{"product_id":"gieseking-walter-lightness-clarity","title":"Walter Gieseking: Lightness \u0026 Clarity - Complete Solo Piano Works of Debussy \u0026 Ravel,  Mozart (10 CDs)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_8658c721-a0df-4633-a814-77ecc00f8812_480x480.png?v=1620668389\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOne of the few really unique pianists and probably the most important interpreters of French piano music \u0026amp; a Mozart interpreter of high standing.\u003c\/li\u003e\n\u003cli\u003eComplete recordings of the works for piano solo by Debussy and Ravel\u003c\/li\u003e\n\u003cli\u003eEssential Mozart recordings: piano concertos under Karajan, all important piano sonatas, quintet KV 452.\u003c\/li\u003e\n\u003cli\u003eRecordings from 1953 to 1955 still regarded today as absolute reference recordings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eWalter Gieseking is without a doubt one of the most important interpreters of French piano music. Few can compete with him, especially when it comes to Debussy and Ravel. Excellent pianistic skills, a musical culture of expression and a love of the Mediterranean landscape were important sources for Gieseking's specialty in this genre. The present recordings show a fascinating combination of the highest artistry of touch, nuance and sensitivity, and the pianist meets Debussy's criteria “Clarté, Elegance” as important and typical characteristics of French music in a congenial way. Gieseking's complete recordings of the works for piano solo by Claude Debussy and Maurice Ravel from 1953\/54 are still considered absolute reference recordings today. His esteem as a Mozart interpreter is no less high. The piano concerto No. 23 recorded under Karajan is considered a great moment in recording history. For his interpretation of the Mozart sonatas he was given the rating of \"ideal Mozart sound\" and the recording of the quintet for piano and wind instruments with the Philharmonia Wind Quintet is considered by many to be the recording of a work, which Mozart himself called his favorite composition.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe pianist, who was born in France and grew up and was educated in Germany, spent a lot of time with his father, a doctor and entomologist, on the French and Italian Riviera and got to know the landscape while hunting butterflies with him. He shares a deep admiration for nature with Debussy, about whom he wrote: “I believe that in Debussy's music the harmony with the forces of life and nature can be felt in the sense of understanding nature, in the sense of admiring its beauty - and these super-personal sensations, which Debussy created in the most perfect musical sound form, together with the splendor of sound, the richness of color and the peculiarity of his tonal language, make his music so beautiful that every musically sensitive person must be touched by it.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_with_lines_e897c5b3-cbb9-47bd-af7f-a94d899d8348_480x480.png?v=1620592134\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_with_lines_e897c5b3-cbb9-47bd-af7f-a94d899d8348_480x480.png?v=1620592134\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003ePréludes, Livre \/ Book \/ Heft 1\u003cbr\u003e1. I. Danseuses de Delphes (Lent et grave) 3‘07\u003cbr\u003e2. II. Voiles (Modéré) 2‘43\u003cbr\u003e3. III. Le vent dans la plaine (Animé) 1‘57\u003cbr\u003e4. IV. Les sons et les parfums tournent dans l‘air du soir (Modéré) 3‘28\u003cbr\u003e5. V. Les collines d’Anacapri (Tres modéré) 2‘46\u003cbr\u003e6. VI. Des pas sur la neige (Triste et lent) 3‘26\u003cbr\u003e7. VII. Ce qu’a vu le vent d’Ouest (Animé et tumultueux) 2‘41\u003cbr\u003e8. VIII. La fille aux cheveux de lin (Très calme et doucement expressif ) 2‘21\u003cbr\u003e9. IX. La sérénade interrompue (Modérément animé) 2‘12\u003cbr\u003e10. X. La cathédrals engloutie (Profondément calme) 6‘31\u003cbr\u003e11. XI. La danse de Puck (Capricieux et léger) 2‘24\u003cbr\u003e12. XII. Minstrels (Modéré) 2‘03\u003cbr\u003erecorded 15\/16. Aug. 1953\u003cbr\u003e\u003cbr\u003ePréludes, Livre \/ Book \/ Heft II\u003cbr\u003e13. I. Brouillards (Modéré) 2‘42\u003cbr\u003e14. II. Feuilles mortes (Lent et mélancolique) 2‘59\u003cbr\u003e15. III. La Puerta del Vino (Mouvement de Habanera) 2‘46\u003cbr\u003e16. IV. Les fées sont d’exquises danseuses (Rapide et léger) 2‘43\u003cbr\u003e17. V. Bruyères (Calme) 2‘31\u003cbr\u003e18. VI. General Lavine - eccentric (Dans le style et le mouvement d’un Cakewalk) 2‘25\u003cbr\u003e19. VII. La terrasse des audiences du clair de lune (Lent) 3‘47\u003cbr\u003e20. VIII. Ondine (Scherzando) 2‘51\u003cbr\u003e21. IX. Hommage à S. Pickwick, Esq., P.P.M.P.C. (Grave) 2‘07\u003cbr\u003e22. X. Canope (Trés calme et doucement triste) 2‘42\u003cbr\u003e23. XI. Les tierces alternées (Modérément animé) 2‘23\u003cbr\u003e24. XII. Feux d’artifice (Modérément animé) 3‘20\u003cbr\u003erecorded 9\/10. Dec. 1954\u003cbr\u003eTotal Time 69‘00\u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003ePour le piano\u003cbr\u003e1. I. Prélude (Assez animé et très rythmé) 3‘25\u003cbr\u003e2. II. Sarabande (Avec une élégance grave et lente) 4‘41\u003cbr\u003e3. III. Toccata (Vif ) 3‘37\u003cbr\u003erecorded 17. Aug. 1953\u003cbr\u003e\u003cbr\u003eEstampes\u003cbr\u003e4. I. Pagodes (Modérément animé) 4‘08\u003cbr\u003e5. II. La soirée dans Grenade (Mouvement de Habanera) 4‘17\u003cbr\u003e6. III. Jardins sous la pluie (Net et vif ) 3‘19\u003cbr\u003erecorded 12\/13. Aug. 1953\u003cbr\u003e\u003cbr\u003eImages, Série \/ Set I\u003cbr\u003e7. I. Reflets dans l’eau (Andantino molto) 5‘00\u003cbr\u003e8. II. Hommage à Rameau (Lent et grave) 6‘26\u003cbr\u003e9. III. Mouvement (Animé) 2‘58\u003cbr\u003e\u003cbr\u003eImages, Série \/ Set II\u003cbr\u003e10. I. Cloches à travers les feuilles (Lent) 3‘46\u003cbr\u003e11. II. Et la lune descend sur le temple qui fut (Lent) 4‘50\u003cbr\u003e12. III. Poissons d’or (Animé) 3‘11\u003cbr\u003erecorded 13\/14. Aug. 1953\u003cbr\u003e\u003cbr\u003eChildren‘s Corner\u003cbr\u003e13. I. Doctor Gradus ad Parnassum (Modérément animé) 2‘16\u003cbr\u003e14. II. Jimbo’s Lullaby (Assez modéré) 3‘28\u003cbr\u003e15. III. Serenade for the Doll (Allegretto ma non troppo) 3‘09\u003cbr\u003e16. IV. The Snow is Dancing (Modérément animé) 2‘19\u003cbr\u003e17. V. The Little Shepherd (Très modéré) 2‘08\u003cbr\u003e18. VI. Golliwogg’s Cakewalk (Allegro giusto) 2‘42\u003cbr\u003erecorded 26\/27. Sept. 1951\u003cbr\u003eTotal Time 65‘40\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003e12 Études\u003cbr\u003e1. I. Pour les cinq doigts (d’aprés Monsieur Czerny) (Sagement) 2‘47\u003cbr\u003e2. II. Pour les tierces (Moderate, ma non troppo) 3‘20\u003cbr\u003e3. III. Pour les quartes (Andantino con moto) 4‘07\u003cbr\u003e4. IV. Pour les sixtes (Lento) 3‘20\u003cbr\u003e5. V. Pour les octaves (Joyeux et emporté, librement rythmé) 2‘15\u003cbr\u003e6. VI. Pour les huit doigts (Vivamente, molto leggiero e legato) 1‘33\u003cbr\u003e7. VII. Pour les degrés chromatiques (Scherzando, animato assai) 2‘03\u003cbr\u003e8. VIII. Pour les agréments (Lento, rubato e leggiero) 4‘08\u003cbr\u003e9. IX. Pour les notes répétées (Scherzando) 3‘09\u003cbr\u003e10. X. Pour les sonorités opposées (Modéré, sans lenteur) 4‘36\u003cbr\u003e11. XI. Pour les arpèges composés (Dolce e lusingando) 3‘08\u003cbr\u003e12. XII. Pour les accords (Décidé, rythmé, sans lourdeur) 4‘54\u003cbr\u003erecorded 7-9,11. July l954\u003cbr\u003e\u003cbr\u003e13. Masques (Très vif et fantasque) 4‘14\u003cbr\u003erecorded 18. Aug. 1953\u003cbr\u003e\u003cbr\u003e14. D’un cahier d’esquisses (Très lent [sans rigueur]) 4‘41\u003cbr\u003erecorded 15. April 1955\u003cbr\u003e1\u003cbr\u003e5. L’lsle joyeuse (Quasi una cadenza - Tempo: Modéré et très souple) 4‘58\u003cbr\u003e\u003cbr\u003e16. La plus que lente (Lent [Molto rubato con morbidezza]) 3‘24\u003cbr\u003e\u003cbr\u003e17. Le petit nègre (Cakewalk. Allegro giusto) 1‘29\u003cbr\u003e\u003cbr\u003e18. Berceuse héroïque (Modéré [sans lenteur]) 4‘40\u003cbr\u003e\u003cbr\u003e19. Hommage à Haydn (Mouvement de Valse lente) 1‘42\u003cbr\u003erecorded 16,18-20. Aug. 1953\u003cbr\u003eTotal Time 64‘29\u003c\/p\u003e\n\u003cp\u003eCD 4\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003eSuite bergamasque\u003cbr\u003e1. I. Prélude (Moderate [tempo rubato]) 3‘32\u003cbr\u003e2. II. Menuet (Andantino) 3‘21\u003cbr\u003e3. III. Clair de lune (Andante très expressif ) 5‘11\u003cbr\u003e4. IV. Passepied (Allegretto ma non troppo) 3‘41\u003cbr\u003erecorded 17\/18. Aug. 1953\u003cbr\u003e\u003cbr\u003e5. Danse bohémienne (Allegro) 1‘51\u003cbr\u003e\u003cbr\u003e6. Reverie (Andantino sans lenteur) 3‘35\u003cbr\u003e\u003cbr\u003e7. Mazurka (Scherzando [assez animé]) 2‘18\u003cbr\u003e\u003cbr\u003e8. Valse romantique (Tempo di valse [Allegro moderate]) 3‘08\u003cbr\u003e\u003cbr\u003eDeux Arabesques\u003cbr\u003e9. I. Andantino con moto 3‘38\u003cbr\u003e1 0. II. Allegretto scherzando 2‘50\u003cbr\u003e\u003cbr\u003e11. Nocturne en ré bémol majeur \/ in D flat \/ Des-dur (Lent) 5‘49\u003cbr\u003e\u003cbr\u003e1 2. Danse (Tarentelle styrienne) (Allegretto) 4‘44\u003cbr\u003e\u003cbr\u003e13. Ballade (Andantino con moto) 6‘22\u003cbr\u003erecorded 12\/14–16\/19\/20. Aug. 1953\u003cbr\u003e\u003cbr\u003eFantaisie pour piano et orchestre \/ for piano and orchestra \/\u003cbr\u003efür Klavier und Orchester *\u003cbr\u003e14. I. Andante - Allegro 7‘48\u003cbr\u003e15. II. Lento e molto espressivo 7‘49\u003cbr\u003e16. III. Allegro molto 6‘50\u003cbr\u003erecorded 30. Oct. 1951\u003cbr\u003e\u003cbr\u003eWalter Gieseking piano \/ Klavier\u003cbr\u003e*Orchester des Hessischen Rundfunks\u003cbr\u003econductor \/ Dirigent Kurt Schröder Total Time 72‘29\u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003e1. Menuet antique (Majestueusement) 5‘40\u003cbr\u003e\u003cbr\u003e2. Pavane pour une infante défunte (Assez doux, mais d’une sonorité large) 5‘55\u003cbr\u003e\u003cbr\u003e3. Jeux d’eau (Très doux) 4‘32\u003cbr\u003e\u003cbr\u003eSonatine\u003cbr\u003e4. I. Modéré 4‘17\u003cbr\u003e5. II. Mouvement de menuet 3‘19\u003cbr\u003e6. III. Animé 3‘27\u003cbr\u003e\u003cbr\u003eMiroirs\u003cbr\u003e7. I. Noctuelles (Très léger) 4‘17\u003cbr\u003e8. II. Oiseaux tristes (Très lent) 3‘26\u003cbr\u003e9. III. Une barque sur I’océan (D’un rythme souple) 5‘22\u003cbr\u003e10. IV. Alborada del gracioso (Assez vif ) 5‘53\u003cbr\u003e11. V. La vallée des cloches (Très lent) 4‘55\u003cbr\u003erecorded 10–12, 14–17. Dec. 1954\u003cbr\u003eTotal Time 51‘26\u003c\/p\u003e\n\u003cp\u003eCD 6\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003eGaspard de la nuit\u003cbr\u003eTrois poèmes pour piano d‘apres Aloysius Bertrand\u003cbr\u003e1. I. Ondine (Lent) 6‘02\u003cbr\u003e2. II. Le gibet (Très lent) 5‘48\u003cbr\u003e3. III. Scarbo (Modéré - Vif ) 8‘58\u003cbr\u003e\u003cbr\u003e4. Menuet sur le nom d’Haydn (Mouvement de menuet) 2‘00\u003cbr\u003e\u003cbr\u003eValses nobles et sentimentales\u003cbr\u003e5. I. Modéré - très franc 1‘14\u003cbr\u003e6. II. Assez lent (avec une expression intense) 1‘37\u003cbr\u003e7. III. Modéré 1‘23\u003cbr\u003e8. IV. Assez animé 0‘56\u003cbr\u003e9. V. Presque lent (dans un sentiment intime) 1‘06\u003cbr\u003e10. VI. Vif 0‘38\u003cbr\u003e11. VII. Moins vif 2‘27\u003cbr\u003e12. VIII: Épilogue: Lent 3‘10\u003cbr\u003e\u003cbr\u003e13. Prélude (Assez lent et très expressif [d’un rythme libre]) 1‘15\u003cbr\u003e\u003cbr\u003e14. À la manière de... Borodine (Valse [Allegro giusto]) 1‘25\u003cbr\u003e\u003cbr\u003e15. À la manière de... Chabrier 2‘02\u003cbr\u003e(Paraphrase sur un air de Gounod [‘Faust’, Acte II]) (Allegretto)\u003cbr\u003e\u003cbr\u003eLe Tombeau de Couperin\u003cbr\u003e16. I. Prélude (Vif ) 3‘13\u003cbr\u003e17. II. Fugue (Allegro moderato) 4‘08\u003cbr\u003e18. III. Forlane (Allegro moderato) 5‘46\u003cbr\u003e19. IV. Rigaudon (Assez vif ) 3‘09\u003cbr\u003e20. V. Menuet (Allegro) 5‘16\u003cbr\u003e21. VI. Toccata (Vif ) 3‘53\u003cbr\u003erecorded 10–12, 14–17. Dec. 1954\u003cbr\u003eTotal Time 65‘27\u003c\/p\u003e\n\u003cp\u003eCD 7\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003ePiano Concerto No. 23 in A major KV 488 \/ A-Dur\u003cbr\u003e1. I. Allegro 10‘58\u003cbr\u003e2. II. Adagio 6‘50\u003cbr\u003e3. III. Allegro assai 7‘34\u003cbr\u003erecorded 6. Oct. 1951\u003cbr\u003e\u003cbr\u003ePiano Concerto No. 24 in C minor KV 491 \/ c-Moll\u003cbr\u003e4. I. Allegro 13‘01\u003cbr\u003e5. II. Larghetto 9‘39\u003cbr\u003e6. III. Allegretto 9‘07\u003cbr\u003erecorded 26. Aug. 1953\u003cbr\u003e\u003cbr\u003eQuintet in E Flat major for piano \u0026amp; wind KV 452 \/ Es-Dur für Klavier und Bläser *\u003cbr\u003e7. I. Largo. Allegro moderato 8‘24\u003cbr\u003e8. II. Larghetto 7‘07\u003cbr\u003e9. III. Rondo: Allegretto 5‘58\u003cbr\u003erecorded 15. \u0026amp; 16. Apr. 1955\u003cbr\u003e\u003cbr\u003eWalter Gieseking piano \/ Klavier\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003econductor \/ Dirigent Herbert von Karajan\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePhilharmonia Wind Quartet *\u003cbr\u003eSidney Sutcliffe Oboe \/ Oboe\u003cbr\u003eBernard Walton clarinet \/ Klarinette\u003cbr\u003eDennis Brain horn \/ Horn\u003cbr\u003eCecil James bassoon \/ Fagott\u003cbr\u003eTotal Time 78‘51\u003c\/p\u003e\n\u003cp\u003eCD 8\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 3 in B flat major KV 281 \/ B-Dur\u003cbr\u003e1. I. Allegro 4‘38\u003cbr\u003e2. II. Andante amoroso 3‘48\u003cbr\u003e3. III. Rondo: Allegro 4‘58\u003cbr\u003erecorded 1. Aug. 1953\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 7 in C major KV 309 \/ C-Dur\u003cbr\u003e4. I. Allegro con spirito 4‘04\u003cbr\u003e5. II. Andante un poco adagio 6‘08\u003cbr\u003e6. III. Rondo: Allegretto grazioso 6‘10\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 8 in A minor KV 310 \/ a-Moll\u003cbr\u003e7. I. Allegro maestoso 4‘19\u003cbr\u003e8. II. Andante cantabile con espressione 6‘50\u003cbr\u003e9. III. Presto 2‘53\u003cbr\u003erecorded 3. Aug. 1953\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 9 in D major KV 311 \/ D-Dur\u003cbr\u003e10. I. Allegro con spirito 4‘34\u003cbr\u003e11. II. Andante con espressione 5‘36\u003cbr\u003e12. III. Rondo: Allegro 5‘55\u003cbr\u003erecorded 4. Aug. 1953\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 15 in C major KV 545 \/ C-Dur\u003cbr\u003e13. I. Allegro 3‘12\u003cbr\u003e14. II. Andante 4‘54\u003cbr\u003e15. III. Rondo: Allegretto 1‘43\u003cbr\u003erecorded 7. Aug. 1953 \/ 1. Jan. 1954\u003cbr\u003eTotal Time 70‘00\u003c\/p\u003e\n\u003cp\u003eCD 9\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 10 in C major KV 330 \/ C-Dur\u003cbr\u003e1. I. Allegro moderato 6‘22\u003cbr\u003e2. II. Andante cantabile 7‘09\u003cbr\u003e3. III. Allegretto 5‘17\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 11 in A major “alla Turca” KV 331 \/ A-Dur\u003cbr\u003e4. I. Thema: Andante grazioso 7‘28\u003cbr\u003e5. II. Menuetto \u0026amp; Trio 5‘41\u003cbr\u003e6. III. Rondo “Alla Turca”: Allegretto 3‘40\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 12 in F major KV 332 \/ F-Dur\u003cbr\u003e7. I. Allegro 4‘34\u003cbr\u003e8. II. Adagio 4‘50\u003cbr\u003e9. III. Allegro assai 4‘24\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 13 in B flat major KV 333 \/ B-Dur\u003cbr\u003e10. I. Allegro 4‘59\u003cbr\u003e11. II. Andante cantabile 6‘15\u003cbr\u003e12. III. Allegretto grazioso 5‘52\u003cbr\u003erecorded 4. Aug. 1953\u003cbr\u003eTotal Time 66‘46\u003c\/p\u003e\n\u003cp\u003eCD 10\u003cbr\u003e\u003cbr\u003e■ Walter Gieseking, Piano\u003cbr\u003ePiano Sonata No. 14 in C minor KV 457 \/ c-Moll\u003cbr\u003e1. I. Allegro 3‘51\u003cbr\u003e2. II. Adagio 7‘35\u003cbr\u003e3. III. Molto allegro 4‘36\u003cbr\u003e4. Fantasia in C minor KV 475 \/ c-Moll 11‘53\u003cbr\u003erecorded 6. Aug. 1953\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 18 in F major KV 533 \/ F-Dur\u003cbr\u003e5. I. Allegro 5‘58\u003cbr\u003e6. II. Andante 7‘22\u003cbr\u003erecorded 17. Aug. 1953\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 16 in B flat major KV 570 \/ B-Dur (18)\u003cbr\u003e7. I. Allegro 5‘57\u003cbr\u003e8. II. Adagio 8‘04\u003cbr\u003e9. III. Allegretto 3‘49\u003cbr\u003e\u003cbr\u003ePiano Sonata No. 17 in D major KV 576 \/ D-Dur (14)\u003cbr\u003e10. I. Allegro 4‘46\u003cbr\u003e11. II. Adagio 5‘06\u003cbr\u003e12. III. Allegretto 3‘48\u003cbr\u003erecorded 7. Aug. 1953\u003cbr\u003eTotal Time 73‘04\u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":39599510749380,"sku":"4053796005724","price":22.3,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71P7Bzys0vL._SL1200.jpg?v=1620834660","url":"https:\/\/classicselectworld.com\/de-de\/products\/gieseking-walter-lightness-clarity","provider":"ClassicSelect World","version":"1.0","type":"link"}