{"product_id":"jim-hall-on-guitar-milestones-of-a-jazz-legend-1955-1962-10-cds","title":"JIM HALL ON GUITAR: MILESTONES OF A JAZZ LEGEND 1955-1962 (10 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022.png?v=1663272165\"\u003e\u003c\/p\u003e\n\u003cp\u003e- 18 Original albums from the years 1955 to 1962 by one of the trailblazers of the Jazz guitar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Feat. Bill Evans, Jimmy Giuffre, John Lewis, Sonny Rollins, Paul Desmond, Freddie\u003cbr\u003eHubbard, Herb Ellis, Hampton Hawes, Chico Hamilton, Paul Gonsalves, Bob Brookmeyer,\u003cbr\u003eand many more\u003c\/p\u003e\n\u003cp\u003eBorn in Buffalo, New York, Jim Hall (1930-2013) was one of the most influential and sought after jazz guitarists since the late '50s. Thanks to his stylistic versatility, on any given day in New York he was able to record with Blues veterans in one studio, then at a Bossa Nova session in another one, and explore new sound concepts with uncompromising avant-gardists in the clubs at night.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGrowing up in a very musical family, he received his first guitar at the age of ten. Three years later he heard Charlie Christian, the “inventor” of the electrical jazz guitar, on a Benny Goodman recording – an epiphany that sparked his love for jazz. Remarkably, his most important role models were the great tenor saxophonists: Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHe studied composition, music theory, guitar and double bass, (and took lessons in classical guitar) at the Cleveland Institute of Music. In 1955 he ventured into the jazz scene of Los Angeles, where he quickly made his mark in the quintet of drummer Chico Hamilton. He released a number of chamber music-oriented albums with the trio of multi-instrumentalist Jimmy Giuffre, that are among the milestones of their time. Hall also worked in a similar vein with John Lewis, the pianist of the Modern Jazz Quartet. His truly wonderful albums \"The Wonderful World Of Jazz\" and \"Jazz Abstractions\" are part of every respectable jazz collection and probably showcase the full scope and talent of Jim Hall best.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn the early 1960s, Hall was omnipresent in New York: as a companion to Ella Fitzgerald and Ben Webster, with saxophonists Sonny Rollins, Zoot Sims, and Paul Desmond, with pianist Bill Evans and trumpeter Art Farmer, and as sideman on numerous other studio recordings.\u003cbr\u003eFrom the late 1960s, Hall worked mainly with his own bands. For recordings, he met regularly with his early companions and also recorded with almost all of his most important successors, like Pat Metheny, John Scofield and Bill Frisell.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e■ Jazz Guitar\u003cbr\u003e1. Stompin' at the Savoy (Benny\u003cbr\u003eGoodman, Chick Webb, Edgar Sampson)\u003cbr\u003e4.42\u003cbr\u003e2. Things Ain't What They Used to Be\u003cbr\u003e(Mercer Ellington) 5.50\u003cbr\u003e3. This Is Always (Harry Warren, Mack\u003cbr\u003eGordon) 2.51\u003cbr\u003e4. Thanks for the Memory (Ralph\u003cbr\u003eRainger, Leo Robin) 5.19\u003cbr\u003e5. Tangerine (Johnny Mercer, Victor\u003cbr\u003eSchertzinger) 4.33\u003cbr\u003e6. Stella by Starlight (Victor Young, Ned\u003cbr\u003eWashington) 4.00\u003cbr\u003e7. 9:20 Special (Earle Warren, Jack\u003cbr\u003ePalmer, William Engvick) 5.45\u003cbr\u003e8. Deep in a Dream (Jimmy Van Heusen,\u003cbr\u003eEddie DeLange) 4.35\u003cbr\u003e9. Look for the Silver Lining (Jerome\u003cbr\u003eKern, Buddy DeSylva) 5.08\u003cbr\u003e10. Seven Come Eleven (Benny\u003cbr\u003eGoodman, Charlie Christian) 4.34\u003cbr\u003eJim Hall (git) Carl Perkins (p) Red\u003cbr\u003eMitchell (b)\u003cbr\u003eRecorded in Los Angeles, California on\u003cbr\u003eJanuary 10 and 24, 1957\u003cbr\u003e■ Bonus: Bill Smith\/ Shelly Manne\/ Jim\u003cbr\u003eHall\/ Monty Budwig Folk Jazz\u003cbr\u003e11. A-Roving (PD) 4.16\u003cbr\u003e12. Nobody Knows The Trouble I've Seen\u003cbr\u003e(PD) 3.39\u003cbr\u003e13. John Henry (PD) 4.22\u003cbr\u003e14. Wayfaring Stranger (PD) 4.24\u003cbr\u003e15. Three Blind Mice (PD) 3.31\u003cbr\u003e16. Go Down, Moses (PD) 6.47\u003cbr\u003e17. Reuben, Reuben (PD) 3.33\u003cbr\u003eBill Smith (cl) Jim Hall (git) Monty Budwig\u003cbr\u003e(b) Shelly Manne (drs)\u003cbr\u003eRecorded in Los Angeles, California on\u003cbr\u003eFebruary 16 and November 24, 1959\u003cbr\u003eTOTAL TIME 77.49\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 2\u003cbr\u003e■ Jim Hall\/Red Mitchell\/Red Kelly Good\u003cbr\u003eFriday Blues\u003cbr\u003e1. Good Friday Blues (Red Mitchell) 6.00\u003cbr\u003e2. Willow Weep For Manfred (Anne\u003cbr\u003eRonnell) 6.26\u003cbr\u003e3. I Remember You (Johnny Mercer,\u003cbr\u003eVictor Schertzinger) 7.28\u003cbr\u003e4. Bill Not Phil (Bill Harris) 7.14\u003cbr\u003e5. When I Have You (Red Mitchell) 6.33\u003cbr\u003e6. I Was Doing All Right (George \u0026amp; Ira\u003cbr\u003eGershwin) 4.45\u003cbr\u003eJim Hall (git) Red Mitchell(p) Red Kelly\u003cbr\u003e(b)\u003cbr\u003eRecorded in Los Angeles, California on\u003cbr\u003eApril 2, 1960\u003cbr\u003e■ Bill Evans Quintet Interplay\u003cbr\u003e7. You And The Night And The Music\u003cbr\u003e(Howard Dietz, Arthur Schwartz) 7.04\u003cbr\u003e8. When You Wish Upon A Star (Leigh\u003cbr\u003eHarline, Ned Washington) 5.45\u003cbr\u003e9. I'll Never Smile Again (Ruth Lowe)\u003cbr\u003e6.33\u003cbr\u003e10. Interplay (Bill Evans) 8.15\u003cbr\u003e11. You Go To My Head (Haven\u003cbr\u003eGillespie, J. Fred Coots) 5.05\u003cbr\u003e12. Wrap Your Troubles In Dreams (Billy\u003cbr\u003eMoll, Harry Barris, Ted Koehler) 6.26\u003cbr\u003eBill Evans (p) Freddie Hubbard (tp) Jim\u003cbr\u003eHall (git) Percy Heath (b) Philly Joe\u003cbr\u003eJones (dr)\u003cbr\u003eRecorded at Nola Penthouse Studio,\u003cbr\u003eNew York City on July 16 and 17, 1962\u003cbr\u003eTOTAL TIME 77.39\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003e■ John Lewis The Wonderful World of Jazz\u003cbr\u003e1. Body and Soul (Frank Eyton, Johnny\u003cbr\u003eGreen, Edward Heyman, Robert Sour)\u003cbr\u003e15.30\u003cbr\u003e2. I Should Care (Sammy Cahn, Axel\u003cbr\u003eStordahl, Paul Weston) 4.52\u003cbr\u003e3. Two Degrees East, Three Degrees West\u003cbr\u003e(John Lewis) 5.38\u003cbr\u003e4. Afternoon in Paris (John Lewis) 9.58\u003cbr\u003e5. I Remember Clifford (Benny Golson)\u003cbr\u003e3.31\u003cbr\u003eJohn Lewis (p, arr) Herb Pomeroy (tp: 1, 4)\u003cbr\u003eGunther Schuller (frh: 4)\u003cbr\u003eEric Dolphy (as: 4) Benny Golson (ts: 4)\u003cbr\u003ePaul Gonsalves (ts: 1) Jimmy Giuffre (brs:\u003cbr\u003e4)\u003cbr\u003eJim Hall (git) George Duvivier (b) Connie\u003cbr\u003eKay (drs)\u003cbr\u003eRecorded in New York City on July 29 (2, 3,\u003cbr\u003e5), September 8 (1), and September 9,\u003cbr\u003e1960 (4)\u003cbr\u003e■ Herb Ellis meets Jimmy Giuffre\u003cbr\u003e6. Goose Grease (Herb Ellis, Jimmy\u003cbr\u003eGiuffre) 3.05\u003cbr\u003e7. When Your Lover Has Gone (Einar\u003cbr\u003eAaron Swan) 5.57\u003cbr\u003e8. Remember (Giuffre) 7.43\u003cbr\u003e9. Patricia (Art Pepper) 4.06\u003cbr\u003e10. A Country Boy (Ellis) 5.07\u003cbr\u003e11. You Know (Giuffre) 4.32\u003cbr\u003e12. My Old Flame (Sam Coslow, Arthur\u003cbr\u003eJohnston) 3.33\u003cbr\u003e13. People Will Say We're in Love (Richard\u003cbr\u003eRodgers, Oscar Hammerstein II) 4.54\u003cbr\u003eHerb Ellis (git) Art Pepper, Bud Shank (as)\u003cbr\u003eJimmy Giuffre (ts, arr) Richie Kamuca (ts)\u003cbr\u003eJim Hall (rhythm git) Lou Levy (p) Joe\u003cbr\u003eMondragon (b) Stan Levey (drs)\u003cbr\u003eRecorded at Radio Recorders, Hollywood,\u003cbr\u003eCA on March 26, 1959\u003cbr\u003eTOTAL TIME 78.29\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 4\u003cbr\u003e■ Chico Hamilton Quintet feat. Buddy\u003cbr\u003eCollette\u003cbr\u003e1. A Nice Day (Buddy Collette) 2.59\u003cbr\u003e2. My Funny Valentine (Richard Rodgers,\u003cbr\u003eLorenz Hart) 4.21\u003cbr\u003e3. Blue Sands (Collette) 6.36\u003cbr\u003e4. The Sage (Fred Katz) 3.38\u003cbr\u003e5. The Morning After (Chico Hamilton)\u003cbr\u003e2.11\u003cbr\u003e6. I Want to Be Happy (Vincent Youmans,\u003cbr\u003eIrving Caesar) 2.13\u003cbr\u003e7. Spectacular (Jim Hall) 5.17\u003cbr\u003e8. Free Form (Hamilton, Collette, Hall,\u003cbr\u003eKatz, Carson Smith) 5.04\u003cbr\u003e9. Walking Carson Blues (Smith) 6.12\u003cbr\u003e10. Buddy Boo (Collette) 5.16\u003cbr\u003eChico Hamilton (drs) Buddy Collette (ts,\u003cbr\u003eas, flute, cl)\u003cbr\u003eFred Katz (cello) Jim Hall (git) Carson\u003cbr\u003eSmith (drs)\u003cbr\u003eRecorded at The Strollers in Long Beach\u003cbr\u003e(6-10) on August 4 and Radio Recorders\u003cbr\u003eHollywood (1-5) August 23, 1955\u003cbr\u003e■ John Lewis Grand Encounter\u003cbr\u003e11. Love Me Or Leave Me (Gus Kahn,\u003cbr\u003eDonaldson) 8.19\u003cbr\u003e12. I Can't Get Started (Ira Gershwin ,\u003cbr\u003eVernon Duke) 3.32\u003cbr\u003e13. Easy Living (Leo Robin, Ralph\u003cbr\u003eRainger) 4.14\u003cbr\u003e14. Two Degrees East, Three Degrees\u003cbr\u003eWest (John Lewis) 6.08\u003cbr\u003e15. Skylark (Hoagy Carmichael, Johnny\u003cbr\u003eMercer) 3.08\u003cbr\u003e16. Almost Like Being In Love (Alan Jay\u003cbr\u003eLerner, Frederick Loewe) 9.29\u003cbr\u003eBill Perkins (ts) Jim Hall (g) John Lewis (p)\u003cbr\u003ePercy Heath (b) Chico Hamilton (dr)\u003cbr\u003eRecorded in Los Angeles on February 10,\u003cbr\u003e1956\u003cbr\u003eTOTAL TIME 78.39\u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003e■ Hampton Hawes Quartet All Night\u003cbr\u003eSession! Vol. 1\u003cbr\u003e1. Jordu (Duke Jordan) 7.05\u003cbr\u003e2. Groovin' High (Dizzy Gillespie) 5.44\u003cbr\u003e3. Takin' Care (Hampton Hawes) 8.06\u003cbr\u003e4. Broadway (Billy Bird, Teddy McRae,\u003cbr\u003eHenri Wood) 6.51\u003cbr\u003e5. Hampton's Pulpit (Hampton Hawes)\u003cbr\u003e11.17\u003cbr\u003e■ Hampton Hawes Quartet All Night\u003cbr\u003eSession! Vol. 3 3\u003cbr\u003e6. Do Nothing till You Hear from Me\u003cbr\u003e(Duke Ellington, Bob Russell) 11.00\u003cbr\u003e7. Blues # 33(Hampton Hawes) 7.37\u003cbr\u003e8. Between the Devil and the Deep Blue\u003cbr\u003eSea (Harold Arlen, Ted Koehler) 10.57\u003cbr\u003e9. Blues # 4 (Hampton Hawes) 6.19\u003cbr\u003eHampton Hawes (p) Jim Hall(git) Red\u003cbr\u003eMitchell (b) Eldridge Freeman (drs)\u003cbr\u003eRecorded in Los Angeles, California on\u003cbr\u003eNovember 12 to 13, 1956\u003cbr\u003eTOTAL TIME 74.58\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 6\u003cbr\u003e■ Bob Brookmeyer Kansas City Revisited\u003cbr\u003e1. Jumpin' at the Woodside (Count Basie)\u003cbr\u003e8.01\u003cbr\u003e2. A Blues (Big Miller) 5.05\u003cbr\u003e3. Blue and Sentimental (Count Basie, Jerry\u003cbr\u003eLivingston, Mack David) 6.54\u003cbr\u003e4. Doggin' Around (Edgar Battle, Herschel\u003cbr\u003eEvans) 8.41\u003cbr\u003e5. Moten Swing (Bennie Moten, Buster\u003cbr\u003eMoten) 10.12\u003cbr\u003e6. Travlin' Light (Trummy Young, Jimmy\u003cbr\u003eMundy, Johnny Mercer) 3.34\u003cbr\u003eBob Brookmeyer (valve tb) Al Cohn, Paul\u003cbr\u003eQuinichette (ts) Jim Hall (git) Nat Pierce (p)\u003cbr\u003eAddison Farmer (b) Osie Johnson (drs) Big\u003cbr\u003eMiller (voc: 2 , 4)\u003cbr\u003eRecorded in NYC on October 23, 1958\u003cbr\u003e■ John Lewis Presents Contemporary Music:\u003cbr\u003eCompositions by Gunther Schuller and Jim\u003cbr\u003eHall\u003cbr\u003e7. Abstraction (Gunther Schuller) 4.09\u003cbr\u003e8. Piece For Guitar \u0026amp; Strings (Jim Hall) 6.24\u003cbr\u003eVariants On A Theme Of John Lewis (Django)\u003cbr\u003e9. Variant I (Gunther Schuller) 5.28\u003cbr\u003e10. Variant II (Gunther Schuller) 1.39\u003cbr\u003e11. Variant III (Gunther Schuller) 3.08\u003cbr\u003eVariants On A Theme Of Thelonious Monk\u003cbr\u003e(Criss-Cross)\u003cbr\u003e12. Variant I (Gunther Schuller) 6.22\u003cbr\u003e13. Variant II (Gunther Schuller) 1.50\u003cbr\u003e14. Variant III (Gunther Schuller) 3.48\u003cbr\u003e15. Variant IV (Gunther Schuller) 3.25\u003cbr\u003eOrnette Coleman (as:7, 12 to 15) Eric Dolphy\u003cbr\u003e(as, fl, b-cl: 9 to 15) Alvin Brehm (b) (7)\u003cbr\u003eGeorge Duvivier (b) (9 to 15), Scott LaFaro\u003cbr\u003e(b)\u003cbr\u003eJoseph Tekula (c) Jim Hall (git) Stick Evans\u003cbr\u003e(drs: 7, 13 to 19), Robert DiDomenica (9 to\u003cbr\u003e15) Bill Evans (p: 9 to 15), Eddie Costa\u003cbr\u003e(vibes: 9 to 15)\u003cbr\u003eAlfred Brown (viola) (8), Harry Zaratzian,\u003cbr\u003eCharles Libove, Roland Vamos (v)\u003cbr\u003eRecorded in December 1960\u003cbr\u003eTOTAL TIME 78.41\u003c\/p\u003e\n\u003cp\u003eCD 7\u003cbr\u003e■ Paul Desmond First Place Again\u003cbr\u003e1. I Get a Kick Out of You (Cole Porter)\u003cbr\u003e8.41\u003cbr\u003e2. For All We Know (J. Fred Coots, Sam\u003cbr\u003eM. Lewis) 5.34\u003cbr\u003e3. Two Degrees East, Three Degrees\u003cbr\u003eWest (John Lewis) 7.29\u003cbr\u003e4. Greensleeves (Traditional) 2.06\u003cbr\u003e5. You Go to My Head (J. Fred Coots,\u003cbr\u003eHaven Gillespie) 6.29\u003cbr\u003e6. East of the Sun (and West of the\u003cbr\u003eMoon) (Brooks Bowman) 5.46\u003cbr\u003e7. Time After Time (Jule Styne, Sammy\u003cbr\u003eCahn) 6.14\u003cbr\u003ePaul Desmond (as) Jim Hall (git)Percy\u003cbr\u003eHeath (b) Connie Kay (drs)\u003cbr\u003eRecorded in New York City on\u003cbr\u003eSeptember 5 to 7, 1959\u003cbr\u003e■ The Jimmy Giuffre 3 Trav'lin' Light\u003cbr\u003e8. Trav'lin' Light (Johnny Mercer, Jimmy\u003cbr\u003eMundy, Trummy Young) 4.26\u003cbr\u003e9. The Swamp People (Jimmy Giuffre)\u003cbr\u003e5.37\u003cbr\u003e10. The Green Country (New England\u003cbr\u003eMood) (Jimmy Giuffre) 3.07\u003cbr\u003e11. 42nd Street (Al Dubin, Harry\u003cbr\u003eWarren) 6.18\u003cbr\u003e12. Pickin' 'Em Up and Layin' 'Em Down\u003cbr\u003e(Jimmy Giuffre) 5.45\u003cbr\u003e13. The Lonely Time (Jimmy Giuffre)\u003cbr\u003e3.56\u003cbr\u003e14. Show Me the Way to Go Home\u003cbr\u003e(Jimmy Campbell, Reg Connelly) 4.41\u003cbr\u003e15. California, Here I Come (Buddy\u003cbr\u003eDeSylva, Al Jolson, Joseph Meyer) 2.44\u003cbr\u003eJimmy Giuffre (cl, ts, brs) Bob\u003cbr\u003eBrookmeyer (valve tb) Jim Hall (git)\u003cbr\u003eRecorded in 1958\u003cbr\u003eTOTAL TIME 78.55\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 8\u003cbr\u003e■ Bob Brookmeyer 7x Wilder\u003cbr\u003e1. While We're Young (Alec Wilder, Morty\u003cbr\u003ePalitz, William Engvick) 6.13\u003cbr\u003e2. That's the Way It Goes (Alec Wilder, Sid\u003cbr\u003eRobin) 4.45\u003cbr\u003e3. The Wrong Blues (Alec Wilder, William\u003cbr\u003eEngvick) 4.34\u003cbr\u003e4. It's So Peaceful in the Country (Alec Wilder)\u003cbr\u003e4.06\u003cbr\u003e5. Blues for Alec (Bob Brookmeyer) 6.09\u003cbr\u003e6. I'll Be Around (Alec Wilder) 4.29\u003cbr\u003e7. Who Can I Turn To (Alec Wilder, William\u003cbr\u003eEngvick) 4.28\u003cbr\u003eBob Brookmeyer (valve tb, p) Jim Hall (git) Bill\u003cbr\u003eCrow (b) Mel Lewis (drs)\u003cbr\u003eRecorded in New York City on June 29, 1961\u003cbr\u003e■ Buddy Collette and His Swinging Shepherds\u003cbr\u003eAt the Cinema!\u003cbr\u003e8. Colonel Bogey \u0026amp; River Kwai March\u003cbr\u003e(Kenneth J. Alford, Malcolm Arnold) 3.31\u003cbr\u003e9. Laura (David Raksin) 2.41\u003cbr\u003e10. Smile (Charlie Chaplin) 3.10\u003cbr\u003e11. The Bad and the Beautiful (Love Is for the\u003cbr\u003eVery Young) (Raksin) 4.14\u003cbr\u003e12. The Shrike (Pete Rugolo) 3.28\u003cbr\u003e13. I Can't Believe That You're in Love with Me\u003cbr\u003e(Jimmy McHugh, Clarence Gaskill) 2.46\u003cbr\u003e14. The Trolley Song (Hugh Martin, Ralph\u003cbr\u003eBlane) 1.58\u003cbr\u003e15. Intermezzo (Rugolo) 3.31\u003cbr\u003e16. Ruby (Heinz Roemheld, Mitchell Parish)\u003cbr\u003e3.25\u003cbr\u003e17. Invitation (Bronisław Kaper) 3.56\u003cbr\u003e18. Swinging on a Star (Jimmy Van Heusen,\u003cbr\u003eJohnny Burke) 2.59\u003cbr\u003eBuddy Collette, Paul Horn, Bud Shank (fl, alto\u003cbr\u003eflute, piccolo) Harry Klee (fl, alto flute, bass\u003cbr\u003eflute) Jim Hall (git)\u003cbr\u003eBill Miller (p: 8 to 10, 14, 16), John Williams (p:\u003cbr\u003e11 o 13, 8, 15, 16)\u003cbr\u003eRed Mitchell (b) Earl Palmer (drs: 8 to 10, 14,\u003cbr\u003e16), Shelly Manne (drs: 11 o 13, 8, 15, 16)\u003cbr\u003eBuddy Collette, Paul Horn, Pete Rugolo, Bud\u003cbr\u003eShank (arr)\u003cbr\u003eRecorded in Hollywood, CA on January 10 \u0026amp;\u003cbr\u003e17 and February 21, 1959\u003cbr\u003eTOTAL TIME 70.25\u003c\/p\u003e\n\u003cp\u003eCD 9\u003cbr\u003e■ Sonny Rollins The Bridge CD 9\u003cbr\u003e1. Without a Song (Edward Eliscu, Billy Rose,\u003cbr\u003eVincent Youmans) 7.29\u003cbr\u003e2. Where Are You? (Harold Adamson, Jimmy\u003cbr\u003eMcHugh) 5.12\u003cbr\u003e3. John S. (Sonny Rollins) 7.44\u003cbr\u003e4. The Bridge (Sonny Rollins) 5.59\u003cbr\u003e5. God Bless the Child (Arthur Herzog Jr., Billie\u003cbr\u003eHoliday) 7.30\u003cbr\u003e6. You Do Something to Me (Cole Porter) 6.52\u003cbr\u003eSonny Rollins (ts) Jim Hall (git) Bob Cranshaw (b)\u003cbr\u003eBen Riley (drs:Recor except 5)\u003cbr\u003eHarry \"H.T.\" Saunders (drs:5)\u003cbr\u003eRecorded in New York City on January 30 (5),\u003cbr\u003eFebruary 13 (2, 3, 6) and on February 14, 1962\u003cbr\u003e(1, 4)\u003cbr\u003e■ Zoot Sims New Beat Bossa Nova\u003cbr\u003e7. Recado Bossa Nova Pt. 1 (Matt Antonio,\u003cbr\u003eDurval Ferreira) 2.39\u003cbr\u003e8. Recado Bossa Nova Pt. 22(Matt Antonio,\u003cbr\u003eDurval Ferreira) 3.00\u003cbr\u003e9. Cano Canoe (Mick Micheyl) 5.39\u003cbr\u003e10. Contando A Orquestra (Sacha Distel, Oscar\u003cbr\u003ePeze) 4.11\u003cbr\u003e11. Ciume (Carlos Lyra) 4.16\u003cbr\u003e12. Maria NinguÉEM (Carlos Lyra) 2.40\u003cbr\u003e13. Sem Saudades De Voce (Haroldo Barbosa)\u003cbr\u003e6.04\u003cbr\u003e14. Barquinho De Papel (Carlos Lyra) 2.57\u003cbr\u003eZoot Sims (ts) Phil Woods (cl) Gene Quill (cl, b-cl)\u003cbr\u003eSol Schlinger (b-cl) Spencer Sinatra (fl, piccolo)\u003cbr\u003eJim Hall, Kenny Burrell (git) Art Davis (b)\u003cbr\u003eSol Gubin (drs) Ted Sommer (cabasa) Willie\u003cbr\u003eRodriguez (pandeiro) Al Cohn, Manny Albam (arr)\u003cbr\u003eRecorded in New York City, 1962\u003cbr\u003eTOTAL TIME 72.13\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 10\u003cbr\u003e■ Jimmy Giuffre Quartet in Person\u003cbr\u003e1. The Quiet Time (Jimmy Giuffre) 9.31\u003cbr\u003e2. The Crab (Jimmy Giuffre) 8.31\u003cbr\u003e3. My Funny Valentine (Richard\u003cbr\u003eRodgers, Lorenz Hart) 8.01\u003cbr\u003e4. Wee See (Thelonious Monk) 9.25\u003cbr\u003e5. What's New? (Bob Haggart, Johnny\u003cbr\u003eBurke) 6.32\u003cbr\u003e6. Two for Timbuctu (Jimmy Giuffre)\u003cbr\u003e7.03\u003cbr\u003eJimmy Giuffre (cl, ts) Jim Hall (git) Buell\u003cbr\u003eNeidlinger (b) Billy Osborne (drs)\u003cbr\u003eRecorded at the Five Spot Café, NYC on\u003cbr\u003eJuly 19, 1960\u003cbr\u003eTOTAL TIME 49.05\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":31626287677527,"sku":"4053796005564","price":32.94,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/700556_front.jpg?v=1735249044","url":"https:\/\/classicselectworld.com\/de-de\/products\/jim-hall-on-guitar-milestones-of-a-jazz-legend-1955-1962-10-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}