{"title":"NAXOS - SUMMER CLEARANCE","description":"","products":[{"product_id":"schitz-des-pres-harris-pater-noster-a-choral-reflect-kingaes-singers-the","title":"PATER NOSTER: A CHORAL REFLECTION ON THE LORD'S PRAYER - THE KING'S SINGERS","description":"\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1193\/6852\/files\/gramophone_review_large.gif?v=1517002486\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ewhat a rewarding CD this is, gloriously sung and perfectly recorded.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePater Noster\u003cbr\u003e\u003cbr\u003eA Choral Reflection on The Lord’s Prayer\u003cbr\u003e\u003cbr\u003eDavid Hurley (countertenor), Timothy Wayne-Wright (countertenor), Paul Phoenix (tenor), Christopher Bruerton (baritone), Christopher Gabbitas (baritone) \u0026amp; Jonathan Howard (bass)\u003cbr\u003e\u003cbr\u003eThe King’s Singers\u003c\/p\u003e\n\u003cp\u003eBernstein: Mass: The Lord's Prayer\u003cbr\u003eByrd: Vigilate (from Cantiones sacrae 1589)\u003cbr\u003eDespres: Pater Noster\u003cbr\u003eDuruflé: Notre Père, Op. 14\u003cbr\u003eFarrant, R: Lord, for thy tender mercy's sake\u003cbr\u003eGregorian Chant: Pater Noster\u003cbr\u003eHarris, W: Holy is the True Light\u003cbr\u003eHassler, H L: Cantate Domino canticum novum\u003cbr\u003eLasso: Ad te levavi animam meam\u003cbr\u003eLasso: Domine Dominus noster\u003cbr\u003ePalestrina: Ego sum panis vivus\u003cbr\u003ePalestrina: Missa Papae Marcelli\u003cbr\u003ePoulenc: Quatre petites prières de Saint François d'Assise\u003cbr\u003ePurcell: Remember not, O Lord, our offences, Z50\u003cbr\u003eSchütz: Die Himmel erzählen die Ehre Gottes, SWV 386\u003cbr\u003eSchütz: Vater unser, der du bist im Himmel\u003cbr\u003eStravinsky: Pater Noster\u003cbr\u003eTavener: The Lord's Prayer\u003cbr\u003eVictoria: Popule meus for 4 voices\u003cbr\u003eWood, C: Oculi omnium\u003cbr\u003eZielenski: Benedicimus Deum Coeli\u003c\/p\u003e\n\u003cp\u003eGRAMMY® Award winners in 2009, The King’s Singers are one of the world’s most celebrated ensembles. Their programming concept in this disc is unique: built upon the individual clauses of The Lord’s Prayer, beginning and ending in plainchant, it ranges over the centuries to explore the spiritually charged text. Chant is at the heart of the programme, and each composer’s setting illuminates the others, shedding rich interpretative light on the poetic and devotional aspects of the prayer.\u003cbr\u003e\u003cbr\u003eOne of the world’s most celebrated ensembles, The King’s Singers have a packed schedule of concerts, recordings, media and education work that spans the globe. Championing the work of both young and established composers, they are instantly recognisable for their spot-on intonation, impeccable vocal blend, flawless articulation of the text and incisive timing. They are also consummate entertainers: a class act with a delightfully British wit.\u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":31678352556119,"sku":"8572987","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/81i0gW8stsL._SL1400.jpg?v=1585670704"},{"product_id":"bartok-bela-the-wooden-prince-bournemouth-so-alsop","title":"BARTOK: THE WOODEN PRINCE - BOURNEMOUTH SO; ALSOP","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1193\/6852\/files\/gramophone_guide_review_large.gif?v=1517002486\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBartók's tonally effulgent second stage work suits the warm, texture-sensitive conducting style of Marin Alsop, who coaxes some stylish solos from her accomplished Bournemouth players. Three minutes into the teasing 'Dance of the Princess and the Wooden Prince' and you'll hear nicely pointed woodwinds set within an ambient, realistically balanced sound frame.\u003cbr\u003eThe solo clarinet in the 'Dance of the Princess in the Forest' is also very characterful: Alsop's feel for the ballet's romantic narrative – basically about love overcoming a series of obstacles – is at its most productive where the line is slow and expressive, for example the 'The Prince in Despair' and the final embrace, both of which have an almost filmic quality to them. Another good sampling-point, more an illustration of the score's humour this time, is the droll bassoon solo at the start of the fifth dance where the Princess 'prods and encourages the Wooden Prince to dance'. Alsop's most recent rival is Zoltán Kocsis with the Hungarian National Philharmonic (see above), an unforgettable performance and a distinguished production that tops all rivals in at least two specific episodes: 'The Fairy Enchanting the stream' and the tangy dance where 'The Princess Spies the Wooden Prince', the score's most Hungarian-sounding music. Here the Bournemouth performance is rather low on energy and 'bite', at least initially. But then you'd expect a Hungarian band to latch onto the national element. All in all, Alsop and her orchestra do justice to Bartók's most overtly romantic large-scale score; it's a performance that will surely appeal beyond the ranks of Bartók devotees to balletomanes generally, not to mention lovers of finde siècle musical excess. Good notes too, by Carl Leafstedt.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBartók: The Wooden Prince\u003cbr\u003e\u003cbr\u003eBournemouth Symphony Orchestra, Marin Alsop\u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":31678357274711,"sku":"8570534","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/51ShdUQijFL.jpg?v=1585670793"},{"product_id":"alwyn-william-vol-2-piano-music-12-prelud-ashley-wass","title":"ALWYN: PIANO MUSIC, VOLUME 2 - ASHLEY WASS","description":"\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/1193\/6852\/files\/gramophone_review_large.gif?v=1517002486\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWass gives outstandingly sympathetic performances throughout and he has been granted eminently ripe and realistic sound. All in all, a most enjoyable CD.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAlwyn - Piano Music Volume 2\u003cbr\u003eAshley Wass (piano)\u003c\/p\u003e\n\u003cp\u003eAlwyn: Cinderella\u003cbr\u003eAlwyn: Contes Barbares (Homage to Paul Gauguin)\u003cbr\u003eAlwyn: Hunter’s Moon\u003cbr\u003eAlwyn: Movements for Piano\u003cbr\u003eAlwyn: Night Thoughts\u003cbr\u003eAlwyn: Twelve Preludes\u003cbr\u003eAlwyn: Two Irish Pieces\u003cbr\u003eAlwyn: Water Lilies\u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":31678365302871,"sku":"8570464","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/51tfQPFC_2BfL.jpg?v=1585670973"},{"product_id":"classics-at-the-movies-war","title":"Classics at the Movies: War","description":"\u003cdiv\u003eWagner, Richard\u003c\/div\u003e\n\u003cdiv\u003e Die Walküre, Act III: Ride Of The Valkyries (Apocalypse Now)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Die Walküre, Act III: Ride of the Valkyries (Apocalypse Now) 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003cdiv\u003e Adagio and Fugue in C Minor, K. 546\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Adagio And Fugue (G.I. Jane) 08:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePuccini, Giacomo\u003c\/div\u003e\n\u003cdiv\u003eForzano, Giovacchino - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e O mio babbino caro from Gianni Schicchi\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 O mio babbino caro (G.I. Jane) 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBarber, Samuel\u003c\/div\u003e\n\u003cdiv\u003e Adagio for Strings, Op. 11 (Platoon)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Adagio for Strings, Op. 11 (Platoon) 07:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Funeral March from Piano Sonata No. 2, Op. 35\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Funeral March (Paradise Road) 09:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMyers, Stanley\u003c\/div\u003e\n\u003cdiv\u003e The Deer Hunter\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Cavatina (The Deer Hunter) 03:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFauré, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Requiem, Op. 48: In paradisum (1893 version, compiled and ed. D. Arnold) (The Thin Red Line)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Requiem, Op. 48: In paradisum (1893 version, compiled and ed. D. Arnold) (The Thin Red Line) 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eStrauss II, Johann\u003c\/div\u003e\n\u003cdiv\u003e Frühlingsstimmen (Voices of Spring), Op. 410 (The Devil's Own)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Frühlingsstimmen (Voices of Spring), Op. 410 (The Devil's Own) 06:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Nocturne No. 15 in F Minor, Op. 55\/1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Nocturne No. 15 (The Peacemaker) 04:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003cdiv\u003e Ave verum corpus in D Major, K. 618\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Ave verum corpus (The Peacemaker) 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGiazotto, Remo\u003c\/div\u003e\n\u003cdiv\u003e Adagio in G Minor (attrib. to Albinoni)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Adagio for Organ And Strings (Gallipoli) 11:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990972084474,"sku":"8556808","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.556808.jpg?v=1781370308"},{"product_id":"20th-century-music-for-flute-harp","title":"20th Century Music for Flute \u0026 Harp (PIAZZOLLA, A. \/ LIEBERMANN, L. \/ SHAPOSHNIKOV, A.) - Loman, Judy; Shulman, Nora -","description":"\u003cdiv\u003eThe combination of flute and harp has enchanted listeners for millennia, and the 20th century provides a rich source for exploring new music in this most exquisite and lyrical of settings. Astor Piazzolla’s Histoire du Tango explores the history of the Argentinian tango from its earliest times to a bossa nova and jazz-influenced Night-Club 1960. Formal balance and clarity of expression are evident throughout Lowell Liebermann’s Sonata Op 56, while echoes of Debussy and folk-music can be found in Adrian Shaposhnikov’s Sonata, his only surviving work. Nino Rota found fame with film scores such as The Godfather, and his Sonata has a sentiment of serenity at its core. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePiazzolla, Astor\u003c\/div\u003e\n\u003cdiv\u003eVehmanen, Kari - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Histoire du Tango (History of the Tango) (arr. K. Vehmanen for flute and harp)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Bordel 1900 04:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Cafe 1930 07:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Nightclub 1960 06:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Concert d'aujourd'hui 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiebermann, Lowell\u003c\/div\u003e\n\u003cdiv\u003e Sonata for Flute and Harp, Op. 56\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Sonata for Flute and Harp, Op. 56 14:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaposhnikov, Adrian\u003c\/div\u003e\n\u003cdiv\u003e Sonata for Flute and Harp\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Andante con moto - Allegro non troppo 04:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Menuetto 02:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro molto 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRota, Nino\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Allegro molto moderato 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Andante sostenuto 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Allegro festoso 03:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990973395194,"sku":"970205","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/9.70205.jpg?v=1781212622"},{"product_id":"moyzes-symphonies-nos-5-6","title":"Moyzes: Symphonies Nos. 5 \u0026 6 - Slovak Radio Symphony, L. Slovák","description":"\u003cdiv\u003eAlexander Moyzes was one of the most significant figures in modern Slovak music, synthesising the national musical style inherited from his teacher Vítězslav Novák with wider European contemporary trends. Both of these symphonies were written in a happy period of the composer’s life—before his musical oeuvre was overshadowed by conflict. The eloquent and sprightly Fifth Symphony is a celebration of ‘the heritage of my dear father’, who was also a talented musician and an important figure in Alexander’s development as a composer. The Sixth Symphony is notable for its clarity and symmetry, from the simple theme of its opening to the brilliant contrapuntal fugato in its closing movement.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eMoyzes, Alexander\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 5 in F Major, Op. 39\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro animato 08:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Adagio molto poco tenuto 12:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro ma non troppo, scherzando 05:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Allegro fresco e vivace 06:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 6 in E Major, Op. 44\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Andante tenuto e molto espressivo 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Allegro leggiero 05:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Largo. Molto espressivo e rubato 10:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Allegretto grazioso 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 V. Allegretto giusto e vigoroso 09:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990984438010,"sku":"8573652","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573652.jpg?v=1781373876"},{"product_id":"lost-saxophone-concertos","title":"Lost Saxophone Concertos - CRAGUN, J.B. \/ GUNAROPULOS, Y. \/ LINDORFF-LARSEN, E. \/ PALS, L. van der \/ TATE, P. (Olli-Pekka Tuomisalo and his Orchestra)","description":"\u003cdiv\u003eA large number of saxophone concertos have been written, but only a handful are regularly performed. With these premiere recordings Olli-Pekka Tuomisalo showcases five works that, had circumstances been different, might easily have established themselves as repertoire pieces. John Beach Cragun’s beautifully voiced work is the first saxophone concerto by an American and, like Yrjö Gunaropulos’ concerto—which enjoyed celebrity in the 1930s—was only rediscovered in 2016. The concertos by Eilert Lindorff-Larsen and Leopold van der Pals are compact, varied and exciting, while that by Phyllis Tate is considered her first major work.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCragun, John Beach\u003c\/div\u003e\n\u003cdiv\u003e Saxophone Concerto in E-Flat Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro brilliante 07:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Romanza 05:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. 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Alla marcia - Tarantella 07:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990985388282,"sku":"8579038","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579038.jpg?v=1781371630"},{"product_id":"old-wine-in-new-bottles","title":"Old Wine in New Bottles (Wind Band Music - GRANTHAM, D. \/ JACOB, G. \/ BRYANT, S.) - Youngstown State University Symphonic Wind Ensemble, S. Gage","description":"\u003cdiv\u003eThe wind ensemble repertory has a rich history and a vibrant contemporary presence. Donald Grantham, for example, evokes gospel music of the 1920s and ’30s in Starry Crown, which draws on the earthy vitality of call-and-response sermons. Steven Bryant’s Ecstatic Waters reaches forward to present a pulsating narrative of exuberance, contradiction and subtle dialogue. 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Begone Dull Care 02:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. Early One Morning 04:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e More Old Wine in New Bottles\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Down Among the Dead Men 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. The Oak and the Ash 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. The Lincolnshire Poacher 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 IV. 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The works on this disc offer a varied cross-section of his repertoire, from the robust rhythms of his Piano Concerto to his most important vocal work, the cantata Signs of the Zodiac.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Boris\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. — 05:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. — 08:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. — 06:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. — 06:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. — 06:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Clarinet Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Moderato 04:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. 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Far Out 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990994268410,"sku":"8557727","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557727.jpg?v=1781377396"},{"product_id":"verdi-trovatore-il-highlights","title":"VERDI: Il Trovatore (Highlights) - Hungarian State Opera Orchestra, Budapest Festival Chorus","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e Il trovatore (Highlights)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Act I: The Duel - All'erta! All'erta!... Di due figli... 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Il balen del suo sorriso 04:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act III: The Gypsy's Son - Or co' dadi, ma fra poco... Squilli, echeggi la tromba guerriera (Soldiers' Chorus) 04:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act III: The Gypsy's Son - Ah! si, ben mio 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act III: The Gypsy's Son - Manrico?... Di quella pira 04:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act IV: Torture - D'amour sull'ali rosee vanne 03:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act IV: Torture - Miserere d'un alma gia vicina 05:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act IV: Torture - Madre... non dormi?... Se m'ami ancor... 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No: Idil Biret.” – Classic CD\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“She is Turkish, from Ankara, … In 15 discs she makes a voyage through the entire work of Chopin, including the least known pieces, with a sharpened technique, fully blooming lyricism and minimised emotional outpouring.” – La Croix\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“These are some of the finest recorded sounds I have heard.” – American Record Guide\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e“Enjoyable and idiomatic, unhurried yet alive and alert to the innumerable incidental beauties of these scores.” – Gramophone\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 1 in E Minor, Op. 11\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. 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His later Opus 74 quartet, whose elegant pizzicato passages earned it the nickname ‘harp quartet’, briefly saw a return to a more relaxed and charming style.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 8 in E Minor, Op. 59, No. 2, \"Rasumowsky\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro 10:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Molto adagio 12:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegretto 07:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Finale: Presto 05:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 10 in E-Flat Major, Op. 74, \"Harp\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Poco adagio - Allegro 09:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Adagio ma non troppo 09:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Presto - 05:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Allegretto con variazioni 06:46\u003c\/span\u003e\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990994465018,"sku":"8550562","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.550562.jpg?v=1781267562"},{"product_id":"wood-c-st-mark-passion","title":"WOOD, C.: St. Mark Passion - Jesus College Choir, Cambridge","description":"\u003cdiv\u003eCharles Wood made an important contribution to Anglican church music, with liturgical settings that remain part of cathedral choral repertoire. Answering a request from Eric Milner-White, the then Dean of King’s College, Cambridge, Wood completed his setting of the St Mark Passion in August 1920. As with J.S. Bach’s inclusion of Lutheran chorales in his St John Passion, here the flow of the biblical narrative in English, interspersed with well-known hymns for choir and congregation, provides the key to the work’s success.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWood, Charles\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e St. Mark Passion\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Hymn: Sing, my tongue, the glorious battle (Chorus) 04:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 First Gospel: And the first day of unleavened bread (Evangelist, Jesus, Chorus) 07:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Hymn: The Heavenly Word proceeding forth (Chorus) 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Second Gospel: And they came to a place which was named Gethsemane (Evangelist, Jesus, Chorus, Judas) 08:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Hymn: Lord, when we bow before Thy Throne (Chorus) 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Third Gospel: And they led Jesus away to the high priests (Evangelist, High Priest, Jesus, Chorus, First maid, Peter, Second maid, Servants) 07:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Hymn: My God, I love Thee (Soprano, Chorus) 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Fourth Gospel: And straightway in the morning (Evangelist, Pilate, Jesus, Chorus) 07:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Hymn: Faithful Cross! Above all other (Chorus) 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Fifth Gospel: And they bring Him into the place Golgotha (Evangelist, Chorus, Jesus, Bystander) 07:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Hymn: Bend thy boughs, O Tree of Glory! (Chorus) 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBairstow, Edward C.\u003c\/div\u003e\n\u003cdiv\u003e Toccata and Prelude on Pange Lingua\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Toccata-Prelude on Pange Lingua 03:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:01:46\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990994661626,"sku":"8570561","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.570561.jpg?v=1781380413"},{"product_id":"bax-symphony-no-1-in-the-faery-hills-garden-of-fand","title":"BAX: Symphony No. 1 \/ In the Faery Hills \/ Garden of Fand - Royal Scottish National Orchestra, D. Lloyd-Jones","description":"\u003cdiv\u003eBax, Arnold\u003c\/div\u003e\n\u003cdiv\u003e In the Faery Hills\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 In the Faery Hills 15:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Garden of Fand\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 The Garden of Fand 16:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 1 in E-Flat Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 I. Allegro moderato e feroce 13:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 II. Lento solenne 10:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 III. Allegro maestoso - Allegro vivace ma non troppo presto - Tempo di marcia trionfale 08:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990994825466,"sku":"8553525","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.553525.jpg?v=1781267316"},{"product_id":"liszt-complete-piano-music-vol-34-a-faust-symphony-versi","title":"Liszt: Complete Piano Music, Vol. 34: A Faust Symphony (version for 2 pianos) - Franz Liszt Piano Duo","description":"\u003cdiv\u003eLiszt, Franz\u003c\/div\u003e\n\u003cdiv\u003eGoethe, Johann Wolfgang von - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Eine Faust-Symphonie, S647\/R369 (after S108\/R425 second version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Faust 26:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Gretchen 18:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Mephistopheles 16:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Schlussgesang 06:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990995022074,"sku":"8572560","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572560.jpg?v=1781371437"},{"product_id":"juan-perez-floristan-recital","title":"Juan Pérez Floristán - Piano Recital (LISZT, F. \/ SCHUMANN, R.)","description":"\u003cdiv\u003eEven after his death in 1827 Beethoven continued to dominate European music and was held in great respect by composers such as Liszt and Schumann. The latter’s ‘greatest work in large form for piano solo,’ the sonata-like Phantasie was originally intended as a contribution to Beethoven’s monument in Bonn. This is reflected in its use of fragments from An die ferne Geliebte, Liszt’s transcription of which preserves the song’s mood of longing and resignation. Liszt’s innovative Sonata in B minor is a remarkable summary of his characteristics as a composer and a performer. In 2015 Spanish pianist Juan Pérez Floristán won the First and the Audience Prizes at the Santander International Piano Competition and the First Prize at the Steinway Competition, Berlin.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eLiszt, Franz\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata in B Minor, S178\/R21\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Piano Sonata in B Minor, S178\/R21 31:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Beethoven - An die ferne Geliebte, S469\/R124, \"Liederkreis\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Beethoven - An die ferne Geliebte, S469\/R124, \"Liederkreis\" 14:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSchumann, Robert\u003c\/div\u003e\n\u003cdiv\u003e Fantasie in C Major, Op. 17\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 I. Durchaus phantastisch und leidenschaftlich vorzutragen 13:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 II. Mässig. Durchaus energisch 07:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 III. Langsam getragen. Durchweg leise zu halten 12:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990995153146,"sku":"8573792","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573792.jpg?v=1781370598"},{"product_id":"ariosti-6-cantatas-locatelli-trio-sonata-in-e-minor-vi","title":"ARIOSTI: 6 Cantatas \/ LOCATELLI: Trio Sonata in E minor \/ VIVALDI: Trio Sonata in D Major - Musica Solare","description":"\u003cdiv\u003eAriosti, Attilio\u003c\/div\u003e\n\u003cdiv\u003e 6 Cantatas, \"The Flowering and Fading of Love\": I. Da procella tempestosa, \"La rosa\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Allegro 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Largo 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Recitative 01:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Vivace 03:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Cantatas, “The Flowering and Fading of Love”: II. Ritrosetta pastorella, “L'amor onesto”\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Largo 05:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Recitative 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Vivace 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Cantatas, \"The Flowering and Fading of Love\": III. La dove d'atre tenebre vestito, \"L'Olmo\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Recitative 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Largo 06:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Recitative 01:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 (Vivace) 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Cantatas, \"The Flowering and Fading of Love\": IV. Pesan troppo, \"Liberta acquistata in amore\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Recitative 01:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Adagio 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Recitative 00:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 (Vivace) 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Cantatas, \"The Flowering and Fading of Love\": V. Freme l'onda e fischia il vento, \"Il naufragio\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Allegro 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Recitative 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Largo 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Cantatas, \"The Flowering and Fading of Love\": VI. Ahi qual cruccio, qual pena, \"La gelosia\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Recitative 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Largo 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Recitative 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Non presto 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLocatelli, Pietro Antonio\u003c\/div\u003e\n\u003cdiv\u003e Trio Sonata in E Minor, Op. 5, No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 I. Andante 00:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 II. Largo andante 04:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 III. Allegro 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 IV. Vivace 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVivaldi, Antonio\u003c\/div\u003e\n\u003cdiv\u003e Trio Sonata in D Major, RV 84\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 I. Allegro 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 II. Andante 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 III. Allegro 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990995415290,"sku":"8557573","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557573.jpg?v=1781214960"},{"product_id":"from-baroque-to-fado-a-journey-through-portuguese-music","title":"From Baroque to Fado: A Journey Through Portuguese Music - (Quintans, Ribeiro, Amaral, Oliveira, Os Músicos do Tejo, M. Magalhães)","description":"\u003cdiv\u003eRecorded live at the spectacular Grande Auditório of the Fundação Gulbenkian in Lisbon, this unique occasion brings together the voices of celebrated early music soprano Ana Quintans and popular fado singer Ricardo Ribeiro in an exotic journey through time and place. The music combines baroque period sonorities with the distinctive sound of the Portuguese guitar, introducing stylistic elements from Arabic and Galician music and ranging from medieval cantigas to traditional fado in its purest form. The result is a vivid portrait of Portuguese musical identity from the 13th century to the present.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eParedes, Carlos\u003c\/div\u003e\n\u003cdiv\u003e Verdes Anos\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Verdes Anos 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLeite, António da Silva\u003c\/div\u003e\n\u003cdiv\u003e Minuete\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Minuete 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAmaral, Miguel\u003c\/div\u003e\n\u003cdiv\u003e Luz de Outono (Autumn Light)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Luz de Outono (Autumn Light) 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Como Déus fez vinno d'agua ant'Arquetecrinno [Cantiga de Santa Maria No. 23, Spain, 13th Century]\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Como Déus fez vinno d'agua ant'Arquetecrinno [Cantiga de Santa Maria No. 23, Spain, 13th Century] (excerpts) 07:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Mer hahn en neue Oberkeet, BWV 212, \"Peasant Cantata\": Sinfonia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Mer hahn en neue Oberkeet, BWV 212, \"Peasant Cantata\": Sinfonia 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAbou-Khalil, Rabih\u003c\/div\u003e\n\u003cdiv\u003eRégio, José - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Soneto de Amor (Love Sonnet)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Soneto de Amor (Love Sonnet) 08:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlmeida, Francisco Antonio de\u003c\/div\u003e\n\u003cdiv\u003e Te Deum - Venerandum\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Te Deum - Venerandum 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Il Trionfo d'Amore, Part II: Aria: In queste lacrime, Arsindo specchiasti\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Il Trionfo d'Amore, Part II: Aria: In queste lacrime, Arsindo specchiasti 06:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e La Spinalba, ovvero Il vecchio matto, Act II : Aria: Un cor, ch'ha per costume\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 La Spinalba, ovvero Il vecchio matto, Act II : Aria: Un cor, ch'ha per costume 06:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eFarinha, Fernando - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Destino Marcado, Fado Menor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Destino Marcado, Fado Menor 04:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eSobral, Conde - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Olhos Estranhos, Fado Corrido\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Olhos Estranhos, Fado Corrido 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eDias, João - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e De Loucura em loucura, Fado Cravo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 De Loucura em loucura, Fado Cravo 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyao, Rão\u003c\/div\u003e\n\u003cdiv\u003eFaria, Rosa Lobato de - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Fado do Alentejo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Fado do Alentejo 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePereira, António Cláudio\u003c\/div\u003e\n\u003cdiv\u003e Sinfonia in D Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Sinfonia in D Major 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePalomino, José\u003c\/div\u003e\n\u003cdiv\u003e Entremez das Regateiras Zelosas: Duetto de Marujo e Regateira\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Entremez das Regateiras Zelosas: Duetto de Marujo e Regateira 03:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Os efeitos da ternura, lundum\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Os efeitos da ternura, lundum 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eOulman, Alain\u003c\/div\u003e\n\u003cdiv\u003eMagalhães, Marcos - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCamões, Luís de - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Com que voz (arr. M. Magalhães for voice, Portuguese guitar, viola de fado and chamber ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Com que voz (arr. M. Magalhães for voice, Portuguese guitar, viola de fado and chamber ensemble) 03:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGonçalves, Carlos\u003c\/div\u003e\n\u003cdiv\u003eMagalhães, Marcos - Arranger\u003c\/div\u003e\n\u003cdiv\u003eVieira, Alfonso Lopes - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Romance (arr. M. Magalhães for voice, Portuguese guitar, viola de fado and chamber ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Romance (arr. M. Magalhães for voice, Portuguese guitar, viola de fado and chamber ensemble) 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGomes, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eRibeiro, Francisco\u003c\/div\u003e\n\u003cdiv\u003eLeão, Rodrigo\u003c\/div\u003e\n\u003cdiv\u003eSalgueiro, Teresa\u003c\/div\u003e\n\u003cdiv\u003eMagalhães, Pedro Ayres\u003c\/div\u003e\n\u003cdiv\u003eMagalhães, Pedro Ayres - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMagalhães, Marcos - Arranger\u003c\/div\u003e\n\u003cdiv\u003e O Pastor (arr. M. Magalhães for voice and chamber ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 O Pastor (arr. M. Magalhães for voice and chamber ensemble) 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Hei-de amar-te até morrer!\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Hei-de amar-te até morrer! 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:24:34\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990995677434,"sku":"8573875","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573875.jpg?v=1781368948"},{"product_id":"wagner-great-composers-in-words-music","title":"Wagner: Great Composers in Words \u0026 Music","description":"\u003cdiv\u003eThe Bayreuth Festspielhaus stands today as a testament to Richard Wagner’s ambition and self-importance – a theatre designed and built solely for the performances of his immersive ‘music dramas’. From the influence of Beethoven to the transcendental properties of his greatest music, Wagner’s work became a cornerstone of European musical culture, but what kind of journey took him towards this remarkable achievement? In this fascinating audio biography we hear about Wagner’s tempestuous personal life, his controversial political views and his struggles to establish himself as one of the most influential musical visionaries of the 19th century. The narrative is illustrated with excerpts from all of his best-loved operas including the Ring cycle, Tristan und Isolde, Lohengrin, Der fliegende Holländer, Parsifal, and more.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Introduction 00:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWagner, Richard\u003c\/div\u003e\n\u003cdiv\u003e Lohengrin, Act III: Prelude (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Lohengrin, Act III: Prelude (excerpt) 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 On laying the foundation stone of the Bayreuth Festspielhaus on 22 May 1872, Richard Wagner - who turned 59 years old that day - declared: 'I need a theatre such as I alone can build…' 07:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 14 in C-Sharp Minor, Op. 131: V. Presto (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 String Quartet No. 14 in C-Sharp Minor, Op. 131: V. Presto (excerpt) 00:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 An extract from Ludwig van Beethoven's String Quartet in C sharp minor, Op. 131 is a useful place to start to sketch Wagner's life history. 02:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWagner, Richard\u003c\/div\u003e\n\u003cdiv\u003e Symphony in C Major: I. Sostenuto e maestoso - Allegro con brio (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Symphony in C Major: I. Sostenuto e maestoso - Allegro con brio (excerpt) 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Given his family's theatrical pursuits, it is perhaps no surprise that Wagner turned his attention from the concert hall to the stage. 02:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWagner, Richard\u003c\/div\u003e\n\u003cdiv\u003e Die Feen (The Fairies), Act I: Overture (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Die Feen (The Fairies), Act I: Overture (excerpt) 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Wagner's second completed opera Das Liebesverbot ('The Ban on Love'), a comic opera in two acts modelled on Shakespeare's Measure for Measure, was written during the composer's brief tenure as… 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWagner, Richard\u003c\/div\u003e\n\u003cdiv\u003eWagner, Richard - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Rienzi, Act II: Chor der Friedensboten (Chorus of the Messengers of Peace) (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Rienzi, Act II: Chor der Friedensboten (Chorus of the Messengers of Peace) (excerpt) 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Triumph, however, did not ensue. Rather, calamity, disillusionment and failure. 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMore\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990996168954,"sku":"8578377","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.578377.jpg?v=1781379690"},{"product_id":"haydn-masses-vol-3-masses-nos-6-nikolaimesse-and-11","title":"Haydn: Masses, Vol. 3: Masses Nos. 6, \"Nikolaimesse\" and 11, \"Nelsonmesse\" (Trinity Choir, Rebel Baroque Orchestra, Burdick)","description":"\u003cdiv\u003eHaydn’s Missa Sancti Nicolai is his only early Mass that can be directly connected to the Esterházy court. As the title suggests, it was probably intended for the Feast of St Nicholas which was also the name day of Prince Nicolaus Esterházy. Composed over twenty-five years later in 1798, the Missa in angustiis is the third of Haydn’s six late Masses. The nickname ‘Nelson Mass’ was added several years later, possibly as a result of the famous English Admiral’s visit to Eisenstadt in September of 1800.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHaydn, Franz Joseph\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mass No. 6 in G Major, Hob.XXII:6, \"Missa Sancti Nicolai\", \"Nikolaimesse\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Kyrie 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Gloria: Gloria in excelsis Deo 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Gloria: Gratias agimus tibi 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Gloria: Quoniam tu solus sanctus 01:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Credo: Credo in unum Deum 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Credo: Et incarnatus est 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Credo: Et resurrexit 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Sanctus 02:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Benedictus 05:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Agnus Dei: Agnus Dei 02:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Agnus Dei: Dona nobis pacem 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e Mass No. 11 in D Minor, Hob.XXII:11, \"Nelsonmesse\", \"Imperial Mass\", \"Coronation Mass\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Kyrie 04:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Gloria: Gloria in excelsis Deo 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Gloria: Qui tollis peccata mundi 04:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Gloria: Quoniam tu solus sanctus 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Credo: Credo in unum Deum 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Credo: Et incarnatus est 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Credo: Et resurrexit 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Sanctus 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Benedictus 06:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Agnus Dei: Agnus Dei 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Agnus Dei: Dona nobis pacem 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990996594938,"sku":"8572123","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572123.jpg?v=1781369950"},{"product_id":"satie-great-composers-in-words-music","title":"Satie: Great Composers in Words \u0026 Music","description":"\u003cdiv\u003eFamous today for his Trois Gymnopédies, Erik Satie was an eccentric and solitary figure who was nevertheless viewed by some as a prophet of French musical modernism, his striking creativity championed by Ravel and Debussy. From tragedy and trauma in his early years, through his time as a pianist and Parisian provocateur at Le Chat Noir cabaret, and as house composer to the mystical Rose+Croix cult and beyond, Satie’s eventful life is told in this fascinating revue of a composer whose unique music is still influential today. The narrative is illustrated with musical excerpts from works including Gymnopédie No. 3, Gnossienne No. 3, Sports et Divertissements, Trois Morceaux en forme de poire and Relâche, among others.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Introduction 00:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e 3 Sarabandes: Sarabande No. 2 (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 3 Sarabandes: Sarabande No. 2 (excerpt) 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 On 16 January 1911, French composer Maurice Ravel… 08:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e 3 Gnossiennes: Gnossienne No. 3 (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 3 Gnossiennes: Gnossienne No. 3 (excerpt) 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 An extract from the third movement of Satie's Gnossiennes… 06:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Valse-ballet (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Valse-ballet (excerpt) 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 The Valse-ballet was not only Satie's first substantial piece… 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e 4 Ogives: Ogive No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 4 Ogives: Ogive No. 1 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 In November 1886, Satie left the Conservatoire… 03:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003eDebussy, Claude - Arranger\u003c\/div\u003e\n\u003cdiv\u003e 3 Gymnopédies: Gymnopédie No. 3 (arr. C. Debussy for orchestra) (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 3 Gymnopédies: Gymnopédie No. 3 (arr. C. Debussy for orchestra) (excerpt) 00:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 In the spring of 1890, Satie moved higher up… 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e 3 Sonneries de la Rose+Croix: No. 1. Air de l'ordre (version for piano) (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 3 Sonneries de la Rose+Croix: No. 1. Air de l'ordre (version for piano) (excerpt) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 On 14 August 1892, after a short but intense period… 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Vexations (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Vexations (excerpt) 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Satie's outward appearance was soon to change… 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e 3 Morceaux en forme de poire (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 3 Morceaux en forme de poire (excerpt) 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 The Pear pieces, finished in November 1903… 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e En habit de cheval (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 En habit de cheval (excerpt) 01:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 1911, of course, was the year of the breakthrough concert… 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Sports et divertissements: I. Choral inappétissant (Unappetizing chorale)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Sports et divertissements: I. Choral inappétissant (Unappetizing chorale) 00:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 The commission of Sports et Divertissements… 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Parade: Petite fille américaine (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Parade: Petite fille américaine (excerpt) 02:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 There was quite a commotion at Parade's premiere… 04:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Musique d'ameublement, Set 1: No. 1. Tapisserie en fer forgé (arr. for piano 4 hands)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Musique d'ameublement, Set 1: No. 1. Tapisserie en fer forgé (arr. for piano 4 hands) 01:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Curiously, the function of Satie's Musique d'ameublement… 03:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Mercure, Scene 3: Le Chaos\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Mercure, Scene 3: Le Chaos 00:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Mercure, like Parade, created quite a stir on its premiere… 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Relâche, Act I: Cinéma (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 Relâche, Act I: Cinéma (excerpt) 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCaddy, Davinia - Author\u003c\/div\u003e\n\u003cdiv\u003e Great Composers in Words and Music - Erik Satie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 In a sense, critics' response to Relâche… 02:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSatie, Erik\u003c\/div\u003e\n\u003cdiv\u003e Relâche, Act II: Petite danse finale (chanson mimée): La queue du chien\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 Relâche, Act II: Petite danse finale (chanson mimée): La queue du chien 00:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990996627706,"sku":"8578366","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.578366.jpg?v=1781375113"},{"product_id":"blancafort-complete-songs-vol-2","title":"Blancafort: Complete Songs, Vol. 2 - Alàs i Jové, Villalba","description":"\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003ePons, Josefina - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons de muntanya (arr. M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Cançó del vent gronxant les branques 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Cançó dalt del cingle 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Canço de l'hivern 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Cançó de l'adéu 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Cançó de l'arribada al cim 00:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Cançó de la tarda morint 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. Cançó d'enyorança 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. Cançó del silenci del capvespre 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9. Cançó del matí lluminós 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons per a infants: No. 1. S'ha perdut un anell (arr. M. Villalba from Jocs i danses al camp No. 1)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Cançons per a infants: No. 1. S'ha perdut un anell (arr. M. Villalba from Jocs i danses al camp No. 1) 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cançons per a infants: No. 2. Cant per anar a la guerra (arr. M. Villalba from Jocs i danses al camp No. 5)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Cançons per a infants: No. 2. Cant per anar a la guerra (arr. M. Villalba from Jocs i danses al camp No. 5) 01:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Gabriel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons per a infants: No. 3. El bon Jesuset (version for voice and piano arr. from Cançons de muntanya No. 6)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Cançons per a infants: No. 3. El bon Jesuset (version for voice and piano arr. from Cançons de muntanya No. 6) 01:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003ePrimo de Rivera, José Antonio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e ¡Ojalá!\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 ¡Ojalá! 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Remembrances (M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Remembrances (M. Villalba for voice and piano) 00:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVerdaguer i Juvanteny, Teresa - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Cançons tradicionals catalanes: No. 4. Muntanyes regalades (arr. M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Cançons tradicionals catalanes: No. 4. Muntanyes regalades (arr. M. Villalba for voice and piano) 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Cançons tradicionals catalanes: No. 5. Rossinyol que vas a França (arr. M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Cançons tradicionals catalanes: No. 5. Rossinyol que vas a França (arr. M. Villalba for voice and piano) 01:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons tradicionals catalanes: No. 3. Senyora Isabel (arr. M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Cançons tradicionals catalanes: No. 3. Senyora Isabel (arr. M. Villalba for voice and piano) 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVillalba, Miquel - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Cançons tradicionals catalanes: No. 1. El mal ric (arr. M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Cançons tradicionals catalanes: No. 1. El mal ric (arr. M. Villalba for voice and piano) 01:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cançons tradicionals catalanes: No. 2. La filla del Carmesí (arr. M. Villalba for voice and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Cançons tradicionals catalanes: No. 2. La filla del Carmesí (arr. M. Villalba for voice and piano) 02:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eAlbó, Núria - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Camí barrat\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Camí barrat 03:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eLópez-Picó, Josep Maria - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Serenata a l'infant\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Serenata a l'infant 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eRibot, Pere - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e L'aire del Montseny (version for voice, flute, oboe, clarinet and strings)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 L'aire del Montseny (version for voice, flute, oboe, clarinet and strings) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eLiost, Guerau de - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons sentimentals: No. 2. El torrent\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Cançons sentimentals: No. 2. El torrent 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eSaltor, Octavi - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons sentimentals: No. 1. Sonet penitencial\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Cançons sentimentals: No. 1. Sonet penitencial 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eLiost, Guerau de - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons sentimentals: No. 3. Romanç del goig de tenir germana\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Cançons sentimentals: No. 3. Romanç del goig de tenir germana 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBlancafort, Manuel\u003c\/div\u003e\n\u003cdiv\u003eLópez-Picó, Josep Maria - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cançons de l'enyor: No. 2. 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Motius de cançó (version for voice, strings and piano) 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990996693242,"sku":"8579170","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579170.jpg?v=1781268155"},{"product_id":"maxwell-davies-p-naxos-quartets-nos-3-and-4","title":"Maxwell Davies: Naxos Quartets Nos. 3 and 4 - Maggini Quartet","description":"\u003cdiv\u003ePeter Maxwell Davies is universally acknowledged as one of the foremost composers of our time, and is currently Master of the Queen’s Music. Plainchant, musical tradition and the haunting landscape of his adopted Orkney Islands all serve as inspiration to Maxwell Davies’ extraordinary and fecund imagination. This, the second release in a series of ten quartets commissioned by Naxos, features two contrasting works: Naxos Quartet No. 3, a spontaneous reaction to the 2003 invasion of Iraq, and Quartet No. 4, inspired by Brueghel’s famous painting of children’s games.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eMaxwell Davies, Peter\u003c\/div\u003e\n\u003cdiv\u003e Naxos Quartet No. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 March 07:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 In Nomine 11:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Four Inventions and a Hymn 06:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Fugue 05:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Naxos Quartet No. 4, \"Children's Games\" (Moderato)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Naxos Quartet No. 4, \"Children's Games\" (Moderato) 25:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990996889850,"sku":"8557397","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557397.jpg?v=1781283614"},{"product_id":"stravinsky-pulcinella-danses-concertantes","title":"Stravinsky: Pulcinella \u0026 Danses Concertantes - Bournemouth Sinfonietta","description":"\u003cdiv\u003eStravinsky, Igor\u003c\/div\u003e\n\u003cdiv\u003eMassine, Leonide - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Pulcinella\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Ouverture: Allegro moderato (Gallo: Trio Sonata I, 1st movement) 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Serenata: Larghetto (Pergolesi: Il Flaminio. Act I. Polidoro) 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Scherzino (Gallo: Trio Sonata II, 1st movement) 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Allegro (Gallo: Trio Sonata II, 3rd movement) 01:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Andantino (Gallo: Trio Sonata VIII, 1st movement) 01:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Allegro (Pergolesi: Lo frate 'nnammorato. Act I. Vanella) 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Ancora poco meno (Pergolesi: Cantata: Luce degli occhi miei) 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Allegro Assai (Gallo: Trio Sonata III, 3rd movement) 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Allegro (Pergolesi: Il Flaminio. Act I. Bastiano) 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Largo (Pergolesi: Lo frate 'nnammorato. Act III. Nina, Ascanio, Vanella) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 (Allegro) (Pergolesi: Lo frate 'nnammorato. Act II.) 00:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Presto (Pergolesi: Lo frate 'nnammorato. Act II.) 01:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 (Largo) (Pergolesi: Lo frate 'nnammorato. Act II.) 00:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Allegro alla breve (Gallo: Trio Sonata VII, 3rd movement) 01:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Tarantella: Allegro moderato (Wassenaer: Concerto II, Chelleri: Concertino VI) 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Andantino (Parisotti: Canzona) 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Allegro (Monza: Harpsichord Suite No. 1) 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Gavotta: Allegro moderato (Monza: Harpsichord Suite No. 3) Variazione Ia - Variazione IIa 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Vivo (Pergolesi: Sinfonia for Cello and Basso) 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Tempo di minue (Pergolesi: Lo frate 'nnammorato. Act I. 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This large-scale early work looks back on virtuosic Romantic music, while at the same time exploring the new compositional styles that Boulez would subsequently embrace. 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Très vif 00:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990997020922,"sku":"8573894","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573894.jpg?v=1781285591"},{"product_id":"piazzolla-legacy","title":"Piazzolla: Legacy (Violin and Piano Arrangements)","description":"\u003cdiv\u003ePiazzolla, Astor\u003c\/div\u003e\n\u003cdiv\u003eCotik, Tomás - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Escualo (arr. T. Cotik for violin and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Escualo (arr. T. Cotik for violin and piano) 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vardarito (arr. T. Cotik for violin, double bass, piano and percussion)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Vardarito (arr. T. 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Calo for violin, piano and percussion) 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990997086458,"sku":"8573789","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573789.jpg?v=1781286154"},{"product_id":"rossini-complete-overtures-vol-3","title":"Rossini: Complete Overtures, Vol. 3 - Prague Sinfonia","description":"\u003cdiv\u003eVolume 3 of the complete Rossini symphonic overtures continues the pattern of placing rarities such as the lively student work, Grand’overtura ‘obbligata a contrabasso’, and Matilde of Shabran, set in medieval Spain, alongside perennial hits such as The Italian Girl in Algiers and La Cenerentola (Cinderella), said to have been written in just three weeks. 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His pupil Berg’s Sonata, Op. 1 was written as his period of study came to an end. Paul Hindemith represents a different and equally original school of composition, his three Piano Sonatas dating from the later 1930s when his work, like that of Berg and Schoenberg, had already been condemned by Germany’s Nazi government. Hartmann, who has enjoyed less distinction, studied with Schoenberg's pupil Webern and was a survivor of the political events of the 1930s and of the war. His Sonata of 1945, revised in 1947, reflects his reaction to the events through which he had lived.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eBerg, Alban\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Piano Sonata, Op. 1 10:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHindemith, Paul\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Massig schnell 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Lebhaft 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Sehr langsam - Rondo: Bewegt 07:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSchoenberg, Arnold\u003c\/div\u003e\n\u003cdiv\u003e 3 Klavierstücke\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Andantino 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Andantino grazioso 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Presto 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHartmann, Karl Amadeus\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata, \"27 April 1945\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Bewegt 04:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Scherzo: Presto assai 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Marcia funebre: Lento 10:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 IV. Allegro risoluto (1st version) 06:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 IV. Allegro furioso (2nd version) 05:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990997250298,"sku":"8570401","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.570401.jpg?v=1781268068"},{"product_id":"crossing-the-americas","title":"Crossing the Americas: Mandolin and Guitar Recital (FUNK PEARSON, S. \/ KRENEK, E. \/ LeVINES, T.A. \/ MONK FELDMAN, B. \/ SANTÓRSOLA, G. - Mare Duo","description":"\u003cdiv\u003eSantórsola, Guido\u003c\/div\u003e\n\u003cdiv\u003e Sonata No. 6 for Mandolin and Guitar\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegretto scherzoso 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Calmo - Intermezzo - Calmo 07:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro pomposo, ma con brio 08:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKrenek, Ernst\u003c\/div\u003e\n\u003cdiv\u003e Suite for Mandolin and Guitar, Op. 242\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Overture 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Intermezzo I 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Scherzo 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Canon 02:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 V. Soliloqui 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 VI. Intermezzo II 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 VII. Mini-Opera 01:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFunk Pearson, Stephen\u003c\/div\u003e\n\u003cdiv\u003e Mountain Moor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Mountain Moor 10:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLeVines, Thomas Allen\u003c\/div\u003e\n\u003cdiv\u003e …after the quake: 5 Impressions from Murakami\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 1. a box like the ones used for human ashes 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 2. the glow from the flames spread strangely unreal shadows 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 3. a gust of wind set the leaves of grass to dancing 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 4. white clouds floated in the sky … birds and dragonflies cut across 05:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 5. the locomotive is coming … 04:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonk Feldman, Barbara\u003c\/div\u003e\n\u003cdiv\u003e The Pale Blue Northern Sky\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 The Pale Blue Northern Sky 08:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990997414138,"sku":"8574060","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574060.jpg?v=1781368392"},{"product_id":"vivaldi-lestro-armonico-wind-and-brass-concerti","title":"VIVALDI : L'Estro Armonico \/ Wind and Brass \/ Concerti (2 CDs)","description":"","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990997446906,"sku":"8520005","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/3633263-3142923.jpg?v=1784066873"},{"product_id":"mayr-grande-messa-da-requiem","title":"Mayr\/Donizetti: Grande messa da requiem in G Minor - Simon Mayr Choir and Ensemble, Hauk (2 CDs)","description":"\u003cdiv\u003eAdmired for his fusion of German and Italianate musical elements, Johann Simon Mayr is increasingly recognised as one of the most intriguing and influential composers of his time. His Requiem in G minor is shrouded in compositional obscurity but it is clear that the published version is surpassed both in scale and instrumentation by the elaborate edition performed here, which has been assembled from the autograph manuscripts. Small sections were composed by Donizetti and then corrected by his teacher, Mayr. Church style and more Romanticised elements are finely balanced in this important example of Mayr’s compositional language.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMayr, Johann Simon\u003c\/div\u003e\n\u003cdiv\u003eDonizetti, Gaetano\u003c\/div\u003e\n\u003cdiv\u003e Gran messa di requiem\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Introitus: Requiem 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Introitus: Te decet 06:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Introitus: Requiem 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Kyrie: Kyrie eleison 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Kyrie: Christe eleison 03:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Kyrie: Kyrie eleison 04:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Sequentia No. 1: Dies irae 07:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Sequentia No. 2: Tuba mirum 07:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Sequentia No. 3: Liber scriptus 08:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Sequentia No. 4: Quid sum miser 08:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Sequentia No. 5: Recordare 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Sequentia No. 6: Ingemisco 05:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Sequentia No. 7: Preces meae - 08:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Sequentia No. 8: Inter oves 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Sequentia No. 9: Oro supplex - 08:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Sequentia No. 10: Lacrymosa 07:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Sequentia No. 11: Huic ergo 07:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Sanctus 02:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Benedictus: Benedictus 02:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Benedictus: Hosanna in excelsis 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Agnus Dei: Agnus Dei - Communio: Lux aeterna 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Libera me 07:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990997676282,"sku":"8573419-20","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573419-20.jpg?v=1781371774"},{"product_id":"part-berliner-messe-magnificat-summa","title":"PART: Berliner Messe \/ Magnificat \/ Summa -  Elora Festival Orchestra","description":"\u003cdiv\u003eWith a number of modern classics already to his name, notably the Symphony No. 3 [Naxos 8.554591], Tabula Rasa [8.554591], Fratres and Cantus in memoriam Benjamin Britten [8.553750], culminating in 1982 with his largest work thus far, the St John Passion [8.555860], Arvo Pärt has during the past 20 years consolidated his reputation as one of the most significant composers at work today with a sequence of magnificent sacred choral works. The present recording provides an overview of Pärt’s mature idiom with works written on either side of the Passion, and in which a gradual expressive opening-out and harmonic enrichment of the composer’s musical vocabulary can be detected. The Magnificat is perhaps Pärt’s most immediately appealing choral work whose alternation of solo and tutti sections imparts a powerful spiritual aura.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cantate Domine Canticum Novum\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Cantate Domine Canticum Novum 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Berliner Messe\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Kyrie 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Gloria 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Alleluia Verses I and II 02:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Veni Sancte Spiritus 05:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Credo 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Sanctus 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Agnus Dei 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e De Profundis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 De Profundis 05:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003e Summa\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Summa 04:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Beatitudes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 The Beatitudes 07:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Magnificat\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Magnificat 07:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 52:12\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990998036730,"sku":"8557299","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557299.jpg?v=1781285713"},{"product_id":"alfano-string-quartets-nos-1-3","title":"Alfano: String Quartets Nos. 1–3 - Darvarova, Elmira; Magill, Samuel; Mumm, Craig; Mumm, Mary Ann","description":"\u003cdiv\u003eThe Neapolitan composer Franco Alfano was prolific and highly successful in the field of opera, but he also composed three string quartets over a period framed by the two world wars. No. 1 in D major was written during the First World War and stretches the limits of the quartet medium with its quasi-orchestral vigour, tied together with a habanera rhythm. No. 2 in C major In Three Linked Movements, though smaller in scale, reflects the range of Alfano’s influences, which include Russian and Eastern European music, rustic dances and French impressionism. Work on No. 3 in G minor was started in 1944, a year after the death of his beloved wife, to whom Alfano pays tribute in the haunting first movement. The quartet was completed in 1945 and ends with an ebullient monothematic march finale celebrating Ancient Rome.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlfano, Franco\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 1 in D Major (1924 version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Vivacissimo 09:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Calmo 12:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Largo - Allegro deciso 11:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 2 in Tre Tempi Collegati in C Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Largo assai - 07:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Allegretto semplice (come una canzoncina per bimbi) 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Molto allegro 09:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 3 in G Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Largo 12:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Allegretto 07:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Allegro 07:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990998364410,"sku":"8579042","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579042.jpg?v=1781214498"},{"product_id":"alwyn-film-music-arranged-for-wind-band","title":"Alwyn: Film Music arranged for Wind Band - Royal Northern College of Music Wind Orchestra","description":"\u003cdiv\u003eWilliam Alwyn was a consummate film composer, as capable of creating powerful marches as he was atmospheric waltzes. In these exciting arrangements by Martin Ellerby for wind band, the full variety of Alwyn’s inspiration can be appreciated. There is the romantic allure of the overture to The Crimson Pirate, the compact, brilliant characterisation of The History of Mr Polly and the suite from Geordie, with its seductive use of familiar Scottish melodies. The scores for The Way Ahead and Desert Victory convey action with superb and stirring effectiveness.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlwyn, William\u003c\/div\u003e\n\u003cdiv\u003eEllerby, Martin - Arranger\u003c\/div\u003e\n\u003cdiv\u003e The Crimson Pirate Overture (arr. M. Ellerby for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 The Crimson Pirate Overture (arr. M. Ellerby for wind band) 07:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The History of Mr Polly Suite (arr. M. Ellerby for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. The Wedding and Funeral 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Fire 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Christabel 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. Punting Scene 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 V. Utopian Sunset 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Way Ahead March (arr. M. Ellerby for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 The Way Ahead March (arr. M. Ellerby for wind band) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e State Secret Suite (arr. M. Ellerby for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Main Titles and Grand Ball 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Theatre Music 02:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. On the Barge 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 IV. Finale 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990998429946,"sku":"8572747","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572747.jpg?v=1781214693"},{"product_id":"banks-five","title":"Banks: Five - Czech National Symphony Orchestra","description":"\u003cdiv\u003eTony Banks, the renowned founder member and keyboard maven of the rock band Genesis, continues his acclaimed series of orchestral compositions with Five. The suite opens with Prelude to a Million Years, originally commissioned for and performed at the Cheltenham Music Festival. Banks’ signature melodic gifts and feel for cinematic scale are all in evidence in Five, just as they were in Six (8.572986) and Seven (8.557466), ‘a work of stirring beauty’ (ProgSheet).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBanks, Tony\u003c\/div\u003e\n\u003cdiv\u003eIngman, Nick - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Five (arr. N. Ingman for soloists, choir and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Prelude to a Million Years 15:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Reveille 08:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Ebb and Flow 12:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Autumn Sonata 10:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Renaissance 10:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990998495482,"sku":"8574141","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574141.jpg?v=1781267243"},{"product_id":"mendelssohn-piano-concertos-nos-1-and-2-capriccio-brilla","title":"MENDELSSOHN: Piano Concertos Nos. 1 and 2 \/ Capriccio Brillant \/ Rondo Brillant - Frith, Slovak State Philharmonic Orchestra, Košice","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 1 in G Minor, Op. 25, MWV O7\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Molto allegro con fuoco 07:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante 06:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Presto 07:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 2 in D Minor, Op. 40, MWV O11\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegro appassionato 10:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Adagio - Molto sostenuto 07:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Finale: Presto scherzando 07:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Capriccio brillant, Op. 22, MWV O8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Capriccio brillant in B Minor, Op. 22 11:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Rondo brillant in E-Flat Major, Op. 29, MWV O10\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Rondo brillant in E-Flat Major, Op. 29 11:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990998528250,"sku":"8550681","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.550681.jpg?v=1781372030"},{"product_id":"grieg-orchestral-music-vol-1-piano-concerto-symphonic","title":"Grieg: Orchestral Music, Vol. 1 - Piano Concerto, Op. 16 \/ Symphonic Dances \/ In Autumn - Royal Scottish National Orchestra, Engeset","description":"\u003cdiv\u003eIn his own words, Grieg aspired ‘to paint Norwegian nature, Norwegian folk-life, Norwegian history and Norwegian folk-poetry in music’. In Autumn sees Grieg take inspiration from the forces of nature, both life-giving and destructive, whether it be from the farmers’ harvest celebrations or the ensuing death and decay, while the Symphonic Dances make extensive use of Norwegian folk-melodies. Indeed it has often been said that the famous Piano Concerto has an element of untamed wildness in its opening timpani roll followed by the cascading chimes of the piano. Whatever its inspiration, this cornerstone of the piano repertoire remains one of most enduringly-popular of all concertos on account of its profusion of inspired melodies, noble eloquence and poetic vitality.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e In Autumn, Op. 11\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 In Autumn, Op. 11 11:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto in A Minor, Op. 16\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. 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The notoriously difficult solo piano re-arrangement of Stravinsky’s own piano duet version of The Rite of Spring by the Russian pianist Vladimir Leyetchkiss (1934–2016) met with the composer’s approval. The solo piano version of La Mer by Lucien Garban (1877–1959) re-interprets the work from the perspective of Debussy’s piano output, taking works such as Images, from the same period, as a model.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDebussy, Claude\u003c\/div\u003e\n\u003cdiv\u003eGarban, Lucien - Arranger\u003c\/div\u003e\n\u003cdiv\u003e La Mer (arr. L. Garban for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. De l'aube à midi sur la mer 07:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Jeux de vagues 07:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. 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Leyetchkiss for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part I: L'Adoration de la Terre: Introduction (Adoration of the Earth: Introduction) 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I: L'Adoration de la Terre: Les Augures Printaniers - Danses des Adolescentes (Adoration of the Earth: The Augurs of Spring - Dances of the Young Girls) 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part I: L'Adoration de la Terre: Jeu deu Rapt (Adoration of the Earth: Ritual of Abduction) 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part I: L'Adoration de la Terre: Rondes Printanières (Adoration of the Earth: Spring Rounds) 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part I: L'Adoration de la Terre: Jeu des Cités Rivales (Adoration of the Earth: Ritual of the Rival Tribes) 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part I: L'Adoration de la Terre: Cortège du Sage (Adoration of the Earth: Procession of the Sage) 00:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part I: L'Adoration de la Terre: Le Sage - Danse de la Terre (Adoration of the Earth: The Sage - Dance of the Earth) 01:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part II: Le Sacrifice: Introduction (The Sacrifice: Introduction) 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990999347450,"sku":"8573576","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573576.jpg?v=1781280727"},{"product_id":"50th-anniversary-michele-pittaluga-guitar-competition-aless","title":"50TH ANNIVERSARY MICHELE PITTALUGA GUITAR COMPETITION, ALESSANDRIA - Laureates 2006-2015","description":"\u003cdiv\u003eThe “Michele Pittaluga” International Guitar Competition was first held in 1968, and is still one of only a handful of guitar competitions that have achieved genuine international prestige. In 2017 it celebrates its 50th continuous year, and this celebratory compilation of recordings by past winners brings together performances at the highest level of some of the finest music written or arranged for guitar: from Rodrigo’s ‘challenge’ to the player in Elogio de la guitarra, to Rameau’s picturesque mimicry of birdsong and Walton’s masterful Bagatelles.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eKoshkin, Nikita\u003c\/div\u003e\n\u003cdiv\u003e The Prince's Toys Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 IV. Toy Soldiers 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 V. The Prince's Coach 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRodrigo, Joaquín\u003c\/div\u003e\n\u003cdiv\u003e Elogio de la guitarra\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Elogio de la guitarra: I. Allegro 05:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eDešpalj, Valter - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Violin Sonata No. 2 in A Minor, BWV 1003 (arr. W. Despalj for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (arr. W. Despalj for guitar) 04:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePonce, Manuel María\u003c\/div\u003e\n\u003cdiv\u003e Sonatina meridional\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Sonatina meridional: I. Campo 05:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAntonio José\u003c\/div\u003e\n\u003cdiv\u003e Guitar Sonata\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Guitar Sonata: IV. Final 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Lute Partita in E Major, BWV 1006a (arr. for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Lute Partita in E Major, BWV 1006a: I. Prelude (arr. for guitar) 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGranados, Enrique\u003c\/div\u003e\n\u003cdiv\u003eMontesinos, Anabel - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Valses poéticos (arr. A. Montesinos for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Valses poéticos (arr. A. Montesinos for guitar) 09:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePonce, Manuel María\u003c\/div\u003e\n\u003cdiv\u003e 3 Canciones populares mexicanas\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. La Pajarera 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 2. Por tí mi corazón 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 3. La Valentina 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRameau, Jean-Philippe\u003c\/div\u003e\n\u003cdiv\u003eCherouana, Lazhar - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Pieces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. L. Cherouana for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Pieces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. L. Cherouana for guitar) 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e La Dauphine (arr. L. Cherouana for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 La Dauphine (arr. L. 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Alla cubana 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 5. Con slancio 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":48990999576826,"sku":"8573850","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573850.jpg?v=1781212935"},{"product_id":"granados-orchestral-works-vol-2","title":"Granados: Orchestral Works, Vol. 2 - Dante \/ La nit del mort \/ Goyescas: Intermezzo (Barcelona Symphony, González)","description":"\u003cdiv\u003eRevered as one of the greatest Spanish composers for the piano, Enrique Granados also wrote a wide-ranging body of orchestral music. His one-act opera Goyescas contains an intensely lyrical Intermezzo that is his most popular work and one of the best-loved pieces in all Spanish music. The gypsy-tinged orientalism of Danza de los ojos verdes and Danza gitana contrast with the sombre and epic La nit del mort and the ambitious large-scale symphonic poem Dante, one of the most significant Spanish orchestral works of its time. This is the second in a series commemorating the centenary of Granados’ death. 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Whether structured in a single span—as in the Second with its hints of Bartók—or more formally devised in three movements, Meyer’s work is at the forefront of contemporary European quartet writing, showing some allegiance to, but differences from, the quartets of his compatriots Penderecki and Lutosławski. This is the fourth and final volume of the complete Quartets.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMeyer, Krzysztof\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 1, Op. 8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Tesi 06:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Antitesi 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. 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