777) (00:14:05 )\u003cbr\u003e4\u003cbr\u003eI. Allegro con spirito * (00:06:14)\u003cbr\u003e5\u003cbr\u003eII. Adagio assai * (00:02:48)\u003cbr\u003e6\u003cbr\u003eIII. Tempo di minuetto * (00:05:11)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 3 in A Major (1777) (00:09:44 )\u003cbr\u003e7\u003cbr\u003eI. Presto * (00:04:43)\u003cbr\u003e8\u003cbr\u003eII. Andante * (00:02:38)\u003cbr\u003e9\u003cbr\u003eIII. Prestissimo * (00:02:30)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 4 in G Minor (1777) (00:13:57 )\u003cbr\u003e10\u003cbr\u003eI. Allegretto grazioso * (00:06:59)\u003cbr\u003e11\u003cbr\u003eII. Largo molto e tenero * (00:02:40)\u003cbr\u003e12\u003cbr\u003eIII. Allegro assai e scherzando * (00:04:25)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 5 in C Minor (1777) (00:13:32 )\u003cbr\u003e13\u003cbr\u003eI. Allegro moderato * (00:05:57)\u003cbr\u003e14\u003cbr\u003eII. Larghetto * (00:01:41)\u003cbr\u003e15\u003cbr\u003eIII. Allegro spirituoso * (00:06:01)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 6 in G Major (1777) (00:12:27 )\u003cbr\u003e16\u003cbr\u003eI. Allegro di molto * (00:04:17)\u003cbr\u003e17\u003cbr\u003eII. Grave * (00:03:24)\u003cbr\u003e18\u003cbr\u003eIII. Poco allegro * (00:04:59)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079884026,"sku":"GP627-28","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp627-28.jpg?v=1778192427"},{"product_id":"harsanyi-complete-piano-works-vol-1","title":"Harsányi: Complete Piano Works, Vol. 1 - Giorgio Koukl","description":"\u003cp\u003eTibor Harsányi is always associated with ‘L’École de Paris’, a loosely knit collection of expatriate composers living in the city, among them Martinů, Tansman and Tcherepnin. He embraced music from a wide variety of sources, notably from North and South America, and this enriched his own music’s rhythmic vitality and sense of colour.\u003c\/p\u003e\n\u003cp\u003eIn his piano music, Harsányi drew on diverse source material, a free-spirted absorption of Hungarian traditions, neo-Baroque, the comic and jazz, as can be heard in the 5 Préludes brefs. Baby-Dancing draws on the foxtrot, Boston, czárdás and samba, while La Semaine, seven pieces, one for each day of the week, contains nocturnes of stillness, off-beat folk songs and a wealth of colour and verve.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e5 Préludes brefs (1928) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Lento * (00:02:54)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegro * (00:01:37)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto grazioso * (00:01:28)\u003cbr\u003e4\u003cbr\u003eNo. 4. Allegro * (00:01:21)\u003cbr\u003e5\u003cbr\u003eNo. 5. Lento * (00:02:22)\u003cbr\u003e \u003cbr\u003eLa Semaine (1924) (00:11:00 )\u003cbr\u003e6\u003cbr\u003eNo. 1. Pour lundi: Allegro agitato molto * (00:01:13)\u003cbr\u003e7\u003cbr\u003eNo. 2. Pour mardi: Allegretto grazioso * (00:01:04)\u003cbr\u003e8\u003cbr\u003eNo. 3. Pour mercredi: Andante cantabile * (00:01:55)\u003cbr\u003e9\u003cbr\u003eNo. 4. Pour jeudi: Tempo di Fox-trot * (00:01:31)\u003cbr\u003e10\u003cbr\u003eNo. 5. Pour vendredi: Allegretto sostenuto * (00:01:27)\u003cbr\u003e11\u003cbr\u003eNo. 6. Pour samedi: Allegro * (00:01:39)\u003cbr\u003e12\u003cbr\u003eNo. 7. Pour dimanche: Sostenuto * (00:02:18)\u003cbr\u003e \u003cbr\u003ePastorales (1934) (00:07:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Prélude: Allegro giusto, ben ritmato * (00:01:28)\u003cbr\u003e14\u003cbr\u003eNo. 2. Elégie: Allegretto quasi andantino * (00:01:42)\u003cbr\u003e15\u003cbr\u003eNo. 3. Musette: Allegro ma non troppo * (00:01:48)\u003cbr\u003e16\u003cbr\u003eNo. 4. Danse: Allegro giocoso * (00:01:27)\u003cbr\u003e \u003cbr\u003eBaby-Dancing (1934) (00:11:00 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Fox-Trot: Allegretto * (00:01:10)\u003cbr\u003e18\u003cbr\u003eNo. 2. Tango: Andante quasi allegretto * (00:01:12)\u003cbr\u003e19\u003cbr\u003eNo. 3. Boston: Andantino * (00:01:32)\u003cbr\u003e20\u003cbr\u003eNo. 4. Csárdás I: Allegretto - No. 5. Csárdás II: Vivo * (00:02:44)\u003cbr\u003e21\u003cbr\u003eNo. 6. Blue: Andantino * (00:01:59)\u003cbr\u003e22\u003cbr\u003eNo. 7. Samba: Allegro * (00:01:16)\u003cbr\u003e23\u003cbr\u003eNo. 8. One-Step: Allegretto * (00:01:07)\u003cbr\u003e \u003cbr\u003eBagatelles (1930) (00:10:00 )\u003cbr\u003e24\u003cbr\u003eNo. 1. Tempo di marcia * (00:01:46)\u003cbr\u003e25\u003cbr\u003eNo. 2. Andante * (00:02:18)\u003cbr\u003e26\u003cbr\u003eNo. 3. Allegretto scherzando * (00:02:24)\u003cbr\u003e27\u003cbr\u003eNo. 4. Lento * (00:01:42)\u003cbr\u003e28\u003cbr\u003eNo. 5. Allegro * (00:01:53)\u003cbr\u003e \u003cbr\u003e5 Études rythmiques (c1933) (00:10:00 )\u003cbr\u003e29\u003cbr\u003eNo. 1. Allegro vivace * (00:02:17)\u003cbr\u003e30\u003cbr\u003eNo. 2. Moderato cantabile ma ben ritmato * (00:01:46)\u003cbr\u003e31\u003cbr\u003eNo. 3. Allegro giocoso * (00:01:32)\u003cbr\u003e32\u003cbr\u003eNo. 4. Quasi andantino * (00:02:25)\u003cbr\u003e33\u003cbr\u003eNo. 5. Allegro giusto * (00:01:46)\u003cbr\u003e34\u003cbr\u003eVocalise-étude, \"Blues\" (version for piano) (1929) * (00:02:42)\u003cbr\u003e \u003cbr\u003e6 Pièces courtes (1927) (00:09:00 )\u003cbr\u003e35\u003cbr\u003eNo. 1. Tempo di marcia * (00:02:29)\u003cbr\u003e36\u003cbr\u003eNo. 2. Andante * (00:01:44)\u003cbr\u003e37\u003cbr\u003eNo. 3. Allegro * (00:01:24)\u003cbr\u003e38\u003cbr\u003eNo. 4. Lento * (00:01:01)\u003cbr\u003e39\u003cbr\u003eNo. 5. Allegro ma non troppo * (00:01:07)\u003cbr\u003e40\u003cbr\u003eNo. 6. Presto * (00:01:15)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087158522,"sku":"GP806","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp806.jpg?v=1778191745"},{"product_id":"farrenc-complete-piano-works-vol-3-rondeaux","title":"Farrenc: Complete Piano Works, Vol.  3 - Rondeaux - Maria Stratigou","description":"\u003cp\u003e \u003cbr\u003e3 Rondos faciles, Op. 8 () (00:09:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Allegretto (00:03:21)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegretto (00:03:01)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto grazioso (00:03:04)\u003cbr\u003e4\u003cbr\u003eRondeau brillant sur un chœur du Pirate de Bellini, Op. 9 () (00:06:27)\u003cbr\u003e5\u003cbr\u003eRondeau brillant sur des thèmes d'Eurianthe de Weber, Op. 11 () (00:07:14)\u003cbr\u003e6\u003cbr\u003eRondeau brillant sur la cavatine de Zelmire de Rossini, Op. 13 () (00:08:29)\u003cbr\u003e7\u003cbr\u003eLa grand'mère, premier rondoletto sur la chansonnette de Lagoanère (1835) (00:04:15)\u003cbr\u003e8\u003cbr\u003eNaples. deuxième rondoletto sur la barcarolle de Masini (1835) (00:05:06)\u003cbr\u003e9\u003cbr\u003eLa sylphide, rondo valse sur un motif de Masini, Op. 18 (1835) (00:07:00)\u003cbr\u003e \u003cbr\u003eEncouragement aux jeunes pianistes () (00:06:00 )\u003cbr\u003e10\u003cbr\u003eNo. 1. Rondino pastoral (00:02:04)\u003cbr\u003e11\u003cbr\u003eNo. 2. Rondino savoyard (00:01:54)\u003cbr\u003e12\u003cbr\u003eNo. 3. Rondino valse (00:02:06)\u003cbr\u003e \u003cbr\u003eLes jours heureux, 4 Rondinos sur des thèmes favoris, Op. 21 () (00:10:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Thème de Zampa (00:02:51)\u003cbr\u003e14\u003cbr\u003eNo. 2. Chansonnette de Panseron, \"Dans une heure je vais danser\" (00:02:55)\u003cbr\u003e15\u003cbr\u003eNo. 3. Valse de Masini (00:02:22)\u003cbr\u003e16\u003cbr\u003eNo. 4. Air napolitain, \"Errata mmiezo mare michelemma\" (00:02:51)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087355130,"sku":"GP942","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp942.jpg?v=1778189974"},{"product_id":"a-whole-in-twelve","title":"Ayrapetyan: A Whole in Twelve","description":"\u003cdiv\u003e\u003cspan\u003eArmenian pianist Mikael Ayrapetyan has become internationally recognised for performances of his country’s music all over the world with his Secrets of Armenia project. Ayrapetyan’s piano cycle A Whole in 12 is special to his artistic life, being both a deeply personal and universal story told in scenes that range from inner peace and feelings of endless space, to all-consuming creative impulses and the magic of Christmas, contrasting vibrant textural complexity with profoundly expressive lyricism.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAutumnal (2018) * (00:04:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe lady plays (2018) * (00:05:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLonging (2018) * (00:04:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDilemma (2018) * (00:04:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArousal (2018) * (00:04:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrayer (2018) * (00:05:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClouds (2018) * (00:04:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe First Snow (2018) * (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristmas Eve (2018) * (00:04:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTotality (2018) * (00:05:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRain and rendezvous (2018) * (00:04:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFinality (2018) * (00:04:15)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087518970,"sku":"GP809","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/91EjqwovUgL._SL1500.jpg?v=1778109706"},{"product_id":"alfred-cortot-piano-arrangements","title":"Alfred Cortot: Piano Arrangements (Bach • Brahms • Chopin • Fauré • Franck • Schubert) Yue He","description":"\u003cdiv\u003e\u003cspan\u003eegendary pianist Alfred Cortot’s distinguished reputation as an educator is demonstrated in these magnificent arrangements of chamber music for solo piano. They cover every aspect of technique and expression, from Bach’s demanding Toccata and Fugue in D minor to Fauré’s delectable Dolly Suite and the grand scale of Franck’s Violin Sonata. Award-winning pianist He Yue is a young and rising star of the Chinese musical firmament.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFauré, Gabriel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDolly, Op. 56 (arr. A Cortot for piano) (1896) (00:14:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Berceuse: Allegretto moderato (00:02:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Mi-a-ou: Allegro vivo (00:01:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Le jardin de Dolly: Andantino (00:02:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Kitty-valse: Tempo di valse (00:02:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Tendresse: Andante (00:03:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Le pas espagnol: Allegro (00:02:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBach, Johann Sebastian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eToccata and Fugue in D Minor, BWV 565 (arr. A. Cortot for piano) (1708) (00:08:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBrahms, Johannes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Lieder, Op. 49: No. 4. Wiegenlied (arr. A. Cortot for piano) (1868) (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBach, Johann Sebastian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKeyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano as Arioso) (1742) (00:02:23)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChopin, Fryderyk\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCello Sonata in G Minor, Op. 65: III. Largo (arr. A. Cortot for piano) (1846) (00:02:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSchubert, Franz\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHeidenroslein, Op. 3, No. 3, D. 257 (arr. A. Cortot for piano) (1815) (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFranck, César\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eViolin Sonata in A Major, M. 8 (arr. A. Cortot for piano) (1886) (00:25:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Allegretto ben moderato (00:05:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Allegro (00:07:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Recitativo - Fantasia: Ben moderato - molto lento (00:05:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Allegretto poco mosso (00:05:57)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087584506,"sku":"GP641","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp641.jpg?v=1778173323"},{"product_id":"burgess-the-bad-tempered-electronic-keyboard","title":"Burgess: The Bad-Tempered Electronic Keyboard - Stephane Ginsburgh","description":"\u003cp\u003eDuring a prolific period in his artistic life, both musically and as an author—he often referred to himself principally as a composer who had drifted into authorship – Anthony Burgess composed a set of 24 Preludes and Fugues called The Bad-Tempered Electronic Keyboard, written to celebrate the 300th anniversary of the birth of Johann Sebastian Bach. This ingenious and inventive piece, with its brief romantic and music hall elements, oscillates between the classicism of Bach and the modernity of Shostakovich, whose own set of Preludes and Fugues had been written in 1950–51.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eThe Bad-Tempered Electronic Keyboard (1985) (00:14:00 )\u003cbr\u003e1\u003cbr\u003ePrelude No. 1 in C Major * (00:00:43)\u003cbr\u003e2\u003cbr\u003eFugue No. 1 in C Major * (00:01:50)\u003cbr\u003e3\u003cbr\u003ePrelude No. 2 in D-Flat Major * (00:00:43)\u003cbr\u003e4\u003cbr\u003eFugue No. 2 in D-Flat Major * (00:01:12)\u003cbr\u003e5\u003cbr\u003ePrelude No. 3 in D Major * (00:01:33)\u003cbr\u003e6\u003cbr\u003eFugue No. 3 in D Major * (00:01:04)\u003cbr\u003e7\u003cbr\u003ePrelude No. 4 in E-Flat Major * (00:01:02)\u003cbr\u003e8\u003cbr\u003eFugue No. 4 in E-Flat Major * (00:01:32)\u003cbr\u003e9\u003cbr\u003ePrelude No. 5 in E Major * (00:01:22)\u003cbr\u003e10\u003cbr\u003eFugue No. 5 in E Major * (00:01:19)\u003cbr\u003e11\u003cbr\u003ePrelude No. 6 in F Major * (00:00:47)\u003cbr\u003e12\u003cbr\u003eFugue No. 6 in F Major * (00:01:35)\u003cbr\u003e13\u003cbr\u003ePrelude No. 7 in G-Flat Major * (00:00:54)\u003cbr\u003e14\u003cbr\u003eFugue No. 7 in G-Flat Major * (00:02:05)\u003cbr\u003e15\u003cbr\u003ePrelude No. 8 in G Major * (00:01:50)\u003cbr\u003e16\u003cbr\u003eFugue No. 8 in G Major * (00:01:55)\u003cbr\u003e17\u003cbr\u003ePrelude No. 9 in A-Flat Major * (00:01:26)\u003cbr\u003e18\u003cbr\u003eFugue No. 9 in A-Flat Major * (00:02:28)\u003cbr\u003e19\u003cbr\u003ePrelude No. 10 in A Major * (00:00:45)\u003cbr\u003e20\u003cbr\u003eFugue No. 10 in A Major * (00:01:51)\u003cbr\u003e21\u003cbr\u003ePrelude No. 11 in B-Flat Major * (00:00:33)\u003cbr\u003e22\u003cbr\u003eFugue No. 11 in B-Flat Major * (00:01:57)\u003cbr\u003e23\u003cbr\u003ePrelude No. 12 in B Major * (00:03:31)\u003cbr\u003e24\u003cbr\u003eFugue No. 12 in B Major * (00:02:37)\u003cbr\u003e25\u003cbr\u003ePrelude No. 13 in C Minor * (00:02:17)\u003cbr\u003e26\u003cbr\u003eFugue No. 13 in C Minor * (00:01:26)\u003cbr\u003e27\u003cbr\u003ePrelude No. 14 in C-Sharp Minor * (00:01:12)\u003cbr\u003e28\u003cbr\u003eFugue No. 14 in C-Sharp Minor * (00:02:35)\u003cbr\u003e29\u003cbr\u003ePrelude No. 15 in D Minor * (00:01:31)\u003cbr\u003e30\u003cbr\u003eFugue No. 15 in D Minor * (00:01:13)\u003cbr\u003e31\u003cbr\u003ePrelude No. 16 in E-Flat Minor * (00:02:31)\u003cbr\u003e32\u003cbr\u003eFugue No. 16 in E-Flat Minor * (00:02:22)\u003cbr\u003e33\u003cbr\u003ePrelude No. 17 in E Minor * (00:01:39)\u003cbr\u003e34\u003cbr\u003eFugue No. 17 in E Minor * (00:01:04)\u003cbr\u003e35\u003cbr\u003ePrelude No. 18 in F Minor * (00:01:39)\u003cbr\u003e36\u003cbr\u003eFugue No. 18 in F Minor * (00:01:38)\u003cbr\u003e37\u003cbr\u003ePrelude No. 19 in F-Sharp Minor * (00:00:29)\u003cbr\u003e38\u003cbr\u003eFugue No. 19 in F-Sharp Minor * (00:00:55)\u003cbr\u003e39\u003cbr\u003ePrelude No. 20 in G Minor * (00:02:17)\u003cbr\u003e40\u003cbr\u003eFugue No. 20 in G Minor * (00:02:46)\u003cbr\u003e41\u003cbr\u003ePrelude No. 21 in G-Sharp Minor * (00:02:06)\u003cbr\u003e42\u003cbr\u003eFugue No. 21 in G-Sharp Minor * (00:01:46)\u003cbr\u003e43\u003cbr\u003ePrelude No. 22 in A Minor * (00:01:08)\u003cbr\u003e44\u003cbr\u003eFugue No. 22 in A Minor * (00:02:12)\u003cbr\u003e45\u003cbr\u003ePrelude No. 23 in B-Flat Minor, \"Fantasia on B.A.C.H.\" * (00:03:03)\u003cbr\u003e46\u003cbr\u003eFugue No. 23 in B-Flat Minor * (00:01:20)\u003cbr\u003e47\u003cbr\u003ePrelude No. 24 in B Minor * (00:02:15)\u003cbr\u003e48\u003cbr\u003eFugue No. 24 in B Minor * (00:03:33)\u003cbr\u003e49\u003cbr\u003eFinale: Natale 1985 (1985) * (00:02:04)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087781114,"sku":"GP773","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp773.jpg?v=1778190036"},{"product_id":"mozartiana-rarities-and-arrangements-performed-on-historica","title":"Mozartiana: Rarities and Arrangements Performed on Historica - Michael Tsalka, tangent piano","description":"\u003cp\u003eKeyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel—a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics—and the pantalon square piano. This is the first recording ever made of a historical pantalon.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a period instrument: Berner Tangentenflügel and Maucher Pantalon Square Piano from the Pooya Radbon Collection\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eAdagio in B Minor, K. 540 (1788) (00:08:07)\u003cbr\u003e \u003cbr\u003eMusik zu einer Pantomime Pantalon und Colombine, K. 446 (completed, edited and arranged by F. Beyer for piano) (1783) (00:24:49 )\u003cbr\u003e2\u003cbr\u003eOverture (arr. from Symphony No. 11 in D Major, K. 84: I. Allegro) (00:03:17)\u003cbr\u003e3\u003cbr\u003eNo. 1. Allegro: Pantalon und Colombine zanken sich (00:00:43)\u003cbr\u003e4\u003cbr\u003eNo. 2. Maestoso: Der Dottore kommt (00:02:05)\u003cbr\u003e5\u003cbr\u003eNo. 3. Allegro: Pierò kommt gelaufen. Pantalon, Pierò und Dottore liegen aufe der Erde (00:01:06)\u003cbr\u003e6\u003cbr\u003eNo. 4. Poco Adagio: Dottore und Colombine steht unbeweglich (00:00:48)\u003cbr\u003e7\u003cbr\u003eNo. 5. Andante molto: Pantalon und Pierò bringen den Tisch (00:00:50)\u003cbr\u003e8\u003cbr\u003eNo. 6. Adagio: Colombine ist ganz traurig - Allegro: Arlequin guckt aus dem Kasten heraus (00:04:47)\u003cbr\u003e9\u003cbr\u003eNo. 7. Allegro maestoso (00:01:05)\u003cbr\u003e10\u003cbr\u003eNo. 8. Larghetto: Pierò geht auf und ab, sieht den Türken (00:01:31)\u003cbr\u003e11\u003cbr\u003eNo. 9. Allegro (ma non troppo) - Presto (00:00:58)\u003cbr\u003e12\u003cbr\u003eNo. 10. Maestoso (00:02:49)\u003cbr\u003e13\u003cbr\u003eNo. 11. Allegro: Pierò fürchtet sich vor dem toten Arlequin - Marcia - Allegro (00:03:39)\u003cbr\u003e14\u003cbr\u003eNo. 12. Finale (arr. from Presto in D Major, K. 120) (00:01:11)\u003cbr\u003e15\u003cbr\u003eKeyboard Piece in F Major, K. Anh. A6 (previously known as K. 33B) (1766) (00:01:02)\u003cbr\u003e16\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Allegretto] in F Major, K. 15a (1765) (00:01:06)\u003cbr\u003e17\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Andantino] in C Major, K. 15b (1765) (00:01:33)\u003cbr\u003e18\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Contredanse] in F Major, K. 15h (1765) (00:00:50)\u003cbr\u003e19\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Minore] in A Minor, K. 15k (1765) (00:01:09)\u003cbr\u003e20\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Siciliano] in D Minor, K. 15u (1765) (00:01:31)\u003cbr\u003e21\u003cbr\u003eMinuet in G Major, K. 1 (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 1) (1762) (00:02:14)\u003cbr\u003e22\u003cbr\u003eKeyboard Piece (Minuet) in F Major, K. 2 (arr. E. Fischer for tangent piano) (1762) (00:00:47)\u003cbr\u003e23\u003cbr\u003ePiece in D Major, K. Anh. H24, No. 18 (previously known as Minuet, K. 94) (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 3) (1769) (00:01:18)\u003cbr\u003e24\u003cbr\u003eFantasy in F Minor, K. 608 (arr. E. Fischer for piano as Mozartiana: II.) (1791) (00:11:51)\u003cbr\u003e25\u003cbr\u003eAndantino in E-Flat Major, K. 236 (Mozart's arr. of Non vi turbate from C.W. Gluck's Alceste, arr. E. Fischer for piano as Mozartiana: III.) () (00:01:09)\u003cbr\u003e26\u003cbr\u003eContredanse in D Major, K. 534, \"Das Donnerwetter\" (arr. E. Fischer for piano as Mozartiana: IV.) (1788) (00:02:39)\u003cbr\u003e27\u003cbr\u003eRomance in A-Flat Major, K. Anh. 205\/K. Anh. C27.04 (arr. E. Fischer for piano as Mozartiana: V.) () (00:05:04)\u003cbr\u003e28\u003cbr\u003eVariations on an Arietta from G. Sarti's I Finti Eredi, K. Anh. 289\/K. Anh. C26.06 (arr. E. Fischer for piano as Mozartiana: VI.) () (00:07:57)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087944954,"sku":"GP849","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp849.jpg?v=1778184738"},{"product_id":"schifrin-piano-works","title":"Schifrin: Piano Works - Mirian Conti","description":"\u003cp\u003eLalo Schifrin, the internationally renowned composer of classic film and TV scores such as Bullitt, Dirty Harry and Rush Hour, has collaborated with fellow Argentinian pianist Mirian Conti for this collection of his works for solo piano, including several world premières. A unique arrangement of the famous theme to Mission: Impossible is included, as well as his most recent compositions: the two richly sensuous tangos and the powerful Jazz Sonata, composed especially for Conti.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Yamaha CFX Concert Grand\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eMission: Impossible: Main Theme (version for piano) (1973) * (00:02:01)\u003cbr\u003e2\u003cbr\u003eTango: Main Theme, \"Tango del Atardecer\" (version for piano) (1997) * (00:06:14)\u003cbr\u003e3\u003cbr\u003ePampas (version for piano) (2009) * (00:09:17)\u003cbr\u003e \u003cbr\u003eJazz Piano Sonata, Op. 1 (2016 version) (1963) (00:23:57 )\u003cbr\u003e4\u003cbr\u003eI. Allegro * (00:09:13)\u003cbr\u003e5\u003cbr\u003eII. Andante * (00:09:58)\u003cbr\u003e6\u003cbr\u003eIII. Molto vivace * (00:04:49)\u003cbr\u003e7\u003cbr\u003eDanza de los Montes (version for piano) (2005) * (00:04:02)\u003cbr\u003e8\u003cbr\u003eTheme and 10 Variations on an Original Theme (2016) * (00:11:43)\u003cbr\u003e9\u003cbr\u003eTango a Borges (version for piano) (2005) * (00:05:48)\u003cbr\u003e10\u003cbr\u003eLa Calle y la Luna (version for piano) (2005) * (00:08:34)\u003cbr\u003e11\u003cbr\u003eLullaby for Jack () (00:01:40)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088272634,"sku":"GP776","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp776.jpg?v=1778185229"},{"product_id":"barmotin-piano-works-vol-3","title":"Barmotin: Piano Works, Vol. 3 - Christopher Williams","description":"\u003cdiv\u003e\u003cspan\u003eA student of Rimsky-Korsakov and Balakirev and a contemporary of Stravinsky and Rachmaninov, Semyon Alexeyevich Barmotin (1877–1939) flourished in the years before the Russian Revolution. His was probably the first Ballade for solo piano written by a Russian composer and this large-scale work exemplifies his perfect control of expansive form, Lisztian virtuosic impulse and thematic variety. The two sets of Morceaux enshrine other essential elements of his art – folkloric influences, crystalline sonorities and true expressive depth. Christopher Williams’ third instalment in this acclaimed cycle features all world première recordings.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBallade in B-Flat Minor, Op. 10 () (00:17:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 Morceaux, Op. 5 () (00:22:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Pastorale (00:02:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Minuetto (00:04:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Berceuse (00:03:00)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Valse mélancolique (00:02:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Leggenda (00:05:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Mazurka rustique (00:03:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10 Morceaux, Op. 6 () (00:34:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Intermezzo (00:07:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Pastorale norvégienne (00:02:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Prélude (00:02:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Chant du Nord (00:01:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. La Coquetterie (00:02:39)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Valse capricieuse (00:04:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Élégie (00:04:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Prélude (00:01:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Rêverie (00:01:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Valse-Scherzo (00:04:31)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088469242,"sku":"GP866","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp866.jpg?v=1778174712"},{"product_id":"20th-century-foxtrots-vol-6-southern-europe","title":"20th Century Foxtrots, Vol. 6: Southern Europe - Gottlieb Wallisch","description":"\u003cdiv\u003e\u003cspan\u003eThis sixth volume of Gottlieb Wallisch’s acclaimed 20th Century Foxtrots series takes us to Southern Europe, with composers in Italy, Spain and other Mediterranean countries becoming caught up in the jazz craze that swept through dance and concert halls by the 1920s. International influences blend with regional character and famous names jostle with new discoveries, all of whose contributions create a joyous mix of exuberant theatricality, evocative elegance and colourful blues.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCasavola, Franco\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTango Viola da Cabaret Epilettico (1925) (00:02:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGattari, Alfredo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Novelty Piano Solos: No. 2. Chopin's Charleston Dream () (00:02:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBossi, Marco Enrico\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Valzer, Op. 221: No. 2. Venus Valse, Boston-Valse (1921) (00:03:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDe Sabata, Victor\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrincipe, Fox-Trot () (00:02:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePuccini, Giacomo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiccolo Tango (1907) (00:01:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCasella, Alfredo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCocktail's Dance (1918) (00:01:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9 Pezzi, Op. 24: No. 8. In Modo di Tango (1914) (00:03:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDesderi, Ettore\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePreludio, Corale e Fuga in modo sincopato (1934) (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePreludio (00:01:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCorale (00:02:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFuga (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCastelnuovo-Tedesco, Mario\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMedia Difficoltà (1931) (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Tango (00:02:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Fox-Trot (00:02:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBianchini, Emma\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDanze della mia bambola, Op. 8 () (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Hésitation (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. One-Step (00:00:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDanze della mia bambola, Op. 9 () (00:04:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Tango (00:01:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Charleston (00:00:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMortari, Virgilio\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFox-Trot del Teatro della Sorpresa (1921) (00:02:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSavino, Domenico\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArabesque in Blue (1928) (00:03:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFuleihan, Anis\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom the Aegean: II. Tango (1946) (00:01:29)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSkalkottas, Nikos\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSuite for Piano: III. Shimmy tempo (1924) (fragment) (1924) (00:04:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSakellaridis, Theophrastus\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTo Please Her Husband: Foxtrot-Schimmy (1922) (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCamilleri, Charles\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Études, Book 3, \"The Picasso Set\" () (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Foxtrot (00:00:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eV. Blues (00:02:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMartí i Cristià, Josep\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Joyous American: Rag-time (version for piano) () (00:02:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWorsley, Clifton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFive O'Clock Tea, Fox Trot () (00:01:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTriste Illusion, Valse triple Boston () (00:03:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMompou, Federico\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFox-Trot (1916) (1916) (00:02:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTango (1919) (1919) (00:03:38)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBallet: V. Temps de blues (1949) (00:00:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLima, António Tomás de\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlbum infantil, Series 3: No. 4. O Cuco bailarino, One-Step () (00:01:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAlbum infantil, Series 1 () (00:06:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Buffooning, Fox-Trot (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Good-bye, One-Step (00:00:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRibeiro d'Almeida, Pedro F.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArraial, One-Step sobre motivos do fado () (00:01:01)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088534778,"sku":"GP926","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71Le22H8RuL._SL1425.jpg?v=1778173219"},{"product_id":"a-russian-dynasty","title":"PIANO MUSIC FROM A RUSSIAN DYNASTY(K.N. Liadov • A.N. Liadov • A.K. Liadov • Pomazansky)","description":"\u003cp\u003eThe uniquely influential Russian musical and theatrical dynasty of the Liadov, Antipov and Pomazansky families supplied Russian culture with nearly 20 musical and theatrical performers, conductors, composers, and ballet dancers over the course of 150 years. Including numerous world première recordings, these wonderful pièces de salon are gems of Russian dance music, full of charming grace, melodic delicacy and nobility. A quote from Anatoly Liadov can stand as representative for all: 'such is my character: do everything so that every bar gratifies.' Olga Solovieva is a laureate of several international competitions. In May 2019 she received the Glinka Medal for her contribution to musical art. She has performed in Russia and internationally, and has collaborated with musicians and ensembles across the globe. Dmitry Korostelyov was awarded the prize for Best Accompanist at the 2005 Rimsky Korsakov Wind and Percussion Instruments Competition in Saint Petersburg. As a pianist he has performed with the Russian State Orchestra, Volgograd Philharmonic Orchestra, and more.\u003c\/p\u003e\n\u003cp\u003eDmitry Korostelyov, piano\u003cbr\u003eOlga Solovieva, piano\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLiadov, Konstantin Nikolayevich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTarantelle (c1844) (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka Militaire (1852) (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka-Mazurka, \"La Silphide\" (c. 1850) (00:03:34)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMarche Funèbre (1852) (00:05:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGaribaldi-Quadrille (c1869) (00:05:42)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka Russe (c1852) (00:02:38)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eQuadrille, \"Mariage Russe\" (1852) (00:05:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePomazansky, Eugeny Ivanovich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBerceuse (c. 1940) (00:00:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCuckoo (1940) (00:00:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChanson d'automne (c. 1940) (00:00:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAntipov, Konstantin Afanasievich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Preludes, Op. 8 () (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Allegretto (00:01:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Andantino (00:03:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariations on a Theme, \"Chizhyk-pyzhyk\" (1892) (00:01:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNocturne in A-Flat Major, Op. 12 () (00:03:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLiadov, Alexander Nikolayevich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHousewarming (?1839) (00:11:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Polonaise (00:03:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. French Quadrille (00:04:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Mazurka (00:01:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Galoppe (00:01:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePomazansky, Ivan Aleksandrovich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolka (c. 1880) (00:02:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLiadov, Anatol Konstantinovich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 P'yesï (2 Pieces), Op. 24: No. 1. Prelude in E Major (1890) (00:03:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNovinka (Novelette), Op. 20 (1889) (00:02:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrelude in B Major, Op. 42, No. 2 (1898) (00:00:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNa luzhayke: Nabrosok (In the Glade: Sketch), Op. 23 (1890) (00:02:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZoryushka (sketch fragment) (1889) (00:00:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePro starinu (About Olden Times), Op. 21 (1889) (00:05:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088633082,"sku":"GP858","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/A16ls9G6hFL._SL1500.jpg?v=1778108950"},{"product_id":"tigranian-armenian-folkdances-mugam-arrangements-opp-2","title":"Tigranian: Armenian Folkdances; Mugam arrangements - Mikael Ayrapetyan","description":"\u003cp\u003eNikoghayos Tigranian belongs to the first generation of composers and folk song collectors who laid the foundation of an Armenian national style. Tigranian’s piano transcriptions of folk dances is perhaps his most important legacy, emulating folk instruments and capturing and preserving colourful depictions of Armenian folk life that are simple in texture and rich with harmonic and melodic detail. His interest also extended to Persian improvisational vocal-instrumental poems or mugams; expressive pieces that influenced contemporaries and subsequent generations of composers.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eArmyanskiye narodnïye tantsï (Armenian Folk Dances) () (00:26:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Findjan * (00:01:48)\u003cbr\u003e2\u003cbr\u003eNo. 2. Faten Kitam * (00:01:40)\u003cbr\u003e3\u003cbr\u003eNo. 3. Rangi * (00:01:59)\u003cbr\u003e4\u003cbr\u003eNo. 4. 3 Round Dances: Kyandrabz - Vard Koshikes - Shavali * (00:04:01)\u003cbr\u003e5\u003cbr\u003eNo. 5. Dyuz Par * (00:02:17)\u003cbr\u003e6\u003cbr\u003eNo. 6. Round Dance of Gyumri * (00:03:35)\u003cbr\u003e7\u003cbr\u003eNo. 7. Round Dance of the Erzrumi * (00:02:28)\u003cbr\u003e8\u003cbr\u003eNo. 8. Dance, \"Daghstani\" * (00:01:09)\u003cbr\u003e9\u003cbr\u003eNo. 9. Back and Forth * (00:02:48)\u003cbr\u003e10\u003cbr\u003eNo. 10. Ver-ver * (00:02:41)\u003cbr\u003e11\u003cbr\u003eNo. 11. Zourni Trngi * (00:01:32)\u003cbr\u003e12\u003cbr\u003eBayati-kurd, Op. 2 () * (00:10:17)\u003cbr\u003e13\u003cbr\u003eBayati-shiraz, Op. 3 () * (00:08:24)\u003cbr\u003e14\u003cbr\u003eHeydari, Op. 5 (version for piano) () * (00:03:30)\u003cbr\u003e15\u003cbr\u003eShakhnaz, Op. 6 (version for piano) () * (00:07:27)\u003cbr\u003e16\u003cbr\u003eNouruz arabi, Op. 10 () * (00:05:07)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088665850,"sku":"GP798","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp798.jpg?v=1778192612"},{"product_id":"barkhudarian-4-oriental-dances-12-armenian-dances-piano","title":"Barkhudarian: 4 Oriental Dances, 12 Armenian Dances \u0026 Piano Pieces, Series 1 and 2 - Mikael Ayrapetyan","description":"\u003cdiv\u003e\u003cspan\u003eThe Armenian and Georgian composer Sarkis Vasil’evich Barkhudarian is famed for his piano miniatures. Some are among the first piano works to use Armenian folk themes as the basis for a series of original compositions. His colourful and unusual harmonies, created by the sinuous, interweaving modes of Armenian music, are immediately attractive and his miniatures, whether full of grace or pungent dance rhythms, bear out Glazunov’s admiration of his ‘sincerity, elegance and harmony of form’.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVostochniye plyaski (Oriental Dances) (1913) (00:10:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 1 * (00:02:59)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 2 * (00:01:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 3 * (00:02:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eOriental Dance No. 4 * (00:01:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12 Armenian Dances () (00:23:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Dance of the Bride * (00:01:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Children's Dance * (00:01:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Dance of the Matchmaker * (00:01:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Dance of the Rural Girls * (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Provocative Dance (Men's) * (00:01:33)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Maiden's Roundelay * (00:01:20)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Dance of Friendship (Men's) * (00:02:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Dance of a Mountain Girl * (00:02:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Dance of Farewell (Women's) * (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Masker's Dance (Men's) * (00:02:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Circular Dance (Joint) * (00:02:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Festive Dance (Men's) * (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Pieces, Series 1 (1918) (00:19:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Naz-Par * (00:02:29)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Fairy Tale * (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Sketch in B Minor * (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Watercolor * (00:01:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Smooth Dance * (00:01:33)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Lullaby * (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Maiden Dance * (00:01:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Boots-Dragonfly * (00:00:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Dance in A-Flat Major * (00:01:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Sketch in D Minor * (00:02:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Pieces, Series 2 (1923) (00:22:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Scherzo * (00:03:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Circular Dance in B Minor * (00:02:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Gulnara's Dance * (00:01:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Nanochka's Dance * (00:01:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Anoush's Sorrow * (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Prelude in D Minor * (00:00:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Prelude in D-Sharp Minor * (00:01:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Nocturne * (00:04:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Sketch in A Major * (00:02:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Lullaby of Shushani * (00:02:41)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088731386,"sku":"GP775","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp775.jpg?v=1778174485"},{"product_id":"harsanyi-complete-piano-works-vol-3","title":"Harsányi: Complete Piano Works, Vol. 3 - Giorgio Koukl","description":"\u003cp\u003eTibor Harsányi, a student of Zoltán Kodály at the Budapest Conservatory, lived in France from 1923 where he became one of the leading expatriate composers to form the group known as L’École de Paris. As the 4 Morceaux show, his piano music is notable for its variety of character and genre. The Piano Sonata reveals his enthusiasm for dance rhythms and for joyful lyricism as well as quietly sombre elements, while the Burlesques flirt with jazz. The Piano Suite conjures up a vivid series of atmospheres in a work that is songlike, dissonant and ambient.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata (1926) (00:13:00 )\u003cbr\u003e1\u003cbr\u003eI. Molto agitato (00:03:53)\u003cbr\u003e2\u003cbr\u003eII. Lento (00:02:36)\u003cbr\u003e3\u003cbr\u003eIII. Allegretto scherzando (00:02:27)\u003cbr\u003e4\u003cbr\u003eIV. Allegro giocoso (00:03:46)\u003cbr\u003e \u003cbr\u003e4 Morceaux (1924) (00:16:00 )\u003cbr\u003e5\u003cbr\u003eNo. 1. Prélude (00:02:40)\u003cbr\u003e6\u003cbr\u003eNo. 2. Serenade (00:07:30)\u003cbr\u003e7\u003cbr\u003eNo. 3. Air (00:02:39)\u003cbr\u003e8\u003cbr\u003eNo. 4. Danse (00:03:31)\u003cbr\u003e \u003cbr\u003ePetite Suite pour Enfants (1923) (00:11:00 )\u003cbr\u003e9\u003cbr\u003eI. Prélude (00:02:01)\u003cbr\u003e10\u003cbr\u003eII. Valsette (00:03:55)\u003cbr\u003e11\u003cbr\u003eIII. Minuetto (00:02:21)\u003cbr\u003e12\u003cbr\u003eIV. Marche (00:03:02)\u003cbr\u003e \u003cbr\u003ePiano Suite (1930) (00:08:00 )\u003cbr\u003e13\u003cbr\u003eI. Prélude (00:02:13)\u003cbr\u003e14\u003cbr\u003eII. Romance (00:02:20)\u003cbr\u003e15\u003cbr\u003eIII. Intermezzo (00:01:55)\u003cbr\u003e16\u003cbr\u003eIV. Nocturne (00:01:27)\u003cbr\u003e17\u003cbr\u003eParc d'attractions Expo 1937: Le tourbillon mécanique (1937) (00:03:33)\u003cbr\u003e \u003cbr\u003e2 Burlesques (1927) (00:05:00 )\u003cbr\u003e18\u003cbr\u003eNo. 1. Con brio (00:02:34)\u003cbr\u003e19\u003cbr\u003eNo. 2. Animato (00:02:33)\u003cbr\u003e20\u003cbr\u003eNovellette (1925) (00:06:34)\u003cbr\u003e21\u003cbr\u003eRhapsodie for Piano (1924) (00:05:51)\u003cbr\u003e \u003cbr\u003e3 Impromptus (1952) (00:10:00 )\u003cbr\u003e22\u003cbr\u003eNo. 1. Mouvement (00:03:18)\u003cbr\u003e23\u003cbr\u003eNo. 2. Flânerie (00:04:12)\u003cbr\u003e24\u003cbr\u003eNo. 3. Nocturne (00:02:31)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853088829690,"sku":"GP831","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp831.jpg?v=1778191884"},{"product_id":"barmotin-20-preludes-op-12-theme-and-variations-op-1","title":"Barmotin: 20 Preludes, Op. 12 - Theme and Variations, Op. 1 - Christopher Williams","description":"\u003cdiv\u003e\u003cspan\u003eSemyon Alexeyevich Barmotin (1877–1939) was a student of Balakirev and Rimsky-Korsakov, and his fate under the Soviet regime in the 1930s remains a mystery, but what survives of his music is impressive in both scale and content. These world première recordings are filled with colour and contrast: the Tema con variazioni transforms its material into a multitude of moods to conclude in a symphonic march, while the 20 Preludes are striking in their sophisticated harmonies and heightened emotional impact.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20 Preludes, Op. 12 () (00:51:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 1. Adagietto con dolore (00:02:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 2. Allegretto con dolce maniera (00:02:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 3. Moderato con morbidezza (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 4. Andantino (00:04:10)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 1: No. 5. Moderato con spirito (00:02:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 6. Allegro ma non tanto (00:01:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 7. Andante affettuoso (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 8. Allegro con grazia (00:03:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 9. Andantino cantabile (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 2: No. 10. Allegro moderato con spirito (00:03:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 11. Adagietto con anima (00:02:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 12. Vivace con impeto (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 13. Andante religioso (00:04:05)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 14. Allegro con agilita (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 3: No. 15. Andante con molto espressione (00:01:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 16. Allegro assai (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 17. Andante cantabile (00:02:16)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 18. Moderato - Allegro moderato (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 19. Larghetto con tristezza (00:02:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBook 4: No. 20. Tempo di Marcia (00:01:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTheme and Variations, Op. 1 () (00:27:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTheme: Andantino cantabile (00:01:42)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 1: Allegro (00:01:17)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 2: Andantino (00:01:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 3: Presto assai (00:00:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 4: Andantino con anima (00:02:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 5: Moderato (00:02:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 6: Andantino (00:02:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 7: Allegro ma non troppo (00:01:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 8: Valse: Tempo di Valse (00:01:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 9: Mazurka: Andantino (00:02:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 10: Andante maestoso (00:03:00)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVariation 11: Andante (00:01:52)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089222906,"sku":"GP799","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp799.jpg?v=1778174558"},{"product_id":"brahms-transcriptions-for-piano","title":"Brahms: Transcriptions for Piano (Trio for Violin, Horn and Piano • Clarinet Quintet, arr. P. Klengel for Piano) Christopher Williams","description":"\u003cp\u003eThe 19th century witnessed an almost insatiable demand for arrangements and transcriptions to be played on domestic pianos. Brahms himself wrote such works under the names GW Marks and Karl Würth but friends and colleagues also contributed. The violinist, pianist and conductor Paul Klengel, brother of the eminent cellist Julius, made solo piano versions of the Horn Trio and the Clarinet Quintet, transcribing with remarkable fidelity and sensitivity Brahms’ myriad expressive and technical demands.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eTrio for Violin, Horn and Piano in E-Flat Major, Op. 40 (arr. P. Klengel for piano) (1865) (00:29:00 )\u003cbr\u003e1\u003cbr\u003eI. Andante - Poco più animato * (00:08:47)\u003cbr\u003e2\u003cbr\u003eII. Scherzo: Allegro * (00:06:41)\u003cbr\u003e3\u003cbr\u003eIII. Adagio mesto * (00:07:14)\u003cbr\u003e4\u003cbr\u003eIV. Finale: Allegro con brio * (00:06:06)\u003cbr\u003e \u003cbr\u003eClarinet Quintet in B Minor, Op. 115 (arr. P. Klengel for piano) (1891) (00:41:00 )\u003cbr\u003e5\u003cbr\u003eI. Allegro * (00:13:03)\u003cbr\u003e6\u003cbr\u003eII. Adagio * (00:12:08)\u003cbr\u003e7\u003cbr\u003eIII. Andantino - Presto non assai, ma con sentimento * (00:05:56)\u003cbr\u003e8\u003cbr\u003eIV. Con moto * (00:10:22)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089288442,"sku":"GP749","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp749.jpg?v=1778182385"},{"product_id":"lebanese-piano-music-vol-2","title":"Lebanese Piano Music, Vol. 2 (Fuleihan • Gelalian • Howrani • Khoury) - Tatiana Primak-Khoury","description":"\u003cp\u003e\u003cbr\u003eFuleihan, Anis\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 4 (1963) (00:25:00 )\u003cbr\u003e1\u003cbr\u003eI. Allegro moderato (00:09:22)\u003cbr\u003e2\u003cbr\u003eII. Andantino, mesto (00:08:18)\u003cbr\u003e3\u003cbr\u003eIntermezzo: Allegro molto moderato (00:01:35)\u003cbr\u003e4\u003cbr\u003eIII. Allegro molto, ritmico (a la grèque) (00:05:28)\u003cbr\u003eKhoury, Houtaf\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 4, \"Sham\" (2016) (00:19:00 )\u003cbr\u003e5\u003cbr\u003eI. Morass (00:05:17)\u003cbr\u003e6\u003cbr\u003eII. Désolation (00:11:44)\u003cbr\u003e7\u003cbr\u003eIII. Sham (00:03:44)\u003cbr\u003eGelalian, Boghos\u003cbr\u003e \u003cbr\u003ePiano Sonata (1964) (00:13:00 )\u003cbr\u003e8\u003cbr\u003eI. Allegro vivo (00:03:44)\u003cbr\u003e9\u003cbr\u003eII. Andantino (00:05:06)\u003cbr\u003e10\u003cbr\u003eIII. Molto vivace e brioso (00:03:22)\u003cbr\u003eHowrani, Waleed\u003cbr\u003e11\u003cbr\u003eLebanese Rhapsody (1996) (00:13:41)\u003cbr\u003eFuleihan, Anis\u003cbr\u003e \u003cbr\u003eAir and Fugue on White Keys (1943) (00:07:00 )\u003cbr\u003e12\u003cbr\u003eAir: Largo (00:04:31)\u003cbr\u003e13\u003cbr\u003eFugue: Vivace (00:02:12)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089321210,"sku":"GP812","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp812.jpg?v=1778191297"},{"product_id":"portuguese-piano-music","title":"Portuguese Piano Music (Daddi • Viana da Mota) - Sofia Lourenço","description":"\u003cp\u003e\u003cbr\u003eDaddi, João Guilherme\u003cbr\u003e1\u003cbr\u003eAndante Cantabile () * (00:06:54)\u003cbr\u003e2\u003cbr\u003eBarcarola () * (00:05:42)\u003cbr\u003e3\u003cbr\u003eDouce Illusion () * (00:05:10)\u003cbr\u003e4\u003cbr\u003eIl Lamento () * (00:07:47)\u003cbr\u003eVianna da Motta, José\u003cbr\u003e \u003cbr\u003eCenas portuguesas, Op. 9 (1893) (00:11:02 )\u003cbr\u003e5\u003cbr\u003eNo. 1. Cantiga d'Amor (00:08:04)\u003cbr\u003e6\u003cbr\u003eNo. 2. Chula (00:03:18)\u003cbr\u003e7\u003cbr\u003eNo. 3. Valsa Caprichosa (00:04:21)\u003cbr\u003e \u003cbr\u003eCenas portuguesas, Op. 18 () (00:14:17 )\u003cbr\u003e8\u003cbr\u003eNo. 1. Canção do Figueiral - Ao Viatico (00:07:15)\u003cbr\u003e9\u003cbr\u003eNo. 2. O Malhão - Canção d'Aveiro (00:05:23)\u003cbr\u003e10\u003cbr\u003eNo. 3. Canção da Beira - Canção do Douro (00:06:42)\u003cbr\u003e11\u003cbr\u003eSerenata, Op. 8 () * (00:08:39)\u003cbr\u003e12\u003cbr\u003eBallada, Op. 16 (1905) (00:09:45)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089485050,"sku":"GP725","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp725.jpg?v=1778186403"},{"product_id":"in-the-midst-of-things","title":"FIORINI: IN THE MIDST OF THINGS - Piano and Chamber Music - Charlene Farrugia","description":"\u003cp\u003eMaltese composer Karl Fiorini is a European without frontiers – the compositions in this album reflect his early detachment from a Mediterranean identity towards a more varied and intense sound world. Trio Lamina features elements of Bartók’s ‘night music’ in its complex sub-sections, whereas Fiorini’s two piano studies, which predate his move to Paris, already exude a Gallic ambience. Influenced by North African folk music, the Piano Trio expands his global reach, and the Piano Sonata, a gritty virtuoso concert piece, shifts geographical influence towards Eastern Europe to powerful effect. All of these world première recordings were recorded in the presence of the composer.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway \u0026amp; Sons, Model D. 274 (2011)\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eTrio Lamina (2002) (00:10:04)\u003cbr\u003e2\u003cbr\u003eLes âmes effleurées (2007) (00:05:17)\u003cbr\u003e3\u003cbr\u003eReflets flous (2008) (00:04:32)\u003cbr\u003e4\u003cbr\u003ePiano Trio (2005) (00:12:18)\u003cbr\u003e5\u003cbr\u003ePiano Sonata (2017) (00:10:45)\u003cbr\u003e \u003cbr\u003eIn the Midst of Things (2019) (00:16:00 )\u003cbr\u003e6\u003cbr\u003eI. Grave - Vivo (00:06:03)\u003cbr\u003e7\u003cbr\u003eII. dotted half note = 52 - Meno mosso - (00:03:41)\u003cbr\u003e8\u003cbr\u003eIII. Patetico, ma non troppo - Poco più mosso - Molto più lento (00:03:31)\u003cbr\u003e9\u003cbr\u003eIV. Presto - Poco più mosso (00:03:06)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089583354,"sku":"GP880","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp880.jpg?v=1778190186"},{"product_id":"schulhoff-piano-works-vol-2","title":"Schulhoff: Piano Works, Vol. 2 (Fünf Pittoresken • Sonata No. 2 • Zwei Klavierstücke • Musik für Klavier • Esquisses de Jazz) - Caroline Weichert","description":"\u003cp\u003eCzech composer Erwin Schulhoff assimilated the influence of Jazz with genuinely distinctive results. The Fünf Pittoresken absorb both Dada and Scott Joplin whilst more classicist influences, such as Ravel, suffuse the Second Piano Sonata. Esquisses de Jazz (1927) is perhaps his most outstanding Jazz-influenced piece – a perfect synthesis of dance rhythms, wit and irony.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e5 Pittoresken, Op. 31 (1921) (00:18:10 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Foxtrott (00:02:38)\u003cbr\u003e2\u003cbr\u003eNo. 2. Ragtime (00:02:59)\u003cbr\u003e3\u003cbr\u003eNo. 3. In futurum (00:01:25)\u003cbr\u003e4\u003cbr\u003eNo. 4. One-Step (00:02:13)\u003cbr\u003e5\u003cbr\u003eNo. 5. Maxixe (00:04:10)\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 2 (1926) (00:15:56 )\u003cbr\u003e6\u003cbr\u003eI. Allegretto con moto (00:06:12)\u003cbr\u003e7\u003cbr\u003eII. Allegro giocoso (00:01:49)\u003cbr\u003e8\u003cbr\u003eIII. Andante cantabile e rubato (00:04:16)\u003cbr\u003e9\u003cbr\u003eIV. Finale: Allegro moderato (00:03:50)\u003cbr\u003e \u003cbr\u003e2 Studien (1936) (00:06:46 )\u003cbr\u003e10\u003cbr\u003eNo. 1. Optimistische Komposition (00:03:20)\u003cbr\u003e11\u003cbr\u003eNo. 2. Den tschechischen Arbeitern (00:03:41)\u003cbr\u003e \u003cbr\u003eMusik für Klavier, Op. 35 (1920) (00:17:18 )\u003cbr\u003e12\u003cbr\u003eI. Vorspiel (00:01:56)\u003cbr\u003e13\u003cbr\u003eII. Thema mit variationen (00:09:49)\u003cbr\u003e14\u003cbr\u003eIII. Vivo e giocoso (00:01:44)\u003cbr\u003e15\u003cbr\u003eIV. Nachspiel (00:03:59)\u003cbr\u003e \u003cbr\u003eEsquisses de jazz (1927) (00:09:00 )\u003cbr\u003e16\u003cbr\u003eNo. 1. Rag (00:02:16)\u003cbr\u003e17\u003cbr\u003eNo. 2. Boston (00:03:33)\u003cbr\u003e18\u003cbr\u003eNo. 3. Tango (00:01:36)\u003cbr\u003e19\u003cbr\u003eNo. 4. Blues (00:01:29)\u003cbr\u003e20\u003cbr\u003eNo. 5. Charleston (00:01:13)\u003cbr\u003e21\u003cbr\u003eNo. 6. Black bottom (00:01:57)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089747194,"sku":"GP631","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp631.jpg?v=1778186250"},{"product_id":"komitas-songs-arr-for-piano-by-villy-sargsyan","title":"Komitas: Songs (Arr. for Piano by Villy Sargsyan) - Yulia Ayrapetyan","description":"\u003cp\u003eKomitas was a priest, a musician and a pioneer of ethnomusicology, considered to be the founder of the Armenian national school of music. A significant part of his life was taken up with travel to remote villages, collecting thousands of traditional songs. These range from simple melodies and poetic sketches of Armenian landscapes, to dramatic lyrics expressing mournful tragedy. Komitas was enthralled by the way ‘a peasant learns this art in nature’s embrace, with nature as his infallible school.’ Heard here in world première recordings, these idiomatic arrangements by Villy Sargsyan importantly preserve the composer’s modal-intonational system.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D. 274\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eChinar es, keṙanal mi (You Are Tall Like a Plane Tree, Do Not Bow Down) (arr. V. Sargsyan for piano) (1906) (00:02:34)\u003cbr\u003e2\u003cbr\u003eKuzhn aṙa (I Took A Jug) (arr. V. Sargsyan for piano) (1910) (00:01:33)\u003cbr\u003e3\u003cbr\u003eAkh, Maral djan (Ah, Dear Maral) (arr. V. Sargsyan for piano) (1899) (00:02:00)\u003cbr\u003e4\u003cbr\u003eAntuni (Song of the Homeless) (arr. V. Sargsyan for piano) (1906) (00:04:51)\u003cbr\u003e5\u003cbr\u003eShogher djan (Dear Shogher) (arr. V. Sargsyan for piano) (1907) (00:01:20)\u003cbr\u003e6\u003cbr\u003eKak'avi erg (Song of the Partridge) (arr. V. Sargsyan for piano) (1908) (00:00:55)\u003cbr\u003e7\u003cbr\u003eKanche, kṙunk (Crane, Sing!) (arr. V. Sargsyan for piano) (1911) (00:03:26)\u003cbr\u003e8\u003cbr\u003eEs saren kugayi (I Returned from the Mountain) (arr. V. Sargsyan for piano) (1911) (00:01:41)\u003cbr\u003e9\u003cbr\u003eErkink'n ampel ē (The Sky is Cloudy) (arr. V. Sargsyan for piano) (1906) (00:02:54)\u003cbr\u003e10\u003cbr\u003eDsirani dsaṙ (Apricot Tree) (arr. V. Sargsyan for piano) (1906) (00:02:33)\u003cbr\u003e11\u003cbr\u003eGarun a (It is Spring) (arr. V. Sargsyan for piano) (1906) (00:02:36)\u003cbr\u003e12\u003cbr\u003eHov arek' (Send a Breeze, Dear Mountains) (arr. V. Sargsyan for piano) (1906) (00:03:47)\u003cbr\u003e13\u003cbr\u003eK'ele, k'ele (March, March) (arr. V. Sargsyan for piano) (1911) (00:01:43)\u003cbr\u003e14\u003cbr\u003eHoy, Nazan (Oh, Nazan) (arr. V. Sargsyan for piano) (1911) (00:01:35)\u003cbr\u003e15\u003cbr\u003eDsedseṙnak (The Swallow) (arr. V. Sargsyan for piano) (1898) (00:02:04)\u003cbr\u003e16\u003cbr\u003eLe, le yaman (Love Song) (arr. V. Sargsyan for piano) (1911) (00:01:16)\u003cbr\u003e17\u003cbr\u003eKṙunk (The Crane) (arr. V. Sargsyan for piano) (1911) (00:02:35)\u003cbr\u003e18\u003cbr\u003eMani asem (I Will Tell Fortunes) (arr. V. Sargsyan for piano) (1905) (00:00:35)\u003cbr\u003e19\u003cbr\u003eDsaghik asem (I Will Tell Flowers) (arr. V. Sargsyan for piano) (1905) (00:00:36)\u003cbr\u003e20\u003cbr\u003eMatnik'e matovs chēr (The Ring was not My Size) (arr. V. Sargsyan for piano) (1901) (00:01:26)\u003cbr\u003e21\u003cbr\u003eAl dzin naln inch kane (What Good is a Horseshoe?) (arr. V. Sargsyan for piano) (1905) (00:01:02)\u003cbr\u003e22\u003cbr\u003eAlagyaz (sarn ampel a) (Alagyaz is Covered with Clouds) (3rd setting) (arr. V. Sargsyan for piano) (1911) (00:01:22)\u003cbr\u003e23\u003cbr\u003eKhnki dsaṙ (Incense Tree) (arr. V. Sargsyan for piano) (1911) (00:00:34)\u003cbr\u003e24\u003cbr\u003eChem kṙna khagha (I cannot Dance) (arr. V. Sargsyan for piano) (1908) (00:00:53)\u003cbr\u003e25\u003cbr\u003eMaron a kayne (There Stands Maro) (arr. V. Sargsyan for piano) (1905) (00:01:13)\u003cbr\u003e26\u003cbr\u003eOrôr (Lullaby) (arr. V. Sargsyan for piano) (1905) (00:01:50)\u003cbr\u003e27\u003cbr\u003eAmpel a kamar-kamar (The Clouds Formed Arches) (arr. V. Sargsyan for piano) (1911) (00:01:08)\u003cbr\u003e28\u003cbr\u003eLorik (The Quail) (arr. V. Sargsyan for piano) (1899) (00:02:46)\u003cbr\u003e29\u003cbr\u003eHabrban (arr. V. Sargsyan for piano) (1906) (00:01:48)\u003cbr\u003e30\u003cbr\u003eAlagyaz (bardzr sarin) (On High Mount Alagyaz) (arr. V. Sargsyan for piano) (1911) (00:02:22)\u003cbr\u003e31\u003cbr\u003eGarun (Spring) (arr. V. Sargsyan for piano) (1907) (00:04:17)\u003cbr\u003e32\u003cbr\u003eK'eler, tsoler (He Walked Radiant) (arr. V. Sargsyan for piano) (1906) (00:02:31)\u003cbr\u003e33\u003cbr\u003eZulo (arr. V. Sargsyan for piano) (1899) (00:02:58)\u003cbr\u003e34\u003cbr\u003eZinch u zinch (What, oh What) (arr. V. Sargsyan for piano) (1911) (00:01:06)\u003cbr\u003e35\u003cbr\u003eAl aylukhs (My Scarlet Kerchief) (arr. V. Sargsyan for piano) (1911) (00:01:56)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853089845498,"sku":"GP895","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp895.jpg?v=1778192052"},{"product_id":"travels-in-my-homeland-portuguese-piano-music","title":"TRAVELS IN MY HOMELAND: PORTUGUESE PIANO MUSIC (Lopes-Graça • Vasques-Dias) - Joana Gama","description":"\u003cp\u003eVasques-Dias, Amílcar\u003cbr\u003e \u003cbr\u003eLume de Chão, \"Tecido de Memórias e Afectos\" (Made Up of Memories and Affections) (2004) (00:30:00 )\u003cbr\u003e1\u003cbr\u003eI. Acender o lume (Light the fire) (00:01:44)\u003cbr\u003e2\u003cbr\u003eII. Eira do Outeiro (Threshing floor of Outeiro) (00:01:29)\u003cbr\u003e3\u003cbr\u003eIII. Azinheira de silêncio (Holm oak of silence) (00:04:34)\u003cbr\u003e4\u003cbr\u003eIV. Espadelar (Scutching) (00:01:23)\u003cbr\u003e5\u003cbr\u003eV. Assedar (Heckling) (00:02:16)\u003cbr\u003e6\u003cbr\u003eVI. Fiar (Spinning) (00:01:29)\u003cbr\u003e7\u003cbr\u003eVII. Linho (Linen) (00:02:45)\u003cbr\u003e8\u003cbr\u003eVIII. Tear-Tecer (Loom-Weaving) (00:01:43)\u003cbr\u003e9\u003cbr\u003eIX. Ao lume (By the fire) (00:03:09)\u003cbr\u003e10\u003cbr\u003eX. Acácia de ninhos (Acacia of nests) (00:01:28)\u003cbr\u003e11\u003cbr\u003eXI. Alçapão (Trapdoor) (00:02:10)\u003cbr\u003e12\u003cbr\u003eXII. Cerejas-pão (Cherries-Bread) (00:02:03)\u003cbr\u003e13\u003cbr\u003eXIII. Sobreiro (Cork oak) (00:02:46)\u003cbr\u003eLopes-Graça, Fernando\u003cbr\u003e \u003cbr\u003eViagens na Minha Terra (Travels in my Homeland) (1954) (00:35:00 )\u003cbr\u003e14\u003cbr\u003eI. Procissão de Penitência em São Gens de Calvos (Penitence Procession in São Gens de Calvos) (00:02:45)\u003cbr\u003e15\u003cbr\u003eII. Na Romaria do Senhor da Serra de Semide (In the Pilgrimage of Senhor da Serra in Semide) (00:01:19)\u003cbr\u003e16\u003cbr\u003eIII. Noutros tempos, a Figueira da Foz dançava o Lundum (In the olden days, Figueira da Foz danced the Lundum) (00:01:58)\u003cbr\u003e17\u003cbr\u003eIV. Um Natal no Ribatejo (A Christmas in Ribatejo) (00:02:08)\u003cbr\u003e18\u003cbr\u003eV. Em Alcobaça, dançando um velho Fandango (In Alcobaça, dancing an old fandango) (00:01:43)\u003cbr\u003e19\u003cbr\u003eVI. Em Ourique do Alentejo, durante o São João (In Ourique do Alentejo, during the St. John Festivities) (00:02:45)\u003cbr\u003e20\u003cbr\u003eVII. Acampando no Marão (Camping in the Marão) (00:01:08)\u003cbr\u003e21\u003cbr\u003eVIII. Em São Miguel d'Acha, durante as trovoadas, mulheres e homens cantam o bendito (In São Miguel d'Acha, during the storms, women and men sing the Bendito) (00:01:55)\u003cbr\u003e22\u003cbr\u003eIX. Em terras do Douro (In the Douro valley) (00:01:05)\u003cbr\u003e23\u003cbr\u003eX. Nas faldas da Serra da Estrela (At the foot of Serra da Estrela) (00:01:41)\u003cbr\u003e24\u003cbr\u003eXI. Em Silves, já não há moiras encantadas (In Silves, there are no more enchanted moorish maidens) (00:01:03)\u003cbr\u003e25\u003cbr\u003eXII. Cantando os Reis em Rezende (Singing the Reis in Rezende) (00:02:04)\u003cbr\u003e26\u003cbr\u003eXIII. Em Pegarinhos, uma velhinha canta uma antiga canção de roca (In Pegarinhos, an old woman sings an ancient spinning song) (00:01:13)\u003cbr\u003e27\u003cbr\u003eXIV. Na Citânia de Briteiros (In Citânia de Briteiros) (00:02:32)\u003cbr\u003e28\u003cbr\u003eXV. Em Monsanto da Beira, apanhando a margaça (In Monsanto da Beira, gathering the margaça) (00:01:20)\u003cbr\u003e29\u003cbr\u003eXVI. Na Ria de Aveiro (On the Aveiro Estuary) (00:01:56)\u003cbr\u003e30\u003cbr\u003eXVII. Em Setúbal, comendo a bela laranja (In Setúbal, eating the lovely orange) (00:02:00)\u003cbr\u003e31\u003cbr\u003eXVIII. Em Vinhais, escutando um velho romance (In Vinhais, listening to an old romance) (00:01:46)\u003cbr\u003e32\u003cbr\u003eXIX. Os adufes troam na romaria da Senhora da Póvoa de Val-de-Lobo (The adufes rumble at the pilgrimage of Senhora da Póvoa of Val-de-Lobo) (00:01:33)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853090042106,"sku":"GP792","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp792.jpg?v=1778188853"},{"product_id":"friedman-piano-transcriptions","title":"Friedman: Piano Transcriptions - Joseph Banowetz","description":"\u003cp\u003eVirtuoso pianist IGNAZ FRIEDMAN’S compositions have long been neglected but they possess great melodic beauty and harmonic inventiveness. Grouped into sets of character pieces, they exude the haunting melodies of late-Romanticism. The lush inventiveness of the Vier Klavierstücke, Op. 27 finds time for Polish folkloric inspirations whilst Stimmungen, Op. 79 – dedicated to his friend Rachmaninov - is pensive, passionate, serious and colourful. Strophes reflects Friedman’s love of Grieg, as well as the abiding influence of Vienna.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e6 Wiener Tänze nach motiven von Eduard Gärtner (1916) (00:20:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Tempo di Valse lente (00:03:48)\u003cbr\u003e2\u003cbr\u003eNo. 2. Vivo e sciolto (00:03:22)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto (00:04:04)\u003cbr\u003e4\u003cbr\u003eNo. 4. Langsamer Walzer (00:04:48)\u003cbr\u003e5\u003cbr\u003eNo. 5. Moderato * (00:03:02)\u003cbr\u003e6\u003cbr\u003eNo. 6. Epilogue: Moderato (00:02:34)\u003cbr\u003e \u003cbr\u003e4 Klavierstücke, Op. 27 (1908) (00:11:37 )\u003cbr\u003e7\u003cbr\u003eNo. 1. Prolog: Andante, molto tranquillo * (00:03:46)\u003cbr\u003e8\u003cbr\u003eNo. 2. Geständnis: Andantino, molto espressivo * (00:02:31)\u003cbr\u003e9\u003cbr\u003eNo. 3. Mazurka: Vivo, con grazia * (00:02:30)\u003cbr\u003e10\u003cbr\u003eNo. 4. Im Volkston: Moderato, poco marciale * (00:02:52)\u003cbr\u003e \u003cbr\u003eStrophes, Op. 71 (1917) (00:09:40 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Non troppo mosso * (00:01:52)\u003cbr\u003e12\u003cbr\u003eNo. 2. Passionato ed agitato * (00:02:13)\u003cbr\u003e13\u003cbr\u003eNo. 3. Andantino * (00:01:15)\u003cbr\u003e14\u003cbr\u003eNo. 4. Andante mesto * (00:01:53)\u003cbr\u003e15\u003cbr\u003eNo. 5. Quasi allegro, con eleganza * (00:02:26)\u003cbr\u003e \u003cbr\u003eStimmungen, Op. 79 (1918) (00:04:00 )\u003cbr\u003e16\u003cbr\u003eNo. 1. Poco mosso * (00:01:52)\u003cbr\u003e17\u003cbr\u003eNo. 2. Vivace e volante * (00:00:45)\u003cbr\u003e18\u003cbr\u003eNo. 3. Moderato, sempre largamente * (00:01:48)\u003cbr\u003e19\u003cbr\u003eNo. 4. Andante * (00:02:59)\u003cbr\u003e20\u003cbr\u003eNo. 5. Comodo, Tempo di Ländler * (00:01:04)\u003cbr\u003e21\u003cbr\u003eNo. 6. Andante, pensieroso * (00:01:48)\u003cbr\u003e22\u003cbr\u003eNo. 7. Grazioso e meno mosso * (00:01:09)\u003cbr\u003e23\u003cbr\u003eNo. 8. Appassionato * (00:01:27)\u003cbr\u003e24\u003cbr\u003eNo. 9. Andante, con tristezza (00:02:18)\u003cbr\u003e \u003cbr\u003e4 Preludes, Op. 61 (1915) (00:06:00 )\u003cbr\u003e25\u003cbr\u003eNo. 1. Pensieroso * (00:01:43)\u003cbr\u003e26\u003cbr\u003eNo. 2. Vivo e molto leggiero * (00:01:35)\u003cbr\u003e27\u003cbr\u003eNo. 3. Con abandono * (00:01:28)\u003cbr\u003e28\u003cbr\u003eNo. 4. Molto appassionato ed animato * (00:01:28)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853090107642,"sku":"GP712","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp711.jpg?v=1778189916"},{"product_id":"lutoslawski-complete-piano-music","title":"Lutoslawski: Complete Piano Music - Giorgio Koukl, Virginia Rossetti","description":"\u003cp\u003e \u003cbr\u003ePiano Sonata (Paul Sacher Foundation manuscript) (1934) (00:30:00 )\u003cbr\u003e1\u003cbr\u003eI. Allegro * (00:12:59)\u003cbr\u003e2\u003cbr\u003eII. Adagio ma non troppo * (00:08:17)\u003cbr\u003e3\u003cbr\u003eIII. Andante - Allegretto * (00:08:54)\u003cbr\u003e \u003cbr\u003eBukoliki (Bucolics) (1952) (00:06:00 )\u003cbr\u003e4\u003cbr\u003eI. Allegro vivace (00:01:13)\u003cbr\u003e5\u003cbr\u003eII. Allegretto sostenuto (00:01:10)\u003cbr\u003e6\u003cbr\u003eIII. Allegro molto (00:00:47)\u003cbr\u003e7\u003cbr\u003eIV. Andantino (00:01:31)\u003cbr\u003e8\u003cbr\u003eV. Allegro marciale (00:01:26)\u003cbr\u003e \u003cbr\u003e3 Pieces for the Young (1953) (00:05:00 )\u003cbr\u003e9\u003cbr\u003eNo. 1. Four-finger excercise (00:00:57)\u003cbr\u003e10\u003cbr\u003eNo. 2. An Air (00:01:47)\u003cbr\u003e11\u003cbr\u003eNo. 3. March (00:01:38)\u003cbr\u003e12\u003cbr\u003ePocałunek Roksany (A Kiss of Roxanne) () * (00:01:25)\u003cbr\u003e13\u003cbr\u003eZimowy Walc (Winter Waltz) (pre-1954) * (00:02:52)\u003cbr\u003e \u003cbr\u003eMelodie Ludowe (Folk Melodies) (1945) (00:12:00 )\u003cbr\u003e14\u003cbr\u003eNo. 1. Ach mój Jasieńko (O, My Johnny) (00:00:31)\u003cbr\u003e15\u003cbr\u003eNo. 2. Hej, od Krakowa jadę (Hey, I Come from Kraków) (00:00:43)\u003cbr\u003e16\u003cbr\u003eNo. 3. Jest drożyna, jest (There is a path, there is) (00:00:50)\u003cbr\u003e17\u003cbr\u003eNo. 4. Pastereczka (The Shepherd Girl) (00:00:57)\u003cbr\u003e18\u003cbr\u003eNo. 5. Na jabłoni jabłko wisi (An Apple Hangs on the Apple-tree) (00:00:46)\u003cbr\u003e19\u003cbr\u003eNo. 6. Od Sieradza płynie rzeka (A River Flows from Sieradz) (00:01:41)\u003cbr\u003e20\u003cbr\u003eNo. 7. Panie Michale (Master Michael) (00:01:32)\u003cbr\u003e21\u003cbr\u003eNo. 8. W polu lipeńka (The Lime-tree in the Field) (00:01:23)\u003cbr\u003e22\u003cbr\u003eNo. 9. Zalotny (Flirting) (00:01:10)\u003cbr\u003e23\u003cbr\u003eNo. 10. Gaik (The Grove) (00:00:33)\u003cbr\u003e24\u003cbr\u003eNo. 11. Gąisor (The Gander) (00:00:50)\u003cbr\u003e25\u003cbr\u003eNo. 12. Rektor (The Schoolmaster) (00:01:15)\u003cbr\u003e \u003cbr\u003e2 Studies (1941) (00:04:00 )\u003cbr\u003e26\u003cbr\u003eNo. 1. Allegro (00:02:13)\u003cbr\u003e27\u003cbr\u003eNo. 2. Non troppo allegro (00:02:57)\u003cbr\u003e28\u003cbr\u003eInvention (undated, Paul Sacher Foundation manuscript) () * (00:01:14)\u003cbr\u003e29\u003cbr\u003eInvention (1968) (1968) (00:00:59)\u003cbr\u003e30\u003cbr\u003eZasłyszana melodyjka (An Overheard Melody) (1957) (00:02:04)\u003cbr\u003e31\u003cbr\u003eMiniatura (original version for piano 4 hands, Paul Sacher Foundation manuscript) (1953) (00:02:09)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853090238714,"sku":"GP768","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp768.jpg?v=1778183519"},{"product_id":"20th-century-foxtrots-vol-3-central-eastern-europe","title":"20th Century Foxtrots, Vol. 3: Central and Eastern Europe - Gottlieb Wallisch","description":"\u003cdiv\u003e\u003cspan\u003eGramophones and radios brought the voice of America, its fashion, its carelessness and joie de vivre into every corner of Europe during the Roaring Twenties, and no composer could remain immune to the hot jazz influences of the Foxtrot, Shimmy and Charleston. This third volume of jazzy piano dances features composers from nine Central and Eastern European countries, from Misha Spoliansky’s hypnotising Valse Boston ‘Morphium’ to Leonid Polovinkin’s extremely entertaining and refreshingly futuristic approach to the genre. Gottlieb Wallisch continues his ‘most surprising and consistently charming recording project’ (The New York Times on Volume 2, GP814).\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePejačević, Dora\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVertige, Valse-Boston (1906) (00:03:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTijardović, Ivo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMein Shimmy, Jazz Band Shimmy (1922) (00:01:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLoulou la languide, Foxtrot (1921) (00:02:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLogar, Mihovil\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTango-Berceuse (1933) (00:02:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVladigerov, Pancho\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFoxtrot () (00:03:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJora, Mihail\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJoujoux pour ma dame, Op. 7: III. Un Fox-trott pour ma dame (1925) (00:01:42)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHarsányi, Tibor\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eVocalise-étude, \"Blues\" (version for piano) (1929) (00:02:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13 Danses: Fox-Trot (1929) (00:01:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZádor, Eugene\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBagatellen in Jazz (1931) (00:05:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Andantino (00:03:22)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Vivace (00:01:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMoyzes, Alexander\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDivertimento, Op. 11: IV. Tango-Blues (version for piano) (1930) (00:01:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSpoliansky, Mischa\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJimmy Shimmy (1921) (00:02:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMorphium, Valse Boston (version for piano) (1920) (00:03:54)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHarlem Blues (pre-1943) (00:02:10)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTansman, Alexandre\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSymphony No. 3, \"Symphonie concertante\": II. Tempo americano (version for piano) (1931) (00:04:27)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLaks, Simon\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBlues () (00:04:02)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMravinsky, Yevgeny\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFox-Trot (1929) (00:01:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLevin, Aleksandr\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eValse Boston, Op. 15 (1926) (00:04:33)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eShostakovich, Dmitry\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKlop (The Bedbug), Op. 19: Foxtrot (version for piano) (1929) (00:01:42)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eZolotoy vek (The Golden Age), Op. 22, Act I Scene 2: Foxtrot… Foxtrot… Foxtrot… (version for piano) (1930) (00:04:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKrein, Yulian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTango (1930) (00:05:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePolovinkin, Leonid Alekseyevich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFox-trot, \"Ski\" (1925) (00:02:36)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 South-American Dances: No. 2. Tango () (00:02:28)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eGlière, Reinhold\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe Red Poppy, Op. 70, Act III: Charleston (version for piano) (1927) (00:02:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKorchmaryov, Klimenty Arkad'yevich\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAmerican (1928) (00:02:24)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTiomkin, Dimitri\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCréoles blues (original version for piano) (1927) (00:02:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTsfasman, Alexander\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI Want to Dance, Foxtrot (1957) (00:01:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLyrical Rumba (c. 1950) (00:02:22)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853090402554,"sku":"GP854","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71tBhECGKRL._SL1500.jpg?v=1778172904"},{"product_id":"tchaikovsky-opera-and-song-transcriptions-for-piano","title":"Tchaikovsky: Opera and Song Transcriptions for Piano - Julia Severus","description":"\u003cp\u003e \u003cbr\u003e6 Romances, Op. 16 (version for piano) (1872) (00:11:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Kolïbel'naya pesnya (Cradle Song) (00:02:58)\u003cbr\u003e2\u003cbr\u003eNo. 4. O, spoy zhe tu pesnyu (O Sing that Song) (00:02:29)\u003cbr\u003e3\u003cbr\u003eNo. 5. Tak chto zhe? (So What, Then?) (00:02:45)\u003cbr\u003e5\u003cbr\u003e6 Romances, Op. 28: No. 3. Zachem? (Why?) (arr. V. Laub for piano) (1875) * (00:02:22)\u003cbr\u003e6\u003cbr\u003eKhotel bï v edinoye slovo (I Should Like a Single Word) (arr. J. Severus for piano) (1875) * (00:01:35)\u003cbr\u003e7\u003cbr\u003e6 Romances, Op. 73: No. 6. Snova, kak prezhde, odin (Again, as Before, Alone) (arr. J. Severus for piano) (1893) * (00:02:22)\u003cbr\u003e8\u003cbr\u003e6 Romances, Op. 73: No. 1. Mï sideli s toboy (We Sat Together) (arr. A. Bernard for piano) (1893) * (00:01:19)\u003cbr\u003e9\u003cbr\u003e7 Romances, Op. 47: No. 6. Den' li tsarit? (Does the Day Reign?) (arr. J. Severus for piano) (1880) * (00:03:21)\u003cbr\u003e11\u003cbr\u003eFantaisie caractéristique sur des motifs de Vakoula le Forgeron de Tchaikovsky (Characteristic Fantasy on motifs of Tchaikovsky's Vakula the Smith), Op. 319 () * (00:10:17)\u003cbr\u003e12\u003cbr\u003e6 Romances, Op. 6: No. 3. I bol'no, i sladko (It Is Both Painful and Sweet) (arr. J. Nagel for piano) (1869) * (00:02:44)\u003cbr\u003e13\u003cbr\u003e6 Romances, Op. 38: No. 1. Serenada Don-Zhuana (Don Juan's Serenade) (arr. A. Bernard for piano) (1878) * (00:02:36)\u003cbr\u003e14\u003cbr\u003e6 Romances, Op. 27: No. 3. Ne otkhodi ot menya! (Do not Leave Me!) (arr. V. Laub for piano) (1875) * (00:02:31)\u003cbr\u003e15\u003cbr\u003e6 Romances, Op. 73: No. 2. Noch' (Night) (arr. H. Pachulski for piano) (1893) * (00:02:48)\u003cbr\u003e \u003cbr\u003e6 Romances, Op. 6 (arr. J. Severus for piano) (1869) (00:06:00 )\u003cbr\u003e4\u003cbr\u003e6 Romances, Op. 6: No. 5. Otchevo? (Why?) (arr. J. Severus for piano) * (00:02:46)\u003cbr\u003e16\u003cbr\u003e6 Romances, Op. 6: No. 6. Net, tol'ko tot, kto znal (No, Only One who has Known), \"None but the Lonely Heart\" (arr. J. Severus for piano) * (00:02:51)\u003cbr\u003e17\u003cbr\u003e12 Romances, Op. 60: No. 1. Vcherashnyaya noch' (Last Night) (arr. V. Laub for piano) (1886) * (00:03:19)\u003cbr\u003e \u003cbr\u003e6 Romances, Op. 63 (arr. A. Bernard for piano) (1887) (00:03:00 )\u003cbr\u003e10\u003cbr\u003e6 Romances, Op. 63: No. 5. Uzh gasli v komnatakh ogni (The Fires in the Rooms Were Already Out) (arr. A. Bernard for piano) * (00:02:38)\u003cbr\u003e18\u003cbr\u003e6 Romances, Op. 63: No. 2. Rastvoril ya okno (I Opened the Window) (arr. A. Bernard for piano) * (00:01:44)\u003cbr\u003e19\u003cbr\u003e12 Romances, Op. 60: No. 6. Nochi bezumnïye (Frenzied Nights) (arr. A. Bernard for piano) (1886) * (00:02:56)\u003cbr\u003e20\u003cbr\u003e12 Romances, Op. 60: No. 11. Podvig (The Heroic Deed) (arr. J. Severus for piano) (1886) * (00:03:49)\u003cbr\u003e21\u003cbr\u003eFantasy on Eugene Onegin () * (00:11:47)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853090566394,"sku":"GP795","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp795.jpg?v=1778186735"},{"product_id":"enescu-complete-works-for-solo-piano-vol-1","title":"Enescu: Complete Works for Solo Piano, Vol. 1 - Josu De Solaun","description":"\u003cdiv class=\"short-description\" itemprop=\"about\"\u003e\n\u003cp\u003eThis first of three discs devoted to George Enescu’s piano music presents three significant pieces. Indebted to Romanian folk music and in three large sections, the ruminative yet striking\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNocturne in D flat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a work of shifting sonorities and moods. The\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePièces impromptues, Op. 18\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare independent, unrelated character pieces that illuminate once again the composer’s fascination with the indigenous music of Romania. The\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata No. 1 in F sharp minor, Op. 24, No. 1\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis – by contrast – a massive statement characterised by harmonic surprises, innovative techniques, insistent rhythms and, in the final, slow movement, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003edoina\u003c\/em\u003e, a type of Romanian song at once contemplative, nostalgic and melancholic.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Shigeru Kawai\u003c\/p\u003e\n\u003cp\u003eThis first of three discs devoted to George Enescu’s piano music presents three significant pieces. Indebted to Romanian folk music and in three large sections, the ruminative yet striking Nocturne in D flat is a work of shifting sonorities and moods. The Pièces impromptues, Op. 18 are independent, unrelated character pieces that illuminate once again the composer’s fascination with the indigenous music of Romania. The Sonata No. 1 in F sharp minor, Op. 24, No. 1 is – by contrast – a massive statement characterised by harmonic surprises, innovative techniques, insistent rhythms and, in the final, slow movement, the doina, a type of Romanian song at once contemplative, nostalgic and melancholic.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Shigeru Kawai\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eNocturne in D-Flat Major (1907) (00:19:07)\u003cbr\u003e \u003cbr\u003ePièces impromptues, Op. 18, \"Suite No. 3\" (1916) (00:25:00 )\u003cbr\u003e2\u003cbr\u003eI. Mélodie (00:03:15)\u003cbr\u003e3\u003cbr\u003eII. Voix de la steppe (00:03:20)\u003cbr\u003e4\u003cbr\u003eIII. Mazurk mélancolique (00:05:28)\u003cbr\u003e5\u003cbr\u003eIV. Burlesque (00:05:34)\u003cbr\u003e6\u003cbr\u003eV. Appassionato (00:04:51)\u003cbr\u003e7\u003cbr\u003eVI. Choral (00:07:16)\u003cbr\u003e8\u003cbr\u003eVII. Carillon nocturne (00:06:52)\u003cbr\u003e \u003cbr\u003ePiano Sonata No. 1 in F-Sharp Minor, Op. 24, No. 1 (1924) (00:25:00 )\u003cbr\u003e9\u003cbr\u003eI. Allegro molto moderato e grave (00:11:05)\u003cbr\u003e10\u003cbr\u003eII. Presto vivace (00:04:40)\u003cbr\u003e11\u003cbr\u003eIII. Andante molto espressivo (00:07:38)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853090631930,"sku":"GP705","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp705.jpg?v=1778182209"},{"product_id":"khachaturian-piano-transcriptions","title":"Khachaturian: Piano Transcriptions - Mikael Ayrapetyan","description":"\u003cp\u003eAram Khachaturian was devoted to ballet music and produced two masterpieces of the genre – Spartacus and Gayane. Distinguished by indelible thematic beauty of which the ‘Adagio of Spartacus and Phrygia’ is a perfect example, the ballets are symphonic in conception and, in the case of Gayane, marked by the use of leitmotifs. The Masquerade Suite is a richly contrasted theatre score. These sensitive piano arrangements preserve the very essence of Khachaturian’s music, maintaining the texture and clarity of the original orchestral scores. Mikael Ayrapetyan is the world’s leading exponent of Armenian piano music and his Grand Piano recordings of music from his homeland have been met with universal admiration.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eGayane (arr. A. Tseitlin for piano) (excerpts) (1942) (00:20:00 )\u003cbr\u003e1\u003cbr\u003eGayane: Lezginka (Dance of Young Men) (arr. A. Tseitlin for piano) (00:02:34)\u003cbr\u003e2\u003cbr\u003eGayane: Uzundara (Dance of Nuneh and the Girls) and Gayane's Dance (arr. A. Tseitlin for piano) (00:03:46)\u003cbr\u003e6\u003cbr\u003eGayane: Dance of Nuneh and Karen (arr. A. Tseitlin for piano) (00:02:02)\u003cbr\u003e7\u003cbr\u003eGayane: Shalakho (Lad's Dance) (arr. A. Tseitlin for piano) (00:02:19)\u003cbr\u003e \u003cbr\u003eGayane (arr. V. Sargsyan for piano) (excerpts) (1942) (00:20:00 )\u003cbr\u003e3\u003cbr\u003eGayane: Dance of the Maidens (arr. V. Sargsyan for piano) (00:02:48)\u003cbr\u003e4\u003cbr\u003eGayane: Lullaby (arr. V. Sargsyan for piano) (00:03:46)\u003cbr\u003e5\u003cbr\u003eGayane: Aisha's Dance (arr. V. Sargsyan for piano) (00:03:38)\u003cbr\u003e8\u003cbr\u003eGayane: Dance of the Girls with Tambourines (arr. V. Sargsyan for piano) (00:02:59)\u003cbr\u003e9\u003cbr\u003eGayane: Sabre Dance (arr. V. Sargsyan for piano) (00:02:12)\u003cbr\u003e \u003cbr\u003eSpartacus (arr. E. Khachaturian for piano) (1954) (00:20:00 )\u003cbr\u003e11\u003cbr\u003eSpartacus: Dance of the Egyptian Girl (arr. E. Khachaturian for piano) (00:03:29)\u003cbr\u003e12\u003cbr\u003eSpartacus: Dance of the Roman Courtesans (arr. E. Khachaturian for piano) (00:03:26)\u003cbr\u003e14\u003cbr\u003eSpartacus: Scene and Dance with Crotales (arr. E. Khachaturian for piano) (00:03:29)\u003cbr\u003e15\u003cbr\u003eSpartacus: Aegina's Variation and Final Bacchanal (arr. E. Khachaturian for piano) (00:03:19)\u003cbr\u003e \u003cbr\u003eSpartacus (arr. V. Sargsyan for piano) (excerpts) (1954) (00:20:00 )\u003cbr\u003e10\u003cbr\u003eSpartacus: Dance of the Nymphs (arr. V. Sargsyan for piano) (00:03:30)\u003cbr\u003e13\u003cbr\u003eSpartacus: Sword Dance of the Young Thracians (arr. V. Sargsyan for piano) (00:02:17)\u003cbr\u003e16\u003cbr\u003eSpartacus: Adagio of Spartacus and Phrygia (arr. V. Sargsyan for piano) (00:08:37)\u003cbr\u003e \u003cbr\u003eMasquerade Suite (arr. A. Dolukhanian for piano) (1941) (00:16:00 )\u003cbr\u003e17\u003cbr\u003eI. Waltz (00:03:33)\u003cbr\u003e18\u003cbr\u003eII. Nocturne (00:03:16)\u003cbr\u003e19\u003cbr\u003eIII. Mazurka (00:02:24)\u003cbr\u003e20\u003cbr\u003eIV. Romance (00:02:59)\u003cbr\u003e21\u003cbr\u003eV. Galop (00:02:57)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853091057914,"sku":"GP946","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp946.jpg?v=1778182668"},{"product_id":"glass-glassworlds-vol-6","title":"Glass: Glassworlds, Vol. 6 - Nicolas Horvath","description":"\u003cdiv\u003e\u003cspan\u003eIn weaving America’s native culture and history, Philip Glass has created his own musical lineage. This album explores these ideas through his single most demanding piano piece, the ferocious, but lyrically meditative Piano Concerto No. 2 (after Lewis and Clark), as well as one of his most neglected, the mysterious A Secret Solo 2. Wichita Vortex Sutra, a joyful and transcendent study, is also heard in the version for narrator, with words by the poet Allen Ginsberg. From his experimental years comes Music in Contrary Motion with its mesmerising variety of pulse patterns.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on: Steinway, Model C (1926), number 248200\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Concerto No. 2 (after Lewis and Clark) (arr. P. Barnes for piano) (2004) (00:29:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. The Vision (00:10:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Sacagawea (00:10:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. The Land (00:07:59)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWichita Vortex Sutra (1988) (00:06:25)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eMusic in Contrary Motion (1969) (00:10:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eA Secret Solo 2 (1978) * (00:13:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eWichita Vortex Sutra (version with narration) (1988) (00:08:37)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853091254522,"sku":"GP817","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp817.jpg?v=1778175278"},{"product_id":"contemporary-danish-piano-music","title":"Contemporary Danish Piano Music (Nørgård • Lykkebo • Bisgaard) - Carl Petersson","description":"\u003cp\u003ePER NØRGÅRD is regarded as the most important contemporary Danish composer, but his impressive early piano works, foreshadowing significant elements of his mature style, have never before appeared on CD. These include the youthfully joyous and bravura Toccata and the symphonic-scaled Sonate, Op. 6 influenced by Sibelius and Holmboe. FINN LYKKEBO’S atonal Tableaux are poetic pearls of precision and economy, while the deeply symbolic and challenging Stadier and other works represent LARS AKSEL BISGAARD’S complete piano music.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Fazioli, F278\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTracklist\u003cbr\u003eNørgård, Per\u003cbr\u003e \u003cbr\u003ePiano Sonata (1949) (1949) (00:09:00 )\u003cbr\u003e1\u003cbr\u003eI. — * (00:03:30)\u003cbr\u003e2\u003cbr\u003eII. Pastorale. Andante - * (00:02:15)\u003cbr\u003e3\u003cbr\u003eIII. Finale. Allegro * (00:03:16)\u003cbr\u003e \u003cbr\u003eToccata (1949) (00:09:24 )\u003cbr\u003e4\u003cbr\u003eToccata (Part I) * (00:03:49)\u003cbr\u003e5\u003cbr\u003eFuga * (00:02:30)\u003cbr\u003e6\u003cbr\u003eToccata (Part II) * (00:03:10)\u003cbr\u003e7\u003cbr\u003ePiano Sonata in One Movement, Op. 6 (revised 1957 version) (1957) (00:13:23)\u003cbr\u003eLykkebo, Finn\u003cbr\u003e \u003cbr\u003eTableaux (1979) (00:10:00 )\u003cbr\u003e8\u003cbr\u003eNo. 1. Couleurs et valses: Alla cadenza. Allegretto. Lento a la valse * (00:02:09)\u003cbr\u003e9\u003cbr\u003eNo. 2. Les enfants: Andante * (00:01:36)\u003cbr\u003e10\u003cbr\u003eNo. 3. Sons d'hiver: (Poco Allegro) - * (00:01:52)\u003cbr\u003e11\u003cbr\u003eNo. 4. et les oiseaux chauds: Lento * (00:02:52)\u003cbr\u003e12\u003cbr\u003eNo. 5. Parfums attrapées: Allegro * (00:01:25)\u003cbr\u003eBisgaard, Lars Aksel\u003cbr\u003e \u003cbr\u003eStadier, Op. 1 (1974) (00:16:00 )\u003cbr\u003e13\u003cbr\u003eIntroduktion * (00:04:05)\u003cbr\u003e14\u003cbr\u003eStadium I: Doppio movimento - * (00:02:14)\u003cbr\u003e15\u003cbr\u003eStadium II: Quasi tempo primo - * (00:05:14)\u003cbr\u003e16\u003cbr\u003eStadium III: Un poco meno vivo - Quasi tempo primo * (00:04:47)\u003cbr\u003e17\u003cbr\u003eBarcarole (1987) * (00:03:14)\u003cbr\u003e18\u003cbr\u003eWalking (Hommage a Thoreau) - Semplice (2014) * (00:04:59)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853091451130,"sku":"GP717","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp717.jpg?v=1778190356"},{"product_id":"grieg-evju-works-for-piano","title":"GRIEG: Piano Concerto In A Minor (Percy Grainger Edition) • EVJU: Piano Concerto In B Minor (Realised From Grieg's Fragments) - Carl Petersson","description":"\u003cp\u003eEdvard Grieg first met Percy Grainger in London in 1906 and the two became good friends, Grieg inviting the ‘Young Apollo’ to spend the summer of 1907 with him at Troldhaugen where they revised the famous Piano Concerto in A minor in preparation for a European tour later that year. Their alterations, enhancing dynamic clarity, resulted in the last edition “sanctioned by Grieg himself”, as Grieg died a few months later. Edvard Grieg had plans for a second piano concerto and wrote several piano sketches for a concerto in B-minor in 1883. He never completed it, but Norwegian composer Helge Evju has taken up the challenge to compose a work based on the incomplete concerto fragments, creating a romantic and beautiful companion concerto, faithful to Grieg’s musical style and flair.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eGrieg, Edvard\u003cbr\u003e \u003cbr\u003ePiano Concerto in A Minor, Op. 16 (revised by P. Grainger) (1868) (00:27:00 )\u003cbr\u003e1\u003cbr\u003eI. Allegro moderato (00:11:36)\u003cbr\u003e2\u003cbr\u003eII. Adagio (00:06:01)\u003cbr\u003e3\u003cbr\u003eIII. Allegro marcato (00:09:34)\u003cbr\u003e4\u003cbr\u003ePiano Concerto in B Minor (fragments) (1883) (00:02:34)\u003cbr\u003eEvju, Helge\u003cbr\u003e \u003cbr\u003ePiano Concerto in B Minor (on fragments by E. Grieg) () (00:22:04 )\u003cbr\u003e5\u003cbr\u003eI. Moderato tranquillo * (00:05:41)\u003cbr\u003e6\u003cbr\u003eII. Scherzo * (00:04:10)\u003cbr\u003e7\u003cbr\u003eIII. Adagio * (00:05:21)\u003cbr\u003e8\u003cbr\u003eIV Cadenza * (00:02:43)\u003cbr\u003e9\u003cbr\u003eV. Finale * (00:04:14)\u003cbr\u003eGrieg, Edvard\u003cbr\u003e10\u003cbr\u003e6 Poems, Op. 25: No. 4. Med en vandlilje (With a Water Lily) (arr. H. Evju for piano) (1876) * (00:02:11)\u003cbr\u003e11\u003cbr\u003e6 Songs, Op. 48: No. 6. En drom (A Dream) (arr. H. Evju for piano) (1888) * (00:02:33)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853091549434,"sku":"GP689","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp689.jpg?v=1778190531"}],"url":"https:\/\/classicselectworld.com\/collections\/grand-piano.oembed?page=2","provider":"ClassicSelect World","version":"1.0","type":"link"}