{"product_id":"100-best-sacred-music-6-cds","title":"100 BEST SACRED MUSIC (6 CDS)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_3f509f59-fe4f-4f86-9886-843a741b8836_480x480.png?v=1641838621\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eByrd-     Ave Verum Corpus (Gradualia I, 1605)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir David Willcocks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePalestrina -Tu Es Petrus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir David Willcocks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVictoria -O Ildephonse\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Pro Cantione Antiqua\u003c\/p\u003e\n\u003cp\u003eConductor – Bruno Turner\u003c\/p\u003e\n\u003cp\u003eEnsemble – London Cornett And Sackbut Ensemble\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePalestrina -Salve Regina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chanticleer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJerusalem-Responsorio Segundo De S. S. José\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chanticleer\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Joseph Jennings\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTallis -O Nata Lux, Hymn For Lauds On The Feast Of The Transfiguration,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eP. 209 (No. 8 From \"Cantiones Quae Ab Argumento Sacrae Vocantur\", 1575\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge*\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGabrieli-Symphoniae Sacrae II: IV. Buccinate in Neomenia A 19\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrass – Philip Jones Brass Ensemble\u003c\/p\u003e\n\u003cp\u003eChoir – The Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Denis Stevens\u003c\/p\u003e\n\u003cp\u003eOrgan – Barry Rose\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDufay-Missa \"L'Homme Armé\": I Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Michael George\u003c\/p\u003e\n\u003cp\u003eConductor – Paul Hillier\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – David James , Michael Chance\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Hilliard Ensemble\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Charles Daniels , Leigh Nixon, Rogers Covey-Crump\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLassus -Missa Super 'Bell' Amfitrit' Altera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Choir Of St John's College, Cambridge*\u003c\/p\u003e\n\u003cp\u003eConductor – George Guest\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eByrd-Mass for Four Voices: V. Agnus Dei\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Paul Hillier\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Hilliard Ensemble\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAllegri -Miserere\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort\u003c\/p\u003e\n\u003cp\u003eScore Editor – Hugh Keyte\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonteverdi -Selva Morale E Spirituale\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeatus Vir A 6, SV 268\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – David Thomas\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Emma Kirkby\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nigel Rogers , Rogers Covey-Crump\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTallis -Spem In Alium Nunquam Habui A 40\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonteverdi-Vespro Della Beata Vergine SV 206:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI. \"Deus in Adiutorium\"\u003c\/p\u003e\n\u003cp\u003eChoir – Choralschola Der Capella Antiqua München, The Monteverdi Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Jürgen Jürgens\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurcell -Funeral Music For Queen Mary:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMan That Is Born of Woman, Z. 27\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003eOrgan – Francis Grier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurcell -Funeral Music For Queen Mary:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThou Know'st Lord, Z. 58b (Verse 1)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003eOrgan – Francis Grier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePurcell -Funeral Music For Queen Mary:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: March, Z. 860i\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003eOrgan – Francis Grier\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach-Mass in B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIV. Gloria In Excelsis (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Collegium Vocale\u003c\/p\u003e\n\u003cp\u003eComposed By – J. S. Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Philippe Herreweghe\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach-Mass in B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIV. Sanctus \"Sanctus Dominus Deus Sabaoth\" (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Magnificat In G Minor, RV 610B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnificat Anima Mea\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Magnificat In G Minor, RV 610B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: Et Exsultavit\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Magnificat In G Minor, RV 610B:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: III. Et Misericordia Ejus (Chorus). Andante Molto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharpentier-Te Deum In D Major, H. 146:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Prelude. Marche En Rondeau\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – William Christie\u003c\/p\u003e\n\u003cp\u003eOrchestra – Les Arts Florissants\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCharpentier-Te Deum In D Major, H. 146:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII. Te Deum Laudamus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – William Christie\u003c\/p\u003e\n\u003cp\u003eOrchestra – Les Arts Florissants\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach -St. Matthew Passion, BWV 244,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: \"Erbarme Dich Mein Gott\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Soloists Of The Wiener Sängerknaben*,\u003c\/p\u003e\n\u003cp\u003eKing's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Kurt Equiluz, Nigel Rogers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ. S. Bach -Mass In B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXXV. Agnus Dei - Agnus Dei\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Viennensis\u003c\/p\u003e\n\u003cp\u003eComposed By – Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Paul Esswood\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Angela Maria Blasi\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Kurt Equiluz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Messiah, HWV 56\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: \"Hallelujah\" (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eComposed By – Handel\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eEnsemble – Brandenburg Consort\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Stabat Mater, RV 621:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e. \"Quis Est Homo\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComposed By – Vivaldi\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Philippe Jaroussky\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Artaserse\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Stabat Mater, RV 621:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIX. \"Amen\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Philippe Jaroussky\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Artaserse\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Coronation Anthem No. 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Zadok the Priest\", HWV 258\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eComposed By – Handel\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Gloria in D Major, RV 589:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Gloria In Excelsis Deo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Helen Gough\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Michael Chance\u003c\/p\u003e\n\u003cp\u003eHarpsichord – Alastair Ross\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of Ancient Music\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVivaldi -Gloria in D Major, RV 589:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: III. Laudamus Te\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Helen Gough\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eCountertenor Vocals – Michael Chance\u003c\/p\u003e\n\u003cp\u003eHarpsichord – Alastair Ross\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of Ancient Music\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach -Christmas Oratorio, BWV 248,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1: No. 1 \"Jauchzet, Frohlocket, Auf, Preiset Die Tage\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Collegium Vocale\u003c\/p\u003e\n\u003cp\u003eConductor – Philippe Herreweghe\u003c\/p\u003e\n\u003cp\u003eOrchestra – Baroque Orchestra Of The Collegium Vocale\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePergolesi -Stabat Mater In F Minor,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eP. 77: I. Stabat Mater Dolorosa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor, Countertenor Vocals – Gérard Lesne\u003c\/p\u003e\n\u003cp\u003eOrchestra – Il Seminario Musicale\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Véronique Gens\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach -St. John Passion, BWV 245,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: No. 39, Chorus \"Ruht Wohl, Ihr Heiligen Gebeine\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Taverner Choir\u003c\/p\u003e\n\u003cp\u003eComposed By – Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Andrew Parrott\u003c\/p\u003e\n\u003cp\u003eEnsemble – Taverner Consort, Taverner Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Requiem In D Minor, K. 626:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Introitus - Requiem Aeternam\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The London Philharmonic Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Franz Welser-Möst\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Felicity Lott\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Requiem In D Minor, K. 626: II. Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The London Philharmonic Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Franz Welser-Möst\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Felicity Lott\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach-Cantata No. 147, \"Herz Und Mund Und Tat Und Leben\", BWV 147:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX. Jesus Bleibet Meine Freude\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Tölzer Knabenchor\u003c\/p\u003e\n\u003cp\u003eComposed By – Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eOrchestra – Concentus Musicus Wien\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach-Magnificat in D Major, BWV 243: I. Magnificat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoir – Collegium Vocale Der Gandersheimer Dommusiken\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Nikolaus Harnoncourt\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchester Der Gandersheimer Dommusiken\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S. Bach-Cantata No 140 'Wachet Auf, Ruft Uns Die Stimme', BWV 140:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIV Zion Hort Die Wachter Singen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Michael George\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of Ancient Music\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Lisa Milne, Susan Gritton\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Ian Bostridge\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Mass In C Minor, K. 427, \"Great Mass\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Gloria - Laudamus Te\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Raymond Leppard\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Kiri Te Kanawa\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Mass In C Major, K. 317 \"Coronation\": V. Benedictus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Messiah, HWV56, Part 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor Unto Us A Child Is Born (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Charles Mackerras\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S.Bach-Mass In B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Credo, Et Incarnatus Est (Chorus)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePergolesi -Stabat Mater In F Minor, P. 77:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVI. Vidit Suum Dulcem Natum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Il Seminario Musicale\u003c\/p\u003e\n\u003cp\u003eConductor – Gérard Lesne\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Véronique Gens\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePergolesi -Stabat Mater In F Minor, P. 77:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e: VII. Eja Mater, Fons Amoris\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlto Vocals – Véronique Gens\u003c\/p\u003e\n\u003cp\u003eChoir – Il Seminario Musicale\u003c\/p\u003e\n\u003cp\u003eConductor – Gérard Lesne\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGounod -Ave Maria, CG. 89 a (After J.S. Bach's Prelude in C Major, BWV 846)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Eric Ericson\u003c\/p\u003e\n\u003cp\u003eOrchestra – Stockholm Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Barbara Hendricks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Missa In C Minor, K. 427 \"Grosse Messe\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Et Incarnatus Est\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Klaus Mertens\u003c\/p\u003e\n\u003cp\u003eChoir – Cologne Chamber Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Peter Neumann\u003c\/p\u003e\n\u003cp\u003eOrchestra – Collegium Cartusianum\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKarg-Elert -Choral-Improvisationen, Op. 65,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook 6, No. 59: Nun Danket Alle Gott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrgan – Sir Philip Ledger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S.Bach-Orgel-Buchlein, BWV 599-644:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eO Mensch, Bewein' Dein' Sunde Gross, BWV 622\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrgan – Peter Hurford\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHandel -Messiah, HWV 56, Part 3:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Know That My Redeemer Liveth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass-Baritone Vocals – Raimund Herincx\u003c\/p\u003e\n\u003cp\u003eChoir – The Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Charles Mackerras\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Dame Janet Baker\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elizabeth Harwood\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJ.S.Bach-Mass In B Minor, BWV 232:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Kyrie, Kyrie Eleison\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Collegium Vocale\u003c\/p\u003e\n\u003cp\u003eConductor – Philippe Herreweghe\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Tantum Ergo In E-Flat Major, D. 962\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Lucia Popp\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Mass In C Major, K. 317 \"Coronation\": III. Credo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Eugen Jochum\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Ave Verum Corpus, K. 618\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Schütz Consort\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Roger Norrington\u003c\/p\u003e\n\u003cp\u003eOrchestra – London Classical Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Ellens Gesang III, Op. 52, No. 6: Ave Maria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Gerhard Schmidt-Gaden\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Graunke\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Anneliese Rothenberger\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Hymnus An Den Heiligen Geist, D. 964\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHaydn -Mass In D Minor, Hob. XXII, 11, \"Nelsonmesse\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Kyrie - Allegro Moderato\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass-Baritone Vocals – Robert Holl\u003c\/p\u003e\n\u003cp\u003eChoir – MDR Rundfunkchor\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOrchestra – Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHaydn -Mass In D Minor, Hob. XXII, 11, \"Nelsonmesse\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\": II. Gloria, 1. Gloria in Excelsis Deo - Allegro\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass-Baritone Vocals – Robert Holl\u003c\/p\u003e\n\u003cp\u003eChorus Master – Jörg-Peter Weigle\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOrchestra – Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHummel -Mass In E-Flat Mayor, Op. 80: IV. Sanctus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoir – Stuttgarter Hymnus-Chorknaben\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Gerhard Wilhelm\u003c\/p\u003e\n\u003cp\u003eEnsemble – Instrumental-Ensemble Werner Keltsch\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMendelssohn -Psalm 42, Op. 42:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo. 1 \"Wie Der Hirsch Schreit Nach Frischem Wasser\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – London Symphony Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Richard Hickox\u003c\/p\u003e\n\u003cp\u003eOrchestra – City Of London Sinfonia\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Janet Baker\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrahms -Ein Deutsches Requiem, Op. 45:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIhr Habt Nun Traurigkeit (Langsam)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Schutz Choir of London\u003c\/p\u003e\n\u003cp\u003eConductor – Sir Roger Norrington\u003c\/p\u003e\n\u003cp\u003eEnsemble – London Classical Players\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBerlioz -L'Enfance Du Christ, Op 25,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 2: The Flight Into Egypt - L'Adieu Des Bergers À La Sainte Famille\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Royal Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMendelssohn -Elijah, Op. 70, Part 2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo. 31, \"O Rest In The Lord\" (The Angel)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Rafael Frühbeck De Burgos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dame Gwyneth Jones\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRossini -Stabat Mater: Cujus Animam Gementem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Coro Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003eConductor – Riccardo Muti\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestra Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRossini -Stabat Mater: Inflammatus Et Accensus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Coro Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003eConductor – Riccardo Muti\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestra Del Maggio Musicale Fiorentino\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruckner -Te Deum: I. Te Deum Laudamus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Daniel Barenboim\u003c\/p\u003e\n\u003cp\u003eContralto Vocals – Birgit Finnilä\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem: Dies Irae - Dies Irae\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Orfeón Donostiarra\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Plasson\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestre National Du Capitole De Toulouse\u003c\/p\u003e\n\u003cp\u003eViolin – Malcolm Stewart\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem: Lux Aeterna\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Roberto Scandiuzzi\u003c\/p\u003e\n\u003cp\u003eChoir – Orfeón Donostiarra\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Plasson\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Felicity Palmer\u003c\/p\u003e\n\u003cp\u003eViolin – Malcolm Stewart\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem: VIII. Recordare\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Nicolai Ghiaurov\u003c\/p\u003e\n\u003cp\u003eChoir – Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Carlo Maria Giulini\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem II. Dies Irae - Ingemisco\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Nicolai Ghiaurov\u003c\/p\u003e\n\u003cp\u003eChoir – Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Carlo Maria Giulini\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePuccini -Messa Di Gloria, Op. Posth:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII. Gloria - Gloria In Excelsis Deo - In Terra Pax - Laudamus Te\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Thomas Hampson\u003c\/p\u003e\n\u003cp\u003eChoir – London Symphony Chorus\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eConductor – Antonio Pappano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVerdi -Messa Da Requiem,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLibera Me: Libera Me Domine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Of The Gulbenkian Foundation\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eOrchestra – Gulbenkian Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFranck -Panis Angelicus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Arie Van Beek\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestre D'Auvergne\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Sœur Marie Keyrouz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Cantique de Jean Racine, Op. 11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Ensemble Vocal De Lausanne\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Instrumental De Lausanne\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMendelssohn -Psalm No 42, 'Wie Der Hirsch Schreit', Op 42:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII Meine Seele Durstet Nach Gott\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Of The Gulbenkian Foundation\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eOrchestra – Gulbenkian Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeethoven -Mass In C Major, Op. 86: I. Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlto Vocals – Dame Janet Baker\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Marius Rintzler\u003c\/p\u003e\n\u003cp\u003eChoir – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Carlo Maria Giulini\u003c\/p\u003e\n\u003cp\u003eOrchestra – New Philharmonia Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Elly Ameling\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMozart -Requiem In D Minor, K. 626:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIII. Sequentia, Lacrimosa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chorus Of St Martin In The Fields\u003c\/p\u003e\n\u003cp\u003eConductor – Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Academy Of St. Martin-in-the-Fields\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Mass No. 6 in E-Flat Major, D. 950:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVI. Agnus Dei (Andante Con Moto - Andante)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Staatskapelle Dresden\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCampra -Requiem (Messe Des Morts):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e. Introit \"Requiem Aeternam\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Nicolas Rivenq\u003c\/p\u003e\n\u003cp\u003eChoir – Les Arts Florissants\u003c\/p\u003e\n\u003cp\u003eConductor – William Christie\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBerlioz -Grande Messe Des Morts, Op. 5, H. 75, \"Requiem\":\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI. Requiem Et Kyrie, Kyrie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComposed By – Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – André Previn\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSchubert -Deutsche Messe, D 872:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNo 7, Zum Agnus Dei, \"Mein Heiland, Herr Und Meister!\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chor Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eConductor – Wolfgang Sawallisch\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Brigitte Fassbaender\u003c\/p\u003e\n\u003cp\u003eOrchestra – Symphonie-Orchester Des Bayerischen Rundfunks\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Lucia Popp\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem, Op. 48: VI. Libera Me\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Simon Keenlyside\u003c\/p\u003e\n\u003cp\u003eChoir – Winchester Cathedral Choir\u003c\/p\u003e\n\u003cp\u003eConductor – David Hill\u003c\/p\u003e\n\u003cp\u003eOrchestra – Bournemouth Sinfonietta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem, Op. 48: VII. in Paradisum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Simon Keenlyside\u003c\/p\u003e\n\u003cp\u003eChoir – Winchester Cathedral Choir\u003c\/p\u003e\n\u003cp\u003eConductor – David Hill\u003c\/p\u003e\n\u003cp\u003eOrchestra – Bournemouth Sinfonietta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem In D Minor, Op 48:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Introit Et Kyrie (Largo - Andante Moderato)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Ensemble Vocal De Lausanne\u003c\/p\u003e\n\u003cp\u003eConductor – Michel Corboz\u003c\/p\u003e\n\u003cp\u003eEnsemble – Ensemble Instrumental De Lausanne\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBruckner -Ave Maria\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChorus – New Philharmonia Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Wilhelm Pitz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrahms -Ein Deutsches Requiem, Op 45:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII Denn Alles Fleisch, Es Ist Wie Gras (Langsam Und Marschmassig)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Radiokören\u003c\/p\u003e\n\u003cp\u003eConductor – Paavo Järvi\u003c\/p\u003e\n\u003cp\u003eOrchestra – Radio-Sinfonie-Orchester Frankfurt\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Natalie Dessay\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Stabat Mater, FP 148: III. O Quam Tristis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Westminster Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Richard Hickox\u003c\/p\u003e\n\u003cp\u003eOrchestra – City Of London Sinfonia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGounod -Messe Solennelle De Sainte-Cecile, CG 56:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV Benedictus (Adagio)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Chœur de Radio France\u003c\/p\u003e\n\u003cp\u003eConductor – Georges Prêtre\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Barbara Hendricks\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStolzer -Bist Du Bei Mir\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor, Arranged By – Philippe Rombi\u003c\/p\u003e\n\u003cp\u003eOrchestra – Orchestre Symphonique Bel'Arte\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Natalie Dessay\u003c\/p\u003e\n\u003cp\u003eTenor Vocals – Rolando Villazón\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePuccini -Messa Di Gloria A Quattro Voci:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eV. Agnus Dei, \"Agnus Dei Qui Tollis Peccata Mundi\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Thomas Hampson\u003c\/p\u003e\n\u003cp\u003eChoir – London Symphony Chorus\u003c\/p\u003e\n\u003cp\u003eConductor – Antonio Pappano\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Stabat Mater, FP 148:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI Stabat Mater Dolorosa (Très Calme)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Westminster Singers\u003c\/p\u003e\n\u003cp\u003eConductor – Richard Hickox\u003c\/p\u003e\n\u003cp\u003eOrchestra – City Of London Sinfonia\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFauré -Requiem, Op. 48: IV. Pie Jesu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBass Vocals – Simon Keenlyside\u003c\/p\u003e\n\u003cp\u003eChoir – Winchester Cathedral Choir\u003c\/p\u003e\n\u003cp\u003eConductor – David Hill\u003c\/p\u003e\n\u003cp\u003eOrchestra – Bournemouth Sinfonietta\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Quatre Motets Pour Le Temps De Noël, FP 152:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eI O Magnum Mysterium (Tres Calme Et Doux)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Sixteen\u003c\/p\u003e\n\u003cp\u003eConductor – Harry Christophers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePoulenc -Quatre Motets Pour Le Temps De Noël, FP 152:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eII Quem Vidistis Pastores Dicite (Allegretto)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – The Sixteen\u003c\/p\u003e\n\u003cp\u003eConductor – Harry Christophers\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDuruflé -Requiem, Op. 9: Pie Jesu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals – Olaf Bär\u003c\/p\u003e\n\u003cp\u003eChoir – King's College Choir, Cambridge\u003c\/p\u003e\n\u003cp\u003eConductor – Stephen Cleobury\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals – Ann Murray\u003c\/p\u003e\n\u003cp\u003eOrchestra – English Chamber Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePärt -De Profundis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoir – Estonian Philharmonic Chamber Choir\u003c\/p\u003e\n\u003cp\u003eConductor – Tõnu Kaljuste\u003c\/p\u003e\n\u003cp\u003eOrgan – Christopher Bowers-Broadbent\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJenkins -The Armed Man (A Mass For Peace): X. Agnus Dei\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Guy Johnston\u003c\/p\u003e\n\u003cp\u003eChoir – National Youth Choir Of Great Britain\u003c\/p\u003e\n\u003cp\u003eChorus Master – Mike Brewer\u003c\/p\u003e\n\u003cp\u003eConductor – Karl Jenkins\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLloyd Webber -Requiem: VII. Pie Jesu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConductor – Kirk Trevor\u003c\/p\u003e\n\u003cp\u003eOrchestra – Slovak Radio Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eOrgan – Simon Gibson\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Jane Gilchrist\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJenkins -The Armed Man (A Mass For Peace): XII. Benedictus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCello – Guy Johnston\u003c\/p\u003e\n\u003cp\u003eChoir – National Youth Choir Of Great Britain\u003c\/p\u003e\n\u003cp\u003eChorus Master – Mike Brewer\u003c\/p\u003e\n\u003cp\u003eConductor – Karl Jenkins\u003c\/p\u003e\n\u003cp\u003eOrchestra – The London Philharmonic Orchestra\u003c\/p\u003e\n\u003c\/div\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":31687435485271,"sku":"190295794255","price":13.12,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71g6qZXDeLL._SL1200.jpg?v=1585848593","url":"https:\/\/classicselectworld.com\/de-de\/products\/100-best-sacred-music-6-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}