{"product_id":"giconda-de-vito-her-complete-recorded-masterworks-for-violin","title":"GIOCONDA DE VITO: Her Complete Recorded Masterworks For Violin (10 CDs)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_a5dcf294-f51a-49fc-9eb4-d0541f3a0b05_480x480.png?v=1654314595\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn her heyday the Italian-British soloist Gioconda de Vito was regarded as Europe's foremost violinist. The Documents label releases a 10-CD box set, the first to document all of her recorded work. Highlights show her playing with Yehudi Menuhin while the icing on the cake is her recording of the Brahms Concerto under Furtwangler. \u003cbr\u003e\u003cbr\u003eWhen Gioconda de Vito (1907-1994) left the stage for ever after a concert in Basel in 1961, she was regarded as the best violinist in Europe. For Yehudi Menuhin, she was a respected and equal partner, David Oistrakh had invited her to sit on the jury of the first Tchaikovsky competition in Moscow, and Furtwangler spoke of her only with the utmost appreciation. He also accompanied her on the piano, when she - a strict Catholic - performed in Castel Gandolfo in 1953 at the request of Pope Pius XII and later also at the Vatican. But at the age of 54, at the height of her fame, she ended her career because she thought she could no longer fulfil her self-imposed and very high standards of quality. That is why her radio and studio recordings are relatively few in number. Bach, Beethoven and, above all, Brahms, were central to her efforts, but she was also devoted to chamber music. All of her recorded works, including those with Menuhin and Furtwangler, are included on these ten CDs. They are mostly played on the famous \"Tuscan\" Stradivarius from 1690, which the Italian state had made available to her, and on a Gagliano from 1762. Thus, Gioconda de Vito will be remembered the way an English critic described her after a Mozart concerto with Rafael Kubelik: \"(She) played in a way that you rarely hear in life ... the slow movement ... was almost heavenly.\"\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_94cd161d-b5f2-42b6-8234-ac3110505111_480x480.png?v=1654314702\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD1\u003cbr\u003eLudwig van Beethoven (1770–1827)\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, OP. 61\u003cbr\u003eKonzert für Violine und Orchester, D-Dur, op. 61\u003cbr\u003e1. 1. Allegro ma non troppo 25:36\u003cbr\u003e2. 2. Larghetto 10:44\u003cbr\u003e3. 3. Rondo: Allegro 9:34\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eRIAS Symphonie-Orchester\u003cbr\u003econductor \/ Dirigent Georg Ludwig Jochum\u003cbr\u003erecorded \/aufgenommen 1954, live\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFelix Mendelssohn-Bartholdy (1809–1847)\u003cbr\u003eVIOLIN CONCERTO IN E MINOR, OP. 64\u003cbr\u003eKonzert für Violine und Orchester, e-Moll, op. 64\u003cbr\u003e4. 1. Allegro molto appassionato 12:40\u003cbr\u003e5. 2. Andante 9:15\u003cbr\u003e6. 3. Allegretto non troppo. Allegro molto vivace 6:51\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Sir Malcolm Sargent\u003cbr\u003erecorded \/aufgenommen 1951\u003cbr\u003eTotal Time 74:47\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD2\u003cbr\u003eJohannes Brahms (1833–1897)\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, OP. 77\u003cbr\u003eKonzert für Violine und Orchester, D-Dur, op. 77\u003cbr\u003e1. 1. Allegro non troppo 22:52\u003cbr\u003e2. 2. Adagio 9:47\u003cbr\u003e3. 3. Allegro giocoso, ma non troppo vivace 8:03\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eOrchestra Sinfonica di Torino della RAI\u003cbr\u003econductor \/ Dirigent Wilhelm Furtwängler\u003cbr\u003erecorded \/aufgenommen 1952, live\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLudwig van Beethoven (1770–1827)\u003cbr\u003eSONATA FOR VIOLIN AND PIANO NO. 9 IN A MAJOR, OP. 47\u003cbr\u003eSonate für Violine und Klavier Nr. 9, A-Dur, op. 47, „Kreutzer“\u003cbr\u003e4. 1. Adagio sostenuto. Presto 11:34\u003cbr\u003e5. 2. Andante con variazioni 14:11\u003cbr\u003e6. 3. Finale: Presto 9:03\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eTito Aprea piano\u003cbr\u003erecorded \/aufgenommen 1955\u003cbr\u003eTotal Time 75:35\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD3\u003cbr\u003ePjotr I. Tchaikovsky (1840–1893)\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, OP. 35\u003cbr\u003eKonzert für Violine und Orchester, D-Dur, op. 35\u003cbr\u003e1. 1. Allegro moderato. Moderato assai 18:45\u003cbr\u003e2. 2. Canzonetta. Andante – attacca subito 6:36\u003cbr\u003e3. 3. Finale: Allegro vivacissimo 10:55\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eOrchestra Sinfonica di Torino della RAI\u003cbr\u003econductor \/ Dirigent Mario Rossi\u003cbr\u003erecorded \/aufgenommen 1954\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJohannes Brahms (1833 – 1897)\u003cbr\u003eVIOLION CONCERTO IN D MAJOR, OP. 77\u003cbr\u003eKonzert für Violine und Orchester, D-Dur, op. 77\u003cbr\u003e4. 1. Allegro non troppo 23:02\u003cbr\u003e5. 2. Adagio 9:52\u003cbr\u003e6. 3. Allegro giocoso, ma non troppo vivace 8:22\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eSymphonie-Orchester des Bayerischen Rundfunks\u003cbr\u003econductor \/ Dirigent Eugen Jochum\u003cbr\u003erecorded \/aufgenommen 1956\u003cbr\u003eTotal Time 77:38\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD4\u003cbr\u003eJohannes Brahms (1833–1897)\u003cbr\u003eSONATA FOR VIOLIN AND PIANO NO. 1 IN G MINOR, OP. 78\u003cbr\u003eSonate für Violine und Klavier Nr. 1, g-Moll, op. 78\u003cbr\u003e1. 1. Vivace man non troppo 10:40\u003cbr\u003e2. 2. Adagio 8:14\u003cbr\u003e3. 3. Allegro molto moderato 9:07\u003cbr\u003eSONATA FOR VIOLIN AND PIANO NO. 2 IN A MAJOR, OP. 100\u003cbr\u003eSonate für Violine und Klavier Nr. 2, A-Dur, op. 100\u003cbr\u003e4. 1. Allegro amabile 8:20\u003cbr\u003e5. 2. Andante tranquillo - Vivace - Andante - 7:02\u003cbr\u003eVivace di più - Andante vivace\u003cbr\u003e6. 3. Allegretto grazioso (quasi andante) 5:06\u003cbr\u003eSONATA FOR VIOLIN AND PIANO NO. 3 IN D MINOR, OP. 108\u003cbr\u003eSonate für Violine und Klavier Nr. 3, d-Moll, op. 108\u003cbr\u003e7. 1. Allegro 7:45\u003cbr\u003e8. 2. Adagio 5:03\u003cbr\u003e9. 3. Un poco presto e con sentiment 3:01\u003cbr\u003e10. 4. Presto agitato 6:01\u003cbr\u003eGioconda de Vito violin Edwin Fischer piano (1-3, 7-10) Tito Aprea piano (4-6)\u003cbr\u003erecorded \/aufgenommen 1954 (1-3, 7-10), 1956 (4-6)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003e11. ROMANCE NO. 2 IN F MAJOR, OP. 50 \/ Romanze Nr. 2, F-Dur, op. 50 9:10\u003cbr\u003eGioconda de Vito violin Philharmonia Orchestra conductor\u003cbr\u003eDirigent Alberto Erede, recorded \/aufgenommen 1948\u003cbr\u003eTotal Time 79:42\u003cbr\u003e\u003cbr\u003eCD5\u003cbr\u003eJohannes Brahms (1833–1897)\u003cbr\u003eDOUBLE CONCERTO IN A MINOR, OP. 102\u003cbr\u003eKonzert für Violine und Violoncello, a-Moll, op. 102\u003cbr\u003e1. 1. Allegro non troppo 16:40\u003cbr\u003e2. 2. Andante 8:34\u003cbr\u003e3. 3. Vivace non troppo. Poco meno allegro 8:41\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eAmedeo Baldovino cello\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003econductor \/ Dirigent Rudolf Schwarz\u003cbr\u003erecorded \/aufgenommen 1952\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJohann Sebastian Bach (1685–1750)\u003cbr\u003eSONATA FOR VIOLIN SOLO IN A MINOR \/ a-Moll NO. 2, BWV 1003\u003cbr\u003e4. 1. Grave 5:45\u003cbr\u003e5. 2. Fuga 8:21\u003cbr\u003e6. 3. Andante 4:47\u003cbr\u003e7. 4. Allegro 4:53\u003cbr\u003eGioconda de Vito violin\u003cbr\u003erecorded \/aufgenommen 1959\u003cbr\u003eTotal Time 57:48\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD6\u003cbr\u003eWolfgang Amadeus Mozart (1756–1791)\u003cbr\u003eVIOLIN CONCERTO NO. 3 IN G MAJOR, K 216\u003cbr\u003eKonzert für Violine und Orchester Nr. 3, G-Dur, KV 216\u003cbr\u003e1. 1. Allegro 10:30\u003cbr\u003e2. 2. Adagio 9:55\u003cbr\u003e3. 3. Allegro 6:34\u003cbr\u003eGioconda de Vito violin Royal Philharmonic Orchestra\u003cbr\u003econductor \/ Dirigent Rafael Kubelik recorded \/aufgenommen 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGeorg Friedrich Händel (1685–1759)\u003cbr\u003eSONATA FOR VIOLIN AND PIANO IN D MAJOR NO. 4, HWV 371\u003cbr\u003eSonate für Violine und Klavier Nr. 4, D-Dur, HWV 371\u003cbr\u003e4. 1. Affettuoso 4:11\u003cbr\u003e5. 2. Allegro 2:58\u003cbr\u003e6. 3. Larghetto 3:42\u003cbr\u003e7. 4. Allegro 2:15\u003cbr\u003eGioconda de Vito violin Tullio Macoggi piano\u003cbr\u003erecorded \/aufgenommen 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSONATA FOR TWO VIOLINS \u0026amp; CONTINUO OP. 5 NO. 2\u003cbr\u003eSonate für zwei Violinen und Continuo, op. 5 Nr. 2\u003cbr\u003e8. 1. Adagio 1:16\u003cbr\u003e9. 2. Allegro 1:56\u003cbr\u003e10. 3. Minuetto 1:12\u003cbr\u003e11. 4. Allegro 2:00\u003cbr\u003e12. 5. Minuetto 1:12\u003cbr\u003e13. 6. Gavotte 0:40\u003cbr\u003e14. 7. March 1:47\u003cbr\u003eGioconda de Vito \u0026amp; Yehudi Menuhin violin George Malcolm harpsichord\/ Cembalo\u003cbr\u003erecorded \/aufgenommen 1953\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSONATA IN G MINOR, OP. 2 NO. 8 FOR TWO VIOLINS \u0026amp; CONTINUO\u003cbr\u003eSonate für zwei Violinen und Continuo, g-Moll, op. 2 Nr. 8\u003cbr\u003e15. 1. Andante 5:10\u003cbr\u003e16. 2. Allegro 2:23\u003cbr\u003e17. 3. Largo 3:47\u003cbr\u003e18. 4. Allegro 3:12\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHenry Purcell (1659–1695)\u003cbr\u003eSONATA IN F MAJOR FOR TWO VIOLINS \u0026amp; CONTINUO\u003cbr\u003eSonate für zwei Violinen und Continuo, F-Dur\u003cbr\u003e19. 1. Allegro 1:58\u003cbr\u003e20. 2. Adagio 2:28\u003cbr\u003e21. 3. Canzona 2:01\u003cbr\u003e22. 4. Grave 1:40\u003cbr\u003e23. 5. Allegro 1:26\u003cbr\u003eGioconda de Vito \u0026amp; Yehudi Menuhin violin\u003cbr\u003eRaymond Leppard harpsichord\/ Cembalo\u003cbr\u003eJohn Shinbourne cello\u003cbr\u003erecorded \/aufgenommen 1955 (15-23)\u003cbr\u003eTotal Time 74:35\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD7\u003cbr\u003eJohann Sebastian Bach (1685–1750)\u003cbr\u003eVIOLIN CONCERTO IN E MAJOR, BWV 1042\u003cbr\u003eKonzert für Violine und Orchester, E-Dur, BWV 1042\u003cbr\u003e1. 1. Allegro 9:41\u003cbr\u003e2. 2. Adagio 8:20\u003cbr\u003e3. 3. Allegro assai 3:23\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Rafael Kubelik\u003cbr\u003erecorded \/aufgenommen 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCONCERTO IN D MINOR \/ d-Moll \/ FOR TWO VIOLINS, BWV 1043\u003cbr\u003e4. 1. Vivace 4:16\u003cbr\u003e5. 2. Largo, ma non tanto 7:38\u003cbr\u003e6. 3. Allegro 5:34\u003cbr\u003eGioconda de Vito \u0026amp; Yehudi Menuhin violin\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003econductor \/ Dirigent Antony Bernard\u003cbr\u003erecorded \/aufgenommen 1953\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePARTITA FOR VIOLIN SOLO IN D MINOR \/ d-Moll \/ NO. 2, BWV 1004\u003cbr\u003e7. 5. Ciaccona \/ Chaconne 16:56\u003cbr\u003eGioconda de Vito violin\u003cbr\u003erecorded \/aufgenommen 1957\u003cbr\u003eTotal Time 56:00\u003cbr\u003e\u003cbr\u003eCD8\u003cbr\u003eGiovanni Battista Viotti (1755–1824)\u003cbr\u003eVIOLIN CONCERTO NO. 22 IN A MINOR\u003cbr\u003eKonzert für Violine und Orchester Nr. 22, a-Moll\u003cbr\u003e1. 1. Moderato 16:43\u003cbr\u003e2. 2. Adagio 11:00\u003cbr\u003e3. 3. Agitato assai 7:52\u003cbr\u003eGioconda de Vito violin Glyndebourne Festival Orchestra\u003cbr\u003econductor \/ Dirigent Vittorio Gui recorded \/aufgenommen 1953\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDUO IN G MAJOR FOR TWO VIOLINS \/ Duo für zwei Violinen, G-Dur\u003cbr\u003e4. 1. Allegro 3:26\u003cbr\u003e5. 2. Andante 2:49\u003cbr\u003e6. 3. Allegretto 2:45\u003cbr\u003eGioconda de Vito \u0026amp; Yehudi Menuhin violin recorded \/aufgenommen 1955\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTomaso Antonio Vitali (1663–1745)\u003cbr\u003e7. CIACCONA IN G MINOR \/ Chaconne in g-Moll 12:55\u003cbr\u003eGioconda de Vito violin Michael Raucheisen piano\u003cbr\u003erecorded \/aufgenommen 1951\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e8. CIOACCONA (arr.: Respighi) 12:45\u003cbr\u003eGioconda de Vito violin Philharmonia Orchestra\u003cbr\u003econductor \/ Dirigent Alberto Erede recorded \/aufgenommen 1948\u003cbr\u003eTotal Time 70:29\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD9\u003cbr\u003eCésar Franck (1822–1890)\u003cbr\u003eSONATA IN A MAJOR FOR VIOLIN AND PIANO \/ Sonate für Violine und Klavier, A-Dur\u003cbr\u003e1. 1. Allegretto ben moderato 6:56\u003cbr\u003e2. 2. Allegro 9:30\u003cbr\u003e3. 3. Recitativo-Fantasia 8:47\u003cbr\u003e4. 4. Allegretto poco mosso 6:35\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLudwig van Beethoven (1770–1827)\u003cbr\u003eSONATA NO. 7 IN C MINOR OP. 30 NO. 2 FOR VIOLIN AND PIANO\u003cbr\u003eSonate Nr. 7, op. 30 Nr. 2, c-Moll, für Violine und Klavier\u003cbr\u003e5. 1. Allegro con brio 7:55\u003cbr\u003e6. 2. Adagio cantabile 9:53\u003cbr\u003e7. 3. Scherzo. Allegro 3:25\u003cbr\u003e8. 4. Allegro 5:18\u003cbr\u003eGioconda de Vito violin Tito Aprea piano\u003cbr\u003erecorded \/aufgenommen 1955 (5-8), 1956 (1-4)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLudwig (Louis) Spohr (1784–1859)\u003cbr\u003eDUO OP. 67 FOR TWO VIOLINS \/ Duo op. 67 für zwei Violinen\u003cbr\u003e9. No. 3: Allegro 5:56\u003cbr\u003e10. No. 3: Larghetto 4:41\u003cbr\u003e11. No. 2: Rondo 5:21\u003cbr\u003eGioconda de Vito \u0026amp; Yehudi Menuhin violin\u003cbr\u003erecorded \/aufgenommen 1955\u003cbr\u003eTotal Time 74‘28\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD10\u003cbr\u003eArcangelo Corelli (1653–1713)\u003cbr\u003eSONATA FOR VIOLIN AND PIANO IN D MINOR, OP. 5 NO. 12, „La follia“\u003cbr\u003eSonate für Violine und Klavier, d-Moll, op. 5 Nr. 12\u003cbr\u003e1. La follia 14:00\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eAntonio Beltrami piano\u003cbr\u003erecorded \/aufgenommen 1954\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJean-Marie Leclair (1697–1764)\u003cbr\u003eSONATA FOR VIOLIN AND PIANO IN C MINOR, OP. 5 No. 6, „Le tombeau“\u003cbr\u003eSonate für Violine und Orchester, c-Moll, op. 5 Nr. 6\u003cbr\u003e2. 1. Grave 3:26\u003cbr\u003e3. 2. Allegro ma non troppo 2:29\u003cbr\u003e4. 3. Gavotta. Gratiosa. Andante 2:45\u003cbr\u003e5. 4. Allegro 5:50\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eTullio Macoggi piano\u003cbr\u003erecorded \/aufgenommen 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGeorg Friedrich Händel (1685–1759)\u003cbr\u003eSONATA FOR VIOLIN AND CONTINUO, OP. 4 NO. 1\u003cbr\u003eSonate für Violine und Continuo, op. 4 Nr. 1\u003cbr\u003e6. 1. Adagio 4:06\u003cbr\u003e7. 2. Allegro 2:49\u003cbr\u003e8. 3. Larghetto 3:14\u003cbr\u003e9. 4. Allegro 3:03\u003cbr\u003eGioconda de Vito violin\u003cbr\u003eGeorge Malcolm harpsichord\/ Cembalo\u003cbr\u003erecorded \/aufgenommen 1951\u003cbr\u003eJohann Sebastian Bach (1685–1750)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePARTITA NO. 2 IN D MINOR FOR SOLO VIOLIN, BWV 1004\u003cbr\u003ePartita für Violine solo Nr. 2, d-Moll, BWV 1004\u003cbr\u003e10. 1. Allemande 3:51\u003cbr\u003e11. 2. Currante 2:48\u003cbr\u003e12. 3. Sarabande 3:23\u003cbr\u003e13. 4. Guige 3:37\u003cbr\u003e14. 5. Chaconne 15:21\u003cbr\u003eGioconda de Vito violin\u003cbr\u003erecorded \/aufgenommen 1947 (14), 1950 (10-13)\u003cbr\u003eTotal Time 70:55\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":17321772318771,"sku":"4053796004093","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71L8RQ8rRrL._SL1030.jpg?v=1557155284","url":"https:\/\/classicselectworld.com\/de-de\/products\/giconda-de-vito-her-complete-recorded-masterworks-for-violin","provider":"ClassicSelect World","version":"1.0","type":"link"}