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After all, this chamber music arrangement from Beethoven’s pen fits perfectly with those of the piano concertos of later times.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eLachner, Vinzenz - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 1 in C Major, Op. 15 (arr. V. Lachner for piano and string quintet)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro con brio 17:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Largo 10:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Rondo: Allegro 08:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 2 in D Major, Op. 36 (version for piano trio)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Adagio molto - Allegro con brio 12:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Larghetto 10:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Scherzo: Allegro 03:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Allegro molto 06:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591939653882,"sku":"8551431","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.551431.jpg?v=1792354371"},{"product_id":"agnus-dei-classical-music-for-reflection-and-meditation","title":"AGNUS DEI - Classical Music for Reflection and Meditation","description":"\u003cdiv\u003eLassus, Orlande de\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Missa Bell' Amfitrit' altera: Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Missa Bell’Amfitrit’altera: Agnus Dei 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePalestrina, Giovanni Pierluigi da\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Missa Papae Marcelli (Pope Marcellus Mass): Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Missa Papae Marcelli (Pope Marcellus Mass): Agnus Dei 07:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVictoria, Tomás Luis de\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Missa O quam gloriosum: Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Missa O quam gloriosum: Agnus Dei 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLobo, Alonso\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Versa est in luctum\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Versa est in luctum 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eByrd, William\u003c\/div\u003e\n\u003cdiv\u003e Pavan\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Pavan 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eByrd, William\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Mass for four voices: Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Mass for four voices: Agnus Dei 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTallis, Thomas\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Mass for four voices: Agnus Dei 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eByrd, William\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Mass for five voices: Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Mass for five voices: Agnus Dei 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBenevolo, Orazio\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Missa Azzolina: Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Missa Azzolina: Agnus Dei 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eFranck, Johann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWeissel, Georg - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRunge, Christoph - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWerner, Georg - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eLuther, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eGerhardt, Paul - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHenrici, Christian Friedrich - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRist, Johann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Christmas Oratorio, BWV 248: Sinfonia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Christmas Oratorio, BWV 248: Sinfonia 05:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Mass in B Minor, BWV 232: Agnus Dei\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Mass in B Minor, BWV 232: Agnus Dei 05:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591942570234,"sku":"8556701","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.556701.jpg?v=1791999980"},{"product_id":"antill-corroboree-outback-overture","title":"ANTILL: Corroboree \/ Outback Overture - New Zealand Symphony Orchestra","description":"\u003cdiv\u003eAustralian composer John Antill is best remembered for his exuberant, outstandingly successful and ever-popular ballet Corroboree. Drawing on material Antill notated in 1913 at an Aboriginal Corroboree (a type of ritual ceremony) in Botany Bay and on his subsequent research on Aboriginal music, Corroboree is widely recognized as a landmark in Australian music history. Antill’s Outback Overture is a charming concert opener, reminiscent of Stravinsky’s rhythmic energy, British folk melodies, Copland’s harmonic influence and Grainger’s humour.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eAntill, John\u003c\/div\u003e\n\u003cdiv\u003e Outback Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Outback Overture 07:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Corroboree\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Welcome Ceremony 08:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Dance to the Evening Star 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. A Rain Dance 04:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. Spirit of the Wind 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 V. Rising Sun 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 VI. The Morning Star 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 VII. Procession of the Totems and Closing Ceremony 15:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591943127290,"sku":"8570241","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.570241.jpg?v=1792102689"},{"product_id":"bach-j-s-cello-suites-nos-1-6-bwv-1007-1012-complete","title":"BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 - Maria Kliegel (2 CDs - Complete)","description":"\u003cdiv\u003eBach’s six unaccompanied Cello Suites, written around 1720 while he was in the service of the young prince Leopold of Anhalt-Cöthen, are the first truly virtuosic works written for the instrument. Each of the Suites consists of a series of dance forms, although this simple description belies the astonishing variety and complexity of the music. Nearly three centuries after their composition, the Suites remain the supreme test of a cellist’s technical and musical capability. Leading cello virtuoso Maria Kliegel performs them here on a cello made by Stradivarius in 1693.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Suite for Solo Cello No. 1 in G Major, BWV 1007\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Prelude 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Allemande 05:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Courante 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Sarabande 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Menuet I and II 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Gigue 01:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 2 in D Minor, BWV 1008\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Prelude 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Allemande 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Courante 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Sarabande 04:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 V. Menuet I and II 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 VI. Gigue 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 6 in D Major, BWV 1012\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 I. Prelude 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 II. Allemande 08:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 III. Courante 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 IV. Sarabande 05:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 V. Gavotte I and II 05:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 VI. Gigue 04:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 3 in C Major, BWV 1009\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Prelude 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Allemande 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Courante 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Sarabande 04:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Bourree I and II 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Gigue 02:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 4 in E-Flat Major, BWV 1010\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Prelude 05:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Allemande 04:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Courante 03:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Sarabande 04:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 V. Bourree I and II 05:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 VI. Gigue 02:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 5 in C Minor, BWV 1011\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 I. Prelude 06:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 II. Allemande 06:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 III. Courante 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 IV. Sarabande 04:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 V. Gavotte I and II 05:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 VI. Gigue 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591950860538,"sku":"8557280-81","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557280-81.jpg?v=1792103043"},{"product_id":"bach-for-meditation","title":"BACH FOR MEDITATION","description":"\u003cdiv\u003eVoorhorst, Enno - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Concerto in D Minor (after the Oboe Concerto by A. Marcello), BWV 974: Adagio (arr. E. Voorhorst for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Concerto in D Minor (after the Oboe Concerto by A. Marcello), BWV 974: Adagio (arr. E. 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Siciliano\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Harpsichord Concerto in E Major, BWV 1053: II. Siciliano 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Oratorium Festo Paschali: Kommt, eilet und laufet (Easter Oratorio), BWV 249: I. Sinfonia, ''Adagio''\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Kommt, eilet und laufet, BWV 249, \"Easter Oratorio\": I. Sinfonia, ''Adagio'' 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, \"Air on the G String\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Suite No. 3 in D Major, BWV 1068: Air, \"Air on the G String\" 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Harpsichord Concerto in F Minor, BWV 1056: II. Largo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Harpsichord Concerto in F Minor, BWV 1056: Largo 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591955775738,"sku":"8557650","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557650.jpg?v=1792352752"},{"product_id":"abe-symphony-no-1-divertimento-sinfonietta","title":"Abe: Symphony No. 1, Divertimento \u0026 Sinfonietta - Russian Philharmonic Orchestra","description":"\u003cdiv\u003eKomei Abe was one of the finest pupils trained at the Tokyo Music School ( now the Tokyo University of Fine Arts and Music) in the 1930s. His musical language is characterized by crisp melodies, structural clarity and, in the composer’s own words, ‘rhythmic ostinato by the steam locomotive’. Written during his ‘vintage years’ of the 1950s, the Symphony No. 1 and the Sinfonietta are scored for a large orchestra, including a wide variety of percussion.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAbe, Komei\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro con brio 06:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Adagietto, \"Memories of my childhood\" 06:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Vivace assai 06:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Divertimento (version for alto saxophone and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Andante sostenuto 09:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Adagietto 04:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Allegro 06:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sinfonietta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Allegro con brio 06:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Moderato 07:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Scherzo: Andante - Presto 05:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Finale: Allegro assai 05:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591959773434,"sku":"8557987","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557987.jpg?v=1791998787"},{"product_id":"armenian-dances","title":"Armenian Dances (REED, A. \/ BERNSTEIN, L. \/ BACH, J.S. \/ SMITH, C.T. \/ CHIANG, Chia-Ying) - Taiwan Wind Ensemble, Boyd","description":"\u003cdiv\u003eComprising professors and band directors, the Taiwan Wind Ensemble is a leading international exponent of the wind repertory, not least in its exciting series of commissions. On this disc it presents a selection of music of orchestrations and originals from around the world. There are a variety of overtures and evocative dances from Bach to Bernstein, as well as Alfred Reed’s richly colorful Armenian Dances. They are complemented by Taiwanese composer Chia-Ying Chiang’s mysterious and beautiful recent composition A Chasing After The Wind, which takes its title from Ecclesiastes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eBernstein, Leonard\u003c\/div\u003e\n\u003cdiv\u003eGrundman, Clare - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Candide: Overture (arr. C. Grundman for wind ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Candide: Overture (arr. C. Grundman for wind ensemble) 04:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eBoyd, John P. - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Piece d'Orgue in G Major, BWV 572, \"Fantasia in G Major\" (arr. J.P. Boyd for wind ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Piece d'Orgue in G Major, BWV 572, \"Fantasia in G Major\" (arr. J.P. Boyd for wind ensemble) 06:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSmith, Claude T.\u003c\/div\u003e\n\u003cdiv\u003e Emperata Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Emperata Overture 07:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChiang, Chia-Ying\u003c\/div\u003e\n\u003cdiv\u003e A Chasing After the Wind\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 A Chasing After the Wind 10:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eReed, Alfred\u003c\/div\u003e\n\u003cdiv\u003e Armenian Dances\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I 11:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part II: I. Hov Arek 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part II: II. Khoomar 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part II: III. Lorva Horovel 09:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eShostakovich, Dmitry\u003c\/div\u003e\n\u003cdiv\u003eHunsberger, Donald - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Festive Overture, Op. 96 (arr. D. Hunsberger for wind ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Festive Overture, Op. 96 (arr. D. Hunsberger for wind ensemble) 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:04:43\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591960789242,"sku":"8573028","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573028.jpg?v=1792102774"},{"product_id":"alfano-piano-works","title":"Alfano: Piano Works - 4 Danses Napolitaines \/ 4 Danses Roumaines \/ 5 Danses de Cléo de Mérode \/ Pax \/ Nostalgie - Maione","description":"\u003cdiv\u003eIn addition to his operatic achievements, Franco Alfano composed an impressive body of chamber and instrumental works, including the little-known music for piano heard on this recording. His early career as a virtuoso pianist is reflected in works ranging from the Quatre Pièces, with their tributes to Schumann and Mendelssohn, to the Danses napolitaines, inspired by the Neapolitan canzone, the neo-classicism of the Cinq Danses de Cléo de Mérode and the quirky rhythms of the Danses roumaines. Recordings of Alfano’s chamber music can be heard on Naxos 8.570928 and 8.572753. His opera Cyrano de Bergerac, with Plácido Domingo in the title rôle, is available on Naxos DVD 2.110270 and Blu-ray NBD0005.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlfano, Franco\u003c\/div\u003e\n\u003cdiv\u003e 4 Pièces, Op. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Mazurka 02:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Romanzetta 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Fable 03:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Causerie 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Danses napolitaines, Op. 8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 1. Chanson populaire 03:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 2. Sérénade à la bien aimée 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 3. Sérénade qui passe 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 4. Guitare 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 2 Pièces, Op. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. Valse coquette 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 2. Arlequin 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Danses roumaines, Op. 9\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 1. Allegro 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMore\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591987953914,"sku":"8573754","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573754.jpg?v=1792101922"},{"product_id":"and-so-it-goes-songs-of-folk-lore","title":"And so It Goes: Songs of Folk \u0026 Lore (Billy Joel, Eric Whitacre, Ivor Novello) - Elora Singers","description":"\u003cdiv\u003eThis recording traverses Canada, America and the British isles in music that has helped define the culture of those nations. England is represented by two of its most celebrated composers, Holst and Vaughan Williams, and the iconic Scottish Auld Lang Syne is traditionally sung to greet each New Year. Celebrated Canadian songs include Jimmy Rankin’s Juno Award-winning Fare thee well love. Eric Whitacre’s distinctive harmonic clusters can be heard in Go lovely rose, and Gordon Lightfoot counts Bob Dylan among his many fans, Dylan once declaring that when he heard a song such as Pussywillows, cat-tails he wished ‘it would last forever’.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBaker, Dave\u003c\/div\u003e\n\u003cdiv\u003eNickel, Larry - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBaker, Dave - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Old Lady Rose (arr. L. Nickel for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Old Lady Rose (arr. L. Nickel for choir and piano) 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eQuick, Jonathan - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Loch Lomond (arr. J. Quick for voice and choir)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Loch Lomond (arr. J. Quick for choir) 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWatson Henderson, Ruth\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 5 Ontario Folk Songs: No. 2.The Maggie Hunter\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 5 Ontario Folk Songs: No. 2.The Maggie Hunter 06:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHealey, Derek\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 6 Canadian Folk Songs, Set 1, Op. 41b: No. 6. Danse, Mon Moin, Danse! (version for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 6 Canadian Folk Songs, Set 1, Op. 41b: No. 6. Danse, Mon Moin, Danse! (version for choir and piano) 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eWaller, Edmund - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 3 Flower Songs: No. 3. Go, Lovely Rose\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 3 Flower Songs: No. 3. Go, Lovely Rose 03:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBurns, Robert\u003c\/div\u003e\n\u003cdiv\u003eBurns, Robert - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMealor, Paul - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Ae Fond Kiss (arr. P. Mealor for choir)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Ae Fond Kiss (arr. P. Mealor for choir) 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eNovello, Ivor\u003c\/div\u003e\n\u003cdiv\u003eRalls, Stephen - Arranger\u003c\/div\u003e\n\u003cdiv\u003eNovello, Ivor - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Perchance to Dream: We'll Gather Lilacs (arr. S. Ralls for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Perchance to Dream: We'll Gather Lilacs (arr. S. Ralls for choir and piano) 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRogers, Stan\u003c\/div\u003e\n\u003cdiv\u003eRogers, Stan - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eSmail, Ron - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Fogarty's Cove (arr. R. Smail for choir)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Fogarty's Cove (arr. R. Smail for choir) 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLightfoot, Gordon\u003c\/div\u003e\n\u003cdiv\u003eLightfoot, Gordon - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eNickel, Larry - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Pussy Willows, Cat-tails (arr. L. Nickel for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Pussy Willows, Cat-tails (arr. L. Nickel for choir and piano) 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHolst, Gustav\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 6 Choral Folk Songs, Op. 36b: No. 5. I Love My Love\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 6 Choral Folk Songs, Op. 36b: No. 5. I Love My Love 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSomers, Harry\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 5 Songs of the Newfoundland Outports: No. 5. Feller from Fortune\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 5 Songs of the Newfoundland Outports: No. 5. Feller from Fortune 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eVaughan Williams, Ralph\u003c\/div\u003e\n\u003cdiv\u003eShakespeare, William - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 3 Shakespeare Songs\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 1. Full Fathom Five 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 2. The Cloud-capp'd Towers 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 3. Over Hill, Over Dale 01:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eMarlow, Richard - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMarlow, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e John Brown's Body (arr. R. Marlow for choir)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 John Brown's Body (arr. R. Marlow for choir) 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePaulus, Stephen\u003c\/div\u003e\n\u003cdiv\u003eVik, Della B. - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Prairie Songs: No. 6. The Old Church\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Prairie Songs: No. 6. The Old Church 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eBurns, Robert - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eFarrington, Iain - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Auld Lang Syne (arr. I. Farrington for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Auld Lang Syne (arr. I. Farrington for choir and piano) 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMacNeil, Rita\u003c\/div\u003e\n\u003cdiv\u003eCalvert, Stuart - Arranger\u003c\/div\u003e\n\u003cdiv\u003eMacNeil, Rita - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e She's Called Nova Scotia (arr. S. Calvert for voice, choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 She's Called Nova Scotia (arr. S. Calvert for voice, choir and piano) 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJoel, Billy\u003c\/div\u003e\n\u003cdiv\u003eJoel, Billy - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e And So It Goes (arr. for choir)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 And So It Goes (arr. for choir) 03:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRankin, Jimmy\u003c\/div\u003e\n\u003cdiv\u003eRankin, Jimmy - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCalvert, Stuart - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Fare Thee Well Love (arr. S. Calvert for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Fare Thee Well Love (arr. S. Calvert for choir and piano) 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDubinsky, Leon\u003c\/div\u003e\n\u003cdiv\u003eAdams, Lydia - Arranger\u003c\/div\u003e\n\u003cdiv\u003eDubinsky, Leon - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Rise and Follies of Cape Breton: We Rise Again (arr. L. Adams for choir and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 The Rise and Follies of Cape Breton: We Rise Again (arr. L. Adams for choir and piano) 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67591996604666,"sku":"8573861","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573861.jpg?v=1792102207"},{"product_id":"beethoven-egmont","title":"Beethoven: Egmont; Marches - Salminen, Ranta, Turku Philharmonic, Segerstam","description":"\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eGoethe, Johann Wolfgang von - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Egmont, Op. 84\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Overture 09:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Monologue: Besteigt denn, von den Tönen hold geleitet (Narrator) 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Lied: Die Trommel gerühret! (Klärchen) 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Zwischenakt I: Andante - Allegro con brio 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Monologue: Wo Egmont wandelt, hoch auf steilem Pfade (Narrator) 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Zwischenakt II: Larghetto 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Monologue: Die Geliebte harrt (Narrator) 00:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Lied: Freudvoll und leidvoll (Klärchen) 02:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Zwischenakt III: Allegro - Marcia vivace 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Monologue: Sorglos dem Wort des Königs trauend (Narrator) 00:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Zwischenakt IV: Poco sostenuto e risoluto - Larghetto - Andante agitato 04:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Monologue: Doch jenes Mädchen (Narrator) 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Klärchens Tod bezeichnend: Larghetto 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Melodrama: Süsser Schlaf! Du kommst wie ein reines Glück (Egmont) - Siegessinfonie: Allegro con brio 06:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Leonore: Introduction to Act 2, WoO 2b, Hess 117 (1805 version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Leonore: Introduction to Act 2, WoO 2b, Hess 117 (1805 version) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eBeyer, Franz - Arranger\u003c\/div\u003e\n\u003cdiv\u003e 6 Minuets, WoO 10 (reconstructed by F. Beyer for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 1 in C Major 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 2 in G Major 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 3 in D Major 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 4 in B-Flat Major 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 5 in E Flat Major 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 6 in C Major 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Triumphmarsch zum Trauerspiel Tarpeja von Kuffner (Triumphal March for the Tragedy Tarpeja by Kuffner), WoO 2a, Hess 117\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Triumphmarsch zum Trauerspiel Tarpeja von Kuffner (Triumphal March for the Tragedy Tarpeja by Kuffner), WoO 2a, Hess 117 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Leonore Prohaska, WoO 96: Trauermarsch\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Leonore Prohaska, WoO 96: Trauermarsch 06:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592001782010,"sku":"8573956","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573956.jpg?v=1792353186"},{"product_id":"beethoven-die-geschopfe-des-prometheus-version-for-piano","title":"Beethoven: Die Geschöpfe des Prometheus (version for piano) - Warren Lee","description":"\u003cdiv\u003eLudwig van Beethoven was commissioned by the dancer and choreographer Salvatore Viganò to write the ballet The Creatures of Prometheus—an allegorical story based on the myth of Prometheus—and the composer’s piano version of the orchestral score was published not long after its premiere in 1801. Beethoven turned his symphonic style and skill in pictorial representation to conjure scenes of stormy excitement alongside elegant dances and the sublime aura of beauty surrounding the legendary musicians Orpheus, Amphion and Arion. The Finale is crowned by a theme that would later be used in the ‘Eroica’ Symphony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Die Geschöpfe des Prometheus (The Creatures of Prometheus), Hess 90 (piano version of Op. 43)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Overture 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Introduction 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Act I: Poco adagio 03:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Act I: Adagio - Allegro con brio 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Act I: Allegro vivace 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Act II: Maestoso - Andante 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Act II: Adagio - Andante quasi allegretto 06:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Act II: Un poco adagio - Allegretto 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act II: Grave 04:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act II: Allegro con brio 08:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act II: Adagio 03:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act II: Pastorale: Allegro 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act II: Coro di Gioja: Andante 00:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act II: Solo di Gioja: Maestoso 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act II: Terzettino, Grotteschi: Allegro 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Act II: Solo della Signora Cassentini: Andante 04:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Act II: Coro e Solo di Viganò: Andantino 04:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Act II: Finale: Allegretto - Allegro molto - Presto 06:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:07:18\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592004763898,"sku":"8573974","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573974.jpg?v=1792104075"},{"product_id":"bach-weihnachts-oratorium-bwv-248","title":"Bach: Weihnachts-Oratorium, BWV 248 - Poplutz, Mainz Bach Choir and Orchestra, R. Otto (2 CDs)","description":"\u003cdiv\u003eJ.S. Bach’s Christmas Oratorio was written for the Christmas season of 1734, and although it incorporates music from earlier works it belongs firmly among his timeless large-scale compositions. The development of the oratorio, which was to become a new musical form in Protestant church services at that time, was stimulated by Bach’s compositions, particularly by the unusual form of his six-part Christmas Oratorio. From its famously joyful opening ‘Jauchzet frohlocket’ to the arrival of the Wise Men from the East, this work’s enduring popularity has long proven its status as a choral ‘evergreen’.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eLuther, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHenrici, Christian Friedrich - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRist, Johann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eFranck, Johann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWeissel, Georg - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRunge, Christoph - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWerner, Georg - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eGerhardt, Paul - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Christmas Oratorio, BWV 248\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part I: Jauchzet, frohlocket (Chorus) 07:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part I: Recitative: Es begab sich aber (Evangelist) 01:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part I: Recitative: Nun wird mein liebster Bräutigam (Alto) 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part I: Aria: Bereite dich, Zion (Alto) 05:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I: Chorale: Wie soll ich dich empfangen (Chorus) 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part I: Recitative: Und sie gebar ihren ersten Sohn (Evangelist) 00:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part I: Chorale and Recitative: Er ist auf Erden kommen arm (Soprano, Bass) 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part I: Aria: Großer Herr, o starker König (Bass) 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part I: Chorale: Ach, mein herzliebes Jesulein (Chorus) 01:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part II: Sinfonia 06:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part II: Recitative: Und es waren Hirten (Evangelist) 00:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Part II: Chorale: Brich an, o schönes Morgenlicht (Chorus) 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part II: Recitative: Und der Engel sprach zu ihnen (Evangelist, Soprano) 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part II: Recitative: Was Gott dem Abraham verheißen (Bass) 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part II: Aria: Frohe Hirten, eilt, ach eilet (Tenor) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Part II: Recitative: Und das habt zum Zeichen (Evangelist) 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Part II: Chorale: Schaut hin, dort liegt im finstern Stall (Chorus) 00:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Part II: Recitative: So geht denn hin, ihr Hirten (Bass) 00:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Part II: Aria: Schlafe, mein Liebster (Alto) 10:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Part II: Recitative: Und alsobald war da (Evangelist) 00:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Part II: Ehre sei Gott in der Höhe (Chorus) 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Part II: Recitative: So recht, ihr Engel (Bass) 00:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Part II: Chorale: Wir singen dir in deinem Heer (Chorus) 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Part III: Herrscher des Himmels (Chorus) 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Part III: Recitative: Und da die Engel von ihnen (Evangelist) 00:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Part III: Lasset uns nun gehen gen Bethlehem (Chorus) 00:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Part III: Recitative: Er hat sein Volk getröst' (Bass) 00:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 Part III: Chorale: Dies hat er alles uns getan (Chorus) 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 Part III: Aria Duetto: Herr, dein Mitleid, dein Erbarmen (Soprano, Bass) 07:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 Part III: Recitative: Und sie kamen eilend (Evangelist) 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 31 Part III: Aria: Schließe, mein Herze (Alto) 05:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 32 Part III: Recitative: Ja, ja! mein Herz soll es bewahren (Alto) 00:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 33 Part III: Chorale: Ich will dich mit Fleiß bewahren (Chrous) 01:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 34 Part III: Recitative: Und die Hirten kehrten wieder um (Evangelist) 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 35 Part III: Chorale: Seid froh dieweil (Chorus) 00:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 36 Part III: Herrscher des Himmels (Chorus) 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part IV: Fallt mit Danken, fallt mit Loben (Chorus) 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part IV: Recitative: Und da acht Tage um waren (Evangelist) 00:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part IV: Recitative and Chorale: Immanuel, o süßes Wort (Bass, Soprano) 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part IV: Aria: Flößt, mein Heiland (Soprano with Echo) 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part IV: Recitative and Chorale: Wohlan, dein Name soll allein (Bass, Soprano) 01:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part IV: Aria: Ich will nur dir zu Ehren leben (Tenor) 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part IV: Chorale: Jesus richte mein Beginnen (Chorus) 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part V: Ehre sei dir, Gott, gesungen (Chorus) 06:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part V: Recitative: Da Jesus geboren war zu Bethlehem (Evangelist) 00:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part V: Chorus and Recitative: Wo ist der neugeborne König der Jüden (Chorus, Alto) 02:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part V: Chorale: Dein Glanz all Finsternis verzehrt (Chorus) 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Part V: Aria: Erleucht auch meine finstre Sinnen (Bass) 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part V: Recitative: Da das der König Herodes hörte (Evangelist) 00:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part V: Recitative: Warum wollt ihr erschrecken? (Alto) 00:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part V: Recitative: Und ließ versammlen alle Hohepriester (Evangelist) 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Part V: Aria Terzetto: Ach, wenn wird die Zeit erscheinen (Soprano, Alto, Tenor) 05:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Part V: Recitative: Mein Liebster herrschet schon (Alto) 00:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Part V: Chorale: Zwar ist solche Herzensstube (Chorus) 00:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Part VI: Herr, wenn die stolzen Feinde schnauben (Chorus) 04:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Part VI: Recitative: Da berief Herodes die Weisen heimlich (Evangelist, Herodes) 00:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Part VI: Recitative: Du Falscher, suche nur den Herrn zu fällen (Soprano) 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Part VI: Aria: Nur ein Wink von seinen Händen (Soprano) 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Part VI: Recitative: Als sie nun den König gehöret hatten (Evangelist) 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Part VI: Chorale: Ich steh an deiner Krippen hier (Chorus) 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Part VI: Recitative: Und Gott befahl ihnen im Traum (Evangelist) 00:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Part VI: Recitative: So geht! Genug, mein Schatz (Tenor) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Part VI: Aria: Nun mögt ihr stolzen Feinde schrecken (Tenor) 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 Part VI: Recitative à 4: Was will der Höllen Schrecken nun (Soprano, Alto, Tenor, Bass) 00:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 Part VI: Chorale: Nun seid ihr wohl gerochen (Chorus) 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 02:24:35\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592011153658,"sku":"8574001-02","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574001-02.jpg?v=1792103235"},{"product_id":"beethoven-reimagined","title":"Beethoven Reimagined - BBC National Orchestra of Wales, Segal","description":"\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eSegal, Yaniv - Arranger\u003c\/div\u003e\n\u003cdiv\u003eSchumann, Garrett - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Violin Sonata No. 7 in C Minor, Op. 30, No. 2 (arr. G. Schumann and Y. Segal as Sonata for Orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro con brio 08:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Adagio cantabile 08:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Scherzo: Allegro 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Finale: Allegro 05:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eSegal, Yaniv - Arranger\u003c\/div\u003e\n\u003cdiv\u003e A Fidelio Symphony (arr. Y. Segal for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Einleitung 08:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Aktion 14:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Apotheose 07:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eProkofiev, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eSchiller, Friedrich von - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Beethoven9 Symphonic Remix\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Presto 04:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Allegro assai 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Freunde, haben wir ein neues Babel?: Presto 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 IV. Freude Schöner GötterFUNKen: Allegro assai 03:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 V. Über Sternen (Beyond Stars): Andante Maestoso a mezzo tempo 02:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 VI. Alla marcia 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 VII. Ode finale: Molto vivace ma tranquillo 03:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592013086970,"sku":"8574020","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574020.jpg?v=1792353090"},{"product_id":"a-bohrer-m-bohrer-grande-symphonie-militaire-a-bohrer","title":"Bohrer, A. \u0026 M. : Grande symphonie militaire; Violin and Cello Concertos - Eichhorn, Hülshoff, Jena Philharmonic, Pasquet","description":"\u003cdiv\u003eThe Bohrer family produced a succession of distinguished musicians of whom the brothers Antoine, a violinist who studied with Rodolphe Kreutzer in Paris, and cellist Max were the most eminent. Their string quartet promoted Beethoven’s works and was much admired by Berlioz, who praised Antoine. They co-composed several works including the imposing Grande symphonie militaire included here, boldly virtuosic and laced with memorable themes. Antoine Bohrer’s Violin Concerto in E minor shares elements familiar from Paganini and is enhanced by Antoine’s sense of lyricism. Max’s Cello Concerto No. 1, though economically scored, shows how quickly the cello had progressed as a solo instrument in the early 19th century.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBohrer, Max\u003c\/div\u003e\n\u003cdiv\u003eBohrer, Antoine\u003c\/div\u003e\n\u003cdiv\u003e Grande symphonie militaire\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro brillante (cadenza arr. F. Eichhorn and A. Hülshoff from themes of F.A. Kummer and François Schubert's Duo, Op. 52, No. 1, \"Souvenir de Fra Diavolo\") 13:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Introduxione: Adagio ma non troppo - Air Hollandaise 05:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Adagio - 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Allegro molto (cadenzas by F. Eichhorn and A. Hülshoff) 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBohrer, Antoine\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in E Minor, Op. 9\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro spiritoso (cadenzas by F. Eichhorn) 10:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Adagio (cadenza by F. Eichhorn) - 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Tema un poco allegretto - Variations 1-6 07:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBohrer, Max\u003c\/div\u003e\n\u003cdiv\u003e Cello Concerto No. 1 in D Major, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Allegro moderato 10:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Adagio ma non troppo 05:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Rondo: Allegro moderato 08:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:09:46\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592015446266,"sku":"8574048","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574048.jpg?v=1791998396"},{"product_id":"beethoven-fugues-and-rarities-for-string-quartet","title":"Beethoven: Fugues and Rarities for String Quartet - Fine Arts Quartet","description":"\u003cdiv\u003eThe string quartets of Beethoven are among the greatest works of their kind, but he composed other works for quartet which have been neglected. This album is dedicated to these intriguing rarities. Alongside the wild and monumental Grosse Fuge, in many ways the culmination of Beethoven’s achievements in the string quartet genre, this recording further displays his mastery of counterpoint by bringing to light brilliant yet forgotten original versions of his quartets Op. 18, No. 1 and Op. 131, plus six virtually unknown miniatures, including his Preludes and Fugues.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e String Quartet in F major, Hess 32 (1st version of String Quartet No. 1, Op. 18, No. 1)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro con brio 10:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Adagio molto 09:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Scherzo: Allegro 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Allegretto 06:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 14 in C-Sharp Minor, Op. 131: I. Adagio espressivo (early version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 String Quartet No. 14 in C-Sharp Minor, Op. 131: I. Adagio espressivo (early version) 06:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Prelude and Fugue in F Major, Hess 30\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Prelude and Fugue in F Major, Hess 30 06:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Allegretto in B Minor, WoO 210\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Allegretto in B Minor, WoO 210 00:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Prelude and Fugue in C Major, Hess 31\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Prelude and Fugue in C Major, Hess 31 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fugue in D Minor, Hess 245 (fragment)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Fugue in D Minor, Hess 245 (fragment) 00:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHandel, George Frideric\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Solomon, HWV 67, Part I: Overture: Fugue (arr. L. van Beethoven for string quartet, Hess 36)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Solomon, HWV 67, Part I: Overture: Fugue (arr. L. van Beethoven for string quartet, Hess 36) 02:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Menuett in A-Flat Major, WoO 209, Hess 33\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Menuett in A-Flat Major, WoO 209, Hess 33 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Grosse Fuge in B-Flat Major, Op. 133\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Grosse Fuge in B-Flat Major, Op. 133 16:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592016462074,"sku":"8574051","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574051.jpg?v=1792353313"},{"product_id":"1st-chopin-festival-hamburg-2018","title":"1st Chopin Festival Hamburg 2018 - Brauß, Koch, Lubimov, Pobłocka, Poizat, Rutkowski","description":"\u003cdiv\u003eThe 1st Chopin Festival Hamburg offers a unique opportunity to experience the keyboards of the city’s Museum of Arts and Crafts, the first festival of its kind in Europe. The individual tonal qualities of these instruments can be appreciated during recitals of Classical, Romantic and Impressionist music, with a focus on Chopin, given by six leading specialists in the museum’s own rooms. Pleyel, Brodmann and Broadwood instruments of Chopin’s time are used, as is a modern Steinway, allowing the listener to contrast the fascinatingly divergent sounds of these important historic instruments.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSchubert, Franz\u003c\/div\u003e\n\u003cdiv\u003e 6 Moments musicaux, Op. 94, D. 780: No. 6 in A-Flat Major: Allegretto (performed on Pleyel piano, 1847)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 6 Moments musicaux, Op. 94, D. 780: No. 6 in A-Flat Major: Allegretto (performed on Pleyel piano, 1847) 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 16 in A-Flat Major, Op. 24, No. 3 (performed on Steinway \u0026amp; Sons piano, 2015)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Mazurka No. 16 in A-Flat Major, Op. 24, No. 3 (performed on Steinway \u0026amp; Sons piano, 2015) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDussek, Jan Ladislav\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata in E-Flat Major, Op. 44, \"The Farewell\" (excerpts) (performed on Joseph Brodmann piano, c. 1815)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Molto adagio e sostenuto 07:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Tempo di minuetto più tosto allegro 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e 24 Preludes, Op. 28: No. 23 in F Major (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 24 Preludes, Op. 28: No. 23 in F Major (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841) 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDebussy, Claude\u003c\/div\u003e\n\u003cdiv\u003e Préludes, Book 2 (excerpts) (performed on Steinway \u0026amp; Sons piano, 2015)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 2. Feuilles mortes 02:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 3. La Puerta del vino 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e 12 Etudes, Op. 25: No. 19 in C-Sharp Minor, Op. 25, No. 7 (performed on Rousselot piano, c. 1830)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 12 Etudes, Op. 25: No. 19 in C-Sharp Minor, Op. 25, No. 7 (performed on Rousselot piano, c. 1830) 05:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 5 in B-Flat Major, Op. 7, No. 1 (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Mazurka No. 5 in B-Flat Major, Op. 7, No. 1 (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841) 02:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 6 in A Minor, Op. 7, No. 2 (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Mazurka No. 6 in A Minor, Op. 7, No. 2 (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841) 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 7 in F Minor, Op. 7, No. 3 (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Mazurka No. 7 in F Minor, Op. 7, No. 3 (performed on John Broadwood \u0026amp; Sons Ltd piano, 1841) 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 36 in A Minor, Op. 59, No. 1 (performed on Rousselot piano, c. 1830)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Mazurka No. 36 in A Minor, Op. 59, No. 1 (performed on Rousselot piano, c. 1830) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka in D Minor (performed on Rousselot piano, c. 1830)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Mazurka in D Minor (performed on Rousselot piano, c. 1830) 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Dąbrowski's Mazurka (arr. F. Chopin for piano) (fragment) (performed on Rousselot piano, c. 1830)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Dąbrowski's Mazurka (arr. F. Chopin for piano) (fragment) (performed on Rousselot piano, c. 1830) 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Berceuse in D-Flat Major, Op. 57 (performed on Steinway \u0026amp; Sons piano, 2015)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Berceuse in D-Flat Major, Op. 57 (performed on Steinway \u0026amp; Sons piano, 2015) 04:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Scherzo No. 2 in B-Flat Minor, Op. 31 (performed on Pleyel piano, 1847)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Scherzo No. 2 in B-Flat Minor, Op. 31 (performed on Pleyel piano, 1847) 09:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiszt, Franz\u003c\/div\u003e\n\u003cdiv\u003e Années de pèlerinage, 1st year, Switzerland, S160\/R10: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt) (performed on Steinway \u0026amp; Sons piano, 1872)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Années de pèlerinage, 1st year, Switzerland, S160\/R10: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt) (performed on Steinway \u0026amp; Sons piano, 1872) 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 2 in B-Flat Minor, Op. 35, \"Funeral March\": IV. Finale: Presto (performed on Steinway \u0026amp; Sons piano, 1872)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Piano Sonata No. 2 in B-Flat Minor, Op. 35, \"Funeral March\": IV. Finale: Presto (performed on Steinway \u0026amp; Sons piano, 1872) 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiszt, Franz\u003c\/div\u003e\n\u003cdiv\u003e Der Tanz in der Dorfschenke, S514\/R181, \"Mephisto Waltz No. 1\" (performed on Steinway \u0026amp; Sons piano, 2015)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Der Tanz in der Dorfschenke, S514\/R181, \"Mephisto Waltz No. 1\" (performed on Steinway \u0026amp; Sons piano, 2015) 11:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGutmann, Adolph\u003c\/div\u003e\n\u003cdiv\u003e Nocturne in A-Flat Major, Op. 8, No. 1 (version for piano 4 hands) (performed on Steinway \u0026amp; Sons piano, 2015)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Nocturne in A-Flat Major, Op. 8, No. 1 (version for piano 4 hands) (performed on Steinway \u0026amp; Sons piano, 2015) 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:18:43\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592018034938,"sku":"8574058","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574058.jpg?v=1791997718"},{"product_id":"baltic-inspiration","title":"Baltic Inspiration: MALCYS, A.: Blackthorn Eyes \/ Hyacinth of the Snowfields \/ Milky Way \/ VASKS, P.: Piano Quartet - Ippolitov-Ivanov Piano Quartet","description":"\u003cdiv\u003eThe Piano Quartet by much-admired Latvian composer Pēteris Vasks is one of his longest and most imposing chamber works. Unfolding with inexorable expressive force, it utilises dance-like motifs and folk-inflected themes throughout. The pieces by Lithuanian composer Arvydas Malcys form a cohesive sequence akin to a three-movement piano quartet in which specific sound effects, emotional power and colourful textures are in perfect alignment.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eMalcys, Arvydas\u003c\/div\u003e\n\u003cdiv\u003e Blackthorn Eyes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Blackthorn Eyes 12:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Hyacinth of the Snowfields\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Hyacinth of the Snowfields 11:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Milky Way (version for piano quartet)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Milky Way (version for piano quartet) 08:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVasks, Pēteris\u003c\/div\u003e\n\u003cdiv\u003e Piano Quartet\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Preludio 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Danze 05:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Canti drammatici 06:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Quasi una passacaglia 07:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 V. Canto principale 09:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 VI. Postludio 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592019804410,"sku":"8574073","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574073.jpg?v=1792352472"},{"product_id":"beethoven-die-ruinen-von-athen-the-ruins-of-athens","title":"Beethoven: Die Ruinen von Athen (The Ruins of Athens) - Chorus Cathedralis Aboensis, Turku Philharmonic, Segerstam","description":"\u003cdiv\u003eDie Ruinen von Athen (‘The Ruins of Athens’) was composed to celebrate the opening of the new German theatre in Pest in 1812. Designed to accompany the play of that name by August von Kotzebue, its incidental music is substantial enough to form a kind of one-act Singspiel and is full of attractive arias, duets and choruses and includes the famous Turkish March. Though the work’s theme was rooted in Greek mythology, in reality it was explicitly political in nature, celebrating Pest as ‘the new Athens’. This is the first ever recording of the work with full narration.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Die Weihe des Hauses Overture (The Consecration of the House), Op. 124\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Die Weihe des Hauses Overture (The Consecration of the House), Op. 124 12:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eMeisl, Carl - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Musik zu Carl Meisls Gelegenheitsfestspiel, Hess 118 (Die Weihe des Hauses): Invisible Chorus: Folge dem mächtigen Ruf der Ehre!\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Musik zu Carl Meisls Gelegenheitsfestspiel, Hess 118 (Die Weihe des Hauses): Invisible Chorus: Folge dem mächtigen Ruf der Ehre! 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Die Weihe des Hauses (The Consecration of the House): Wo sich die Pulse, WoO 98\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Die Weihe des Hauses (The Consecration of the House): Wo sich die Pulse, WoO 98 06:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eKotzebue, August Friedrich Ferdinand von - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Die Ruinen von Athen (The Ruins of Athens): March with Chorus: Schmückt die Altäre, Op. 114\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Die Ruinen von Athen (The Ruins of Athens): March with Chorus: Schmückt die Altäre, Op. 114 06:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Die Ruinen von Athen (The Ruins of Athens), Op. 113\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Overture 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Chorus: Tochter des mächtigen Zeus! 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Dialogue: Versöhnt? (Minerva, Merkur) 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Duet: Ohne Verschulden Knechtschaft dulden (Greek Man, Greek Woman) 05:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Dialogue: Wo sind wir? (Minerva, Merkur, Greek Man, Maiden) 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Chorus: Du hast in deines Ärmels Falten (Dervishes) 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Dialogue: Ha! Welchen Unsinn hat mein Ohr vernommen! (Minerva, Maiden) 00:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Marcia alla turca - Dialogue: He! Achmet! (First Turk, Second Turk, Minerva, Merkur) 05:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Harmonie auf dem Theater: Melodrama: Es wandelt schon das Volk im Feierkleide und fullt die weiten Strassen und frohlockt! (Old Man) 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Dialogue: Wo sind wir nun? (Minerva, Merkur, Old Man) 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 March: Dialogue: Schau dieser Kinder fröhliches Gewühl (Merkur, Minerva) - Chorus: Schmückt die Altäre! (Priests, Virgins) 06:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Recitative: Mit reger Freude (Chief Priest) 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Chorus: Wir tragen empfängliche Herzen im Busen 03:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Aria and Chorus: Will unser Genius noch einen Wunsch gewähren (Chief Priest, Minerva, Chorus) 05:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Monologue: Nicht in des Königs furchtgebietendem Glanze (Minerva) 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Chorus: Heil unserm König! 04:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:21:33\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592020164858,"sku":"8574076","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574076.jpg?v=1792154315"},{"product_id":"beethoven-cantata-on-the-death-of-emperor-joseph-ii-canta","title":"Beethoven: Cantata on the death of Emperor Joseph II - Cantata on the Accession of Leopold II - Chorus Cathedralis Aboensis, Segerstam","description":"\u003cdiv\u003eBy the time of Emperor Joseph II’s death in 1790 Beethoven was a member of the court musical establishment in Bonn. To mark the occasion, Beethoven was commissioned to write two cantatas, one to mourn Joseph’s death and the other to celebrate the accession to the throne of Emperor Leopold II. Although Beethoven was only 19 years old at the time, both works show the embryonic marks of his greatness: intense expression and control of structure in one, and an almost operatic panache in the other. Neither piece was performed during Beethoven’s lifetime.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003eAverdonk, Severin Anton - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Kantate auf den Tod Kaiser Josephs II (Cantata on the death of the Emperor Joseph II), WoO 87, \"Trauerkantate\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Chorus: Tot, stöhnt es durch die öde Nacht! 08:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Recitative: Ein Ungeheuer, sein Name Fanatismus (Bass) 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Aria: Da kam Joseph, mit Gottes Stärke (Bass) 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Aria with Chorus: Da stiegen die Menschen an's Licht (Soprano, Chorus) 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Recitative: Er schläft, von den Sorgen seiner Welten entladen (Soprano) 03:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Aria: Hier schlummert seinen stillen Frieden (Soprano) 09:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Chorus: Tot, stöhnt es durch die öde Nacht! 09:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Kantate auf die Erhebung Leopold II. zur Kaiserwürde (Cantata on the accession of Emperor Leopold II), WoO 88\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Recitative with Chorus: Er schlummert … schlummert! (Soprano, Chorus) 04:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Aria: Fliesse, Wonnezähre, fliesse! (Soprano) 11:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Recitative: Ihr staunt, Völker der Erde! (Bass) 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Recitative: Wie bebt mein Herz vor Wonne! (Tenor) 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Terzetto: Ihr, die Joseph ihren Vater nannten (Soprano, Tenor, Bass) 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Chorus: Heil! Stürzet nieder, Millionen 05:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592020361466,"sku":"8574077","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574077.jpg?v=1792103339"},{"product_id":"agocs-harrison-rodriguez-works-for-violin-percussion-o","title":"Agocs, Harrison \u0026 Rodriguez: Works for Violin \u0026 Percussion Orchestra - Kitchen, New England Conservatory Percussion Ensemble","description":"\u003cdiv\u003eThe unique instrumentation of the three works in this album was pioneered by the innovative Lou Harrison, whose 1959 concerto encapsulates his culturally wide-ranging aesthetic. More conventional instruments work alongside calibrated extras such as wash tubs and flowerpots in a work of colour, languorous elegance and kinetic energy. The companion works were composed in its honour: Robert Xavier Rodríguez’s Xochiquetzal evokes the ancient Mayan world in imaginary folk music to form a synthesis of time periods and cultures, while the economical serenity of Kati Agócs’s concerto also includes bitonal effects and zesty syncopation.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eRodriguez, Robert Xavier\u003c\/div\u003e\n\u003cdiv\u003e Xochiquetzal\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Xochiquetzal and Her Retinue of Hummingbirds - 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Xochiquetzal's Love Spell - 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Xochiquetzal's Husband, Tlaloc, God of Thunder and Rain - 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Xochiquetzal's Tears of Yellow Marigolds - 03:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Xochiquetzal's Gifts of Music and Dance 05:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHarrison, Lou\u003c\/div\u003e\n\u003cdiv\u003e Concerto for Violin and Percussion Orchestra\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Allegro, maestoso 08:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Largo, cantabile 08:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro, vigoroso, poco presto 04:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAgócs, Kati\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Incantada 04:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Inquieto 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Maestoso - 06:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eM\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592030159098,"sku":"8574212","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574212.jpg?v=1792101847"},{"product_id":"bingham-heaven-and-earth","title":"Bingham: Heaven and Earth (Organ Music, Vol. 2 - Heaven and Earth \/ Vanished London Churches \/ Roman Conversions) -  Winpenny, Hammarström","description":"\u003cp\u003eJudith Bingham is established as one of the foremost British composers writing for the organ. The powerfully atmospheric and evocative music in this recording richly demonstrates her gift for creating compelling works which draw inspiration from a broad range of historical, literary and artistic sources. The Åkerman \u0026amp; Lund organ of Västerås Cathedral is the perfect vehicle for this colourful programme, and both Heaven and Earth and Eternal Procession for two organs also feature the cathedral’s Fredriksborg choir organ. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1        Heaven And Earth (2018)    7:30\u003cbr\u003eVanished London Churches (2019)    (15:15)\u003cbr\u003e2        Opening: Candlelight    1:38\u003cbr\u003e3        I. St Michael's, Crooked Lane In Candlewick Ward    2:29\u003cbr\u003e4        II. St Swithin, Candlewright Street: London Stone    1:57\u003cbr\u003e5        III. St John Zachary: Midsummer's Day    2:21\u003cbr\u003e6        IV. The First St Stephen, Walbrook, Invisible Above The Ruins Of The Mithaeum    2:31\u003cbr\u003e7        V. The Body Of St Edmund Is Brought To St Gregory By St Paul's For Safety, In 1016    1:22\u003cbr\u003e8        VI. Old St Paul's, 1666: Firelight    2:56\u003cbr\u003e9        Bright Spirit (2001)\u003cbr\u003eArranged By – Judith Bingham, Tom Winpenny\u003cbr\u003e7:12\u003cbr\u003e10        Kalmar Rising – I. The Past Beneath Our Feet (2019)    6:57\u003cbr\u003eDaphne's Room (2017)    (6:47)\u003cbr\u003e11        I.    3:06\u003cbr\u003e12        II.    1:57\u003cbr\u003e13        III.    1:44\u003cbr\u003eRoman Conversions (2017)    (19:21)\u003cbr\u003e14        I. San Clemente: A Mithraic Temple Lies Under Two Medieval Churches    4:29\u003cbr\u003e15        II. Bernini's Daphne And Apollo    3:40\u003cbr\u003e16        III. The Sleeping Hermaphrodite    2:32\u003cbr\u003e17        IV. William Shelley, Son Of An English Poet Is Transformed Into Seed And Flowers    4:46\u003cbr\u003e18        V. Porta Alchemica    3:54\u003cbr\u003e19        Mountain Music (2018)    6:33\u003cbr\u003e20        Missa Brevis V 'Behold The Sea' – Voluntary: 'Eternal Procession' (2019)    3:31\u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592032026874,"sku":"8574251","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574251.jpg?v=1793459990"},{"product_id":"adam-la-filleule-des-fees","title":"Adam: La filleule des fées - Queensland Symphony, Mogrelia (2 CDs)","description":"\u003cdiv\u003eAdolphe Adam is best known today for the ballets Giselle and Le Corsaire, but his prolific output included 39 operas and several other ballet scores, including the vivacious tale of La Filleule des fées (‘The Fairies’ God-daughter’). The story takes place in an idealised countryside, revolving around the god-daughter Ysaure’s complex amorous affairs and the magical interventions of good and wicked fairies. With its brilliantly colourful orchestration, memorable themes and rhythmic momentum, this work is very much the equal of Giselle.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eAdam, Adolphe\u003c\/div\u003e\n\u003cdiv\u003e La filleule des fées\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Prologue: Guillaume's Farm-House: No. 1 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Prologue: Guillaume's Farm-House: No. 2 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Prologue: Guillaume's Farm-House: Nos. 3, 4 and 5 06:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Prologue: Guillaume's Farm-House: No. 6 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Prologue: Guillaume's Farm-House: No. 7 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Prologue: Guillaume's Farm-House: No. 8 01:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Prologue: Guillaume's Farm-House: No. 9 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Prologue: Guillaume's Farm-House: No. 10 04:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act I Tableau 1: The Countryside: No. 1 04:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act I Tableau 1: The Countryside: No. 2. Pas de cinq 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act I Tableau 1: The Countryside: No. 3 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act I Tableau 1: The Countryside: No. 4 00:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act I Tableau 1: The Countryside: No. 5 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act I Tableau 1: The Countryside: No. 6 05:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act I Tableau 1: The Countryside: No. 7 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Act I Tableau 1: The Countryside: No. 8 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Act I Tableau 1: The Countryside: No. 9. Divertissement 04:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Act I Tableau 1: The Countryside: No. 9a. (No. 10) Pas de cinq 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Act I Tableau 1: The Countryside: No. 9b. (No. 11) 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Act I Tableau 1: The Countryside: No. 9c. (No. 12) M. Petipa 01:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Act I Tableau 1: The Countryside: No. 9d. (No. 13) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Act I Tableau 1: The Countryside: No. 10. (No. 14) Après le divertissement 02:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Act I Tableau 2: Ysaure's Chamber: No. 1. (Nos. 1, 2 and 3) Marche lointaine 02:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Act I Tableau 2: Ysaure's Chamber: No. 2 (No. 4) 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Act I Tableau 2: Ysaure's Chamber: No. 3 (No. 5) 07:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Act I Tableau 2: Ysaure's Chamber: No. 4 (No. 6) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Act I Tableau 2: Ysaure's Chamber: No. 5 (No. 7) 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Act I Tableau 2: Ysaure's Chamber: Entr'acte 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Act II Tableau 1: A Wooded Park: No. 1 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Act II Tableau 1: A Wooded Park: No. 2 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act II Tableau 1: A Wooded Park: No. 3 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act II Tableau 1: A Wooded Park: No. 4 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act II Tableau 1: A Wooded Park: No. 4a (No. 5) 01:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act II Tableau 1: A Wooded Park: No. 4b. (No. 6) Mlle Emarot (The White Fairy) 00:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act II Tableau 1: A Wooded Park: No. 4c. (No. 7) Mme Taglioni (The Pink Fairy) 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act II Tableau 1: A Wooded Park: No. 4d. (No. 8) Mme Taglioni (Flute Variation) 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act II Tableau 1: A Wooded Park: No. 4e. (No. 9) Mlle Carlotta Grisi (Ysaure) 03:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Act II Tableau 1: A Wooded Park: No. 5 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Act II Tableau 2: A Deep Cavern: No. 1. 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Bernhard Romberg and Anton Kraft both had personal connections to Beethoven – their works offer inventive timbres, intimacy and substantial virtuosity. The world premiere recording of the sparkling Concertino by Kraft’s son Nikolaus completes an album of unique gems, influenced by Beethoven and Haydn, which helped to usher in the golden age of the cello.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRomberg, Bernhard Heinrich\u003c\/div\u003e\n\u003cdiv\u003e Concertino for 2 Cellos in A Major, Op. 72\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Concertino for 2 Cellos in A Major, Op. 72 14:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKraft, Anton\u003c\/div\u003e\n\u003cdiv\u003e Grand Duo for 2 Cellos in G Minor, Op. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Allegro risoluto - Andante - Moderato 09:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Adagio - Adagio cantabile - 03:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Rondo: Allegro non troppo 06:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Duo for 2 Cellos in D Major, Op. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro moderato 09:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Adagio sostenuto 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Finale: Tempo comodo 07:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKraft, Nikolaus\u003c\/div\u003e\n\u003cdiv\u003e Concertino for 2 Cellos in C Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Concertino for 2 Cellos in C Major 14:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592034386170,"sku":"8574386","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574386.jpg?v=1791998642"},{"product_id":"bacevicius-orchestral-works-vol-2","title":"Bacevicius: Orchestral Works, Vol. 2 - Piano Concertos Nos. 1 and 2 \/ Symphony No. 3 -Alekna, Lithuanian National Symphony, Lyndon-Gee","description":"\u003cdiv\u003eVytautas Bacevičius’s life was defined by exile and migration during the turbulent first half of the 20th century, but his impressive catalogue represents a remarkable creative spirit undimmed by adversity. Composed while studying in Paris, the youthful Piano Concertos Nos. 1 and 2 represent Bacevičius’s nostalgia for his native Lithuania in their unselfconscious and spirited use of folk melodies, all of which contribute to their light and celebratory nature. Written not long after his arrival in the United States in 1944, the Third Symphony expresses an early optimism for the composer’s new home in its energetic, positive and confident tone, culminating in a citation of The Stars and Stripes Forever.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBacevičius, Vytautas\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 1, Op. 12, \"Sur des thèmes lithuaniens\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro moderato - Più mosso - Allegro molto - Moderato - Vivace - 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante sostenuto - Moderato sostenuto - 05:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro moderato 06:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 2, Op. 17\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegro - 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Andante - Moderato - Andante 04:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Allegretto 08:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Allegro 06:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 3, Op. 33\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Moderato maestoso - Allegro molto 12:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Andante doloroso 09:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Scherzo: Allegro leggiero - Moderato 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 IV. Allegro maestoso ­- Maestoso 06:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592034812154,"sku":"8574414","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574414.jpg?v=1792352244"},{"product_id":"bartok-piano-works-vol-9","title":"Bartok: Piano Works, Vol. 9 - Goran Filipec","description":"\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Sonata, Op. 19, BB 12 \/ DD 51 (1898) (25:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e9:34\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e4:02\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eIV. Adagio – Allegro\u003cspan\u003e \u003c\/span\u003e8:30\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003e'Lajos' Valczer ('Lajos Waltz'), BB 1 \/ DD 28 (1893)\u003cspan\u003e \u003c\/span\u003e1:33\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003e'Gabi' Polka, BB 1 \/ DD 12 (1891)\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eLändler No. 2, BB 1 \/ DD 18 (1891)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eVáltozó Darab ('Changing Piece'), BB 1 \/ DD 2 (1890)\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003eZongoraiskola ('Piano Method') (1913)\u003cspan\u003e \u003c\/span\u003e(23:07)\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eNo. 7. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:13\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eNo. 8. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:12\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eNo. 13. (♩= 96)\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eNo. 14. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eNo. 16. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:12\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eNo. 17. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:17\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003eNo. 20. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:15\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003eNo. 21. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003eNo. 22. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003eNo. 24. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e19\u003cspan\u003e \u003c\/span\u003eNo. 25. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e20\u003cspan\u003e \u003c\/span\u003eNo. 26. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:25\u003c\/div\u003e\n\u003cdiv\u003e21\u003cspan\u003e \u003c\/span\u003eNo. 29. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e22\u003cspan\u003e \u003c\/span\u003eNo. 33. (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:20\u003c\/div\u003e\n\u003cdiv\u003e23\u003cspan\u003e \u003c\/span\u003eNo. 36. (♩= 52)\u003cspan\u003e \u003c\/span\u003e0:17\u003c\/div\u003e\n\u003cdiv\u003e24\u003cspan\u003e \u003c\/span\u003eNo. 40. (♩= 52)\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e25\u003cspan\u003e \u003c\/span\u003eNo. 44. (♩= 52)\u003cspan\u003e \u003c\/span\u003e0:28\u003c\/div\u003e\n\u003cdiv\u003e26\u003cspan\u003e \u003c\/span\u003eNo. 46. (♩= 40)\u003cspan\u003e \u003c\/span\u003e0:23\u003c\/div\u003e\n\u003cdiv\u003e27\u003cspan\u003e \u003c\/span\u003eNo. 51. (♩= 60)\u003cspan\u003e \u003c\/span\u003e0:27\u003c\/div\u003e\n\u003cdiv\u003e28\u003cspan\u003e \u003c\/span\u003eNo. 55. (♩= 66)\u003cspan\u003e \u003c\/span\u003e0:20\u003c\/div\u003e\n\u003cdiv\u003e29\u003cspan\u003e \u003c\/span\u003eNo. 56. (♩= 72)\u003cspan\u003e \u003c\/span\u003e0:29\u003c\/div\u003e\n\u003cdiv\u003e30\u003cspan\u003e \u003c\/span\u003eNo. 57. (♩= 48)\u003cspan\u003e \u003c\/span\u003e0:19\u003c\/div\u003e\n\u003cdiv\u003e31\u003cspan\u003e \u003c\/span\u003eNo. 59. (♩= 72)\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e32\u003cspan\u003e \u003c\/span\u003eNo. 68. (♩= 72)\u003cspan\u003e \u003c\/span\u003e0:55\u003c\/div\u003e\n\u003cdiv\u003e33\u003cspan\u003e \u003c\/span\u003eNo. 73. (♩= 72)\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e34\u003cspan\u003e \u003c\/span\u003eNo. 77. (♩= 104)\u003cspan\u003e \u003c\/span\u003e9:55\u003c\/div\u003e\n\u003cdiv\u003e35\u003cspan\u003e \u003c\/span\u003eNo. 78. (♩= 58)\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e36\u003cspan\u003e \u003c\/span\u003eNo. 82. (♩= 112)\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e37\u003cspan\u003e \u003c\/span\u003eNo. 83. Allegro (♩= 80)\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e38\u003cspan\u003e \u003c\/span\u003eNo. 89 Andante (♩= 80)\u003cspan\u003e \u003c\/span\u003e0:24\u003c\/div\u003e\n\u003cdiv\u003e39\u003cspan\u003e \u003c\/span\u003eNo. 92. Lengo\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e40\u003cspan\u003e \u003c\/span\u003eNo. 94. Allegro (♩= 104)\u003cspan\u003e \u003c\/span\u003e0:19\u003c\/div\u003e\n\u003cdiv\u003e41\u003cspan\u003e \u003c\/span\u003eNo. 95. Andante (♩= 80)\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e42\u003cspan\u003e \u003c\/span\u003eNo. 97. Andantino (♩= 50)\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e43\u003cspan\u003e \u003c\/span\u003eNo. 99. Moderato (♩= 88)\u003cspan\u003e \u003c\/span\u003e0:23\u003c\/div\u003e\n\u003cdiv\u003e44\u003cspan\u003e \u003c\/span\u003eNo. 101. Allegro Deciso (♩= 112)\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e45\u003cspan\u003e \u003c\/span\u003eNo. 102. Adagio (♩= 69)\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e46\u003cspan\u003e \u003c\/span\u003eNo. 105. Andante (♩= 69)\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e47\u003cspan\u003e \u003c\/span\u003eNo. 108. Allegro Moderato (♩= 63)\u003cspan\u003e \u003c\/span\u003e0:27\u003c\/div\u003e\n\u003cdiv\u003e48\u003cspan\u003e \u003c\/span\u003eNo. 109. Allegro (Half Note = 63)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e49\u003cspan\u003e \u003c\/span\u003eNo. 110. Andante (Dotted Quarter-Note = 63)\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e50\u003cspan\u003e \u003c\/span\u003eNo. 114. Allegro (♩= 66)\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e51\u003cspan\u003e \u003c\/span\u003eNo. 115. Allegro Moderato (♩= 60)\u003cspan\u003e \u003c\/span\u003e0:24\u003c\/div\u003e\n\u003cdiv\u003e52\u003cspan\u003e \u003c\/span\u003eNo. 116. Moderato (♩= 96)\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e53\u003cspan\u003e \u003c\/span\u003eNo. 117. Vivace (♩= 80)\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e54\u003cspan\u003e \u003c\/span\u003eNo. 118. Allegro Deciso (♩= 84)\u003cspan\u003e \u003c\/span\u003e0:22\u003c\/div\u003e\n\u003cdiv\u003e55\u003cspan\u003e \u003c\/span\u003eNo. 119. Tempo Di Valse (♩= 116)\u003cspan\u003e \u003c\/span\u003e0:37\u003c\/div\u003e\n\u003cdiv\u003e56\u003cspan\u003e \u003c\/span\u003eNo. 120. Allegro Moderato (♩= 112)\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592034877690,"sku":"8574420","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MDYtOTUwMi5qcGVn.jpg?v=1793132472"},{"product_id":"blazewicz-majkusiak-przybylski-polish-accordion-concerto","title":"Polish Accordion Concertos (Blazewicz, Majkusiak \u0026 Przybylski) - Baran, Polish Radio Symphony, Klauza","description":"\u003cdiv\u003eSince the 1960s the Polish accordion concerto has enjoyed increasing popularity and in recent years no one has inspired more composers to write for the instrument than Klaudiusz Baran. The three most important Polish concertos are showcased in this album. Marcin Błażewicz’s concerto possesses a fascinating wealth of colours with spectacular passages and melodic arabesques cast in a richly communicative language. Mikołaj Majkusiak’s youthful Concerto Classico is a virtuosic synthesis of old and contemporary forms, while in 1973 Bronisław Przybylski wrote a swashbuckling concerto full of the folkloric influence of Polish dances.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003eBłażewicz, Marcin\u003c\/div\u003e\n\u003cdiv\u003e Accordion Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Andante ma agitato 09:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Allegretto 08:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro con fuoco 06:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePrzybylski, Bronisław Kazimierz\u003c\/div\u003e\n\u003cdiv\u003e Concerto polacco\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegro scherzando 06:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Tempo rubato, molto espressivo 07:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Presto 04:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMajkusiak, Mikołaj\u003c\/div\u003e\n\u003cdiv\u003e Concerto Classico\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Allegro ben ritmico 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Lento drammatico 08:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Presto con fuoco 06:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592035991802,"sku":"8574431","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574431.jpg?v=1793133055"},{"product_id":"bossi-violin-sonatas-nos-1-2","title":"Bossi: Violin Sonatas Nos. 1-2 - E. Baldini, L. Delle Donne","description":"\u003cdiv\u003eMarco Enrico Bossi gained fame as one of the most influential Italian organ virtuosos of his day, and as a composer who helped lay the foundations for a new tradition of instrumental music in a country dominated by opera. Bossi’s First Violin Sonata has cyclical forms and a density of ideas that put it in line with César Franck’s famous sonata, with melodies as expressive as those of Rachmaninov. The Second Violin Sonata recalls a Classical style that refers more to Beethoven and Brahms while displaying the eloquence of Bossi’s personal idiom. Both of these works reveal a composer whose chamber music stands equal to the most renowned works produced in the late 19th century.\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eViolin Sonata No. 1 In E Minor, Op. 82 (1892) (26:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Energia\u003cspan\u003e \u003c\/span\u003e9:41\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eII. Andante Sostenuto Con Vaghezza\u003cspan\u003e \u003c\/span\u003e7:31\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eIII. Allegro Focoso\u003cspan\u003e \u003c\/span\u003e9:09\u003c\/div\u003e\n\u003cdiv\u003eViolin Sonata No. 2 In C Major, Op.117 (1899)\u003cspan\u003e \u003c\/span\u003e(33:47)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eI. Moderato\u003cspan\u003e \u003c\/span\u003e9:24\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eII. Scherzoso\u003cspan\u003e \u003c\/span\u003e6:47\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eIII. Adagio Elegiaco\u003cspan\u003e \u003c\/span\u003e7:07\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eIV. Allegro Con Fuoco\u003cspan\u003e \u003c\/span\u003e10:29\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592037105914,"sku":"8574515","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574515.jpg?v=1793207858"},{"product_id":"beethoven-complete-works-for-cello-piano-vol-1","title":"Beethoven: Complete Works for Cello \u0026 Piano, Vol. 1 - Cello Sonatas Nos. 1, 2 \/ Variations, Op. 66, WoO 46 - Schwabe, Rimmer","description":"\u003cdiv\u003eIntent on developing the reputation he had won in Vienna, Beethoven undertook an extensive tour ending in Berlin, home to the cello-playing Frederick William II. There he unveiled his Sonatas for Piano and Cello, Op. 5 with one of the famed Duport brothers playing cello. These are revolutionary works, with neither instrument subservient and the piano fully independent, for which in the 1790s there was no precedent. Beethoven also wrote vivacious variations on operatic music by Mozart where light-hearted playfulness and dramatic rivalry are energising features.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 1 in F Major, Op. 5, No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Adagio sostenuto - Allegro 17:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Rondo: Allegro vivace 06:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Variations on Ein Mädchen oder Weibchen from Mozart's Die Zauberflöte in F Major, Op. 66\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Thema: Allegretto 00:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Variation 1 00:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Variation 2 00:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Variation 3 00:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Variation 4 00:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Variation 5 00:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Variation 6 00:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Variation 7 00:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Variation 8 00:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Variation 9 00:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Variation 10: Adagio 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Variation 11: Poco adagio, quasi andante 00:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Variation 12: Allegro 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 2 in G Minor, Op. 5, No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 I. Adagio sostenuto e espressivo - Allegro molto più tosto presto 19:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 II. Rondo: Allegro 08:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Die Zauberflöte in E-Flat Major, WoO 46\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Theme: Andante 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Variation 1 00:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Variation 2 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Variation 3 00:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Variation 4 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Variation 5: Si prenda il tempo un poco più vivace 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Variation 6: Adagio 02:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Variation 7: Allegro ma non troppo 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592037597434,"sku":"8574529","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574529.jpg?v=1792103441"},{"product_id":"beethoven-complete-works-for-cello-piano-vol-2","title":"Beethoven: Complete Works for Cello \u0026 Piano, Vol. 2 - Cello Sonatas Nos. 3, 4 and 5 \/ Variations, WoO 45 - Schwabe, Rimmer","description":"\u003cdiv\u003eAfter establishing a new genre with his Sonatas for Piano and Cello, Op. 5, Beethoven returned to it a decade later, working on his Sonata in A major, Op. 69 in parallel with his Fifth and Sixth symphonies. With its unexpected shifts of harmony and mood, this is a work filled with virtuoso flourishes and experimental surprise, elements shared in the defiance of convention and lyrical brilliance of the two Sonatas, Op. 102. Beethoven considered Handel to be ‘the greatest composer that ever lived’, demonstrating pianistic dexterity in the Variations, WoO 45 on the popular melody ‘See the conqu’ring hero comes’. The first volume in this series is available on Naxos 8.574529.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 3 in A Major, Op. 69\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro ma non tanto 12:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Scherzo: Allegro molto 04:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Adagio cantabile - Allegro vivace 08:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Variations on See the conqu'ring hero comes from Handel's Judas Maccabaeus in G Major, WoO 45\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Thema: Allegretto 00:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Variation 1 00:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Variation 2 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Varaition 3 00:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Variation 4 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Variation 5 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Variation 6 00:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Variation 7 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Variation 8 00:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Variation 9 00:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Variation 10: Allegro 00:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Variation 11: Adagio 02:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Variation 12: Allegro 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 4 in C Major, Op. 102, No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 I. Andante - Allegro vivace 07:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 II. Adagio - Tempo d'andante - Allegro vivace 07:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 5 in D Major, Op. 102, No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 I. Allegro con brio 06:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 II. Adagio con molto sentimento d'affetto - 08:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 III. Allegro - Allegro fugato 04:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592037630202,"sku":"8574530","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574530.jpg?v=1792103673"},{"product_id":"alfano-suite-romantica-una-danza-divertimento","title":"Alfano: Suite romantica; Una danza; Divertimento\/ Amour… Amour… - Vendramin, V. Rabagliati, Orchestra Sinfonica di Milano, G. Grazioli","description":"\u003cdiv\u003eFranco Alfano is remembered today for his completion of Turandot after Puccini’s death. His catalogue of works, including operas, orchestral and chamber music, reveals him to be a sophisticated and original composer. Alfano possessed an innate melodic facility combined with a talent for unexpected timbres, as heard in the luxuriously orchestrated Suite romantica which, in the composer’s own words, aims to convey ‘the feelings of two lovers travelling through Italy’. From the neo-Classical Divertimento to the noirish postwar Nenia, and from the lightness of touch of Amour… Amour… to the impressionistic and iridescent Una danza, each work reveals a different aspect of this multifaceted composer.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAlfano, Franco\u003c\/div\u003e\n\u003cdiv\u003e Suite romantica\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part I: Notte adriatica - 09:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part II: Echi dell'Appennino - 06:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part III: Al chiostro abbandonato - 08:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part IV: Natale campàno 08:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Una danza\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Una danza 14:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nenia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Nenia 05:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Divertimento\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Introduzione - 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Aria 07:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Recitativo e Rondò 05:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Amour… Amour… (version for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Amour… Amour… (version for orchestra) 05:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:14:50\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592037892346,"sku":"8574533","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574533.jpg?v=1792102077"},{"product_id":"roussel-violin-sonatas-nos-1-2-string-trio","title":"Roussel: Violin Sonatas Nos. 1 \u0026 2; String Trio - D. Bowlin, K. Docter, Kouzov, Tony Cho","description":"\u003cdiv\u003eAlthough he is best remembered for his highly regarded stage and orchestral works, Roussel also composed a significant body of masterful yet relatively unknown chamber music. The Romantic early First Violin Sonata is an epic journey of soaring majesty, while the later Second Violin Sonata is dramatic and succinct, sharing its dynamic neo-Classical style with the String Trio, Roussel’s last completed work.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRoussel, Albert\u003c\/div\u003e\n\u003cdiv\u003e Violin Sonata No. 1 in D Minor, Op. 11\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Lent - Très animé 12:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Assez animé 10:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Très animé 09:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Sonata No. 2 in A Major, Op. 28\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegro con moto 05:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Andante 04:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Presto 04:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Trio, Op. 58\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Allegro moderato 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Adagio 06:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Allegro con spirito 02:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592038547706,"sku":"8574577","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574577.jpg?v=1792163440"},{"product_id":"busoni-piano-music-vol-12-piano-sonatinas-nos-1-2-and-4","title":"Busoni: Piano Music, Vol. 12 (Piano Sonatinas Nos. 1, 2 and 4) - Wolf Harden","description":"\u003cdiv\u003eThe essence of Ferruccio Busoni’s music lies in its synthesis of emotion and intellect, rooted in his Italian and German ancestry. His Sonatinas typify the stylistic range of his maturity, with the First Sonatina unfolding with the spontaneity of an improvisation. Veering between darting angularity and ominous expectancy, the Second Sonatina is one of his most radical musical statements, while the poise of the Fourth Sonatina marks Busoni’s closest approach to Impressionism. The Drei Albumblätter represent Busoni at his most austere and profound, reflecting the mystical character of his late music.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBusoni, Ferruccio\u003c\/div\u003e\n\u003cdiv\u003e Prelude and Fugue in C Major, Op. 36\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Prelude 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Fugue 04:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonatina No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Piano Sonatina No. 1 12:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonatina No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Piano Sonatina No. 2 09:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Schoenberg - 3 Klavierstücke, Op. 11: No. 2. Mäßige\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Schoenberg - 3 Klavierstücke, Op. 11: No. 2. Mäßige 10:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonatina No. 4, \"in diem nativitatis Christi MCMXVII\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Piano Sonatina No. 4, \"in diem nativitatis Christi MCMXVII\" 08:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nuit de noël\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Nuit de noël 05:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Albumblätter\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 1. Andantino sostenuto 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 2. Andante 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 3. Sostenuto religioso, \"In der Art eines Choralvorspiels\" 06:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:05:44\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592038613242,"sku":"8574579","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MjItNjUyMC5qcGVn.jpg?v=1793213298"},{"product_id":"faure-violin-concerto-penelope-prelude-berceuse-elegie","title":"Faure: Violin Concerto; Penelope; Prelude; Berceuse; Elegie - C. Ryan, Fouchenneret, M. Johnson, Ireland National Symphony, Tingaud","description":"\u003cdiv\u003eGabriel Fauré is best known for his Requiem and Pavane, but these are not typical of an output that focused largely on solo piano pieces, songs and chamber music, many of which were orchestrated by others. His Violin Concerto was never completed but the surviving first movement reveals Fauré’s characteristic playfulness with rhythm and harmony. The short prelude to Pénélope, Fauré’s only opera, conveys the sombre and passionate moods of its heroine, heard here alongside favourites such as the poignant Élégie, the beloved Dolly and, famous among flautists, the distinguished Fantaisie.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFauré, Gabriel\u003c\/div\u003e\n\u003cdiv\u003e Pénélope: Prélude\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Pénélope: Prélude 07:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in D Minor, Op. 14: I. Allegro\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Violin Concerto in D Minor, Op. 14: I. Allegro 14:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Berceuse, Op. 16 (version for violin and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Berceuse, Op. 16 (version for violin and orchestra) 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Élégie, Op. 24 (version for cello and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Élégie, Op. 24 (version for cello and orchestra) 06:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFauré, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eGaubert, Philippe - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Romance in B-Flat Major, Op. 28 (arr. P. Gaubert for violin and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Romance in B-Flat Major, Op. 28 (arr. P. Gaubert for violin and orchestra) 05:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFauré, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eAubert, Louis - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Fantaisie, Op. 79 (arr. L. Aubert for flute and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Fantaisie, Op. 79 (arr. L. Aubert for flute and orchestra) 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFauré, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eRabaud, Henri - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Dolly, Op. 56 (arr. H. Rabaud for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 1. Berceuse: Allegretto moderato 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 2. Mi-a-ou: Allegro vivo 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 3. Le jardin de Dolly: Andantino 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 4. Kitty-valse: Tempo di valse 02:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 5. Tendresse: Andante 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 6. Le pas espagnol: Allegro 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 59:10\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592038711546,"sku":"8574587","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574587.jpg?v=1791999017"},{"product_id":"busoni-piano-music-vol-13-prelude-fugue-in-c-minor-m","title":"Busoni: Piano Music, Vol. 13 - Wolf Harden","description":"\u003cp\u003eThe final volume in this acclaimed series of Busoni’s piano music focuses on beginnings and endings. Early works and transcriptions are featured, plus a substantial body of music that Busoni wrote for his multi-volume Klavierübung (‘Piano Exercise’). The early miniatures are teasing and witty but also inventive examples of his mastery of Bachian procedure. The excerpts from Klavierübung, in which he uses his own music and that of others, embody the full breadth of his creative vision. They make a fitting end to this series performed by Wolf Harden, whose playing of Busoni has been described as ‘the clear current benchmark’ (BBC Music Magazine on Volume 2, 8.555699).\u003c\/p\u003e\n\u003cp\u003e1        Prelude And Fugue In C Minor, Op. 21, BV 85 (1878)    5:23\u003cbr\u003eCapriccio Sopra La Lontananza Del Suo Fratello Dilettissimo, BWV 992    (13:10)\u003cbr\u003e2        I. Arioso: Adagio - Is Eine Schmeichelung Der Freunde, Um Denselben Von Seiner Reise Abzuhalten ('Is A Coaxing By His Frineds, To Induce Him To Give Up His Journey')    2:18\u003cbr\u003e3        II. (Fugato): (Andante) - Is Eine Vorstellung Unterschiedlicher Casuum, Die Ihm In Der Fremde Könnten Vorfallen ('Is A Representation Of Various Eventualities, Which Might Overtake Him In Foreign Lands')    2:09\u003cbr\u003e4        III. Studio [Sulla Adagissimo] ('Study On Adagissimo'): Andante Sostenuto, Alla Passacaglia - Ist Ein Allgemeines Lamento Der Freunde ('Is A General Lament Of His Friends')    3:16\u003cbr\u003e5        IV. (Alla Marcia): Sehr Getragen, Molto Sostenuto - Allhier Kommen, Die Freunde, Weil Die Doch Sehen, Daß Es Anders Nicht Sein Kann, Und Nehmen Abschied ('The Friends Gather To Take Leave Of Him Since They See That It Cannot Be Otherwise, And Bid Him Farewell')    0:44\u003cbr\u003e6        V. Aria Di Postiglione: Adagio Poco    1:40\u003cbr\u003e7        VI. Fuga All'Imitazione Della Cornetta Di Postiglione: (Allegro Ritenuto) (Concert Version)    3:03\u003cbr\u003e8        Menuetto Capriccioso In C Major, Op. 61, BV 124 (1879)    2:59\u003cbr\u003e9        Six Ecossaises In E Flat Major, WoO 83    2:56\u003cbr\u003eKlavierübung In Fünf Teilen (First Edition, Pub. 1918-22)    \u003cbr\u003ePart I: Sechs Klavierübungen Und Präludien (Pub. 1918) (Excerpts)    \u003cbr\u003eÜbung I    \u003cbr\u003e10        Tempo Di Valse    0:31\u003cbr\u003e11        Preludio: Allegro    0:54\u003cbr\u003eÜbung II    \u003cbr\u003e12        Preludio: Allegro Festivo    1:14\u003cbr\u003eÜbung III    \u003cbr\u003e13        Preludio: Andantino    1:06\u003cbr\u003e14        Preludio: Tempo Di Valse, Moderato    0:32\u003cbr\u003eÜbung IV    \u003cbr\u003e15        Nach Auber–Liszt: Alla Tarantella    1:05\u003cbr\u003eÜbung V    \u003cbr\u003e16        Preludio: Allegro Moderato    1:15\u003cbr\u003eÜbung VI ('À Trois Mains')    \u003cbr\u003e17        Preludio: Alla Tarantella    0:51\u003cbr\u003e18        Nach Offenbach: Barcarole    2:03\u003cbr\u003e19        Nach Beethoven: Presto    0:48\u003cbr\u003ePart II: Drei Klavierübungen Und Präludien (Pub. 1919) (Excerpts)    \u003cbr\u003eÜbung VII    \u003cbr\u003e20        Moderato    3:00\u003cbr\u003e21        Nach Bach: Andante    1:48\u003cbr\u003e22        Preludio (Ohne Den Dritten Finger): Moderato Alla Breve    1:32\u003cbr\u003e23        Nach Gounod: Andante Con Moto    2:05\u003cbr\u003e24        Preludio: Allegro    2:03\u003cbr\u003e25        Nach Liszt: Andantino – Tema – Variations 1-3    2:02\u003cbr\u003eÜbung VIII    \u003cbr\u003e26        Nach Beethoven: Allegro    3:13\u003cbr\u003e27        Preludio: Andantino Tranquillo    2:48\u003cbr\u003e28        Tempo Di Valse, Elegantemente    1:37\u003cbr\u003eÜbung IX    \u003cbr\u003e29        Nach Schubert    1:56\u003cbr\u003e30        Aus Meinem Concerto - Trattenuto E Fantasticamente    1:14\u003cbr\u003ePart III: Lo Staccato (Pub. 1921)    \u003cbr\u003e31        No. 6a. Nach Mendelssohn    1:26\u003cbr\u003ePart V: Variationen, Perpetuum Mobile Und Tonleitern (Pub. 1922)    \u003cbr\u003e32        Perpetuum Mobile    5:04\u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592038940922,"sku":"8574613","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MDAtOTQ0NC5qcGVn.jpg?v=1793214712"},{"product_id":"nielsen-the-symphonies","title":"Nielsen: Symphonies Nos. 1-6 - Royal Danish Orchestra, Søndergård, Vedernikov, Bernstein, Rattle, Boder, Berglund (4 CDs)","description":"\u003cdiv\u003eThe Royal Danish Orchestra’s performing history stretches back to 1448, making it the oldest orchestra in the world, with Carl Nielsen counted amongst its distinguished former members. His 16 years of experience as one of the orchestra’s second violinists helped shape him as a composer, and it was this ensemble that introduced his symphonies to the world. From the ‘imminent storm of genius’ of the First Symphony to the disarming outlandishness of the Sixth, Nielsen’s symphonies are recognised as among the greatest in their genre, heard here in recordings made with a league of conductors whose bond with Denmark and Nielsen’s music is second to none.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eNielsen, Carl\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 1 in G Minor, Op. 7, FS 16\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro orgoglioso 09:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante 06:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro comodo 08:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Finale: Allegro con fuoco 08:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 2, Op. 16, FS 29, \"The Four Temperaments\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro collerico 10:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Allegro comodo e flemmatico 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Andante malincolico 11:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Allegro sanguineo 07:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 3, Op. 27, FS 60, \"Sinfonia espansiva\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro espansivo 11:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante pastorale 09:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegretto un poco 06:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Finale: Allegro 09:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 4, Op. 29, FS 76, \"The Inextinguishable\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro 10:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Poco allegretto 04:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Poco adagio quasi andante 09:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Allegro 08:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 3\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 5, Op. 50, FS 97\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Tempo giusto - 12:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Adagio non troppo - 09:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Allegro - Presto - 08:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 II. Andante un poco tranquillo - Allegro 07:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 6, FS 116, \"Sinfonia semplice\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Tempo giusto 12:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Humoreske: Allegretto 03:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Proposta seria: Adagio 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Tema con variazioni 10:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 4\u003c\/div\u003e\n\u003cdiv\u003e Clarinet Concerto, Op. 57, FS 129\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Allegretto un poco - 08:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Poco adagio - 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Allegro non troppo - 07:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Allegro vivace 04:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Maskarade (Masquerade), FS 39: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Maskarade (Masquerade), FS 39: Overture 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 04:00:27\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592039104762,"sku":"8574650-53","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574650-53.jpg?v=1792159465"},{"product_id":"weinberg-complete-music-for-cello-orchestra","title":"Weinberg: Complete Music for Cello \u0026 Orchestra - Tyumen Philharmonic Orchestra, Nikolay Shugaev","description":"\u003cdiv\u003eMieczysław Weinberg flourished as a composer despite working amidst political and personal setbacks. He gained the admiration of Shostakovich, and was championed by the leading Soviet musicians of the day. The soulful Cello Concertino with its Yiddish overtones and melodic eloquence was discovered posthumously, and is effectively a preliminary version of the more elaborate and intense Cello Concerto. The potent Romantic nature of the Concerto has made this one of Weinberg’s most performed large-scale pieces. The Fantasia is an appealing early work – expressive and spontaneous. The orchestral piece Polish Melodies, Op. 47, No. 2 recorded during the sessions for this album is available to download and stream (Naxos 9.70381).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeinberg, Mieczysław\u003c\/div\u003e\n\u003cdiv\u003e Cello Concertino, Op. 43bis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Adagio - 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Moderato espressivo - 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro vivace - 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Adagio (cadenza) - Adagio 05:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fantasia for Cello and Orchestra, Op. 52\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Fantasia for Cello and Orchestra, Op. 52 15:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Concerto, Op. 43\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Adagio 07:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Moderato 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro - Cadenza - 09:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 IV. Allegro 09:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592039170298,"sku":"8574679","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574679.jpg?v=1792183681"},{"product_id":"star-over-bethlehem-choral-jewels-for-christmas","title":"Star Over Bethlehem: Choral Jewels for Christmas -  Washington Choral Arts Society Orchestra and Choir","description":"\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eLuther, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHenrici, Christian Friedrich - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRist, Johann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eFranck, Johann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWeissel, Georg - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRunge, Christoph - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWerner, Georg - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eGerhardt, Paul - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Christmas Oratorio, BWV 248: Brich an, O schönes Morgenlicht\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Brich an, O schönes Morgenlicht 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDirksen, Richard Wayne\u003c\/div\u003e\n\u003cdiv\u003e Chanticleer\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Chanticleer 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003e In dulci jubilo (arr. John Rutter)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 In dulci jubilo (arr. J. Rutter) 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePoston, Elizabeth\u003c\/div\u003e\n\u003cdiv\u003e Jesus Christ the Apple Tree\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Jesus Christ the Apple Tree 03:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e In Dir ist Freude, BWV 615\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 In Dir ist Freude, BWV 615 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eThilo, Valentin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eShaw, Martin - Arranger\u003c\/div\u003e\n\u003cdiv\u003e O Jesulein suss, o Jesulein mild, BWV 493 (arr. for choir)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 O Jesulein suss, BWV 493 03:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePachelbel, Johann\u003c\/div\u003e\n\u003cdiv\u003e Von himmel hoch\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Von himmel hoch 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003eNicolai, Philipp - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Wie schon leuchtet der Morgenstern, BWV 1: Final Chorale\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Wie schon leuchtet der Morgenstern, BWV 1: Final Chorale 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Wie schon leuchtet der Morgenstern, BWV 1: Opening Chorus\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Wie schon leuchtet der Morgenstern, BWV 1: Opening Chorus 08:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eBonds, Margaret Allison - Arranger\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e He's Got the Whole World in His Hands (arr. Margaret Bonds)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 He's Got the Whole World in His Hands (arr. M. Bonds) 03:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDupré, Marcel\u003c\/div\u003e\n\u003cdiv\u003e In dulci jubilo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 In dulci jubilo 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHowells, Herbert\u003c\/div\u003e\n\u003cdiv\u003eWinkworth, Catherine - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e A Spotless Rose\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 A Spotless Rose 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eReger, Max\u003c\/div\u003e\n\u003cdiv\u003eBoelitz, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Maria Wiegenlied\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Maria Wiegenlied 02:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMendelssohn, Felix\u003c\/div\u003e\n\u003cdiv\u003eBunsen, Christian Carl Josias Freiherr von - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Christus, Op. 97, MWV A26: Chorus: There Shall a Star Come Out of Jacob (Sung in English)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Christus, Op. 97, MWV A26: Chorus: There Shall a Star Come Out of Jacob (Sung in English) 05:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eMcKelvy, James - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Deck the Halls (arr. James McKelvy)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Deck the Halls (arr. J. McKelvy) 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWalters, Edmund\u003c\/div\u003e\n\u003cdiv\u003e Babe of Bethlehem\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Babe of Bethlehem 03:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Pastorale, BWV 590: Second Movement\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Pastorale, BWV 590: Second Movement 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiguori, Alphonsus\u003c\/div\u003e\n\u003cdiv\u003eLiguori, Alphonsus - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEhret, Walter - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Tu scendi dalle stelle (arr. W. Ehret)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Tu scendi dalle stelle 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eRutter, John - Arranger\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Here We Come a-Wassailing (arr. John Ritter)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Here We Come a-Wassailing (arr. J. Rutter) 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003eEhret, Walter - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Kling, Glockchen (arrs. Ehret, Levalier)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Kling, Glockchen (arr. W. Ehret and Levalier) 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Wachet auf, ruft uns die Stimme, BWV 645\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Wachet auf, ruft uns die Stimme, BWV 645 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGardner, John\u003c\/div\u003e\n\u003cdiv\u003e Tomorrow Shall Be My Dancing Day\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Tomorrow Shall Be My Dancing Day 01:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSchütz, Heinrich\u003c\/div\u003e\n\u003cdiv\u003e Hodie Christus natus est, SWV 456\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Hodie Christus natus est, SWV 456 06:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMacGimsey, Robert\u003c\/div\u003e\n\u003cdiv\u003eMacGimsey, Robert - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Sweet Little Jesus Boy\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Sweet Little Jesus Boy 02:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:13:55\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040382714,"sku":"8555049","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555049.jpg?v=1792164811"},{"product_id":"curzon-robin-hood-suite-in-malaga-the-boulevardier-punch","title":"Curzon: Robin Hood Suite; In Malaga; The Boulevardier; Punchinello \/ Capricante \/ Galavant \/ Cascade -Čápová, Slovak Radio Symphony, Leaper","description":"\u003cdiv\u003eCurzon, Frederic\u003c\/div\u003e\n\u003cdiv\u003e The Boulevardier\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 The Boulevardier 03:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Punchinello, Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Punchinello, Overture 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e In Malaga, Spanish Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 I. Spanish Ladies 02:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 II. Serenade to Eulalie 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 III. Cachucha 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dance of an Ostracised Imp\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Dance of an Ostracised Imp 03:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Saltarello\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Saltarello 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Capricante\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Capricante, Spanish Caprice 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Galavant\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Galavant 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Pasquinade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Pasquinade 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Simonetta, Serenade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Simonetta, Serenade 03:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cascade, Waltz\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Cascade, Waltz 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e La Peineta, Spanish Serenade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 La Peineta, Spanish Serenade 05:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Robin Hood Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 1. In Sherwood 03:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 2. Maid Marian 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 3. March of the Bowmen 04:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Bravada, Paso doble\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Bravada, Paso doble 04:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:05:40\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040448250,"sku":"8555172","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555172.jpg?v=1791923803"},{"product_id":"sullivan-lile-enchantee-thespis","title":"Sullivan: L'Île Enchantée; Thespis Ballet Music - RTÉ Concert Orchestra, Penny","description":"\u003cdiv\u003eSoon after his return from studies in Leipzig, Sir Arthur Sullivan wrote his second work, L’Île Enchantée. This was a ballet score on the subject of a shipwrecked mariner which debuted at Covent Garden in the form of a divertissement at the end of Bellini’s La sonnambula, where it was received with acclaim. This premiere recording restores passages Sullivan cut when presenting the work for concert performances. Thespis, a collaboration with W.S. Gilbert, is a flamboyant opera cum pantomime of which only fragments now remain—the work’s lost ballet has been rediscovered and restored by Roderick Spencer and Selwyn Tillett.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSullivan, Arthur\u003c\/div\u003e\n\u003cdiv\u003e L'Île enchantée\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Prelude 05:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Dance of Nymphs and Satyrs - Pas de Châles 05:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Galop 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Storm - Entrance of the Gnomes - Entrance of Fairy Queen 04:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Pas de deux 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Mazurka 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 6a. Variation 01:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 7. Scène des disparitions 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 8. Tempo di valse 03:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 8a. Variation For Mlle. Carmine 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 9. Pas de trois (After Mlle. Carmine's Variation) 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 10. Scène de jalousie 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 11. — 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 12. Galop 05:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 13. Finale 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Thespis: Ballet Music\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 1. Introduction - Allegro moderato 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 2. Pas de Châles - Andante 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 3. Valse 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 4. St. George and the Dragon 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 5. Galop 02:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 57:38\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040481018,"sku":"8555180","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555180.jpg?v=1792165583"},{"product_id":"sullivan-incidental-music","title":"Sullivan: Incidental Music - - Merchant of Venice \/ Henry VIII \/ The Sapphire Necklace: Overture - RTÉ Concert Orchestra, A. Penny","description":"\u003cdiv\u003eSullivan, Arthur\u003c\/div\u003e\n\u003cdiv\u003eRizzelli, Francesco - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Merchant of Venice: Masquerade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Introduction 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Barcarole (Sérénade): Nel ciel seren 03:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Introduction and Bourrée 04:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Danse Grotesque 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 À la Valse 05:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Melodrama 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Finale 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSullivan, Arthur\u003c\/div\u003e\n\u003cdiv\u003eHenry VIII (King of England) - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Incidental Music to Shakespeare's Henry VIII\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 March 04:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 King Henry's Song 03:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Graceful Dance 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Water Music 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSullivan, Arthur\u003c\/div\u003e\n\u003cdiv\u003eSpencer, Roderick - Arranger\u003c\/div\u003e\n\u003cdiv\u003e The Sapphire Necklace (The False Heiress): Overture (arr. R. Spencer after C. Godfrey Jr.'s military band arrangement)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 The Sapphire Necklace (The False Heiress): Overture (arr. R. Spencer after C. Godfrey Jr.'s military band arrangement) 10:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSullivan, Arthur\u003c\/div\u003e\n\u003cdiv\u003e Overture in C, \"In Memoriam\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Overture in C, \"In Memoriam\" 11:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:03:50\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040513786,"sku":"8555181","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555181.jpg?v=1792164985"},{"product_id":"coleridge-taylor-orchestral-works","title":"Coleridge-Taylor: Orchestral Works (Hiawatha Overture \/ Petite Suite \/ Gipsy Suite \/ Othello Suite) - RTÉ Concert Orchestra, A. Leaper","description":"\u003cdiv\u003eThe Hiawatha trilogy, with its stirring overture, established Coleridge-Taylor as one of Britain’s leading young composers and stimulated commissions in a wide variety of music. The Othello Suite was written for a stage production of the play, its powerful and contrasting themes illustrating the composer’s prowess in characterisation. Redolent of popular ballads and romances, the Petite Suite de Concert is a masterpiece of light music, while the charming Romance of the Prairie Lilies shows Coleridge-Taylor’s lasting influence on future generations of British composers.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eColeridge-Taylor, Samuel\u003c\/div\u003e\n\u003cdiv\u003e Scenes from The Song of Hiawatha, Op. 30: No. 3. Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Scenes from The Song of Hiawatha, Op. 30: No. 3. Overture 11:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Petite suite de concert, Op. 77\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. La Caprice de Nanette 03:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Demande et Réponse 05:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Un Sonnet d'Amour 03:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. La Tarantelle Frétillante 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Characteristic Waltzes, Op. 22\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. Valse Bohémienne 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. Valse Rustique 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. Valse de la Reine 05:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 4. Valse Mauresque 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Gipsy Suite (arr. L. Windsperger for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 I. Chorus of Gitanos 04:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 II. Song of the Gipsy Girl 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 III. Ballade 04:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 IV. Gipsy Dance 02:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eColeridge-Taylor, Samuel\u003c\/div\u003e\n\u003cdiv\u003eFletcher, Percy Eastman - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Romance of the Prairie Lilies (arr. P.E. Fletcher for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Romance of the Prairie Lilies (arr. P.E. Fletcher for orchestra) 06:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eColeridge-Taylor, Samuel\u003c\/div\u003e\n\u003cdiv\u003e Othello, Op. 79\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 I. Dance 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 II. Children's Intermezzo 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 III. Willow Song 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 IV. Military March 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:10:25\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040546554,"sku":"8555191","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555191.jpg?v=1791923723"},{"product_id":"coates-springtime-suite","title":"Coates: Springtime Suite - Slovak Radio Symphony Orchestra","description":"\u003cdiv\u003eEric Coates was a master of refined and beautiful melodies, making him a household name during the golden years of British light music in the first half of the 20th century. The Four Ways Suite takes us to all four points of the compass, including exotic China and the jazz rhythms of America, while Springtime evokes both sweeping optimism and soulful memories of a lost age. The virtuoso Saxo-Rhapsody is one of the era’s major saxophone works, and Sleepy Lagoon remains famous as the signature tune to BBC Radio’s Desert Island Discs. High Flight March was to be Coates’ last composition.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eCoates, Eric\u003c\/div\u003e\n\u003cdiv\u003e By The Sleepy Lagoon\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 By the Sleepy Lagoon 03:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Springtime Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Fresh Morning: Pastorale 03:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Noonday Song: Romance 04:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Dance in the Twilight: Valse 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Saxo-Rhapsody\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Saxo-Rhapsody 09:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Footlights Waltz\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Footlights Waltz 06:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Four Ways Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. North 04:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. South 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. East 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. West 04:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Eighth Army March\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 The Eighth Army March 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Lazy Night\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Lazy Night 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Last Love\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Last Love 03:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e High Flight March\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 High Flight March 04:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:02:04\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040612090,"sku":"8555194","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555194.jpg?v=1791923546"},{"product_id":"liadov-baba-yaga-enchanted-lake-kikimora","title":"LIADOV: Baba Yaga \/ Enchanted Lake \/ Kikimora - Slovak Philharmonic Orchestra","description":"\u003cdiv\u003eThe music of the Russian composer Liadov is small-scale but beautifully turned, rhythmically fresh, varied and above all, full of colour and vitality. As befitted a pupil of Rimsky-Korsakov, his command of the orchestra was second to none, and his ability to create an appropriate sense of atmosphere, as in the portrait of the witch ‘Baba-Yaga’, was remarkable. Also inspired by Russian folk legend are The Enchanted Lake, dating from 1909, and Kikimora, which evokes one of the ugliest of Russian demons, the troublesome wife of the house-spirit, the Domovoi.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiadov, Anatol Konstantinovich\u003c\/div\u003e\n\u003cdiv\u003e Baba-Yaga, Op. 56\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Baba Yaga, Op. 56 03:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Intermezzo, Op. 8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Intermezzo, Op. 8 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade, Op. 21b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Ballade, Op. 21b 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Enchanted Lake, Op. 62\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 The Enchanted Lake, Op. 62 07:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka, Op. 19\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Mazurka, Op. 19 07:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nenie, Op. 67\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Nenie, Op. 67 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Polonaise, Op. 49\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Polonaise, Op. 49 06:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Polonaise, Op. 55\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Polonaise, Op. 55 07:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Kikimora, Op. 63\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Kikimora, Op. 63 08:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fragment from the Apocalypse, Op. 66\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Fragment from the Apocalypse, Op. 66 08:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040677626,"sku":"8555242","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555242.jpg?v=1792156358"},{"product_id":"villa-lobos-h-piano-music-vol-3-circlo-brasileiro-c","title":"Villa-Lobos, H.: Piano Music, Vol. 3 - Circlo Brasileiro \/ Choros Nos. 1, 2 and 5 - Sonia Rubinsky","description":"\u003cdiv\u003eThe hugely prolific Brazilian composer Heitor Villa-Lobos remained throughout his career fiercely independent of any one compositional style or influence and the works in this recording offer a comprehesive sample of the variety of genres and styles to be found in his piano music. The majority of his compositions for the instrument consist of character pieces, either single or organised into suites or collections and while they reveal a proliferation of traditional formal procedures, they are united in exhibiting the composerʼs unique synthesis of Brazilian and Western cultures.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eVilla-Lobos, Heitor\u003c\/div\u003e\n\u003cdiv\u003e Suite Floral\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Idilio na Rede 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Uma Camponeza Cantadeira 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Alegria na Horta 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ciclo Brasileiro\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Plantio do Caboclo 05:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Impressoes Seresteiras 06:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Festa no Sertao 05:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Dansa do Indio Branco 03:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Brinquedo de Roda\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Tira o seu pezinho 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. A moda da carranquinha 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Os tres cavalheiros 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 IV. Uma, duas angolinhas 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 V. Garibaldi foi a missa 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 VI. Vamos todos cirandar 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dancas Caracteristicas Africanas\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 I. Farrapos 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 II. Kankukus 04:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 III. Kankikis 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Tristorosa\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Tristorosa 04:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Choro No. 1, \"Choro tipico\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Choro No. 1, \"Choro tipico\" 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Choros No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Choros No. 2 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Choros No. 5, \"Alma brasileira\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Choros No. 5, \"Alma brasileira\" 04:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:10:05\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040939770,"sku":"8555286","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555286.jpg?v=1792178724"},{"product_id":"monteverdi-c-madrigals-book-7-concerto-il-settimo-li","title":"MONTEVERDI: Madrigals, Book 7, \"Concerto\" (Il settimo Libro de Madrigali, 1619) - Delitiæ Musicæ (3 CDs)","description":"\u003cdiv\u003eThe ‘Concerto’ (as Claudio Monteverdi entitled his Seventh Book of Madrigals) was published five years after the Sixth Book had appeared. It represents a clear break with Monteverdi’s earlier publications: here the madrigal is transformed or, perhaps, it would be better to say it has vanished, at least in the form that would have been recognised up to that point. Of 32 compositions there is not a single fivevoice madrigal, only pieces for one to four voices, all with basso continuo, some with violins, along with works that might be called ‘experimental’. It was the heterogeneous nature of this collection that led Monteverdi to use the title ‘Concerto’. Marco Longhini’s new complete critical edition, the first since Malipiero’s 1932 edition, was prepared specifically for this recording.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eMarino, Giambattista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Symphonia: Tempro la cetra\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Symphonia: Tempro la cetra 11:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e A quest'olmo, a quest'ombre\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 A quest'olmo, a quest'ombre 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eAtti, Francesco degli - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Non e di gentil core\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Non e di gentil core 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eGuarini, Giovanni Battista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e O come sei gentile\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 O come sei gentile 05:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003e Io son pur vezzosetta pastorella\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Io son pur vezzosetta pastorella 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eGesualdo, Giovanni Andrea - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e O viva fiamma, o miei sospiri ardenti\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 O viva fiamma, o miei sospiri ardenti 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eMarino, Giambattista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Vorrei baciarti, o Filli\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Vorrei baciarti, o Filli 05:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eGuarini, Giovanni Battista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Dice la mia bellissima Licori\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Dice la mia bellissima Licori 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003e Ah che non si conviene\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Ah che non si conviene 04:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Non vedro mai le stelle\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Non vedro mai le stelle 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eAchillini, Claudio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Ecco vicine, o bella tigre, l'ore\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Ecco vicine, o bella tigre, l'ore 04:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eMarino, Giambattista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Perche fuggi tra' salci, ritrosetta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Perche fuggi tra' salci, ritrosetta 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Tornate, o cari baci\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Tornate, o cari baci 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eChiabrera, Gabriello - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Soave libertate\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Soave libertate 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eGuarini, Giovanni Battista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Se'l vostro cor, madonna\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Se'l vostro cor, madonna 05:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Madrigals, Book 7 (Concerto: settimo libro de madrigali, con altri generi de canti), SV 117–145: Interrotte speranze, eterna fede, SV 132\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Interrotte speranze, eterna fede 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003e Augellin che la voce al canto spieghi\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Augellin che la voce al canto spieghi 04:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eChiabrera, Gabriello - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Vaga su spina ascosa\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Vaga su spina ascosa 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eMarino, Giambattista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Eccomi pronta ai baci\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Eccomi pronta ai baci 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eGuarini, Giovanni Battista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Parlo, miser, o taccio?\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Parlo, miser, o taccio? 05:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003e Tu dormi, ah crudo core!\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Tu dormi, ah crudo core! 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eTasso, Torquato - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Al lume delle stelle\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Al lume delle stelle 05:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eGuarini, Giovanni Battista - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Con che soavita, labbra adorate\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Con che soavita, labbra adorate 06:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eTasso, Bernardo - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part 1: Ohime, dov'e il mio ben, dov'e il mio core? 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part 2: Dunque ha potuto sol desio d'onore 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part 3: Dunque ha potuto in me più che'l mio amore 01:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Part 4: Ahi sciocco mondo e cieco, ahi cruda sorte 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 3\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eAchillini, Claudio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Lettera amorosa: Se i languidi miei sguardi\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Se i languidi miei sguardi 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 A voi mi volgo o chiome 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Cara mia selva d'oro 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Dolcissimi legami 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Ma gia l'ora m'invita 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eRinuccini, Ottavio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Partenza Amorosa: Se pur destina e vole\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Se pur destina e vole il cielo 02:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Deh con più lenta mano 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Lumi, voi che vedeste 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Ma deh, luci serene 01:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Ma qual timor mi punge? 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003e Chiome d'oro\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Chiome d'oro 03:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eRinuccini, Ottavio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Amor, che deggio far?\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Amor, che deggio far? 04:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eStriggio, Alessandro - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Tirsi e Clori\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Per monti e per valli (Tirsi, Clori) 05:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Balliamo, che il gregge (Tutti) 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Balliam, che nel Cielo (Tutti) 00:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Balliam, che d'intorno (Tutti) 01:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Balliamo che l'onde (Tutti) 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Balliam, che i vezzosi (Tutti) 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Balliamo e giriamo (Tutti) 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 02:42:37\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592040972538,"sku":"8555314-16","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555314-16.jpg?v=1792157808"},{"product_id":"tchaikovsky-the-nutcracker-suite-rimsky-korsakov-christm","title":"Tchaikovsky: The Nutcracker Suite; Rimsky-Korsakov: Christmas Eve - Prunella Scales, Moscow Symphony Orchestra; Slovak Philharmonic Orchestra","description":"\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e The Nutcracker Suite, Op. 71a\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Overture 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 March 05:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Dance of the Sugar-Plum Fairy 04:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Russian Dance 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Arabian Dance 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Chinese Dance 01:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Dance of the Toy Trumpets 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Waltz of the Flowers 07:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Finale 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRimsky-Korsakov, Nikolay Andreyevich\u003c\/div\u003e\n\u003cdiv\u003e Christmas Eve (Opera Suite)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Introduction 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Procession of the Comet 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Devil's Dance 06:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Vakula woos Oksana 14:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Polonaise 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Ovsyen and Kolyada 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592041005306,"sku":"8555342","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555342.jpg?v=1792165836"},{"product_id":"aldridge-parables-an-interfaith-oratorio","title":"Aldridge: Parables - 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Slovak Radio Symphony, Lenárd","description":"\u003cdiv\u003eAlexander Moyzes remains one of the most significant figures in the establishment of Slovak musical nationalism in the 20th century. A profound and admired symphonist, he also wrote a sequence of orchestral music that explored the landscapes and national folk identity of his native country. Down the River Váh, Op. 26 is one of his most colourful and vivid scores, charting a journey from the Tatra mountains passing flowery meadows, imposing castles and surging waters. The Dances from Gemer, Op. 51 and Pohronie Dances, Op. 43 are characteristic national works epitomising Slovakia’s fertile folkloric traditions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eMoyzes, Alexander\u003c\/div\u003e\n\u003cdiv\u003e Gemer Dances, Op. 51\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Dance Prelude from Kokava 04:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Folk dance 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Hayduks from Kolesne 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. The Little Bear from Rejdová 04:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dolu Váhom (Down the Váh), Op. 26\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. At the Sources 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. From Liptov to Orava 04:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Around Strečno 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Romance 05:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 V. Into the Danube's Embrace 05:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dances from Pohronie, Op. 43\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 1. Round the Campfire with Hatchetsticks 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 2. On the Meadow with Flowers 06:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 3. In the Mountain with Axes 09:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 4. At Music after Work 09:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592041201914,"sku":"8555477","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555477.jpg?v=1792159352"},{"product_id":"raff-symphonies-nos-8-fruhlingsklange-9-im-sommer","title":"Raff: Symphonies Nos. 8 \"Fruhlingsklänge\" \u0026 9 \"Im Sommer\" - Slovak State Philharmonic, Košice, U. Schneider","description":"\u003cdiv\u003eJoachim Raff’s symphonies present a synthesis of pure music and the programmatic elements of the neo-German school exemplified in the symphonic poems of Liszt. His eighth symphony from 1876, Frühlingsklänge, was followed in 1878 with his ninth, Im Sommer, forming a celebration of spring and summer that are part of a set that make up the four seasons. Both are written in an immediately attractive and approachable style, and scored for a relatively modest orchestra of Classical rather than Wagnerian dimensions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRaff, Joachim\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 8 in A Major, Op. 205, \"Frühlingsklänge\" (Sounds of Spring)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Frühlings Rückkehr (Spring's Return): Allegro 12:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. In der Walpurgisnacht (During Walpurgis Night): Allegro 08:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Mit dem ersten Blumenstrauß (With the First Bunch of Flowers): Larghetto 08:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Wanderlust: Vivace 11:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 9 in E Minor, Op. 208, \"Im Sommer\" (In Summer)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I, Ein heißer Tag (A Hot Day): Allegro 12:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part II, Die Jagd der Elfen (The Hunt of the Elves): Allegro 09:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part IIIa, Ekloge (Eclogue): Larghetto 07:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part IIIb, Zum Erntekranz (To the Harvest Wreath): Allegro 06:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:17:24\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592041234682,"sku":"8555499","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555499.jpg?v=1792162292"},{"product_id":"thalberg-fantasies-on-operas-by-donizetti","title":"Thalberg: Fantasies On Operas by Donizetti - Francesco Nicolosi, piano","description":"\u003cdiv\u003eSigismond Thalberg was one of the most distinguished pianists of his time, embarking on a solo career in the 1830s and touring as far as the Americas. Thalberg was considered a rival to Liszt though their supposed animosity was largely a journalistic invention. The creation of transcriptions of popular operatic melodies and their transformation into virtuoso concert pieces was hugely fashionable, but Thalberg’s treatments were also admired by Schumann for their Classical transparency, and for stylish technical innovations that saw him imitated throughout Europe. These fantasies on themes by Donizetti are full of the lyrical charm and drama of the original operas, combined with pianistic fireworks that delighted audiences worldwide.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThalberg, Sigismond\u003c\/div\u003e\n\u003cdiv\u003e Fantaisie sur l'opéra La fille du régiment, Op. 68\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Fantaisie sur l'opéra La fille du régiment, Op. 68 08:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Grande Fantaisie sur des motifs de l'opéra Don Pasquale, Op. 67\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Grande Fantaisie sur des motifs de l'opéra Don Pasquale, Op. 67 14:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fantaisie sur l'opéra Lucrezia Borgia, Op. 50\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Fantaisie sur l'opéra Lucrezia Borgia, Op. 50 11:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Andante final de Lucie di Lammermoor, Op. 44\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Andante final de Lucie di Lammermoor, Op. 44 07:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Introduzione e Variazioni sulla Barcarola dell' Elisir d'amore, Op. 66\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Introduzione e Variazioni sulla Barcarola dell' Elisir d'amore, Op. 66 12:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 55:22\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":67592041267450,"sku":"8555502","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555502.jpg?v=1792166008"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/naxos_clearance_sept_8469010b-4e2e-430c-ab6d-1ed70facb405.jpg?v=1791926158","url":"https:\/\/classicselectworld.com\/de-de\/collections\/new-naxos.oembed?page=4","provider":"ClassicSelect World","version":"1.0","type":"link"}