{"product_id":"leonard-bernstein-milestones-of-a-legend","title":"LEONARD BERNSTEIN: Milestones Of A Legend (10 CDs)","description":"\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTINGS_WITH_WORLD_1_c713f797-b518-4ebc-9976-40d12adb7c54_large.png?v=1557494762\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eDisc 1:\u003c\/p\u003e\n\u003cp\u003eGustav Mahler: Symphony No. 4 in G Major (1960), I. Bedächtig. Nicht eilen\u003c\/p\u003e\n\u003cp\u003eGustav Mahler: Symphony No. 4 in G Major (1960), II. In gemächlicher Bewegung. Ohne Hast\u003c\/p\u003e\n\u003cp\u003e3: Gustav Mahler: Symphony No. 4 in G Major (1960), III. Ruhevoll\u003c\/p\u003e\n\u003cp\u003e4: Gustav Mahler: Symphony No. 4 in G Major (1960), IV. Sehr behaglich Wir genießen die himmlischen FreudenBR\u003c\/p\u003e\n\u003cp\u003eDisc 2\u003c\/p\u003e\n\u003cp\u003e1: Leonard Bernstein: Sinfonie Nr. 2 für Klavier und Orchester The Age of Anxiety (nach W. H. Auden). Part I, The Prologue\u003c\/p\u003e\n\u003cp\u003e2: Leonard Bernstein: Sinfonie Nr. 2 für Klavier und Orchester The Age of Anxiety (nach W. H. Auden). Part I, The Seven Ages (Variations 1-7)\u003c\/p\u003e\n\u003cp\u003e3: Leonard Bernstein: Sinfonie Nr. 2 für Klavier und Orchester The Age of Anxiety (nach W. H. Auden). Part I, The Seven Stages (Variations 8-14)\u003c\/p\u003e\n\u003cp\u003e4: Leonard Bernstein: Sinfonie Nr. 2 für Klavier und Orchester The Age of Anxiety (nach W. H. Auden). Part II, The Dirge\u003c\/p\u003e\n\u003cp\u003e5: Leonard Bernstein: Sinfonie Nr. 2 für Klavier und Orchester The Age of Anxiety (nach W. H. Auden). Part II, The Masque\u003c\/p\u003e\n\u003cp\u003e6: Leonard Bernstein: Sinfonie Nr. 2 für Klavier und Orchester The Age of Anxiety (nach W. H. Auden). Part II, The Epilogue\u003c\/p\u003e\n\u003cp\u003e7: Gustav Mahler: Symphony No. 3 in D Minor (1962) , I. Kräftig. Entschieden\u003c\/p\u003e\n\u003cp\u003eDisc 3\u003c\/p\u003e\n\u003cp\u003e1: Gustav Mahler: Symphony No. 3 in D Minor (1962) , II. Tempo di Menuetto. Sehr mäßig\u003c\/p\u003e\n\u003cp\u003e2: Gustav Mahler: Symphony No. 3 in D Minor (1962) , III. Comodo. Scherzando. Ohne Hast\u003c\/p\u003e\n\u003cp\u003e3: Gustav Mahler - F. Nietzsche: Symphony No. 3 in D Minor (1962) , IV. Sehr langsam. Misterioso. Durchaus ppp. O Mensch! Gib Acht!(Text: F. Nietzsche)\u003c\/p\u003e\n\u003cp\u003e4: Gustav Mahler: Symphony No. 3 in D Minor (1962) , Lustig im Tempo und keck im Ausdruck. Es sungen die Engel (aus: Des Knaben Wunderhorn)\u003c\/p\u003e\n\u003cp\u003e5: Gustav Mahler: Symphony No. 3 in D Minor (1962) , Langsam. Ruhevoll. Empfunden\u003c\/p\u003e\n\u003cp\u003eDisc 4\u003c\/p\u003e\n\u003cp\u003e1: Charles Ives: Symphony No. 2 (1960), I. Andanto moderato\u003c\/p\u003e\n\u003cp\u003e2: Charles Ives: Symphony No. 2 (1960), II. Allegro\u003c\/p\u003e\n\u003cp\u003e3: Charles Ives: Symphony No. 2 (1960), III. Adagio cantabile\u003c\/p\u003e\n\u003cp\u003e4: Charles Ives: Symphony No. 2 (1960), IV. Lento maestoso\u003c\/p\u003e\n\u003cp\u003e5: Charles Ives: Symphony No. 2 (1960), V. Allegro molto vivace\u003c\/p\u003e\n\u003cp\u003eDisc 5\u003c\/p\u003e\n\u003cp\u003e1: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Introduction: Lento\u003c\/p\u003e\n\u003cp\u003e2: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Les augures printaniers (Danse des adolescentes)\u003c\/p\u003e\n\u003cp\u003e3: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Jeu du rapt\u003c\/p\u003e\n\u003cp\u003e4: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Rondes printanières\u003c\/p\u003e\n\u003cp\u003e5: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Jeux des cités rivales\u003c\/p\u003e\n\u003cp\u003e6: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Cortège du Sage\u003c\/p\u003e\n\u003cp\u003e7: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Adoration de la terre\u003c\/p\u003e\n\u003cp\u003e8: Igor Strawinsky: Le Sacre Du Printemps (1958). Première Partie: L'adoration de la terre, Danse de la terre\u003c\/p\u003e\n\u003cp\u003e9: Igor Strawinsky: Le Sacre Du Printemps (1958). Seconde partie: Le Sacrifice, Introduction: Largo\u003c\/p\u003e\n\u003cp\u003e10: Igor Strawinsky: Le Sacre Du Printemps (1958). Seconde partie: Le Sacrifice, Cercles mystérieux des adolescents\u003c\/p\u003e\n\u003cp\u003e11: Igor Strawinsky: Le Sacre Du Printemps (1958). Seconde partie: Le Sacrifice, Glorification de l'Élue\u003c\/p\u003e\n\u003cp\u003e12: Igor Strawinsky: Le Sacre Du Printemps (1958). Seconde partie: Le Sacrifice, Évocation des ancêtres\u003c\/p\u003e\n\u003cp\u003e13: Igor Strawinsky: Le Sacre Du Printemps (1958). Seconde partie: Le Sacrifice, Action rituelle des ancêtres\u003c\/p\u003e\n\u003cp\u003e14: Igor Strawinsky: Le Sacre Du Printemps (1958). Seconde partie: Le Sacrifice, Danse sacrale\u003c\/p\u003e\n\u003cp\u003eDisc 6\u003c\/p\u003e\n\u003cp\u003e1: George Gershwin: Rhapsody in Blue\/An American in Paris (1959), Rhapsody in Blue\u003c\/p\u003e\n\u003cp\u003e2: George Gershwin: Rhapsody in Blue\/An American in Paris (1959), An American in Paris\u003c\/p\u003e\n\u003cp\u003e3: Maurice Ravel: Bolero, Bolero\u003c\/p\u003e\n\u003cp\u003e4: Maurice Ravel: Bolero, La Valse\u003c\/p\u003e\n\u003cp\u003e5: Maurice Ravel: Rhapsodie Espagnole, I. Prélude à la nuit. Très modéré\u003c\/p\u003e\n\u003cp\u003e6: Maurice Ravel: Rhapsodie Espagnole, II. Malaguena: Assez vif\u003c\/p\u003e\n\u003cp\u003e7: Maurice Ravel: Rhapsodie Espagnole, III. Habanera: Assez lent et d'un rythme\u003c\/p\u003e\n\u003cp\u003e8: Maurice Ravel: Rhapsodie Espagnole, IV. Feria : Assez animé\u003c\/p\u003e\n\u003cp\u003eDisc 7\u003c\/p\u003e\n\u003cp\u003e1: Ludwig van Beethoven: Emperor Concerto (1962)\/Klavierkonzert Nr. 5 Es-Dur op. 73, I. Allegro\u003c\/p\u003e\n\u003cp\u003e2: Ludwig van Beethoven: Emperor Concerto (1962)\/Klavierkonzert Nr. 5 Es-Dur op. 73, II. Adagio un poco moto\u003c\/p\u003e\n\u003cp\u003e3: Ludwig van Beethoven: Emperor Concerto (1962)\/Klavierkonzert Nr. 5 Es-Dur op. 73, Rondo: Allegro\u003c\/p\u003e\n\u003cp\u003e4: Ludwig van Beethoven: Concerto No. 4 in G Major for Piano and Orchestra, I. Allegro moderato\u003c\/p\u003e\n\u003cp\u003e5: Ludwig van Beethoven: Concerto No. 4 in G Major for Piano and Orchestra, II. Andante con moto\u003c\/p\u003e\n\u003cp\u003e6: Ludwig van Beethoven: Concerto No. 4 in G Major for Piano and Orchestra, III. Rondo: Vivace\u003c\/p\u003e\n\u003cp\u003eDisc 8\u003c\/p\u003e\n\u003cp\u003e1: Aaron Copland: Billy The Kid\/Rodeo (1960) - Four Dance Episodes, Buckaroo Holiday - Allegro con spirito\u003c\/p\u003e\n\u003cp\u003e2: Aaron Copland: Billy The Kid\/Rodeo (1960) - Four Dance Episodes, Corral Nocturne - Moderato\u003c\/p\u003e\n\u003cp\u003e3: Aaron Copland: Billy The Kid\/Rodeo (1960) - Four Dance Episodes, Saturday Night Walz - Introduction. Slow Waltz\u003c\/p\u003e\n\u003cp\u003e4: Aaron Copland: Billy The Kid\/Rodeo (1960) - Four Dance Episodes, Hoe-Down - Allegro\u003c\/p\u003e\n\u003cp\u003e5: Aaron Copland: Billy The Kid - Orchestral Suite, Introduction: The open Prairie\u003c\/p\u003e\n\u003cp\u003e6: Aaron Copland: Billy The Kid - Orchestral Suite, Street in a Frontier Town\u003c\/p\u003e\n\u003cp\u003e7: Aaron Copland: Billy The Kid - Orchestral Suite, Mexican Dance and Finale\u003c\/p\u003e\n\u003cp\u003e8: Aaron Copland: Billy The Kid - Orchestral Suite, Prairie Night (Card Game at Night)\u003c\/p\u003e\n\u003cp\u003e9: Aaron Copland: Billy The Kid - Orchestral Suite, Gun Battle\u003c\/p\u003e\n\u003cp\u003e10: Aaron Copland: Billy The Kid - Orchestral Suite, Celebration (after Billy's capture)\u003c\/p\u003e\n\u003cp\u003e11: Aaron Copland: Billy The Kid - Orchestral Suite, Billy's Death\u003c\/p\u003e\n\u003cp\u003e12: Aaron Copland: Billy The Kid - Orchestral Suite, The open Prairie again\u003c\/p\u003e\n\u003cp\u003eDisc 9\u003c\/p\u003e\n\u003cp\u003e1: Antonin Dvorak: Sinfonie Nr. 9 e-Moll op. 95 Aus der neuen Welt , I. Adagio. Allegro molto\u003c\/p\u003e\n\u003cp\u003e2: Antonin Dvorak: Sinfonie Nr. 9 e-Moll op. 95 Aus der neuen Welt , II. Largo\u003c\/p\u003e\n\u003cp\u003e3: Antonin Dvorak: Sinfonie Nr. 9 e-Moll op. 95 Aus der neuen Welt , III. Scherzo: Molto vivace\u003c\/p\u003e\n\u003cp\u003e4: Antonin Dvorak: Sinfonie Nr. 9 e-Moll op. 95 Aus der neuen Welt , IV. Allegro con fuoco\u003c\/p\u003e\n\u003cp\u003eDisc 10\u003c\/p\u003e\n\u003cp\u003e1: Leonard Bernstein - S. Sondheim: Symphonic Dances from West Side Story, I. Prologue: Allegro moderato\u003c\/p\u003e\n\u003cp\u003e2: Leonard Bernstein - S. Sondheim: Symphonic Dances from West Side Story, II. Somewhere: Adagio\u003c\/p\u003e\n\u003cp\u003e3: Leonard Bernstein - S. Sondheim: Symphonic Dances from West Side Story, III. Scherzo: Vivace e leggiero\u003c\/p\u003e\n\u003cp\u003e4: Leonard Bernstein: Symphonic Dances from West Side Story, IV. Mambo: Meno presto\u003c\/p\u003e\n\u003cp\u003e5: Leonard Bernstein - S. Sondheim: Symphonic Dances from West Side Story, V. Cha-Cha: Andantino con grazia\u003c\/p\u003e\n\u003cp\u003e6: Leonard Bernstein - S. Sondheim: Symphonic Dances from West Side Story, Meeting Scene: Meno mosso\u003c\/p\u003e\n\u003cp\u003e7: Leonard Bernstein: Symphonic Dances from West Side Story, Cool Fugue: Allegretto\u003c\/p\u003e\n\u003cp\u003e8: Leonard Bernstein: Symphonic Dances from West Side Story, Rumble: Molto allegro\u003c\/p\u003e\n\u003cp\u003e9: Leonard Bernstein - S. Sondheim: Symphonic Dances from West Side Story, Finale: Adagio\u003c\/p\u003e\n\u003cp\u003e10: Leonard Bernstein: Symphonic Suite from the film On The Waterfront, Andante (with dignity). Presto barbaro\u003c\/p\u003e\n\u003cp\u003e11: Leonard Bernstein - S. Sondheim: Symphonic Suite from the film On The Waterfront, Adagio. Allegro molto agitato. Alla breve (Poco più mosso). Presto come prima\u003c\/p\u003e\n\u003cp\u003e12: Leonard Bernstein - S. Sondheim: Symphonic Suite from the film On The Waterfront, Andante largamente. More flowing. Still more flowing. Poco meno mosso. Lento\u003c\/p\u003e\n\u003cp\u003e13: Leonard Bernstein - S. Sondheim: Symphonic Suite from the film On The Waterfront, Moving forward, with warmth. Largamente. A Tempo. Calmato. Andante come prima. Sempre avanti, with intensity. Ancora più mosso\u003c\/p\u003e\n\u003cp\u003e14: Leonard Bernstein - S. Sondheim: Symphonic Suite from the film On The Waterfront, Allegro non troppo, molto marcato. Poco più sostenuto. Moving forward. Meno mosso\u003c\/p\u003e\n\u003cp\u003e15: Leonard Bernstein - S. Sondheim: Symphonic Suite from the film On The Waterfront, A Tempo\u003c\/p\u003e","brand":"Intense Media","offers":[{"title":"Default Title","offer_id":17321772023859,"sku":"MEM600329","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71upkqFDKjL._SL1200.jpg?v=1556553957","url":"https:\/\/classicselectworld.com\/de-de\/products\/leonard-bernstein-milestones-of-a-legend","provider":"ClassicSelect World","version":"1.0","type":"link"}