{"product_id":"milestones-of-a-legend-ricci-ruggiero","title":"RUGGIERO RICCI: Milestones Of A Legend (10 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_522753e9-66ba-48ea-8558-b0cd53a478e3_480x480.png?v=1646166167\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eRuggiero Ricci (1918 - 2012) secured his entry into the history of recorded music with the very first recording of the 24 caprices by the devil's violinist Nicolo Paganini, which had been deemed unplayable until then. This was followed by decades of world fame, in which he triumphed as perhaps the greatest violin virtuoso of his time on all continents. Proof of this is provided by the ten CDs in this documentary. As a ten-year-old Ricci had made his concert debut in his native San Francisco, a year later he already stood onstage at Carnegie Hall with Mendelssohn's Violin Concerto. His parents, music-loving Italian immigrants, had enabled him to study with the famous teacher Louis Persinger. Later on he continued his education with Georg Kulenkampff in Berlin and enjoyed the support of the great Fritz Kreisler. In addition to the astonishing ease of the virtuoso, this documentation also exemplifies Riccis respectful handling of the great works that Beethoven, Tchaikovsky, Dvorák, Mendelssohn and others have written for his instrument. Equally interesting is his interaction with Martha Argerich and Friedrich Gulda.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_80976754-e9e0-46de-b62f-ac42fe034a4c_480x480.png?v=1646155801\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e\u003cbr\u003e■ Nicolò Paganini (1782 - 1840)\u003cbr\u003e24 CAPRICES FOR SOLO VIOLIN, OP. 1\u003cbr\u003e1. No. 1 in E major \/ E-Dur (Andante) 1‘35\u003cbr\u003e2. No. 2 in B minor \/ h-Moll (Moderato) 2‘55\u003cbr\u003e3. No. 3 in E minor \/ e-Moll (Sostenuto, Presto, Sostenuto) 2‘55\u003cbr\u003e4. No. 4 in C minor \/ c-Moll (Maestoso) 6‘00\u003cbr\u003e5. No. 5 in A minor \/ a-Moll (Agitato) 2‘17\u003cbr\u003e6. No. 6 in G minor \/ g-Moll (Adagio) 4‘55\u003cbr\u003e7. No. 7 in A minor \/ a-Moll (Moderato assai) 3‘09\u003cbr\u003e8. No. 8 in E flat major \/ Es-Dur (Maestoso) 2‘33\u003cbr\u003e9. No. 9 in E major \/ E-Dur (Allegretto) 2‘52\u003cbr\u003e10. No. in G minor \/ g-Moll (Vivace) 2‘01\u003cbr\u003e11. No. 11 in C major \/ C-Dur (Andante, Presto, Tempo I) 4‘09\u003cbr\u003e12. No. 12 in A flat major \/ As-Dur ( Allegro) 2‘37\u003cbr\u003e13. No. 13 in B flat major \/ B-Dur (Allegro non troppo) 2‘36\u003cbr\u003e14. No. 14 in E flat major \/ Es-Dur (Marcia: Moderato) 1‘31\u003cbr\u003e15. No. 15 in E minor \/ e-Moll (Posato) 2‘39\u003cbr\u003e16. No. 16 in G minor \/ g-Moll (Presto) 1‘08\u003cbr\u003e17. No. 17 in E flat major \/ Es-Dur (Sostenuto, Andante) 3‘02\u003cbr\u003e18. No. 18 in C major \/ C-Dur (Corrente, Allegro) 2‘14\u003cbr\u003e19. No. 19 in E flat major \/ Es-Dur (Lento, Allegro assai) 2‘44\u003cbr\u003e20. No. 20 in D major \/ D-Dur (Allegretto) 3‘52\u003cbr\u003e21. No. 21 in A major \/ A-Dur (Amoroso, Presto) 3‘13\u003cbr\u003e22. No. 22 in F major \/ F-Dur (Marcato) 2‘51\u003cbr\u003e23. No. 23 in E flat major \/ Es-Dur (Posato) 4‘11\u003cbr\u003e24. No. 24 in A minor \/ a-Moll 6‘04\u003cbr\u003e(Tema con variazioni: Quasi presto)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin ∙ recorded \/ aufgenommen 1950\u003cbr\u003eLK 4025 (1-12), LXT 2588 (13-24)\u003cbr\u003eTotal Time 74‘05\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e\u003cbr\u003e■ Nicolò Paganini (1782 - 1840)\u003cbr\u003eVIOLIN CONCERTO NO. 1 IN D-MAJOR, OP. 6\u003cbr\u003eKonzert für Violine und Orchester, D-Dur, op. 6\u003cbr\u003e1. 1. Allegro maestoso (Cadenza: Paganini, arr. Sauret) 15‘04\u003cbr\u003e2. 2. Adagio 6‘00\u003cbr\u003e3. 3. Rondo: Allegro spiritoso 7‘40\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVIOLIN CONCERTO NO. 2 IN B MINOR, OP. 7 “La campanella”\u003cbr\u003eKonzert für Violine und Orchester, h-Moll, op. 7\u003cbr\u003e4. 1. Allegro maestoso (Cadenza: Balsam) 13‘26\u003cbr\u003e5. 2. Adagio 6‘38\u003cbr\u003e6. 3. Rondo 7‘27\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin ∙ London Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Anthony Collins\u003cbr\u003erecorded \/ aufgenommen 1955 ∙ LXT 5075\u003cbr\u003e\u003cbr\u003e■ Maurice Ravel (1875 - 1917)\u003cbr\u003e7. Tzigane 10‘14\u003cbr\u003eRuggiero Ricci violin ∙ L'Orchestre de la Suisse Romande\u003cbr\u003econductor \/ Dirigent Ernest Ansermet\u003cbr\u003erecorded \/ aufgenommen 1959 ∙ from SXL 2155\u003cbr\u003e\u003cbr\u003e■ Pablo de Sarasate (1844 - 1908)\u003cbr\u003e8. Jota arragonesa, op. 27 4‘33\u003cbr\u003eRuggiero Ricci violin ∙ Ernest Lush piano\u003cbr\u003erecorded \/ aufgenommen 1958\u003cbr\u003eTotal Time 71‘09\u003cbr\u003e\u003cbr\u003eCD 3\u003cbr\u003e\u003cbr\u003e■ Pablo de Sarasate (1844 - 1908)\u003cbr\u003e1. Zigeunerweisen, op. 20\/1 7‘47\u003cbr\u003eRuggiero Ricci violin ∙ London Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Piero Gamba\u003cbr\u003erecorded \/ aufgenommen 1959 ∙ from SXL 2197\u003cbr\u003e■ Moritz Moszkowski (1854 - 1925)\u003cbr\u003e2. Guitarre, op. 45\/2 (arr. Sarasate) 3‘00\u003cbr\u003e■ Frédéric Chopin (1810 – 1849)\u003cbr\u003e3. Nocturne No. 20 in C sharp minor 3‘36\u003cbr\u003ecis-Moll, op.posth.\u003cbr\u003e(arr. Milstein)\u003cbr\u003e■ Edward Elgar (1857 - 1934)\u003cbr\u003e4. La Capricieuse, op. 17 3‘24\u003cbr\u003e(arr. Milstein)\u003cbr\u003e■ Henryk Wieniawski (1835 - 1880)\u003cbr\u003e5. Scherzo-Tarantelle, op. 16 4‘13\u003cbr\u003e■ Josef Suk (1874 – 1935)\u003cbr\u003e6. Burleska, op. 7\/4 2‘53\u003cbr\u003e■ Nicoló Paganini (1782 - 1840)\u003cbr\u003e7. Le streghe, op. 8 (Witches‘ Dance \/ Hexentanz) 7‘14\u003cbr\u003eVariations on a theme\u003cbr\u003efrom Süssmayr’s „Il noce de Benevento“ (arr. Kreisler)\u003cbr\u003e8. Fantasia, op. 24, after \/ nach Rossini’s „Mosè in Egitto“ 5‘29\u003cbr\u003e9. Moto perpetuo, op. 11 3‘58\u003cbr\u003e10. Variaziones del „Nel cor più non mi sento“ 9‘18\u003cbr\u003e(Paisiello: La molinara)\u003cbr\u003e11. Variations on „God Save the King“, op. 9 5‘33\u003cbr\u003e12. La campanella (Violin Concerto No. 2, arr. Kochanski) 4‘34\u003cbr\u003e13. Sonata No. 12, E minor \/ e-Moll, op. 3\/6 3‘54\u003cbr\u003e14. I palpiti: Introduzione e variazioni „Di tanti palpiti“, op. 13 9‘41\u003cbr\u003e(Rossini: Tancredi, arr. Kreisler)\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003erecorded \/ aufgenommen 1954 (7-14), 1958 (2-6)\u003cbr\u003eErnest Lush piano (2-6)\u003cbr\u003eLouis Persinger piano (7-14)\u003cbr\u003eTotal Time 74‘54\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003e\u003cbr\u003e■ Edouard Lalo (1823 - 1892)\u003cbr\u003eSYMPHONIE ESPAGNOLE IN D MINOR \/ d-Moll, op. 21\u003cbr\u003e1. 1. Allegro non troppo 7‘45\u003cbr\u003e2. 2. Scherzando: Allegro molto 4‘29\u003cbr\u003e3. 3. Intermezzo: Allegretto ma non troppo 6‘10\u003cbr\u003e4. 4. Andante 6‘19\u003cbr\u003e5. 5. Rondo: Allegro 8‘20\u003cbr\u003eRuggiero Ricci violin ∙ L'Orchestre de la Suisse Romande\u003cbr\u003econductor \/ Dirigent Ernest Ansermet\u003cbr\u003erecorded \/ aufgenommen 1959 ∙ from SXL 2155\u003cbr\u003e\u003cbr\u003e■ Camille Saint-Saëns (1835 - 1921)\u003cbr\u003e6. HAVANAISE, op. 83 9‘16\u003cbr\u003e7. INTRODUCTION \u0026amp; RONDO CAPRICCIOSO, op. 28 8‘30\u003cbr\u003e\u003cbr\u003e■ Pablo de Sarasate (1844 - 1908)\u003cbr\u003e8. „CARMEN“, Fantasie de concert, op. 25 12‘51\u003cbr\u003eRuggiero Ricci violin ∙ London Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Piero Gamba\u003cbr\u003erecorded \/ aufgenommen 1959 ∙ from SXL 2197\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e9. INTRODUCTION \u0026amp; TARANTELLA, op. 43 4‘25\u003cbr\u003eRuggiero Ricci violin ∙ Martha Argerich piano\u003cbr\u003erecorded \/ aufgenommen 1961, Live\u003cbr\u003e(Leningrad \/ St. Petersburg)\u003cbr\u003eTotal Time 68‘21\u003cbr\u003e\u003cbr\u003eCD 5\u003cbr\u003e\u003cbr\u003e■ Béla Bartók (1881 - 1945)\u003cbr\u003eSONATINA FOR VIOLIN AND PIANO IN D MAJOR\u003cbr\u003eSonatine für Violine und Klavier, D-Dur\u003cbr\u003eOn Folk Songs from Transylvanya\u003cbr\u003enach Volksliedern aus Transylvanien\u003cbr\u003e(arr. from piano sonata of 1915 by André Gertler)\u003cbr\u003e1. 1. Cornemuses. Allegretto 1‘17\u003cbr\u003e2. 2. Danse de l’ours. Moderato 0‘41\u003cbr\u003e3. 3. Finale: Allegro vivace 1‘54\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSONATA FOR VIOLIN SOLO\u003cbr\u003e4. 1. Tempo di ciaconna 8‘23\u003cbr\u003e5. 2. Fuga (Risoluto, non troppo vivo) 3‘33\u003cbr\u003e6. 3. Melodia (Adagio) 6‘03\u003cbr\u003e7. 4. Presto 5‘34\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eMartha Argerich piano (1-3)\u003cbr\u003erecorded \/ aufgenommen 1961, Live\u003cbr\u003e(Leningrad \/ St. Petersburg)\u003cbr\u003e\u003cbr\u003e■ Pablo de Sarasate (1844 - 1908)\u003cbr\u003e8. SRENADE ANDALOUSE, op. 28 4‘08\u003cbr\u003e9. CAPRICE BASQUE, op. 24 4‘16\u003cbr\u003eSPANISH DANCES \/ SPANISCHE TÄNZE, op. 21\u003cbr\u003e10. Malagueña 4‘10\u003cbr\u003e11. Habanera 3‘31\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSPANISH DANCES \/ SPANISCHE TÄNZE, op. 22\u003cbr\u003e12. Romanza andaluza 4‘15\u003cbr\u003e13. Jota Navarra 4‘26\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSPANISH DANCES \/ SPANISCHE TÄNZE, op. 23\u003cbr\u003e14. Playera 3‘50\u003cbr\u003e15. Zapateado 3‘28\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSPANISH DANCES \/ SPANISCHE TÄNZE, op. 26\u003cbr\u003e16. Spanish dance no. 7 5‘16\u003cbr\u003e17. Spanish dance no. 8 4‘19\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eBrooks Smith piano\u003cbr\u003erecorded \/ aufgenommen 1961\u003cbr\u003eTotal Time 69‘26\u003cbr\u003e\u003cbr\u003eCD 6\u003cbr\u003e\u003cbr\u003e■ Richard Strauss (1864 - 1949)\u003cbr\u003eVIOLIN SONATA IN E FLAT MAJOR, OP. 18\u003cbr\u003eSonate für Violine und Klavier, Es-Dur, op.18\u003cbr\u003e1. 1. Allegro ma non troppo 10‘43\u003cbr\u003e2. 2. Improvisation: Andante cantabile 7‘40\u003cbr\u003e3. 3. Finale: Andante – Allegro 8‘34\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eCarlo Bussotti piano\u003cbr\u003erecorded \/ aufgenommen 1953\u003cbr\u003efrom LXT 2818\u003cbr\u003e\u003cbr\u003e■ Carl Maria von Weber (1786 - 1826)\u003cbr\u003eSIX SONATES PROGRESSIVES\u003cbr\u003eNO. 1 IN F MAJOR \/ F-Dur, J99\u003cbr\u003e4. 1. Allegro 2‘18\u003cbr\u003e5. 2. Romanze: Larghetto 1‘59\u003cbr\u003e6. 3. Rondo: Amabile 2‘37\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNO. 2 IN G MAJOR \/ G-Dur, J100\u003cbr\u003e7. 1. Carattere espagnuolo: Moderato 2‘34\u003cbr\u003e8. 2. Adagio 3‘07\u003cbr\u003e9. 3. Air polonaise (Rondo): Allegro 2‘12\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNO. 3 IN D MINOR \/ d-Moll, J101\u003cbr\u003e10. 1. Air russe: Allegro moderato 1‘47\u003cbr\u003e11. 2. Rondo: Presto 2‘17\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNO. 4 IN E FLAT MAJOR \/ Es-Dur, J102\u003cbr\u003e12. 1. Moderato 3‘24\u003cbr\u003e13. 2. Rondo: Vivace 1‘58\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNO. 5 IN A MAJOR \/ A-Dur, J103\u003cbr\u003e14. 1. Andante con moto 3‘19\u003cbr\u003e15. 2. Siciliano: Allegretto 2‘54\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNO. 6 IN C MAJOR\/C-Dur, J104\u003cbr\u003e16. 1. Allegro con fuoco 2‘50\u003cbr\u003e17. 2. Largo – Polacca 5‘31\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eCarlo Bussotti piano\u003cbr\u003erecorded \/ aufgenommen 1954\u003cbr\u003eLXT 2959\u003cbr\u003eTotal Time 65‘45\u003cbr\u003e\u003cbr\u003eCD 7\u003cbr\u003e\u003cbr\u003e■ Antonin Dvorák (1841 - 1904)\u003cbr\u003eVIOLIN CONCERTO IN A MINOR, OP. 53\u003cbr\u003eKonzert für Violine und Orchester, a-Moll, op. 53\u003cbr\u003e1. 1. Allegro ma non troppo 9‘23\u003cbr\u003e2. 2. Adagio ma non troppo 12‘41\u003cbr\u003e3. 3. Finale: Allegro giocoso ma non troppo 10‘13\u003cbr\u003e\u003cbr\u003e■ Pjotr I. Tchaikovsky (1840 - 1893)\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, OP. 35\u003cbr\u003eKonzert für Violine und Orchester, D-Dur, op. 35\u003cbr\u003e4. 1. Allegro moderato. Moderato assai 18‘05\u003cbr\u003e5. 2. Canzonetta. Andante – attacca subito 6‘06\u003cbr\u003e6. 3. Finale: Allegro vivacissimo 8‘49\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Sir Malcolm Sargent\u003cbr\u003erecorded \/ aufgenommen 1961\u003cbr\u003eLXT 2509 (4-6)\u003cbr\u003eTotal Time 65‘24\u003cbr\u003e\u003cbr\u003eCD 8\u003cbr\u003e\u003cbr\u003e■ Felix Mendelssohn-Bartholdy (1809 - 1847)\u003cbr\u003eVIOLIN CONCERTO IN E MINOR, OP. 64\u003cbr\u003eKonzert für Violine und Orchester, e-Moll, op. 64\u003cbr\u003e1. 1. Allegro molto appassionato 12‘54\u003cbr\u003e2. 2. Andante 7‘36\u003cbr\u003e3. 3. Allegro non troppo. Allegro molto vivace 6‘14\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Piero Gamba\u003cbr\u003erecorded \/ aufgenommen 1957\u003cbr\u003eLW 50078\u003cbr\u003e\u003cbr\u003e■ Johannes Brahms (1833 - 1897)\u003cbr\u003eSONATA NO. 2 IN A MAJOR FOR VIOLIN AND PIANO, OP. 100\u003cbr\u003eSonate Nr. 2, A-Dur, für Violine und Klavier, op. 100\u003cbr\u003e4. 1. Allegro amabile 8‘05\u003cbr\u003e5. 2. Andante tranquillo 6‘37\u003cbr\u003e6. 3. Allegretto grazioso 5‘14\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSONATA NO. 3 IN D MINOR FOR VIOLIN AND PIANO, OP. 108\u003cbr\u003eSonate Nr. 3, D-Moll, für Violine und Klavier, op. 108\u003cbr\u003e7. 1. Allegro 7‘21\u003cbr\u003e8. 2. Adagio 4‘30\u003cbr\u003e9. 3. Un poco presto e con sentimento 2‘49\u003cbr\u003e10. 4. Presto agitato 5‘41\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin Julius Katchen piano\u003cbr\u003erecorded \/ aufgenommen 1956\u003cbr\u003eLXT 2750\u003cbr\u003eTotal Time 67‘11\u003cbr\u003e\u003cbr\u003eCD 9\u003cbr\u003e\u003cbr\u003e■ Ludwig van Beethoven (1770 - 1827)\u003cbr\u003eVIOLIN SONATA NO. 7 IN C MINOR, OP. 30\/2\u003cbr\u003eSonate Nr. 7 für Violine und Klavier, c-Moll, op. 30\/2\u003cbr\u003e1. 1. Allegro con brio 7‘22\u003cbr\u003e2. 2. Adagio cantabile 10‘27\u003cbr\u003e3. 3. Scherzo (Allegro) 3‘09\u003cbr\u003e4. 4. Finale: Allegro 4‘53\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVIOLIN SONATA NO. 10 IN G MAJOR, OP. 96\u003cbr\u003eSonate Nr. 10 für Violine und Klavier, G-Dur, op. 96\u003cbr\u003e5. 1. Allegro moderato 9‘41\u003cbr\u003e6. 2. Adagio espressivo 6‘26\u003cbr\u003e7. 3. Scherzo (Allegro) 2‘10\u003cbr\u003e8. 4. Poco allegretto 8‘02\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRuggiero Ricci violin ∙ Friedrich Gulda piano\u003cbr\u003erecorded \/ aufgenommen 1954 ∙ LXT 2942\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVIOLIN SONATA NO. 3 IN E FLAT MAJOR, OP. 12\/3\u003cbr\u003eSonate Nr. 3 für Violine und Klavier, Es-Dur, op. 12\/3\u003cbr\u003e9. 1. Allegro con spirito 5‘45\u003cbr\u003e10. 2. Adagio con molt‘ espressione 5‘45\u003cbr\u003e11. 3. Rondo (Allegro molto) 4‘09\u003cbr\u003eRuggiero Ricci violin ∙ Martha Argerich piano\u003cbr\u003erecorded \/ aufgenommen 1961, Live\u003cbr\u003e(Leningrad \/ St. Petersburg)\u003cbr\u003eTotal Time 67‘55\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003e\u003cbr\u003e■ Paul Hindemith (1895 - 1963)\u003cbr\u003eSONATA FOR VIOLIN SOLO, OP. 31, NO. 1\u003cbr\u003e1. 1. Sehr lebhafte Achtel 1‘34\u003cbr\u003e2. 2. Sehr langsame Viertel 2‘42\u003cbr\u003e3. 3. Sehr lebhafte Viertel 1‘58\u003cbr\u003e4. 4. Intermezzo, Lied. Ruhig bewegte Achtel 1‘54\u003cbr\u003e5. 5. Prestissimo 1‘48\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSONATA FOR VIOLIN SOLO, OP. 31, NO. 2\u003cbr\u003e6. 1. Leichte bewegte Viertel 1‘52\u003cbr\u003e7. 2. Ruhig bewegte Achtel 2‘24\u003cbr\u003e8. 3. Gemächliche Viertel 1‘05\u003cbr\u003e9. 4. Fünf Variationen über das Lied 3'58\u003cbr\u003e„Komm, lieber Mai“ (Mozart):\u003cbr\u003eLeicht bewegt – Ein wenig ruhiger – Viel langsamer.\u003cbr\u003eRuhig – Sehr lebhaft – Etwas langsam\u003cbr\u003e\u003cbr\u003e■ Sergei Prokofiev (1891 - 1953)\u003cbr\u003eSONATA FOR VIOLIN SOLO, OP. 115\u003cbr\u003e10. 1. Moderato 4‘28\u003cbr\u003e11. 2. Andante dolce 3‘14\u003cbr\u003e12. 3. Con brio 3‘39\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003erecorded \/ aufgenommen 1960\u003cbr\u003eSXL 2240\u003cbr\u003e\u003cbr\u003e■ Aram Khachaturian (1903 - 1978)\u003cbr\u003eVIOLIN CONCERTO\u003cbr\u003eKonzert für Violine und Orchester\u003cbr\u003e13. 1. Allegro con fermezza – Mono mosso 16‘02\u003cbr\u003e– Lento ma non troppo\u003cbr\u003eCadenza – Tempo I\u003cbr\u003e14. 2. Andante sostenuto – Allegretto – Andante 12‘22\u003cbr\u003e– Tempo I\u003cbr\u003e15. 3. Allegro vivace 10‘32\u003cbr\u003eRuggiero Ricci violin\u003cbr\u003eCarlo Bussotti piano\u003cbr\u003erecorded \/ aufgenommen 1954\u003cbr\u003eLXT 2959\u003cbr\u003eTotal Time 69‘45\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"RUGGIERO RICCI","offer_id":30262152855603,"sku":"4053796004260","price":21.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71MPmn_2BYj1L._SL1000.jpg?v=1569626325","url":"https:\/\/classicselectworld.com\/de-de\/products\/milestones-of-a-legend-ricci-ruggiero","provider":"ClassicSelect World","version":"1.0","type":"link"}