{"product_id":"ravel-the-complete-works-21-cds","title":"RAVEL: THE COMPLETE WORKS (21 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMaurice Ravel’s music reflects the cultural and creative ferment of his times, as the heady sensuality of the Belle Époque made way for neo-classicism, the Jazz Age and modernism. Strikingly diverse in mood and scale, his works assert his distinctive identity, expressed through craftsmanship of the utmost finesse and beauty: deeply sensitive and balancing sincerity, irony and a touch of provocation. An essential collection of landmark performances, this 21-CD box of Ravel’s complete works brings together major interpreters of the present day and preceding generations. There are even contributions from the composer himself, as conductor, pianist (on piano rolls) and artistic supervisor.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn enigmatic man whose reputation is no mystery, Maurice Ravel (1875-1937):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the greatest French composers and a leading composer of the 20th century\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe distinctiveness and scope of Ravel’s musical personality is exemplified by two of his most popular works: the exquisite Pavane pour une infante défunte (composed for piano in 1899 and subsequently orchestrated) and the hypnotically repetitive orchestral Bolero (1928). They could hardly be more different, yet each in its way is characteristic of the composer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe son of a Swiss father and Basque mother, Ravel grew up in Paris and studied at the Paris Conservatoire, where his teachers included Gabriel Fauré. Among other composers who influenced him were Chabrier, Satie and Debussy. In the early 1900s he attempted five times to win the prestigious Prix de Rome for composers, but he failed each time, perhaps due to unorthodox elements in his music. By 1905, when he made his last attempt, he had already built a reputation as a composer and his rejection by the judges caused a public furore.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe First World War, during which Ravel served as an ambulance driver and suffered the death of his mother, proved a turning point in his life and work. His final decade was marred by neurological disease, but he continued to compose masterpieces and to enjoy considerable success and celebrity, both in France and internationally. Famously, even George Gershwin asked him for composition lessons.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeyond Bolero: There is so much to discover in Ravel’s music\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs meticulous as he was brilliant, Ravel was not a prolific composer, but his output was diverse: works for solo piano (a number of which he also orchestrated); ballet music (including Daphnis et Chloé with its spectacular ‘Sunrise’) and a variety of other orchestral scores; two piano concertos; chamber music; songs (with piano and with orchestra); two operas, and (early in his career) cantatas and choral works. His orchestration of Mussorgsky’s piano suite Pictures at an Exhibition has become the best-known version of the work. Hispanic and ‘exotic’ cultures hold a significant place in his output.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavel’s music matches craftsmanship, structure and finesse with often striking sensual beauty, and it frequently balances sincerity with irony and wit with sentiment. His ear for instrumental colour was phenomenal and his orchestration often breathtaking.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavel’s 40-year career coincided with a period of exceptionally rich cultural activity and evolution. This is reflected in his music, which develops from late-Romanticism and so-called ‘impressionism’ to incorporate aspects of neo-classicism, jazz and Machine Age modernism. Bolero has been credited with looking forward to the minimalism of the late 20th century.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Complete Works: A colourful panorama of landmark interpretations\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing on Warner Classics’ unrivalled catalogue, Ravel: The Complete Works features superlative interpretations by an array of outstanding musicians, including a number of today’s leading Erato and Warner Classics artists. The recordings in the collection span nearly a century of history.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavel’s quintessentially French musical character is reflected in the interpretations selected for the set, making it even more distinctive in the marketplace. The impressive list of performers includes a substantial number of French artists from several generations, while the artists from other countries are notable for their sensitivity to French style.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the CD and LP era the artists include: Martha Argerich, Bertrand Chamayou, Samson François, Anne Queffélec, Beatrice Rana, Alexandre Tharaud, Renaud Capuçon, Christian Ferras, Vadim Repin, Gautier Capuçon, Quatuor Ébène, Jessye Norman, Janet Baker, Sabine Devieilhe, José van Dam, Sir John Barbirolli, André Cluytens, Mikko Franck, Carlo Maria Giulini, Armin Jordan, Emmanuel Krivine, Lorin Maazel, Jean Martinon, Charles Munch, Yannick Nézet-Séguin, Riccardo Muti, Michel Plasson, Sir Simon Rattle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eHistorical bonus\u003c\/strong\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFour of the 21 CDs exemplify the authentic spirit of Ravel and his times. Ravel himself appears as pianist (on piano rolls) and conductor and also personally supervised a number of the recordings. The performers include: Robert Casadesus, Alfred Cortot, Henriette Faure, Jacques Février, Marguerite Long, Marcelle Meyer, Arthur Rubinstein, Zino Francescatti, Quatuor Calvet, Jane Bathori, Fanny Heldy, Marcelle Gerar, Madeleine Grey, Pierre Bernac, Charles Panzéra, Martial Singher, Piero Coppola, Pedro de Freitas-Branco, Pierre Monteux, Charles Munch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA luxury boxset in the same vein as the Debussy and the Berlioz ‘Complete Works’ boxes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe covers will carry paintings by the French artist Albert Marquet (1875-1947), a ‘Fauvist’ friend of Matisse. The individual spirit and vivid colours of Marquet’s paintings mirror Ravel’s music\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis box is an essential collector’s item\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRavel’s complete works in interpretations of acknowledged excellence and authority which capture the distinctively French spirit (‘esprit français’) of the composer’s art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBooklet essay by Roger Nichols\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe British musicologist, an expert on French music whose biography of Ravel (Ravel, Yale University Press, 2011) rates as one of the best books written on the composer\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"c-tracklist__initial-works\"\u003e\n\u003cdiv id=\"work_1\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Sérénade grotesque\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_2\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Menuet antique\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_3\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: La parade\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eAlexandre Tharaud (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_4\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Pavane pour une infante défunte\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_5\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Jeux d'eau\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_6\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Sonatine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eAnne Queffélec (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_7\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Menuet in C sharp minor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_8\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Miroirs, 5 pieces for piano\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eAnne Queffélec\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_9\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Gaspard de la Nuit\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eSamson François (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_10\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Daphnis et Chloé\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eClaire-Marie Le Guay (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-expander c-expander--tracklist is-fullwidth\"\u003e\n\u003cdiv class=\"c-expander__contents c-tracklist__remaining-works\" id=\"expander__contents--works\"\u003e\n\u003cdiv id=\"work_11\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Menuet sur le nom de Haydn\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_12\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Valses nobles et sentimentales\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_13\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: A la manière de Borodine\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_14\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: A la manière de Chabrier\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_15\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Prélude\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_16\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Le Tombeau de Couperin\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBertrand Chamayou\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_17\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: La Valse\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBeatrice Rana (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_18\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Shéhérazade - Ouverture de féerie\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eIngryd Thorson, Julian Thurber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_19\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Ma Mère l'Oye\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eMartha Argerich (piano), Alexander Mogilevsky (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_20\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Fanfare from 'L'Eventail de Jeanne'\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eIngryd Thorson, Julian Thurber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_21\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eDebussy: Prélude à l'après-midi d'un faune\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Pierre Armengaud, Olivier Chauzu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_22\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Entre cloches\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Philippe Collard (piano), Michel Béroff (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_23\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Introduction \u0026amp; Allegro for 2 pianos\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eGiorgia Tomassi (piano), Alessandro Stella (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_24\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Rapsodie Espagnole (for 2 pianos)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Philippe Collard (piano), Michel Béroff (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_25\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: La Valse (for 2 pianos)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eMartha Argerich (piano), Alexandre Rabinovitch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_26\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Boléro\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eDag Achatz (piano), Yukie Nagai (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_27\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Frontispice for poème du Vardar\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Philippe Collard (piano), Michel Béroff (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_28\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eDebussy: Trois Nocturnes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eDag Achatz (piano), Yukie Nagai (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_29\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Sonata movement for Violin \u0026amp; Piano\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eRenaud Capuçon (violin), Frank Braley\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_30\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: String Quartet in F major\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eQuatuor Ebène (string quartet)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_31\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Introduction \u0026amp; Allegro for Harp, Flute, Clarinet and String Quartet\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eAnnie Challan (harp)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_32\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Piano Trio in A minor\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eRenaud Capuçon, Gautier Capuçon (cello), Frank Braley (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_33\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Sonata for Violin \u0026amp; Cello\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eRenaud Capuçon, Gautier Capuçon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_34\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Tzigane\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eChristian Ferras (violin), Pierre Barbizet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_35\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Berceuse sur le nom de Fauré\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJacques Rouvier (piano)\u003c\/li\u003e\n\u003cli\u003eJean-Jacques Kantorow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_36\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Violin Sonata in G major\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eRenaud Capuçon (violin), Frank Braley (piano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_37\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Menuet antique\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris\u003c\/li\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_38\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Shéhérazade - Ouverture de féerie\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris\u003c\/li\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_39\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Pavane pour une infante défunte\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003ePhilharmonia Orchestra\u003c\/li\u003e\n\u003cli\u003eCarlo Maria Giulini\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_40\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Une barque sur l'océan (orchestral version)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003ePhiladelphia Orchestra\u003c\/li\u003e\n\u003cli\u003eRiccardo Muti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_41\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Alborada del gracioso (orchestral version)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003ePhiladelphia Orchestra\u003c\/li\u003e\n\u003cli\u003eRiccardo Muti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_42\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Rapsodie Espagnole\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003ePhiladelphia Orchestra\u003c\/li\u003e\n\u003cli\u003eRiccardo Muti\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_43\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Daphnis et Chloé\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eParis Conservatoire Orchestra\u003c\/li\u003e\n\u003cli\u003eAndré Cluytens\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_44\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Valses nobles et sentimentales\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eRotterdam Philharmonic Orchestra\u003c\/li\u003e\n\u003cli\u003eYannick Nézet-Séguin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_45\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Ma Mère l'Oye\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eCity of Birmingham Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Simon Rattle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_46\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Le tombeau de Couperin - Orchestral version\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris\u003c\/li\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_47\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: La Valse\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris\u003c\/li\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_48\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Tzigane\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eVadim Repin (violin)\u003c\/li\u003e\n\u003cli\u003eOrchestre de Paris\u003c\/li\u003e\n\u003cli\u003eKent Nagano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_49\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Fanfare from 'L'Eventail de Jeanne'\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eCity of Birmingham Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eSir Simon Rattle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_50\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Boléro\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris\u003c\/li\u003e\n\u003cli\u003eCharles Munch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_51\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Piano Concerto in D major (for the left hand)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eSamson François (piano)\u003c\/li\u003e\n\u003cli\u003eParis Conservatoire Orchestra\u003c\/li\u003e\n\u003cli\u003eAndré Cluytens\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_52\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Piano Concerto in G major\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eMartha Argerich (piano)\u003c\/li\u003e\n\u003cli\u003eOrchestra della Svizzera Italiana\u003c\/li\u003e\n\u003cli\u003eAlexander Vedernikov\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_53\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eSchumann: Excerpts from Carnaval\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre National de Lyon\u003c\/li\u003e\n\u003cli\u003eEmmanuel Krivine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_54\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eChabrier: Menuet Pompeux (No. 9 from Pièces pittoresques)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre du Capitole de Toulouse\u003c\/li\u003e\n\u003cli\u003eMichel Plasson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_55\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eMussorgsky: Pictures at an Exhibition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003ePhilharmonia Orchestra\u003c\/li\u003e\n\u003cli\u003eLorin Maazel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_56\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eDebussy: Pour le piano: Sarabande\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eBasler Sinfonie Orchester\u003c\/li\u003e\n\u003cli\u003eArmin Jordan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_57\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eDebussy: Danse - Tarantelle styrienne\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre National de la Radiodiffusion Française\u003c\/li\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_58\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Ballade de la reine morte d'aimer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eMady Mesplé (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_59\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Un grand sommeil noir\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJosé van Dam (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_60\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Sainte\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Christophe Benoit (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_61\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Chanson du rouet\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJessye Norman (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_62\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Si morne!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJessye Norman (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_63\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Deux épigrammes de Clément Marot\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Christophe Benoit (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_64\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Manteau de fleurs\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eElly Ameling (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_65\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Shéhérazade\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eDame Janet Baker (mezzo-soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_66\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Cinq mélodies populaires grecques\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eElly Ameling (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_67\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Cinq mélodies populaires grecques\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eVictoria de los Angeles (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_68\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Noël des jouets\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eElly Ameling\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_69\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Les grands vents venus d'outre-mer\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJosé van Dam (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_70\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Histoires naturelles (5)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eGabriel Bacquier (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_71\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Vocalise-étude en forme de habanera\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eMarianne Crebassa (mezzo-soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_72\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Sur l'Herbe\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Christophe Benoit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_73\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Chanson écossaise\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eDame Felicity Lott (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_74\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Tripatos\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eMady Mesplé (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_75\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Chants Populaires\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eVictoria de los Angeles (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_76\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Trois poemes de Stephane Mallarmé\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eDame Felicity Lott (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_77\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Deux mélodies hébraïques\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJosé van Dam (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_78\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Deux mélodies hébraïques\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eGérard Souzay (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_79\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Trois chansons, M69\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eValérie Millot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_80\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Ronsard à son âme\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eValérie Millot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_81\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Ronsard à son âme\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eValérie Millot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_82\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Trois chansons madécasses\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJessye Norman (soprano)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_83\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Rêves\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean-Christophe Benoit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_84\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Don Quichotte à Dulcinée\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJosé van Dam (baritone)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_85\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Don Quichotte à Dulcinée\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJosé van Dam\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_86\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Les Bayaderes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre du Capitole de Toulouse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_87\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Tout est lumiere\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_88\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Myrrha\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_89\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Alcyone\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eJean Martinon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_90\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: La nuit\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris-Sorbonne, Jacques Grimbert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_91\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Matinee de Provence\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris-Sorbonne, Jacques Grimbert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_92\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: L'Aurore\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre de Paris-Sorbonne, Jacques Grimbert\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_93\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Alyssa\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre du Capitole de Toulouse\u003c\/li\u003e\n\u003cli\u003eMichel Plasson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_94\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: Trois chansons, M69\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eEnsemble vocal Philippe Caillard, Philippe Caillard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_95\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: L'heure Espagnole\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eNouvel Orchestre Philharmonique\u003c\/li\u003e\n\u003cli\u003eArmin Jordan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"work_96\" class=\"c-tracklist__work js-work\"\u003e\n\u003cdiv class=\"c-track c-track--work\"\u003e\n\u003cdiv class=\"c-track__all-format-info\"\u003e\n\u003cdiv class=\"c-track__title-sample\"\u003e\n\u003cp class=\"c-track__title\"\u003eRavel: L'enfant et les sortilèges\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-track__details js-work-details\"\u003e\n\u003cul class=\"o-list\"\u003e\n\u003cli\u003eOrchestre Philharmonique de Radio France\u003c\/li\u003e\n\u003cli\u003eMikko Franck\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_4b3088c9-df3c-47ba-bf41-5b7e5d1a8144_480x480.png?v=1597936873\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003e1 Sérénade Grotesque, M. 5\u003cbr\u003e2 Menuet Antique, M. 7\u003cbr\u003e3 La Parade, M. 11\u003cbr\u003e4 Pavane Pour Une Infante Défunte, M. 19\u003cbr\u003e5 Jeux D'eau, M. 30\u003cbr\u003e6 Sonatine, M. 40: I. Modéré\u003cbr\u003e7 Sonatine, M. 40: II. Mouvement de Menuet\u003cbr\u003e8 Sonatine, M. 40: III. Animé\u003cbr\u003e9 Menuet in C-Sharp minor, M. 42\u003cbr\u003e10 Miroirs, M. 43: I. Noctuelles\u003cbr\u003e11 Miroirs, M. 43: II. Oiseaux Tristes\u003cbr\u003e12 Miroirs, M. 43: III. Une Barque Sur L'océan\u003cbr\u003e13 Miroirs, M. 43: IV. Alborada Del Gracioso\u003cbr\u003e14 Miroirs, M. 43: V. La Vallée Des Cloches\u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr\u003e15 Gaspard de la Nuit, M. 55: I. Ondine\u003cbr\u003e16 Gaspard de la Nuit, M. 55: II. Le Gibet\u003cbr\u003e17 Gaspard de la Nuit, M. 55: III. Scarbo\u003cbr\u003e18 Daphnis Et Chloé, M. 57: I. Part 1\u003cbr\u003e19 Daphnis Et Chloé, M. 57: II. Part 2\u003cbr\u003e20 Daphnis Et Chloé, M. 57: III. Part 3\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003e21 Menuet Sur Le Nom de Haydn, M. 58\u003cbr\u003e22 Valses Nobles Et Sentimentales, M. 61: I. Modéré\u003cbr\u003e23 Valses Nobles Et Sentimentales, M. 61: II. Assez Lent\u003cbr\u003e24 Valses Nobles Et Sentimentales, M. 61: III. Modéré\u003cbr\u003e25 Valses Nobles Et Sentimentales, M. 61: IV. Assez Animé\u003cbr\u003e26 Valses Nobles Et Sentimentales, M. 61: V. Presque Lent\u003cbr\u003e27 Valses Nobles Et Sentimentales, M. 61: VI. Vif\u003cbr\u003e28 Valses Nobles Et Sentimentales, M. 61: VII. Moins Vif\u003cbr\u003e29 Valses Nobles Et Sentimentales, M. 61: VIII. Epilogue. Lent\u003cbr\u003e30 A la Manière de... Borodine, M. 63\u003cbr\u003e31 A la Manière de... Chabrier, M. 63\u003cbr\u003e32 Prelude in a Minor, M. 65\u003cbr\u003e33 Le Tombeau de Couperin, M. 68: I. Prélude\u003cbr\u003e34 Le Tombeau de Couperin, M. 68: II. Fugue\u003cbr\u003e35 Le Tombeau de Couperin, M. 68: III. Forlane\u003cbr\u003e36 Le Tombeau de Couperin, M. 68: IV. Rigaudon\u003cbr\u003e37 Le Tombeau de Couperin, M. 68: V. Menuet\u003cbr\u003e38 Le Tombeau de Couperin, M. 68: VI. Toccata\u003cbr\u003e39 La Valse, M. 72\u003c\/p\u003e\n\u003cp\u003eCD 4\u003cbr\u003e40 Shéhérazade, Ouverture de Féerie, M. 17 (Piano 4-Hands Version)\u003cbr\u003e41 Ma Mère L'oye, M. 60: I. Pavane de la Belle Au Bois Dormant (Piano 4-Hands Version) [Live]\u003cbr\u003e42 Ma Mère L'oye, M. 60: II. Petit Poucet (Piano 4-Hands Version) [Live]\u003cbr\u003e43 Ma Mère L'oye, M. 60: III. Laideronnette, Impératrice Des Pagodes (Piano 4-Hands Version) [Live]\u003cbr\u003e44 Ma Mère L'oye, M. 60: IV. Les Entretiens de la Belle Et de la Bête (Piano 4-Hands Version) [Live]\u003cbr\u003e45 Ma Mère L'oye, M. 60: V. Le Jardin Féerique (Piano 4-Hands Version) [Live]\u003cbr\u003e46 Fanfare Pour \"L'éventail de Jeanne\", M. 80 (Piano 4-Hands Version)\u003cbr\u003e47 Prélude À L'après-Midi D'un Faune, L. 87C (Transc. Ravel for Piano 4 Hands)\u003cbr\u003e48 Entre Cloches\u003cbr\u003e49 Introduction \u0026amp; Allegro for 2 Pianos\u003cbr\u003e50 Prélude À la Nuit\u003cbr\u003e51 Malagueña\u003cbr\u003e52 Habañéra\u003cbr\u003e53 Fería\u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003e54 la Valse, M. 72 (Version for 2 Pianos)\u003cbr\u003e55 Boléro, M. 81 (Transcr. Ravel for 2 Pianos, 4 Hands)\u003cbr\u003e56 Frontispice, for 2 Pianos and One Hand (1918) (1989 Remastered Version)\u003cbr\u003e57 Nocturnes, L. 91B: I. Nuages (Transc. Ravel for 2 Pianos)\u003cbr\u003e58 Nocturnes, L. 91B: II. Fêtes (Transc. Ravel for 2 Pianos)\u003c\/p\u003e\n\u003cp\u003eCD 6\u003cbr\u003e59 Violin Sonata No. 1 in a Minor, M. 12\u003cbr\u003e60 String Quartet, M. 35: I. Allegro Moderato - TRÈS Doux String Quartet, M. 35: II. Assez Vif - TRÈS Rythmé\u003cbr\u003e61 String Quartet, M. 35: III. TRÈS Lent\u003cbr\u003e62 String Quartet, M. 35: IV. Vif Et Agité\u003cbr\u003e63 Introduction Et Allegro Pour Harpe, Avec Accompagnement de Quatuor À Cordes, Flûte Et Clarinette\u003cbr\u003e64 Piano Trio in a Minor, M. 67: I. Modéré\u003cbr\u003e65 Piano Trio in a Minor, M. 67: II. Pantoum (Assez Vif)\u003cbr\u003e66 Piano Trio in a Minor, M. 67: III. Passacaille (TRÉS Large)\u003cbr\u003e67 Piano Trio in a Minor, M. 67: IV. Final (Animé)\u003c\/p\u003e\n\u003cp\u003eCD 7\u003cbr\u003e68 Sonata for Violin \u0026amp; Cello, M. 73: I. Allegro\u003cbr\u003e69 Sonata for Violin \u0026amp; Cello, M. 73: II. TRÈS Vif\u003cbr\u003e70 Sonata for Violin \u0026amp; Cello, M. 73: III. Lent\u003cbr\u003e71 Sonata for Violin \u0026amp; Cello, M. 73: IV. Vif, Avec Entrain\u003cbr\u003e72 Tzigane, M. 76\u003cbr\u003e73 Ravel : Berceuse Sur Le Nom de Gabriel Fauré\u003cbr\u003e74 Violin Sonata No. 2 in G Major, M. 77: I. Allegretto\u003cbr\u003e75 Sonata for Violin and Piano: II. Blues \/ Moderato\u003cbr\u003e76 Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum Mobile (Allegro)\u003c\/p\u003e\n\u003cp\u003eCD 8 \u003cbr\u003e77 Menuet Antique, M. 7\u003cbr\u003e78 Shéhérazade, Ouverture de Féerie, M.17\u003cbr\u003e79 Pavane Pour Une Infante Défunte, M. 19\u003cbr\u003e80 Miroirs, M. 43: III. Une Barque Sur L'océan\u003cbr\u003e81 Alborada Del Gracioso, M. 43 No. 4\u003cbr\u003e82 Rapsodie Espagnole, M. 54: I. Prélude À la Nuit\u003cbr\u003e83 Rapsodie Espagnole, M. 54: II. Malagueña\u003cbr\u003e84 Rapsodie Espagnole, M. 54: III. Habanera\u003cbr\u003e85 Rapsodie Espagnole, M. 54: IV. Feria\u003c\/p\u003e\n\u003cp\u003eCD 9 \u003cbr\u003e86 Daphnis Et Chloé, M. 57, Pt. 1: Introduction\u003cbr\u003e87 Daphnis Et Chloé, M. 57, Pt. 1: Danse Religieuse\u003cbr\u003e88 Daphnis Et Chloé, M. 57, Pt. 1: Scène 1\u003cbr\u003e89 Daphnis Et Chloé, M. 57, Pt. 1: Danse Générale\u003cbr\u003e90 Daphnis Et Chloé, M. 57, Pt. 1: Scène 2\u003cbr\u003e91 Daphnis Et Chloé, M. 57, Pt. 1: Danse Grotesque de Dorcon\u003cbr\u003e92 Daphnis Et Chloé, M. 57, Pt. 1: Danse Légère Et Gracieuse de Daphnis\u003cbr\u003e93 Daphnis Et Chloé, M. 57, Pt. 1: Scène - Danse de Lyceion - Arrivée Des Pirates\u003cbr\u003e94 Daphnis Et Chloé, M. 57, Pt. 1: Scène (Nocturne)\u003cbr\u003e95 Daphnis Et Chloé, M. 57, Pt. 1: Danse Lente Et Mystérieuse\u003cbr\u003e96 Daphnis Et Chloé, M. 57, Pt. 2: Interlude\u003cbr\u003e97 Daphnis Et Chloé, M. 57, Pt. 2: Introduction\u003cbr\u003e98 Daphnis Et Chloé, M. 57, Pt. 2: Danse Guerrière Et Scène\u003cbr\u003e99 Daphnis Et Chloé, M. 57, Pt. 2: Danse Suppliante de Chloé\u003cbr\u003e100 Daphnis Et Chloé, M. 57, Pt. 3: Introduction\u003cbr\u003e101 Daphnis Et Chloé, M. 57, Pt. 3: Lever Du Jour\u003cbr\u003e102 Daphnis Et Chloé, M. 57, Pt. 3: Pantomime\u003cbr\u003e103 Daphnis Et Chloé, M. 57, Pt. 3: Danse Générale\u003cbr\u003e104 Valses Nobles Et Sentimentales, M. 61: No. 1 Modère\u003cbr\u003e105 Valses Nobles Et Sentimentales, M. 61: No. 2 Assez Lent\u003cbr\u003e106 Valses Nobles Et Sentimentales, M. 61: No. 3 Moderé\u003cbr\u003e107 Valses Nobles Et Sentimentales, M. 61: No. 4 Anime\u003cbr\u003e108 Valses Nobles Et Sentimentales, M. 61: No. 5 Presque Lent\u003cbr\u003e109 Valses Nobles Et Sentimentales, M. 61: No. 6 Assez Vif\u003cbr\u003e110 Valses Nobles Et Sentimentales, M. 61: No. 7 Moins Vif\u003cbr\u003e111 Valses Nobles Et Sentimentales, M. 61: No. 8 Épilogue (Lent)\u003c\/p\u003e\n\u003cp\u003eCD 10\u003cbr\u003e112 Ma Mère L'oye, M. 62: I. Prélude\u003cbr\u003e113 Ma Mère L'oye, M. 62: II. Danse Du Rouet Et Scène\u003cbr\u003e114 Ma Mère L'oye, M. 62: III. Pavane de la Belle Au Bois Dormant\u003cbr\u003e115 Ma Mère L'oye, M. 62: IV. Interlude - Les Entretiens de la Belle Et la Bête\u003cbr\u003e116 Ma Mère L'oye, M. 62: V. Interlude - Petit Poucet\u003cbr\u003e117 Ma Mère L'oye, M. 62: VI. Interlude - Laideronette, Impératrice Des Pagodes\u003cbr\u003e118 Ma Mère L'oye, M. 62: VII. Interlude - Apothéose - Le Jardin Féerique\u003cbr\u003e119 Le Tombeau de Couperin, M. 68A: I. Prélude\u003cbr\u003e120 Le Tombeau de Couperin, M. 68A: II. Forlane\u003cbr\u003e121 Le Tombeau de Couperin, M. 68A: III. Menuet\u003cbr\u003e122 Le Tombeau de Couperin, M. 68A: IV. Rigaudon\u003cbr\u003e123 La Valse, M. 72\u003cbr\u003e124 Tzigane, M. 76\u003cbr\u003e125 Fanfare Pour \"L'éventail de Jeanne\", M. 80\u003c\/p\u003e\n\u003cp\u003eCD 11\u003cbr\u003e126 Boléro, M. 81\u003cbr\u003e127 Piano Concerto for the Left Hand in D Major, M. 82\u003cbr\u003e128 Piano Concerto in G Major, M. 83: I. Allegramente (Live)\u003cbr\u003e129 Piano Concerto in G Major, M. 83: II. Adagio Assai (Live)\u003cbr\u003e130 Piano Concerto in G Major, M. 83: III. Presto (Live)\u003c\/p\u003e\n\u003cp\u003eCD 12\u003cbr\u003e131 Carnaval, Op. 9, M. a 21: I. Préambule (Orch. Ravel)\u003cbr\u003e132 Carnaval, Op. 9, M. a 21: XVI. Valse Allemande (Orch. Ravel)\u003cbr\u003e133 Carnaval, Op. 9, M. a 21: XVII. Intermezzo. Paganini (Orch. Ravel)\u003cbr\u003e134 Carnaval, Op. 9, M. a 21: XX. Marche Des \"Davidsbündler\" Contre Les Philistins (Orch. Ravel)\u003cbr\u003e135 Orchestre Du Capitole de Toulouse - Menuet Pompeux (Extr. Des Pièces Pittoresques) (Orch. Ravel)\u003cbr\u003e136 Promenade\u003cbr\u003e137 The Gnome\u003cbr\u003e138 Promenade\u003cbr\u003e139 The Old Castle\u003cbr\u003e140 Promenade\u003cbr\u003e141 Tuileries\u003cbr\u003e142 Bydlo\u003cbr\u003e143 Promenade\u003cbr\u003e144 Pictures at An Exhibition (Orch. Ravel): Ballet of the Unhatched Chicks\u003cbr\u003e145 Two Old Jews\u003cbr\u003e146 Pictures at An Exhibition (Orch. Ravel): The Market Place at Limoges\u003cbr\u003e147 Pictures at An Exhibition (Orch. Ravel): Catacombae\u003cbr\u003e148 Pictures at An Exhibition (Orch. Ravel): Cum Mortuis in Lingua Mortua\u003cbr\u003e149 Pictures at An Exhibition (Orch. Ravel): The Hut on Fowls' Legs (Baba Yaga)\u003cbr\u003e150 Pictures at An Exhibition (Orch. Ravel): The Great Gate of Kiev\u003cbr\u003e151 Pour Le Piano, L. 95B: II. Sarabande (Orch. Ravel)\u003cbr\u003e152 Tarentelle Styrienne, L. 77B (Orch. Ravel)\u003c\/p\u003e\n\u003cp\u003eCD 13\u003cbr\u003e153 Ballade de la Reine Morte D'aimer (Roland de Marès)\u003cbr\u003e154 Un Grand Sommeil Noir\u003cbr\u003e155 Jean Christophe Benoit - Sainte (Stphane Mallarm) (Remasteris en 2009)\u003cbr\u003e156 Chanson Du Rouet, M. 15\u003cbr\u003e157 Si Morne!, M. 16\u003cbr\u003e158 Epigrammes de Clément Marot, M. 21 \u0026amp; M. 10: II. D'anne Jouant de L'espinette\u003cbr\u003e159 Epigrammes de Clément Marot, M. 21 \u0026amp; M. 10: I. D'anne Qui Me Jecta de la Neige\u003cbr\u003e160 Manteau de Fleurs\u003cbr\u003e161 Shéhérazade, M. 41: No. 1, Asie\u003cbr\u003e162 Shéhérazade, M. 41: No. 2, la Flute Enchantée. \"L'ombre Est Douce\"\u003cbr\u003e163 Shéhérazade, M. 41: No. 3, L'indifférent. \"Tes Yeux Sont Doux\"\u003cbr\u003e164 5 Mélodies Populaires Grecques : Le Réveil de la Mariée\u003cbr\u003e165 5 Mélodies Populaires Grecques : La-Bas, Vers L Église\u003cbr\u003e166 5 Mélodies Populaires Grecques : Quel Galant M Est Comparable ?\u003cbr\u003e167 5 Mélodies Populaires Grecques : Chanson Des Cueilleuses de Lentisques\u003cbr\u003e168 5 Mélodies Populaires Grecques : Tout Gai !\u003cbr\u003e169 Cinq Mélodies Populaires Grecques (2005 Remastered Version): Le Réveil de la Mariée\u003cbr\u003e170 Cinq Mélodies Populaires Grecques (2005 Remastered Version): Là-Bas, Vers L'église\u003cbr\u003e171 Cinq Mélodies Populaires Grecques (2005 Remastered Version): Quel Galant M'est Comparable\u003cbr\u003e172 Cinq Mélodies Populaires Grecques (2005 Remastered Version): Chanson Des Cueilleuses\u003cbr\u003e173 Cinq Mélodies Populaires Grecques (2005 Remastered Version): Tout Gai!\u003cbr\u003e174 Noël Des Jouets\u003cbr\u003e175 Les Grands Vents Venus D'outre-Mer\u003cbr\u003e176 Histoires Naturelles : I Le Paon\u003cbr\u003e177 Histoires Naturelles : II Le Grillon\u003cbr\u003e178 Histoires Naturelles : Le Cygnet\u003cbr\u003e179 Histoires Naturelles : Le Martin-Pêcheur\u003cbr\u003e180 Histoires Naturelles : La Pintade\u003c\/p\u003e\n\u003cp\u003eCD 14\u003cbr\u003e181 Vocalise-Étude en Forme de Habanera, M. 51\u003cbr\u003e182 Jean Christophe Benoit - Sur L'herbe, M. 53\u003cbr\u003e183 Chanson Ecossaise (Chants Populaires, N°5)\u003cbr\u003e184 Tripatos, Chant Populaire Grec\u003cbr\u003e185 Chants Populaires, M. A17: Chanson Espagnole\u003cbr\u003e186 Chants Populaires, M. A17: Chanson Française\u003cbr\u003e187 Chants Populaires, M. A17: Chanson Italienne\u003cbr\u003e188 Chants Populaires, M. A17: Chanson Hébraïque\u003cbr\u003e189 Trois Poèmes de Stéphane Mallarmé, Pour Chant, Piano, Quatuor À Cordes, 2 Flûtes \u0026amp; 2 Clarinettes : I Soupir\u003cbr\u003e190 Trois Poèmes de Stéphane Mallarmé, Pour Chant, Piano, Quatuor À Cordes, 2 Flûtes \u0026amp; 2 Clarinettes : II Placet Futile\u003cbr\u003e191 Trois Poèmes de Stéphane Mallarmé, Pour Chant, Piano, Quatuor À Cordes, 2 Flûtes \u0026amp; 2 Clarinettes : III Surgi de la Croupe Et Du Bond\u003cbr\u003e192 2 Mélodies Hébraïques : I Kaddish\u003cbr\u003e193 2 Mélodies Hébraïques : II L'énigme Éternelle\u003cbr\u003e194 Deux Mélodies Hébraïques : No.1 Kaddisch (En Hébreu)\u003cbr\u003e195 Deux Mélodies Hébraïques : No.2 L'énigme Éternelle (En Yiddish)\u003cbr\u003e196 3 Chansons, M. 69: No. 1, Nicolette (Version for Solo Voice and Piano)\u003cbr\u003e197 3 Chansons, M. 69: No. 2, 3 Beaux Oiseaux Du Paradis (Version for Solo Voice and Piano)\u003cbr\u003e198 3 Chansons, M. 69: No. 3, Ronde (Version for Solo Voice and Piano)\u003cbr\u003e199 Ronsard Son Me (Pierre de Ronsard) (Remasteris en 2009)\u003cbr\u003e200 Ronsard À Son Âme (Pierre de Ronsard)\u003cbr\u003e201 Chansons Madécasses, M. 78: I. \"Nahandove\"\u003cbr\u003e202 Chansons Madécasses, M. 78: II. \"Aoua!\"\u003cbr\u003e203 Chansons Madécasses, M. 78: III. \"Il Est Doux de Se Coucher\"\u003cbr\u003e204 Rves (Lon-Paul Fargue) (Remasteris en 2009)\u003cbr\u003e205 Don Quichotte À Dulcinée, M. 84: I. Chanson Romanesque\u003cbr\u003e206 Don Quichotte À Dulcinée, M. 84: II. Chanson Épique\u003cbr\u003e207 Don Quichotte À Dulcinée, M. 84: III. Chanson À Boire\u003c\/p\u003e\n\u003cp\u003eCD 15\u003cbr\u003e208 Don Quichotte À Dulcinée : I Chanson Romanesque\u003cbr\u003e209 Don Quichotte À Dulcinée : II Chanson Épique\u003cbr\u003e210 Don Quichotte À Dulcinée : III Chanson À Boire\u003cbr\u003e211 Les Bayadères, M. 25\u003cbr\u003e212 Tout Est Lumière, M. 28\u003cbr\u003e213 Myrrha, M. 29: Prélude\u003cbr\u003e214 Myrrha, M. 29: \"Me Voici Seul Enfin!\"\u003cbr\u003e215 Myrrha, M. 29: \"Ainsi Qu'un Signal Qui Dans Le Ciel Passe\"\u003cbr\u003e216 Myrrha, M. 29: \"Que Tu Peux Retrouver de Nouveaux Soldats\"\u003cbr\u003e217 Myrrha, M. 29: \"Tu Ne Passeras Pas, Ô Roi\"\u003cbr\u003e218 Myrrha, M. 29: \"Arrière Donc!\"\u003cbr\u003e219 Alcyone, M. 34: Prélude\u003cbr\u003e220 Alcyone, M. 34: \"A L'horizon, Les Blanches Vjoiles Ont Disparu\"\u003cbr\u003e221 Alcyone, M. 34: Description Symphonique\u003cbr\u003e222 Alcyone, M. 34: \"Ah! Dieux Puissants \"\u003cbr\u003e223 Alcyone, M. 34: \"Mon Aimé! Mon Aimé!\"\u003cbr\u003e224 Alcyone, M. 34: \"Ma Fille, Mon Enfant!\"\u003cbr\u003e225 La Nuit, M. 33\u003cbr\u003e226 Matinée de Provence, M. 37\u003cbr\u003e227 L'aurore, M. 45\u003c\/p\u003e\n\u003cp\u003eCD 16\u003cbr\u003e228 Alyssa, M. 38: Prélude\u003cbr\u003e229 Alyssa, M. 38: \"Elfes Légers, Elfes Errants\"\u003cbr\u003e230 Alyssa, M. 38: \"Là-Bas, Tout Là-Bas\"\u003cbr\u003e231 Alyssa, M. 38: \"On Dirait Un Bruit Lointain D'armure\"\u003cbr\u003e232 Alyssa, M. 38: \"Le Barde, Porte-Glaive\"\u003cbr\u003e233 Alyssa, M. 38: \"Puisqu'en Vain Pour Eux, Je Supplie\"\u003cbr\u003e234 3 Chansons, M. 69: No. 1, Nicolette\u003cbr\u003e235 3 Chansons, M. 69: No. 2, 3 Beaux Oiseaux Du Paradis\u003cbr\u003e236 3 Chansons, M. 69: No. 3, la Ronde\u003cbr\u003e237 L'heure Espagnole, M. 52: Introduction\u003cbr\u003e238 Ravel: L'heure Espagnole, M. 52: \"Señor Torquemada, Horloger de Tolède\" (Ramiro, Torquemada)\u003cbr\u003e239 L'heure Espagnole, M. 52: \"Totor !\" (Concepción, Torquemada, Ramiro)\u003cbr\u003e240 L'heure Espagnole, M. 52: \"Il Reste, Voilà Bien Ma Chance !\" (Concepción, Ramiro)\u003cbr\u003e241 L'heure Espagnole, M. 52: \"Il Était Temps, Voici Gonzalve !\" (Concepción, Gonzalve)\u003cbr\u003e242 L'heure Espagnole, M. 52: \"C'est Fait, L'horloge Est À Sa Place\" (Ramiro, Concepción, Gonzalve)\u003cbr\u003e243 L'heure Espagnole, M. 52: \"Maintenant, Pas de Temps À Perdre\" (Concepción, Gonzalve)\u003cbr\u003e244 L'heure Espagnole, M. 52: \"Salut À la Belle Horlogère !\" (Inigo, Concepción)\u003cbr\u003e245 L'heure Espagnole, M. 52: \"Voilà ! Et Maintenant À L'autre !\" (Ramiro, Concepción, Inigo)\u003cbr\u003e246 L'heure Espagnole, M. 52: \"Évidemment, Elle Me Congédie\" (Inigo)\u003cbr\u003e247 L'heure Espagnole, M. 52: \"Voilà Ce Que J'appelle Une Femme Charmante\" (Ramiro)\u003cbr\u003e248 L'heure Espagnole, M. 52: \"Monsieur, Ah ! Monsieur !\" (Concepción, Ramiro)\u003cbr\u003e249 L'heure Espagnole, M. 52: \"Enfin, Il Part !\" (Inigo, Concepción)\u003cbr\u003e250 L'heure Espagnole, M. 52: \"Voilà L'objet\" (Ramiro, Concepción, Inigo)\u003cbr\u003e251 L'heure Espagnole, M. 52: \"Ah ! Vous, N'est-Ce Pas, Preste !\" (Concepción, Gonzalve)\u003cbr\u003e252 L'heure Espagnole, M. 52: \"En Dépit de Cette Inhumaine\" (Gonzalve)\u003cbr\u003e253 L'heure Espagnole, M. 52: \"Voilà Ce Que J'appelle Une Femme Charmante\u003cbr\u003e254 L'heure Espagnole, M. 52: \"Oh, la Pitoyable Aventure !\" (Concepción)\u003cbr\u003e255 L'heure Espagnole, M. 52: \"Voilà ! Et Maintenant, Señora, Je Suis PRÊT\" (Ramiro, Concepción)\u003cbr\u003e256 L'heure Espagnole, M. 52: \"Mon Œil Anxieux Interroge\" (Inigo, Gonzalve)\u003cbr\u003e257 L'heure Espagnole, M. 52: \"Il N'est, Pour L'horloger, de Joie Égale À Celle\" (Torquemada, Inigo, Gonzalve)\u003cbr\u003e258 L'heure Espagnole, M. 52: \"Pardieu, Déménageur\" (Inigo, Torquemada, Ramiro, Concepción, Gonzalve)\u003c\/p\u003e\n\u003cp\u003eCD 17\u003cbr\u003e259 L'enfant Et Les Sortilèges, M. 71, Part 1: \"J'ai Pas Envie de Faire Ma Page\" (L'enfant)\u003cbr\u003e260 L'enfant Et Les Sortilèges, M. 71, Part 1: \"BÉBÉ a ÉTÉ Sage? \" (Maman)\u003cbr\u003e261 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Ça M'est Égal!\" (L'enfant)\u003cbr\u003e262 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Votre Serviteur Humble, Bergère\" (La Bergère, Le Fauteuil, Choeur)\u003cbr\u003e263 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Ding, Ding, Ding, Ding\" (L'horloge Comtoise, L'enfant)\u003cbr\u003e264 L'enfant Et Les Sortilèges, M. 71, Part 1: \"How's Your Mug?\" (La Théière, la Tasse Chinoise)\u003cbr\u003e265 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Keng-Ça-Fou, Mah-Jong\" (La Théière, la Tasse Chinoise)\u003cbr\u003e266 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Oh! Ma Belle Tasse Chinoise!\" (L'enfant)\u003cbr\u003e267 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Arrière ! Je Réchauffe Les Bons\" (Le Feu)\u003cbr\u003e268 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Adieu, Pastourelles!\" (Choeur)\u003cbr\u003e269 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Ah! C'est Elle! C'est Elle!\" (L'enfant, la Princesse)\u003cbr\u003e270 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Toi, Le Coeur de la Rose\" (L'enfant)\u003cbr\u003e271 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Deux Robinets Coulent Dans Un Réservoir!\" (Le Petit Vieillard, L'enfant, Choeur)\u003cbr\u003e272 L'enfant Et Les Sortilèges, M. 71, Part 1: \"Oh! Ma Tête!\" (L'enfant)\u003cbr\u003e273 L'enfant Et Les Sortilèges, M. 71, Pt. 1: \"Duo Miaulé\" (Les Chats)\u003cbr\u003e274 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Musique D'insectes, de Rainettes\" (Choeur)\u003cbr\u003e275 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Ah! Quelle Joie de Te Retrouver, Jardin!\" (L'enfant, L'arbre)\u003cbr\u003e276 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Où Es-Tu, Je Te Cherche...\" (La Libellule, L'enfant)\u003cbr\u003e277 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Ronde Des Chauves-Souris... Rends-La Moi... TSK, TSK... \" (La Chauve-Souris, L'enfant)\u003cbr\u003e278 L'enfant Et Les Sortilèges, M. 71, Part 2: Danse Des Rainettes\u003cbr\u003e279 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Sauve-Toi, Sotte! Et la Cage? la Cage?\" (L'écureuil, la Rainette)\u003cbr\u003e280 L'enfant Et Les Sortilèges, M. 71, Part 2: \"La Cage, C'était Pour Mieux Voir Ta Prestesse\" (L'enfant)\u003cbr\u003e281 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Ah ! C'est L'enfant Au Couteau!\" (Choeur)\u003cbr\u003e282 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Il a Pansé la Plaie...\" (Choeur)\u003cbr\u003e283 L'enfant Et Les Sortilèges, M. 71, Part 2: \"Il Est Bon, L'enfant, Il Est Sage\" (Choeur, L'enfant)\u003cbr\u003e284 Introduction and Allegro for Harp, Flute, Clarinet and String Quartet, M. 46\u003cbr\u003e285 Chansons Madécasses, M. 78: I. Nahandove\u003cbr\u003e286 Chansons Madécasses, M. 78: II. Aoua !\u003cbr\u003e287 Chansons Madécasses, M. 78: III. Il Est Doux de Se Coucher\u003cbr\u003e288 Boléro, M. 81\u003c\/p\u003e\n\u003cp\u003eCD 18\u003cbr\u003e289 Valses Nobles Et Sentimentales, M. 61: I. Modéré\u003cbr\u003e290 Valses Nobles Et Sentimentales, M. 61: II. Assez Lent\u003cbr\u003e291 Valses Nobles Et Sentimentales, M. 61: III. Modéré\u003cbr\u003e292 Valses Nobles Et Sentimentales, M. 61: IV. Assez Animé\u003cbr\u003e293 Valses Nobles Et Sentimentales, M. 61: V. Presque Lent\u003cbr\u003e294 Valses Nobles Et Sentimentales, M. 61: VI. Vif\u003cbr\u003e295 Valses Nobles Et Sentimentales, M. 61: VII. Moins Vif\u003cbr\u003e296 Valses Nobles Et Sentimentales, M. 61: VIII. Épilogue. Lent\u003cbr\u003e297 Sonatine, M. 40: I. Modéré\u003cbr\u003e298 Sonatine, M. 40: II. Mouvement de Menuet\u003cbr\u003e299 Miroirs, M. 43: II. Oiseaux Tristes\u003cbr\u003e300 Pavane Pour Une Infante Défunte, M. 19\u003cbr\u003e301 Le Tombeau de Couperin, M. 68: VI. Toccata\u003cbr\u003e302 Gaspard de la Nuit, M. 55: II. Le Gibet\u003cbr\u003e303 Miroirs, M. 43: VI. La Vallée Des Cloches\u003cbr\u003e304 Piano Concerto in G Major, M. 83: I. Allegramente\u003cbr\u003e305 Piano Concerto in G Major, M. 83: II. Adagio Assai\u003cbr\u003e306 Piano Concerto in G Major, M. 83: III. Presto\u003cbr\u003e307 Ravel: Pavane Pour Une Infante Défunte, M. 19 (Orchestral Version)\u003c\/p\u003e\n\u003cp\u003eCD 19\u003cbr\u003e308 Ravel: Pavane Pour Une Infante Défunte, M. 19 (Orchestral Version)\u003cbr\u003e309 Don Quichotte À Dulcinée, M. 84: I. Chanson Romanesque\u003cbr\u003e310 Don Quichotte À Dulcinée, M. 84: II. Chanson Épique\u003cbr\u003e311 Don Quichotte À Dulcinée, M. 84: III. Chanson À Boire\u003cbr\u003e312 Ronsard À Son Âme, M. 75 (Orchestral Version)\u003c\/p\u003e\n\u003cp\u003e313 Jeux D'eau, M. 30\u003cbr\u003e314 Sonatine, M. 40: I. Modéré\u003cbr\u003e315 Sonatine, M. 40: II. Mouvement de Menuet\u003cbr\u003e316 Sonatine, M. 40: III. Animé\u003cbr\u003e317 Le Tombeau de Couperin, M. 68\u003cbr\u003e318 Gaspard de la Nuit, M. 55: III. Scarbo\u003cbr\u003e319 Valses Nobles Et Sentimentales, M. 61: I. Modéré\u003cbr\u003e320 Valses Nobles Et Sentimentales, M. 61: II. Assez Lent\u003cbr\u003e321 Valses Nobles Et Sentimentales, M. 61: III. Modéré\u003cbr\u003e322 Valses Nobles Et Sentimentales, M. 61: IV. Assez Animé\u003cbr\u003e323 Valses Nobles Et Sentimentales, M. 61: V. Presque Lent\u003cbr\u003e324 Valses Nobles Et Sentimentales, M. 61: VI. Vif\u003cbr\u003e325 Valses Nobles Et Sentimentales, M. 61: VII. Moins Vif\u003cbr\u003e326 Valses Nobles Et Sentimentales, M. 61: VIII. Epilogue. Lent\u003cbr\u003e327 Miroirs, M. 43: I. Noctuelles\u003cbr\u003e328 Miroirs, M. 43: II. Oiseaux Tristes\u003cbr\u003e329 Miroirs, M. 43: III. Une Barque Sur L'océan\u003cbr\u003e330 Miroirs, M. 43: IV. Alborada Del Gracioso\u003cbr\u003e331 Miroirs, M. 43: VI. La Vallée Des Cloches\u003c\/p\u003e\n\u003cp\u003eCD 20\u003cbr\u003e332 Shéhérazade, M. 41: I. Asie\u003cbr\u003e333 Shéhérazade, M. 41: II. La Flûte Enchantée\u003cbr\u003e334 Shéhérazade, M. 41: III. L'indifférent\u003cbr\u003e335 Histoires Naturelles, M. 50: I. Le Paon\u003cbr\u003e336 Histoires Naturelles, M. 50: II. Le Grillon\u003cbr\u003e337 Histoires Naturelles, M. 50: IV. Le Martin-Pêcheur\u003cbr\u003e338 Sainte, M. 9\u003cbr\u003e339 Sur L'herbe\u003cbr\u003e340 Chants Populaires, M. A17: I. Chanson Espagnole\u003cbr\u003e341 Chants Populaires, M. A17: II. Chanson Française\u003cbr\u003e342 Chants Populaires, M. A17: IV. Chanson Hébraïque\u003cbr\u003e343 2 Mélodies Hébraïques, M. A22: I. Kaddish\u003cbr\u003e344 String Quartet in F Major, M. 35: I. Allegro Moderato - TRÈS Doux\u003cbr\u003e345 String Quartet in F Major, M. 35: II. Assez Vif - TRÈS Rythmé\u003cbr\u003e346 String Quartet in F Major, M. 35: III. TRÈS Lent\u003cbr\u003e347 String Quartet in F Major, M. 35: IV. Vif Et Agité\u003cbr\u003e348 Tzigane, M. 76\u003c\/p\u003e\n\u003cp\u003eCD 21\u003cbr\u003e349 L'heure Espagnole, M. 52: \"Oh, la Pitoyable Aventure !\"\u003cbr\u003e350 Piano Concerto for the Left Hand in D Major, M. 82\u003cbr\u003e351 Ma Mère L'oye, M. 60: I. Pavane de la Belle Au Bois Dormant\u003cbr\u003e352 Ma Mère L'oye, M. 60: II. Petit Poucet\u003cbr\u003e353 Ma Mère L'oye, M. 60: III. Laideronnette, Impératrice Des Pagodes\u003cbr\u003e354 Ma Mère L'oye, M. 60: IV. Les Entretiens de la Belle Et de la Bête\u003cbr\u003e355 Ma Mère L'oye, M. 60: V. Le Jardin Féérique\u003cbr\u003e356 Miroirs, M. 43 (Orchestral Version)\u003cbr\u003e357 Valses Nobles Et Sentimentales, M. 61: I. Modéré\u003cbr\u003e358 Valses Nobles Et Sentimentales, M. 61: II. Assez Lent, Avec Une Expression Intense\u003cbr\u003e359 Valses Nobles Et Sentimentales, M. 61: III. Modéré\u003cbr\u003e360 Valses Nobles Et Sentimentales, M. 61: IV. Assez Animé\u003cbr\u003e361 Valses Nobles Et Sentimentales, M. 61: V Presque Lent, Dans Un Sentiment Intime\u003cbr\u003e362 Valses Nobles Et Sentimentales, M. 61: VI. Vif\u003cbr\u003e363 Valses Nobles Et Sentimentales, M. 61: VII. Moins Vif\u003cbr\u003e364 Valses Nobles Et Sentimentales, M. 61: VIII. Epilogue. Lent\u003cbr\u003e365 La Valse, M. 72\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":32343324557399,"sku":"190295283261","price":39.37,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiODc5NzM3NS4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwianBlZyI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0IjoianBlZyJ9LCJ0aW1lc3RhbXA.jpg?v=1599917262","url":"https:\/\/classicselectworld.com\/de-de\/products\/ravel-the-complete-works-21-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}