{"product_id":"otto-klemperer-the-warner-classics-remastered-edition-vol-2-complete-recordings-of-operas-sacred-works-on-emi-columbia-and-hmv","title":"Otto Klemperer: The Warner Classics Remastered Edition Vol.2 (Complete Recordings Of Operas \u0026 Sacred Works On EMI Columbia And HMV)","description":"\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD.png?v=1663272176\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eJohann Sebastian Bach \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMatthäus-Passion, BWV 244 [Rec. 1960-1961]\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003ePart 1. No. 1. Chorus: \"Kommt, Ihr Töchter, Helft Mir Klagen\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003ePart 1. No. 2. Recitative: \"Da Jesus Diese Rede Vollendet Hatte\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003ePart 1. No. 3. Chorale: \"Herzliebster Jesu, Was Hast Du Verbrochen\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4a. Recitative: \"Da Versammelten Sich Die Hohenpriester\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4b. Chorus: \"Ja Nicht Auf Das Fest\"\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4c. Recitative: \"Da Nun Jesus War Zu Bethanien\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4d. Chorus: \"Wozu Dienet Dieser Unrat?\"\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4e. Recitative: \"Da Das Jesus Merkete\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003ePart 1. No. 5. Recitative: \"Du Lieber Heiland \" (Alto)\u003cspan\u003e \u003c\/span\u003e1:05\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003ePart 1. No. 6. Aria: \"Buß Und Reu\" (Alto)\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003ePart 1 No. 7. Recitative: \"Da Ging Hin Der Zwölfen Einer\" (Evangelist, Judas)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003ePart 1. No. 8. Aria: \"Blute Nur, Du Liebes Herz\" (Soprano)\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003ePart 1. No. 9a. Recitative: \"Aber Am Ersten Tage Der Süßen Brot\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003ePart 1. No. 9b. Chorus: \"Wo Willst Du, Dass Wir Dir Bereiten\" (Chorus I)\u003cspan\u003e \u003c\/span\u003e0:25\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003ePart 1. No. 9c. Recitative: \"Er Sprach ... Und Sie Wurden Sehr Betrübt ... Herr, Bin Ich's\" (Evangelist, Jesus, Chorus)\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003ePart 1. No. 10. Chorale: \"Ich Bin's, Ich Sollte Büßen\"\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003ePart 1. No. 11. Recitative: \"Er Antwortete Und Sprach\" (Evangelist, Jesus, Judas)\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003ePart 1. No. 12. Recitative: \"Wiewohl Mein Herz In Tränen Schwimmt\" (Soprano)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003ePart 1. No. 13. Aria: \"Ich Will Dir Mein Herz Schenken\" (Soprano)\u003cspan\u003e \u003c\/span\u003e4:03\u003c\/div\u003e\n\u003cdiv\u003e1-20\u003cspan\u003e \u003c\/span\u003ePart 1. No. 14. Recitative: \"Und Da Sie Den Lobgesang Gesprochen Hatten\" (Evangelist, Judas)\u003cspan\u003e \u003c\/span\u003e1:24\u003c\/div\u003e\n\u003cdiv\u003e1-21\u003cspan\u003e \u003c\/span\u003ePart 1. No. 15. Chorale: \"Erkenne Mich, Mein Hüter\"\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e1-22\u003cspan\u003e \u003c\/span\u003ePart 1. No. 16. Recitative: \"Petrus Aber Antwortete und Sprach Zu Ihm\" (Evangelist, Petrus, Jesus)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e1-23\u003cspan\u003e \u003c\/span\u003ePart 1. No. 17. Chorale: \"Ich Will Hier Bei Dir Stehen\"\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e1-24\u003cspan\u003e \u003c\/span\u003ePart 1. No. 18. Recitative: \"Da Kam Jesus Mit Ihnen Zu Einem Hofe\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e1-25\u003cspan\u003e \u003c\/span\u003ePart 1. No. 19. Recitative \u0026amp; Chorus: \"O Schmerz! Hier Zittert Das Gequälte Herz\" (Tenor, Chorus II)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e1-26\u003cspan\u003e \u003c\/span\u003ePart 1. No. 20. Aria: \"Ich Will Bei Meinem Jesu Wachen\"\u003cspan\u003e \u003c\/span\u003e6:15\u003c\/div\u003e\n\u003cdiv\u003e1-27\u003cspan\u003e \u003c\/span\u003ePart 1. No. 21. Recitative: \"Und Ging Hin Ein Wenig\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e1-28\u003cspan\u003e \u003c\/span\u003ePart 1. No. 22. Recitative: \"Der Heiland Fällt Vor Seinem Vater Nieder\" (Bass)\u003cspan\u003e \u003c\/span\u003e1:21\u003c\/div\u003e\n\u003cdiv\u003e1-29\u003cspan\u003e \u003c\/span\u003ePart 1. No. 23. Aria: \"Gerne Will Ich Mich Bequemen\" (Bass)\u003cspan\u003e \u003c\/span\u003e6:35\u003c\/div\u003e\n\u003cdiv\u003e1-30\u003cspan\u003e \u003c\/span\u003ePart 1. No. 24. Recitative: \"Und Er Kam Zu Seinen Jüngern\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e1-31\u003cspan\u003e \u003c\/span\u003ePart 1. No. 25. Chorale: \"Was Mein Gott Will, Das G'scheh Allzeit\"\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003ePart 1. No. 26. Recitative: \"Und Er Kam Und Fand Sie Aber Schlafend\" (Evangelist, Jesus, Judas)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003ePart 1. No. 27 Duet \u0026amp; Chorus: \"So Ist Mein Jesus Nun Gefangen\" (Soprano, Alto, Chorus)\u003cspan\u003e \u003c\/span\u003e5:59\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003ePart 1. No. 28. Recitative: \"Und Siehe, Einer Aus Denen, Die Mit Jesu Waren\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003ePart 1. No. 29. Chorale: \"O Mensch, Bewein Dein Sünde Groß\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003ePart 2. No. 30. Aria: \"Ach, Nun Ist Mein Jesus Hin!\" (Alto)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003ePart 2. No. 31. Recitative: \"Die Aber Jesum Gegriffen Hatten\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003ePart 2. No. 32. Chorale: \"Mir Hat Die Welt Trüglich Gericht\"\u003cspan\u003e \u003c\/span\u003e1:29\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003ePart 2. No. 33. Recitative: \"Und Wiewohl Viel Falsche\" (Evangelist, Witnesses, High Priest)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003ePart 2. No.34. Recitative: \"Mein Jesus Schweigt Zu Falschen Lügen Stille\" (Tenor)\u003cspan\u003e \u003c\/span\u003e1:01\u003c\/div\u003e\n\u003cdiv\u003e2-10\u003cspan\u003e \u003c\/span\u003ePart 2. No. 35. Aria: \"Geduld, Geduld! \" (Tenor)\u003cspan\u003e \u003c\/span\u003e4:54\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003ePart 2. No. 36a. Recitative And Chorus: \"Und Der Hohepriester Antwortete ... Er Ist Todes Schuldig!\" (Evangelist, High Priest, Jesus, Chorus)\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e2-12\u003cspan\u003e \u003c\/span\u003ePart 2. No. 36c. Recitative And Chorus: \"Da Speieten Sie In Sein Angesicht ... Weissage Uns, Christe\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e2-13\u003cspan\u003e \u003c\/span\u003ePart 2. No. 37. Chorale: \"Wer Hat Dich So Geschlagen\"\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e2-14\u003cspan\u003e \u003c\/span\u003ePart 2. No. 38a Recitative And Chorus: \"Petrus Aber Saß Draußen Im Palast ... Wahrlich, Du Bist Auch Einer Von Denen\" (Evangelist, Maids, Petrus, Chorus II)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e2-15\u003cspan\u003e \u003c\/span\u003ePart 2. No. 38c. Recitative: \"Da Hub Er An Sich Zu Verfluchen\" (Evangelist, Petrus)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e2-16\u003cspan\u003e \u003c\/span\u003ePart 2. No. 39. Aria: \"Erbarme Dich\" (Alto)\u003cspan\u003e \u003c\/span\u003e7:23\u003c\/div\u003e\n\u003cdiv\u003e2-17\u003cspan\u003e \u003c\/span\u003ePart 2. No. 40. Chorale: \"Bin Ich Gleich Von Dir Gewichen\"\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e2-18\u003cspan\u003e \u003c\/span\u003ePart 2. No. 41a. Recitative And Chorus: \"Des Morgens Aber Hielten ... Was Gehet Uns Das An?\" (Evangelist, Judas, Chorus)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e2-19\u003cspan\u003e \u003c\/span\u003ePart 2. No. 41c. Recitative: \"Und Er Warf Die Silberlinge\" (Evangelist, High Priests)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e2-20\u003cspan\u003e \u003c\/span\u003ePart 2. No. 42. Aria: \"Gebt Mir Meinen Jesum Wieder\" (Bass)\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e2-21\u003cspan\u003e \u003c\/span\u003ePart 2. No. 43. Recitative: \"Sie Hielten Aber Einen Rat\" (Evangelist, Pilatus, Jesus)\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e2-22\u003cspan\u003e \u003c\/span\u003ePart 2. No. 44. Chorale: \"Befiehl Du Deine Wege\"\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e2-23\u003cspan\u003e \u003c\/span\u003ePart 2. No. 45. Recitative And Chorus: \"Auf Das Fest Aber Hatte Der Landpfleger\" (Evangelist, Pilatus, Pilatus'wife, Chorus)\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003e2-24\u003cspan\u003e \u003c\/span\u003ePart 2. No. 46. Chorale: \"Wie Wunderbarlich Ist Doch Diese Strafe\"\u003cspan\u003e \u003c\/span\u003e1:24\u003c\/div\u003e\n\u003cdiv\u003e2-25\u003cspan\u003e \u003c\/span\u003ePart 2. No. 47. Recitative: \"Der Landpfleger Sagte\" (Evangelist, Pilatus)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e2-26\u003cspan\u003e \u003c\/span\u003ePart 2. No. 48. Recitative: \"Er Hat Uns Allen Wohlgetan\" (Soprano)\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003e2-27\u003cspan\u003e \u003c\/span\u003ePart 2. No. 49. Aria: \"Aus Liebe Will Mein Heiland Sterben\" (Soprano)\u003cspan\u003e \u003c\/span\u003e4:47\u003c\/div\u003e\n\u003cdiv\u003e3-1\u003cspan\u003e \u003c\/span\u003ePart 2. No. 50. Recitative And Chorus: \"Sie Schrieen Aber Noch Mehr ... Lass Ihn Kreuzigen\" (Evangelist, Chorus, Pilatus)\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e3-2\u003cspan\u003e \u003c\/span\u003ePart 2. No. 51. Recitative: \"Erbarm Es, Gott! Hier Steht\" (Alto)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e3-3\u003cspan\u003e \u003c\/span\u003ePart 2. No. 52. Aria: \"Können Tränen Meinen Wangen\" (Alto)\u003cspan\u003e \u003c\/span\u003e9:41\u003c\/div\u003e\n\u003cdiv\u003e3-4\u003cspan\u003e \u003c\/span\u003ePart 2. No. 53. Recitative And Chorus: \"Da Nahmen Die Kriegsknechte ... Gegrüßet Seist Du\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e3-5\u003cspan\u003e \u003c\/span\u003ePart 2. No. 54. Chorale: \"O Haupt Voll Blut Und Wunden\"\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e3-6\u003cspan\u003e \u003c\/span\u003ePart 2. No. 55. Recitative: \"Und Da Sie Ihn Verspottet Hatten\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e3-7\u003cspan\u003e \u003c\/span\u003ePart 2. No. 56. Recitative: \"Ja Freilich Will In Uns Das Fleisch Und Blut\" (Bass)\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e3-8\u003cspan\u003e \u003c\/span\u003ePart 2. No. 57. Aria: \"Komm, Süßes Kreuz, So Will Ich Sagen\" (Bass)\u003cspan\u003e \u003c\/span\u003e6:39\u003c\/div\u003e\n\u003cdiv\u003e3-9\u003cspan\u003e \u003c\/span\u003ePart 2. No. 58a. Recitative And Chorus: \"Und Da Sie An Die Stätte ... Der Du Den Tempel Gottes Zerbrichst\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e4:24\u003c\/div\u003e\n\u003cdiv\u003e3-10\u003cspan\u003e \u003c\/span\u003ePart 2. No. 58c. Recitative And Chorus: \"Desgleichen Auch Die Hohenpriester ... Andern Hat Er Geholfen\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e3-11\u003cspan\u003e \u003c\/span\u003ePart 2. No. 59. Recitative: \"Ach Golgatha, Unselges Golgotha\" (Alto)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e3-12\u003cspan\u003e \u003c\/span\u003ePart 2. No. 60. Aria: \"Sehet, Jesus Hat Die Hand\" (Alto, Chorus II)\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e3-13\u003cspan\u003e \u003c\/span\u003ePart 2. No. 61. Recitative And Chorus: \"Und Von Der Sechsten Stunde ... Der Rufet Dem Elias!\" (Evangelist, Jesus, Chorus)\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e3-14\u003cspan\u003e \u003c\/span\u003ePart 2. No. 62. Chorale: \"Wenn Ich Einmal Soll Scheiden\"\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e3-15\u003cspan\u003e \u003c\/span\u003ePart 2. No. 63. Recitative And Chorus: \"Und Siehe Da, Der Vorhang ... Wahrlich, Dieser Ist Gottes Sohn\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e3-16\u003cspan\u003e \u003c\/span\u003ePart 2. No. 64. Recitative: \"Am Abend, Da Es Kühle War\" (Bass)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e3-17\u003cspan\u003e \u003c\/span\u003ePart 2. No. 65. Aria: \"Mache Dich, Mein Herze, Rein\" (Bass)\u003cspan\u003e \u003c\/span\u003e10:20\u003c\/div\u003e\n\u003cdiv\u003e3-18\u003cspan\u003e \u003c\/span\u003ePart 2. No. 66. Recitative And Chorus: \"Und Joseph Nahm ... Herr, Wir Haben Gedacht\" (Evangelist, Pilatus, Chorus)\u003cspan\u003e \u003c\/span\u003e3:23\u003c\/div\u003e\n\u003cdiv\u003e3-19\u003cspan\u003e \u003c\/span\u003ePart 2. No. 67. Recitative With Chorus: \"Nun Ist Der Herr Zur Ruh Gebracht\" (Bass, Tenor, Alto, Soprano, Chorus II)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e3-20\u003cspan\u003e \u003c\/span\u003ePart 2. No. 68. Chorus: \"Wir' Setzen Uns Mit Tränen Nieder\"\u003cspan\u003e \u003c\/span\u003e8:07\u003c\/div\u003e\n\u003cdiv\u003eJohannes Brahms\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eEin Deutsches Requiem, Op. 45\u003c\/div\u003e\n\u003cdiv\u003e4-1\u003cspan\u003e \u003c\/span\u003eI. Selig Sind, Die Da Leid Tragen (Ziemlich Langsam Und Mir Ausdruck)\u003cspan\u003e \u003c\/span\u003e9:57\u003c\/div\u003e\n\u003cdiv\u003e4-2\u003cspan\u003e \u003c\/span\u003eII. Denn Alles Fleisch Es Ist Wie Gras (Langsam, Marschmassig - Un Poco Sostenuto - Allegro Non Troppo)\u003cspan\u003e \u003c\/span\u003e14:28\u003c\/div\u003e\n\u003cdiv\u003e4-3\u003cspan\u003e \u003c\/span\u003eIII. Herr, Lehre Doch Mich (Andante Moderato)\u003cspan\u003e \u003c\/span\u003e9:52\u003c\/div\u003e\n\u003cdiv\u003e4-4\u003cspan\u003e \u003c\/span\u003eIV. Wie Lieblich Sind Deine Wohnungen (Mäßig Bewegt)\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003e4-5\u003cspan\u003e \u003c\/span\u003eV. Ihr Habt Nun Traurigkeit (Langsam)\u003cspan\u003e \u003c\/span\u003e6:54\u003c\/div\u003e\n\u003cdiv\u003e4-6\u003cspan\u003e \u003c\/span\u003eVI. Denn Wir Haben Hie Keine Bleibende Statt (Andante - Vivace -Allegro)\u003cspan\u003e \u003c\/span\u003e11:44\u003c\/div\u003e\n\u003cdiv\u003e4-7\u003cspan\u003e \u003c\/span\u003eVII. Selig Sind Die Toten, Die In Dem Herren Sterben (Feierlich)\u003cspan\u003e \u003c\/span\u003e10:17\u003c\/div\u003e\n\u003cdiv\u003eJohann Sebastian Bach\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMass In B Minor, BWV 232 - Choruses\u003c\/div\u003e\n\u003cdiv\u003e5-1\u003cspan\u003e \u003c\/span\u003eI. Kyrie: \"Kyrie Eleison I\"\u003cspan\u003e \u003c\/span\u003e13:26\u003c\/div\u003e\n\u003cdiv\u003e5-2\u003cspan\u003e \u003c\/span\u003eIII. Kyrie: \"Kyrie Eleison II\"\u003cspan\u003e \u003c\/span\u003e4:21\u003c\/div\u003e\n\u003cdiv\u003e5-3\u003cspan\u003e \u003c\/span\u003eIV. Gloria: \"Gloria In Excelsis Deo\"\u003cspan\u003e \u003c\/span\u003e7:33\u003c\/div\u003e\n\u003cdiv\u003e5-4\u003cspan\u003e \u003c\/span\u003eVI. Gloria: \"Gratias Agimus Tibi\"\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e5-5\u003cspan\u003e \u003c\/span\u003eVIII. Gloria: \"Qui Tollis Peccata Mundi\"\u003cspan\u003e \u003c\/span\u003e3:21\u003c\/div\u003e\n\u003cdiv\u003e5-6\u003cspan\u003e \u003c\/span\u003eXII. Credo: \"Credo In Unum Deum\"\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e5-7\u003cspan\u003e \u003c\/span\u003eXIII. Credo: \"Patrem Omnipotentem\"\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e5-8\u003cspan\u003e \u003c\/span\u003eXV. Credo: \"Et Incarnatus Est\"\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e5-9\u003cspan\u003e \u003c\/span\u003eXVI. Credo: \"Crucifixus\"\u003cspan\u003e \u003c\/span\u003e4:36\u003c\/div\u003e\n\u003cdiv\u003e5-10.1\u003cspan\u003e \u003c\/span\u003eXIX. Credo: \"Confiteor Unum Baptisma -\u003cspan\u003e \u003c\/span\u003e8:10\u003c\/div\u003e\n\u003cdiv\u003e5-10.2\u003cspan\u003e \u003c\/span\u003eXX. Credo: \"Et Expecto Resurrectionem\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5-11\u003cspan\u003e \u003c\/span\u003eXXI. Sanctus: Sanctus\u003cspan\u003e \u003c\/span\u003e6:22\u003c\/div\u003e\n\u003cdiv\u003e5-12\u003cspan\u003e \u003c\/span\u003eXXII. Sanctus: \"Osanna In Excelsis\"\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e5-13\u003cspan\u003e \u003c\/span\u003eXXVI. Agnus Dei: \"Dona Nobis Pacem\"\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e5-14\u003cspan\u003e \u003c\/span\u003eOtto Klemperer And The Philharmonia Chorus In Rehearsal\u003cspan\u003e \u003c\/span\u003e10:39\u003c\/div\u003e\n\u003cdiv\u003eLudwig van Beethoven\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFidelio, Op. 72\u003c\/div\u003e\n\u003cdiv\u003e6-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e6:56\u003c\/div\u003e\n\u003cdiv\u003e6-2\u003cspan\u003e \u003c\/span\u003eAct I. Duet: \"Jetzt, Schätzchen, Jetzt Sind Wir Allein\" (Jaquino, Marzelline)\u003cspan\u003e \u003c\/span\u003e4:54\u003c\/div\u003e\n\u003cdiv\u003e6-3\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Der Arme Jaquino Dauert Mich Beinahe\" (Marzelline)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e6-4\u003cspan\u003e \u003c\/span\u003eAct I. Aria: \"O Wär' Ich Schon Mit Dir Vereint\" (Marzelline)\u003cspan\u003e \u003c\/span\u003e4:04\u003c\/div\u003e\n\u003cdiv\u003e6-5\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Guten Tag, Marzelline. Ist Fidelio Noch Nicht Zurück?\" (Rocco, Marzelline, Leonore)\u003cspan\u003e \u003c\/span\u003e1:10\u003c\/div\u003e\n\u003cdiv\u003e6-6\u003cspan\u003e \u003c\/span\u003eAct I. Quartet: \"Mir Ist So Wunderbar\" (Marzelline, Leonore, Rocco, Jaquino)\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e6-7\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Höre, Fidelio, Weißt Du, Was Ich Tue?\" (Rocco, Marzeline)\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e6-8\u003cspan\u003e \u003c\/span\u003eAct I. Aria: \"Hat Man Nicht Auch Gold Beineben\" (Rocco)\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003e6-9\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Ihr Könnt Das Leicht Sagen, Meister Rocco\" (Leonore, Rocco, Marzelline)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e6-10\u003cspan\u003e \u003c\/span\u003eAct I. Trio: \"Gut, Söhnchen, Gut, Hab Immer Mut\" (Rocco, Leonore, Marzelline)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e6:11\u003cspan\u003e \u003c\/span\u003eAct I. Trio: \"Der Gouverneur … Der Gouverneur Soll Heut' Erlauben\" (Rocco, Leonore, Marzelline)\u003cspan\u003e \u003c\/span\u003e1:48\u003c\/div\u003e\n\u003cdiv\u003e6-12\u003cspan\u003e \u003c\/span\u003eAct I. Trio: \"Nur Auf Der Hut, Dann Geht Es Gut\" (Rocco, Marzelline, Leonore)\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e6-13\u003cspan\u003e \u003c\/span\u003eAct I. March\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e6-14\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Wo Sind Die Depeschen?\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e0:53\u003c\/div\u003e\n\u003cdiv\u003e6-15\u003cspan\u003e \u003c\/span\u003eAct I. Aria With Chorus: \"Ha! Welch Ein Augenblick!\" (Pizarro, Chorus)\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e6-16\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Hauptmann, Besteigen Sie Mit Einem Trompeter Sogleich Den Turm\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e6-17\u003cspan\u003e \u003c\/span\u003eAct I. Duet: \"Jetzt, Alter, Jetzt Hat Es Eile!\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e6-18\u003cspan\u003e \u003c\/span\u003eAct I. Recitative And Aria: \"Abscheulicher! Wo Eilst Du Hin?\" (Leonore)\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e6-19\u003cspan\u003e \u003c\/span\u003eAct I. Recitative And Aria: \"Komm, Hoffnung, Laß Den Letzten Stern\" (Leonore)\u003cspan\u003e \u003c\/span\u003e6:06\u003c\/div\u003e\n\u003cdiv\u003e6-20\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Rocco, Ihr Verspracht Mir So Oft\" (Leonore, Marzelline, Rocco)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e6-21\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"O welche Lust!\" (Chorus)\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e6-22\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Wir Wollen Mit Vertrauen Auf Gottes Hülfe Bauen\" (Two Prisoners, Chorus)\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003e6-23\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Nun Sprecht, Wie Ging's?\" (Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e5:30\u003c\/div\u003e\n\u003cdiv\u003e6-24\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Ach! Vater, Eilt!\" (Marzelline, Rocco, Jaquino, Leonore)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e6-25\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Verwegener Alter\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6-26\u003cspan\u003e \u003c\/span\u003eAct I: Finale: \"Leb Wohl, Du Warmes Sonnenlicht\" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e4:21\u003c\/div\u003e\n\u003cdiv\u003e7-1\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Introduction\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e7-2\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Aria: \"Gott! Welch' Dunkel Hier!\" (Florestan)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e7-3\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Aria: \"In Des Lebens Frühlingstagen\" (Florestan)\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e7-4\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Aria: \"Und Spür' Ich Nicht Linde\" (Florestan)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e7-5\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Recitative: \"Wie Kalt Ist Es\" (Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e7-6\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Duet: \"Nur Hurtig Fort, Nur Frisch Gegraben\" (Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e4:55\u003c\/div\u003e\n\u003cdiv\u003e7-7\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Recitative: \"Er Erwacht!\" (Leonore, Rocco, Florestan)\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e7-8\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Trio: \"Euch Werde Lohn In Bessern Welten\" (Florestan, Rocco, Leonore)\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e7-9\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Recitative: \"Alles Ist Bereit\" (Rocco, Leonore, Florestan, Pizarro)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e7-10\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Quartet: \"Er Sterbe!\" (Pizarro, Florestan, Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e3:50\u003c\/div\u003e\n\u003cdiv\u003e7-11\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Recitative: \"Vater Rocco!\" (Jaquino, Rocco)\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e7-12\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Recitative: \"Es Schlägt Der Rache Stunde!\" (Leonore, Florestan, Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e1:27\u003c\/div\u003e\n\u003cdiv\u003e7-13\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Duet: \"O Namenlose Freude!\" (Leonore, Florestan)\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e7-14\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Heil Sei Dem Tag\" (Chorus)\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e7-15\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Des Besten Königs Wink Und Wille\" (Don Fernando, Chorus)\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e7-16\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Wohlan! So Helfet, Helft Den Armen!\" (Rocco, Pizarro, Don Fernando, Leonore, Marzelline, Chorus)\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e7-17\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Du Schlossest Auf Des Edlen Grab\" (Don Fernando)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e7-18\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"O Gott! O Welch Ein Augenblick!\" (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus)\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e7-19\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Wer Ein Holdes Weib Errungen\" (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco)\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003eGeorge Friedric Handel\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMessiah, Oratorio HWV 56\u003c\/div\u003e\n\u003cdiv\u003e8-1\u003cspan\u003e \u003c\/span\u003ePart I. Sinfony: Grave - Allegro Moderato\u003cspan\u003e \u003c\/span\u003e4:33\u003c\/div\u003e\n\u003cdiv\u003e8-2\u003cspan\u003e \u003c\/span\u003ePart I. Accompagnato: \"Comfort Ye, My People\" (tenor)\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003e8-3\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"Ev'ry Valley Shall Be Exalted\" (tenor)\u003cspan\u003e \u003c\/span\u003e4:02\u003c\/div\u003e\n\u003cdiv\u003e8-4\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"And The Glory Of The Lord\"\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e8-5\u003cspan\u003e \u003c\/span\u003ePart I. Accompagnato: \"Thus Saith The Lord Of Hosts\" (bass)\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e8-6\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"But Who May Abide\" (bass)\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003e8-7\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"And He Shall Purify\"\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e8-8\u003cspan\u003e \u003c\/span\u003ePart I. Recitative: \"Behold, A Virgin Shall Conceive\" (mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e0:29\u003c\/div\u003e\n\u003cdiv\u003e8-9\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"O Thou That Tellest\" (mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e5:35\u003c\/div\u003e\n\u003cdiv\u003e8-10\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"O Thou That Tellest\"\u003cspan\u003e \u003c\/span\u003e2:28\u003c\/div\u003e\n\u003cdiv\u003e8-11\u003cspan\u003e \u003c\/span\u003ePart I. Accompagnato: \"For Behold, Darkness Shall Cover The Earth\" (bass)\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e8-12\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"The People That Walked\" (bass)\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e8-13\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"For Unto Us A Child Is Born\"\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e8-14\u003cspan\u003e \u003c\/span\u003ePart I. Pifa: Larghetto E Mezzo Piano\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e8-15\u003cspan\u003e \u003c\/span\u003ePart I. Recitative \u0026amp; Accompagnato: \"There Were Shepherds\" (soprano)\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e8-16\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"Glory To God In The Highest\"\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003e8-17\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"Rejoice Greatly\" (soprano)\u003cspan\u003e \u003c\/span\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003e8-18\u003cspan\u003e \u003c\/span\u003ePart I. Recitative: \"Then Shall The Eyes Of The Blind Be Open'd\" (alto)\u003cspan\u003e \u003c\/span\u003e0:29\u003c\/div\u003e\n\u003cdiv\u003e8-19\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"He Shall Feed His Flock\" (soprano)\u003cspan\u003e \u003c\/span\u003e5:28\u003c\/div\u003e\n\u003cdiv\u003e8-20\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"His Yoke Is Easy\"\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e9-1\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Behold The Lamb Of God\"\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e9-2\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"He Was Despised\" (alto)\u003cspan\u003e \u003c\/span\u003e10:07\u003c\/div\u003e\n\u003cdiv\u003e9-3\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Surely He Hath Borne Our Griefs\"\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e9-4\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"And With His Stripes\"\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e9-5\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"All We Like Sheep\"\u003cspan\u003e \u003c\/span\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e9-6\u003cspan\u003e \u003c\/span\u003ePart II. Accompagnato: \"All They That See Him, Laugh Him To Scorn\" (tenor)\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e9-7\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"He Trusted In God\"\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e9-8\u003cspan\u003e \u003c\/span\u003ePart II: Accompagnato: \"Thy Rebuke Hath Broken His Heart\" (tenor)\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e9-9\u003cspan\u003e \u003c\/span\u003ePart II. Arioso: \"Behold, And See\" (tenor)\u003cspan\u003e \u003c\/span\u003e1:43\u003c\/div\u003e\n\u003cdiv\u003e9-10\u003cspan\u003e \u003c\/span\u003ePart II. Accompagnato: \"He Was Cut Off\" (tenor)\u003cspan\u003e \u003c\/span\u003e0:28\u003c\/div\u003e\n\u003cdiv\u003e9-11\u003cspan\u003e \u003c\/span\u003ePart II. Aria: \"But Thou Didst Not Leave\" (tenor)\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e9-12\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Lift Up Your Heads\"\u003cspan\u003e \u003c\/span\u003e3:20\u003c\/div\u003e\n\u003cdiv\u003e9-13\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"The Lord Gave The Word\"\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e9-14\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"How Beautiful Are The Feet\" (soprano)\u003cspan\u003e \u003c\/span\u003e2:22\u003c\/div\u003e\n\u003cdiv\u003e9-15\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Their Sound Is Gone Out\"\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e9-16\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"Why Do The Nations\" (bass)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e9-17\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Let Us Break Their Bonds\"\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e9-18\u003cspan\u003e \u003c\/span\u003ePart II. Recitative: \"He That Dwelleth In Heaven\" (tenor)\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e9-19\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"Thou Shalt Break Them With A Rod Of Iron\" (tenor)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e9-20\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Hallelujah!\"\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003e9-21\u003cspan\u003e \u003c\/span\u003ePart III. Air: \"I Know That My Redeemer Liveth\" (soprano)\u003cspan\u003e \u003c\/span\u003e6:08\u003c\/div\u003e\n\u003cdiv\u003e9-22\u003cspan\u003e \u003c\/span\u003ePart III. Chorus: \"Since By Man Came Death\"\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e9-23\u003cspan\u003e \u003c\/span\u003ePart III. Accompagnato: \"Behold, I Tell You A Mystery\" (bass)\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e9-24\u003cspan\u003e \u003c\/span\u003ePart III. Air: \"The Trumpet Shall Sound\" (bass)\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003e9-25\u003cspan\u003e \u003c\/span\u003ePart III. Chorus: \"Worthy Is The Lamb\"\u003cspan\u003e \u003c\/span\u003e3:47\u003c\/div\u003e\n\u003cdiv\u003e9-26\u003cspan\u003e \u003c\/span\u003ePart III. Chorus: \"Amen\"\u003cspan\u003e \u003c\/span\u003e3:23\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDie Zauberflöte, Opera In Two Acts, K.620 (Without Spoken Dialogue)\u003c\/div\u003e\n\u003cdiv\u003e10-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e7:17\u003c\/div\u003e\n\u003cdiv\u003e10-2\u003cspan\u003e \u003c\/span\u003eAct 1. \"Zu Hilfe! Zu Hilfe!\" (Tamino, Ladies)\u003cspan\u003e \u003c\/span\u003e6:54\u003c\/div\u003e\n\u003cdiv\u003e10-3\u003cspan\u003e \u003c\/span\u003e\"Der Vogelfänger Bin Ich Ja\" (Papageno)\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e10-4\u003cspan\u003e \u003c\/span\u003e\"Dies Bildnis Ist Bezaubernd Schön\" (Tamino)\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e10-5\u003cspan\u003e \u003c\/span\u003e\"O Zitt're Nicht, Mein Lieber Sohn!\" (Queen Of The Night)\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e10-6\u003cspan\u003e \u003c\/span\u003e\"Hm! Hm! Hm! Hm!\" (Papageno, Tamino, Ladies)\u003cspan\u003e \u003c\/span\u003e6:47\u003c\/div\u003e\n\u003cdiv\u003e10-7\u003cspan\u003e \u003c\/span\u003e\"Du Feines Täubchen, Nur Herein!\" (Monostatos, Pamina, Papageno)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e10-8\u003cspan\u003e \u003c\/span\u003e\"Bei Männern, Welche Liebe Fühlen\" (Pamina, Papageno)\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e10-9\u003cspan\u003e \u003c\/span\u003e\"Zum Ziele Führt Dich Diese Bahn\" (Boys, Tamino, Voice, Speaker, Voices)\u003cspan\u003e \u003c\/span\u003e10:05\u003c\/div\u003e\n\u003cdiv\u003e10-10\u003cspan\u003e \u003c\/span\u003e\"Wie Stark Ist Nicht Dein Zauberton\" (Tamino)\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e10-11\u003cspan\u003e \u003c\/span\u003e\"Schnelle Füße, Rascher Mut\" (Pamina, Papageno, Monostatos, Slaves)\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e10-12\u003cspan\u003e \u003c\/span\u003e\"Könnte Jeder Brave Mann\" (Pamina, Papageno)\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e10-13\u003cspan\u003e \u003c\/span\u003e\"Es Lebe Sarastro!\" (Attendants, Papageno, Pamina, Sarastro)\u003cspan\u003e \u003c\/span\u003e5:05\u003c\/div\u003e\n\u003cdiv\u003e10-14\u003cspan\u003e \u003c\/span\u003e\"Nun, Stolzer Jüngling; Nur Hierher!\" (Monostatos, Pamina, Tamino, Attendants, Sarastro)\u003cspan\u003e \u003c\/span\u003e3:37\u003c\/div\u003e\n\u003cdiv\u003e11-1\u003cspan\u003e \u003c\/span\u003eMarsch Der Priester (Orchestra)\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e11-2\u003cspan\u003e \u003c\/span\u003e\"O Isis Und Osiris\" (Sarastro, Priests)\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e11-3\u003cspan\u003e \u003c\/span\u003e\"Bewahret Euch Vor Weibertücken\" (Two Priests)\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e11-4\u003cspan\u003e \u003c\/span\u003e\"Wie? Wie? Wie?\" (Ladies, Papageno, Tamino, Initiates)\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e11-5\u003cspan\u003e \u003c\/span\u003e\"Alles Fühlt Der Liebe Freuden\" (Monostatos)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e11-6\u003cspan\u003e \u003c\/span\u003e\"Der Hölle Rache Kocht In Meinem Herzen\" (Queen Of The Night)\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e11-7\u003cspan\u003e \u003c\/span\u003e\"In Diesen Heil'gen Hallen\" (Sarastro)\u003cspan\u003e \u003c\/span\u003e4:49\u003c\/div\u003e\n\u003cdiv\u003e11-8\u003cspan\u003e \u003c\/span\u003e\"Seid Uns Zum Zweiten Mal Willkommen\" (Boys)\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e11-9\u003cspan\u003e \u003c\/span\u003e\"Ach, Ich Fühl's\" (Pamina)\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e11-10\u003cspan\u003e \u003c\/span\u003e\"O Isis und Osiris\" (Priests)\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e11-11\u003cspan\u003e \u003c\/span\u003e\"Soll Ich Dich, Teurer\" (Pamina, Sarastro, Tamino)\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e11-12\u003cspan\u003e \u003c\/span\u003e\"Ein Mädchen Oder Weibchen\" (Papageno)\u003cspan\u003e \u003c\/span\u003e4:16\u003c\/div\u003e\n\u003cdiv\u003e11-13\u003cspan\u003e \u003c\/span\u003e\"Bald Prangt, Den Morgen Zu Verkünden\" (Boys, Pamina)\u003cspan\u003e \u003c\/span\u003e6:22\u003c\/div\u003e\n\u003cdiv\u003e11-14\u003cspan\u003e \u003c\/span\u003e\"Der, Welcher Wandelt Diese Straße Voll Beschwerden\" (Armed Men, Tamino, Pamina)\u003cspan\u003e \u003c\/span\u003e5:14\u003c\/div\u003e\n\u003cdiv\u003e11-15\u003cspan\u003e \u003c\/span\u003e\"Tamino Mein! O Welch Ein Glück\" (Armed Men, Tamino, Pamina)\u003cspan\u003e \u003c\/span\u003e7:00\u003c\/div\u003e\n\u003cdiv\u003e11-16\u003cspan\u003e \u003c\/span\u003e\"Papagena!\" (Papageno, Boys)\u003cspan\u003e \u003c\/span\u003e5:36\u003c\/div\u003e\n\u003cdiv\u003e11-17\u003cspan\u003e \u003c\/span\u003e\"Pa-pa-gena! ... Pa-pa-geno!\" (Papageno, Papagena)\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e11-18\u003cspan\u003e \u003c\/span\u003e\"Nur Stille!\" (Monostatos, Queen Of The Night, Ladies)\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e11-19\u003cspan\u003e \u003c\/span\u003e\"Die Strahlen Der Sonne\" (Sarastro, Chorus)\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003eLudwig van Beethoven\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMissa Solemnis In D Major, Op. 123\u003c\/div\u003e\n\u003cdiv\u003e12-1\u003cspan\u003e \u003c\/span\u003eKyrie. Kyrie\u003cspan\u003e \u003c\/span\u003e9:24\u003c\/div\u003e\n\u003cdiv\u003e12-2\u003cspan\u003e \u003c\/span\u003eGloria. Gloria In Excelsis Deo\u003cspan\u003e \u003c\/span\u003e5:19\u003c\/div\u003e\n\u003cdiv\u003e12-3\u003cspan\u003e \u003c\/span\u003eGloria. Qui Tollis\u003cspan\u003e \u003c\/span\u003e5:43\u003c\/div\u003e\n\u003cdiv\u003e12-4\u003cspan\u003e \u003c\/span\u003eGloria. Quoniam Tu Solus Sanctus\u003cspan\u003e \u003c\/span\u003e7:18\u003c\/div\u003e\n\u003cdiv\u003e12-5\u003cspan\u003e \u003c\/span\u003eCredo. Credo In Unum Deum\u003cspan\u003e \u003c\/span\u003e4:17\u003c\/div\u003e\n\u003cdiv\u003e12-6\u003cspan\u003e \u003c\/span\u003eCredo. Et Incarnatus Est\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e12-7\u003cspan\u003e \u003c\/span\u003eCredo. Et Resurrexit\u003cspan\u003e \u003c\/span\u003e11:04\u003c\/div\u003e\n\u003cdiv\u003e12-8\u003cspan\u003e \u003c\/span\u003eSanctus. Sanctus\u003cspan\u003e \u003c\/span\u003e5:29\u003c\/div\u003e\n\u003cdiv\u003e12-9\u003cspan\u003e \u003c\/span\u003eSanctus. Benedictus\u003cspan\u003e \u003c\/span\u003e10:19\u003c\/div\u003e\n\u003cdiv\u003e12-10\u003cspan\u003e \u003c\/span\u003eAgnus Dei. Agnus Dei\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e12-11\u003cspan\u003e \u003c\/span\u003eAgnus Dei. Dona Nobis Pacem\u003cspan\u003e \u003c\/span\u003e9:10\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDon Giovanni, Opera In Two Acts, K.527\u003c\/div\u003e\n\u003cdiv\u003e13-1\u003cspan\u003e \u003c\/span\u003eSinfonia\u003cspan\u003e \u003c\/span\u003e6:32\u003c\/div\u003e\n\u003cdiv\u003e13-2\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. Introduction: \"Notte E Giorno Faticar\" (Leporello)\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e13-3\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. \"Non Sperar, Se Non M'uccidi\" (Donna Anna, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:37\u003c\/div\u003e\n\u003cdiv\u003e13-4\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. \"Lasciala, indegno!\" (Commendatore, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e13-5\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. Recitative: \"Ma Qual Mai S'offre\" (Donna Anna, Don Ottavio)\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e13-6\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. Duet: \"Fuggi, crudele, fuggi!\" (Donna Anna, Don Ottavio)\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e13-7\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. \"Orsù, Spicciati Presto\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e13-8\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. Aria: \"Ah, Chi Mi Dice Mai\" (Donna Elvira, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e3:33\u003c\/div\u003e\n\u003cdiv\u003e13-9\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. Recitative: \"Chi È Là?\" (Donna Elvira, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e13-10\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. Aria: \"Madamina, Il Catalogo È Questo\" (Leporello)\u003cspan\u003e \u003c\/span\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e13-11\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Chorus: \"Giovinette Che Fate All'amore\" (Zerlina, Coro, Masetto)\u003cspan\u003e \u003c\/span\u003e1:33\u003c\/div\u003e\n\u003cdiv\u003e13-12\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Manco Male È Partita\" (Don Giovanni, Leporello, Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e13-13\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Ho Capito, Signor Sì!\" (Masetto)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e13-14\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Alfin Siam Liberate\" (Don Giovanni, Zerlina)\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e13-15\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Duettino: \"Là Ci Darem La Mano\" (Don Giovanni, Zerlina)\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e13-16.1\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Fermati, Scellerato!\" (Donna Elvira, Zerlina, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e2:14\u003c\/div\u003e\n\u003cdiv\u003e13-16.2\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Ah! Fuggi Il Traditor!\" (Donna Elvira)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13-17\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Mi Par Ch'oggi Il Demonio Si Diverta\"\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e13-18\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Quartet: \"Non Ti Fidar, O Misera\" (Don Giovanni, Don Ottavio, Donna Anna, Don Elvira)\u003cspan\u003e \u003c\/span\u003e5:04\u003c\/div\u003e\n\u003cdiv\u003e13-19\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Don Ottavio, Son Morta!\" (Donna Anna, Don Ottavio)\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e13-20\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Or Sai Chi L'onore\" (Donna Anna)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e13-21.1\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Come Mai Creder Deggio\"\u003cspan\u003e \u003c\/span\u003e4:48\u003c\/div\u003e\n\u003cdiv\u003e13-21.2\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Dalla Sua Pace\" (Donn Ottavio)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13-22\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Io Deggio Ad Ogni Patto\" (Leporello, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e13-23\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Finch'han Dal Vino\" (Don Giovanni)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e14-1\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Recitative: \"Masetto, Senti Un Po'!\" (Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e14-2\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Aria: \"Batti, Batti, O Bel Masetto\" (Zerlina)\u003cspan\u003e \u003c\/span\u003e4:44\u003c\/div\u003e\n\u003cdiv\u003e14-3\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Presto, Presto, Pria Ch'ei Venga\" (Masetto, Zerlina, Don Giovanni, Chorus)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e14-4\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Tra Quest'arbori Celata\" (Zerlina, Don Giovanni, Masetto)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e14-5\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Bisogna Aver Coraggio\" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e14-6\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Protegga Il Giusto Cielo ... Vendichi Il Giusto Cielo\" (Donna Anna, Don Ottavio, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e14-7\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Riposate, Vezzose Ragazze\" (Don Giovanni, Leporello, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e1:24\u003c\/div\u003e\n\u003cdiv\u003e14-8\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Venite Pur Avanti\" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e4:46\u003c\/div\u003e\n\u003cdiv\u003e14-9\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Ecco Il Birbo Che T'ha Offesa!\" (Don Giovanni, Leporello, Don Ottavio, Donna Anna, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e14-10\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Trema, Trema, O Scellerato!\" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e14-11\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Duet: \"Eh Via, Buffone, Non Mi Seccar!\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e14-12\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Recitative: \"Leporello!\" … \"Signore?\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e14-13\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Trio: \"Ah Taci, Ingiusto Core!\" (Donna Elvira, Leporello, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e14-14\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Recitative: \"Amico, Che Ti Par?\" (Don Giovanni, Leporello, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e14-15\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Canzonetta: \"Deh Vieni Alla Finestra\" (Don Giovanni)\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e14-16\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Aria: \"Meta Di Voi Qua Vadano\" (Don Giovanni)\u003cspan\u003e \u003c\/span\u003e3:20\u003c\/div\u003e\n\u003cdiv\u003e14-17\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Recitative: \"Zitto, Lascia Ch'io Senta!\" (Don Giovanni, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e14-18\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Aria: \"Vedrai, Carino, Se Sei Buonino\" (Zerlina)\u003cspan\u003e \u003c\/span\u003e3:46\u003c\/div\u003e\n\u003cdiv\u003e14-19.1\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"Di Molte Faci Il Lume\" (Leporello, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e6:36\u003c\/div\u003e\n\u003cdiv\u003e14-19.2\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Sextet: \"Sola, Sola In Buio Loco\" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e14-20\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"Mille Torbidi Pensieri\" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e14-21\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"Dunque Quello Sei Tu\" (Zerlina, Donna Elvira, Don Ottavio, Masetto)\u003cspan\u003e \u003c\/span\u003e3:17\u003c\/div\u003e\n\u003cdiv\u003e14-22\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Aria: \"Il Mio Tesoro\" (Don Ottavio)\u003cspan\u003e \u003c\/span\u003e5:05\u003c\/div\u003e\n\u003cdiv\u003e14-23.1\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"In Quali Eccessi, O Numi\" (Donna Elvira)\u003cspan\u003e \u003c\/span\u003e6:11\u003c\/div\u003e\n\u003cdiv\u003e14-23.2\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Aria: \"Mi Tradì, Quell'alma Ingrata\" (Donna Elvira)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e15-1\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 3. Recitative: \"Ah, Ah, Ah, Questa E Buona\" (Don Giovanni, Leporello, Statue Of Commendatore)\u003cspan\u003e \u003c\/span\u003e4:29\u003c\/div\u003e\n\u003cdiv\u003e15-2\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Duet: \"O Statua Gentilissima\" (Don Giovanni, Leporello, Statue Ofcommendatore)\u003cspan\u003e \u003c\/span\u003e3:35\u003c\/div\u003e\n\u003cdiv\u003e15-3\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Recitative: \"Calmatevi, Idol Mio!\" (Don Ottavio, Donna Anna)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e15-4\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Recitative: \"Crudele! Ah No, Mio Bene!\" (Donna Anna)\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e15-5\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Aria: \"Non Mi Dir, Bell'idol Mio\" (Donna Anna)\u003cspan\u003e \u003c\/span\u003e5:49\u003c\/div\u003e\n\u003cdiv\u003e15-6\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Già La Mensa E Preparate\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e15-7\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"L'ultima Prova Dell'amor Mio\" (Donna Elvira, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e15-8\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Che Grido E Questo Mai?\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e15-9\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Don Giovanni, A Cenar Teco\" (Statue Of Commendatore, Don Giovanni, Leporello, Chorus)\u003cspan\u003e \u003c\/span\u003e6:02\u003c\/div\u003e\n\u003cdiv\u003e15-10\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Da Qual Tremore Insolito\" (Don Giovanni, Chorus Of Devils, Leporello)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e15-11\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Epilogue: \"Ah, Dov'è Il Perfido?\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e15-12\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Epilogue: \"Or Che Tutti, O Mio Tesoro\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e15-13\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Epilogue: \"Questo È Il Fin\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003eKlemperer's Don Giovanni: Previously Unreleased Rehearsals And Playback Sessions\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eKlemperer's Don Giovanni: Behind The Scenes\u003c\/div\u003e\n\u003cdiv\u003e16-1\u003cspan\u003e \u003c\/span\u003eOverture - Rehearsal\u003cspan\u003e \u003c\/span\u003e7:28\u003c\/div\u003e\n\u003cdiv\u003e16-2\u003cspan\u003e \u003c\/span\u003eOverture - Rehearsal.\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e16-3\u003cspan\u003e \u003c\/span\u003eFirst Rehearsal And Takes\u003cspan\u003e \u003c\/span\u003e6:03\u003c\/div\u003e\n\u003cdiv\u003e16-4\u003cspan\u003e \u003c\/span\u003ePlayback\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e16-5\u003cspan\u003e \u003c\/span\u003eFurther Rehearsals\/takes\u003cspan\u003e \u003c\/span\u003e12:04\u003c\/div\u003e\n\u003cdiv\u003e16-6\u003cspan\u003e \u003c\/span\u003ePlayback\u003cspan\u003e \u003c\/span\u003e1:52\u003c\/div\u003e\n\u003cdiv\u003e16-7\u003cspan\u003e \u003c\/span\u003e\"Don Ottavio \", Son Morta!\u003cspan\u003e \u003c\/span\u003e18:11\u003c\/div\u003e\n\u003cdiv\u003e16-8\u003cspan\u003e \u003c\/span\u003e\"Batti , Batti, O Bel Masetto\"\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003e16-9\u003cspan\u003e \u003c\/span\u003ePlayback\u003cspan\u003e \u003c\/span\u003e5:20\u003c\/div\u003e\n\u003cdiv\u003e16-10\u003cspan\u003e \u003c\/span\u003e\"Deh, Vieni Alla Finestra\"\u003cspan\u003e \u003c\/span\u003e12:40\u003c\/div\u003e\n\u003cdiv\u003eJohann Sebastian Bach\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMass In B Minor, BWV 232\u003c\/div\u003e\n\u003cdiv\u003e17-1\u003cspan\u003e \u003c\/span\u003eI. Kyrie. Kyrie Eleison I (Chorus)\u003cspan\u003e \u003c\/span\u003e13:39\u003c\/div\u003e\n\u003cdiv\u003e17-2\u003cspan\u003e \u003c\/span\u003eII. Kyrie. Christe Eleison (Soprano, Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e17-3\u003cspan\u003e \u003c\/span\u003eIII. Kyrie. Kyrie Eleison II (Chorus)\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003e17-4\u003cspan\u003e \u003c\/span\u003eIV. Gloria. Gloria In Excelsis Deo (Chorus)\u003cspan\u003e \u003c\/span\u003e7:41\u003c\/div\u003e\n\u003cdiv\u003e17-5\u003cspan\u003e \u003c\/span\u003eV. Gloria. Laudamus Te (Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e17-6\u003cspan\u003e \u003c\/span\u003eVI. Gloria. Gratias Agimus Tibi (Chorus)\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e17-7\u003cspan\u003e \u003c\/span\u003eVII. Gloria. Domine Deus (Soprano, Tenor)\u003cspan\u003e \u003c\/span\u003e6:33\u003c\/div\u003e\n\u003cdiv\u003e17-8\u003cspan\u003e \u003c\/span\u003eVIII. Gloria. Qui Tollis Peccata Mundi (Chorus)\u003cspan\u003e \u003c\/span\u003e3:29\u003c\/div\u003e\n\u003cdiv\u003e17-9\u003cspan\u003e \u003c\/span\u003eIX. Gloria. Qui Sedes Ad Dexteram Patris (Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e6:17\u003c\/div\u003e\n\u003cdiv\u003e17-10\u003cspan\u003e \u003c\/span\u003eX. Gloria. Quoniam Tu Solus Sanctus (Bass-baritone)\u003cspan\u003e \u003c\/span\u003e5:50\u003c\/div\u003e\n\u003cdiv\u003e17-11\u003cspan\u003e \u003c\/span\u003eXI. Gloria. Cum Sancto Spiritu (Chorus)\u003cspan\u003e \u003c\/span\u003e4:59\u003c\/div\u003e\n\u003cdiv\u003e18-1\u003cspan\u003e \u003c\/span\u003eXII. Credo. Credo In Unum Deum (Chorus)\u003cspan\u003e \u003c\/span\u003e2:25\u003c\/div\u003e\n\u003cdiv\u003e18-2\u003cspan\u003e \u003c\/span\u003eXIII. Credo. Patrem Omnipotentem (Chorus)\u003cspan\u003e \u003c\/span\u003e2:09\u003c\/div\u003e\n\u003cdiv\u003e18-3\u003cspan\u003e \u003c\/span\u003eXIV. Credo. Et In Unum Dominum (Soprano, Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e18-4\u003cspan\u003e \u003c\/span\u003eXV. Credo. Et Incarnatus Est (Chorus)\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e18-5\u003cspan\u003e \u003c\/span\u003eXVI. Credo. Crucifixus (Chorus)\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003e18-6\u003cspan\u003e \u003c\/span\u003eXVII. Credo. Et Resurrexit (Chorus)\u003cspan\u003e \u003c\/span\u003e4:59\u003c\/div\u003e\n\u003cdiv\u003e18-7\u003cspan\u003e \u003c\/span\u003eXVIII. Credo. Et In Spiritum Sanctum Dominum (Baritone)\u003cspan\u003e \u003c\/span\u003e7:01\u003c\/div\u003e\n\u003cdiv\u003e18-8\u003cspan\u003e \u003c\/span\u003eXIX. Credo. Confiteor Unum Baptisma - (Chorus)\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003e18-9\u003cspan\u003e \u003c\/span\u003eXX. Credo. Et Expecto Resurrectionem (Chorus)\u003cspan\u003e \u003c\/span\u003e4:52\u003c\/div\u003e\n\u003cdiv\u003e18-10\u003cspan\u003e \u003c\/span\u003eXXI. Sanctus. Sanctus (Chorus)\u003cspan\u003e \u003c\/span\u003e6:12\u003c\/div\u003e\n\u003cdiv\u003e18-11\u003cspan\u003e \u003c\/span\u003eXXII. Sanctus. Osanna In Excelsis (Chorus)\u003cspan\u003e \u003c\/span\u003e3:20\u003c\/div\u003e\n\u003cdiv\u003e18-12\u003cspan\u003e \u003c\/span\u003eXXIII. Sanctus. Benedictus (Tenor)\u003cspan\u003e \u003c\/span\u003e5:39\u003c\/div\u003e\n\u003cdiv\u003e18-13\u003cspan\u003e \u003c\/span\u003eXXIV. Sanctus. Osanna In Excelsis (Chorus)\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e18-14\u003cspan\u003e \u003c\/span\u003eXXV. Agnus Dei. Agnus Dei (Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e6:30\u003c\/div\u003e\n\u003cdiv\u003e18-15\u003cspan\u003e \u003c\/span\u003eXXVI. Agnus Dei. Dona Nobis Pacem (Chorus)\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003eRichard Wagner\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDer Fliegende Holländer, Opera In Three Acts (original 1843 Dresden Version)\u003c\/div\u003e\n\u003cdiv\u003e19-1\u003cspan\u003e \u003c\/span\u003eOverture (Orchestra)\u003cspan\u003e \u003c\/span\u003e11:30\u003c\/div\u003e\n\u003cdiv\u003e19-2\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. Introduction. \"Hojohe! Hallojo!\" (Herrenchor, Daland, Steuermann)\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e19-3\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. Introduction. Lied Des Steuermanns: \"Mit Gewitter Und Sturm Aus Fernem Meer\" (Steuermann)\u003cspan\u003e \u003c\/span\u003e6:18\u003c\/div\u003e\n\u003cdiv\u003e19-4\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Die Frist Ist Um\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e19-5\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Wie Oft In Meeres Tiefsten Schlund\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e19-6\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Dich Frage Ich, Gepries'ner Engel Gottes\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:45\u003c\/div\u003e\n\u003cdiv\u003e19-7\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Nur Eine Hoffnung Soll Mir Bleiben\" (Holländer, Herrenchor)\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e19-8\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"He! Holla! Steuermann!\" (Daland, Steuermann)\u003cspan\u003e \u003c\/span\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e19-9\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Weit Komm' Ich Her\" (Holländer, Daland)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e19-10\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Durch Sturm Und Bösen Wind Verschlagen\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:42\u003c\/div\u003e\n\u003cdiv\u003e19-11\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Wie Wunderbar! Soll Deinem Wort Ich Glauben?\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e19-12\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Was Muß Ich Hören?... Hast Du Eine Tochter?\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003e19-13\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Wohl, Fremdling, Hab' Ich Eine Schöne Tochter\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e19-14\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Wenn Aus Der Qualen Schreckgewalten\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e19-15\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Südwind! Südwind!\" (Steuermann, Herrenchor, Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:05\u003c\/div\u003e\n\u003cdiv\u003e19-16\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Mit Gewitter Und Sturm Aus Fernem Meer\" (Herren)\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003e19-17\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Introduction\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e19-18\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. \"Summ Und Brumm, Du Gutes Rädchen\" (Mädchen, Mary)\u003cspan\u003e \u003c\/span\u003e4:35\u003c\/div\u003e\n\u003cdiv\u003e19-19\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus.\"Du Böses Kind, Wenn Du Nicht Spinnst\" (Mary, Mädchen, Senta)\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e19-20\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. \"O Macht Dem Dummen Lied Ein Ende\" (Mary, Mädchen, Senta)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e19-21\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Senta's Ballade. I. \"Johohoe! ... Traft Ihr Das Schiff Im Meere An\" (Senta)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e19-22\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Senta's Ballade. II. \"Bei Bösem Wind Und Sturmes Wut\" (Senta, Chor)\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e19-23\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Senta's Ballade. III. \"Vor Anker Alle Sieben Jahr\" (Senta)\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e20-1\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. \"Ach! Wo Weilt Sie\" (Mädchen, Senta, Mary, Erik)\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e20-2\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Bleib, Senta! Bleib Nur Einen Augenblick!\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e20-3\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Mein Herz, Voll Treue Bis Zum Sterben\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e20-4\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Wie? Zweifelst Du An Meinem Herzen?\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e20-5\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Fühlst Du Den Schmerz, Den Tiefen Gram\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e20-6\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Auf Hohem Felsen Lag Ich Träumend\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e20-7\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Ach Möchtest Du, Bleicher Seemann\" (Senta)\u003cspan\u003e \u003c\/span\u003e1:30\u003c\/div\u003e\n\u003cdiv\u003e20-8\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Finale. \"Mein Kind, Du Siehst Mich Auf Der Schwelle\" (Daland, Senta)\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e20-9\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Finale. Aria: \"Mögst Du, Mein Kind, Den Fremden Mann\" (Daland)\u003cspan\u003e \u003c\/span\u003e3:59\u003c\/div\u003e\n\u003cdiv\u003e20-10\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Finale. \"Doch Keines Spricht\" (Daland)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e20-11\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Wie Aus Der Ferne Längst Verganger Zeiten\" (Holländer)\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e20-12\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Versank Ich Jetzt In Wunderbares Träumen\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e4:15\u003c\/div\u003e\n\u003cdiv\u003e20-13\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Wirst Du Des Vaters Wahl Nicht Schelten?\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e20-14\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Du Bist Ein Engel!\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e20-15\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Ein Heil'ger Balsam Meinen Wunden\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e20-16\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Trio. \"Verzeiht! Mein Volk Hält Draußen Sich Nicht Mehr\" (Daland, Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e20-17\u003cspan\u003e \u003c\/span\u003eAct 3. Zwischenspiel (Orchestra). Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble: Steermann, Laß Die Wacht!\" (Herremchor - Tanz\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e20-18\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble \"Mein! Seht Doch An! Sie Tanzen Gar!\" (Mädchen, Herren, Steuermann)\u003cspan\u003e \u003c\/span\u003e6:40\u003c\/div\u003e\n\u003cdiv\u003e20-19\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble \"Juchhe! Juchhe! Da gibt's die Fülle!\" (Herren, Steuermann)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e20-20\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble \"Johohoe! Johohoe!\" (Herren)\u003cspan\u003e \u003c\/span\u003e4:17\u003c\/div\u003e\n\u003cdiv\u003e20-21\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Duett. \"Was Muß Ich Hören! Gott, Was Muß Ich Sehn!\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e20-22\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine. \"Willst Jenes Tags Du Nicht Dich Mehr Entsinnen\" (Erik)\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e20-23\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine \"Verloren! Ach, Verloren!\" (Holländer, Erik, Senta)\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003e20-24\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine. \"Erfahre Das Geschick, Vor Dem Ich Dich Bewahr'! (Holländer)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e20-25\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine. \"Zu Hilfe! Rettet, Rettet Sie!\" (Erik, Senta, Daland, Mary, Chor, Holländer)\u003cspan\u003e \u003c\/span\u003e3:39\u003c\/div\u003e\n\u003cdiv\u003eRichard Wagner\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDie Walküre, Music Drarna In Three Acts (Act 1)\u003c\/div\u003e\n\u003cdiv\u003e21-1\u003cspan\u003e \u003c\/span\u003eAct 1. Prelude\u003cspan\u003e \u003c\/span\u003e4:25\u003c\/div\u003e\n\u003cdiv\u003e21-2\u003cspan\u003e \u003c\/span\u003eAct 1. \"Wes Herd Dies Auch Sei\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e8:57\u003c\/div\u003e\n\u003cdiv\u003e21-3\u003cspan\u003e \u003c\/span\u003eAct 1. \"Einen Unseligen Labtest Du\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003e21-4\u003cspan\u003e \u003c\/span\u003eAct 1. \"Müd Am Herd Fand Ich Den Mann\" (Sieglinde, Hunding, Siegmund)\u003cspan\u003e \u003c\/span\u003e5:08\u003c\/div\u003e\n\u003cdiv\u003e21-5\u003cspan\u003e \u003c\/span\u003eAct 1. \"Friedmund Darf Ich Nicht Heißen\" (Siegmund, Hunding, Sieglinde)\u003cspan\u003e \u003c\/span\u003e6:39\u003c\/div\u003e\n\u003cdiv\u003e21-6\u003cspan\u003e \u003c\/span\u003eAct 1. \"Die So Leidig Los Dir Beschied\" (Hunding, Sieglinde, Siegmund)\u003cspan\u003e \u003c\/span\u003e4:40\u003c\/div\u003e\n\u003cdiv\u003e21-7\u003cspan\u003e \u003c\/span\u003eAct 1. \"Ich Weiß Ein Wildes Geschlecht\" (Hunding)\u003cspan\u003e \u003c\/span\u003e7:07\u003c\/div\u003e\n\u003cdiv\u003e21-8\u003cspan\u003e \u003c\/span\u003eAct 1. \"Ein Schwert Verhieß Mir Der Vater\" (Siegmund)\u003cspan\u003e \u003c\/span\u003e5:53\u003c\/div\u003e\n\u003cdiv\u003e21-9\u003cspan\u003e \u003c\/span\u003eAct 1. \"Schläfst Du, Gast?\" (Sieglinde, Siegmund)\u003cspan\u003e \u003c\/span\u003e7:53\u003c\/div\u003e\n\u003cdiv\u003e21-10\u003cspan\u003e \u003c\/span\u003eAct 1. \"Winterstürme Wichen Dem Wonnemond\" (Siegmund)\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e21-11\u003cspan\u003e \u003c\/span\u003eAct 1. \"Du Bist Der Lenz\" (Sieglinde)\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e21-12\u003cspan\u003e \u003c\/span\u003eAct 1. \"O Süßeste Wonne!\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e6:58\u003c\/div\u003e\n\u003cdiv\u003e21-13\u003cspan\u003e \u003c\/span\u003eAct 1. \"Siegmund Heiß Ich!\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003eDie Walküre, Music Drarna In Three Acts. Act 3: Wotan's Farewell\u003c\/div\u003e\n\u003cdiv\u003e22-1\u003cspan\u003e \u003c\/span\u003eAct 3. \"Leb wohl, du kühnes, herrliches Kind!\" (Wotan)\u003cspan\u003e \u003c\/span\u003e5:40\u003c\/div\u003e\n\u003cdiv\u003e22-2\u003cspan\u003e \u003c\/span\u003eAct 3. \"Der Augen Leuchtendes Paar\" (Wotan)\u003cspan\u003e \u003c\/span\u003e7:49\u003c\/div\u003e\n\u003cdiv\u003e22-3\u003cspan\u003e \u003c\/span\u003eAct 3. \"Loge, Hör! Lausche Hieher!\" (Wotan)\u003cspan\u003e \u003c\/span\u003e6:14\u003c\/div\u003e\n\u003cdiv\u003e22-4\u003cspan\u003e \u003c\/span\u003eDie Walküre, Act 3. The Ride of the Valkyries\u003c\/div\u003e\n\u003cdiv\u003eWesendonck-Lieder.\u003c\/div\u003e\n\u003cdiv\u003e22-5\u003cspan\u003e \u003c\/span\u003eI. Der Engel\u003cspan\u003e \u003c\/span\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e22-6\u003cspan\u003e \u003c\/span\u003eII. Stehe Still!\u003cspan\u003e \u003c\/span\u003e4:02\u003c\/div\u003e\n\u003cdiv\u003e22-7\u003cspan\u003e \u003c\/span\u003eIII. Im Treibhaus\u003cspan\u003e \u003c\/span\u003e6:40\u003c\/div\u003e\n\u003cdiv\u003e22-8\u003cspan\u003e \u003c\/span\u003eIV. Schmerzen\u003cspan\u003e \u003c\/span\u003e2:38\u003c\/div\u003e\n\u003cdiv\u003e22-9\u003cspan\u003e \u003c\/span\u003eV. Träume\u003cspan\u003e \u003c\/span\u003e5:02\u003c\/div\u003e\n\u003cdiv\u003e22-10\u003cspan\u003e \u003c\/span\u003eTristan Und Isolde, Act 3. Isoldes Liebestod \"Mild Und Leise\"\u003c\/div\u003e\n\u003cdiv\u003e6:59\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLe Nozze Di Figaro, Opera Buffa In Four Acts, K.492\u003c\/div\u003e\n\u003cdiv\u003e23-1\u003cspan\u003e \u003c\/span\u003eSinfonia\u003cspan\u003e \u003c\/span\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e23-2\u003cspan\u003e \u003c\/span\u003eAct 1. “Cinque... Dieci... Venti...” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e23-3\u003cspan\u003e \u003c\/span\u003eAct 1. “Cosa Stai Misurando” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e23-4\u003cspan\u003e \u003c\/span\u003eAct 1. “Se A Caso Madama” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e23-5\u003cspan\u003e \u003c\/span\u003eAct 1. “Or Bene: Ascolta E Taci!” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e23-6\u003cspan\u003e \u003c\/span\u003eAct 1. “Se Vuol Ballare” (Figaro)\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e23-7\u003cspan\u003e \u003c\/span\u003eAct 1. “Ed Aspettaste Il Giorno” (Bartolo, Marcellina)\u003cspan\u003e \u003c\/span\u003e1:02\u003c\/div\u003e\n\u003cdiv\u003e23-8\u003cspan\u003e \u003c\/span\u003eAct 1. “La Vendetta, Oh La Vendetta” (Bartolo)\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e23-9\u003cspan\u003e \u003c\/span\u003eAct 1. “Tutto Ancor Non Ho Perso” (Marcellina, Susanna)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e23-10\u003cspan\u003e \u003c\/span\u003eAct 1. “Via Resti Servita” (Marcellina, Susanna)\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e23-11\u003cspan\u003e \u003c\/span\u003eAct 1. “Va' Là, Vecchia Pedante” (Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e23-12\u003cspan\u003e \u003c\/span\u003eAct 1. “Non So Più Cosa Son, Cosa Faccio” (Cherubino)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e23-13\u003cspan\u003e \u003c\/span\u003eAct 1. “Ah, Son Perduto!” (Cherubino, Susanna, Count, Basilio)\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e23-14\u003cspan\u003e \u003c\/span\u003eAct 1. “Cosa Sento! Tosto Andate” (Count, Basilio, Susanna)\u003cspan\u003e \u003c\/span\u003e5:46\u003c\/div\u003e\n\u003cdiv\u003e23-15\u003cspan\u003e \u003c\/span\u003eAct 1. “Basilio, In Traccia Tosto” (Count, Susanna, Cherubino, Basilio)\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e23-16\u003cspan\u003e \u003c\/span\u003eAct 1. “Giovani Liete, Fiori Spargete” (Chorus)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e23-17\u003cspan\u003e \u003c\/span\u003eAct 1. “Cos'è Questa Commedia?” (Count, Figaro, Susanna, Chorus)\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e23-18\u003cspan\u003e \u003c\/span\u003eAct 1. “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Count)\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e23-19\u003cspan\u003e \u003c\/span\u003eAct 1. “Non più andrai” (Figaro)\u003cspan\u003e \u003c\/span\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e23-20\u003cspan\u003e \u003c\/span\u003eAct 2. “Porgi, Amor” (Countess)\u003cspan\u003e \u003c\/span\u003e4:24\u003c\/div\u003e\n\u003cdiv\u003e23-21\u003cspan\u003e \u003c\/span\u003eAct 2. “Vieni, Cara Susanna” (Countess, Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e23-22\u003cspan\u003e \u003c\/span\u003eAct 2. “Quanto Duolmi, Susanna” (Countess, Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e23-23\u003cspan\u003e \u003c\/span\u003eAct 2. “Voi Che Sapete” (Cherubino)\u003cspan\u003e \u003c\/span\u003e3:28\u003c\/div\u003e\n\u003cdiv\u003e23-24\u003cspan\u003e \u003c\/span\u003eAct 2. “Bravo! Che Bella Voce!” (Countess, Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:04\u003c\/div\u003e\n\u003cdiv\u003e23-25\u003cspan\u003e \u003c\/span\u003eAct 2. “Venite, Inginocchiatevi” (Susanna)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e23-26\u003cspan\u003e \u003c\/span\u003eAct 2. “Quante Buffonerie!” (Countess, Susanna, Cherubino, Count)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e23-27\u003cspan\u003e \u003c\/span\u003eAct 2. “Che Novità!\" (Count, Countess)\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e23-28\u003cspan\u003e \u003c\/span\u003eAct 2. “Susanna, Or Via Sortite” (Count, Countess, Susanna)\u003cspan\u003e \u003c\/span\u003e3:48\u003c\/div\u003e\n\u003cdiv\u003e23-29\u003cspan\u003e \u003c\/span\u003eAct 2. “Dunque Voi Non Aprite” (Count, Countess)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e24-1\u003cspan\u003e \u003c\/span\u003eAct 2. “Aprite, Presto, Aprite” (Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:27\u003c\/div\u003e\n\u003cdiv\u003e24-2\u003cspan\u003e \u003c\/span\u003eAct 2. “Tutto È Come Il Lasciai” (Count, Countess)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e24-3\u003cspan\u003e \u003c\/span\u003eAct 2. “Esci Omai, Garzon Malnato” (Count, Countess)\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e24-4\u003cspan\u003e \u003c\/span\u003eAct 2. “Signore! Cos'è Quel Stupore?” (Susanna, Count, Countess)\u003cspan\u003e \u003c\/span\u003e5:55\u003c\/div\u003e\n\u003cdiv\u003e24-5\u003cspan\u003e \u003c\/span\u003eAct 2. “Signori, Di Fuori Son Già I Suonatori” (Figaro, Count, Susanna, Countess)\u003cspan\u003e \u003c\/span\u003e3:53\u003c\/div\u003e\n\u003cdiv\u003e24-6\u003cspan\u003e \u003c\/span\u003eAct 2. “Ah! Signor, Signor” - “Cos'è Stato?” (Antonio, Count, Susanna, Countess, Figaro)\u003cspan\u003e \u003c\/span\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e24-7\u003cspan\u003e \u003c\/span\u003eAct 2. “Voi, Signor, Che Giusto Siete” (Marcellina, Basilio, Bartolo, Susanna, Countess, Figaro, Count)\u003cspan\u003e \u003c\/span\u003e4:57\u003c\/div\u003e\n\u003cdiv\u003e24-8\u003cspan\u003e \u003c\/span\u003eAct 3. “Che Imbarazzo È Mai Questo” (Count, Countess, Susanna)\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e24-9\u003cspan\u003e \u003c\/span\u003eAct 3. “Crudel! Perché Finora” (Count, Susanna)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e24-10\u003cspan\u003e \u003c\/span\u003eAct 3. “E Perché Fosti Meco” ... “Ehi, Susanna, Ove Vai?” (Count, Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e24-11\u003cspan\u003e \u003c\/span\u003eAct 3. “Hai Già Vinta La Causa! ... Vedrò Mentr'io Sospiro” (Count)\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e24-12\u003cspan\u003e \u003c\/span\u003eAct 3. “E Decisa La Lite” (Curzio, Marcellina, Figaro, Count, Bartolo)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e24-13\u003cspan\u003e \u003c\/span\u003eAct 3. “Riconosci In Questo Amplesso” (Marcellina, Figaro, Bartolo, Curzio, Count, Susanna)\u003cspan\u003e \u003c\/span\u003e5:46\u003c\/div\u003e\n\u003cdiv\u003e24-14\u003cspan\u003e \u003c\/span\u003eAct 3. “Eccovi, O Caro Amico” (Marcellina, Bartolo, Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e24-15\u003cspan\u003e \u003c\/span\u003eAct 3. “Andiam, Andiam, Bel Paggio” (Barbarina, Cherubino)\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e24-16\u003cspan\u003e \u003c\/span\u003eAct 3. “E Susanna Non Vieni” ... “Dove Sono I Bei Momenti” (Countess)\u003cspan\u003e \u003c\/span\u003e7:22\u003c\/div\u003e\n\u003cdiv\u003e24-17\u003cspan\u003e \u003c\/span\u003eAct 3. “Io Vi Dico, Signor” (Antonio, Count)\u003cspan\u003e \u003c\/span\u003e0:26\u003c\/div\u003e\n\u003cdiv\u003e24-18\u003cspan\u003e \u003c\/span\u003eAct 3. “Cosa Mi Narri?” (Countess, Susanna)\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e24-19\u003cspan\u003e \u003c\/span\u003eAct 3. “Sull'aria” (Susanna, Countess)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e24-20\u003cspan\u003e \u003c\/span\u003eAct 3. “Piegato È Il Foglio” (Susanna, Countess)\u003cspan\u003e \u003c\/span\u003e0:23\u003c\/div\u003e\n\u003cdiv\u003e24-21\u003cspan\u003e \u003c\/span\u003eAct 3. “Ricevete, O Padroncina” (Chorus)\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e24-22\u003cspan\u003e \u003c\/span\u003eAct 3. “Queste Sono, Madama” (Barbarina, Countess, Susanna, Antonio, Count, Cherubino, Figaro)\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e24-23\u003cspan\u003e \u003c\/span\u003eAct 3. “Ecco La Marcia, Andiamo!” (Figaro, Susanna, Count, Countess)\u003cspan\u003e \u003c\/span\u003e2:10\u003c\/div\u003e\n\u003cdiv\u003e24-24\u003cspan\u003e \u003c\/span\u003eAct 3. “Amanti Costanti” (Two Girls, Chorus, Count, Figaro)\u003cspan\u003e \u003c\/span\u003e5:39\u003c\/div\u003e\n\u003cdiv\u003e25-1\u003cspan\u003e \u003c\/span\u003eAct 4. “L'ho Perduta, Me Meschina!” (Barbarina)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e25-2\u003cspan\u003e \u003c\/span\u003eAct 4. “Barbarina, Cos'hai?” (Figaro, Barbarina)\u003cspan\u003e \u003c\/span\u003e1:16\u003c\/div\u003e\n\u003cdiv\u003e25-3\u003cspan\u003e \u003c\/span\u003eAct 4. “Madre! Figlio!” (Figaro, Marcellina)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e25-4\u003cspan\u003e \u003c\/span\u003eAct 4. “Son Quelli Che Invitasti A Venir” (Basilio, Bartolo, Figaro)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e25-5\u003cspan\u003e \u003c\/span\u003eAct 4. “In Quegli Anni” (Basilio)\u003cspan\u003e \u003c\/span\u003e4:55\u003c\/div\u003e\n\u003cdiv\u003e25-6\u003cspan\u003e \u003c\/span\u003eAct 4. “Tutto È Disposto ... Aprite Un Po' Quegli Occhi” (Figaro)\u003cspan\u003e \u003c\/span\u003e4:50\u003c\/div\u003e\n\u003cdiv\u003e25-7\u003cspan\u003e \u003c\/span\u003eAct 4. “Signora, Ella Mi Disse” (Susanna, Marcellina, Countess, Figaro)\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e25-8\u003cspan\u003e \u003c\/span\u003eAct 4. “Giunse Alfin Il Momento ... Deh Vieni, Non Tardar” (Susanna)\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e25-9\u003cspan\u003e \u003c\/span\u003eAct 4. “Perfida! E In Quella Forma Meco Mentia?” (Figaro, Cherubino, Countess)\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e25-10\u003cspan\u003e \u003c\/span\u003eAct 4. “Pian Pianin, Le Andrò Più Presso” (Cherubino, Countss, Figaro, Susanna)\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e25-11\u003cspan\u003e \u003c\/span\u003eAct 4. “Partito È Alfin L'audace” (Count, Countess, Figaro, Susanna)\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e25-12\u003cspan\u003e \u003c\/span\u003eAct 4. “Tutto È Tranquille E Placido” (Figaro, Susanna)\u003cspan\u003e \u003c\/span\u003e3:59\u003c\/div\u003e\n\u003cdiv\u003e25-13\u003cspan\u003e \u003c\/span\u003eAct 4. “Pace, Pace, Mio Dolce Tesoro” (Figaro, Susanna, Count)\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e25-14\u003cspan\u003e \u003c\/span\u003eAct 4. “Gente, Gente, All'armi, All'armi!” (Count, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, Countess)\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCosl Fan Tutte, Opera In Two Acts, K.588\u003c\/div\u003e\n\u003cdiv\u003e26-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e26-2\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “La Mia Dorabella Capace Non È” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:10\u003c\/div\u003e\n\u003cdiv\u003e26-3\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “Fuor' La Spada” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e26-4\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “È La Fede Delle Femmine” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e26-5\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “Scioccherie Di Poeti!” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003e26-6\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “Una Bella Serenata” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e26-7\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Ah, Guarda, Sorella” (Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e26-8\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Mi Par Che Stamattina” (Fiordiligi, Dorabella, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e26-9\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Barbaro Fato!” … “Vorrei Dir, E Cor Non Ho” (Don Alfonso)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e26-10\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Stelle! Per Carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella)\u003cspan\u003e \u003c\/span\u003e1:01\u003c\/div\u003e\n\u003cdiv\u003e26-11\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Sento, Oddio, Che Questo Piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e5:47\u003c\/div\u003e\n\u003cdiv\u003e26-12\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “O Cielo, Questo È Il Tamburo Funesto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e26-13\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Bella Vita Militar!” (Chorus)\u003cspan\u003e \u003c\/span\u003e1:39\u003c\/div\u003e\n\u003cdiv\u003e26-14\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Non V’è Più Tempo, Amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Chorus)\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e26-15\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Muoio D’affanno!” … “Di Scrivermi Ogni Giorno” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Chorus)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e26-16\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Bella Vita Militar!” (Chorus)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e26-17\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Dove Son? Son Partiti” (Dorabella, Don Alfonso, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e26-18\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Soave Sia Il Vento” (Dorabella, Don Alfonso, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e26-19\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Non Son Cattivo Comico” (Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e26-20\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Che Vita Maledetta” (Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e26-21\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Ah, Scostati!” (Dorabella)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e26-22\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Smanie Implacabili Che M’agitate” (Dorabella)\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e26-23\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabella, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e26-24\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “In Uomini, In Soldati Sperare Fedeltà?” (Despina)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e27-1\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Che Silenzio! Che Aspetto Di Tristezza” (Don Alfonso, Despina)\u003cspan\u003e \u003c\/span\u003e2:46\u003c\/div\u003e\n\u003cdiv\u003e27-2\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Alla Bella Despinetta” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e5:38\u003c\/div\u003e\n\u003cdiv\u003e27-3\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Che Sussurro! Che Strepito!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e27-4\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Temerari...” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e27-5\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Come Scoglio Immoto Resta” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003e27-6\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Ah, Non Partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e27-7\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Non Siate Ritrosi, Occhietti Vezzosi” (Guglielmo)\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e27-8\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “E Voi Ridete?” (Don Alfonso, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e27-9\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Si Può Sapere Un Poco” (Don Alfonso, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003e27-10\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Un’aura Amorosa Del Nostro Tesoro” (Ferrando)\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e27-11\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Ah, Che Tutto In Un Momento” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e5:03\u003c\/div\u003e\n\u003cdiv\u003e27-12\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Ah, Che Del Sole Il Raggio” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e5:16\u003c\/div\u003e\n\u003cdiv\u003e27-13\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Eccovi Il Medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e27-14\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Dove Son? Che Loco È Questo?” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e27-15\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Dammi Un Bacio, O Mio Tesoro” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e27-16\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. “Una Donna A Quindici Anni” (Despina)\u003cspan\u003e \u003c\/span\u003e4:07\u003c\/div\u003e\n\u003cdiv\u003e27-17\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. “Questo È Ver” (Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e27-18\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. “Prenderò Quel Brunettino” (Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e27-19\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Secondate, Aurette Amiche” (Ferrando, Guglielmo, Chorus)\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e27-20\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Il Tutto Deponete Sopra Quei Tavolini” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003e27-21\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “La Mano A Me Date” (Don Alfonso, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e27-22\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Oh, Che Bella Giornata!” (Fiordiligi, Ferrando, Dorabella, Guglielmo)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e27-23\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Il Core Vi Dono” (Guglielmo, Dorabella)\u003cspan\u003e \u003c\/span\u003e5:39\u003c\/div\u003e\n\u003cdiv\u003e28-1\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Barbara, Perché Fuggi?” (Ferrando, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e28-2\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Ei Parte… Senti… Ah No!” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e2:02\u003c\/div\u003e\n\u003cdiv\u003e28-3\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Per Pietà, Ben Mio, Perdona” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e7:48\u003c\/div\u003e\n\u003cdiv\u003e28-4\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Amico, Abbiamo Vinto!” (Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e28-5\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Donne Mie, La Fate A Tanti A Tanti” (Guglielmo)\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e28-6\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “In Qual Fiero Contrasto” (Ferrando)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e28-7\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Tradito, Schernito Dal Perfido Cor” (Ferrando)\u003cspan\u003e \u003c\/span\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003e28-8\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “È Amore Un Ladroncello” (Dorabella)\u003cspan\u003e \u003c\/span\u003e4:37\u003c\/div\u003e\n\u003cdiv\u003e28-9\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “L'abito Di Ferrando Sara Buono Per Me” (Fiordiligi, Ferrando)\u003cspan\u003e \u003c\/span\u003e1:05\u003c\/div\u003e\n\u003cdiv\u003e28-10\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “Fra Gli Amplessi In Pochi Istanti” (Fiordiligi, Ferrando)\u003cspan\u003e \u003c\/span\u003e7:09\u003c\/div\u003e\n\u003cdiv\u003e28-11\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “Ah, Poveretto Me, Cosa Ho Veduto!” (Guglielmo, Don Alfonso, Ferrando)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e28-12\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “Tutti Accussan Le Donne” (Don Alfonso, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e28-13\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Fate Presto, O Cari Amici” (Despina, Chorus, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e28-14\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Benedetti I Doppi Coniugi” (Chorus, Fiordiligi, Dorabella, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003e28-15\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “E Nel Tuo, Nel Mio Bicchiero” (Fiordiligi, Dorabella, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e28-16\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Miei, Signori, Tutto È Fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e28-17\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Bella Vita Militar!” (Chorus, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e28-18\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Sani E Salvi Agli Amplessi Amorosi” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)\u003cspan\u003e \u003c\/span\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e28-19\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Giusto Ciel! Voi Qui Scriveste” (Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e28-20\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “A Voi S'inchina” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Despina)\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e28-21\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Fortunato L’uom Che Prende” (All)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003eAn Opera Souvenir: Documentary By Jon Tolanski\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eAn Opera Souvenir\u003c\/div\u003e\n\u003cdiv\u003e29-1\u003cspan\u003e \u003c\/span\u003eIntroduction: Overview And Background\u003cspan\u003e \u003c\/span\u003e6:35\u003c\/div\u003e\n\u003cdiv\u003e29-1.1\u003cspan\u003e \u003c\/span\u003eDer Fliegende Holländer (Overture)\u003c\/div\u003e\n\u003cdiv\u003e29-1.2\u003cspan\u003e \u003c\/span\u003eDance Of The Seven Veils\u003c\/div\u003e\n\u003cdiv\u003e29-2\u003cspan\u003e \u003c\/span\u003eFidelio\u003c\/div\u003e\n\u003cdiv\u003e22:48\u003c\/div\u003e\n\u003cdiv\u003e29-3\u003cspan\u003e \u003c\/span\u003eDie Zauberflöte\u003c\/div\u003e\n\u003cdiv\u003e11:04\u003c\/div\u003e\n\u003cdiv\u003e29-4\u003cspan\u003e \u003c\/span\u003eDon Giovanni (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003e6:34\u003c\/div\u003e\n\u003cdiv\u003e29-5\u003cspan\u003e \u003c\/span\u003eDer Fliegende Holländer\u003c\/div\u003e\n\u003cdiv\u003e18:36\u003c\/div\u003e\n\u003cdiv\u003e29-6\u003cspan\u003e \u003c\/span\u003eCosi Fan Tutte. Final Opera Recording And Conclusion\u003c\/div\u003e\n\u003cdiv\u003e3:14\u003c\/div\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":47190160113914,"sku":"5054197528996","price":131.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/4243797-3040301_16dc31dc-ad89-4517-aada-c179db8e10b6.jpg?v=1741892263","url":"https:\/\/classicselectworld.com\/de-de\/products\/otto-klemperer-the-warner-classics-remastered-edition-vol-2-complete-recordings-of-operas-sacred-works-on-emi-columbia-and-hmv","provider":"ClassicSelect World","version":"1.0","type":"link"}