{"product_id":"otto-klemperer-warner-classics-remastered-edition-vol-2-95-cds-orchestral-works-copy","title":"OTTO KLEMPERER: Warner Classics Remastered Edition - Vol. 2 (29 CDs - Operas \u0026 Sacred Works)","description":"\u003cp\u003e\u003cspan\u003eThis box set comprises all the operas and sacred works Otto Klemperer conducted for EMI Columbia and HMV. Oratorios by Bach, Beethoven, Brahms and Handel are accompanied by operas of Beethoven, Mozart and Wagner. There are also rehearsals and listening playback sessions for the recording of Mozart's Don Giovanni and a Bonus CD with recollections from artists who sang in Klemperer's opera performances. Otto Klemperer deeply loved both the theatricality of opera and the spirituality of oratorios, and these performances from his great Indian Summer represent the fruits of his lifetime of thought and experience in this repertoire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_07fbb1df-c5fc-40dc-9216-358ab6fef348_480x480.png?v=1699643704\"\u003e\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Johann Sebastian Bach \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMatthäus-Passion, BWV 244 [Rec. 1960-1961]\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Jesus] – Dietrich Fischer-Dieskau\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Judas] – John Carol Case\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Pilatus, High Priest, Priest] – Otakar Kraus\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Priest] – Geraint Evans\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals [Arias] – Walter Berry\u003c\/div\u003e\n\u003cdiv\u003eCello – Raymond Clark\u003c\/div\u003e\n\u003cdiv\u003eChoir – Boys Of The Hampstead Parish Church Choir\u003c\/div\u003e\n\u003cdiv\u003eChorus – Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master [Boys of the Hampstead Parish Church Choir] – Martindale Sidwell\u003c\/div\u003e\n\u003cdiv\u003eChorus Master [Philharmonia Chorus] – Wilhelm Pitz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eDouble Bass – James Merrett\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eFlute – Arthur Ackroyd, Gareth Morris (2)\u003c\/div\u003e\n\u003cdiv\u003eHarpsichord – George Malcolm, Viola Tunnard\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Arias] – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOboe – Sidney Sutcliffe\u003c\/div\u003e\n\u003cdiv\u003eOboe Da Caccia – Peter Newbury\u003c\/div\u003e\n\u003cdiv\u003eOboe d'Amore – Sidney Sutcliffe\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrgan – Ralph Downes\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Jellinek, Walter Legge\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Arien, First Maid, Pilate's Wife] – Elisabeth Schwarzkopf\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Second Maid, Witness] – Helen Watts\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Arias] – Nicolai Gedda\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Evangelist] – Peter Pears\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Witness] – Wilfred Brown\u003c\/div\u003e\n\u003cdiv\u003eViola da Gamba – Desmond Dupré\u003c\/div\u003e\n\u003cdiv\u003eViolin – Bela Dekany, Hugh Bean\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003ePart 1. No. 1. Chorus: \"Kommt, Ihr Töchter, Helft Mir Klagen\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003ePart 1. No. 2. Recitative: \"Da Jesus Diese Rede Vollendet Hatte\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003ePart 1. No. 3. Chorale: \"Herzliebster Jesu, Was Hast Du Verbrochen\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4a. Recitative: \"Da Versammleten Sich Die Hohenpriester\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4b. Chorus: \"Ja Nicht Auf Das Fest\"\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4c. Recitative: \"Da Nun Jesus War Zu Bethanien\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4d. Chorus: \"Wozu Dienet Dieser Unrat\"\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003ePart 1. No. 4e. Recitative: \"Da Das Jesus Merkete\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003ePart 1. No. 5. Recitative: \"Du Lieber Heiland Du\" (Alto)\u003cspan\u003e \u003c\/span\u003e1:05\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003ePart 1. No. 6. Aria: \"Buß Und Reu\" (Alto)\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003ePart 1 No. 7. Recitative: \"Da Ging Hin Der Zwölfen Einer\" (Evangelist, Judas)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003ePart 1. No. 8. Aria: \"Blute Nur, Du Liebes Herz\" (Soprano)\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003ePart 1. No. 9a. Recitative: \"Aber Am Ersten Tage Der Süßen Brot\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003ePart 1. No. 9b. Chorus: \"Wo Willst Du, Dass Wir Dir Bereiten\" (Chorus I)\u003cspan\u003e \u003c\/span\u003e0:25\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003ePart 1. No. 9c. Recitative: \"Er Sprach ... Und Sie Wurden Sehr Betrübt ... Herr, Bin Ich's\" (Evangelist, Jesus, Chorus)\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003ePart 1. No. 10. Chorale: \"Ich Bins, Ich Sollte Büßen\"\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003ePart 1. No. 11. Recitative: \"Er Antwortete Und Sprach\" (Evangelist, Jesus, Judas)\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003ePart 1. No. 12. Recitative: \"Wiewohl Mein Herz In Tränen Schwimmt\" (Soprano)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003ePart 1. No. 13. Aria: \"Ich Will Dir Mein Herze Schenken\" (Soprano)\u003cspan\u003e \u003c\/span\u003e4:03\u003c\/div\u003e\n\u003cdiv\u003e1-20\u003cspan\u003e \u003c\/span\u003ePart 1. No. 14. Recitative: \"Und Da Sie Den Lobgesang Gesprochen Hatten\" (Evangelist, Judas)\u003cspan\u003e \u003c\/span\u003e1:24\u003c\/div\u003e\n\u003cdiv\u003e1-21\u003cspan\u003e \u003c\/span\u003ePart 1. No. 15. Chorale: \"Erkenne Mich, Mein Hüter\"\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e1-22\u003cspan\u003e \u003c\/span\u003ePart 1. No. 16. Recitative: \"Petrus Aber Antworteteund Sprach Zu Him\" (Evangelist, Petrus, Jesus)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e1-23\u003cspan\u003e \u003c\/span\u003ePart 1. No. 17. Chorale: \"Ich Will Hier Bei Dir Stehen\"\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e1-24\u003cspan\u003e \u003c\/span\u003ePart 1. No. 18. Recitative: \"Da Kam Jesus Mit Ihnen Zu Einem Hofe\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e1-25\u003cspan\u003e \u003c\/span\u003ePart 1. No. 19. Recitative \u0026amp; Chorus: \"O Schmerz! Hier Zittert Das Gequälte Herz\" (Tenor, Chorus II)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e1-26\u003cspan\u003e \u003c\/span\u003ePart 1. No. 20. Aria: \"Ich Will Bei Meinem Jesu Wachen\"\u003cspan\u003e \u003c\/span\u003e6:15\u003c\/div\u003e\n\u003cdiv\u003e1-27\u003cspan\u003e \u003c\/span\u003ePart 1. No. 21. Recitative: \"Und Ging Hin Ein Wenig\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e1-28\u003cspan\u003e \u003c\/span\u003ePart 1. No. 22. Recitative: \"Der Heiland Fällt Vor Seinem Vater Nieder\" (Bass)\u003cspan\u003e \u003c\/span\u003e1:21\u003c\/div\u003e\n\u003cdiv\u003e1-29\u003cspan\u003e \u003c\/span\u003ePart 1. No. 23. Aria: \"Gerne Will Ich Mich Bequemen\" (Bass)\u003cspan\u003e \u003c\/span\u003e6:35\u003c\/div\u003e\n\u003cdiv\u003e1-30\u003cspan\u003e \u003c\/span\u003ePart 1. No. 24. Recitative: \"Und Er Kam Zu Seinen Jüngern\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e1-31\u003cspan\u003e \u003c\/span\u003ePart 1. No. 25. Chorale: \"Was Mein Gott Will, Das G'scheh Allzeit\"\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003ePart 1. No. 26. Recitative: \"Und Er Kam Und Fand Sie Aber Schlafend\" (Evangelist, Jesus, Judas)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003ePart 1. No. 27 Duet \u0026amp; Chorus: \"So Ist Mein Jesus Nun Gefangen\" (Soprano, Alto, Chorus)\u003cspan\u003e \u003c\/span\u003e5:59\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003ePart 1. No. 28. Recitative: \"Und Siehe, Einer Aus Denen, Die Mit Jesu Waren\" (Evangelist, Jesus)\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003ePart 1. No. 29. Chorale: \"O Mensch, Bewein Dein Sünde Groß\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003ePart 2. No. 30. Aria: \"Ach, nun ist mein Jesus hin\" (Alto)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003ePart 2. No. 31. Recitative: \"Die Aber Jesum Gegriffen Hatten\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003ePart 2. No. 32. Chorale: \"Mir Hat Die Welt Trüglich Gericht\"\u003cspan\u003e \u003c\/span\u003e1:29\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003ePart 2. No. 33. Recitative: \"Und Wiewohl Viel Falsche\" (Evangelist, Witnesses, High Priest)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003ePart 2. No.34. Recitative: \"Mein Jesus Schweigt Zu Falschen Lügen Stille\" (Tenor)\u003cspan\u003e \u003c\/span\u003e1:01\u003c\/div\u003e\n\u003cdiv\u003e2-10\u003cspan\u003e \u003c\/span\u003ePart 2. No. 35. Aria: \"Geduld! Geduld! \" (Tenor)\u003cspan\u003e \u003c\/span\u003e4:54\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003ePart 2. No. 36a. Recitative And Chorus: \"Und Der Hohepriester Antwortete ... Er Ist Todes Schuldig!\" (Evangelist, High Priest, Jesus, Chorus)\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e2-12\u003cspan\u003e \u003c\/span\u003ePart 2. No. 36c. Recitative And Chorus: \"Da Speieten Sie In Sein Angesicht ... Weissage Uns, Christe\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e2-13\u003cspan\u003e \u003c\/span\u003ePart 2. No. 37. Chorale: \"Wer Hat Dich So Geschlagen\"\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e2-14\u003cspan\u003e \u003c\/span\u003ePart 2. No. 38a Recitative And Chorus: \"Petrus Aber Saß Draußen Im Palast ... Wahrlich, Du Bist Auch Einer von Denen\" (Evangelist, Maids, Petrus, Chorus II)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e2-15\u003cspan\u003e \u003c\/span\u003ePart 2. No. 38c. Recitative: \"Da Hub Er An Sich Zu Verfluchen\" (Evangelist, Petrus)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e2-16\u003cspan\u003e \u003c\/span\u003ePart 2. No. 39. Aria: \"Erbarme Dich\" (Alto)\u003cspan\u003e \u003c\/span\u003e7:23\u003c\/div\u003e\n\u003cdiv\u003e2-17\u003cspan\u003e \u003c\/span\u003ePart 2. No. 40. Chorale: \"Bin Ich Gleich von Dir Gewichen\"\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e2-18\u003cspan\u003e \u003c\/span\u003ePart 2. No. 41a. Recitative And Chorus: \"Des Morgens Aber Hielten ... Was Gehet Uns Das An?\" (Evangelist, Judas, Chorus)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e2-19\u003cspan\u003e \u003c\/span\u003ePart 2. No. 41c. Recitative: \"Und Er Warf Die Silberlinge\" (Evangelist, High Priests)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e2-20\u003cspan\u003e \u003c\/span\u003ePart 2. No. 42. Aria: \"Gebt Mir Meinen Jesum Wieder\" (Bass)\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e2-21\u003cspan\u003e \u003c\/span\u003ePart 2. No. 43. Recitative: \"Sie Hielten Aber Einen Rat\" (Evangelist, Pilatus, Jesus)\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e2-22\u003cspan\u003e \u003c\/span\u003ePart 2. No. 44. Chorale: \"Befiehl Du Deine Wege\"\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e2-23\u003cspan\u003e \u003c\/span\u003ePart 2. No. 45. Recitative And Chorus: \"Auf Das Fest Aber Hatte Der Landpflegert\" (Evangelist, Pilatus, Pilatus'wife, Chorus)\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003e2-24\u003cspan\u003e \u003c\/span\u003ePart 2. No. 46. Chorale: \"Wie Wunderbarlich Ist Doch Diese Strafe\"\u003cspan\u003e \u003c\/span\u003e1:24\u003c\/div\u003e\n\u003cdiv\u003e2-25\u003cspan\u003e \u003c\/span\u003ePart 2. No. 47. Recitative: \"Der Landpfleger Sagte\" (Evangelist, Pilatus)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e2-26\u003cspan\u003e \u003c\/span\u003ePart 2. No. 48. Recitative: \"Er Hat Uns Allen Wohlgetan\" (Soprano)\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003e2-27\u003cspan\u003e \u003c\/span\u003ePart 2. No. 49. Aria: \"Aus Liebe Will Mein Heiland Sterben\" (Soprano)\u003cspan\u003e \u003c\/span\u003e4:47\u003c\/div\u003e\n\u003cdiv\u003e3-1\u003cspan\u003e \u003c\/span\u003ePart 2. No. 50. Recitative And Chorus: \"Sie Schrieen Aber Noch Mehr ... Lass Ihn Kreuzigen\" (Evangelist, Chorus, Pilatus)\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e3-2\u003cspan\u003e \u003c\/span\u003ePart 2. No. 51. Recitative: \"Erbarm Es Gott! Hier Steht\" (Alto)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e3-3\u003cspan\u003e \u003c\/span\u003ePart 2. No. 52. Aria: \"Können Tränen Meiner Wangen\" (Alto)\u003cspan\u003e \u003c\/span\u003e9:41\u003c\/div\u003e\n\u003cdiv\u003e3-4\u003cspan\u003e \u003c\/span\u003ePart 2. No. 53. Recitative And Chorus: \"Da Nahmen Die Kriegsknechte ... Gegrüßet Seist Du\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e3-5\u003cspan\u003e \u003c\/span\u003ePart 2. No. 54. Chorale: \"O Haupt Voll Blut Un Wunden\"\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e3-6\u003cspan\u003e \u003c\/span\u003ePart 2. No. 55. Recitative: \"Und Da Sie Ihn Verspottet Hatten\" (Evangelist)\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e3-7\u003cspan\u003e \u003c\/span\u003ePart 2. No. 56. Recitative: \"Ja Freilich Will In Uns Das Fleisch Und Blut\" (Bass)\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e3-8\u003cspan\u003e \u003c\/span\u003ePart 2. No. 57. Aria: \"Komm, Süßes Kreuz, So Will Ich Sagen\" (Bass)\u003cspan\u003e \u003c\/span\u003e6:39\u003c\/div\u003e\n\u003cdiv\u003e3-9\u003cspan\u003e \u003c\/span\u003ePart 2. No. 58a. Recitative And Chorus: \"Und Da Sie An Die Stätte ... Der Du Den Tempel Gottes Zerbrichst\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e4:24\u003c\/div\u003e\n\u003cdiv\u003e3-10\u003cspan\u003e \u003c\/span\u003ePart 2. No. 58c. Recitative And Chorus: \"Desgleichen Auch Die Hohenpriester ... Andern Hat Er Geholfen\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e3-11\u003cspan\u003e \u003c\/span\u003ePart 2. No. 59. Recitative: \"Ach Golgatha, Unselges Golgotha\" (Alto)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e3-12\u003cspan\u003e \u003c\/span\u003ePart 2. No. 60. Aria: \"Sehet, Jesus Hat Die Hand\" (Alto, Chorus II)\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e3-13\u003cspan\u003e \u003c\/span\u003ePart 2. No. 61. Recitative And Chorus: \"Und von Der Sechsten Stunde ... Der Rufet Dem Elias!\" (Evangelist, Jesus, Chorus)\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e3-14\u003cspan\u003e \u003c\/span\u003ePart 2. No. 62. Chorale: \"Wenn Ich Einmal Soll Scheiden\"\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e3-15\u003cspan\u003e \u003c\/span\u003ePart 2. No. 63. Recitative And Chorus: \"Und Siehe Da, Der Vorhang ... Wahrlich, Dieser Ist Gottes Sohn\" (Evangelist, Chorus)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e3-16\u003cspan\u003e \u003c\/span\u003ePart 2. No. 64. Recitative: \"Am Abend, Da Es Kühle War\" (Bass)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e3-17\u003cspan\u003e \u003c\/span\u003ePart 2. No. 65. Aria: \"Mache Dich, Mein Herze, Rein\" (Bass)\u003cspan\u003e \u003c\/span\u003e10:20\u003c\/div\u003e\n\u003cdiv\u003e3-18\u003cspan\u003e \u003c\/span\u003ePart 2. No. 66. Recitative And Chorus: \"Und Joseph Nahm ... Herr, Wir Haben Gedacht\" (Evangelist, Pilatus, Chorus)\u003cspan\u003e \u003c\/span\u003e3:23\u003c\/div\u003e\n\u003cdiv\u003e3-19\u003cspan\u003e \u003c\/span\u003ePart 2. No. 67. Recitative With Chorus: \"Nun Ist Der Herr Zur Ruh Gebracht\" (Bass, Tenor, Alto, Soprano, Chorus II)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e3-20\u003cspan\u003e \u003c\/span\u003ePart 2. No. 68. Chorus: \"Wir' Setzen Uns Mit Tränen Nieder\"\u003cspan\u003e \u003c\/span\u003e8:07\u003c\/div\u003e\n\u003cdiv\u003eJohannes Brahms\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eEin Deutsches Requiem, Op. 45\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals – Dietrich Fischer-Dieskau\u003c\/div\u003e\n\u003cdiv\u003eChorus – Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Rheinhold Schmid*\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrgan – Ralph Downes\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Legge\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/div\u003e\n\u003cdiv\u003e4-1\u003cspan\u003e \u003c\/span\u003eI. Selig Sind, Die Da Leid Tragen (Ziemlich Langsam Und Mir Ausdruck)\u003cspan\u003e \u003c\/span\u003e9:57\u003c\/div\u003e\n\u003cdiv\u003e4-2\u003cspan\u003e \u003c\/span\u003eIi. Denn Alles Fleisch Es Ist Wie Gras (Langsam, Marschmassig - Un Poco Sostenuto - Allegro Non Troppo)\u003cspan\u003e \u003c\/span\u003e14:28\u003c\/div\u003e\n\u003cdiv\u003e4-3\u003cspan\u003e \u003c\/span\u003eIII. Herr, Lehre Doch Mich (Andante Moderato)\u003cspan\u003e \u003c\/span\u003e9:52\u003c\/div\u003e\n\u003cdiv\u003e4-4\u003cspan\u003e \u003c\/span\u003eIV. Wie Lieblich Sind Deine Wohnungen (Massig Bewegt)\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003e4-5\u003cspan\u003e \u003c\/span\u003eV. Ihr Habt Nun Traurigkeit (Langsam)\u003cspan\u003e \u003c\/span\u003e6:54\u003c\/div\u003e\n\u003cdiv\u003e4-6\u003cspan\u003e \u003c\/span\u003eVI. Denn Wir Haben Hie Keine Bleibende Statt (Andante - Vivace -Allegro)\u003cspan\u003e \u003c\/span\u003e11:44\u003c\/div\u003e\n\u003cdiv\u003e4-7\u003cspan\u003e \u003c\/span\u003eVII. Selig sind die Toten, die in dem Herren sterben (Feierlich)\u003cspan\u003e \u003c\/span\u003e10:17\u003c\/div\u003e\n\u003cdiv\u003eJohann Sebastian Bach\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMass In B Minor, BWV 232 - Choruses\u003c\/div\u003e\n\u003cdiv\u003eChorus – Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – John McCarthy\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Suvi Raj Grubb, Walter Legge\u003c\/div\u003e\n\u003cdiv\u003e5-1\u003cspan\u003e \u003c\/span\u003eI. Kyrie: \"Kyrie Eleison I\"\u003cspan\u003e \u003c\/span\u003e13:26\u003c\/div\u003e\n\u003cdiv\u003e5-2\u003cspan\u003e \u003c\/span\u003eIII. Kyrie: \"Kyrie Eleison II\"\u003cspan\u003e \u003c\/span\u003e4:21\u003c\/div\u003e\n\u003cdiv\u003e5-3\u003cspan\u003e \u003c\/span\u003eIV. Gloria: \"Gloria In Excelsis Deo\"\u003cspan\u003e \u003c\/span\u003e7:33\u003c\/div\u003e\n\u003cdiv\u003e5-4\u003cspan\u003e \u003c\/span\u003eVI. Gloria: \"Gratias Agimus Tibi\"\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e5-5\u003cspan\u003e \u003c\/span\u003eVIII. Gloria: \"Qui Tollis Peccata Mundi\"\u003cspan\u003e \u003c\/span\u003e3:21\u003c\/div\u003e\n\u003cdiv\u003e5-6\u003cspan\u003e \u003c\/span\u003eXII. Credo: \"Credo In Unum Deum\"\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e5-7\u003cspan\u003e \u003c\/span\u003eXIII. Credo: \"Patrem Omnipotentem\"\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e5-8\u003cspan\u003e \u003c\/span\u003eXV. Credo: \"Et Incarnatus Est\"\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e5-9\u003cspan\u003e \u003c\/span\u003eXVI. Credo: \"Crucifixus\"\u003cspan\u003e \u003c\/span\u003e4:36\u003c\/div\u003e\n\u003cdiv\u003e5-10.1\u003cspan\u003e \u003c\/span\u003eXIX. Credo: \"Confiteor Unum Baptisma -\u003cspan\u003e \u003c\/span\u003e8:10\u003c\/div\u003e\n\u003cdiv\u003e5-10.2\u003cspan\u003e \u003c\/span\u003eXX. Credo: \"Et Expecto Resurrectionem\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5-11\u003cspan\u003e \u003c\/span\u003eXXI. Sanctus: Sanctus\u003cspan\u003e \u003c\/span\u003e6:22\u003c\/div\u003e\n\u003cdiv\u003e5-12\u003cspan\u003e \u003c\/span\u003eXXII. Sanctus: \"Osanna In Excelsis\"\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e5-13\u003cspan\u003e \u003c\/span\u003eXXVI. Agnus Dei: \"Dona Nobis Pacem\"\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e5-14\u003cspan\u003e \u003c\/span\u003eOtto Klemperer And The Philharmonia Chorus In Rehearsal\u003cspan\u003e \u003c\/span\u003e10:39\u003c\/div\u003e\n\u003cdiv\u003eLudwig van Beethoven\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFidelio, Op. 72\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [2nd Prisoner] – Raymond Wolansky\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Don Fernando] – Franz Crass\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Rocco] – Gottlob Frick\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals [Don Pizarro] – Walter Berry\u003c\/div\u003e\n\u003cdiv\u003eChorus – Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Wilhelm Pitz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Leonore] – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Legge\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Marzelline] – Ingeborg Hallstein\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [1st Prisoner] – Kurt Wehofschitz\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Florestan] – Jon Vickers\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Jaquino] – Gerhard Unger\u003c\/div\u003e\n\u003cdiv\u003e6-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e6:56\u003c\/div\u003e\n\u003cdiv\u003e6-2\u003cspan\u003e \u003c\/span\u003eAct I. Duet: \"Jetzt, Schätzchen, Jetzt Sind Wir Allein\" (Jaquino, Marzelline)\u003cspan\u003e \u003c\/span\u003e4:54\u003c\/div\u003e\n\u003cdiv\u003e6-3\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Der Arme Jaquino Dauert Mich Beinahe\" (Marzelline)\u003cspan\u003e \u003c\/span\u003e0:14\u003c\/div\u003e\n\u003cdiv\u003e6-4\u003cspan\u003e \u003c\/span\u003eAct I. Aria: \"O Wär' Ich Schon Mit Dir Vereint\" (Marzelline)\u003cspan\u003e \u003c\/span\u003e4:04\u003c\/div\u003e\n\u003cdiv\u003e6-5\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Guten Tag, Marzelline. Ist Fidelio Noch Nicht Zurück?\" (Rocco, Marzelline, Leonore)\u003cspan\u003e \u003c\/span\u003e1:10\u003c\/div\u003e\n\u003cdiv\u003e6-6\u003cspan\u003e \u003c\/span\u003eAct I. Quartet: \"Mir Ist So Wunderbar\" (Marzelline, Leonore, Rocco, Jaquino)\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e6-7\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Höre, Fidelio, Weißt Du, Was Ich Tue?\" (Rocco, Marzeline)\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e6-8\u003cspan\u003e \u003c\/span\u003eAct I. Aria: \"Hat man nicht auch Gold beineben\" (Rocco)\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003e6-9\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Ihr Könnt Das Leicht Sagen, Meister Rocco\" (Leonore, Rocco, Marzelline)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e6-10\u003cspan\u003e \u003c\/span\u003eAct I. Trio: \"Gut, Söhnchen, Gut, Hab Immer Mut\" (Rocco, Leonore, Marzelline)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e6:11\u003cspan\u003e \u003c\/span\u003eAct I. Trio: \"Der Gouverneur…der Gouverneur Soll Heut' Erlauben\" (Rocco, Leonore, Marzelline)\u003cspan\u003e \u003c\/span\u003e1:48\u003c\/div\u003e\n\u003cdiv\u003e6-12\u003cspan\u003e \u003c\/span\u003eAct I. Trio: \"Nur Auf Der Hut, Dann Geht Es Gut\" (Rocco, Marzelline, Leonore)\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e6-13\u003cspan\u003e \u003c\/span\u003eAct I. March\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e6-14\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Wo Sind Die Depeschen?\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e0:53\u003c\/div\u003e\n\u003cdiv\u003e6-15\u003cspan\u003e \u003c\/span\u003eAct I. Aria With Chorus: \"Ha! Welch Ein Augenblick!\" (Pizarro, Chorus)\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e6-16\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Hauptmann, Besteigen Sie Mit Einem Trompeter Sogleich Den Turm\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e6-17\u003cspan\u003e \u003c\/span\u003eAct I. Duet: \"Jetzt, Alter, Jetzt Hat Es Eile!\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e6-18\u003cspan\u003e \u003c\/span\u003eAct I. Recitative And Aria: \"Abscheulicher! Wo Eilst Du Hin?\" (Leonore)\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e6-19\u003cspan\u003e \u003c\/span\u003eAct I. Recitative and Aria: \"Komm, Hoffnung, laß den letzten Stern\" (Leonore)\u003cspan\u003e \u003c\/span\u003e6:06\u003c\/div\u003e\n\u003cdiv\u003e6-20\u003cspan\u003e \u003c\/span\u003eAct I. Recitative: \"Rocco, Ihr Verspracht Mir So Oft\" (Leonore, Marzelline, Rocco)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e6-21\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"O welche Lust!\" (Chorus)\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e6-22\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Wir Wollen Mit Vertrauen Auf Gottes Hülfe Bauen\" (Two Prisoners, Chorus)\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003e6-23\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Nun Sprecht, Wie Ging's?\" (Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e5:30\u003c\/div\u003e\n\u003cdiv\u003e6-24\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Ach! Vater, Eilt!\" (Marzelline, Rocco, Jaquino, Leonore)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e6-25\u003cspan\u003e \u003c\/span\u003eAct I. Finale: \"Verwegener Alter\" (Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6-26\u003cspan\u003e \u003c\/span\u003eAct I: Finale: \"Leb Wohl, Du Warmes Sonnenlicht\" (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e4:21\u003c\/div\u003e\n\u003cdiv\u003e7-1\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Introduction\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e7-2\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Aria: \"Gott! Welch' Dunkel Hier!\" (Florestan)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e7-3\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Aria: \"In des Lebens Frühlingstagen\" (Florestan)\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e7-4\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Aria: \"Und Spür' Ich Nicht Linde\" (Florestan)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e7-5\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Recitative: \"Wie Kalt Ist Es\" (Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e7-6\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Duet: \"Nur Hurtig Fort, Nur Frisch Gegraben\" (Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e4:55\u003c\/div\u003e\n\u003cdiv\u003e7-7\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Recitative: \"Er erwacht!\" (Leonore, Rocco, Florestan)\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e7-8\u003cspan\u003e \u003c\/span\u003eAct II, Scene 1. Trio: \"Euch Werde Lohn In Bessern Welten\" (Florestan, Rocco, Leonore)\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e7-9\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Recitative: \"Alles Ist Bereit\" (Rocco, Leonore, Florestan, Pizarro)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e7-10\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Quartet: \"Er Sterbe!\" (Pizarro, Florestan, Leonore, Rocco)\u003cspan\u003e \u003c\/span\u003e3:50\u003c\/div\u003e\n\u003cdiv\u003e7-11\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Recitative: \"Vater Rocco!\" (Jaquino, Rocco)\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e7-12\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Recitative: \"Es Schlägt Der Rache Stunde!\" (Leonore, Florestan, Pizarro, Rocco)\u003cspan\u003e \u003c\/span\u003e1:27\u003c\/div\u003e\n\u003cdiv\u003e7-13\u003cspan\u003e \u003c\/span\u003eAct II Scene 1. Duet: \"O Namenlose Freude!\" (Leonore, Florestan)\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e7-14\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Heil Sei Dem Tag\" (Chorus)\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e7-15\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Des Besten Königs Wink Und Wille\" (Don Fernando, Chorus)\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e7-16\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Wohlan! So Helfet, Helft Den Armen!\" (Rocco, Pizarro, Don Fernando, Leonore, Marzelline, Chorus)\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e7-17\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Du Schlossest Auf Des Edlen Grab\" (Don Fernando)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e7-18\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"O Gott! O Welch Ein Augenblick!\" (Leonore, Florestan, Don Fernando, Marzelline, Rocco, Chorus)\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e7-19\u003cspan\u003e \u003c\/span\u003eAct II Scene 2. Finale: \"Wer Ein Holdes Weib Errungen\" (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco)\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003eGeorge Friedric Handel\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMessiah, Oratorio HWV 56\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals – Jerome Hines\u003c\/div\u003e\n\u003cdiv\u003eChorus – Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Wilhelm Pitz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Friedric Handel*\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eContralto Vocals – Grace Hoffman\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Legge\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Nicolai Gedda\u003c\/div\u003e\n\u003cdiv\u003e8-1\u003cspan\u003e \u003c\/span\u003ePart I. Sinfony: Grave - Allegro Moderato\u003cspan\u003e \u003c\/span\u003e4:33\u003c\/div\u003e\n\u003cdiv\u003e8-2\u003cspan\u003e \u003c\/span\u003ePart I. Accompagnato: \"Comfort Ye, My People\" (tenor)\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003e8-3\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"Ev'ry Valley Shall Be Exalted\" (tenor)\u003cspan\u003e \u003c\/span\u003e4:02\u003c\/div\u003e\n\u003cdiv\u003e8-4\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"And The Glory Of The Lord\"\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e8-5\u003cspan\u003e \u003c\/span\u003ePart I. Accompagnato: \"Thus Saith The Lord Of Hosts\" (bass)\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e8-6\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"But Who May Abide\" (bass)\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003e8-7\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"And He Shall Purify\"\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e8-8\u003cspan\u003e \u003c\/span\u003ePart I. Recitative: \"Behold, A Virgin Shall Conceive\" (mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e0:29\u003c\/div\u003e\n\u003cdiv\u003e8-9\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"O Thou That Tellest\" (mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e5:35\u003c\/div\u003e\n\u003cdiv\u003e8-10\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"O Thou That Tellest\"\u003cspan\u003e \u003c\/span\u003e2:28\u003c\/div\u003e\n\u003cdiv\u003e8-11\u003cspan\u003e \u003c\/span\u003ePart I. Accompagnato: \"For Behold, Darkness Shall Cover The Earth\" (bass)\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e8-12\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"The People That Walked\" (bass)\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e8-13\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"For Unto Us A Child Is Born\"\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003e8-14\u003cspan\u003e \u003c\/span\u003ePart I. Pifa: Larghetto E Mezzo Piano\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e8-15\u003cspan\u003e \u003c\/span\u003ePart I. Recitative \u0026amp; Accompagnato: \"There Were Shepherds\" (soprano)\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e8-16\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"Glory To God In The Highest\"\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003e8-17\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"Rejoice Greatly\" (soprano)\u003cspan\u003e \u003c\/span\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003e8-18\u003cspan\u003e \u003c\/span\u003ePart I. Recitative: \"Then Shall The Eyes Of The Blind Be Open'd\" (alto)\u003cspan\u003e \u003c\/span\u003e0:29\u003c\/div\u003e\n\u003cdiv\u003e8-19\u003cspan\u003e \u003c\/span\u003ePart I. Air: \"He Shall Feed His Flock\" (soprano)\u003cspan\u003e \u003c\/span\u003e5:28\u003c\/div\u003e\n\u003cdiv\u003e8-20\u003cspan\u003e \u003c\/span\u003ePart I. Chorus: \"His Yoke Is Easy\"\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e9-1\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Behold The Lamb Of God\"\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e9-2\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"He Was Despised\" (alto)\u003cspan\u003e \u003c\/span\u003e10:07\u003c\/div\u003e\n\u003cdiv\u003e9-3\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Surely He Hath Borne Our Griefs\"\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e9-4\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"And With His Stripes\"\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e9-5\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"All We Like Sheep\"\u003cspan\u003e \u003c\/span\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e9-6\u003cspan\u003e \u003c\/span\u003ePart II. Accompagnato: \"All They That See Him, Laugh Him To Scorn\" (tenor)\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e9-7\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"He Trusted In God\"\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e9-8\u003cspan\u003e \u003c\/span\u003ePart II: Accompagnato: \"Thy Rebuke Hath Broken His Heart\" (tenor)\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e9-9\u003cspan\u003e \u003c\/span\u003ePart II. Arioso: \"Behold, And See\" (tenor)\u003cspan\u003e \u003c\/span\u003e1:43\u003c\/div\u003e\n\u003cdiv\u003e9-10\u003cspan\u003e \u003c\/span\u003ePart II. Accompagnato: \"He Was Cut Off\" (tenor)\u003cspan\u003e \u003c\/span\u003e0:28\u003c\/div\u003e\n\u003cdiv\u003e9-11\u003cspan\u003e \u003c\/span\u003ePart II. Aria: \"But Thou Didst Not Leave\" (tenor)\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e9-12\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Lift Up Your Heads\"\u003cspan\u003e \u003c\/span\u003e3:20\u003c\/div\u003e\n\u003cdiv\u003e9-13\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"The Lord Gave The Word\"\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e9-14\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"How Beautiful Are The Feet\" (soprano)\u003cspan\u003e \u003c\/span\u003e2:22\u003c\/div\u003e\n\u003cdiv\u003e9-15\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Their Sound Is Gone Out\"\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e9-16\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"Why Do The Nations\" (bass)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e9-17\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Let Us Break Their Bonds\"\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e9-18\u003cspan\u003e \u003c\/span\u003ePart II. Recitative: \"He That Dwelleth In Heaven\" (tenor)\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e9-19\u003cspan\u003e \u003c\/span\u003ePart II. Air: \"Thou Shalt Break Them With A Rod Of Iron\" (tenor)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e9-20\u003cspan\u003e \u003c\/span\u003ePart II. Chorus: \"Hallelujah!\"\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003e9-21\u003cspan\u003e \u003c\/span\u003ePart III. Air: \"I Know That My Redeemer Liveth\" (soprano)\u003cspan\u003e \u003c\/span\u003e6:08\u003c\/div\u003e\n\u003cdiv\u003e9-22\u003cspan\u003e \u003c\/span\u003ePart III. Chorus: \"Since By Man Came Death\"\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e9-23\u003cspan\u003e \u003c\/span\u003ePart III. Accompagnato: \"Behold, I tell you a mystery\" (bass)\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e9-24\u003cspan\u003e \u003c\/span\u003ePart III. Air: \"The trumpet shall sound\" (bass)\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003e9-25\u003cspan\u003e \u003c\/span\u003ePart III. Chorus: \"Worthy Is The Lamb\"\u003cspan\u003e \u003c\/span\u003e3:47\u003c\/div\u003e\n\u003cdiv\u003e9-26\u003cspan\u003e \u003c\/span\u003ePart III. Chorus: \"Amen\"\u003cspan\u003e \u003c\/span\u003e3:23\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDie Zauberflöte, Opera In Two Acts, K.620 (Without Spoken Dialogue)\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [2nd Armed Man, 2nd Priest] – Franz Crass\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Sarastro] – Gottlob Frick\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals [Papageno] – Walter Berry\u003c\/div\u003e\n\u003cdiv\u003eChorus – Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Wilhelm Pitz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eConductor – Eugene Ormandy\u003c\/div\u003e\n\u003cdiv\u003eContralto Vocals [Third Lady] – Marga Höffgen\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Robert Gooch\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Emanuel Schikaneder\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [2nd Boy] – Anna Reynolds\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [3rd Boy] – Josephine Veasey\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Second Lady] – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eNarrator [Speaker] – Franz Crass\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [1st Boy] – Agnes Giebel\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [First Lady] – Elisabeth Schwarzkopf\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Pamina] – Gundula Janowitz\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Papagena] – Ruth-Margret Pütz\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Queen of the Night] – Lucia Popp\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [1st Armed Man] – Karl Liebl\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Monostatos, 1st Priest] – Gerhard Unger\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Tamino] – Nicolai Gedda\u003c\/div\u003e\n\u003cdiv\u003e10-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e7:17\u003c\/div\u003e\n\u003cdiv\u003e10-2\u003cspan\u003e \u003c\/span\u003eAct 1. \"Zu Hilfe! Zu Hilfe!\" (Tamino, Ladies)\u003cspan\u003e \u003c\/span\u003e6:54\u003c\/div\u003e\n\u003cdiv\u003e10-3\u003cspan\u003e \u003c\/span\u003e\"Der Vogelfänger Bin Ich Ja\" (Papageno)\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e10-4\u003cspan\u003e \u003c\/span\u003e\"Dies Bildnis Ist Bezaubernd Schön\" (Tamino)\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e10-5\u003cspan\u003e \u003c\/span\u003e\"O Zitt're Nicht, Mein Lieber Sohn!\" (Queen Of The Night)\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e10-6\u003cspan\u003e \u003c\/span\u003e\"Hm! Hm! Hm! Hm!\" (Papageno, Tamino, Ladies)\u003cspan\u003e \u003c\/span\u003e6:47\u003c\/div\u003e\n\u003cdiv\u003e10-7\u003cspan\u003e \u003c\/span\u003e\"Du Feines Täubchen, Nur Herein!\" (Monostatos, Pamina, Papageno)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e10-8\u003cspan\u003e \u003c\/span\u003e\"Bei Männern, Welche Liebe Fühlen\" (Pamina, Papageno)\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e10-9\u003cspan\u003e \u003c\/span\u003e\"Zum Ziele Führt Dich Diese Bahn\" (Boys, Tamino, Voice, Speaker, Voices)\u003cspan\u003e \u003c\/span\u003e10:05\u003c\/div\u003e\n\u003cdiv\u003e10-10\u003cspan\u003e \u003c\/span\u003e\"Wie Stark Ist Nicht Dein Zauberton\" (Tamino)\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e10-11\u003cspan\u003e \u003c\/span\u003e\"Schnelle Füße, Rascher Mut\" (Pamina, Papageno, Monostatos, Slaves)\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e10-12\u003cspan\u003e \u003c\/span\u003e\"Könnte Jeder Brave Mann\" (Pamina, Papageno)\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e10-13\u003cspan\u003e \u003c\/span\u003e\"Es Lebe Sarastro!\" (Attendants, Papageno, Pamina, Sarastro)\u003cspan\u003e \u003c\/span\u003e5:05\u003c\/div\u003e\n\u003cdiv\u003e10-14\u003cspan\u003e \u003c\/span\u003e\"Nun, Stolzer Jüngling; Nur Hierher!\" (Monostatos, Pamina, Tamino, Attendants, Sarastro)\u003cspan\u003e \u003c\/span\u003e3:37\u003c\/div\u003e\n\u003cdiv\u003e11-1\u003cspan\u003e \u003c\/span\u003eMarsch Der Priester (Orchestra)\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e11-2\u003cspan\u003e \u003c\/span\u003e\"O Isis Und Osiris\" (Sarastro, Priests)\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e11-3\u003cspan\u003e \u003c\/span\u003e\"Bewahret Euch Vor Weibertücken\" (Two Priests)\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e11-4\u003cspan\u003e \u003c\/span\u003e\"Wie? Wie? Wie?\" (Ladies, Papageno, Tamino, Initiates)\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e11-5\u003cspan\u003e \u003c\/span\u003e\"Alles Fühlt Der Liebe Freuden\" (Monostatos)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e11-6\u003cspan\u003e \u003c\/span\u003e\"Der Hölle Rache Kocht In Meinem Herzen\" (Queen Of The Night)\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e11-7\u003cspan\u003e \u003c\/span\u003e\"In Diesen Heil'gen Hallen\" (Sarastro)\u003cspan\u003e \u003c\/span\u003e4:49\u003c\/div\u003e\n\u003cdiv\u003e11-8\u003cspan\u003e \u003c\/span\u003e\"Seid Uns Zum Zweiten Mal Willkommen\" (Boys)\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e11-9\u003cspan\u003e \u003c\/span\u003e\"Ach, Ich Fühl's\" (Pamina)\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e11-10\u003cspan\u003e \u003c\/span\u003e\"O Isis und Osiris\" (Priests)\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e11-11\u003cspan\u003e \u003c\/span\u003e\"Soll Ich Dich, Teurer\" (Pamina, Sarastro, Tamino)\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e11-12\u003cspan\u003e \u003c\/span\u003e\"Ein Mädchen Oder Weibchen\" (Papageno)\u003cspan\u003e \u003c\/span\u003e4:16\u003c\/div\u003e\n\u003cdiv\u003e11-13\u003cspan\u003e \u003c\/span\u003e\"Bald Prangt, Den Morgen Zu Verkünden\" (Boys, Pamina)\u003cspan\u003e \u003c\/span\u003e6:22\u003c\/div\u003e\n\u003cdiv\u003e11-14\u003cspan\u003e \u003c\/span\u003e\"Der, Welcher Wandelt Diese Straße Voll Beschwerden\" (Armed Men, Tamino, Pamina)\u003cspan\u003e \u003c\/span\u003e5:14\u003c\/div\u003e\n\u003cdiv\u003e11-15\u003cspan\u003e \u003c\/span\u003e\"Tamino Mein! O Welch Ein Glück\" (Armed Men, Tamino, Pamina)\u003cspan\u003e \u003c\/span\u003e7:00\u003c\/div\u003e\n\u003cdiv\u003e11-16\u003cspan\u003e \u003c\/span\u003e\"Papagena!\" (Papageno, Boys)\u003cspan\u003e \u003c\/span\u003e5:36\u003c\/div\u003e\n\u003cdiv\u003e11-17\u003cspan\u003e \u003c\/span\u003e\"Pa-pa-gena! ... Pa-pa-geno!\" (Papageno, Papagena)\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e11-18\u003cspan\u003e \u003c\/span\u003e\"Nur Stille!\" (Monostatos, Queen Of The Night, Ladies)\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e11-19\u003cspan\u003e \u003c\/span\u003e\"Die Strahlen Der Sonne\" (Sarastro, Chorus)\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003eLudwig van Beethoven\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMissa Solemnis In D Major, Op. 123\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals – Martti Talvela\u003c\/div\u003e\n\u003cdiv\u003eChorus – New Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Wilhelm Pitz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eContralto Vocals – Marga Höffgen\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Robert Gooch\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Peter Andry\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Elisabeth Söderström\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Waldemar Kmentt\u003c\/div\u003e\n\u003cdiv\u003e12-1\u003cspan\u003e \u003c\/span\u003eKyrie. Kyrie\u003cspan\u003e \u003c\/span\u003e9:24\u003c\/div\u003e\n\u003cdiv\u003e12-2\u003cspan\u003e \u003c\/span\u003eGloria. Gloria In Excelsis Deo\u003cspan\u003e \u003c\/span\u003e5:19\u003c\/div\u003e\n\u003cdiv\u003e12-3\u003cspan\u003e \u003c\/span\u003eGloria. Qui Tollis\u003cspan\u003e \u003c\/span\u003e5:43\u003c\/div\u003e\n\u003cdiv\u003e12-4\u003cspan\u003e \u003c\/span\u003eGloria. Quoniam Tu Solus Sanctus\u003cspan\u003e \u003c\/span\u003e7:18\u003c\/div\u003e\n\u003cdiv\u003e12-5\u003cspan\u003e \u003c\/span\u003eCredo. Credo In Unum Deum\u003cspan\u003e \u003c\/span\u003e4:17\u003c\/div\u003e\n\u003cdiv\u003e12-6\u003cspan\u003e \u003c\/span\u003eCredo. Et Incarnatus Est\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e12-7\u003cspan\u003e \u003c\/span\u003eCredo. Et Resurrexit\u003cspan\u003e \u003c\/span\u003e11:04\u003c\/div\u003e\n\u003cdiv\u003e12-8\u003cspan\u003e \u003c\/span\u003eSanctus. Sanctus\u003cspan\u003e \u003c\/span\u003e5:29\u003c\/div\u003e\n\u003cdiv\u003e12-9\u003cspan\u003e \u003c\/span\u003eSanctus. Benedictus\u003cspan\u003e \u003c\/span\u003e10:19\u003c\/div\u003e\n\u003cdiv\u003e12-10\u003cspan\u003e \u003c\/span\u003eAgnus Dei. Agnus Dei\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e12-11\u003cspan\u003e \u003c\/span\u003eAgnus Dei. Dona Nobis Pacem\u003cspan\u003e \u003c\/span\u003e9:10\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDon Giovanni, Opera In Two Acts, K.527\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Commendatore] – Franz Crass\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Don Giovanni] – Nicolai Ghiaurov\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals [Leporello] – Walter Berry\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals [Masetto] – Paolo Montarsolo\u003c\/div\u003e\n\u003cdiv\u003eChorus – New Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Wilhelm Pitz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Robert Gooch\u003c\/div\u003e\n\u003cdiv\u003eHarpsichord – Henry Smith (4)\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Lorenzo da Ponte\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Donna Elvira] – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Peter Andry, Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Donna Anna] – Claire Watson\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Zerlina] – Mirella Freni\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Don Ottavio] – Nicolai Gedda\u003c\/div\u003e\n\u003cdiv\u003e13-1\u003cspan\u003e \u003c\/span\u003eSinfonia\u003cspan\u003e \u003c\/span\u003e6:32\u003c\/div\u003e\n\u003cdiv\u003e13-2\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. Introduction: \"Notte E Giorno Faticar\" (Leporello)\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e13-3\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. \"Non Sperar, Se Non M'uccidi\" (Donna Anna, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:37\u003c\/div\u003e\n\u003cdiv\u003e13-4\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. \"Lasciala, indegno!\" (Commendatore, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e13-5\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. Recitative: \"Ma qual mai s'offre\" (Donna Anna, Don Ottavio)\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e13-6\u003cspan\u003e \u003c\/span\u003eAct I Scene 1. Duet: \"Fuggi, crudele, fuggi!\" (Donna Anna, Don Ottavio)\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e13-7\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. \"Orsù, Spicciati Presto\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e13-8\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. Aria: \"Ah, Chi Mi Dice Mai\" (Donna Elvira, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e3:33\u003c\/div\u003e\n\u003cdiv\u003e13-9\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. Recitative: \"Chi è Là?\" (Donna Elvira, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e13-10\u003cspan\u003e \u003c\/span\u003eAct I Scene 2. Aria: \"Madamina, Il Catalogo è Questo\" (Leporello)\u003cspan\u003e \u003c\/span\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e13-11\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Chorus: \"Giovinette Che Fate All'amore\" (Zerlina, Coro, Masetto)\u003cspan\u003e \u003c\/span\u003e1:33\u003c\/div\u003e\n\u003cdiv\u003e13-12\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Manco Male è Partita\" (Don Giovanni, Leporello, Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e13-13\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Ho Capito, Signor Sì!\" (Masetto)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e13-14\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Alfin Siam Liberate\" (Don Giovanni, Zerlina)\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e13-15\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Duettino: \"Là Ci Darem la Mano\" (Don Giovanni, Zerlina)\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e13-16.1\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Fermati, Scellerato!\" (Donna Elvira, Zerlina, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e2:14\u003c\/div\u003e\n\u003cdiv\u003e13-16.2\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Ah! Fuggi Il Traditor!\" (Donna Elvira)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13-17\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Mi Par Ch'oggi Il Demonio Si Diverta\"\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e13-18\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Quartet: \"Non Ti Fidar, O Misera\" (Don Giovanni, Don Ottavio, Donna Anna, Don Elvira)\u003cspan\u003e \u003c\/span\u003e5:04\u003c\/div\u003e\n\u003cdiv\u003e13-19\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Don Ottavio, Son Morta!\" (Donna Anna, Don Ottavio)\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e13-20\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Or Sai Chi L'onore\" (Donna Anna)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e13-21.1\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Come Mai Creder Deggio\"\u003cspan\u003e \u003c\/span\u003e4:48\u003c\/div\u003e\n\u003cdiv\u003e13-21.2\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Dalla Sua Pace\" (Donn Ottavio)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13-22\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Recitative: \"Io Deggio Ad Ogni Patto\" (Leporello, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e13-23\u003cspan\u003e \u003c\/span\u003eAct I Scene 3. Aria: \"Finch'han Dal Vino\" (Don Giovanni)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e14-1\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Recitative: \"Masetto, Senti Un Po'!\" (Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e14-2\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Aria: \"Batti, batti, o bel Masetto\" (Zerlina)\u003cspan\u003e \u003c\/span\u003e4:44\u003c\/div\u003e\n\u003cdiv\u003e14-3\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Presto, Presto, Pria Ch'ei Venga\" (Masetto, Zerlina, Don Giovanni, Chorus)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e14-4\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Tra Quest'arbori Celata\" (Zerlina, Don Giovanni, Masetto)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e14-5\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Bisogna Aver Coraggio\" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e14-6\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Protegga Il Giusto Cielo ... Vendichi Il Giusto Cielo\" (Donna Anna, Don Ottavio, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e14-7\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Riposate, Vezzose Ragazze\" (Don Giovanni, Leporello, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e1:24\u003c\/div\u003e\n\u003cdiv\u003e14-8\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Venite pur avanti\" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e4:46\u003c\/div\u003e\n\u003cdiv\u003e14-9\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Ecco Il Birbo Che T'ha Offesa!\" (Don Giovanni, Leporello, Don Ottavio, Donna Anna, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e14-10\u003cspan\u003e \u003c\/span\u003eAct I Scene 4. Finale: \"Trema, Trema, O Scellerato!\" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e14-11\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Duet: \"Eh Via, Buffone, Non Mi Seccar!\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e14-12\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Recitative: \"Leporello!\" … \"Signore?\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e14-13\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Trio: \"Ah Taci, Ingiusto Core!\" (Donna Elvira, Leporello, Don Giovanni)\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e14-14\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Recitative: \"Amico, Che Ti Par?\" (Don Giovanni, Leporello, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e14-15\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Canzonetta: \"Deh Vieni Alla Finestra\" (Don Giovanni)\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e14-16\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Aria: \"Meta di Voi Qua Vadano\" (Don Giovanni)\u003cspan\u003e \u003c\/span\u003e3:20\u003c\/div\u003e\n\u003cdiv\u003e14-17\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Recitative: \"Zitto, Lascia Ch'io Senta!\" (Don Giovanni, Masetto, Zerlina)\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e14-18\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 1. Aria: \"Vedrai, Carino, Se Sei Buonino\" (Zerlina)\u003cspan\u003e \u003c\/span\u003e3:46\u003c\/div\u003e\n\u003cdiv\u003e14-19.1\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"Di Molte Faci Il Lume\" (Leporello, Donna Elvira)\u003cspan\u003e \u003c\/span\u003e6:36\u003c\/div\u003e\n\u003cdiv\u003e14-19.2\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Sextet: \"Sola, Sola In Buio Loco\" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e14-20\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"Mille Torbidi Pensieri\" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e14-21\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"Dunque Quello Sei Tu\" (Zerlina, Donna Elvira, Don Ottavio, Masetto)\u003cspan\u003e \u003c\/span\u003e3:17\u003c\/div\u003e\n\u003cdiv\u003e14-22\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Aria: \"Il Mio Tesoro\" (Don Ottavio)\u003cspan\u003e \u003c\/span\u003e5:05\u003c\/div\u003e\n\u003cdiv\u003e14-23.1\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Recitative: \"In Quali Eccessi, O Numi\" (Donna Elvira)\u003cspan\u003e \u003c\/span\u003e6:11\u003c\/div\u003e\n\u003cdiv\u003e14-23.2\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 2. Aria: \"Mi tradì, quell'alma ingrata\" (Donna Elvira)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e15-1\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 3. Recitative: \"Ah, Ah, Ah, Questa E Buona\" (Don Giovanni, Leporello, Statue Of Commendatore)\u003cspan\u003e \u003c\/span\u003e4:29\u003c\/div\u003e\n\u003cdiv\u003e15-2\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Duet: \"O Statua Gentilissima\" (Don Giovanni, Leporello, Statue Ofcommendatore)\u003cspan\u003e \u003c\/span\u003e3:35\u003c\/div\u003e\n\u003cdiv\u003e15-3\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Recitative: \"Calmatevi, Idol Mio!\" (Don Ottavio, Donna Anna)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e15-4\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Recitative: \"Crudele! Ah No, Mio Bene!\" (Donna Anna)\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e15-5\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 4. Aria: \"Non Mi Dir, Bell'idol Mio\" (Donna Anna)\u003cspan\u003e \u003c\/span\u003e5:49\u003c\/div\u003e\n\u003cdiv\u003e15-6\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Già la Mensa E Preparate\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e15-7\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"L'ultima Prova Dell'amor Mio\" (Donna Elvira, Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e15-8\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Che Grido E Questo Mai?\" (Don Giovanni, Leporello)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e15-9\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Don Giovanni, A Cenar Teco\" (Statue Of Commendatore, Don Giovanni, Leporello, Chorus)\u003cspan\u003e \u003c\/span\u003e6:02\u003c\/div\u003e\n\u003cdiv\u003e15-10\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Finale: \"Da Qual Tremore Insolito\" (Don Giovanni, Chorus Of Devils, Leporello)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e15-11\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Epilogue: \"Ah, Dov'è Il Perfido?\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e15-12\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Epilogue: \"Or Che Tutti, O Mio Tesoro\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e15-13\u003cspan\u003e \u003c\/span\u003eAct 2 Scene 5. Epilogue: \"Questo è Il Fin\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003eKlemperer's Don Giovanni: Previously Unreleased Rehearsals And Playback Sessions\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eKlemperer's Don Giovanni: Behind The Scenes\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eNarrator – Jon Tolansky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Jon Tolansky\u003c\/div\u003e\n\u003cdiv\u003e16-1\u003cspan\u003e \u003c\/span\u003eOverture - Rehearsal\u003cspan\u003e \u003c\/span\u003e7:28\u003c\/div\u003e\n\u003cdiv\u003e16-2\u003cspan\u003e \u003c\/span\u003eOverture - Rehearsal.\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e16-3\u003cspan\u003e \u003c\/span\u003eFirst rehearsal and takes\u003cspan\u003e \u003c\/span\u003e6:03\u003c\/div\u003e\n\u003cdiv\u003e16-4\u003cspan\u003e \u003c\/span\u003ePlayback\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e16-5\u003cspan\u003e \u003c\/span\u003eFurther rehearsals\/takes\u003cspan\u003e \u003c\/span\u003e12:04\u003c\/div\u003e\n\u003cdiv\u003e16-6\u003cspan\u003e \u003c\/span\u003ePlayback\u003cspan\u003e \u003c\/span\u003e1:52\u003c\/div\u003e\n\u003cdiv\u003e16-7\u003cspan\u003e \u003c\/span\u003e\"Don Ottavio \", Son Morta!\u003cspan\u003e \u003c\/span\u003e18:11\u003c\/div\u003e\n\u003cdiv\u003e16-8\u003cspan\u003e \u003c\/span\u003e\"Batti , Batti, O Bel Masetto\"\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003e16-9\u003cspan\u003e \u003c\/span\u003ePlayback\u003cspan\u003e \u003c\/span\u003e5:20\u003c\/div\u003e\n\u003cdiv\u003e16-10\u003cspan\u003e \u003c\/span\u003e\"Deh, vieni alla finestra\"\u003cspan\u003e \u003c\/span\u003e12:40\u003c\/div\u003e\n\u003cdiv\u003eJohann Sebastian Bach\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMass In B Minor, BWV 232\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals – Hermann Prey\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals – Franz Crass\u003c\/div\u003e\n\u003cdiv\u003eCello – Raymond Clark\u003c\/div\u003e\n\u003cdiv\u003eChorus – BBC Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Peter Gellhorn\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Sebastian Bach\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eDouble Bass – Gerald Drucker\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Robert Gooch\u003c\/div\u003e\n\u003cdiv\u003eFlute – Edward Walker, Gareth Morris (2)\u003c\/div\u003e\n\u003cdiv\u003eHorn – Nicholas Busch\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals – Janet Baker\u003c\/div\u003e\n\u003cdiv\u003eOboe d'Amore – Michael Winfield, Sidney Sutcliffe\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrgan – Alan Harverson\u003c\/div\u003e\n\u003cdiv\u003eProducer – Peter Andry, Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Agnes Giebel\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Nicolai Gedda\u003c\/div\u003e\n\u003cdiv\u003eViolin – Carlos Villa (2)\u003c\/div\u003e\n\u003cdiv\u003e17-1\u003cspan\u003e \u003c\/span\u003eI. Kyrie. Kyrie Eleison I (Chorus)\u003cspan\u003e \u003c\/span\u003e13:39\u003c\/div\u003e\n\u003cdiv\u003e17-2\u003cspan\u003e \u003c\/span\u003eII. Kyrie. Christe Eleison (Soprano, Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e17-3\u003cspan\u003e \u003c\/span\u003eIII. Kyrie. Kyrie Eleison II (Chorus)\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003e17-4\u003cspan\u003e \u003c\/span\u003eIV. Gloria. Gloria In Excelsis Deo (Chorus)\u003cspan\u003e \u003c\/span\u003e7:41\u003c\/div\u003e\n\u003cdiv\u003e17-5\u003cspan\u003e \u003c\/span\u003eV. Gloria. Laudamus Te (Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e17-6\u003cspan\u003e \u003c\/span\u003eVI. Gloria. Gratias Agimus Tibi (Chorus)\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e17-7\u003cspan\u003e \u003c\/span\u003eVII. Gloria. Domine Deus (Soprano, Tenor)\u003cspan\u003e \u003c\/span\u003e6:33\u003c\/div\u003e\n\u003cdiv\u003e17-8\u003cspan\u003e \u003c\/span\u003eVIII. Gloria. Qui Tollis Peccata Mundi (Chorus)\u003cspan\u003e \u003c\/span\u003e3:29\u003c\/div\u003e\n\u003cdiv\u003e17-9\u003cspan\u003e \u003c\/span\u003eIX. Gloria. Qui Sedes Ad Dexteram Patris (Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e6:17\u003c\/div\u003e\n\u003cdiv\u003e17-10\u003cspan\u003e \u003c\/span\u003eX. Gloria. Quoniam Tu Solus Sanctus (Bass-baritone)\u003cspan\u003e \u003c\/span\u003e5:50\u003c\/div\u003e\n\u003cdiv\u003e17-11\u003cspan\u003e \u003c\/span\u003eXI. Gloria. Cum Sancto Spiritu (Chorus)\u003cspan\u003e \u003c\/span\u003e4:59\u003c\/div\u003e\n\u003cdiv\u003e18-1\u003cspan\u003e \u003c\/span\u003eXII. Credo. Credo In Unum Deum (Chorus)\u003cspan\u003e \u003c\/span\u003e2:25\u003c\/div\u003e\n\u003cdiv\u003e18-2\u003cspan\u003e \u003c\/span\u003eXIII. Credo. Patrem Omnipotentem (Chorus)\u003cspan\u003e \u003c\/span\u003e2:09\u003c\/div\u003e\n\u003cdiv\u003e18-3\u003cspan\u003e \u003c\/span\u003eXIV. Credo. Et In Unum Dominum (Soprano, Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e18-4\u003cspan\u003e \u003c\/span\u003eXV. Credo. Et Incarnatus Est (Chorus)\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e18-5\u003cspan\u003e \u003c\/span\u003eXVI. Credo. Crucifixus (Chorus)\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003e18-6\u003cspan\u003e \u003c\/span\u003eXVII. Credo. Et Resurrexit (Chorus)\u003cspan\u003e \u003c\/span\u003e4:59\u003c\/div\u003e\n\u003cdiv\u003e18-7\u003cspan\u003e \u003c\/span\u003eXVIII. Credo. Et In Spiritum Sanctum Dominum (Baritone)\u003cspan\u003e \u003c\/span\u003e7:01\u003c\/div\u003e\n\u003cdiv\u003e18-8\u003cspan\u003e \u003c\/span\u003eXIX. Credo. Confiteor Unum Baptisma - (Chorus)\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003e18-9\u003cspan\u003e \u003c\/span\u003eXX. Credo. Et Expecto Resurrectionem (Chorus)\u003cspan\u003e \u003c\/span\u003e4:52\u003c\/div\u003e\n\u003cdiv\u003e18-10\u003cspan\u003e \u003c\/span\u003eXXI. Sanctus. Sanctus (Chorus)\u003cspan\u003e \u003c\/span\u003e6:12\u003c\/div\u003e\n\u003cdiv\u003e18-11\u003cspan\u003e \u003c\/span\u003eXXII. Sanctus. Osanna In Excelsis (Chorus)\u003cspan\u003e \u003c\/span\u003e3:20\u003c\/div\u003e\n\u003cdiv\u003e18-12\u003cspan\u003e \u003c\/span\u003eXXIII. Sanctus. Benedictus (Tenor)\u003cspan\u003e \u003c\/span\u003e5:39\u003c\/div\u003e\n\u003cdiv\u003e18-13\u003cspan\u003e \u003c\/span\u003eXXIV. Sanctus. Osanna In Excelsis (Chorus)\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e18-14\u003cspan\u003e \u003c\/span\u003eXXV. Agnus Dei. Agnus Dei (Mezzo-soprano)\u003cspan\u003e \u003c\/span\u003e6:30\u003c\/div\u003e\n\u003cdiv\u003e18-15\u003cspan\u003e \u003c\/span\u003eXXVI. Agnus Dei. Dona Nobis Pacem (Chorus)\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003eRichard Wagner\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDer Fliegende Holländer, Opera In Three Acts (original 1843 Dresden Version)\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Daland] – Martti Talvela\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Der Holländer] – Theo Adam\u003c\/div\u003e\n\u003cdiv\u003eChorus – BBC Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Peter Gellhorn\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eContralto Vocals [Mary] – Annelies Burmeister\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Allen Stagg, Robert Gooch\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eProducer – Peter Andry\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Senta] – Anja Silja\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Der Steuermann] – Gerhard Unger\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Erik] – Ernst Kozub\u003c\/div\u003e\n\u003cdiv\u003e19-1\u003cspan\u003e \u003c\/span\u003eOverture (Orchestra)\u003cspan\u003e \u003c\/span\u003e11:30\u003c\/div\u003e\n\u003cdiv\u003e19-2\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. Introduction. \"Hojohe! Hallojo!\" (Herrenchor, Daland, Steuermann)\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e19-3\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. Introduction. Lied Des Steuermanns: \"Mit Gewitter Und Sturm Aus Fernem Meer\" (Steuermann)\u003cspan\u003e \u003c\/span\u003e6:18\u003c\/div\u003e\n\u003cdiv\u003e19-4\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Die Frist Ist Um\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e19-5\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Wie Oft In Meeres Tiefsten Schlund\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e19-6\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Dich Frage Ich, Gepries'ner Engel Gottes\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:45\u003c\/div\u003e\n\u003cdiv\u003e19-7\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. Recitative \u0026amp; Aria. \"Nur Eine Hoffnung Soll Mir Bleiben\" (Holländer, Herrenchor)\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e19-8\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"He! Holla! Steuermann!\" (Daland, Steuermann)\u003cspan\u003e \u003c\/span\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e19-9\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Weit Komm' Ich Her\" (Holländer, Daland)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e19-10\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Durch Sturm Und Bösen Wind Verschlagen\" (Holländer)\u003cspan\u003e \u003c\/span\u003e2:42\u003c\/div\u003e\n\u003cdiv\u003e19-11\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Wie Wunderbar! Soll Deinem Wort Ich Glauben?\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e19-12\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Was Muß Ich Hören?... Hast Du Eine Tochter?\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003e19-13\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Wohl, Fremdling, Hab' Ich Eine Schöne Tochter\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e19-14\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Wenn Aus Der Qualen Schreckgewalten\" (Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e19-15\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Südwind! Südwind!\" (Steuermann, Herrenchor, Daland, Holländer)\u003cspan\u003e \u003c\/span\u003e2:05\u003c\/div\u003e\n\u003cdiv\u003e19-16\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. Scene, Duet \u0026amp; Chorus. \"Mit Gewitter Und Sturm Aus Fernem Meer\" (Herren)\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003e19-17\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Introduction\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e19-18\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. \"Summ Und Brumm, Du Gutes Rädchen\" (Mädchen, Mary)\u003cspan\u003e \u003c\/span\u003e4:35\u003c\/div\u003e\n\u003cdiv\u003e19-19\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus.\"Du Böses Kind, Wenn Du Nicht Spinnst\" (Mary, Mädchen, Senta)\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e19-20\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. \"O Macht Dem Dummen Lied Ein Ende\" (Mary, Mädchen, Senta)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e19-21\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Senta's Ballade. I. \"Johohoe! ... Traft Ihr Das Schiff Im Meere An\" (Senta)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e19-22\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Senta's Ballade. II. \"Bei Bösem Wind Und Sturmes Wut\" (Senta, Chor)\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e19-23\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. Senta's Ballade. III. \"Vor Anker Alle Sieben Jahr\" (Senta)\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e20-1\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. Lied, Scene, Ballade \u0026amp; Chorus. \"Ach! Wo Weilt Sie\" (Mädchen, Senta, Mary, Erik)\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e20-2\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Bleib, Senta! Bleib Nur Einen Augenblick!\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e20-3\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Mein Herz, Voll Treue Bis Zum Sterben\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e20-4\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Wie? Zweifelst Du An Meinem Herzen?\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e20-5\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Fühlst Du Den Schmerz, Den Tiefen Gram\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e20-6\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Auf Hohem Felsen Lag Ich Träumend\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e20-7\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. Duet. \"Ach Möchtest Du, Bleicher Seemann\" (Senta)\u003cspan\u003e \u003c\/span\u003e1:30\u003c\/div\u003e\n\u003cdiv\u003e20-8\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Finale. \"Mein Kind, Du Siehst Mich Auf Der Schwelle\" (Daland, Senta)\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e20-9\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Finale. Aria: \"Mögst Du, Mein Kind, Den Fremden Mann\" (Daland)\u003cspan\u003e \u003c\/span\u003e3:59\u003c\/div\u003e\n\u003cdiv\u003e20-10\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Finale. \"Doch Keines Spricht\" (Daland)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e20-11\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Wie Aus Der Ferne Längst Verganger Zeiten\" (Holländer)\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e20-12\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Versank Ich Jetzt In Wunderbares Träumen\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e4:15\u003c\/div\u003e\n\u003cdiv\u003e20-13\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Wirst Du Des Vaters Wahl Nicht Schelten?\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e20-14\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Du Bist Ein Engel!\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e20-15\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Duett. \"Ein Heil'ger Balsam Meinen Wunden\" (Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e20-16\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. Trio. \"Verzeiht! Mein Volk Hält Draußen Sich Nicht Mehr\" (Daland, Senta, Holländer)\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e20-17\u003cspan\u003e \u003c\/span\u003eAct 3. Zwischenspiel (Orchestra). Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble: Steermann, Laß Die Wacht!\" (Herremchor - Tanz\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e20-18\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble \"Mein! Seht Doch An! Sie Tanzen Gar!\" (Mädchen, Herren, Steuermann)\u003cspan\u003e \u003c\/span\u003e6:40\u003c\/div\u003e\n\u003cdiv\u003e20-19\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble \"Juchhe! Juchhe! Da gibt's die Fülle!\" (Herren, Steuermann)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e20-20\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Chor Der Norwegischen Matrosen \u0026amp; Ensemble \"Johohoe! Johohoe!\" (Herren)\u003cspan\u003e \u003c\/span\u003e4:17\u003c\/div\u003e\n\u003cdiv\u003e20-21\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Duett. \"Was Muß Ich Hören! Gott, Was Muß Ich Sehn!\" (Erik, Senta)\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e20-22\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine. \"Willst Jenes Tags Du Nicht Dich Mehr Entsinnen\" (Erik)\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e20-23\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine \"Verloren! Ach, Verloren!\" (Holländer, Erik, Senta)\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003e20-24\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine. \"Erfahre Das Geschick, Vor Dem Ich Dich Bewahr'! (Holländer)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e20-25\u003cspan\u003e \u003c\/span\u003eAct 3. Scene 1. Finale. Cavatine. \"Zu Hilfe! Rettet, Rettet Sie!\" (Erik, Senta, Daland, Mary, Chor, Holländer)\u003cspan\u003e \u003c\/span\u003e3:39\u003c\/div\u003e\n\u003cdiv\u003eRichard Wagner\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDie Walküre, Music Drarna In Three Acts (Act 1)\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Hunding] – Hans Sotin\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Martin Benge, Michael Gray (5)\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Sieglinde] – Helga Dernesch\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Siegmund] – William Cochran\u003c\/div\u003e\n\u003cdiv\u003e21-1\u003cspan\u003e \u003c\/span\u003eAct 1. Prelude\u003cspan\u003e \u003c\/span\u003e4:25\u003c\/div\u003e\n\u003cdiv\u003e21-2\u003cspan\u003e \u003c\/span\u003eAct 1. \"Wes Herd Dies Auch Sei\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e8:57\u003c\/div\u003e\n\u003cdiv\u003e21-3\u003cspan\u003e \u003c\/span\u003eAct 1. \"Einen Unseligen Labtest Du\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003e21-4\u003cspan\u003e \u003c\/span\u003eAct 1. \"Müd Am Herd Fand Ich Den Mann\" (Sieglinde, Hunding, Siegmund)\u003cspan\u003e \u003c\/span\u003e5:08\u003c\/div\u003e\n\u003cdiv\u003e21-5\u003cspan\u003e \u003c\/span\u003eAct 1. \"Friedmund Darf Ich Nicht Heißen\" (Siegmund, Hunding, Sieglinde)\u003cspan\u003e \u003c\/span\u003e6:39\u003c\/div\u003e\n\u003cdiv\u003e21-6\u003cspan\u003e \u003c\/span\u003eAct 1. \"Die So Leidig Los Dir Beschied\" (Hunding, Sieglinde, Siegmund)\u003cspan\u003e \u003c\/span\u003e4:40\u003c\/div\u003e\n\u003cdiv\u003e21-7\u003cspan\u003e \u003c\/span\u003eAct 1. \"Ich Weiß Ein Wildes Geschlecht\" (Hunding)\u003cspan\u003e \u003c\/span\u003e7:07\u003c\/div\u003e\n\u003cdiv\u003e21-8\u003cspan\u003e \u003c\/span\u003eAct 1. \"Ein Schwert Verhieß Mir Der Vater\" (Siegmund)\u003cspan\u003e \u003c\/span\u003e5:53\u003c\/div\u003e\n\u003cdiv\u003e21-9\u003cspan\u003e \u003c\/span\u003eAct 1. \"Schläfst Du, Gast?\" (Sieglinde, Siegmund)\u003cspan\u003e \u003c\/span\u003e7:53\u003c\/div\u003e\n\u003cdiv\u003e21-10\u003cspan\u003e \u003c\/span\u003eAct 1. \"Winterstürme Wichen Dem Wonnemond\" (Siegmund)\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e21-11\u003cspan\u003e \u003c\/span\u003eAct 1. \"Du Bist Der Lenz\" (Sieglinde)\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e21-12\u003cspan\u003e \u003c\/span\u003eAct 1. \"O Süßeste Wonne!\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e6:58\u003c\/div\u003e\n\u003cdiv\u003e21-13\u003cspan\u003e \u003c\/span\u003eAct 1. \"Siegmund Heiß Ich!\" (Siegmund, Sieglinde)\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003eDie Walküre, Music Drarna In Three Acts. Act 3: Wotan's Farewell\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Wotan] – Norman Bailey\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Martin Benge, Michael Gray (5)\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003e22-1\u003cspan\u003e \u003c\/span\u003eAct 3. \"Leb wohl, du kühnes, herrliches Kind!\" (Wotan)\u003cspan\u003e \u003c\/span\u003e5:40\u003c\/div\u003e\n\u003cdiv\u003e22-2\u003cspan\u003e \u003c\/span\u003eAct 3. \"Der Augen Leuchtendes Paar\" (Wotan)\u003cspan\u003e \u003c\/span\u003e7:49\u003c\/div\u003e\n\u003cdiv\u003e22-3\u003cspan\u003e \u003c\/span\u003eAct 3. \"Loge, Hör! Lausche Hieher!\" (Wotan)\u003cspan\u003e \u003c\/span\u003e6:14\u003c\/div\u003e\n\u003cdiv\u003e22-4\u003cspan\u003e \u003c\/span\u003eDie Walküre, Act 3. The Ride of the Valkyries\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Jellinek, Walter Legge\u003c\/div\u003e\n\u003cdiv\u003eWesendonck-Lieder.\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Legge\u003c\/div\u003e\n\u003cdiv\u003e22-5\u003cspan\u003e \u003c\/span\u003eI. Der Engel\u003cspan\u003e \u003c\/span\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e22-6\u003cspan\u003e \u003c\/span\u003eII. Stehe Still!\u003cspan\u003e \u003c\/span\u003e4:02\u003c\/div\u003e\n\u003cdiv\u003e22-7\u003cspan\u003e \u003c\/span\u003eIII. Im Treibhaus\u003cspan\u003e \u003c\/span\u003e6:40\u003c\/div\u003e\n\u003cdiv\u003e22-8\u003cspan\u003e \u003c\/span\u003eIV. Schmerzen\u003cspan\u003e \u003c\/span\u003e2:38\u003c\/div\u003e\n\u003cdiv\u003e22-9\u003cspan\u003e \u003c\/span\u003eV. Träume\u003cspan\u003e \u003c\/span\u003e5:02\u003c\/div\u003e\n\u003cdiv\u003e22-10\u003cspan\u003e \u003c\/span\u003eTristan Und Isolde, Act 3. Isoldes Liebestod \"Mild Und Leise\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Douglas Larter\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Walter Legge\u003c\/div\u003e\n\u003cdiv\u003e6:59\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLe Nozze di Figaro, Opera Buffa In Four Acts, K.492\u003c\/div\u003e\n\u003cdiv\u003eAlto Vocals [Marcellina] – Annelies Burmeister\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Count Almavira] – Gabriel Bacquier\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Figaro] – Geraint Evans\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Antonio] – Clifford Grant\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Bartolo] – Michael Langdon\u003c\/div\u003e\n\u003cdiv\u003eChoir – John Alldis Choir\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – John Alldis\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Christopher Parker\u003c\/div\u003e\n\u003cdiv\u003eHarpsichord – Henry Smith (4)\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Lorenzo da Ponte\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Cherubino] – Teresa Berganza\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Barbarina] – Margaret Price\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Countess Almavira] – Andreas Söderström\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Girl 1] – Teresa Cahill\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Girl 2] – Kiri Te Kanawa\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Susanna] – Reri Grist\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Don Basilio] – Werner Hollweg\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Don Curzio] – Willi Brokmeier\u003c\/div\u003e\n\u003cdiv\u003e23-1\u003cspan\u003e \u003c\/span\u003eSinfonia\u003cspan\u003e \u003c\/span\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e23-2\u003cspan\u003e \u003c\/span\u003eAct 1. “Cinque... Dieci... Venti...” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e23-3\u003cspan\u003e \u003c\/span\u003eAct 1. “Cosa Stai Misurando” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e23-4\u003cspan\u003e \u003c\/span\u003eAct 1. “Se A Caso Madama” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e23-5\u003cspan\u003e \u003c\/span\u003eAct 1. “Or Bene: Ascolta E Taci!” (Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e23-6\u003cspan\u003e \u003c\/span\u003eAct 1. “Se Vuol Ballare” (Figaro)\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e23-7\u003cspan\u003e \u003c\/span\u003eAct 1. “Ed Aspettaste Il Giorno” (Bartolo, Marcellina)\u003cspan\u003e \u003c\/span\u003e1:02\u003c\/div\u003e\n\u003cdiv\u003e23-8\u003cspan\u003e \u003c\/span\u003eAct 1. “La Vendetta, Oh la Vendetta” (Bartolo)\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e23-9\u003cspan\u003e \u003c\/span\u003eAct 1. “Tutto Ancor Non Ho Perso” (Marcellina, Susanna)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e23-10\u003cspan\u003e \u003c\/span\u003eAct 1. “Via Resti Servita” (Marcellina, Susanna)\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e23-11\u003cspan\u003e \u003c\/span\u003eAct 1. “Va' Là, Vecchia Pedante” (Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e23-12\u003cspan\u003e \u003c\/span\u003eAct 1. “Non So Più Cosa Son, Cosa Faccio” (Cherubino)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e23-13\u003cspan\u003e \u003c\/span\u003eAct 1. “Ah, Son Perduto!” (Cherubino, Susanna, Count, Basilio)\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e23-14\u003cspan\u003e \u003c\/span\u003eAct 1. “Cosa Sento! Tosto Andate” (Count, Basilio, Susanna)\u003cspan\u003e \u003c\/span\u003e5:46\u003c\/div\u003e\n\u003cdiv\u003e23-15\u003cspan\u003e \u003c\/span\u003eAct 1. “Basilio, In Traccia Tosto” (Count, Susanna, Cherubino, Basilio)\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e23-16\u003cspan\u003e \u003c\/span\u003eAct 1. “Giovani Liete, Fiori Spargete” (Chorus)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e23-17\u003cspan\u003e \u003c\/span\u003eAct 1. “Cos'è Questa Commedia?” (Count, Figaro, Susanna, Chorus)\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e23-18\u003cspan\u003e \u003c\/span\u003eAct 1. “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Count)\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e23-19\u003cspan\u003e \u003c\/span\u003eAct 1. “Non più andrai” (Figaro)\u003cspan\u003e \u003c\/span\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e23-20\u003cspan\u003e \u003c\/span\u003eAct 2. “Porgi, Amor” (Countess)\u003cspan\u003e \u003c\/span\u003e4:24\u003c\/div\u003e\n\u003cdiv\u003e23-21\u003cspan\u003e \u003c\/span\u003eAct 2. “Vieni, Cara Susanna” (Countess, Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e23-22\u003cspan\u003e \u003c\/span\u003eAct 2. “Quanto Duolmi, Susanna” (Countess, Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e23-23\u003cspan\u003e \u003c\/span\u003eAct 2. “Voi Che Sapete” (Cherubino)\u003cspan\u003e \u003c\/span\u003e3:28\u003c\/div\u003e\n\u003cdiv\u003e23-24\u003cspan\u003e \u003c\/span\u003eAct 2. “Bravo! Che Bella Voce!” (Countess, Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:04\u003c\/div\u003e\n\u003cdiv\u003e23-25\u003cspan\u003e \u003c\/span\u003eAct 2. “Venite, Inginocchiatevi” (Susanna)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e23-26\u003cspan\u003e \u003c\/span\u003eAct 2. “Quante Buffonerie!” (Countess, Susanna, Cherubino, Count)\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e23-27\u003cspan\u003e \u003c\/span\u003eAct 2. “Che Novità!\" (Count, Countess)\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e23-28\u003cspan\u003e \u003c\/span\u003eAct 2. “Susanna, Or Via Sortite” (Count, Countess, Susanna)\u003cspan\u003e \u003c\/span\u003e3:48\u003c\/div\u003e\n\u003cdiv\u003e23-29\u003cspan\u003e \u003c\/span\u003eAct 2. “Dunque Voi Non Aprite” (Count, Countess)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e24-1\u003cspan\u003e \u003c\/span\u003eAct 2. “Aprite, Presto, Aprite” (Susanna, Cherubino)\u003cspan\u003e \u003c\/span\u003e1:27\u003c\/div\u003e\n\u003cdiv\u003e24-2\u003cspan\u003e \u003c\/span\u003eAct 2. “Tutto è Come Il Lasciai” (Count, Countess)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e24-3\u003cspan\u003e \u003c\/span\u003eAct 2. “Esci Omai, Garzon Malnato” (Count, Countess)\u003cspan\u003e \u003c\/span\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e24-4\u003cspan\u003e \u003c\/span\u003eAct 2. “Signore! Cos'è Quel Stupore?” (Susanna, Count, Countess)\u003cspan\u003e \u003c\/span\u003e5:55\u003c\/div\u003e\n\u003cdiv\u003e24-5\u003cspan\u003e \u003c\/span\u003eAct 2. “Signori, di Fuori Son Già I Suonatori” (Figaro, Count, Susanna, Countess)\u003cspan\u003e \u003c\/span\u003e3:53\u003c\/div\u003e\n\u003cdiv\u003e24-6\u003cspan\u003e \u003c\/span\u003eAct 2. “Ah! Signor, Signor” - “Cos'è Stato?” (Antonio, Count, Susanna, Countess, Figaro)\u003cspan\u003e \u003c\/span\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e24-7\u003cspan\u003e \u003c\/span\u003eAct 2. “Voi, Signor, Che Giusto Siete” (Marcellina, Basilio, Bartolo, Susanna, Countess, Figaro, Count)\u003cspan\u003e \u003c\/span\u003e4:57\u003c\/div\u003e\n\u003cdiv\u003e24-8\u003cspan\u003e \u003c\/span\u003eAct 3. “Che Imbarazzo è Mai Questo” (Count, Countess, Susanna)\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e24-9\u003cspan\u003e \u003c\/span\u003eAct 3. “Crudel! Perché Finora” (Count, Susanna)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e24-10\u003cspan\u003e \u003c\/span\u003eAct 3. “E Perché Fosti Meco” ... “Ehi, Susanna, Ove Vai?” (Count, Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e24-11\u003cspan\u003e \u003c\/span\u003eAct 3. “Hai Già Vinta la Causa! ... Vedrò Mentr'io Sospiro” (Count)\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e24-12\u003cspan\u003e \u003c\/span\u003eAct 3. “E Decisa la Lite” (Curzio, Marcellina, Figaro, Count, Bartolo)\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e24-13\u003cspan\u003e \u003c\/span\u003eAct 3. “Riconosci In Questo Amplesso” (Marcellina, Figaro, Bartolo, Curzio, Count, Susanna)\u003cspan\u003e \u003c\/span\u003e5:46\u003c\/div\u003e\n\u003cdiv\u003e24-14\u003cspan\u003e \u003c\/span\u003eAct 3. “Eccovi, O Caro Amico” (Marcellina, Bartolo, Susanna, Figaro)\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e24-15\u003cspan\u003e \u003c\/span\u003eAct 3. “Andiam, Andiam, Bel Paggio” (Barbarina, Cherubino)\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e24-16\u003cspan\u003e \u003c\/span\u003eAct 3. “E Susanna Non Vieni” ... “Dove Sono I Bei Momenti” (Countess)\u003cspan\u003e \u003c\/span\u003e7:22\u003c\/div\u003e\n\u003cdiv\u003e24-17\u003cspan\u003e \u003c\/span\u003eAct 3. “Io Vi Dico, Signor” (Antonio, Count)\u003cspan\u003e \u003c\/span\u003e0:26\u003c\/div\u003e\n\u003cdiv\u003e24-18\u003cspan\u003e \u003c\/span\u003eAct 3. “Cosa Mi Narri?” (Countess, Susanna)\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e24-19\u003cspan\u003e \u003c\/span\u003eAct 3. “Sull'aria” (Susanna, Countess)\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e24-20\u003cspan\u003e \u003c\/span\u003eAct 3. “Piegato è Il Foglio” (Susanna, Countess)\u003cspan\u003e \u003c\/span\u003e0:23\u003c\/div\u003e\n\u003cdiv\u003e24-21\u003cspan\u003e \u003c\/span\u003eAct 3. “Ricevete, O Padroncina” (Chorus)\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e24-22\u003cspan\u003e \u003c\/span\u003eAct 3. “Queste Sono, Madama” (Barbarina, Countess, Susanna, Antonio, Count, Cherubino, Figaro)\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e24-23\u003cspan\u003e \u003c\/span\u003eAct 3. “Ecco la Marcia, Andiamo!” (Figaro, Susanna, Count, Countess)\u003cspan\u003e \u003c\/span\u003e2:10\u003c\/div\u003e\n\u003cdiv\u003e24-24\u003cspan\u003e \u003c\/span\u003eAct 3. “Amanti costanti” (Two Girls, Chorus, Count, Figaro)\u003cspan\u003e \u003c\/span\u003e5:39\u003c\/div\u003e\n\u003cdiv\u003e25-1\u003cspan\u003e \u003c\/span\u003eAct 4. “L'ho Perduta, Me Meschina!” (Barbarina)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e25-2\u003cspan\u003e \u003c\/span\u003eAct 4. “Barbarina, Cos'hai?” (Figaro, Barbarina)\u003cspan\u003e \u003c\/span\u003e1:16\u003c\/div\u003e\n\u003cdiv\u003e25-3\u003cspan\u003e \u003c\/span\u003eAct 4. “Madre! Figlio!” (Figaro, Marcellina)\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e25-4\u003cspan\u003e \u003c\/span\u003eAct 4. “Son Quelli Che Invitasti A Venir” (Basilio, Bartolo, Figaro)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e25-5\u003cspan\u003e \u003c\/span\u003eAct 4. “In Quegli Anni” (Basilio)\u003cspan\u003e \u003c\/span\u003e4:55\u003c\/div\u003e\n\u003cdiv\u003e25-6\u003cspan\u003e \u003c\/span\u003eAct 4. “Tutto è Disposto ... Aprite Un Po' Quegli Occhi” (Figaro)\u003cspan\u003e \u003c\/span\u003e4:50\u003c\/div\u003e\n\u003cdiv\u003e25-7\u003cspan\u003e \u003c\/span\u003eAct 4. “Signora, Ella Mi Disse” (Susanna, Marcellina, Countess, Figaro)\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e25-8\u003cspan\u003e \u003c\/span\u003eAct 4. “Giunse Alfin Il Momento ... Deh Vieni, Non Tardar” (Susanna)\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e25-9\u003cspan\u003e \u003c\/span\u003eAct 4. “Perfida! E In Quella Forma Meco Mentia?” (Figaro, Cherubino, Countess)\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e25-10\u003cspan\u003e \u003c\/span\u003eAct 4. “Pian Pianin, Le Andrò Più Presso” (Cherubino, Countss, Figaro, Susanna)\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e25-11\u003cspan\u003e \u003c\/span\u003eAct 4. “Partito è Alfin L'audace” (Count, Countess, Figaro, Susanna)\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e25-12\u003cspan\u003e \u003c\/span\u003eAct 4. “Tutto è Tranquille E Placido” (Figaro, Susanna)\u003cspan\u003e \u003c\/span\u003e3:59\u003c\/div\u003e\n\u003cdiv\u003e25-13\u003cspan\u003e \u003c\/span\u003eAct 4. “Pace, Pace, Mio Dolce Tesoro” (Figaro, Susanna, Count)\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e25-14\u003cspan\u003e \u003c\/span\u003eAct 4. “Gente, gente, all'armi, all'armi!” (Count, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, Countess)\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003eWolfgang Amadeus Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCosl Fan Tutte, Opera In Two Acts, K.588\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Guglielmo] – Geraint Evans\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals [Don Alfonso] – Hans Sotin\u003c\/div\u003e\n\u003cdiv\u003eChoir – John Alldis Choir\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – John Alldis Choir\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eEngineer [Balance] – Michael Gray (5)\u003c\/div\u003e\n\u003cdiv\u003eHarpsichord – Otto Freudenthal\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Dorabella] – Yvonne Minton\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer – Suvi Raj Grubb\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Despina] – Lucia Popp\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Fiordiligi] – Margaret Price\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Ferrando] – Luigi Alva\u003c\/div\u003e\n\u003cdiv\u003e26-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e26-2\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “La Mia Dorabella Capace Non è” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:10\u003c\/div\u003e\n\u003cdiv\u003e26-3\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “Fuor' la Spada” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e26-4\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “È la Fede Delle Femmine” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e26-5\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “Scioccherie di Poeti!” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003e26-6\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 1. “Una Bella Serenata” (Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:44\u003c\/div\u003e\n\u003cdiv\u003e26-7\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Ah, Guarda, Sorella” (Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e26-8\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Mi Par Che Stamattina” (Fiordiligi, Dorabella, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e26-9\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Barbaro Fato!” … “Vorrei Dir, E Cor Non Ho” (Don Alfonso)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e26-10\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Stelle! Per Carità, Signor Alfonso” (Fiordiligi, Don Alfonso, Dorabella)\u003cspan\u003e \u003c\/span\u003e1:01\u003c\/div\u003e\n\u003cdiv\u003e26-11\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Sento, Oddio, Che Questo Piede” (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e5:47\u003c\/div\u003e\n\u003cdiv\u003e26-12\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “O Cielo, Questo è Il Tamburo Funesto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e26-13\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Bella Vita Militar!” (Chorus)\u003cspan\u003e \u003c\/span\u003e1:39\u003c\/div\u003e\n\u003cdiv\u003e26-14\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Non V’è Più Tempo, Amici” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Chorus)\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e26-15\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Muoio D’affanno!” … “Di Scrivermi Ogni Giorno” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Chorus)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e26-16\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Bella Vita Militar!” (Chorus)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e26-17\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Dove Son? Son Partiti” (Dorabella, Don Alfonso, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e26-18\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Soave Sia Il Vento” (Dorabella, Don Alfonso, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e26-19\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 2. “Non Son Cattivo Comico” (Don Alfonso)\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e26-20\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Che Vita Maledetta” (Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e26-21\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Ah, Scostati!” (Dorabella)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e26-22\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Smanie Implacabili Che M’agitate” (Dorabella)\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e26-23\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Signora Dorabella, Signora Fiordiligi” (Despina, Dorabella, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e26-24\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “In Uomini, In Soldati Sperare Fedeltà?” (Despina)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e27-1\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Che Silenzio! Che Aspetto di Tristezza” (Don Alfonso, Despina)\u003cspan\u003e \u003c\/span\u003e2:46\u003c\/div\u003e\n\u003cdiv\u003e27-2\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Alla Bella Despinetta” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e5:38\u003c\/div\u003e\n\u003cdiv\u003e27-3\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Che Sussurro! Che Strepito!” (Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e27-4\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Temerari...” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e27-5\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Come Scoglio Immoto Resta” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003e27-6\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Ah, Non Partite!” (Ferrando, Guglielmo, Don Alfonso, Dorabella, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e27-7\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Non Siate Ritrosi, Occhietti Vezzosi” (Guglielmo)\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e27-8\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “E Voi Ridete?” (Don Alfonso, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e27-9\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Si Può Sapere Un Poco” (Don Alfonso, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003e27-10\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 3. “Un’aura Amorosa Del Nostro Tesoro” (Ferrando)\u003cspan\u003e \u003c\/span\u003e5:13\u003c\/div\u003e\n\u003cdiv\u003e27-11\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Ah, Che Tutto In Un Momento” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e5:03\u003c\/div\u003e\n\u003cdiv\u003e27-12\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Ah, Che Del Sole Il Raggio” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e5:16\u003c\/div\u003e\n\u003cdiv\u003e27-13\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Eccovi Il Medico” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e27-14\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Dove Son? Che Loco è Questo?” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e27-15\u003cspan\u003e \u003c\/span\u003eAct 1. Scene 4. “Dammi Un Bacio, O Mio Tesoro” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e27-16\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. “Una Donna A Quindici Anni” (Despina)\u003cspan\u003e \u003c\/span\u003e4:07\u003c\/div\u003e\n\u003cdiv\u003e27-17\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. “Questo è Ver” (Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e27-18\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 1. “Prenderò Quel Brunettino” (Fiordiligi, Dorabella)\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e27-19\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Secondate, Aurette Amiche” (Ferrando, Guglielmo, Chorus)\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e27-20\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Il Tutto Deponete Sopra Quei Tavolini” (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003e27-21\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “La Mano A Me Date” (Don Alfonso, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e27-22\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Oh, Che Bella Giornata!” (Fiordiligi, Ferrando, Dorabella, Guglielmo)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e27-23\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Il Core Vi Dono” (Guglielmo, Dorabella)\u003cspan\u003e \u003c\/span\u003e5:39\u003c\/div\u003e\n\u003cdiv\u003e28-1\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Barbara, Perché Fuggi?” (Ferrando, Fiordiligi)\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e28-2\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Ei Parte… Senti… Ah No!” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e2:02\u003c\/div\u003e\n\u003cdiv\u003e28-3\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Per Pietà, Ben Mio, Perdona” (Fiordiligi)\u003cspan\u003e \u003c\/span\u003e7:48\u003c\/div\u003e\n\u003cdiv\u003e28-4\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Amico, Abbiamo Vinto!” (Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003e28-5\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Donne Mie, la Fate A Tanti A Tanti” (Guglielmo)\u003cspan\u003e \u003c\/span\u003e3:43\u003c\/div\u003e\n\u003cdiv\u003e28-6\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “In Qual Fiero Contrasto” (Ferrando)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e28-7\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 2. “Tradito, Schernito Dal Perfido Cor” (Ferrando)\u003cspan\u003e \u003c\/span\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003e28-8\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “È Amore Un Ladroncello” (Dorabella)\u003cspan\u003e \u003c\/span\u003e4:37\u003c\/div\u003e\n\u003cdiv\u003e28-9\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “L'abito di Ferrando Sara Buono Per Me” (Fiordiligi, Ferrando)\u003cspan\u003e \u003c\/span\u003e1:05\u003c\/div\u003e\n\u003cdiv\u003e28-10\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “Fra Gli Amplessi In Pochi Istanti” (Fiordiligi, Ferrando)\u003cspan\u003e \u003c\/span\u003e7:09\u003c\/div\u003e\n\u003cdiv\u003e28-11\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “Ah, Poveretto Me, Cosa Ho Veduto!” (Guglielmo, Don Alfonso, Ferrando)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e28-12\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 3. “Tutti Accussan Le Donne” (Don Alfonso, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e28-13\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Fate Presto, O Cari Amici” (Despina, Chorus, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e28-14\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Benedetti I Doppi Coniugi” (Chorus, Fiordiligi, Dorabella, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003e28-15\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “E Nel Tuo, Nel Mio Bicchiero” (Fiordiligi, Dorabella, Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e28-16\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Miei, Signori, Tutto è Fatto” (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo, Despina)\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e28-17\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Bella Vita Militar!” (Chorus, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo, Don Alfonso)\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e28-18\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Sani E Salvi Agli Amplessi Amorosi” (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina)\u003cspan\u003e \u003c\/span\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e28-19\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Giusto Ciel! Voi Qui Scriveste” (Ferrando, Guglielmo)\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e28-20\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “A Voi S'inchina” (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Despina)\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e28-21\u003cspan\u003e \u003c\/span\u003eAct 2. Scene 4. “Fortunato l’uom che prende” (All)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003eAn Opera Souvenir: Documentary By Jon Tolanski\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eAn Opera Souvenir\u003c\/div\u003e\n\u003cdiv\u003eChorus – New Philharmonia Chorus, Philharmonia Chorus\u003c\/div\u003e\n\u003cdiv\u003eConductor – Otto Klemperer\u003c\/div\u003e\n\u003cdiv\u003eInterviewer – Jon Tolansky\u003c\/div\u003e\n\u003cdiv\u003eNarrator [Documentary] – Jon Tolansky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra, Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eProducer [Documentary] – Jon Tolansky\u003c\/div\u003e\n\u003cdiv\u003e29-1\u003cspan\u003e \u003c\/span\u003eIntroduction: Overview And Background\u003cspan\u003e \u003c\/span\u003e6:35\u003c\/div\u003e\n\u003cdiv\u003e29-1.1\u003cspan\u003e \u003c\/span\u003eDer Fliegende Holländer (Overture)\u003c\/div\u003e\n\u003cdiv\u003eInterviewee – John Dobson\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003e29-1.2\u003cspan\u003e \u003c\/span\u003eDance Of The Seven Veils\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Strauss\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Staatskapelle Berlin\u003c\/div\u003e\n\u003cdiv\u003e29-2\u003cspan\u003e \u003c\/span\u003eFidelio\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eInterviewee – Anthony Tunstall*, Victor Godfrey, John Dobson, Jon Vickers, Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003e22:48\u003c\/div\u003e\n\u003cdiv\u003e29-3\u003cspan\u003e \u003c\/span\u003eDie Zauberflöte\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eInterviewee – Victor Godfrey, Nicolai Gedda, John Dobson\u003c\/div\u003e\n\u003cdiv\u003e11:04\u003c\/div\u003e\n\u003cdiv\u003e29-4\u003cspan\u003e \u003c\/span\u003eDon Giovanni (Rehearsal)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003e6:34\u003c\/div\u003e\n\u003cdiv\u003e29-5\u003cspan\u003e \u003c\/span\u003eDer Fliegende Holländer\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eInterviewee – Siva Oke\u003c\/div\u003e\n\u003cdiv\u003e18:36\u003c\/div\u003e\n\u003cdiv\u003e29-6\u003cspan\u003e \u003c\/span\u003eCosi Fan Tutte. Final Opera Recording And Conclusion\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eInterviewee – Victor Godfrey\u003c\/div\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":45875202982138,"sku":"5054197528996","price":131.27,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/4243797-3040301.jpg?v=1715175256","url":"https:\/\/classicselectworld.com\/de-de\/products\/otto-klemperer-warner-classics-remastered-edition-vol-2-95-cds-orchestral-works-copy","provider":"ClassicSelect World","version":"1.0","type":"link"}