{"title":"HYPERION MEMBERS SALE","description":null,"products":[{"product_id":"stanford-sacred-choral-music-farr-monks-winchestaer-cathedral-choir","title":"Stanford: Sacred Choral Music: Winchester Cathedral Choir, David Hill (3 CDs)","description":"\u003cp\u003e \u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022_e7703d5a-a47d-4dfb-8593-486633b5ac7a.png?v=1668436318\"\u003e\u003cbr\u003eSir Charles Villiers Stanford is a central figure in Anglican church music. His many settings of the Magnificat and Nunc dimittis are evensong for generations of choirboys and church-goers. This three-disc set contains a generous selection of Stanford’s sacred choral music—settings for Matins and Evensong, motets, anthems and hymns—perfectly performed by Winchester Cathedral Choir at its best, conducted by David Hill. \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003e‘The Cambridge Years’ (1870-1892)\u003cbr\u003eMorning, Communion and Evening Service in B flat Op 10\u003cbr\u003eCD1\u003cbr\u003e1\u003cbr\u003eEvening Canticle 1: Magnificat  My soul doth magnify the Lord[3'32]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e2\u003cbr\u003eEvening Canticle 2: Nunc dimittis  Lord, now lettest thou thy servant depart in peace[3'37]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e3\u003cbr\u003eThe Lord is my shepherd[8'26]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003eThree Motets Op 38[9'03]\u003cbr\u003e4\u003cbr\u003eJustorum animae[3'16]\u003cbr\u003e5\u003cbr\u003eCaelos ascendit hodie[2'01]\u003cbr\u003e6\u003cbr\u003eBeati quorum via[3'46]\u003cbr\u003eEvening Service in A Op 12[11'43]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e7\u003cbr\u003eMagnificat  My soul doth magnify the Lord[6'12]\u003cbr\u003e8\u003cbr\u003eNunc dimittis  Lord, now lettest thou thy servant depart in peace[5'31]\u003cbr\u003e9\u003cbr\u003eIf thou shalt confess with thy mouth  (No 2 of Two Anthems, Op 37)[4'31]\u003cbr\u003eWilliam Kendall (tenor), Christopher Monks (organ)\u003cbr\u003eService in F Op 36[7'34]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e10\u003cbr\u003eEvening Canticle 1: Magnificat  My soul doth magnify the Lord[4'19]\u003cbr\u003e11\u003cbr\u003eEvening Canticle 2: Nunc dimittis  Lord, now lettest thou thy servant depart in peace[3'15]\u003cbr\u003e12\u003cbr\u003eAnd I saw another angel  (No 1 of Two Anthems, Op 37)[5'49]\u003cbr\u003eWilliam Kendall (tenor), Christopher Monks (organ)\u003cbr\u003e13\u003cbr\u003ePater noster[4'28]\u003cbr\u003eEvening Service in E flat[9'11]\u003cbr\u003eChristopher Monks (organ)\u003cbr\u003e14\u003cbr\u003eMagnificat  My soul doth magnify the Lord[5'03]\u003cbr\u003e15\u003cbr\u003eNunc dimittis  Lord, now lettest thou thy servant depart in peace[4'08]\u003cbr\u003eMorning, Communion and Evening Service in B flat Op 10\u003cbr\u003e16\u003cbr\u003eMorning Canticle 2: Jubilate  O be joyful in the Lord, all ye lands[3'14]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e17\u003cbr\u003eMorning Canticle 1: Te Deum  We praise thee, O God[6'24]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e'The Edwardian Years' (1902-1910)\u003cbr\u003eMorning, Communion and Evening Service in G Op 81\u003cbr\u003eCD2\u003cbr\u003e18\u003cbr\u003eEvening Canticle 1: Magnificat  My soul doth magnify the Lord[4'17]\u003cbr\u003eKenan Burrows (treble), Stephen Farr (organ)\u003cbr\u003e19\u003cbr\u003eEvening Canticle 2: Nunc dimittis  Lord, now lettest thou thy servant depart in peace[3'57]\u003cbr\u003eDonald Sweeney (bass), Stephen Farr (organ)\u003cbr\u003eBible Songs and Six Hymns Op 113[42'01]\u003cbr\u003e20\u003cbr\u003eNo 1a: A Song of Freedom  When the Lord turned again the captivity of Sion[3'28]\u003cbr\u003eWilliam Kendall (tenor), David Hill (organ)\u003cbr\u003e21\u003cbr\u003eNo 1b: Let us with a gladsome mind[1'29]\u003cbr\u003eChristopher Monks (organ)\u003cbr\u003e22\u003cbr\u003eNo 2a: A Song of Trust  I will lift up mine eyes unto the hills[5'31]\u003cbr\u003eWilliam Kendall (tenor), David Hill (organ)\u003cbr\u003e23\u003cbr\u003eNo 2b: Purest and highest[2'48]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e24\u003cbr\u003eNo 3a: A Song of Hope  Out of the deep have I called unto thee[6'44]\u003cbr\u003eWilliam Kendall (tenor), David Hill (organ)\u003cbr\u003e25\u003cbr\u003eNo 3b: In thee is gladness[2'39]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e26\u003cbr\u003eNo 4a: A Song of Peace  There shall come forth a rod out of the stem of Jesse[4'14]\u003cbr\u003eKenan Burrows (treble), David Hill (organ)\u003cbr\u003e27\u003cbr\u003eNo 4b: Pray that Jerusalem[2'28]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e28\u003cbr\u003eNo 5a: A Song of Battle  If the Lord himself had not been on our side[2'33]\u003cbr\u003eWilliam Kendall (tenor), David Hill (organ)\u003cbr\u003e29\u003cbr\u003eNo 5b: Praise to the Lord, the Almighty[2'07]\u003cbr\u003eChristopher Monks (organ)\u003cbr\u003e30\u003cbr\u003eNo 6a: A Song of Wisdom  I came forth from the mouth of the Most High[4'19]\u003cbr\u003eKenan Burrows (treble), David Hill (organ)\u003cbr\u003e31\u003cbr\u003eNo 6b: O for a closer walk with God[3'41]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003eService in C major Op 115\u003cbr\u003e32\u003cbr\u003eMorning Canticle 1: Te Deum  We praise thee, O God[7'29]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e33\u003cbr\u003eMorning Canticle 2: Benedictus  Blessed be the Lord God of Israel[5'32]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e34\u003cbr\u003eMorning Canticle 3: Jubilate  O be joyful in the Lord, all ye lands[3'21]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e'The Georgian Years' (1911-1924)\u003cbr\u003eCD3\u003cbr\u003e35\u003cbr\u003eEvening Canticle 1: Magnificat  My soul doth magnify the Lord[5'38]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e36\u003cbr\u003eEvening Canticle 2: Nunc dimittis  Lord, now lettest thou thy servant depart in peace[3'05]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e37\u003cbr\u003eYe choirs of New Jerusalem Op 123[4'56]\u003cbr\u003eStephen Farr (organ)\u003cbr\u003e38\u003cbr\u003eGloria in excelsis  Glory be to God on high  (Movement 1 of Festal Communion Service in B flat, Op 128)[5'27]\u003cbr\u003eKenan Burrows (treble), Stephen Farr (organ)\u003cbr\u003e39\u003cbr\u003eSt Patrick's Breastplate  I bind unto myself today[10'00]Anonymous - traditional \u003cbr\u003eStephen Farr (organ)\u003cbr\u003e40\u003cbr\u003eGlorious and powerful God  (No 3 of English Motets, Op 135)[3'51]\u003cbr\u003e41\u003cbr\u003eEternal Father  (No 2 of English Motets, Op 135)[6'12]\u003cbr\u003e42\u003cbr\u003eFor lo, I raise up Op 145[7'59]\u003cbr\u003eKenan Burrows (treble), William Kendall (tenor), Stephen Farr (organ)\u003cbr\u003e43\u003cbr\u003eMagnificat for eight-part chorus in B flat Op 164[10'15]\u003cbr\u003e44\u003cbr\u003eLighten our darkness[3'25]\u003cbr\u003eChristopher Monks (organ)\u003cbr\u003e45\u003cbr\u003eHow beauteous are their feet[3'32]\u003cbr\u003eStephen Farr (organ)\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":46900339212538,"sku":"CDS44311\/3","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571143118.png?v=1732747895"},{"product_id":"hieronymus-praetorius-magnificat-motets-cardinall-musick-carwood","title":"Praetorius (Hieronymus): Magnificat \u0026 Motets - THE CARDINALL'S MUSICK, ANDREW CARWOOD","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eHyperion is delighted to present a new disc from The Cardinall’s Musick under their inspirational director, Andrew Carwood.\u003c\/p\u003e\n\u003cp\u003eThe music of Hieronymus Praetorius is as assured, expressive and original as the Dürer image which adorns the CD cover. Yet this fine composer is much less well-known than his namesake (but not relation) Michael Praetorius.\u003c\/p\u003e\n\u003cp\u003eHieronymus Praetorius was organist of the Jacobikirche in Hamburg from 1586 until the end of his life. This somewhat sheltered background belies the sophisticated range of his works which are written in a variety of forms including the jubilant Venetian polychoral style. The composer’s highly individual voice, direct and yearning yet with a madrigalian lightness, pervades throughout.\u003c\/p\u003e\n\u003cp\u003ePraetorius’s works were published in a number of editions during his lifetime. A collected edition of the sacred music of Hieronymus Praetorius was issued between the years of 1616 and 1625; this collection included hitherto unpublished music as well as reissues of already available works. The 1622 volume presents the most daring versions of many of the pieces recorded here and contains Praetorius’s second (and previously unpublished) Magnificat quinti toni (‘in the fifth tone’) to which are attached polyphonic arrangements of the popular medieval tunes Joseph, lieber Joseph mein and In dulci iubilo. This later setting of the fifth-tone Magnificat is Praetorius’s masterpiece.\u003c\/p\u003e\n\u003cp\u003eThe Cardinall’s Musick gives an impeccable yet delightfully extroverted performance of these fascinating works.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1 Magnificat quarti toni[10'24]\u003cbr\u003e2 O bone Jesu[7'52]\u003cbr\u003e3 A solis ortus cardine \/ Beatus auctor saeculi[8'20]\u003cbr\u003e4 Benedictio mensae  Oculi omnium in te sperant, Domine[1'45]\u003cbr\u003e5 Gaudete omnes[3'31]\u003cbr\u003e6 Magnificat secundi toni[9'49]\u003cbr\u003e7 O vos omnes[3'45]\u003cbr\u003e8 Laudate Dominum[3'24]\u003cbr\u003e9 Videns Dominus[4'24]\u003cbr\u003e10 Oratio Dominica  Pater noster, qui es in caelis[2'33]\u003cbr\u003e11 Magnificat quinti toni – Joseph, lieber Joseph mein – In dulci iubilo[12'41]\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":46918119063802,"sku":"CDA67669","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571176697.png?v=1733507983"},{"product_id":"liszt-the-complete-songs-angelika-kirchschlager","title":"Liszt: The Complete Songs, Vol. 2 - ANGELIKA KIRCHSCHLAGER, JULIUS DRAKE","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022_e7703d5a-a47d-4dfb-8593-486633b5ac7a.png?v=1668436318\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis second volume of Hyperion’s newest Lieder series features the great dramatic and musical gifts of mezzo-soprano Angelika Kirchschlager. Internationally renowned on the opera stage, the concert hall and the recording studio, Kirchschlager is an ideal performer of these most varied, complex and emotionally charged songs. She is accompanied by the multi-Gramophone Award-winning Julius Drake, who curates the series.\u003c\/p\u003e\n\u003cp\u003eThe songs recorded here encompass thirty years of Liszt’s life, with texts in German, French and Italian, and contain many examples of the hidden beauties of this undervalued and little-known strand of the composer’s works.\u003c\/p\u003e\n\u003cp\u003eDetailed and informative notes by Susan Youens and a beautifully intimate recorded sound complete a volume which will be indispensable to any lovers of Lieder.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1 Der du von dem Himmel bist S279 First version[4'41]\u003cbr\u003e2 Ihr Glocken von Marling S328[2'35]\u003cbr\u003e3 Ein Fichtenbaum steht einsam S309 First setting, first version[2'35]\u003cbr\u003e4 Vergiftet sind meine Lieder S289 Third version[1'16]\u003cbr\u003e5 Freudvoll und leidvoll S280 First setting, second version[3'02]\u003cbr\u003e6 Die drei Zigeuner S320 First version  Drei Zigeuner fand ich einmal[6'08]\u003cbr\u003e7 Über allen Gipfeln ist Ruh' S306 Third version[3'32]\u003cbr\u003e8 J'ai perdu ma force et ma vie S327[3'55]\u003cbr\u003e9 Jeanne d'Arc au bûcher S293 Third version  Mon Dieu! J'étais une bergère, quand[7'37]\u003cbr\u003e10 Es war ein König in Thule S278 Second version[3'19]\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMuttergottes-Sträusslein zum Mai-Monate S316[6'18]\u003cbr\u003e11 Das Veilchen  Spende, Veilchen, deine Düfte[3'49]\u003cbr\u003e12 Die Schlüsselblumen  Dort am grünen Hügel glänzen[2'29]\u003cbr\u003e13 Und sprich S329  Sieh auf dem Meer den Glanz[2'47]\u003cbr\u003e14 Ihr Auge S310 Second version  Nimm einen Strahl der Sonne[0'47]\u003cbr\u003e15 Im Rhein, im schönen Strome S272 Second version[3'17]\u003cbr\u003e16 Es muss ein Wunderbares sein S314[1'48]\u003cbr\u003e17 La perla S326 Second version  Sono del mare bianca la figlia[4'54]\u003cbr\u003e18 Der du von dem Himmel bist S279 Third version[4'03]\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":46918119162106,"sku":"CDA67934","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571179346.png?v=1733508990"},{"product_id":"genz-vignoles-beethoven-songs-lieder-adelaide-gramophone-award-winner","title":"Beethoven: Songs - STEPHAN GENZ, ROGER VIGNOLES","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022_e7703d5a-a47d-4dfb-8593-486633b5ac7a.png?v=1668436318\"\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Beethoven remains the single most influential figure in the history of Western music, his songs have always been somewhat sidelined. He saw music as a world of infinite possibilities, largely unencumbered by textual concerns, but when issues about which he felt strongly enough to express them through a sung text did occur the results were remarkable. At the large end of the scale we have the Ninth Symphony finale, Fidelio, and the Missa Solemnis. And then there are some eighty fascinating Lieder.\u003c\/p\u003e\n\u003cp\u003eThis charming recital of many rarely-performed songs includes the monumental An die ferne Geliebte cycle, and the six Gellert settings.\u003c\/p\u003e\n\u003cp\u003eAlthough many of Beethoven's own settings are essentially strophic in nature, his songs mark the first moves towards the 'through-composed' form later perfected by Schubert—the inherent simplicity of the strophic model was far too limited in scope for someone of Beethoven's profound musical intelligence. The supreme effort of producing these songs seems to have come from an elemental desire to express his innermost feelings—there is little surviving evidence of any formal performances of Beethoven's songs during his own lifetime.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cbr\u003eAn die Hoffnung Op 94  Ob ein Gott sei? Ob er einst erfülle[7'37]\u003cbr\u003e2\u003cbr\u003eMaigesang  Wie herrlich leuchtet mir die Natur!  (No 4 of Acht Lieder, Op 52)[2'02]\u003cbr\u003e3\u003cbr\u003eAdelaide Op 46  Einsam wandelt dein Freund im Frühlingsgarten[5'34]\u003cbr\u003e4\u003cbr\u003eDer Liebende WoO139  Welch ein wunderbares Leben[2'26]\u003cbr\u003e5\u003cbr\u003eKlage WoO113  Dein Silber schien[3'06]\u003cbr\u003e6\u003cbr\u003eNeue Liebe, neues Leben  Herz, mein Herz, was soll das geben?  (No 2 of Sechs Gesänge, Op 75)[3'02]\u003cbr\u003eSechs Lieder von Gellert Op 48[18'51]\u003cbr\u003e7\u003cbr\u003eBitten  Gott, deine Güte reicht so weit[2'58]\u003cbr\u003e8\u003cbr\u003eDie Liebe des Nächsten  So jemand spricht: Ich liebe Gott![2'40]\u003cbr\u003e9\u003cbr\u003eVom Tode  Meine Lebenszeit verstreicht[3'41]\u003cbr\u003e10\u003cbr\u003eDie Ehre Gottes aus der Natur  Die Himmel rühmen des Ewigen Ehre[3'38]\u003cbr\u003e11\u003cbr\u003eGottes Macht und Vorsehung  Gott ist mein Lied![0'57]\u003cbr\u003e12\u003cbr\u003eBusslied  An dir allein, an dir hab ich gesündigt[4'57]\u003cbr\u003e13\u003cbr\u003eAus Goethes Faust  Es war einmal ein König  (No 3 of Sechs Gesänge, Op 75)[2'01]\u003cbr\u003e14\u003cbr\u003eWonne der Wehmut Op 83 No 1  Trocknet nicht, trocknet nicht[2'32]\u003cbr\u003e15\u003cbr\u003eSehnsucht Op 83 No 2  Was zieht mir das Herz so?[2'15]\u003cbr\u003e16\u003cbr\u003eDas Liedchen von der Ruhe  Im Arm der Liebe ruht sich’s wohl  (No 3 of Acht Lieder, Op 52)[4'40]\u003cbr\u003e17\u003cbr\u003eAn die Geliebte WoO140 First version  O, dass ich dir vom stillen Auge[0'56]\u003cbr\u003e18\u003cbr\u003eAn die ferne Geliebte Op 98  Auf dem Hügel sitz’ ich, spähend[14'08]\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076260380922,"sku":"CDA67055","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571170558.png?v=1737734831"},{"product_id":"bott-the-parley-of-instruments-orpheus-with-his-lute-music-for-shakespeare-from-purcell-to-arne","title":"Orpheus With His Lute: Music for Shakespeare from Purcell to Arne - CATHERINE BOTT, THE PARLEY OF INSTRUMENTS","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis fiftieth release in Hyperion’s glorious ‘English Orpheus’ series takes us on a Shakespearean Odyssey through Titus Andronicus, Measure for Measure, Troilus and Cressida, Much Ado about Nothing, Henry VIII, Cymbeline, Love’s Labour’s Lost, A Midsummer Night’s Dream and The Tempest. Pride of place, of course, goes to Thomas Arne’s immortal settings, but the disc additionally explores some remarkable songs by his predecessors and contemporaries. \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACKLISTINGWITHWORLDtransparentbluebackground_3.png?v=1667855310\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOverture to Titus Andronicus[4'28]Jeremiah Clarke (1670-1707)\u003cbr\u003e1 Overture[2'59]\u003cbr\u003e2 Minuet[1'29]\u003cbr\u003e3 Take, O take those lips away[1'54]John Weldon (1676-1736)\u003cbr\u003e4 Can life be a blessing?[2'05]John Eccles (1668-1735)\u003cbr\u003e5 Pardon, goddess of the night[3'55]Thomas Chilcot (c1700-1766)\u003cbr\u003e6 Orpheus with his lute[2'54]Maurice Greene (1696-1755)\u003cbr\u003e7 Orpheus with his lute[6'25]Thomas Chilcot (c1700-1766)\u003cbr\u003e8 Hark, hark, the lark[3'18]Thomas Chilcot (c1700-1766)\u003cbr\u003e9 To fair Fidele's grassy tomb[4'01]Thomas Arne (1710-1778)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eConcerto No 9 in E minor[5'40]Robert Woodcock (1690-1728)\u003cbr\u003eRachel Brown (flute)\u003cbr\u003e10 Vivace[1'46]\u003cbr\u003e11 Largo[1'56]\u003cbr\u003e12 Allegro[1'58]\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e13 When daisies pied and violets blue[2'26]\u003c\/p\u003e\n\u003cp\u003eRichard Leveridge (1670\/1-1758)\u003cbr\u003e14 When daisies pied and violets blue[3'20]\u003c\/p\u003e\n\u003cp\u003eThomas Arne (1710-1778)\u003cbr\u003e15 When icicles hang on the wall[3'16]\u003c\/p\u003e\n\u003cp\u003eThomas Arne (1710-1778)\u003cbr\u003e16 You spotted snakes[2'15]\u003c\/p\u003e\n\u003cp\u003eJohn Christopher Smith (1712-1795)\u003cbr\u003e17 Full fathom five[3'29]\u003c\/p\u003e\n\u003cp\u003eJohn Christopher Smith (1712-1795)\u003cbr\u003e18 All fancy sick[4'57]\u003c\/p\u003e\n\u003cp\u003eWillem De Fesch (1687-?1757)\u003cbr\u003e19 Dry those eyes which are o'erflowing[4'14]\u003c\/p\u003e\n\u003cp\u003eJohn Weldon (1676-1736)\u003cbr\u003e20 Dear pretty youth[1'37]\u003c\/p\u003e\n\u003cp\u003eHenry Purcell (1659-1695)\u003cbr\u003e21 Honour, riches, marriage-blessing[2'51]\u003c\/p\u003e\n\u003cp\u003eThomas Arne (1710-1778)\u003cbr\u003e22 Where the bee sucks, there lurk I[2'09]\u003c\/p\u003e\n\u003cp\u003eThomas Arne (1710-1778)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076260544762,"sku":"CDA67450","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571174501.png?v=1737732840"},{"product_id":"john-ainsley-graham-johnson-delibes-godard-puget-melodies-from-la-belle-epoque","title":"L'invitation au voyage: Mélodies from La belle époque - John Mark Ainsley, Graham Johnson","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis latest recital from the eternal spring of Graham Johnson’s pioneering research is entitled L’invitation au voyage (four settings of the famous Baudelaire text are included) and takes us on a fascinating armchair tour of twenty-four mélodies from ‘La belle époque’, that period of ‘settled and comfortable life in France preceding the First World War’ (Oxford Dictionary of Phrase and Fable). No fewer than eight composers are new to the Hyperion catalogue, already so rich in French song, and while these microcosms of salon charm are rarely sublime, every note is eminently civilisé.\u003c\/p\u003e\n\u003cp\u003eSo change the wallpaper for something a bit more fin de siècle, allow yourself to join Graham Johnson and the exquisite John Mark Ainsley for a magical hour-and-a-half (time allowed for the refilling of glasses, of course).\u003c\/p\u003e\n\u003cp\u003eComprehensively annotated and generously illustrated, this new addition to The Hyperion French Song Edition is essential for anyone with a care for a time when nothing really mattered.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cbr\u003eL'invitation au voyage  Mon enfant, ma sœur[3'29]Jules Cressonnois (1823-1883)\u003cbr\u003e2\u003cbr\u003eDépart  Je veux oublier que j'aime[4'23]Léo Delibes (1836-1891)\u003cbr\u003e3\u003cbr\u003eBonjour, Suzon![2'59]Léo Delibes (1836-1891)\u003cbr\u003e4\u003cbr\u003eRegrets!  Jours passés[4'58]Léo Delibes (1836-1891)\u003cbr\u003eSix Fables de La Fontaine[5'01]Charles Lecocq (1832-1918)\u003cbr\u003e5\u003cbr\u003eNo 2: La cigale et la fourmi  La cigale, ayant chanté[1'45]\u003cbr\u003e6\u003cbr\u003eNo ?: La chauve-souris et les deux belettes  Une chauve-souris donna tête baissée[3'16]\u003cbr\u003eJoyeusetés de bonne compagnieÉmile Louis Fortuné Pessard (1843-1917)\u003cbr\u003e7\u003cbr\u003eNo 10: Le spectre de la rose  Soulève ta paupière close[4'42]\u003cbr\u003e8\u003cbr\u003eNo 14: Oh! quand je dors[2'34]\u003cbr\u003e9\u003cbr\u003eChanson du berger Op 11 No 5  J'aime, et je ne puis exprimer[1'56]Benjamin Godard (1849-1895)\u003cbr\u003e10\u003cbr\u003eGuitare Op 10 No 11  Comment, disaient-ils[2'35]Benjamin Godard (1849-1895)\u003cbr\u003e11\u003cbr\u003eL'invitation au voyage  Mon enfant, ma sœur[4'13]Benjamin Godard (1849-1895)\u003cbr\u003e12\u003cbr\u003eViens! Op 11 No 3  Viens! – une flûte invisible[2'49]Benjamin Godard (1849-1895)\u003cbr\u003e13\u003cbr\u003eMadrid  Madrid, princesse des Espages[3'27]Paul Puget (1848-1917)\u003cbr\u003e14\u003cbr\u003eComment, disaient-ils[2'27]Paul Puget (1848-1917)\u003cbr\u003e15\u003cbr\u003eSoupir  Ne jamais la voir ni l'entendre[3'31]Paul-Joseph-Guillaume Hillemacher (1852-1933) \u0026amp; Lucien-Joseph-Édouard Hillemacher (1860-1909)\u003cbr\u003e16\u003cbr\u003eSi mes vers avaient des ailes  Mes vers fuiraient, doux et frêles[1'34]Paul-Joseph-Guillaume Hillemacher (1852-1933) \u0026amp; Lucien-Joseph-Édouard Hillemacher (1860-1909)\u003cbr\u003e17\u003cbr\u003eL'invitation au voyage  Mon enfant, ma sœur[1'52]Paul-Joseph-Guillaume Hillemacher (1852-1933) \u0026amp; Lucien-Joseph-Édouard Hillemacher (1860-1909)\u003cbr\u003e18\u003cbr\u003eIci-bas  Ici-bas tous les lilas meurent[1'59]Paul-Joseph-Guillaume Hillemacher (1852-1933) \u0026amp; Lucien-Joseph-Édouard Hillemacher (1860-1909)\u003cbr\u003e19\u003cbr\u003eSérénade  Nina, ton sourire[2'09]Paul-Joseph-Guillaume Hillemacher (1852-1933) \u0026amp; Lucien-Joseph-Édouard Hillemacher (1860-1909)\u003cbr\u003e20\u003cbr\u003ePsyche  Je suis jaloux, Psyché, de toute la nature[2'44]Émile Paladilhe (1844-1926)\u003cbr\u003e21\u003cbr\u003eLes papillons  Les papillons couleur de neige[2'59]Émile Paladilhe (1844-1926)\u003cbr\u003e22\u003cbr\u003eLa chanson des blondes  Provençaux, le soleil d'ici[3'27]Émile Paladilhe (1844-1926)\u003cbr\u003e23\u003cbr\u003eDanse indienne  Les bayadères[6'06]Émile Paladilhe (1844-1926)\u003cbr\u003e24\u003cbr\u003eL'invitation au voyage  Mon enfant, ma sœur[4'26]Henri Duparc (1848-1933)\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076260577530,"sku":"CDA67523","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571175232.png?v=1737740663"},{"product_id":"broderick-morrison-asti-mendelssohn-songs-duets","title":"Mendelssohn: Songs \u0026 Duets (VOL. 5) - KATHERINE BRODERICK, HANNAH MORRISON, EUGENE ASTI (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eEugene Asti’s pioneering Mendelssohn Songs and Duets series, containing a large number of first recordings and rarities, concludes with this fifth volume, a generous two CDs for the price of one. The contents range from Mendelssohn’s first extant composition of any kind – a birthday song presented to his father by the precocious ten-year-old composer – to settings of the German romantic poets Schiller, Goethe and Eichendorff, which place Mendelssohn firmly in the canon of the great Lieder composers.\u003c\/p\u003e\n\u003cp\u003eThese works are performed by a talented group of young singers who will be familiar from other discs in the series, including the winner of the 2008 Kathleen Ferrier prize, Katherine Broderick.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD1\u003cbr\u003e1 Lied zum Geburtstage meines guten Vaters  Ihr Töne schwingt euch fröhlich durch die Saiten[1'39]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e2 Pauvre Jeanette[1'09]\u003cbr\u003eHannah Morrison (soprano)\u003cbr\u003eSix Songs Op 99\u003cbr\u003e3 Erster Verlust  Ach! wer bringt die schönen Tage[3'06]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e4 Des Mädchens Klage  Der Eichwald brauset, die Wolken ziehn[2'11]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e5 Sanft weh'n im Hauch der Abendluft[2'48]\u003cbr\u003eFinnur Bjarnason (tenor)\u003cbr\u003eSix Songs Op 57\u003cbr\u003e6 Wanderlied  Laue Luft kommt blau geflossen[1'47]\u003cbr\u003eFinnur Bjarnason (tenor)\u003cbr\u003e7 Das Waldschloss  Wo noch kein Wand'rer gegangen[2'05]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003eSix Songs Op 99\u003cbr\u003e8 Es weiss und rät es doch Keiner[2'29]\u003cbr\u003eHannah Morrison (soprano)\u003cbr\u003e9 Charlotte to Werther  All moveless in her dark bright eye[3'22]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003eSechs Schottische National-Lieder[18'59]\u003cbr\u003eHannah Morrison (soprano), James Rutherford (baritone)\u003cbr\u003e10 O dinna ask me[1'50]\u003cbr\u003e11 Mary's Dream  The moon had climb’d the highest hill[5'25]\u003cbr\u003e12 We've a bonnie wee flower[2'35]\u003cbr\u003e13 Saw ye Johnnie comin'[2'53]\u003cbr\u003e14 The Flowers of the Forest  I’ve seen the smiling of fortune beguiling[2'53]\u003cbr\u003e15 The yellow-hair'd laddie  In April when primroses paint the sweet plain[3'23]\u003cbr\u003e16 Ave Maria  Ave Maria! Jungfrau mild[1'56]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e17 Raste, Krieger! Krieg ist aus[1'50]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e18 Volkslied  O säh’ ich auf der Haide dort[2'01]\u003cbr\u003eStephan Loges (baritone)\u003cbr\u003eSix Songs Op 47\u003cbr\u003eCD2\u003cbr\u003e19 Minnelied  Wie der Quell so lieblich klinget[1'27]\u003cbr\u003eStephan Loges (baritone)\u003cbr\u003e20 Es rauscht der Wald, es springt der Quell[1'52]\u003cbr\u003eFinnur Bjarnason (tenor)\u003cbr\u003eTwelve Songs Op 9\u003cbr\u003e21 Frage  Ist es wahr? Ist es wahr?[1'40]\u003cbr\u003eFinnur Bjarnason (tenor)\u003cbr\u003e22 Geständnis  Kennst du nicht das Glutverlangen[2'15]\u003cbr\u003eFinnur Bjarnason (tenor)\u003cbr\u003e23 Weiter, rastlos, atemlos[1'10]\u003cbr\u003eStephan Loges (baritone)\u003cbr\u003e24 Weihnachtslied  Auf, schicke dich[2'41]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e25 Von allen deinen zarten Gaben[2'22]\u003cbr\u003eFinnur Bjarnason (tenor)\u003cbr\u003e26 Wiegenlied  Schlumm’re sanft und milde[3'56]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e27 Vier trübe Monden sind entflohn[3'09]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e28 Lieben und Schweigen  Ich flocht’ ein Kränzlein schöner Lieder[2'44]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e29 Suleika  Ach, um deine feuchten Schwingen[2'25]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e30 So schlaf in Ruh![3'00]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e31 Todeslied der Bojaren  Leg’ in den Sarg mir mein grünes Gewand[2'40]\u003cbr\u003eStephan Loges (baritone)\u003cbr\u003e32 Erwartung  Bist auf ewig du gegangen[2'50]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e33 Und über dich wohl streut der Wind[1'30]\u003cbr\u003eStephan Loges (baritone)\u003cbr\u003e34 Weinend seh' ich in die Nacht[1'30]\u003cbr\u003eKatherine Broderick (soprano)\u003cbr\u003e35 Ch'io t'abbandono in periglio sì grande[8'50]\u003cbr\u003eJames Rutherford (baritone)\u003cbr\u003eSix Songs Op 47\u003cbr\u003e36 Volkslied  Es ist bestimmt in Gottes Rat'[3'42]\u003cbr\u003eAnna Grevelius (mezzo-soprano)\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076260774138,"sku":"CDA67753","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571177533.png?v=1737733078"},{"product_id":"westminster-abbey-choir-odonnell-tye-missa-euge-christ-rising-from-the-dead","title":"TYE: Missa Euge bone \u0026 Western Wynde Mass - WESTMINSTER ABBEY CHOIR, JAMES O'DONNELL -","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003eChristopher Tye flourished as a church musician in England during the mid-sixteenth century. A direct contemporary of Thomas Tallis, he held the prestigious post of Master of Choristers at Ely cathedral and successfully managed to compose music for both Protestant and Catholic services during a politically unstable time. Henry VIII was a fan, asserting: ‘England one god, one truth, one doctor hath for music’s art—and that is Dr Tye’ (Tye himself had Protestant leanings).\u003c\/p\u003e\n\u003cp\u003eThe composer was also described as ‘peevish and humoursome’, and these qualities are reflected in his remarkably individual music, characterized by unpredictable cadences and phrases of often unexpectedly startling beauty. The two major works on this recording are his masterful Missa Euge bone for six voices, and his Western Wynde Mass, probably an early work, and likely written as a complement to John Taverner’s own Mass based on this secular English song.\u003c\/p\u003e\n\u003cp\u003eThe peerless Westminster Abbey Choir directed by James O’Donnell performs these sparsely beautiful a cappella works with customary freshness and sense of grandeur.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cbr\u003eQuaesumus omnipotens et misericors Deus[6'25]\u003cbr\u003eMissa Euge bone[22'02]\u003cbr\u003e2\u003cbr\u003eGloria[5'55]\u003cbr\u003e3\u003cbr\u003eCredo[4'53]\u003cbr\u003e4\u003cbr\u003eSanctus[3'46]\u003cbr\u003e5\u003cbr\u003eBenedictus[2'22]\u003cbr\u003e6\u003cbr\u003eAgnus Dei I[1'03]\u003cbr\u003e7\u003cbr\u003eAgnus Dei II[1'32]\u003cbr\u003e8\u003cbr\u003eAgnus Dei III[1'18]\u003cbr\u003e9\u003cbr\u003eAgnus Dei IV[1'13]\u003cbr\u003e10\u003cbr\u003eGive almes of thy goods[1'47]\u003cbr\u003e11\u003cbr\u003eChrist rising[3'40]\u003cbr\u003e12\u003cbr\u003ePeccavimus cum patribus nostris[11'39]\u003cbr\u003eWestern Wynde Mass[24'35]\u003cbr\u003e13\u003cbr\u003eGloria[6'32]\u003cbr\u003e14\u003cbr\u003eCredo[6'53]\u003cbr\u003e15\u003cbr\u003eSanctus[4'01]\u003cbr\u003e16\u003cbr\u003eBenedictus[2'38]\u003cbr\u003e17\u003cbr\u003eAgnus Dei I[1'05]\u003cbr\u003e18\u003cbr\u003eAgnus Dei II[1'38]\u003cbr\u003e19\u003cbr\u003eAgnus Dei III[1'48]\u003cbr\u003e20\u003cbr\u003eNunc dimittis  Lord, let thy servant now depart in peace[3'33]\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076260905210,"sku":"CDA67928","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571179285.png?v=1737739824"},{"product_id":"arcangelo-jonathan-cohen-couperin-lapotheose-de-lully-lecons-de-tenebres","title":"Couperin: L'Apotheose De Lully, Lecons de tenebres - ARCANGELO, JONATHAN COHEN","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003eL’Apothéose de Lully was Couperin’s hommage to his great musical predecessor and depicts the elder composer’s elevation to Mount Parnassus (where he plays duets with the shade of Corelli and, with Apollo’s blessing, effects a reconciliation between the contrasting French and Italian styles of the day). The Leçons de ténèbres were written for performance in Holy Week and demand—and here receive from Katherine Watson and Anna Dennis—vocal artistry of the highest order.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eL'Apothéose de Lully[31'47]\u003cbr\u003e1\u003cbr\u003eLulli aux Champs Élisés: Concertant avec les Ombres liriques[2'35]\u003cbr\u003e2\u003cbr\u003eAir pour les Mêmes[2'29]\u003cbr\u003e3\u003cbr\u003eVol, de Mercure aux Champs Élisés, pour avertir qu’Apollon y va descendre[0'33]\u003cbr\u003e4\u003cbr\u003eDescente d’Apollon: qui vient offrir son Violon à Lulli; et sa place au Parnasse[2'30]\u003cbr\u003e5\u003cbr\u003eRumeur Souteraine: Causée par les auteurs—Contemporains de Lulli[0'35]\u003cbr\u003e6\u003cbr\u003ePlaintes des Mêmes: pour des Flûtes, ou des Violons tres adoucis[3'04]\u003cbr\u003e7\u003cbr\u003eEnlévement de Lulli au Parnasse[1'43]\u003cbr\u003e8\u003cbr\u003eAccüeil entre-Doux, et -Agard, fait à Lulli par Corelli, et par les Muses italiénes[2'34]\u003cbr\u003e9\u003cbr\u003eRemerciment de Lulli: à Apollon[3'04]\u003cbr\u003e10\u003cbr\u003eEssai en forme d’Ouverture: Lulli et les Muses Françoises, Corelli et les Muses Italiénes[3'07]\u003cbr\u003e11\u003cbr\u003eAir léger: Lulli, joüant le Sujet; et Corelli l’acompagnant[0'51]\u003cbr\u003e12\u003cbr\u003eSecond Air: Corelli joüant le Sujet, à son tour, que Lulli acompagne[1'33]\u003cbr\u003eLa Paix du Parnasse: Sonade en trio\u003cbr\u003e13\u003cbr\u003eGravement[2'15]\u003cbr\u003e14\u003cbr\u003eSaillie: Vivement[1'35]\u003cbr\u003e15\u003cbr\u003eRondement[1'28]\u003cbr\u003e16\u003cbr\u003eVivement[1'51]\u003cbr\u003eLeçons de ténèbres[38'31]\u003cbr\u003eKatherine Watson (soprano), Anna Dennis (soprano)\u003cbr\u003e17\u003cbr\u003eLeçon 1 No 1: Incipit lamentatio Jeremiae prophetae[0'34]\u003cbr\u003e18\u003cbr\u003eLeçon 1 No 2: Aleph. Quomodo sedet sola civitas plena populo[2'07]\u003cbr\u003e19\u003cbr\u003eLeçon 1 No 3: Beth. Plorans ploravit in nocte[3'38]\u003cbr\u003e20\u003cbr\u003eLeçon 1 No 4: Ghimel. Migravit Juda propter afflictionem –[1'43]\u003cbr\u003e21\u003cbr\u003eLeçon 1 No 5: Daleth. Viae Sion lugent[2'19]\u003cbr\u003e22\u003cbr\u003eLeçon 1 No 6: Heth. Facti sunt hostes eius in capite[2'29]\u003cbr\u003e23\u003cbr\u003eLeçon 1 No 7: Jerusalem, Jerusalem, convertere ad Dominum Deum tuum[2'54]\u003cbr\u003e24\u003cbr\u003eLeçon 2 No 1: Vau. Et egressus est a filia Sion[1'55]\u003cbr\u003e25\u003cbr\u003eLeçon 2 No 2: Zain. Recordata est Jerusalem dierum afflictionis suae[3'06]\u003cbr\u003e26\u003cbr\u003eLeçon 2 No 3: Heth. Peccatum peccavit Jerusalem[1'45]\u003cbr\u003e27\u003cbr\u003eLeçon 2 No 4: Teth. Sordes eius in pedibus eius[2'32]\u003cbr\u003e28\u003cbr\u003eLeçon 2 No 5: Jerusalem, Jerusalem, convertere ad Dominum Deum tuum[2'06]\u003cbr\u003e29\u003cbr\u003eLeçon 3 No 1: Jod. Manum suam misit hostis –[1'37]\u003cbr\u003e30\u003cbr\u003eLeçon 3 No 2: Caph. Omnis populus eius gemens –[1'41]\u003cbr\u003e31\u003cbr\u003eLeçon 3 No 3: Lamed. O vos omnes qui transitis per viam[2'28]\u003cbr\u003e32\u003cbr\u003eLeçon 3 No 4: Mem. De excelso misit ignem in ossibus meis –[1'48]\u003cbr\u003e33\u003cbr\u003eLeçon 3 No 5: Nun. Vigilavit iugum iniquitatum mearum[1'50]\u003cbr\u003e34\u003cbr\u003eLeçon 3 No 6: Jerusalem, Jerusalem, convertere ad Dominum Deum tuum[1'5\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076261265658,"sku":"CDA68093","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3579547.jpg?v=1668973587"},{"product_id":"potter-ogorman-covey-crump-early-music-from-13th-century-france","title":"Conductus, Volume 3: Music \u0026 poetry from thirteenth-century France - John Potter, Christopher O'Gorman, Rogers Covey-Crump","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eOur trio of master-medievalist tenors presents a concluding instalment of Conductus, that most intimate form of music and poetry from thirteenth-century France.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cbr\u003eFas et nefas[4'09]\u003cbr\u003eJohn Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)\u003cbr\u003e2\u003cbr\u003eA globo veteri[4'59]\u003cbr\u003eRogers Covey-Crump (tenor)\u003cbr\u003e3\u003cbr\u003eVite perdite[5'45]\u003cbr\u003eJohn Potter (tenor), Christopher O'Gorman (tenor)\u003cbr\u003e4\u003cbr\u003eA l'entrant del tans salvage[3'04]\u003cbr\u003eChristopher O'Gorman (tenor)\u003cbr\u003e5\u003cbr\u003ePer dan que d'amor mi veigna[3'22]\u003cbr\u003eJohn Potter (tenor)\u003cbr\u003e6\u003cbr\u003eO qui fontem gratie[7'50]\u003cbr\u003eJohn Potter (tenor), Christopher O'Gorman (tenor)\u003cbr\u003e7\u003cbr\u003eTransgressus legem Domini[7'32]\u003cbr\u003eJohn Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)\u003cbr\u003e8\u003cbr\u003eSede, Syon, in pulvere[5'39]\u003cbr\u003eChristopher O'Gorman (tenor)\u003cbr\u003e9\u003cbr\u003eOlim sudor Herculis[8'54]\u003cbr\u003eJohn Potter (tenor)\u003cbr\u003e10\u003cbr\u003eEclypsim passus totiens[2'17]\u003cbr\u003eChristopher O'Gorman (tenor)\u003cbr\u003e11\u003cbr\u003eHomo, natus ad laborem[8'02]\u003cbr\u003eJohn Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076261462266,"sku":"CDA68115","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571281155.png?v=1737741578"},{"product_id":"mstislav-rostropovich-alban-gerhardt-rostropovich-encores-works-by-rachmaninov-prokofiev-ravel-debussy","title":"Rostropovich Encores: Alban Gerhardt, Markus Becker","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003eFor the young Alban Gerhardt, Rostropovich was ‘a reason to become passionate about the cello’: in the notes accompanying this release he recalls being ‘blown away’ on first hearing Slava play live in Berlin. This splendid follow-up to Casals Encores sees Gerhardt paying homage to his great predecessor with an eclectic programme of shorter works, including two by Rostropovich himself.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cbr\u003eHumoresque Op 5[2'10]Mstislav Rostropovich (1927-2007)\u003cbr\u003e2\u003cbr\u003eAdagio 'Cinderella and the Prince' Op 97bis[4'53]Serge Prokofiev (1891-1953)\u003cbr\u003e3\u003cbr\u003ePresto  (No 1 of Suite, Op 10)[1'59]Christian Sinding (1856-1941)\u003cbr\u003e4\u003cbr\u003eOriental dance Op 2 No 2[6'44]Sergei Rachmaninov (1873-1943)\u003cbr\u003ePas de deux from Divertimento[6'59]Igor Stravinsky (1882-1971), arr. Samuel Dushkin (1891-1976) \u0026amp; Mstislav Rostropovich (1927-2007)\u003cbr\u003e5\u003cbr\u003eAdagio[3'50]\u003cbr\u003e6\u003cbr\u003eVariation and Coda[3'09]\u003cbr\u003e7\u003cbr\u003eMarch  (Movement from The love of three oranges)[1'45]Serge Prokofiev (1891-1953), arr. Mstislav Rostropovich (1927-2007)\u003cbr\u003e8\u003cbr\u003eVocalise  (No 14 of 14 Songs, Op 34)[6'24]Sergei Rachmaninov (1873-1943)\u003cbr\u003e9\u003cbr\u003eClair de lune  (Movement 3 of Suite bergamasque, L82)[5'05]Claude Debussy (1862-1918), arr. Mstislav Rostropovich (1927-2007)\u003cbr\u003eDouze études Op 8Alexander Scriabin (1872-1915), arr. Gregor Piatigorsky (1903-1976)\u003cbr\u003e10\u003cbr\u003eNo 11 in B flat minor: Andante cantabile[4'14]\u003cbr\u003e11\u003cbr\u003eWaltz-Coda  (Movement from Cinderella)[2'52]Serge Prokofiev (1891-1953), arr. Mstislav Rostropovich (1927-2007)\u003cbr\u003e12\u003cbr\u003eRussian maiden's song  (Movement from Mavra)[3'40]Igor Stravinsky (1882-1971), arr. Dimitry Markevitch (1923-2002)\u003cbr\u003e13\u003cbr\u003eElfentanz Op 39[2'35]David Popper (1843-1913)\u003cbr\u003e14\u003cbr\u003eNocturne et scherzo L39[5'24]Claude Debussy (1862-1918)\u003cbr\u003eÉtudes Op 25Frédéric Chopin (1810-1849), arr. Alexander Glazunov (1865-1936)\u003cbr\u003e15\u003cbr\u003eNo 7 in C sharp minor: Lento[6'21]\u003cbr\u003e16\u003cbr\u003eMinstrels: Modéré  (No 12 of Préludes I, L125)[3'01]Claude Debussy (1862-1918), arr. Mstislav Rostropovich (1927-2007)\u003cbr\u003e17\u003cbr\u003ePièce en forme de habanera[3'07]Maurice Ravel (1875-1937)\u003cbr\u003e18\u003cbr\u003eModerato[3'05]Mstislav Rostropovich (1927-2007)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076261560570,"sku":"CDA68136","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571281360.png?v=1737741267"},{"product_id":"andrew-kirkman-the-binchois-consort-the-lily-and-the-rose-adoration-of-the-virgin","title":"The Lily And The Rose: Adoration Of The Virgin - ANDREW KIRKMAN \/ THE BINCHOIS CONSORT","description":"\u003cp\u003eA celebration of the Virgin Mary in sound and stone: following the success of its predecessor, ‘Music for the 100 Years’ War’, this release further explores the artistic parallels between music and alabaster sculpture in late medieval England.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003eDe beata Virgine Maria—intercession against plague\u003cbr\u003e1 Stella celi extirpavit[1'27]John? Cooke (c1385-?1442)\u003cbr\u003e2 Salve sancta parens[2'38]Anonymous - liturgical\u003cbr\u003e3 Kyrie 'So ys emprentid'[4'25]Walter Frye (d1475)\u003cbr\u003e4 Gloria  (Movement 1 of Missa Flos regalis)[6'27]Walter Frye (d1475)\u003cbr\u003e5 Stella celi extirpavit \/ [So ys emprentid][4'58]Guillaume Le Rouge (fl c1450-1465)\u003cbr\u003eThe Annunciation to the Virgin\u003cbr\u003e6 Superno nunc emittitur[2'00]John Bedyngham (dc1459\/60)\u003cbr\u003e7 Ave maris stella[3'16]John Dunstaple (c1390-1453)\u003cbr\u003e8 Credo  (Movement 2 of Missa Flos regalis)[6'31]Walter Frye (d1475)\u003cbr\u003e9 Salve porta paradisi[1'16][Thomas?] Damett (? 1389\/90-between 15 July 1436 and 14 April 1437)\u003cbr\u003e10 Gaude virgo salutata \/ Gaude virgo singularis \/ Virgo mater comprobaris \/ Ave gemma celi[4'53]John Dunstaple (c1390-1453)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Assumption and Coronation of the Virgin\u003cbr\u003e11 Sancta Maria, succurre miseris[2'44]John Bedyngham (dc1459\/60) \u0026amp; Walter Frye (d1475)\u003cbr\u003e12 Sanctus \u0026amp; Benedictus  (Movement 3 of Missa Flos regalis)[6'45]Walter Frye (d1475)\u003cbr\u003e13 O quam glorifica[3'49][John?] Fowler (fl c1460-1460)\u003cbr\u003e14 Qualis est dilectus[3'43]Forest (fl 1400-1450)\u003cbr\u003e15 Sancta Maria, succurre miseris[3'25]John Dunstaple (c1390-1453)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLineage of the Virgin\u003cbr\u003e16 Virga Jesse floruit[2'22]Anonymous - Renaissance\u003cbr\u003e17 Matronarum hec matrona[1'52]Anonymous - liturgical\u003cbr\u003e18 Anna mater matris Christi[4'55]John Plummer (?c1410-c1484)\u003cbr\u003e19 Agnus Dei  (Movement 4 of Missa Flos regalis)[5'21]Walter Frye (d1475)\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076261921018,"sku":"CDA68228","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/034571282282.png?v=1669221190"},{"product_id":"sitkovetsky-vignoles-sergei-rachmaninov-songs","title":"Rachmaninov: Songs - Julia Sitkovetsky, Roger Vignoles","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022_e7703d5a-a47d-4dfb-8593-486633b5ac7a.png?v=1668436318\"\u003e\u003cbr\u003eRachmaninov’s songs all date from the first half of his artistic life, before he left post-revolutionary Russia. They are exquisite, and this recital from Julia Sitkovetsky and Roger Vignoles includes some of the finest, culminating with the much-loved Vocalise.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003cbr\u003e6 Songs Op 38[15'21]\u003cbr\u003e1\u003cbr\u003eNoch'yu v sadu u menya 'In my garden at night'[1'44]\u003cbr\u003e2\u003cbr\u003eK ney 'To her'  Travï odetï perlami 'Pearls adorn the grass'[2'38]\u003cbr\u003e3\u003cbr\u003eMargaritki 'Daisies'  O, posmotri! kak mnogo margaritok 'Oh, see how many daisies'[2'12]\u003cbr\u003e4\u003cbr\u003eKrïsolov 'Pied piper'  Ya na dudochke igrayu 'I play a reed-pipe'[2'58]\u003cbr\u003e5\u003cbr\u003eSon 'A dream'  V mire net nichego 'There is nothing'[3'24]\u003cbr\u003e6\u003cbr\u003eA-u!  Tvoy nezhnïy smekh 'Your tender laughter'[2'25]\u003cbr\u003e7\u003cbr\u003eNe poy, krasavitsa, pri mne 'Do not sing to me, fair maiden'  (No 4 of 6 Songs, Op 4)[4'23]\u003cbr\u003e8\u003cbr\u003eUzh tï, niva moya 'O you, my grain-field'  (No 5 of 6 Songs, Op 4)[3'54]\u003cbr\u003e9\u003cbr\u003eDavno-l', moy drug 'How long, my friend'  (No 6 of 6 Songs, Op 4)[2'05]\u003cbr\u003e10\u003cbr\u003eDuma 'Brooding'  Prokhodyat dni 'The days pass'  (No 3 of 6 Songs, Op 8)[3'26]\u003cbr\u003e11\u003cbr\u003eSon 'A dream'  I u menya bïl kray rodnoy 'And I had a homeland'  (No 5 of 6 Songs, Op 8)[1'18]\u003cbr\u003e12\u003cbr\u003eMolitva 'Prayer'  O, Bozhe moy! 'Oh, my God!'  (No 6 of 6 Songs, Op 8)[3'15]\u003cbr\u003e13\u003cbr\u003eVesenniye vodï 'Spring waters'  Yeshchyo v polyakh beleyet sneg 'The fields are still whitened with snow'  (No 11 of 12 Songs, Op 14)[2'14]\u003cbr\u003e14\u003cbr\u003eSumerki 'Twilight'  Ona zadumalas’ 'Lost in dreams'  (No 3 of 12 Songs, Op 21)[1'52]\u003cbr\u003e15\u003cbr\u003eSiren' 'Lilacs'  Po utru, na zare 'In the morning, at daybreak'  (No 5 of 12 Songs, Op 21)[1'48]\u003cbr\u003e16\u003cbr\u003eZdes' khorosho 'Here it is good'  (No 7 of 12 Songs, Op 21)[1'53]\u003cbr\u003e17\u003cbr\u003eKak mne bol'no 'How painful this is'  (No 12 of 12 Songs, Op 21)[2'00]\u003cbr\u003e18\u003cbr\u003eU moyego okna 'Before my window'  (No 10 of 15 Songs, Op 26)[1'53]\u003cbr\u003e19\u003cbr\u003eMuza 'The muse'  V mladenchestve moyom ona menya lyubila 'When I was a child she loved me'  (No 1 of 14 Songs, Op 34)[4'09]\u003cbr\u003e20\u003cbr\u003eKakoye schast'ye 'What happiness'  (No 12 of 14 Songs, Op 34)[2'27]\u003cbr\u003e21\u003cbr\u003eVocalise  (No 14 of 14 Songs, Op 34)[6'10]\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076261953786,"sku":"CDA68309","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571283098.png?v=1737742884"},{"product_id":"riga-cathedral-choir-jurgis-cabulis-jancevskis-aeternum-o-lux-beata-other-choral-works","title":"Jančevskis: Aeternum \u0026 other choral works - Riga Cathedral Choir School Mixed Choir, Jurģis Cābulis","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003eJēkabs Jančevskis is a young Latvian composer and an exponent of that thrilling, accessible brand of choral writing which flourishes in the Baltic States as nowhere else, and which has become something of an established Hyperion enthusiasm.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003e1\u003cbr\u003eOdpływ  Chcę wypowiedzieć bursztyn, a w ustach mam kalafonię[7'05]\u003cbr\u003eKatrīna Paula Felsberga (soprano), Dārta Liepiņa (soprano)\u003cbr\u003e2\u003cbr\u003eAtsalums  Ledutiņi, bāleliņi, mūs’ jūriņu sasaldē[6'33]\u003cbr\u003eKatrīna Paula Felsberga (soprano), Artūrs Švarcbahs (percussion)\u003cbr\u003e3\u003cbr\u003eMater amabilis[5'00]\u003cbr\u003e4\u003cbr\u003eAeternum  aizmirsti manu vārdu[5'53]\u003cbr\u003eKatrīna Paula Felsberga (soprano)\u003cbr\u003e5\u003cbr\u003eO lux beata Trinitas[9'02]\u003cbr\u003eKatrīna Paula Felsberga (soprano), Anna Amanda Stolere (soprano), Mārtiņš Zvīgulis (tenor), Artūrs Švarcbahs (bass), Jēkabs Jančevskis (organ pipes), Artūrs Oskars Mitrevics (percussion)\u003cbr\u003e6\u003cbr\u003eWhen  When he shall die[10'13]\u003cbr\u003eKristaps Bergs (cello), Dārta Liepiņa (soprano)\u003cbr\u003e7\u003cbr\u003eAr zvaigžņu kluso gaismu[4'22]\u003cbr\u003eKatrīna Paula Felsberga (soprano), Ansis Jansons (kokle)\u003cbr\u003e8\u003cbr\u003eThe button  Like a cherry tree[8'47]\u003cbr\u003eAnna Amanda Stolere (soprano), Silvija Emīlija Sūna (alto), Katrīna Kivleniece-Cābule (soprano saxophone), Artis Sīmanis (alto saxophone), Ainars Šablovskis (tenor saxophone), Marta Kauliņa (percussion), Ernests Mediņš (percussion), Kristīne Adamaite (organ)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":47076262052090,"sku":"CDA68328","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571283289.png?v=1737742211"},{"product_id":"dvorak-string-quartet-op-106-coleridge-taylor-fantasiestucke-takacs-quartet-copy","title":"DVORAK: String Quartet Op 106; Coleridge-Taylor: Fantasiestucke - Takacs Quartet","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_480x480.png?v=1668973528\"\u003e\u003cbr\u003e1 Coleridge-Taylor: 5 Fantasiestücke, Op 5 I. Prelude: Allegro Ma Non Troppo\u003cbr\u003e2 Coleridge-Taylor: 5 Fantasiestücke, Op 5 II. Serenade: Andante Molto\u003cbr\u003e3 Coleridge-Taylor: 5 Fantasiestücke, Op 5 III. Humoresque: Presto\u003cbr\u003e4 Coleridge-Taylor: 5 Fantasiestücke, Op 5 IV. Minuet and Trio: Allegro Moderato\u003cbr\u003e5 Coleridge-Taylor: 5 Fantasiestücke, Op 5 V. Dance: Vivace\u003cbr\u003e6 Dvorák: String Quartet No 13 in G Major, Op 106 I. Allegro Moderato\u003cbr\u003e7 Dvorák: String Quartet No 13 in G Major, Op 106 II. Adagio Ma Non Troppo\u003cbr\u003e8 Dvorák: String Quartet No 13 in G Major, Op 106 III. Molto Vivace\u003cbr\u003e9 Dvorák: String Quartet No 13 in G Major, Op 106 IV. Finale: Andante Sostenuto - Allegro Con Fuoco\u003cbr\u003e10 Dvorák: Andante Appassionato, B40A\u003cbr\u003e\u003c\/p\u003e","brand":"Hyperion","offers":[{"title":"Default Title","offer_id":47223036018938,"sku":"034571284132","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/4207924-3020621.jpg?v=1743100105"},{"product_id":"stojowski-violin-concerto-in-g-minor-wieniawski-fantasia-on-faust-niziol-bbc-symphony-orchestra","title":"Stojowski: Violin Concerto In G Minor; Wieniawski: Fantasia On 'Faust' - NIZIOL \/ BBC SYMPHONY ORCHESTRA","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe music of Zygmunt Stojowski has yet to benefit from the renaissance enjoyed by other Polish composers of the late nineteenth and early twentieth centuries. His violin concerto—enthusiastically received at its premiere—is here revivified alongside Wieniawski’s dazzling Fantaisie in volume 20 of our Romantic Violin Concerto series.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e            \u003cbr\u003e        \u003cbr\u003eStokowski: Violin Concerto in G minor Op 22[30'26]\u003cbr\u003e1 Allegro deciso[13'21]\u003cbr\u003e2 Andante non troppo[7'39]\u003cbr\u003e3 Allegro giocoso[9'26]\u003c\/p\u003e\n\u003cp\u003e4 Romanze in E flat major Op 20[6'40]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e5 Wieniawski: Fantaisie brillante sur des motifs de l'opéra Faust de Gounod Op 20[18'48]\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":48025341493498,"sku":null,"price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571281025.png?v=1764367695"},{"product_id":"jeffrey-skidmore-ex-cathedra-brazilian-adventures","title":"JEFFREY SKIDMORE \u0026 EX CATHEDRA - Brazilian Adventures","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis wonderful new recording casts a dazzling light on composers whose names are as obscure as their music is revelatory. Mozart from an unfettered South America?\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003e        \u003cbr\u003eMatais de incêndios[5'02]Anonymous - Baroque\u003cbr\u003eMartha McLorinan (alto), Thomas Hobbs (tenor)\u003cbr\u003e1\u003cbr\u003eMatais de incêndios[2'30]\u003cbr\u003eMissa pastoril para a noite de natal[28'17]José Maurício Nunes Garcia (1767-1830)\u003cbr\u003e2\u003cbr\u003eKyrie eleison[2'35]\u003cbr\u003e3\u003cbr\u003eGloria in excelsis Deo[2'02]\u003cbr\u003eGreg Skidmore (bass)\u003cbr\u003e4\u003cbr\u003eLaudamus te[2'41]\u003cbr\u003eKatie Trethewey (soprano)\u003cbr\u003e5\u003cbr\u003eGratias agimus tibi[2'12]\u003cbr\u003e6\u003cbr\u003eQui tollis peccata mundi[2'21]\u003cbr\u003eMartha McLorinan (alto)\u003cbr\u003e7\u003cbr\u003eQui sedes ad dexteram Patris[2'00]\u003cbr\u003eElizabeth Drury (soprano), Greg Skidmore (bass), Adrian Horsewood (bass), Nick Ashby (bass)\u003cbr\u003e8\u003cbr\u003eCum Sancto Spiritu[2'46]\u003cbr\u003e9\u003cbr\u003ePadre nosso  (No 2 of Tercio)[2'01]José Joaquim Emerico Lobo de Mesquita (1746-1805)\u003cbr\u003eElizabeth Drury (soprano), Amy Wood (soprano)\u003cbr\u003e10\u003cbr\u003eAve Maria  (No 3 of Tercio)[1'24]José Joaquim Emerico Lobo de Mesquita (1746-1805)\u003cbr\u003eElizabeth Drury (soprano), Amy Wood (soprano)\u003cbr\u003e11\u003cbr\u003eGloria  (No 4 of Tercio)[1'47]José Joaquim Emerico Lobo de Mesquita (1746-1805)\u003cbr\u003eElizabeth Drury (soprano), Amy Wood (soprano)\u003cbr\u003eMissa pastoril para a noite de natal[28'17]José Maurício Nunes Garcia (1767-1830)\u003cbr\u003e12\u003cbr\u003eCredo in unum Deum[1'47]\u003cbr\u003eGreg Skidmore (bass), Amy Wood (soprano), Martha McLorinan (alto)\u003cbr\u003e13\u003cbr\u003eEt incarnatus est[1'28]\u003cbr\u003eElizabeth Drury (soprano), Katie Trethewey (soprano)\u003cbr\u003e14\u003cbr\u003eCrucifixus etiam pro nobis[1'04]\u003cbr\u003eAmy Wood (soprano), Martha McLorinan (alto), Thomas Hobbs (tenor)\u003cbr\u003e15\u003cbr\u003eEt resurrexit tertia die[2'52]\u003cbr\u003eKatie Trethewey (soprano)\u003cbr\u003e16\u003cbr\u003eAscendit Deus[4'13]Theodoro Cyro de Souza (1761-?)\u003cbr\u003eElizabeth Drury (soprano), Katie Trethewey (soprano)\u003cbr\u003eMissa pastoril para a noite de natal[28'17]José Maurício Nunes Garcia (1767-1830)\u003cbr\u003e17\u003cbr\u003eSanctus[0'27]\u003cbr\u003e18\u003cbr\u003eHosanna in excelsis I[0'24]\u003cbr\u003e19\u003cbr\u003eBenedictus[0'53]\u003cbr\u003eThomas Hobbs (tenor)\u003cbr\u003e20\u003cbr\u003eHosanna in excelsis II[0'25]\u003cbr\u003e21\u003cbr\u003eAgnus Dei[2'20]\u003cbr\u003eMatais de incêndios[5'02]Anonymous - Baroque\u003cbr\u003eMartha McLorinan (alto), Thomas Hobbs (tenor)\u003cbr\u003e22\u003cbr\u003ePara abrasar corações[2'32]\u003cbr\u003eMissa a 8 vozes e instrumentos[30'40]André da Silva Gomes (1752-1844)\u003cbr\u003e23\u003cbr\u003eKyrie eleison I[2'46]\u003cbr\u003eElizabeth Drury (soprano)\u003cbr\u003e24\u003cbr\u003eChriste eleison[3'04]\u003cbr\u003eElizabeth Drury (soprano), Katie Trethewey (soprano), Thomas Hobbs (tenor), Samuel Boden (tenor)\u003cbr\u003e25\u003cbr\u003eKyrie eleison II[3'20]\u003cbr\u003e26\u003cbr\u003eBeata virgo  (No 1 of 5 Divertimentos harmônicos)[1'58]Luís Álvares Pinto (1719-?1789)\u003cbr\u003e27\u003cbr\u003eLição de solfejo No 25[1'11]Luís Álvares Pinto (1719-?1789)\u003cbr\u003eJames Johnstone (organ)\u003cbr\u003e28\u003cbr\u003eOh! Pulchra es  (No 5 of 5 Divertimentos harmônicos)[1'10]Luís Álvares Pinto (1719-?1789)\u003cbr\u003eMissa a 8 vozes e instrumentos[30'40]André da Silva Gomes (1752-1844)\u003cbr\u003e29\u003cbr\u003eGloria in excelsis Deo I[2'55]\u003cbr\u003eElizabeth Drury (soprano), Martha McLorinan (alto)\u003cbr\u003e30\u003cbr\u003eEt in terra pax hominibus[1'19]\u003cbr\u003e31\u003cbr\u003eGloria in excelsis Deo II[1'27]\u003cbr\u003e32\u003cbr\u003eLaudamus te[3'07]\u003cbr\u003eElizabeth Drury (soprano)\u003cbr\u003e33\u003cbr\u003eGratias agimus tibi[0'55]\u003cbr\u003e34\u003cbr\u003eDomine Deus[1'43]\u003cbr\u003e35\u003cbr\u003eQui tollis peccata mundi[4'11]\u003cbr\u003eThomas Hobbs (tenor), Samuel Boden (tenor)\u003cbr\u003e36\u003cbr\u003eQuoniam tu solus sanctus[3'32]\u003cbr\u003eElizabeth Drury (soprano), Katie Trethewey (soprano), Martha McLorinan (alto), Edward McMullan (countertenor), Greg Skidmore (bass), Nick Ashby (bass)\u003cbr\u003e37\u003cbr\u003eCum Sancto Spiritu[2'21]\u003cbr\u003e            \u003cbr\u003e        \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":48025342804218,"sku":"CDA68114","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571281148.png?v=1764367828"},{"product_id":"schubert-21-songs-alice-coote-julius-drake","title":"Schubert: 21 Songs - ALICE COOTE, JULIUS DRAKE","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the leading mezzos of our day in a Schubert recital which offers seventy minutes of pure pleasure. The twenty-one songs recorded here are among Schubert’s finest, from Erlkönig (written in the composer’s annus mirabilis of 1815) to Leise flehen (which dates from his final summer).\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e             \u003cbr\u003eAn den Mond D259[3'43]\u003cbr\u003e1 Füllest wieder Busch und Tal[1'01]\u003cbr\u003e2 Jeden Nachklang fühlt mein Herz[0'51]\u003cbr\u003e3\u003cbr\u003eRausche, Fluss, das Tal entlang[0'50]\u003cbr\u003e4\u003cbr\u003eSelig, wer sich vor der Welt[1'01]\u003cbr\u003e5\u003cbr\u003eWandrers Nachtlied I D224  Der du von dem Himmel bist[1'58]\u003cbr\u003eIm Frühling D882[4'39]\u003cbr\u003e6\u003cbr\u003eStill sitz ich an des Hügels Hang[1'18]\u003cbr\u003e7\u003cbr\u003eSieh, wie der bunte Frühling schon[1'14]\u003cbr\u003e8\u003cbr\u003eEs wandeln nur sich Will und Wahn[0'47]\u003cbr\u003e9\u003cbr\u003eO wär ich doch ein Vöglein nur[1'20]\u003cbr\u003e10\u003cbr\u003eDer Zwerg D771  Im trüben Licht verschwinden schon die Berge[5'29]\u003cbr\u003e11\u003cbr\u003eStändchen  Leise flehen meine Lieder  (No 4 of Schwanengesang, D957 Part 1)[3'57]\u003cbr\u003eSeligkeit D433[1'59]\u003cbr\u003e12\u003cbr\u003eFreuden sonder Zahl[0'37]\u003cbr\u003e13\u003cbr\u003eJedem lächelt traut[0'36]\u003cbr\u003e14\u003cbr\u003eLieber bleib’ ich hier[0'46]\u003cbr\u003eAbendstern D806[2'36]\u003cbr\u003e15\u003cbr\u003eWas weilst du einsam an dem Himmel[1'11]\u003cbr\u003e16\u003cbr\u003eSo solltest du zu ihnen gehen[1'25]\u003cbr\u003eDer Tod und das Mädchen D531[2'48]\u003cbr\u003e17\u003cbr\u003eVorüber, ach, vorüber![0'55]\u003cbr\u003e18\u003cbr\u003eGib deine Hand, du schön und zart Gebild![1'53]\u003cbr\u003eLitanei auf das Fest Aller Seelen 'Am Tage Aller Seelen' D343[5'01]\u003cbr\u003e19\u003cbr\u003eRuhn in Frieden alle Seelen[1'40]\u003cbr\u003e20\u003cbr\u003eLiebevoller Mädchen Seelen[1'33]\u003cbr\u003e21\u003cbr\u003eUnd die nie der Sonne lachten[1'48]\u003cbr\u003e22\u003cbr\u003eRastlose Liebe D138  Dem Schnee, dem Regen[1'25]\u003cbr\u003e23\u003cbr\u003eGanymed D544  Wie im Morgenglanze[4'29]\u003cbr\u003eAn Silvia 'Gesang an Silvia' D891[2'41]\u003cbr\u003e24\u003cbr\u003eWas ist Silvia, saget an[0'53]\u003cbr\u003e25\u003cbr\u003eIst sie schön und gut dazu?[0'47]\u003cbr\u003e26\u003cbr\u003eDarum Silvia, tön’, o Sang[1'01]\u003cbr\u003e27\u003cbr\u003eDer Musensohn D764  Durch Feld und Wald zu schweifen[2'09]\u003cbr\u003eLachen und Weinen D777[1'53]\u003cbr\u003e28\u003cbr\u003eLachen und Weinen zu jeglicher Stunde[0'51]\u003cbr\u003e29\u003cbr\u003eWeinen und Lachen zu jeglicher Stunde[1'02]\u003cbr\u003eErlkönig D328[4'25]\u003cbr\u003e30\u003cbr\u003eWer reitet so spät durch Nacht und Wind?[0'53]\u003cbr\u003e31\u003cbr\u003eMein Sohn, was birgst du so bang dein Gesicht?[0'41]\u003cbr\u003e32\u003cbr\u003eDu liebes Kind, komm, geh mit mir![0'48]\u003cbr\u003e33\u003cbr\u003eWillst, feiner Knabe, du mit mir gehn?[0'43]\u003cbr\u003e34\u003cbr\u003eIch liebe dich, mich reizt deine schöne Gestalt[0'32]\u003cbr\u003e35\u003cbr\u003eDem Vater grausets, er reitet geschwind[0'48]\u003cbr\u003eNacht und Träume D827[4'01]\u003cbr\u003e36\u003cbr\u003eHeil’ge Nacht, du sinkest nieder[1'48]\u003cbr\u003e37\u003cbr\u003eDie belauschen sie mit Lust[2'13]\u003cbr\u003eAuf dem Wasser zu singen D774[3'26]\u003cbr\u003e38\u003cbr\u003eMitten im Schimmer der spiegelnden Wellen[1'14]\u003cbr\u003e39\u003cbr\u003eÜber den Wipfeln des westlichen Haines[0'59]\u003cbr\u003e40\u003cbr\u003eAch, es entschwindet mit tauigem Flügel[1'13]\u003cbr\u003eIm Abendrot D799[3'59]\u003cbr\u003e41\u003cbr\u003eO wie schön ist deine Welt[1'50]\u003cbr\u003e42\u003cbr\u003eKönnt’ ich klagen, könnt’ ich zagen?[2'09]\u003cbr\u003eFrühlingsglaube D686[3'09]\u003cbr\u003e43\u003cbr\u003eDie linden Lüfte sind erwacht[1'32]\u003cbr\u003e44\u003cbr\u003eDie Welt wird schöner mit jedem Tag[1'37]\u003cbr\u003e45\u003cbr\u003eWandrers Nachtlied II D768  Über allen Gipfeln[2'18]\u003cbr\u003eAn den Mond D296[5'11]\u003cbr\u003e46\u003cbr\u003eFüllest wieder Busch und Tal[0'40]\u003cbr\u003e47\u003cbr\u003eBreitest über mein Gefild[0'41]\u003cbr\u003e48\u003cbr\u003eJeden Nachklang fühlt mein Herz[1'03]\u003cbr\u003e49\u003cbr\u003eIch besass es doch einmal[1'14]\u003cbr\u003e50\u003cbr\u003eSelig, wer sich vor der Welt[1'33]\u003cbr\u003e   \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":48025344835834,"sku":"CDA68169","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571281698.png?v=1764368092"},{"product_id":"angela-hewitt-beethovenpiano-sonatas-vol-4","title":"Beethoven: Piano Sonatas Opp 22, 31\/3 \u0026 101 - Angela Hewitt","description":"\u003cp\u003eAngela Hewitt presents a fourth volume in her acclaimed series of Beethoven’s piano sonatas, which has delighted her fans worldwide.\u003c\/p\u003e\n\u003cp\u003eThe little-known Sonata in B flat major, Op 22, the last of Beethoven’s ‘early’ sonatas, is recorded alongside Op 31 No 3 (sometimes known as ‘La chasse’, or ‘The Hunt’, because of its tumultuous Presto con fuoco finale). The album is concluded with Op 101, of which the journalist for the Allgemeine musikalische Zeitung in Leipzig wrote: ‘Truly, here in his 101st composition admiration and renewed respect take hold of us, when we wander along strange, never trodden paths with the great painter of the soul’, going on to enthuse about the most beautiful colours and pictures in Beethoven’s new Piano Sonata.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Piano Sonata In B flat major Op 22 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro Con Brio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAdagio Con Molta Espressione\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eMinuetto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eRondo: Allegretto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePiano Sonata In E flat major Op 31 No 3\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eScherzo: Allegretto Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eMenuetto: Moderato E Grazioso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003ePresto Con Fuoco\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePiano Sonata In A major Op 101\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eAllegretto Ma Non Troppo (Etwas Lebhaft Und Mit Der Innigsten Empfindung)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eVivace Alla Marcia (Lebhaft, Marschmäßig)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eAdagio, Ma Non Troppo, Con Affetto (Langsam Und Sehnsuchtsvoll)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eAllegro (Geschwind, Doch Nicht Zu Sehr, Und Mit Entschlossenheit)\u003c\/div\u003e","brand":"HYPERION","offers":[{"title":"Default Title","offer_id":48284364570874,"sku":"CDA67974","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/034571179742.png?v=1770327055"},{"product_id":"macmillan-choral-music","title":"MacMillan: Choral Music - Wells Cathedral Choir","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1        Jubilate Deo (2009)    3:26\u003cbr\u003e2        Serenity (2009)    5:13\u003cbr\u003eMagnificat and Nunc Dimittis (1999)    (21:19)\u003cbr\u003e3        Magnificat    13:15\u003cbr\u003e4        Nunc Dimittis    8:04\u003cbr\u003e5        Tremont Videntes Angeli (2002)    8:48\u003cbr\u003e6        On Love (1984)    5:17\u003cbr\u003e7        ...here in hiding... (1993)    11:52\u003cbr\u003e8        Give me justice (2003)    3:20\u003cbr\u003e9        The Lamb Has Come For Us From The House Of David (1979)    4:35\u003cbr\u003e10        Le Tombeau de Georges Rouault (2003; Organ Solo)    14:53\u003c\/p\u003e","brand":"Hyperion","offers":[{"title":"Default Title","offer_id":48316967158010,"sku":"034571178677","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NzMtMjI0MC5wbmc.jpg?v=1771532563"},{"product_id":"choral-music-by-jonathan-dove","title":"Dove: Choral Music - Wells Cathedral Choir","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1        Bless the Lord, O My Soul  5:43\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMissa Brevis    (13:41)\u003cbr\u003e2        Kyrie 3:35\u003cbr\u003e3        Gloria 3:50\u003cbr\u003e4        Sanctus \u0026amp; Benedictus 2:43\u003cbr\u003e5        Agnus Dei 3:33\u003cbr\u003e6        I Am The Day 7:42\u003cbr\u003e7        Wellcome, All Wonders in One Sight! 3:24\u003cbr\u003e8        The Star-Song 3:24\u003cbr\u003e9        The Three Kings 4:54\u003cbr\u003e10        Run, Shepherds, Run! 5:28\u003cbr\u003e11        Ecce Beatam Lucem 6:56\u003cbr\u003e12        In Beauty May I Walk 3:42\u003cbr\u003e13        Seek Him That Maketh the Seven Stars 6:41\u003cbr\u003e14        Into Thy Hands 7:02\u003c\/p\u003e","brand":"Hyperion","offers":[{"title":"Default Title","offer_id":48316967223546,"sku":"034571177687","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NTAtNTA4OS5qcGVn.jpg?v=1771532907"},{"product_id":"athias-wells-cathedral-choir-matthew-owens-discogs","title":"Matthias: Choral Music - Wells Cathedral Choir, Matthew Owens","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\"\u003e\u003c\/p\u003e\n\u003cp\u003e1        Let The People Praise Thee, O God (Op. 87, 1981)    5:15\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMagnificat And Nunc Dimittis ('Jesus College Service') (Op. 53, 1970)    \u003cbr\u003e2        Magnificat    4:12\u003cbr\u003e3        Nunc Dimittis    3:06\u003cbr\u003e4        A Babe Is Born (Op. 55, 1971)    3:30\u003cbr\u003e5        In Excelsis Gloria (1954, Revised 1991)    2:23\u003cbr\u003e6        Processional (Organ Solo, 1964)    3:19\u003cbr\u003eMissa Brevis (Op. 64, 1973)    \u003cbr\u003e7        Kyrie    4:40\u003cbr\u003e8        Gloria    5:15\u003cbr\u003e9        Sanctus    2:12\u003cbr\u003e10        Benedictus    2:00\u003cbr\u003e11        Agnus Dei    4:36\u003cbr\u003e12        Ave Verum Corpus (1992)    4:29\u003cbr\u003e13        Carillon (Organ Solo, 1989)    6:15\u003cbr\u003e14        All Wisdom Is From The Lord (Op. 88 No. 3, 1982)    6:19\u003cbr\u003e15        Lift Up Your Heads, O Ye Gates (Op. 44 No. 2, 1969)    2:12\u003cbr\u003e16        O Nata Lux (No. 3 From \"Rex Gloriae\" Op. 83, 1980)    2:05\u003cbr\u003e17        Festival Te Deum (Op. 28, 1964)    7:13\u003cbr\u003e18        O Be Joyful In The Lord (Jubilate Deo) (Op. 90 No. 2, 1983)    4:40\u003c\/p\u003e","brand":"Hyperion","offers":[{"title":"Default Title","offer_id":48316967387386,"sku":"034571177403","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NjItNDc3NC5qcGVn.jpg?v=1771533822"}],"url":"https:\/\/classicselectworld.com\/collections\/hyperion-members-sale.oembed","provider":"ClassicSelect World","version":"1.0","type":"link"}