{"product_id":"quincy-jones-milestones-of-a-legend-10-cds","title":"QUINCY JONES: MILESTONES OF A LEGEND (10 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_7f1bb96b-e3d3-415f-a0d9-093dfd02207b_480x480.png?v=1634657657\"\u003e\u003c\/p\u003e\n\u003cp\u003e– 20 original albums – Q’s greatest Jazz recordings from the 50s and early 60s\u003cbr data-mce-fragment=\"1\"\u003e– Featuring Peggy Lee, Dinah Washington, Freddie Hubbard, Art Farmer, Clark Terry, Coleman Hawkins, and hits like “Soul Bossa Nova”\u003c\/p\u003e\n\u003cp\u003eQuincy Delight Jones Jr.’s achievements as a multi Grammy- and Oscar-winning\u003cbr\u003erecord producer, musician, songwriter, composer, arranger, as well as a film and\u003cbr\u003etelevision producer are the stuff of legends. His incredible career, which spans 70\u003cbr\u003eyears in the entertainment industry, began in the 1950s – when the young man from\u003cbr\u003ethe South Side of Chicago started out as a Jazz trumpeter, soon becoming a\u003cbr\u003epopular arranger and successful band leader.\u003c\/p\u003e\n\u003cp\u003eThis exclusive 10 CD box-set presents those legendary beginnings with twenty\u003cbr\u003eoriginal albums that showcase Q’s wide range of musical talents. The music ranges\u003cbr\u003efrom the big band sounds of his own Allstar-orchestras via arrangements for\u003cbr\u003etrumpeter Art Farmer on to albums he produced, arranged and conducted for\u003cbr\u003esingers Peggy Lee or Dinah Washington. After listening to these selections, it\u003cbr\u003ebecomes obvious why Time named the man famous for producing Michael\u003cbr\u003eJackson’s biggest hits “one of the most influential jazz musicians of the 20th\u003cbr\u003ecentury”.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_8cb12d8f-85b6-45a7-ba7f-63003d51dd34_480x480.png?v=1634836548\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e■ The Art Farmer Septet Plays Arrangements of Gigi Gryce \u0026amp; Quincy Jones\u003cbr\u003e1. Mau Mau 5.18\u003cbr\u003e2. Work of Art 5.48\u003cbr\u003e3. The Little Bandmaster 4.08\u003cbr\u003e4. Up in Quincy's Room (Gigi Gryce) 4.03\u003cbr\u003e5. Wildwood (Gryce) 2.57\u003cbr\u003e6. Evening in Paris 2.43\u003cbr\u003e7. Elephant Walk (Jones) 3.27\u003cbr\u003e8. Tia Juana (Gryce) 2.53\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArrangements by Quincy Jones (tracks 1–4) and Gigi Gryce (tracks 5–8)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded at WOR Studios, New York\u003cbr\u003eCity, on July 2, 1953 (tracks 1–4) and at Van Gelder Studio in Hackensack, New Jersey, on June 7, 1954 (tracks 5–8)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ This Is How I Feel About Jazz\u003cbr\u003e9. Walkin' (Richard Carpenter) 10.44\u003cbr\u003e10. Stockholm Sweetnin' (Jones) 5.39\u003cbr\u003e11. Evening in Paris (Jones) 4.07\u003cbr\u003e12. Sermonette (Julian Adderley, Jon\u003cbr\u003eHendricks) 5.56\u003cbr\u003e13. A Sleepin' Bee (Harold Arlen, Truman\u003cbr\u003eCapote) 4.39\u003cbr\u003e14. Boo's Blues (Jones) 5.13\u003cbr\u003eQuincy Jones – cond, arr\u003c\/p\u003e\n\u003cp\u003eArt Farmer,Bernie Glow, Ernie Royal, Joe Wilder – tp\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJimmy Cleveland, Urbie Green, Frank Rehak – tb\u003c\/p\u003e\n\u003cp\u003ePhil Woods, Gene Quill – as\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHerbie Mann – fl\u003c\/p\u003e\n\u003cp\u003eJerome Richardson – fl,ts\u003c\/p\u003e\n\u003cp\u003eZoot Sims, Lucky Thompson, Bunny Bardach – ts\u003cbr\u003eJack Nimitz – bar\u003c\/p\u003e\n\u003cp\u003eMilt Jackson – vib\u003c\/p\u003e\n\u003cp\u003eHank Jones, Billy Taylor – p\u003c\/p\u003e\n\u003cp\u003ePaul Chambers, Charles Mingus – b\u003c\/p\u003e\n\u003cp\u003eCharlie Persip – dr\u003cbr\u003eRecorded on September 14, 19 and 29,\u003cbr\u003e1956 and February 25, 1957 at\u003cbr\u003eStudio Beltone Recording Studios, New\u003cbr\u003eYork City\u003cbr\u003eTotal Time 67.51\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e■ Go West, Man!\u003cbr\u003e1. Dancin' Pants (Jimmy Giuffre) 3.47\u003cbr\u003e2. Be My Guest (Lennie Niehaus) 4.30\u003cbr\u003e3. Kings Road Blues (Lennie Niehaus) 5.07\u003cbr\u003e4. Bright Moon (Jimmy Giuffre) 5.21\u003cbr\u003e5. The Oom Is Blues (Charlie Mariano) 5.09\u003cbr\u003e6. Ballad Medley (\"What's New?\" (Bob Haggart, Johnny Burke) \/  \"We'll Be Together Again\" (Carl T. Fischer,Frankie Laine) \/\"Time on My Hands\" (Harold Adamson, Mack Gordon, Vincent Youmans) \/ \"You Go to My Head\" (Haven Gillespie, Fred Coots) \/ \"Laura\" (David Raskin) 6.19\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBenny Carter, Art Pepper, Herb Geller, Charlie Mariano – as\u003c\/p\u003e\n\u003cp\u003eBill Perkins, Buddy Collette and Walter Benton – ts\u003c\/p\u003e\n\u003cp\u003ePepper Adams – bs\u003c\/p\u003e\n\u003cp\u003eHarry Edison, Conte Candoli, Pete Condoli, Jack Sheldon – tp\u003c\/p\u003e\n\u003cp\u003eCarl Perkins, Lou Levy – p\u003c\/p\u003e\n\u003cp\u003eRed MItchell, Leroy Vinnegar –b\u003c\/p\u003e\n\u003cp\u003eMel Lewis, Shelly Manne – dr\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArrangements by Jimmy Giuffre, Lennie Niehaus, Charlie Mariano\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ Billy Taylor Trio, orchestra conducted by Quincy Jones – My Fair Lady Loves Jazz\u003cbr\u003e7. Show Me 4.50\u003cbr\u003e8. I've Grown Accustomed to Her Face 3.45\u003cbr\u003e9. With a Little Bit of Luck 4.35\u003cbr\u003e10. The Rain in Spain 3.06\u003cbr\u003e11. Get Me to the Church on Time 4.20\u003cbr\u003e12. Wouldn't It Be Loverly? 5.04\u003cbr\u003e13. I Could Have Danced All Night 4.04\u003cbr\u003e14. On the Street Where You Live 3.45\u003cbr\u003eAll compositions by Alan Jay Lerner and Frederick Loewe\u003cbr\u003eBilly Taylor – p\u003c\/p\u003e\n\u003cp\u003eErnie Royal – tp\u003c\/p\u003e\n\u003cp\u003eDon Elliott – tp, mell, vib, bongos\u003c\/p\u003e\n\u003cp\u003eJimmy Cleveland – tb\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJim Buffington – fh\u003c\/p\u003e\n\u003cp\u003eDon Butterfield, Jay McAllister – tuba\u003c\/p\u003e\n\u003cp\u003eAnthony Ortega – as, ts\u003cbr\u003eCharlie Fowlkes – bs, bc\u003c\/p\u003e\n\u003cp\u003eAl Casamenti – g\u003cbr\u003eEarl May – b\u003c\/p\u003e\n\u003cp\u003eEd Thigpen – dr\u003c\/p\u003e\n\u003cp\u003eQuincy Jones – arr, cond\u003cbr\u003eRecorded in New York City on January 8 \u0026amp;\u003cbr\u003e22, 1957 and February 5, 1957\u003cbr\u003eTotal Time 63‘48\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003e■ Harry Arnold And Quincy Jones – Quincy’s Home Again (aka Harry Arnold + Big Band + Quincy Jones = Jazz!)\u003cbr\u003e1. Quincy's Home Again 2.32\u003cbr\u003e2. The Midnight Sun Never Sets (Jones, Dorcas\u003cbr\u003eCochran, Henri Salvador) 4.10\u003cbr\u003e3. Cherokee (Ray Noble) 3.17\u003cbr\u003e4. Count 'Em (Jones, Jimmy Cleveland) 5.33\u003cbr\u003e5. Brief Encounter 3.08\u003cbr\u003e6. Room 608 (Horace Silver) 3.17\u003cbr\u003e7. Kinda Blues 6.03\u003cbr\u003e8. Meet Benny Bailey (Jones) 3.54\u003cbr\u003e9. Doodlin' (Silver) 5.21\u003cbr\u003eCompositions by Harry Arnold, except where indicated.\u003cbr\u003eQuincy Jones – arr\u003c\/p\u003e\n\u003cp\u003eHarry Arnold – dir\u003c\/p\u003e\n\u003cp\u003eBenny Bailey, Sixten Eriksson, Arnold Johansson,\u003cbr\u003eWeine Renliden, Bengt-Arne Wallin – tp\u003c\/p\u003e\n\u003cp\u003eGordon Ohlsson, Åke Persson, Andreas Skjold, Georg Vernon – tb\u003c\/p\u003e\n\u003cp\u003eRolf Backman, Arne Domnérus - as\u003c\/p\u003e\n\u003cp\u003eRolf Blomquist – ts, fl\u003c\/p\u003e\n\u003cp\u003eBjarne Nerem, Carl-Henrik Norin – ts\u003c\/p\u003e\n\u003cp\u003eJohnny Ekh, Rune Falk – bs\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBengt Hallberg – p\u003c\/p\u003e\n\u003cp\u003eRolf Berg – g\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSimon Brehm, Lars Pettersson – b\u003c\/p\u003e\n\u003cp\u003eEgil Johansen – dr\u003cbr\u003eRecorded in Stockholm, Sweden, on February 14,\u003cbr\u003eMarch 19 and April 29, 1958\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ Art Farmer \u0026amp; Quincy Jones – Last Night When\u003cbr\u003eWe Were Young\u003cbr\u003e10. Two Sleepy People (Hoagy Carmichael, Frank\u003cbr\u003eLoesser) 3.23\u003cbr\u003e11. Someone to Watch over Me (George\u003cbr\u003eGershwin, Ira Gershwin) 3.36\u003cbr\u003e12. I Concentrate on You (Cole Porter) 2.53\u003cbr\u003e13. Ill Wind (Harold Arlen, Ted Koehler) 3.44\u003cbr\u003e14. Last Night When We Were Young (Arlen, Yip\u003cbr\u003eHarburg) 3.00\u003cbr\u003e15. Out of This World (Arlen, Johnny Mercer) 4.13\u003cbr\u003e16. When I Fall in Love (Victor Young, Edward\u003cbr\u003eHeyman) 3.34\u003cbr\u003e17. Tangorine (Dizzy Gillespie) 2.48\u003cbr\u003e18. What's Good About Goodbye? (Arlen, Leo\u003cbr\u003eRobin) 3.39\u003cbr\u003eArt Farmer – tp Hank Jones – p Tommy Kay, Barry\u003cbr\u003eGalbraith – g Addison Farmer – b\u003cbr\u003eOsie Johnson, Sol Gubin – dr Orchestra arranged\u003cbr\u003eand conducted by Quincy Jones\u003cbr\u003eRecorded in New York City on March 28, April 24\u003cbr\u003e\u0026amp; 29, 1957\u003cbr\u003eTotal Time 68‘13\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003e■ The Great Wide World Of Jazz\u003cbr\u003e1. Lester Leaps In (Lester Young) 3.34\u003cbr\u003e2. Ghana (Ernie Wilkins) 4.37\u003cbr\u003e3. Caravan (Juan Tizol, Duke Ellington, Irving Mills)\u003cbr\u003e3.30\u003cbr\u003e4. Everybody's Blues (Wilkins) 4.14\u003cbr\u003e5. Cherokee (Indian Love Song) (Ray Noble) 3.10\u003cbr\u003e6. Air Mail Special (Benny Goodman, Charlie\u003cbr\u003eChristian, Jimmy Mundy) 2.35\u003cbr\u003e7. They Say It's Wonderful (Irving Berlin) 3.23\u003cbr\u003e8. Chant of the Weed (Don Redman) 3.13\u003cbr\u003e9. I Never Has Seen Snow (Harold Arlen, Truman\u003cbr\u003eCapote) 3.11\u003cbr\u003e10. Eesom (Bill Potts) 5.04\u003cbr\u003eQuincy Jones – cond\u003c\/p\u003e\n\u003cp\u003eArt Farmer, Lennie Johnson, Jimmy Maxwell, Lee Morgan, Ernie Royal, Nick Travis – tp Billy Byers, Jimmy Cleveland, Urbie Green, Frank Rehak – tb\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJulius Watkins – fh\u003c\/p\u003e\n\u003cp\u003ePorter Kilbert, Phil Woods – as\u003cbr\u003eBudd Johnson – ts\u003c\/p\u003e\n\u003cp\u003eJerome Richardson – ts, fl, picc\u003c\/p\u003e\n\u003cp\u003eSahib Shihab – bs\u003c\/p\u003e\n\u003cp\u003ePatti Bown – p\u003c\/p\u003e\n\u003cp\u003eLes Spann\u003cbr\u003e– g, fl\u003c\/p\u003e\n\u003cp\u003eBuddie Jones, Buddy Catlett – b\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDon Lamond – dr\u003c\/p\u003e\n\u003cp\u003eArranged by Ralph Burns (8) Al Cohn (6, 7) Bill Potts (tracks 3, 9, 10)\u003cbr\u003eErnie Wilkins (1, 2, 4, 5);\u003c\/p\u003e\n\u003cp\u003eRecorded at Fine Recording, New York City, on November 4 and 9, 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ The Birth Of A Band\u003cbr\u003e11. The Birth of a Band (Quincy Jones) 2.56\u003cbr\u003e12. Moanin' (Bobby Timmons) 3.11\u003cbr\u003e13. I Remember Clifford (Benny Golson) 3.44\u003cbr\u003e14. Along Came Betty (Golson) 3.19\u003cbr\u003e15. Tickle Toe (Lester Young) 2.58\u003cbr\u003e16. Happy Faces (Sonny Stitt) 2.44\u003cbr\u003e17. Whisper Not (Golson) 3.23\u003cbr\u003e18. The Gypsy (Billy Reid) 4.07\u003cbr\u003e19. A Change of Pace (Harry Arnold, Quincy Jones)\u003cbr\u003e3.22\u003cbr\u003e20. Tuxedo Junction (Erskine Hawkins, Bill Johnson,\u003cbr\u003eJulian Dash, Buddy Feyne) 2.43\u003cbr\u003eQuincy Jones – arr, cond Harry Edison, Joe\u003cbr\u003eNewman, Ernie Royal, Clark Terry, Joe Wilder – tp\u003cbr\u003eBilly Byers, Jimmy Cleveland, Urbie Green, Melba\u003cbr\u003eListon, Tom Mitchell – tb Julius Watkins – fh\u003cbr\u003eJerome Richardson – fl, as, ts, picc Frank Wess –\u003cbr\u003eas, fl Phil Woods – as Benny Golson, Budd\u003cbr\u003eJohnson, Zoot Sims, Sam Taylor – ts Danny Bank,\u003cbr\u003eSahib Shihab – bs Patti Bown, Moe\u003cbr\u003eWechsler – p Kenny Burrell, Les Spann – g Milt\u003cbr\u003eHinton – b Jimmy Crawford, Osie Johnson,\u003cbr\u003eDon Lamond, Sam Woodyard – dr; Recorded at\u003cbr\u003eFine Recording, New York, on February 9,\u003cbr\u003eMarch 9 \u0026amp; 10, May 26, 17 \u0026amp; 28 and June 16, 1959\u003cbr\u003eTotal Time 69‘27\u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003e■ Around the World\u003cbr\u003e1. Hot Sake (Quincy Jones) 3.01\u003cbr\u003e2. Strike up the Band (George \u0026amp; Ira Gershwin) 2.24\u003cbr\u003e3. Africana (Quincy Jones) 3.10\u003cbr\u003e4. Meadowlands (Quincy Jones) 3.11\u003cbr\u003e5. Rico Vacilon (R. Ruiz, Jr.) 2.16\u003cbr\u003e6. Under Paris Skies (Hubert Giraud, Jean Drejac,\u003cbr\u003eKim Gannon) 2.33\u003cbr\u003e7. Mack the Knife (Bertolt Brecht, Kurt Weill) 2.31\u003cbr\u003e8. Manolete De Espana (Quincy Jones) 3.19\u003cbr\u003e9. Baia (Brazil) (Ary Barroso) 3.55\u003cbr\u003e10. Come Back to Sorrento (Trad., adapted by\u003cbr\u003eQuincy Jones) 2.29\u003cbr\u003e11. Dear Old Stockholm (Trad, adapted by Quincy\u003cbr\u003eJones) 3.59\u003cbr\u003eBenny Bailey, Ernie Royal – tp Clark Terry – flh\u003cbr\u003eJulius Watkins – frh Eric Dixon – fl\u003cbr\u003eSahib Shihab – fl, bs Jerome Richardson – afl Phil\u003cbr\u003eWoods – as Eric Dixon – ts Curtis Fuller – tb\u003cbr\u003eDon Arnone – g Patti Bown – p Don Elliott – xyl\u003cbr\u003eMichael Olatunji, Jimmy Crawford,\u003cbr\u003eStu Martin – dr Michael Olatunji, Potato Valdez, Tito\u003cbr\u003ePuente – perc\u003cbr\u003eArranged by Quincy Jones and Tito Puente (5);\u003cbr\u003eRecorded in New York at Fine Recording Studio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ I Dig Dancers\u003cbr\u003e12. Pleasingly Plump (Quincy Jones) 2.17\u003cbr\u003e13. G'wan Train (Patti Bown) 6.21\u003cbr\u003e14. Moonglow (Will Hudson, Irving Mills, Eddie\u003cbr\u003eDeLange) 2.50\u003cbr\u003e15. Tone Poem (Melba Liston) 3.41\u003cbr\u003e16. You Turned the Tables on Me (Louis Alter,\u003cbr\u003eSidney D. Mitchell) 2.31\u003cbr\u003e17. Chinese Checkers (David Carr Glover) 2.42\u003cbr\u003e18. Love Is Here to Stay (George Gershwin, Ira\u003cbr\u003eGershwin) 3.14\u003cbr\u003e19. The Midnight Sun Will Never Set (Quincy Jones,\u003cbr\u003eHenri Salvador, Dorcas Cochran) 4.35\u003cbr\u003e20. Trouble on My Mind (Ray Noble) 2.32\u003cbr\u003e21. A Sunday Kind of Love (Louis Prima, Barbara\u003cbr\u003eBelle, Anita Leonard, Stan Rhodes) 2.35\u003cbr\u003eQuincy Jones – arr, cond Benny Bailey, Freddie\u003cbr\u003eHubbard, Lennie Johnson, Jerry Kail,\u003cbr\u003eClyde Reasinger, Floyd Standifer, Clark Terry – tp\u003cbr\u003eWayne André, Curtis Fuller, Jimmy Cleveland,\u003cbr\u003eQuentin Jackson, Melba Liston, Åke Persson – tb\u003cbr\u003eJulius Watkins – fh Joe Lopes, Porter Kilbert,\u003cbr\u003ePhil Woods – as Budd Johnson, Oliver Nelson,\u003cbr\u003eJerome Richardson – ts Sahib Shihab – bs\u003cbr\u003ePatti Bown – p Les Spann – g, fl Buddy Catlett – b\u003cbr\u003eJoe Harris, Stu Martin – dr\u003cbr\u003eRecorded at Barclay Studios, Paris, France and Bell\u003cbr\u003eSound Studios, New York City,\u003cbr\u003eon February 27 \u0026amp; 29, April 21 and October 19, 1960\u003cbr\u003eTotal Time 66'42\u003cbr\u003e\u003cbr\u003eCD 6\u003cbr\u003e■ Big Band Bossa Nova\u003cbr\u003e1. Soul Bossa Nova (Quincy Jones) 2.46\u003cbr\u003e2. Boogie Bossa Nova (Charles Mingus) 2.43\u003cbr\u003e3. Desafinado (Antônio Carlos Jobim, Newton\u003cbr\u003eMendonça) 2.55\u003cbr\u003e4. Manhã de Carnaval (Morning of the Carnival)\u003cbr\u003e(Luiz Bonfá, Antonio Maria) 2.56\u003cbr\u003e5. Se É Tarde Me Perdoa (Forgive Me If I'm Late)\u003cbr\u003e(Ronaldo Bôscoli, Carlos Lyra) 4.23\u003cbr\u003e6. On the Street Where You Live (Frederick\u003cbr\u003eLoewe, Alan Jay Lerner) 2.34\u003cbr\u003e7. One Note Samba (Samba De Uma Nota So)\u003cbr\u003e2.01\u003cbr\u003e(Antônio Carlos Jobim, Newton Mendonça)\u003cbr\u003e8. Lalo Bossa Nova (Lalo Schifrin) 3.13\u003cbr\u003e9. Serenata (Leroy Anderson, Mitchell Parish)\u003cbr\u003e3.19\u003cbr\u003e10. Chega de Saudade (No More Blues) 5.32\u003cbr\u003e(Antônio Carlos Jobim, Vinicius de Moraes)\u003cbr\u003e11. A Taste of Honey (Bobby Scott, Ric Marlow)\u003cbr\u003e2.52\u003cbr\u003eQuincy Jones – cond, arr Phil Woods – as Paul\u003cbr\u003eGonsalves – ts Roland Kirk – fl, afl\u003cbr\u003eJerome Richardson – fl, afl Clark Terry – tp, flh\u003cbr\u003eJulius Watkins – frh Alan Raph – btb\u003cbr\u003eLalo Schifrin – p Jim Hall – g Chris White – b\u003cbr\u003eRudy Collins – dr Jack Del Rio, Carlos Gomez –\u003cbr\u003eperc\u003cbr\u003eRecorded at A\u0026amp;R Studios, New York City,\u003cbr\u003ebetween June 15 and September 8, 1962\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ Quincy Jones and his orchestra – Live at\u003cbr\u003eNewport 1961\u003cbr\u003e12. Meet B.B. (Quincy Jones) 3.57\u003cbr\u003e13. The Boy in the Tree (Quincy Jones) 5.02\u003cbr\u003e14. Evening in Paris (Quincy Jones) 5.15\u003cbr\u003e15. Air Mail Special (juímmy Mundy, Benny\u003cbr\u003eGoodman, Charlie Christian) 4.27\u003cbr\u003e16. Lester Leaps In (Lester Young) 6.12\u003cbr\u003e17. G'Won Train (Patti Bown) 6.04\u003cbr\u003e18. Banja Luka (Phil Woods) 5.58\u003cbr\u003eQuincy Jones – arr, cond Phil Woods, Joe Lopes\u003cbr\u003e– as Jerome Richardson, Eric Dixon – fl, ts\u003cbr\u003ePat Patrick – bs, Jimmy Nottingham, Jimmy\u003cbr\u003eMaxwell, John Bello, Joe Newman – tp\u003cbr\u003eJulius Watkins – frh Curtis Fuller, Melba Liston,\u003cbr\u003eBritt Woodman, Paul Faulise – tb\u003cbr\u003eLes Spann – flute, g Patricia “Patti” Bown – p Art\u003cbr\u003eDavis – b Stu Martin – dr\u003cbr\u003eRecorded live at The Newport Jazz Festival,\u003cbr\u003eNewport, Rhode Island, on July 3, 1961\u003cbr\u003eTotal Time 72‘26\u003cbr\u003e\u003cbr\u003eCD 7\u003cbr data-mce-fragment=\"1\"\u003e■ Eddie Barclay Et Son Grand Orchestre – Et Voila!\u003cbr data-mce-fragment=\"1\"\u003e1. Et Voila! (Eddie Barclay, Michel Legrand) 3.01\u003cbr data-mce-fragment=\"1\"\u003e2. Quand Je Monte Chez Toi (Henri Salvador) 3.01\u003cbr data-mce-fragment=\"1\"\u003e3. Place Blanche (Henri Salvador) 2.33\u003cbr data-mce-fragment=\"1\"\u003e4. Ne M'Laissez Pas Comme Ca (C.Kalman, Charpin)\u003cbr data-mce-fragment=\"1\"\u003e3.00\u003cbr data-mce-fragment=\"1\"\u003e5. Sermonette (Cannonball \u0026amp; Nat Adderley) 2.49\u003cbr data-mce-fragment=\"1\"\u003e6. Numéro 13 (Eddie Barclay, Londreau) 2.41\u003cbr data-mce-fragment=\"1\"\u003e7. Tout Doucement (J.Mercadier) 2.30\u003cbr data-mce-fragment=\"1\"\u003e8. Avec Ces Yeux-La (Charles Aznavour, Eddie\u003cbr data-mce-fragment=\"1\"\u003eBarclay) 3.13\u003cbr data-mce-fragment=\"1\"\u003e9. Tu Joues Avec Le Feu (B.Michel, Eddie Barclay)\u003cbr data-mce-fragment=\"1\"\u003e2.57\u003cbr data-mce-fragment=\"1\"\u003e10. Quelque Chose on Toi (Eddie Barclay, R. Le\u003cbr data-mce-fragment=\"1\"\u003eSenechal) 3.05\u003cbr data-mce-fragment=\"1\"\u003e11. Un P'tit Bout De Femme = Manhattan (B. Michel,\u003cbr data-mce-fragment=\"1\"\u003eRichard Rodgers, Lorenz Hart) 2.21\u003cbr data-mce-fragment=\"1\"\u003e12. Pas Moi (F. Charpin, Londreau, M. Pon) 3.09\u003cbr data-mce-fragment=\"1\"\u003e13. Craven (Eddie Barclay) 2.37\u003cbr data-mce-fragment=\"1\"\u003e14. Quincy Boogie (Quincy Jones) 3.51\u003cbr data-mce-fragment=\"1\"\u003eQuincy Jones – arr Fernand Verstraete, Fred Gérard,\u003cbr data-mce-fragment=\"1\"\u003eHenry Banecke, Maurice Thomas,\u003cbr data-mce-fragment=\"1\"\u003eRoger Guérin Jo Hrasko – tp Mickey Nicolas – as Don\u003cbr data-mce-fragment=\"1\"\u003eByas, Lucky Thompson, Marcel Hrasko,\u003cbr data-mce-fragment=\"1\"\u003ePierre Gossez – ts André Paquinet, Benny Vasseur,\u003cbr data-mce-fragment=\"1\"\u003eCharle Huss – tb William Boucaya – bs\u003cbr data-mce-fragment=\"1\"\u003eGabriel Vilain – btb Raymond Guiot – fl Jean-Michel\u003cbr data-mce-fragment=\"1\"\u003eHauser – vib Stéphane Grappelli – vl\u003cbr data-mce-fragment=\"1\"\u003eArt Simmons – p Pierre Cavalli – g Jean Bouchéty – b\u003cbr data-mce-fragment=\"1\"\u003eKenny Clarke – dr\u003cbr data-mce-fragment=\"1\"\u003eRecorded in Paris, France, June 24, 1957 and October\u003cbr data-mce-fragment=\"1\"\u003e18, 1957\u003cbr data-mce-fragment=\"1\"\u003e■ Eddie Barclay Et Son Grand Orchestre – Confetti\u003cbr data-mce-fragment=\"1\"\u003e15. For the First Time (Come Prima) (Taccani, Ram, Di\u003cbr data-mce-fragment=\"1\"\u003ePaola) 1.57\u003cbr data-mce-fragment=\"1\"\u003e16. Moonlight Serenade (Glenn Miller, Mitchell Parish)\u003cbr data-mce-fragment=\"1\"\u003e2.46\u003cbr data-mce-fragment=\"1\"\u003e17. Dans Mon Ile (Henri Salvador) 2.31\u003cbr data-mce-fragment=\"1\"\u003e18. Adios (Eddie Woods, Enric Madriguer) 2.52\u003cbr data-mce-fragment=\"1\"\u003e19. Coeur D'Artichaut (Rousand, Barclay, Jones) 3.05\u003cbr data-mce-fragment=\"1\"\u003e20. Mon P'Tit Pote (Quincy Jones) 2.30\u003cbr data-mce-fragment=\"1\"\u003e21. Twilight Time (Artie Dunn, Buck Ram, Morty Nevins,\u003cbr data-mce-fragment=\"1\"\u003eAl Nevins) 2.54\u003cbr data-mce-fragment=\"1\"\u003e22. Smoke Rings (H. Eugene Gifford, Ned Washington)\u003cbr data-mce-fragment=\"1\"\u003e2.07\u003cbr data-mce-fragment=\"1\"\u003e23. I'll Keep Coming Back for More = Fragile Eyes\u003cbr data-mce-fragment=\"1\"\u003e(Samuel, Barclay, Jones) 2.21\u003cbr data-mce-fragment=\"1\"\u003e24. Sous Le Vieux Pont Des Soupirs (J. Broussolle, M.\u003cbr data-mce-fragment=\"1\"\u003eMonnet) 2.49\u003cbr data-mce-fragment=\"1\"\u003e25. Valse Des Lilas (Barclay, E. Marnay, M. Legrand)\u003cbr data-mce-fragment=\"1\"\u003e2.37\u003cbr data-mce-fragment=\"1\"\u003e26. Je Voudrais (André Salvet, B. Cozuatrix) 3.07\u003cbr data-mce-fragment=\"1\"\u003eEddie Barclay and his orchestra, arrangements by\u003cbr data-mce-fragment=\"1\"\u003eQuincy Jones\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Studios Barclay-Hoche Enregistrements in\u003cbr data-mce-fragment=\"1\"\u003e1960\u003cbr data-mce-fragment=\"1\"\u003eTotal Time 73‘00\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCD 8\u003cbr data-mce-fragment=\"1\"\u003e■ Peggy Lee – Blues Cross Country\u003cbr data-mce-fragment=\"1\"\u003e1. Kansas City (Jerry Leiber, Mike Stoller) 2.30\u003cbr data-mce-fragment=\"1\"\u003e2. Basin Street Blues (Spencer Williams) 3.05\u003cbr data-mce-fragment=\"1\"\u003e3. Los Angeles Blues (Peggy Lee, Quincy Jones) 2.39\u003cbr data-mce-fragment=\"1\"\u003e4. I Lost My Sugar in Salt Lake City (Johnny Lange, Leon Rene) 2.54\u003cbr data-mce-fragment=\"1\"\u003e5. The Grain Belt Blues (Peggy Lee, Schluger, Raskin) 1.53\u003cbr data-mce-fragment=\"1\"\u003e6. New York City Blues (Peggy Lee, Quincy Jones) 3.22\u003cbr data-mce-fragment=\"1\"\u003e7. Goin' to Chicago Blues (Count Basie, Jimmy Rushing) 2.38\u003cbr data-mce-fragment=\"1\"\u003e8. San Francisco Blues (Peggy Lee, Schluger, Raskin) 2.38\u003cbr data-mce-fragment=\"1\"\u003e9. Fisherman's Wharf (Milton Raskin, Peggy Lee) 3.12\u003cbr data-mce-fragment=\"1\"\u003e10. Boston Beans (Peggy Lee, Schluger, Raskin) 2.06\u003cbr data-mce-fragment=\"1\"\u003e11. The Train Blues (Peggy Lee, Quincy Jones) 2.42\u003cbr data-mce-fragment=\"1\"\u003e12. St. Louis Blues (W. C. Handy) 2.16\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Capitol Studios, Hollywood, CA, in 1962\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e■ Peggy Lee – If You Go\u003cbr data-mce-fragment=\"1\"\u003e13. As Time Goes By (Herman Hupfeld) 2.54\u003cbr data-mce-fragment=\"1\"\u003e14. If You Go (Geoffrey Parsons, Michel Emer) 2.43\u003cbr data-mce-fragment=\"1\"\u003e15. Oh Love Hast Thou Forsaken Me (William Bowers) 2.38\u003cbr data-mce-fragment=\"1\"\u003e16. Say It Isn't So (Irving Berlin) 2.58\u003cbr data-mce-fragment=\"1\"\u003e17. I Wish I Didn't Love You So (Frank Loesser) 2.50\u003cbr data-mce-fragment=\"1\"\u003e18. Maybe It's Because (I Love You Too Much) (Irving Berlin) 2.03\u003cbr data-mce-fragment=\"1\"\u003e19. I'm Gonna Laugh You out of My Life (Cy Coleman, Joseph Allen McCarthy) 2.50\u003cbr data-mce-fragment=\"1\"\u003e20. I Get Along without You Very Well (Hoagy Carmichael) 2.51\u003cbr data-mce-fragment=\"1\"\u003e21. (I Love Your) Gypsy Heart (Harry Sukman, Peggy Lee) 2.31\u003cbr data-mce-fragment=\"1\"\u003e22. When I Was a Child (Floyd Huddleston, Mark McIntyre) 3.17\u003cbr data-mce-fragment=\"1\"\u003e23. Here's That Rainy Day (James Van Heusen-Johnny Burke) 2.51\u003cbr data-mce-fragment=\"1\"\u003e24. Smile (Charlie Chaplin, Parsons, Tuner) 2.22\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003ePeggy Lee – voc\u003c\/p\u003e\n\u003cp\u003eQuincy Jones – arr, cond\u003cbr data-mce-fragment=\"1\"\u003eOrchestras include a.o. Jack Sheldon, Pete Candoli – tp\u003c\/p\u003e\n\u003cp\u003eFrank Rosolino – tb\u003c\/p\u003e\n\u003cp\u003eBenny Carter, Buddy Collette, Plas Johnson, Bill Perkins – sax\u003c\/p\u003e\n\u003cp\u003eJimmy Rowles – p\u003c\/p\u003e\n\u003cp\u003eDennis Budimir – g\u003c\/p\u003e\n\u003cp\u003eShelly Manne, Stan Levey – dr\u003cbr data-mce-fragment=\"1\"\u003eRecorded at Capitol Studios, Hollywood, CA, on June 22, 24 and 27 in 1961\u003cbr data-mce-fragment=\"1\"\u003eTotal Time 64'52\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCD 9\u003cbr\u003e■ Dinah Washington With Quincy Jones And His Orchestra – The Swingin' Miss \"D\"\u003cbr\u003e1. They Didn't Believe Me (Herbert Reynolds, Jerome Kern) 2.44\u003cbr\u003e2. You're Crying (Quincy Jones) 3.29\u003cbr\u003e3. Makin' Whoopee (Gus Kahn, Walter Donaldson) 2.25\u003cbr\u003e4. Every Time We Say Goodbye (Cole Porter) 2.26\u003cbr\u003e5. But Not for Me (George \u0026amp; Ira Gershwin) 2.24\u003cbr\u003e6. Caravan (Duke Ellington, Irving Mills, Juan Tizol) 2.36\u003cbr\u003e7. Perdido (Erwin Drake, H. J. Lengsfelder, Juan Tizol) 3.22\u003cbr\u003e8. Never Let Me Go (Jay Livingston, Ray Evans) 2.41\u003cbr\u003e9. Is You Is Or Is You Ain't My Baby (Billy Austin, Louis Jordan) 2.53\u003cbr\u003e10. I'll Close My Eyes (Billy Reid) 3.55\u003cbr\u003e11. Somebody Loves Me (Ballard McDonald, Buddy de Sylva, George Gershwin) 2.31\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDinah Washington – voc Quincy Jones – cond, arr\u003c\/p\u003e\n\u003cp\u003eDon Elliott – tp, mell, vib, xyl, bongos\u003cbr\u003eJimmy Maxwell, Doc Severinsen, Charlie Shavers, Clark Terry, Bernie Glow, Nick Travis,\u003cbr\u003eErnie Royal, Joe Wilder – tp\u003c\/p\u003e\n\u003cp\u003eJimmy Cleveland, Urbie Green, Quentin Jackson – tb\u003c\/p\u003e\n\u003cp\u003eTommy Mitchell – btb\u003c\/p\u003e\n\u003cp\u003eHal McKusick – fl, as\u003c\/p\u003e\n\u003cp\u003eAnthony Ortega – as, cl\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJerome Richardson, Lucky Thompson – ts, cl\u003c\/p\u003e\n\u003cp\u003eDanny Bank – bcl, bs\u003c\/p\u003e\n\u003cp\u003eClarence \"Sleepy\" Anderson – p, cel\u003c\/p\u003e\n\u003cp\u003eBarry Galbraith – g\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMilt Hinton – b\u003c\/p\u003e\n\u003cp\u003eOsie Johnson, Jimmy Crawford – dr\u003c\/p\u003e\n\u003cp\u003eArrangements by Quincy Jones, Ernie Wilkins and Benny Golson\u003c\/p\u003e\n\u003cp\u003eRecorded in New York City, December 4 to 6, 1956\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ Dinah Washington – I Wanna Be Loved\u003cbr\u003e12. I Wanna Be Loved (Edward Heyman, Fred Rose, Johnny\u003cbr\u003eGreen) 2.47\u003cbr\u003e13. Don't Explain (Arthur Herzog, Jr., Billie Holiday) 2.34\u003cbr\u003e14. Everybody's Somebody's Fool (Ace Adams, Lionel Hampton)\u003cbr\u003e2.33\u003cbr\u003e15. Invitation (Bronislaw Kaper, Paul Francis Webster) 3.06\u003cbr\u003e16. You're Crying (Leonard Feather, Quincy Jones) 3.31\u003cbr\u003e17. Let's Fall in Love (Harold Arlen, Ted Koehler) 2.10\u003cbr\u003e18. When Your Lover Has Gone (Einar Aaron Swan) 2.13\u003cbr\u003e19. A Stranger in Town (Mel Tormé) 2.20\u003cbr\u003e20. God Bless The Child (Arthur Herzog, Jr., Billie Holiday) 2.48\u003cbr\u003e21. Blue Gardenia (Bob Russell, Lester Lee) 3.22\u003cbr\u003e22. I Can't Face The Music (Without Singin' The Blues) (Rube\u003cbr\u003eBloom, Ted Koehler) 3.26\u003cbr\u003e23. Sometimes I'm Happy (Clifford Grey, Irving Caesar, Vincent\u003cbr\u003eYoumans) 2.07\u003cbr\u003eThe Quincy Jones Orchestra Arranged by Billy Byers, Ernie Wilkins, Hal Mooney,\u003cbr\u003eQuincy Jones; Recorded in New York City in 1962\u003cbr\u003eTotal Time 64‘29\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003e■ Joe Harris, Ake Persson, Benny Bailey – Quincy – Here we Come\u003cbr\u003e1. The Golden Touch (Quincy Jones, Oscar Pettiford) 3.04\u003cbr\u003e2. Jones Beach 4.54\u003cbr\u003e3. The Midnight Sun Will Never Set (D. Cochran, Henri Salvador, Quincy Jones) 4.57\u003cbr\u003e4. I'm Gone 5.17\u003cbr\u003e5. Meet Benny Bailey 2.50\u003cbr\u003e6. Count' em (Jimmy Cleveland, Quincy Jones) 7.33\u003cbr\u003e7. Fallen Feathers 3.36\u003cbr\u003e8. Plenty Plenty Soul (Milt Jackson, Quincy Jones) 3.35\u003cbr\u003eThe Quincetet:\u003c\/p\u003e\n\u003cp\u003eBenny Bailey, Joe Harris – tp\u003c\/p\u003e\n\u003cp\u003eAke Persson – tb\u003c\/p\u003e\n\u003cp\u003eArne Domnerus – as\u003cbr\u003eBjarne Nerem – ts\u003c\/p\u003e\n\u003cp\u003eLennart Johnsson – bs\u003c\/p\u003e\n\u003cp\u003eGunnar Svensson, Gösta Theselius – p\u003cbr\u003eGunnar Johnson – b\u003c\/p\u003e\n\u003cp\u003eJoe Harris – dr\u003cbr\u003eRecorded at Millessalen Recording Studios, Stockholm, Sweden, by members of the original Quincy Jones Orchestra on October 8, 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e■ Harry Arnold – Guest Book\u003cbr\u003e9. On the Sunny Side of the Street (McHugh, Fields) 3.55\u003cbr\u003e10. I Remember You (Johnny Mercer, Schertzinger) 3.25\u003cbr\u003e11. Pennies from Heaven (Johnston, Burke) 4.21\u003cbr\u003e12. Frosty Summer 4.19\u003cbr\u003e13. The Young Man Who Wouldn't Hoe Corn (Trad., arr.\u003cbr\u003eBy Quincy Jones) 4.41\u003cbr\u003e14. Sister Sadie 4.26\u003cbr\u003e15. On Easy Street (Anisfield, Weiss) 3.02\u003cbr\u003e16. That Old Black Magic (Johnny Mercer, Harold Arlen)\u003cbr\u003e4.06\u003cbr\u003e17. Image 3.35\u003cbr\u003e18. Tea for Two (Caesar, Youmans) 3.17\u003cbr\u003eAll compositions by Quincy Jones, except where otherwise noted\u003cbr\u003eHarry Arnold \u0026amp; His Swedish Radio Studio Orchestra with Nat Adderley, cornet\u003c\/p\u003e\n\u003cp\u003eBenny Bailey – tp\u003cbr\u003eLucky Thompson – ss\u003c\/p\u003e\n\u003cp\u003eArne Domnérus – as\u003c\/p\u003e\n\u003cp\u003eColeman Hawkins – ts\u003c\/p\u003e\n\u003cp\u003eÅke Persson – tb\u003c\/p\u003e\n\u003cp\u003eTootsThielemans – g, harm\u003c\/p\u003e\n\u003cp\u003eGeorge Riedel – b;\u003c\/p\u003e\n\u003cp\u003eRecorded in Stockholm, Sweden, between 1960 and 1961\u003cbr\u003eTotal Time 75‘14\u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":42048065896698,"sku":"4053796005946","price":31.63,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/619j2FzhOML._SL1210.jpg?v=1636764357","url":"https:\/\/classicselectworld.com\/de-de\/products\/quincy-jones-milestones-of-a-legend-10-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}