{"product_id":"american-classics-works-by-bernstein-barber-copland-steve-reich-imaginary-landscapes","title":"IMAGINARY LANDSCAPES: SOUNDS OF AMERICA (20 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_07fbb1df-c5fc-40dc-9216-358ab6fef348_480x480.png?v=1699643704\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_07fbb1df-c5fc-40dc-9216-358ab6fef348_480x480.png?v=1699643704\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e1. Gallant and Gay We'll March Away by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 26 Secs.\u003cbr data-mce-fragment=\"1\"\u003e2. Pathfinder of Panama by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1915; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 31 Secs.\u003cbr data-mce-fragment=\"1\"\u003e3. El Capitan (march) by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1896; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 24 Secs.\u003cbr data-mce-fragment=\"1\"\u003e4. Ancient and Honorable Artillery Company by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1924; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 21 Secs.\u003cbr data-mce-fragment=\"1\"\u003e5. Gladiator March by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1886; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 51 Secs.\u003cbr data-mce-fragment=\"1\"\u003e6. Gliding Girl by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1912; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 40 Secs.\u003cbr data-mce-fragment=\"1\"\u003e7. Foshay Tower Washington Memorial by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1929; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 22 Secs.\u003cbr data-mce-fragment=\"1\"\u003e8. Who's Who in Navy Blue by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1920; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 44 Secs.\u003cbr data-mce-fragment=\"1\"\u003e9. King Cotton by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1895; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 43 Secs.\u003cbr data-mce-fragment=\"1\"\u003e10. Presidential Polonaise by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1886; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 2 Secs.\u003cbr data-mce-fragment=\"1\"\u003e11. Liberty Bell by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1893; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 42 Secs.\u003cbr data-mce-fragment=\"1\"\u003e12. With Steady Step by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 0 Minutes 49 Secs.\u003cbr data-mce-fragment=\"1\"\u003e13. Stars and Stripes Forever by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1897; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 37 Secs.\u003cbr data-mce-fragment=\"1\"\u003e14. Sabre and Spurs by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1918; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 15 Secs.\u003cbr data-mce-fragment=\"1\"\u003e15. La Reine de la Mer by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1886; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 6 Minutes 1 Secs.\u003cbr data-mce-fragment=\"1\"\u003e16. Mikado March by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1885; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 18 Secs.\u003cbr data-mce-fragment=\"1\"\u003e17. George Washington Bicentennial by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1930; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 33 Secs.\u003cbr data-mce-fragment=\"1\"\u003e18. Manhattan Beach by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1893; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 19 Secs.\u003cbr data-mce-fragment=\"1\"\u003e19. With Pleasure by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1912; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 43 Secs.\u003cbr data-mce-fragment=\"1\"\u003e20. Fairest of the Fair by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1908; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 39 Secs.\u003cbr data-mce-fragment=\"1\"\u003e21. Here's to your Health, Sir! by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 0 Minutes 40 Secs.\u003cbr data-mce-fragment=\"1\"\u003e22. Washington Post by John Philip Sousa\u003cbr data-mce-fragment=\"1\"\u003eConductor: Timothy Foley\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Great American Main Street Band\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Romantic\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1889; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Rye Presbyterian Church, Rye, NY\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 44 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e23. Maple Leaf Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1899; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 7 Secs.\u003cbr data-mce-fragment=\"1\"\u003e24. The Entertainer by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1902; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 5 Minutes 25 Secs.\u003cbr data-mce-fragment=\"1\"\u003e25. The Easy Winners by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1901; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 10 Secs.\u003cbr data-mce-fragment=\"1\"\u003e26. Gladiolus Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 33 Secs.\u003cbr data-mce-fragment=\"1\"\u003e27. Pine Apple Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1908; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 27 Secs.\u003cbr data-mce-fragment=\"1\"\u003e28. Bethena by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ralph Grierson (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: George Sponhaltz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Southland Stingers\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1905; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 39 Secs.\u003cbr data-mce-fragment=\"1\"\u003e29. The Favorite by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ralph Grierson (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: George Sponhaltz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Southland Stingers\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1904; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 5 Secs.\u003cbr data-mce-fragment=\"1\"\u003e30. Stoptime Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ralph Grierson (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: George Sponhaltz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Southland Stingers\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1910; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 58 Secs.\u003cbr data-mce-fragment=\"1\"\u003e31. Heliotrope Bouquet by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 5 Minutes 55 Secs.\u003cbr data-mce-fragment=\"1\"\u003e32. Paragon Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1909; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 51 Secs.\u003cbr data-mce-fragment=\"1\"\u003e33. Solace by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1909; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 7 Minutes 6 Secs.\u003cbr data-mce-fragment=\"1\"\u003e34. Magnetic Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Joshua Rifkin (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1914; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 5 Minutes 1 Secs.\u003cbr data-mce-fragment=\"1\"\u003e35. A Breeze from Alabama by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ralph Grierson (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: George Sponhaltz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Southland Stingers\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1901; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 32 Secs.\u003cbr data-mce-fragment=\"1\"\u003e36. Pleasant Moments by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ralph Grierson (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: George Sponhaltz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Southland Stingers\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1909; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 45 Secs.\u003cbr data-mce-fragment=\"1\"\u003e37. Wall Street Rag by Scott Joplin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ralph Grierson (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: George Sponhaltz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Southland Stingers\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1909; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 6 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e38. Grand Canyon Suite by Ferde Grofé\u003cbr data-mce-fragment=\"1\"\u003eConductor: Felix Slatkin\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Hollywood Bowl Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1931; USA\u003cbr data-mce-fragment=\"1\"\u003e39. Mississippi Suite by Ferde Grofé\u003cbr data-mce-fragment=\"1\"\u003eConductor: Felix Slatkin\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Hollywood Bowl Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1925; USA\u003cbr data-mce-fragment=\"1\"\u003e40. Death Valley Suite by Ferde Grofé\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ferde Grofé\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Capitol Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1957; USA\u003cbr data-mce-fragment=\"1\"\u003e41. Grand Canyon Suite: Cloudburst by Ferde Grofé\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ferde Grofé\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Capitol Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1931; USA\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e42. Lady, be Good: Little jazz bird by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1924; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 02\/1975\u003cbr data-mce-fragment=\"1\"\u003eVenue: Paddington, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 51 Secs.\u003cbr data-mce-fragment=\"1\"\u003e43. Porgy and Bess: Oh Bess, where's my Bess? by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1935; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 02\/1975\u003cbr data-mce-fragment=\"1\"\u003eVenue: Paddington, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 16 Secs.\u003cbr data-mce-fragment=\"1\"\u003e44. Oh, Kay!: Someone to watch over me by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1926; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 02\/1975\u003cbr data-mce-fragment=\"1\"\u003eVenue: Paddington, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 27 Secs.\u003cbr data-mce-fragment=\"1\"\u003e45. Preludes (3) for Piano by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1926; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 6 Minutes 24 Secs.\u003cbr data-mce-fragment=\"1\"\u003e46. Shall We Dance: Promenade \"Walking the dog\" by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1936-1937; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 50 Secs.\u003cbr data-mce-fragment=\"1\"\u003e47. Merry Andrew by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1928; New York, USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 29 Secs.\u003cbr data-mce-fragment=\"1\"\u003e48. Porgy and Bess: Jasbo Brown Blues by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1935; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 2 Secs.\u003cbr data-mce-fragment=\"1\"\u003e49. Impromptu for Piano in 2 keys by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: circa 1924; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 19 Secs.\u003cbr data-mce-fragment=\"1\"\u003e50. Waltzes (2) for Piano in C major by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1933; New York, USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 3 Secs.\u003cbr data-mce-fragment=\"1\"\u003e51. Three-quarter blues by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 0 Minutes 55 Secs.\u003cbr data-mce-fragment=\"1\"\u003e52. Rialto Ripples by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1917; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 09\/1979\u003cbr data-mce-fragment=\"1\"\u003eVenue: Wigmore Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 31 Secs.\u003cbr data-mce-fragment=\"1\"\u003e53. George Gershwin's Songbook for Piano by George Gershwin\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1932; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 11\/1974\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hornsey Town Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 15 Minutes 19 Secs.\u003cbr data-mce-fragment=\"1\"\u003e54. Roberta: Smoke Gets in Your Eyes by Jerome Kern\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Barry Tuckwell (Horn), Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Neil Richardson\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1933; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: No. 1 Studio, Abbey Road, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 27 Secs.\u003cbr data-mce-fragment=\"1\"\u003e55. Swing Time: The Way You Look Tonight by Jerome Kern\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano), Barry Tuckwell (Horn)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Neil Richardson\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1936; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: No. 1 Studio, Abbey Road, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 21 Secs.\u003cbr data-mce-fragment=\"1\"\u003e56. Very Warm for May: All the Things You Are by Jerome Kern\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Barry Tuckwell (Horn), Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Neil Richardson\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1939; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: No. 1 Studio, Abbey Road, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 10 Secs.\u003cbr data-mce-fragment=\"1\"\u003e57. Roberta: Yesterdays by Jerome Kern\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Richard Rodney Bennett (Piano), Barry Tuckwell (Horn)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Neil Richardson\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1933; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: No. 1 Studio, Abbey Road, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 51 Secs.\u003cbr data-mce-fragment=\"1\"\u003e58. Cover Girl: Long Ago and Far Away by Jerome Kern\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Barry Tuckwell (Horn), Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Neil Richardson\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1944; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: No. 1 Studio, Abbey Road, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 15 Secs.\u003cbr data-mce-fragment=\"1\"\u003e59. Show Boat: Why do I love you? by Jerome Kern\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Barry Tuckwell (Horn), Richard Rodney Bennett (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Neil Richardson\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1927; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: No. 1 Studio, Abbey Road, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 38 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e60. Concerto for Orchestra by Elliott Carter\u003cbr data-mce-fragment=\"1\"\u003eConductor: Oliver Knussen\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Sinfonietta\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1969; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 19 Minutes 30 Secs.\u003cbr data-mce-fragment=\"1\"\u003e61. Concerto for Violin by Elliott Carter\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ole Böhn (Violin)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Oliver Knussen\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Sinfonietta\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1990; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 25 Minutes 15 Secs.\u003cbr data-mce-fragment=\"1\"\u003e62. Three Occasions by Elliott Carter\u003cbr data-mce-fragment=\"1\"\u003eConductor: Oliver Knussen\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Sinfonietta\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1986-1989; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 16 Minutes 21 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e63. Concert for Piano and Orchestra by John Cage\u003cbr data-mce-fragment=\"1\"\u003eConductor: Rainer Riehn\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Musica Negativa Ensemble\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1957-1958; USA\u003cbr data-mce-fragment=\"1\"\u003e64. Credo in US by John Cage\u003cbr data-mce-fragment=\"1\"\u003eConductor: Rainer Riehn\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Musica Negativa Ensemble\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1942; USA\u003cbr data-mce-fragment=\"1\"\u003e65. Imaginary Landscape no 1 by John Cage\u003cbr data-mce-fragment=\"1\"\u003eConductor: Rainer Riehn\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Musica Negativa Ensemble\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1939; USA\u003cbr data-mce-fragment=\"1\"\u003e66. Rozart Mix by John Cage\u003cbr data-mce-fragment=\"1\"\u003eConductor: Rainer Riehn\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Musica Negativa Ensemble\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1965; USA\u003cbr data-mce-fragment=\"1\"\u003e67. Music for Carillon no 1 by John Cage\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Gentle Fire\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1952; USA\u003cbr data-mce-fragment=\"1\"\u003e68. Suite for Toy Piano by John Cage\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Gentle Fire\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1948; USA\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e69. The Chairman Dances by John Adams\u003cbr data-mce-fragment=\"1\"\u003eConductor: Simon Rattle\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: City of Birmingham Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1985; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 12 Minutes 49 Secs.\u003cbr data-mce-fragment=\"1\"\u003e70. Grand Pianola Music by John Adams\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ransom Wilson, Christopher Warren-Green, Simon Rattle\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: City of Birmingham Symphony Orchestra, London Chamber Orchestra, Solisti New York\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1982; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 32 Minutes 9 Secs.\u003cbr data-mce-fragment=\"1\"\u003e71. Shaker Loops by John Adams\u003cbr data-mce-fragment=\"1\"\u003eConductor: Christopher Warren-Green\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1978; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 24 Minutes 19 Secs.\u003cbr data-mce-fragment=\"1\"\u003e72. Fanfares (2) for Orchestra: Short Ride in a Fast Machine by John Adams\u003cbr data-mce-fragment=\"1\"\u003eConductor: Simon Rattle\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: City of Birmingham Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1986; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 28 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e73. Eight Lines by Steve Reich\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Ransom Wilson (Alto Flute), Ransom Wilson (Flute), Ransom Wilson (Percussion)\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Solisti New York\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1979\/1983; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 18 Minutes 20 Secs.\u003cbr data-mce-fragment=\"1\"\u003e74. Four Organs by Steve Reich\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Michael Tilson Thomas (Organ)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1970; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 24 Minutes 20 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e75. Facades by Philip Glass\u003cbr data-mce-fragment=\"1\"\u003eConductor: Christopher Warren-Green\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1981; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 7 Minutes 52 Secs.\u003cbr data-mce-fragment=\"1\"\u003e76. Company by Philip Glass\u003cbr data-mce-fragment=\"1\"\u003eConductor: Christopher Warren-Green\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Chamber Orchestra\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1983; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 8 Minutes 20 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e77. Dover Beach, Op. 3 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Thomas Allen (Baritone)\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Endellion String Quartet\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1931; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Blackheath Concert Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 8 Minutes 25 Secs.\u003cbr data-mce-fragment=\"1\"\u003e78. Serenade for Strings, Op. 1 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Endellion String Quartet\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1929; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Blackheath Concert Hall, London, England\u003cbr data-mce-fragment=\"1\"\u003eLength: 9 Minutes 1 Secs.\u003cbr data-mce-fragment=\"1\"\u003e79. Songs (3), Op. 2 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Thomas Allen (Baritone), Roger Vignoles (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1927-1934; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: St. George's, Brandon Hill, Bristol, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 45 Secs.\u003cbr data-mce-fragment=\"1\"\u003e80. Songs (3), Op. 10 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Roger Vignoles (Piano), Thomas Allen ()\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1936; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: St. George's, Brandon Hill, Bristol, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 7 Minutes 23 Secs.\u003cbr data-mce-fragment=\"1\"\u003e81. Four Songs, Op. 13: 1. Nocturne by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Roger Vignoles (Piano), Thomas Allen ()\u003cbr data-mce-fragment=\"1\"\u003ePeriod: Modern\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1937-1940\u003cbr data-mce-fragment=\"1\"\u003eVenue: St. George's, Brandon Hill, Bristol, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 9 Secs.\u003cbr data-mce-fragment=\"1\"\u003e82. Songs (4), Op. 13: no 3, Sure on this Shining Night by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Roger Vignoles (Piano), Thomas Allen ()\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1938; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: St. George's, Brandon Hill, Bristol, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 17 Secs.\u003cbr data-mce-fragment=\"1\"\u003e83. Songs (3), Op. 45 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Roger Vignoles (Piano), Thomas Allen ()\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1972; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: St. George's, Brandon Hill, Bristol, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 6 Minutes 16 Secs.\u003cbr data-mce-fragment=\"1\"\u003e84. Quartet for Strings in B minor, Op. 11 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Endellion String Quartet\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1936; Rome, Italy\u003cbr data-mce-fragment=\"1\"\u003eVenue: St. George's, Brandon Hill, Bristol, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 18 Minutes 29 Secs.\u003cbr data-mce-fragment=\"1\"\u003e85. Despite and Still, Op. 41 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Eric Cutler (Tenor), Bradley Moore (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1968-1969; USA\u003cbr data-mce-fragment=\"1\"\u003eVenue: Lyndhurst Hall, Air Studios, London, Eng\u003cbr data-mce-fragment=\"1\"\u003eLength: 9 Minutes 33 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e86. Symphony no 3 by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003eConductor: Eduardo Mata\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Dallas Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1944-1946; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 41 Minutes 32 Secs.\u003cbr data-mce-fragment=\"1\"\u003e87. Danzón Cubano by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003eConductor: Eduardo Mata\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Dallas Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1942; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 8 Minutes 4 Secs.\u003cbr data-mce-fragment=\"1\"\u003e88. Dance Symphony by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003eConductor: Enrique Bátiz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Orquesta Tipica De La Ciudad De Mexico, Mexico City Philharmonic Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1930; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 17 Minutes 1 Secs.\u003cbr data-mce-fragment=\"1\"\u003e89. Fanfare for the common man by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Bruce Hubbard (Baritone)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Dennis Russell Davies, Enrique Bátiz, Eduardo Mata\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Mexico City Philharmonic Orchestra, Dallas Symphony Orchestra, Orchestra of St. Luke's\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1942; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 39 Secs.\u003cbr data-mce-fragment=\"1\"\u003e90. El salón México by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003eConductor: Eduardo Mata\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Dallas Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1932-1936; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 10 Minutes 50 Secs.\u003cbr data-mce-fragment=\"1\"\u003e91. Old American Songs, Set 1 by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Bruce Hubbard (Baritone)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Dennis Russell Davies\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Orchestra of St. Luke's\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1950; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 11 Minutes 29 Secs.\u003cbr data-mce-fragment=\"1\"\u003e92. Old American Songs, Set 2 by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Bruce Hubbard (Baritone)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Dennis Russell Davies\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Orchestra of St. Luke's\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1952; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 12 Minutes 2 Secs.\u003cbr data-mce-fragment=\"1\"\u003e93. Appalachian Spring by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003eConductor: Leonard Slatkin\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: St. Louis Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1943-1944; USA\u003cbr data-mce-fragment=\"1\"\u003e94. Concerto for Clarinet by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: David Shifrin (Clarinet)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Gerard Schwarz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: New York Chamber Symphony\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1947-1948; USA\u003cbr data-mce-fragment=\"1\"\u003e95. Music for the Theatre by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: David Shifrin (Clarinet), Mark Hill (English Horn)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Gerard Schwarz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: New York Chamber Symphony\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1925; USA\u003cbr data-mce-fragment=\"1\"\u003e96. Quiet City by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Mark Hill (English Horn), Neil Balm (Trumpet)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Gerard Schwarz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: New York Chamber Symphony\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1939; USA\u003cbr data-mce-fragment=\"1\"\u003e97. Dance Panels by Aaron Copland\u003cbr data-mce-fragment=\"1\"\u003ePerformer: David Shifrin (Clarinet)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Gerard Schwarz\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: New York Chamber Symphony\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1959\/1962; USA\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e98. Candide: Overture by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003eConductor: Leonard Slatkin, Simon Rattle, Paavo Järvi\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: St. Louis Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1956; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 19 Secs.\u003cbr data-mce-fragment=\"1\"\u003e99. Prelude, Fugue and Riffs by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003eConductor: Simon Rattle\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Sinfonietta\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1949\/1955; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 7 Minutes 45 Secs.\u003cbr data-mce-fragment=\"1\"\u003e100. Facsimile by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Barbara Lieberman (Piano)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Leonard Slatkin\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: St. Louis Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1946; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 18 Minutes 34 Secs.\u003cbr data-mce-fragment=\"1\"\u003e101. 1600 Pennsylvania Avenue: Scena by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Bruce Hubbard (Baritone)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Dennis Russell Davies\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Orchestra of St. Luke's\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1976; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 29 Secs.\u003cbr data-mce-fragment=\"1\"\u003e102. Mass: A Simple Song by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Bruce Hubbard (Baritone)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Dennis Russell Davies\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Orchestra of St. Luke's\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1971; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 44 Secs.\u003cbr data-mce-fragment=\"1\"\u003e103. On the Town: Three Dance episodes by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003eConductor: Leonard Slatkin\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: St. Louis Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1944; USA\u003cbr data-mce-fragment=\"1\"\u003e104. West Side Story: Symphonic Dances by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003eConductor: Paavo Järvi\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: City of Birmingham Symphony Orchestra\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1960; USA\u003cbr data-mce-fragment=\"1\"\u003e105. Wonderful Town by Leonard Bernstein\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Audra McDonald (Soprano), Thomas Hampson (Baritone), Brent Barrett (Voice),\u003cbr data-mce-fragment=\"1\"\u003eRodney Gilfry (Baritone), Kim Criswell (Soprano), Robert Fardell (Voice),\u003cbr data-mce-fragment=\"1\"\u003eKarl Daymond (Baritone), Timothy Robinson (Tenor), Lynton Atkinson (Tenor),\u003cbr data-mce-fragment=\"1\"\u003eMichael Dore (Voice), Simone Sauphanor (Voice), Melanie Marshall (Mezzo Soprano),\u003cbr data-mce-fragment=\"1\"\u003eKimberly Cobb (Voice)\u003cbr data-mce-fragment=\"1\"\u003eConductor: Simon Rattle\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: London Voices, Birmingham Contemporary Music Group\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1952; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 06\/1998\u003cbr data-mce-fragment=\"1\"\u003eVenue: EMI Abbey Road Studio No. 1, London\u003cbr data-mce-fragment=\"1\"\u003eLength: 66 Minutes 46 Secs.\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e106. Summer Music, Op. 31 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Stanley Drucker (Clarinet), Jeanne Baxtresser (Flute), Judith LeClair (Bassoon),\u003cbr data-mce-fragment=\"1\"\u003ePhilip Myers (French Horn), Joseph Robinson (Oboe)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1956; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 10 Minutes 57 Secs.\u003cbr data-mce-fragment=\"1\"\u003e107. Canzone for Flute and Piano, Op. 38a by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano), Jeanne Baxtresser (Flute)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1961; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 25 Secs.\u003cbr data-mce-fragment=\"1\"\u003e108. Excursions (4) for Piano, Op. 20: no 1, Un poco allegro by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1942-1944; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 53 Secs.\u003cbr data-mce-fragment=\"1\"\u003e109. Excursions (4) for Piano, Op. 20: no 2, In Slow Blues Tempo by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1942-1944; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 5 Minutes 9 Secs.\u003cbr data-mce-fragment=\"1\"\u003e110. Excursions (4) for Piano, Op. 20: no 3, Allegretto by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1944; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 22 Secs.\u003cbr data-mce-fragment=\"1\"\u003e111. Excursions (4) for Piano, Op. 20: no 4, Allegro molto by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1942-1944; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 36 Secs.\u003cbr data-mce-fragment=\"1\"\u003e112. Nocturne for Piano, Op. 33 \"Homage to John Field\" by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1959; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 27 Secs.\u003cbr data-mce-fragment=\"1\"\u003e113. Souvenirs, Op. 28: Pas de deux by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1952; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 52 Secs.\u003cbr data-mce-fragment=\"1\"\u003e114. Souvenirs, Op. 28: Two Step by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1952; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 0 Secs.\u003cbr data-mce-fragment=\"1\"\u003e115. Sonata for Cello and Piano, Op. 6 by Samuel Barber\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Israela Margalit (Piano), Alan Stepansky (Cello)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1932; USA\u003cbr data-mce-fragment=\"1\"\u003eLength: 18 Minutes 56 Secs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e116. Set no 1 for Small Orchestra: no 1, The See'r by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 0 Minutes 48 Secs.\u003cbr data-mce-fragment=\"1\"\u003e117. Set no 1 for Small Orchestra: no 2, A Lecture by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 1 Secs.\u003cbr data-mce-fragment=\"1\"\u003e118. Set no 1 for Small Orchestra: no 4, Like a Sick Eagle by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 28 Secs.\u003cbr data-mce-fragment=\"1\"\u003e119. Set no 1 for Small Orchestra: no 6, When the moon by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 27 Secs.\u003cbr data-mce-fragment=\"1\"\u003e120. General William Booth Enters into Heaven by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1914; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 5 Minutes 6 Secs.\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003e121. Tone Roads (3): no 1, Fast \"All Roads Lead to the Centre\" by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 42 Secs.\u003cbr data-mce-fragment=\"1\"\u003e122. From the Steeples and Mountains for Brass and Bells by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: ?1901-02; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 35 Secs.\u003cbr data-mce-fragment=\"1\"\u003e123. Tone Roads (3): no 3, Slow and fast \"Rondo rapid transit\" by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1915; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 18 Secs.\u003cbr data-mce-fragment=\"1\"\u003e124. Set no 3 for Small Orchestra: no 1, Adagio sostenuto \"At Sea\" by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: circa 1918-1919; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 7 Secs.\u003cbr data-mce-fragment=\"1\"\u003e125. Mists by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1910; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 39 Secs.\u003cbr data-mce-fragment=\"1\"\u003e126. On the Antipodes by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1915-1923; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 32 Secs.\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003e127. Set no 6 for Small Orchestra \"From the Side Hill\": no 2, The Rainbow by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: circa 1925-1930; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 52 Secs.\u003cbr data-mce-fragment=\"1\"\u003e128. Set no 7 for Small Orchestra \"Water Colors\": no 3, The Pond by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: circa 1925-1930; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 38 Secs.\u003cbr data-mce-fragment=\"1\"\u003e129. The Bells of Yale by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: ?1897-98; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 50 Secs.\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003e130. Set no 1 for Small Orchestra: no 5, Calcium Light Night by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 2 Minutes 26 Secs.\u003cbr data-mce-fragment=\"1\"\u003e131. The Gong on the Hook and Ladder \"Firemen's Parade on Main Street\" by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: ?1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 49 Secs.\u003cbr data-mce-fragment=\"1\"\u003e132. All the Way Around and Back by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1906; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 2 Secs.\u003cbr data-mce-fragment=\"1\"\u003e133. Over the Pavements by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1906-1913; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 4 Minutes 40 Secs.\u003cbr data-mce-fragment=\"1\"\u003e134. Set no 1 for Small Orchestra: no 3, The Ruined River by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 7 Secs.\u003cbr data-mce-fragment=\"1\"\u003e135. Set no 2 for Small Orchestra: no 1, Largo \"The Indians\" by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: ?1911-14; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 35 Secs.\u003cbr data-mce-fragment=\"1\"\u003e136. Set no 2 for Small Orchestra: no 2, Gyp the Blood or Hearst!? Which is Worst?! by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: ?1911-14; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 1 Minutes 14 Secs.\u003cbr data-mce-fragment=\"1\"\u003e137. Aeschylus and Sophocles by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1922; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 3 Minutes 10 Secs.\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003e138. Set for Theatre or Chamber Orchestra by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1906-1911; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 8 Minutes 31 Secs.\u003cbr data-mce-fragment=\"1\"\u003e139. Sunrise by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003eConductor: Ingo Metzmacher\u003cbr data-mce-fragment=\"1\"\u003eOrchestra\/Ensemble: Ensemble Modern\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1926; USA\u003cbr data-mce-fragment=\"1\"\u003eDate of Recording: 12\/1991\u003cbr data-mce-fragment=\"1\"\u003eVenue: Hall of Deutsche Bank, Frankfurt\u003cbr data-mce-fragment=\"1\"\u003eLength: 5 Minutes 58 Secs.\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003e140. West London by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1921; USA\u003cbr data-mce-fragment=\"1\"\u003e141. The Side-show by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1921; USA\u003cbr data-mce-fragment=\"1\"\u003e142. The Greatest Man by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1921; USA\u003cbr data-mce-fragment=\"1\"\u003e143. The Cage by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1906; USA\u003cbr data-mce-fragment=\"1\"\u003e144. Swimmers by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1915; USA\u003cbr data-mce-fragment=\"1\"\u003e145. Soliloquy by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1907; USA\u003cbr data-mce-fragment=\"1\"\u003e146. Set no 6 for Small Orchestra \"From the Side Hill\": no 4, Evening by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: circa 1925-1930; USA\u003cbr data-mce-fragment=\"1\"\u003e147. Charlie Rutlage by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1920-1921; USA\u003cbr data-mce-fragment=\"1\"\u003e148. At the River by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: ?1916; USA\u003cbr data-mce-fragment=\"1\"\u003e149. Ann Street by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1921; USA\u003cbr data-mce-fragment=\"1\"\u003e150. A Farewell to Land by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1909; USA\u003cbr data-mce-fragment=\"1\"\u003e151. A Christmas Carol by Charles Ives\u003cbr data-mce-fragment=\"1\"\u003ePerformer: Marni Nixon (Soprano), John McCabe (Piano), Henry Herford (Baritone)\u003cbr data-mce-fragment=\"1\"\u003ePeriod: 20th Century\u003cbr data-mce-fragment=\"1\"\u003eWritten: 1894; USA\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":44843190059258,"sku":"6442902","price":28.87,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/20300509_so.jpg?v=1701725977","url":"https:\/\/classicselectworld.com\/de-de\/products\/american-classics-works-by-bernstein-barber-copland-steve-reich-imaginary-landscapes","provider":"ClassicSelect World","version":"1.0","type":"link"}