{"product_id":"blue-notes-ii-10-cds","title":"BLUE NOTES, VOL. II - MILESTONES OF JAZZ LEGENDS - (10 CDs)","description":"\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_b77963a3-5389-4c76-ba1b-8545b94ef0d6_480x480.png?v=1627648036\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eThe so-called blue note is the \"flatted\" or slightly lowered third and seventh in a\u003cbr\u003emajor scale. If this may seem too theoretical for you, just listen to the music on these\u003cbr\u003eoriginal albums: the best in Jazz from the late Forties and Fifties, full of blue notes,\u003cbr\u003eguaranteed to blow your blues away. All of these sessions took place in and around\u003cbr\u003eNew York during the heydays of Bebop (and soon Hard Bop) and aptly demonstrate\u003cbr\u003ewhy the ìmodern jazzî of these times still seems fresh today. Sax-stylists like James\u003cbr\u003eMoody, Hank Mobley, or Cannonball Adderley (under his alias \"Buckshot La Funke\")\u003cbr\u003eshow the wide range and the incredible creativity of Bebop, as do trumpeters like\u003cbr\u003eClifford Brown or Art Farmer, pianists like Jutta Hipp, Horace Silver, Sonny Clark,\u003cbr\u003eWynton Kelly, or Bobby Timmons.\u003c\/p\u003e\n\u003cp\u003eSome of the greatest and rarest albums of the period. Period.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_3_478f2e3d-3f4d-4a5d-a8b0-afd7105c364b_480x480.png?v=1627647663\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eJAMES MOODY AND THE\u003cbr\u003eMODERNISTS\u003cbr\u003e1. Workshop (G. Fuller) 3.18\u003cbr\u003e2. Tin Tin Deo (Pozo \/ Fuller) 2.47\u003cbr\u003e3. Oh Henry (Fuller \/ Henry) 2.31\u003cbr\u003e4. Moody's All Frantic (Moody\/Fuller)\u003cbr\u003e2.37\u003cbr\u003e5. Tropicana (G. Fuller) 3.04\u003cbr\u003e6. The Fuller Bop Man (G. Fuller) 2.58\u003cbr\u003e7. Cu-Ba (C. Payne) 2.38\u003cbr\u003e8. Moodamorphosis (Fuller \/ Burns) 3.01\u003cbr\u003eJames Moody (ts) Dave Burns, Elmon\u003cbr\u003eWright (tp) Ernie Henry (as) Cecil Payne\u003cbr\u003e(brs) Hen Gates (p) Nelson Boyd (b) Art\u003cbr\u003eBlakey (dr:2, 4, 5, 7) Teddy Stewart (dr:\u003cbr\u003e1, 3, 6, 8) Chano Pozo (voc, congas: 2,\u003cbr\u003e4, 5, 7)Gil Fuller (arranger)\u003cbr\u003eRecorded at Apex Studios, NYC on\u003cbr\u003eOctober 19th and 25th,\u003cbr\u003e1948\u003cbr\u003eURBIE GREEN SEPTET\u003cbr\u003e- NEW FACES ñ NEW SOUNDS\u003cbr\u003e9. Incubator (Urbie Green) 4.49\u003cbr\u003e10. Skylark (Carmichael, Mercer) 3.27\u003cbr\u003e11. La Salle (John Murtaugh) 3.31\u003cbr\u003e12. Dansero (Daniels, Heyman) 3.22\u003cbr\u003e13. Stairway to the Stars 3.06\u003cbr\u003e(Signorelly, Malnick, Parish)\u003cbr\u003e14. Johnbo Mambo (John Murtaugh)\u003cbr\u003e5.13\u003cbr\u003eUrbie Green (tb) Doug Mettome (horn)\u003cbr\u003eJohn Murtaugh (ts) Sam Staff (brs)\u003cbr\u003eJimmy Lyon (p) Danny Martucci (b)\u003cbr\u003eJimmy Campbell (dr)\u003cbr\u003eRecorded in NYC in 1953\u003cbr\u003eTotal Time 46.23\u003cbr\u003eCD 2\u003cbr\u003eJUTTA HIPP\u003cbr\u003e- AT THE HICKORY HOUSE VOLUME I\u003cbr\u003eIntroduction by Leonard Feather\u003cbr\u003e1. Take Me in Your Arms (Markush) 4.54\u003cbr\u003e2. Dear Old Stockholm (trad.) 4.43\u003cbr\u003e3. Billieís Bounce (C. Parker) 4.06\u003cbr\u003e4. Iíll Remember April (DePaul \/ Ray)\u003cbr\u003e3.52\u003cbr\u003e5. Lady Bird (T. Dameron) 3.52\u003cbr\u003e6. Mad About the Boy (N. Coward) 3.47\u003cbr\u003e7. Ainít Misbehaviní (Waller \/ Razaf \/\u003cbr\u003eBrooks) 5.02\u003cbr\u003e8. These Foolish Things (Strachey \/\u003cbr\u003eMarvell) 3.58\u003cbr\u003e9. Jeepers Creepers (Mercer \/ Warren)\u003cbr\u003e3.52\u003cbr\u003e10. The Moon Was Yellow (Leslie \/\u003cbr\u003eAhlert) 4.54\u003cbr\u003eJutta Hipp (p) Peter Ind (b) Ed Thigpen\u003cbr\u003e(dr)\u003cbr\u003eRecorded at the \"Hickory House\", NYC,\u003cbr\u003eon April 5, 1956\u003cbr\u003eTotal Time 43.01\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003eHERBIE NICHOLS TRIO\u003cbr\u003e1. The Gig (H. Nichols) 4.26\u003cbr\u003e2. House Party Starting (H. Nichols) 5.41\u003cbr\u003e3. Chit-Chatting (H. Nichols) 4.04\u003cbr\u003e4. The Lady Sings the Blues 4.25\u003cbr\u003e(Nichols \/ Holiday)\u003cbr\u003e5. Terpsichore (H. Nichols) 4.01\u003cbr\u003e6. Spinning Song (H. Nichols) 4.55\u003cbr\u003e7. Query (H. Nichols) 3.28\u003cbr\u003e8. Wildflower (H. Nichols) 4.06\u003cbr\u003e9. Hangover Triangle (H. Nichols) 4.02\u003cbr\u003e10. Mine (G. Gershwin) 4.05\u003cbr\u003eHerbie Nichols (p) Al McKibbon (b: 1-5, 9)\u003cbr\u003eTeddy Kotick (b: 6-8, 10) Max Roach (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack,\u003cbr\u003eNew Jersey between 1955 and 1956\u003cbr\u003eSONNY CLARK TRIO\u003cbr\u003e11. Be-Bop (Gillespie) 9.53\u003cbr\u003e12. I Didn't Know What Time It Was 4.23\u003cbr\u003e(Rodgers \/ Hart)\u003cbr\u003e13. Two Bass Hit (Gillespie \/ Lewis) 3.45\u003cbr\u003e14. Tadd's Delight (Dameron) 6.02\u003cbr\u003e15. Softly as in a Morning Sunrise 6.34\u003cbr\u003e(Hammerstein \/ Romberg)\u003cbr\u003e16. I'll Remember April (Raye \/DePaul)\u003cbr\u003e4.56\u003cbr\u003eSonny Clark (p) Paul Chambers (b)\u003cbr\u003ePhilly Joe Jones (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack,\u003cbr\u003eNew Jersey on September 1rst, 1957\u003cbr\u003eTotal Time 78.48\u003cbr\u003eCD4\u003cbr\u003eJAY JAY JOHNSON QUINTETS - VOL. II 4\u003cbr\u003e1. \"Daylie\" Double (Johnson) 4.30\u003cbr\u003e2. Pennies from Heaven 4.20\u003cbr\u003e(Burke \/ Johnston)\u003cbr\u003e3. You're Mine You (Green \/ Hayman) 3.10\u003cbr\u003e4. Turnpike (Johnson) 4.15\u003cbr\u003e5. It Could Happen to You 4.48\u003cbr\u003e(Burke \/ Van Heusen)\u003cbr\u003e6. Groovin' (Johnson) 4.43\u003cbr\u003e7. Portrait of Jennie (Burdge \/ Robinson)\u003cbr\u003e2.59\u003cbr\u003e8. Viscosity (Johnson) 4.25\u003cbr\u003e9. Time After Time (Styne \/ Cahn) 4.15\u003cbr\u003e10. Capri (Gryce) 3.52\u003cbr\u003eJay Jay Johnson (tb) Clifford Brown (tp:4,\u003cbr\u003e5, 10) Jimmy Heath (ts, brs: 4, 5, 10)\u003cbr\u003eHank Mobley (ts: 1-3, 6-8) John Lewis (p: 4,\u003cbr\u003e5, 10) Wynton Kelley (p: 9) Horace Silver\u003cbr\u003e(p: 1-3, 6-8) Percy Heath (b: 4, 5, 10)\u003cbr\u003eCharlie Mingus (b: 9)\u003cbr\u003ePaul Chambers (b: 1-3, 6-8)\u003cbr\u003eKenny Clarke (dr) Sabu (conga dr: 9)\u003cbr\u003eRecorded at the WOR Studios, NYC, on\u003cbr\u003eJune 22, 1953\u003cbr\u003e(4, 5, 10), at the Rudy Van Gelder Studio,\u003cbr\u003eHackensack,\u003cbr\u003eNJ, on September 24, 1954 (1-3, 6-8)\u003cbr\u003eand on June 6, 1955 (9)\u003cbr\u003eJULIUS WATKINS SEXTET VOL. II\u003cbr\u003e11. Garden Delights (Watkins) 4.47\u003cbr\u003e12. Julie Ann (Watkins \/ Morgan) 3.36\u003cbr\u003e13. Sparkling Burgundy (Watkins) 4.21\u003cbr\u003e14. B And B (Harris \/ Powell) 5.03\u003cbr\u003e15. Jor-Du (Jordan) 4.52\u003cbr\u003eJulius Watkins (french horn) Hank Mobley\u003cbr\u003e(ts) Perry Lopez (git) Duke Jordan (p)\u003cbr\u003eOscar Pettiford (b) Art Blakey (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eMarch 20th, 1955\u003cbr\u003eTotal Time 63.58\u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003eJ.R. MONTEROSE\u003cbr\u003e1. Wee-Jay (Monterose) 6.59\u003cbr\u003e2. The Third (Byrd) 5.18\u003cbr\u003e3. Bobbie Pin (Monterose) 8.06\u003cbr\u003e4. Marc V (Monterose) 6.33\u003cbr\u003e5. Ka-Link (Jones) 9.05\u003cbr\u003e6. Beauteous (Chambers) 5.26\u003cbr\u003eJ.R. Monterose (ts) Ira Sullivan (tp)\u003cbr\u003eHorace Silver (p) Wilbur Ware (b)\u003cbr\u003e\"Philly\" Joe Jones (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack,\u003cbr\u003eNew Jersey on October 21rst, 1956\u003cbr\u003eKENNY BURRELL\u003cbr\u003e- BLUE LIGHTS VOLUME I\u003cbr\u003e7. Yes Baby (Burrell) 11.05\u003cbr\u003e8. Scotch Blues (Jordan) 8.00\u003cbr\u003e9. Autumn in New York (Duke) 5.45\u003cbr\u003e10. Caravan (Ellington \/ Mills \/ Tizol)\u003cbr\u003e9.59\u003cbr\u003eKenny Burrell (git) Louis Smith (tp: 7,8,\u003cbr\u003e10) Junior Cook, Tina Brooks (ts: 7, 8,\u003cbr\u003e10) Bobby Timmons (p: 9, 10) Duke\u003cbr\u003eJordan (p: 7, 8) Sam Jones (b) Art\u003cbr\u003eBlakey (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eon May 14, 1958\u003cbr\u003eTotal Time 76.18\u003cbr\u003eCD 6\u003cbr\u003eBENNIE GREEN - SOUL STIRRIN`\u003cbr\u003e1. Soul Stirrin' (Gonzales) 6.53\u003cbr\u003e2. We Wanna Cook (Green) 6.40\u003cbr\u003e3. That's All (Brandt \/ Haymes) 6.26\u003cbr\u003e4. Lullaby of the Doomed (Gonzales)\u003cbr\u003e6.03\u003cbr\u003e5. B. G. Mambo (Green) 8.17\u003cbr\u003e6. Black Pearl (Graham) 5.48\u003cbr\u003eBennie Green (tb) Billy Root, Gene\u003cbr\u003eAmmons (ts) Sonny Clark (p) Ike Isaacs\u003cbr\u003e(b) Elvin Jones (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eon April 28, 1958\u003cbr\u003eCURTIS FULLER - VOLUME III\u003cbr\u003e7. Little Messenger (Fuller) 6.18\u003cbr\u003e8. Quantrale (Fuller) 6.12\u003cbr\u003e9. Jeanie (Fuller) 6.49\u003cbr\u003e10. Carvon (Fuller) 6.55\u003cbr\u003e11. Two Quarters of a Mile (Fuller) 6.32\u003cbr\u003e12. It's Too Late Now (Lone \/ Lerner)\u003cbr\u003e6.51\u003cbr\u003eCurtis Fuller (tb) Art Farmer (tp)\u003cbr\u003eSonny Clark (p) George Tucker (b)\u003cbr\u003eLouis Hayes (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eon December 1st, 1957\u003cbr\u003eTotal Time 79.44\u003c\/p\u003e\n\u003cp\u003eCD 7\u003cbr\u003eHERE COMES LOUIS SMITH\u003cbr\u003e1. Tribute to Brownie (Pearson) 6.39\u003cbr\u003e2. Brill's Blues (Smith) 8.22\u003cbr\u003e3. Ande (Smith) 6.43\u003cbr\u003e4. Star Dust (Carmichael) 5.20\u003cbr\u003e5. South Side (Smith) 8.39\u003cbr\u003e6. Val's Blues (Smith) 6.37\u003cbr\u003eLouis Smith (tp) Buckshot La Funke (as)\u003cbr\u003eDuke Jordan (p: 1, 2, 5) Tommy\u003cbr\u003eFlanagan (p: 3, 4, 6) Doug Watkins (b)\u003cbr\u003eArt Taylor (dr)\u003cbr\u003eRecorded on February 4th (1, 2, 5) and\u003cbr\u003eFebruary 9th\u003cbr\u003e(3, 4, 6), 1957 in New York City\u003cbr\u003eTotal Time 42.22\u003cbr\u003eCD 8\u003cbr\u003eDIZZY REECE - BLUES IN TRINITY\u003cbr\u003e1. Blues in Trinity (Reece) 6.47\u003cbr\u003e2. I Had the Craziest Dream 3.04\u003cbr\u003e(Gordon \/ Warren)\u003cbr\u003e3. Close-Up (Reece) 10.43\u003cbr\u003e4. Shepherd's Serenade (Reece) 6.37\u003cbr\u003e5. Color Blind (Reece) 6.03\u003cbr\u003e6. 'Round About Midnight (Monk) 4.49\u003cbr\u003eDizzy Reece, Donald Byrd (tp)\u003cbr\u003eTubby Hayes (ts) Terry Shannon (p)\u003cbr\u003eLloyd Thompson (b) Art Taylor (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eon August 24, 1958\u003cbr\u003eWALTER DAVIS JR. - DAVIS CUP\u003cbr\u003e7. 'Smake It (Davis) 5.08\u003cbr\u003e8. Loodle-Lot (Davis) 5.59\u003cbr\u003e9. Sweetness (Davis) 8.15\u003cbr\u003e10. Rhumba Nhumba (Davis) 7.00\u003cbr\u003e11. Minor Mind (Davis) 6.27\u003cbr\u003e12. Millie's Delight (Davis) 5.07\u003cbr\u003eWalter Davis Jr. (p) Donald Byrd (tp)\u003cbr\u003eJackie McLean (as) Sam Jones (b) Art\u003cbr\u003eTaylor (dr)\u003cbr\u003eRecorded at Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eon August 2, 1959\u003cbr\u003eTotal Time 76.00\u003c\/p\u003e\n\u003cp\u003eCD 9\u003cbr\u003eLEO PARKER\u003cbr\u003e- LET ME TELL YOU `BOUT IT\u003cbr\u003e1. Glad Lad (L. Parker) 5.18\u003cbr\u003e2. Blue Leo (Quebec \/ Parker) 5.06\u003cbr\u003e3. Let Me Tell You 'Bout It (R. Lewis)\u003cbr\u003e4.19\u003cbr\u003e4. Vi (R. Lewis) 4.42\u003cbr\u003e5. Parker's Pals (L. Parker) 6.22\u003cbr\u003e6. Low Brown (Y. Salim) 5.49\u003cbr\u003e7. TCTB (Swindell \/ (Parker) 6.26\u003cbr\u003eLeo Parker (brs) John Burks (tp)\u003cbr\u003eBill Swindell (ts) Yusef Salim (p)\u003cbr\u003eStan Conover (b) Purnell Rice (dr)\u003cbr\u003eRecorded at the Van Gelder Studio,\u003cbr\u003eEnglewood Cliffs,\u003cbr\u003eNew Jersey on September 9, 1961\u003cbr\u003eFRED JACKSON\u003cbr\u003e- HOOTIN` `N TOOTIN\u003cbr\u003e8. Dippin' in the Bag (F. Jackson) 4.02\u003cbr\u003e9. Southern Exposure (F. Jackson) 6.58\u003cbr\u003e10. Preach Brother (F. Jackson) 5.47\u003cbr\u003e11. Hootin' 'N Tootin' (F. Jackson) 4.36\u003cbr\u003e12. Easin' on Down (F. Jackson) 6.20\u003cbr\u003e13. That's Where It's At (F. Jackson)\u003cbr\u003e5.11\u003cbr\u003e14. Way Down Home (F. Jackson) 5.14\u003cbr\u003eFred Jackson (ts) Willie Jones (git)\u003cbr\u003eEarl Vandyke (organ) Wilbert Hogan (dr)\u003cbr\u003eRecorded at the Van Gelder Studio,\u003cbr\u003eEnglewood Cliffs,\u003cbr\u003eNew Jersey on February 5, 1962\u003cbr\u003eTotal Time 76.12\u003cbr\u003eCD 10\u003cbr\u003eBABY FACE WILLETTE - FACE TO\u003cbr\u003eFACE\u003cbr\u003e1. Swinginí at Sugar Rayís (B. Willette)\u003cbr\u003e6.35\u003cbr\u003e2. Goiní Down (B. Willette) 7.25\u003cbr\u003e3. Whatever Lola Wants (Ross \/ Adler)\u003cbr\u003e7.22\u003cbr\u003e4. Face to Face (B. Willette) 6.17\u003cbr\u003e5. Something Strange (B. Willette) 6.42\u003cbr\u003e6. High ëN Low (B. Willette) 7.09\u003cbr\u003eBaby Face Willette (organ) Fred\u003cbr\u003eJackson (ts) Grant Green (git) Ben\u003cbr\u003eDixon (dr)\u003cbr\u003eRecorded on January 30, 1961 at the\u003cbr\u003eVan Gelder Studio,\u003cbr\u003eEnglewood Cliffs, New Jersey\u003cbr\u003eTotal Time 41.31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FERMATA","offers":[{"title":"Default Title","offer_id":46987319181562,"sku":"8595728270368","price":32.94,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/700450_front.jpg?v=1735320293","url":"https:\/\/classicselectworld.com\/de-de\/products\/blue-notes-ii-10-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}