{"product_id":"roger-norrington-the-complete-erato-recordings-45-cds","title":"ROGER NORRINGTON: The Complete Erato Recordings (45 CDs)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialaboutthisrecordingsept2022_3eec6546-b3ec-4b7d-9a0c-9988b9042724_480x480.png?v=1670535329\"\u003e\u003c\/p\u003e\n\u003cp\u003eInnovator, erudite, entertaining and acclaimed conductor Sir Roger Norrington founded the Schütz Choir, became founding music director of Kent Opera and established the London Classical Players, the period-instrument orchestra.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHis recordings of historically informed Beethoven's complete symphonies with the latter that opened his collaboration with EMI received unanimous critical acclaim. The success led to a busy and productive recording programme that covered music from Purcell and Handel to Wagner, Brahms and Bruckner, encompassing orchestral works, choral works and opera. A rich and varied collection of recordings released under EMI, Virgin and Warner Classics that illustrates the Guardian's observation: “arguably the most important British conductor of the last half century … a man who has emphatically changed classical music for the better.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSir Roger Norrington: The Complete Erato Recordings (45 CDs) brings together all the recordings that the British conductor Sir Roger Norrington (b. 1934) made for EMI Classics, Virgin and Warner Classics Classics over the years from 1986 and 2004.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese recordings marked out Norrington internationally as an important and pioneering presence in the field of historically informed performance, particularly in the music of Beethoven and composers of the Romantic era. He achieved prominence at a time when ‘authentic’ performance had been focused primarily on music of the Classical, Baroque and Renaissance eras, i.e. pre-Beethoven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNorrington’s impact was summed up in 1989 by the New York Times: “The English conductor Roger Norrington … has become about the hottest commodity in classical music ... the most talked-about star of the early-music movement, which is devoted to the historical re-creation of the sounds and styles of performance akin to those the composer heard in his own lifetime. He has achieved this prominence partly through the widely recognized excellence of his interpretations, but also by his eager enthusiasm in pushing forward the chronological limits of the movement into familiar 19th-century Romantic repertory. Mr. Norrington isn't playing ‘early music’ any more … but mainstream classical standards in a fresh and enlivening manner … No-one has been more admired in this repertory than Mr. Norrington, who has combined brisk tempos, dramatic accents, interpretive niceties and a lively responsiveness to period timbres into one vibrant package.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen, at the age of 87 in 2021, Norrington gave his last-ever concert, the Guardian described him as “arguably the most important British conductor of the last half century … a man who has emphatically changed classical music for the better.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSir Roger Norrington was born in 1934 in Oxford, where his father was an academic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe learned the violin and also sang as a boy chorister. While a student at Cambridge University he sang as a tenor and also started conducting. He went on to study conducting at the Royal College of Music, where his teachers included Sir Adrian Boult.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1962 he founded the Schütz Choir and in 1969 became founding music director of Kent Opera, an enterprising touring company with which the stage director Jonathan Miller was also closely associated. Its repertoire ranged from the Baroque to contemporary composers such as Tippett. Norrington remained with Kent Opera until 1984.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1978 Norrington established the London Classical Players, the period-instrument orchestra with which he made the vast majority of the recordings in this collection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn London in 1987 Norrington and the London Classical Players achieved a major impact with The Beethoven Experience, a lively three-day programme of concerts, lectures and exhibitions that culminated in performances of Beethoven’s Symphonies nos 8 and 9. Norrington’s aim was “to recapture something of the exhilaration and disturbance Beethoven’s music generated in his day.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile there was always scholarship behind Norrington’s performances, and he aroused much discussion with his observation of the composer’s metronome markings, he said: “I totally agree with those who have questioned the meaning of the word 'authenticity’ … Of course, what we do is not 'authentic'; I never use the word, myself. Passion is everything.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen EMI released Norrington’s first recording of Beethoven symphonies (nos 2 and 8) in 1987, Gramophone wrote: “With this exceptionally exciting new record, Roger Norrington joins … a small elite of musicians working with period instruments whose interpretations of Haydn, Mozart and Beethoven can stand comparison with the best we have had on record on modern instruments during the past 20 or 30 years … Norrington's way with Beethoven … is recognizably Toscaninian in some of its aspects … What really fascinates Norrington is rhythm and pulse and their determining agencies: eighteenth-century performing styles, instrumental articulacy (most notably, bowing methods), and Beethoven's own metronome markings … This is the most interesting and enjoyable new record of a Beethoven symphony I have heard for some considerable time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe success of Norrington’s recordings with the London Classical Players of the Beethoven symphonies led to a busy and productive recording programme that covered music from Purcell and Handel to Wagner, Brahms and Bruckner, encompassing orchestral works, choral works and opera.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNorrington’s revelatory interpretation of Berlioz’s Symphonie fantastique (released in 1989) attracted particular attention. Gramophone described it as “a performance of imaginative sweep and excitement, and a record by which future performance of the work will have to be measured.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComplementing the recordings with the London Classical Players are recordings made with: the Orchestra of St Luke's (a live recording of a star-studded Rossini Bicentenary Concert in New York, 1992), Camerata Salzburg (Mozart concertos with Daniel Hope and Sebastian Knauer), and the Orchestra of the Age of Enlightenment (a recital of Handel opera arias by countertenor David Daniels). In the course of his conducting career, Norrington held posts with all three of these orchestras and with the Stuttgart Radio Symphony Orchestra, Zurich Chamber Orchestra, Orchestre de chambre de Paris and Bournemouth Sinfonietta.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBuoyed by his success with the London Classical Players, Norrington was invited to conduct such orchestras as the Berliner Philharmoniker, Wiener Phihamoniker, Leipzig Gewandhaus, Philadelphia Orchestra and Philharmonia. Over his career he made appearances with opera companies including the Royal Opera (Covent Garden), English National Opera, La Scala (Milan), La Fenice (Venice) and Wiener Staatsoper.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/officialTRACKLISTINGWITHWORLD_9d96408d-adfc-4228-a53c-1546f2d18789_480x480.png?v=1670953817\"\u003e\u003c\/p\u003e\n\u003cp\u003e- Disc 1 -\u003cbr\u003e1 Water Music, Suite No. 1 in F Major, HWV 348: I. Overture\u003cbr\u003e2 Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio E Staccato\u003cbr\u003e3 Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro - Andante\u003cbr\u003e4 Water Music, Suite No. 1 in F Major, HWV 348: IV. Minuet\u003cbr\u003e5 Water Music, Suite No. 1 in F Major, HWV 348: V. Air\u003cbr\u003e6 Water Music, Suite No. 1 in F Major, HWV 348: VI. Minuet\u003cbr\u003e7 Water Music, Suite No. 1 in F Major, HWV 348: VII. Bourree\u003cbr\u003e8 Water Music, Suite No. 1 in F Major, HWV 348: VIII. Hornpipe\u003cbr\u003e9 Water Music, Suite No. 1 in F Major, HWV 348: IX. Allegro\u003cbr\u003e10 Water Music, Suite No. 2 in D Major, HWV 349: I. Allegro\u003cbr\u003e11 Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe\u003cbr\u003e12 Water Music, Suite No. 2 in D Major, HWV 349: III. Menuet\u003cbr\u003e13 Water Music, Suite No. 3 in G Major, HWV 350: IV. Rigaudons I \u0026amp; II\u003cbr\u003e14 Water Music, Suite No. 2 in D Major, HWV 349: IV. Lentement\u003cbr\u003e15 Water Music, Suite No. 2 in D Major, HWV 349: V. Bourree\u003cbr\u003e16 Water Music, Suite No. 3 in G Major, HWV 350: VII. Menuets II \u0026amp; III\u003cbr\u003e17 Water Music, Suite No. 3 in G Major, HWV 350: VIII. Gigues I \u0026amp; II\u003cbr\u003e18 Water Music, Suite No. 2 in D Major, HWV 349: III. Menuet\u003cbr\u003e19 Music for the Royal Fireworks, HWV 351: I. Overture\u003cbr\u003e20 Music for the Royal Fireworks, HWV 351: II. Bourree\u003cbr\u003e21 Music for the Royal Fireworks, HWV 351: III. La Paix\u003cbr\u003e22 Music for the Royal Fireworks, HWV 351: IV. La Rejouissance\u003cbr\u003e23 Music for the Royal Fireworks, HWV 351: V. Menuets I \u0026amp; II\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 2 -\u003cbr\u003e1 Symphony No. 99 in E-Flat Major, Hob. I:99: I. Adagio - Vivace Assai\u003cbr\u003e2 Symphony No. 99 in E-Flat Major, Hob. I:99: II. Adagio\u003cbr\u003e3 Symphony No. 99 in E-Flat Major, Hob. I:99: III. Menuetto. Allegretto\u003cbr\u003e4 Symphony No. 99 in E-Flat Major, Hob. I:99: IV. Finale. Vivace\u003cbr\u003e5 Symphony No. 100 in G Major, Hob. I:100 \"Military\": I. Adagio - Allegro\u003cbr\u003e6 Symphony No. 100 in G Major, Hob. I:100 \"Military\": II. Allegretto\u003cbr\u003e7 Symphony No. 100 in G Major, Hob. I:100 \"Military\": III. Menuetto. Moderato\u003cbr\u003e8 Symphony No. 100 in G Major, Hob. I:100 \"Military\": IV. Finale. Presto\u003cbr\u003e9 7 Magnificat-Antiphonen\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 3 -\u003cbr\u003e1 Symphony No. 101 in D Major, Hob. I:101 \"Clock\": I. Adagio - Presto\u003cbr\u003e2 Symphony No. 101 in D Major, Hob. I:101 \"Clock\": II. Andante\u003cbr\u003e3 Symphony No. 101 in D Major, Hob. I:101 \"Clock\": III. Menuetto - Trio\u003cbr\u003e4 Symphony No. 101 in D Major, Hob. I:101 \"Clock\": IV. Finale. Vivace\u003cbr\u003e5 Symphony No. 102 in B-Flat Major, Hob. I:102: I. Largo - Allegro Vivace\u003cbr\u003e6 Symphony No. 102 in B-Flat Major, Hob. I:102: II. Adagio\u003cbr\u003e7 Symphony No. 102 in B-Flat Major, Hob. I:102: III. Menuetto - Trio\u003cbr\u003e8 Symphony No. 102 in B-Flat Major, Hob. I:102: IV. Finale. Presto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 4 -\u003cbr\u003e1 Symphony No. 103 in E-Flat Major, Hob. I:103 \"Drumroll\": I. Adagio - Allegro Con Spirito\u003cbr\u003e2 Symphony No. 103 in E-Flat Major, Hob. I:103 \"Drumroll\": II. Andante Più Tosto Allegretto\u003cbr\u003e3 Symphony No. 103 in E-Flat Major, Hob. I:103 \"Drumroll\": III. Menuet - Trio\u003cbr\u003e4 Symphony No. 103 in E-Flat Major, Hob. I:103 \"Drumroll\": IV. Finale. Allegro Con Spirito\u003cbr\u003e5 Symphony No. 104 in D Major, Hob. I:104 \"London\": I. Adagio - Allegro\u003cbr\u003e6 Symphony No. 104 in D Major, Hob. I:104 \"London\": II. Andante\u003cbr\u003e7 Symphony No. 104 in D Major, Hob. I:104 \"London\": III. Menuetto - Trio\u003cbr\u003e8 Symphony No. 104 in D Major, Hob. I:104 \"London\": IV. Finale. Spiritoso\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 5 -\u003cbr\u003e1 Symphony No. 38 in D Major, K. 504 \"Prague\": I. Adagio - Allegro\u003cbr\u003e2 Symphony No. 38 in D Major, K. 504 \"Prague\": II. Andante\u003cbr\u003e3 Symphony No. 38 in D Major, K. 504 \"Prague\": III. Finale. Presto\u003cbr\u003e4 Symphony No. 40 in G minor, K. 550: I. Molto Allegro\u003cbr\u003e5 Symphony No. 40 in G minor, K. 550: II. Andante\u003cbr\u003e6 Symphony No. 40 in G minor, K. 550: III. Menuetto. Allegretto\u003cbr\u003e7 Symphony No. 40 in G minor, K. 550: IV. Allegro Assai\u003cbr\u003e- Disc 6 -\u003cbr\u003e1 Symphony No. 39 in E-Flat Major, K. 543: I. Adagio - Allegro\u003cbr\u003e2 Symphony No. 39 in E-Flat Major, K. 543: II. Andante Con Moto\u003cbr\u003e3 Symphony No. 39 in E-Flat Major, K. 543: III. Menuetto. Allegretto\u003cbr\u003e4 Symphony No. 39 in E-Flat Major, K. 543: IV. Finale. Allegro\u003cbr\u003e5 Symphony No. 41 in C Major, K. 551 \"Jupiter\": I. Allegro Vivace\u003cbr\u003e6 Symphony No. 41 in C Major, K. 551 \"Jupiter\": II. Andante Cantabile\u003cbr\u003e7 Symphony No. 41 in C Major, K. 551 \"Jupiter\": III. Menuetto. Allegretto\u003cbr\u003e8 Symphony No. 41 in C Major, K. 551 \"Jupiter\": IV. Molto Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 7 -\u003cbr\u003e1 Piano Concerto No. 16 in D Major, K. 451: I. Allegro Assai\u003cbr\u003e2 Piano Concerto No. 16 in D Major, K. 451: II. Andante\u003cbr\u003e3 Piano Concerto No. 16 in D Major, K. 451: III. Allegro Di Molto\u003cbr\u003e4 Violin Sonata No. 27 in G Major, K. 379: I. Adagio - Allegro\u003cbr\u003e5 Violin Sonata No. 27 in G Major, K. 379: II. (A) Tema. Andante Cantabile\u003cbr\u003e6 Violin Sonata No. 27 in G Major, K. 379: II. (B) Variation I\u003cbr\u003e7 Violin Sonata No. 27 in G Major, K. 379: II. (C) Variation II\u003cbr\u003e8 Violin Sonata No. 27 in G Major, K. 379: II. (D) Variation III\u003cbr\u003e9 Violin Sonata No. 27 in G Major, K. 379: II. (E) Variation IV\u003cbr\u003e10 Violin Sonata No. 27 in G Major, K. 379: II. (F) Variation V\u003cbr\u003e11 Violin Sonata No. 27 in G Major, K. 379: III. Allegretto\u003cbr\u003e12 Concerto for Piano and Violin in D Major, K. Anh. 56: I. Allegro (Compl. Wilby)\u003cbr\u003e13 Concerto for Piano and Violin in D Major, K. Anh. 56: II. Andante Cantabile (Compl. Wilby)\u003cbr\u003e14 Concerto for Piano and Violin in D Major, K. Anh. 56: III. Allegretto (Compl. Wilby)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 8 -\u003cbr\u003e1 Piano Concerto No. 23 in a Major, K. 488: I. Allegro\u003cbr\u003e2 Piano Concerto No. 23 in a Major, K. 488: II. Andante\u003cbr\u003e3 Piano Concerto No. 23 in a Major, K. 488: III. Allegro Assai\u003cbr\u003e4 Piano Concerto No. 20 in D minor, K. 466: I. Allegro\u003cbr\u003e5 Piano Concerto No. 20 in D minor, K. 466: II. Romance\u003cbr\u003e6 Piano Concerto No. 20 in D minor, K. 466: III. Allegro Assai\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 9 -\u003cbr\u003e1 Piano Concerto No. 24 in C minor, K. 491: I. Allegro\u003cbr\u003e2 Piano Concerto No. 24 in C minor, K. 491: II. Larghetto\u003cbr\u003e3 Piano Concerto No. 24 in C minor, K. 491: III. Allegretto\u003cbr\u003e4 Piano Concerto No. 25 in C Major, K. 503: I. Allegro Maestoso (Cadenza By Tan)\u003cbr\u003e5 Piano Concerto No. 25 in C Major, K. 503: II. Andante\u003cbr\u003e6 Piano Concerto No. 25 in C Major, K. 503: III. Allegretto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 10 -\u003cbr\u003e1 Maurerische Trauermusik, K. 477\u003cbr\u003e2 Requiem in D minor, K. 626: I. Introitus (Compl. Druce)\u003cbr\u003e3 Requiem in D minor, K. 626: II. Kyrie (Compl. Druce)\u003cbr\u003e4 Requiem in D minor, K. 626: III. Dies Irae (Compl. Druce)\u003cbr\u003e5 Requiem in D minor, K. 626: IV. Tuba Mirum (Compl. Druce)\u003cbr\u003e6 Requiem in D minor, K. 626: V. Rex Tremendae (Compl. Druce)\u003cbr\u003e7 Requiem in D minor, K. 626: VI. Recordare (Compl. Druce)\u003cbr\u003e8 Requiem in D minor, K. 626: VII. Confutatis (Compl. Druce)\u003cbr\u003e9 Requiem in D minor, K. 626: VIII. Lacrimosa (Compl. Druce)\u003cbr\u003e10 Requiem in D minor, K. 626: IX. Amen (Compl. Druce)\u003cbr\u003e11 Requiem in D minor, K. 626: X. Domine Jesu Christe (Compl. Druce)\u003cbr\u003e12 Requiem in D minor, K. 626: XI. Hostias (Compl. Druce)\u003cbr\u003e13 Requiem in D minor, K. 626: XII. Sanctus (Compl. Druce)\u003cbr\u003e14 Requiem in D minor, K. 626: XIII. Benedictus (Compl. Druce)\u003cbr\u003e15 Requiem in D minor, K. 626: XIV. Agnus Dei (Compl. Druce)\u003cbr\u003e16 Requiem in D minor, K. 626: XV. Communio (Compl. Druce)\u003cbr\u003e17 Ave Verum Corpus, K. 618\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 11 -\u003cbr\u003e1 Symphony No. 1 in C Major, Op. 21: I. Adagio Molto - Allegro Con Brio\u003cbr\u003e2 Symphony No. 1 in C Major, Op. 21: II. Andante Cantabile Con Moto\u003cbr\u003e3 Symphony No. 1 in C Major, Op. 21: III. Menuetto. Allegro Molto E Vivace\u003cbr\u003e4 Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro Molto E Vivace\u003cbr\u003e5 Symphony No. 6 in F Major, Op. 68 \"Pastoral\": I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo\u003cbr\u003e6 Symphony No. 6 in F Major, Op. 68 \"Pastoral\": II. Scene Am Bach. Andante Molto Moto\u003cbr\u003e7 Symphony No. 6 in F Major, Op. 68 \"Pastoral\": III. Lustiges Zusammensein Der Landleute. Allegro\u003cbr\u003e8 Symphony No. 6 in F Major, Op. 68 \"Pastoral\": IV. Gewitter. Sturm. Allegro\u003cbr\u003e9 Symphony No. 6 in F Major, Op. 68 \"Pastoral\": V. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 12 -\u003cbr\u003e1 Symphony No. 2 in D Major, Op. 36: I. Adagio - Allegro Con Brio\u003cbr\u003e2 Symphony No. 2 in D Major, Op. 36: II. Larghetto\u003cbr\u003e3 Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro\u003cbr\u003e4 Symphony No. 2 in D Major, Op. 36: IV. Allegro Molto\u003cbr\u003e5 Symphony No. 8 in F Major, Op. 93: I. Allegro Vivace E Con Brio\u003cbr\u003e6 Symphony No. 8 in F Major, Op. 93: II. Allegretto Scherzando\u003cbr\u003e7 Symphony No. 8 in F Major, Op. 93: III. Tempo Di Menuetto\u003cbr\u003e8 Symphony No. 8 in F Major, Op. 93: IV. Allegro Vivace\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 13 -\u003cbr\u003e1 The Creatures of Prometheus, Op. 43: Overture\u003cbr\u003e2 Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": I. Allegro Con Brio\u003cbr\u003e3 Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": II. Marcia Funebre. Adagio Assai\u003cbr\u003e4 Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": III. Scherzo. Allegro Vivace\u003cbr\u003e5 Symphony No. 3 in E-Flat Major, Op. 55 \"Eroica\": IV. Finale. Allegro Molto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 14 -\u003cbr\u003e1 Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro Vivace\u003cbr\u003e2 Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio\u003cbr\u003e3 Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro Vivace\u003cbr\u003e4 Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro Ma Non Troppo\u003cbr\u003e5 Symphony No. 5 in C minor, Op. 67: I. Allegro Con Brio\u003cbr\u003e6 Symphony No. 5 in C minor, Op. 67: II. Andante Con Moto\u003cbr\u003e7 Symphony No. 5 in C minor, Op. 67: III. Allegro\u003cbr\u003e8 Symphony No. 5 in C minor, Op. 67: IV. Allegro - Presto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 15 -\u003cbr\u003e1 Coriolan Overture, Op. 62\u003cbr\u003e2 Egmont, Op. 84: Overture\u003cbr\u003e3 Symphony No. 7 in a Major, Op. 92: I. Poco Sostenuto - Vivace\u003cbr\u003e4 Symphony No. 7 in a Major, Op. 92: II. Allegretto\u003cbr\u003e5 Symphony No. 7 in a Major, Op. 92: III. Presto - Assai Meno Presto\u003cbr\u003e6 Symphony No. 7 in a Major, Op. 92: IV. Allegro Con Brio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 16 -\u003cbr\u003e1 Symphony No. 9 in D minor, Op. 125 \"Choral\": I. Allegro Ma Non Troppo, Un Poco Maestoso\u003cbr\u003e2 Symphony No. 9 in D minor, Op. 125 \"Choral\": II. (A) Molto Vivace - Presto\u003cbr\u003e3 Symphony No. 9 in D minor, Op. 125 \"Choral\": II. (B) Molto Vivace - Presto\u003cbr\u003e4 Symphony No. 9 in D minor, Op. 125 \"Choral\": II. (C) Molto Vivace - Presto\u003cbr\u003e5 Symphony No. 9 in D minor, Op. 125 \"Choral\": III. Adagio Molto E Cantabile - Andante Moderato\u003cbr\u003e6 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (A) Presto - Allegro Assai\u003cbr\u003e7 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (B) Presto - Recitativo - Allegro Assai\u003cbr\u003e8 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (C) Allegro Assai Vivace. Alla Marcia\u003cbr\u003e9 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (D) Andante Maestoso - Adagio Ma Non Troppo, Ma Divoto\u003cbr\u003e10 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (E) Allegro Energico E Sempre Ben Marcato\u003cbr\u003e11 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (F) Allegro Ma Non Tanto - Poco Adagio\u003cbr\u003e12 Symphony No. 9 in D minor, Op. 125 \"Choral\": IV. (G) Poco Allegro, Stringendo Il Tempo, Sempre Più Allegro - Prestissimo\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 17 -\u003cbr\u003e1 Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro Con Brio\u003cbr\u003e2 Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio\u003cbr\u003e3 Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto Allegro\u003cbr\u003e4 Piano Concerto No. 1 in C Major, Op. 15: I. Allegro Con Brio\u003cbr\u003e5 Piano Concerto No. 1 in C Major, Op. 15: II. Largo\u003cbr\u003e6 Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro Scherzando\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 18 -\u003cbr\u003e1 Piano Concerto No. 3 in C minor, Op. 37: I. Allegro Con Brio\u003cbr\u003e2 Piano Concerto No. 3 in C minor, Op. 37: II. Largo\u003cbr\u003e3 Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro\u003cbr\u003e4 Piano Concerto No. 4 in G Major, Op. 58: I. Allegro Moderato\u003cbr\u003e5 Piano Concerto No. 4 in G Major, Op. 58: II. Andante Con Moto\u003cbr\u003e6 Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 19 -\u003cbr\u003e1 Piano Concerto No. 5 in E-Flat Major, Op. 73 \"Emperor\": I. Allegro\u003cbr\u003e2 Piano Concerto No. 5 in E-Flat Major, Op. 73 \"Emperor\": II. Adagio Un Poco Mosso\u003cbr\u003e3 Piano Concerto No. 5 in E-Flat Major, Op. 73 \"Emperor\": III. Rondo. Allegro\u003cbr\u003e4 Fantasia in C minor, Op. 80 \"Choral Fantasy\": I. Adagio - Allegro\u003cbr\u003e5 Fantasia in C minor, Op. 80 \"Choral Fantasy\": II. Adagio, Ma Non Troppo - Marcia, Assai Vivace\u003cbr\u003e6 Fantasy in C minor, Op. 80 \"Choral Fantasy\": III. Allegro - Allegretto Ma Non Troppo\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 20 -\u003cbr\u003e1 Symphony No. 1 in C Major, Op. 19, J. 50: I. Allegro Con Fuoco\u003cbr\u003e2 Symphony No. 1 in C Major, Op. 19, J. 50: II. Andante\u003cbr\u003e3 Symphony No. 1 in C Major, Op. 19, J. 50: III. Scherzo. Presto\u003cbr\u003e4 Symphony No. 1 in C Major, Op. 19, J. 50: IV. Finale. Presto\u003cbr\u003e5 Konzertstück in F minor, Op. 79, J. 282: I. Larghetto Affetuoso\u003cbr\u003e6 Konzertstück in F minor, Op. 79, J. 282: II. Allegro Appassionato\u003cbr\u003e7 Konzertstück in F minor, Op. 79, J. 282: III. Adagio - Tempo Di Marcia\u003cbr\u003e8 Konzertstück in F minor, Op. 79, J. 282: IV. Più Mosso - Presto Giocoso\u003cbr\u003e9 Symphony No. 2 in C Major, J. 51: I. Allegro\u003cbr\u003e10 Symphony No. 2 in C Major, J. 51: II. Adagio, Ma Non Troppo\u003cbr\u003e11 Symphony No. 2 in C Major, J. 51: III. Menuetto. Allegro\u003cbr\u003e12 Symphony No. 2 in C Major, J. 51: IV. Finale. Scherzo Presto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 21 -\u003cbr\u003e1 Oberon, J. 306: Overture\u003cbr\u003e2 The Hebrides, Op. 26, MWV P7 \"Fingal's Cave\"\u003cbr\u003e3 Les Francs-Juges, Op. 3, H 23D\u003cbr\u003e4 Genoveva, Op. 81: Overture\u003cbr\u003e5 Rosamunde, Op. 26, D. 797: Overture from Die Zauberharfe, D. 644\u003cbr\u003e6 Der Fliegende Holländer: Overture\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 22 -\u003cbr\u003e1 La Scala Di Seta: Overture\u003cbr\u003e2 Il Signor Bruschino (Or Il Figlio Per Azzardo): Overture\u003cbr\u003e3 L'italiana in Algeri: Overture\u003cbr\u003e4 Il Barbiere Di Siviglia: Overture\u003cbr\u003e5 La Gazza Ladra: Overture\u003cbr\u003e6 Semiramide: Overture\u003cbr\u003e7 Guillaume Tell: Overture\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 23 -\u003cbr\u003e1 Symphony No. 4 in C minor, D. 417: I. Adagio Molto - Allegro Vivace\u003cbr\u003e2 Symphony No. 4 in C minor, D. 417: II. Andante\u003cbr\u003e3 Symphony No. 4 in C minor, D. 417: III. Menuetto. Allegro Vivace - Trio\u003cbr\u003e4 Symphony No. 4 in C minor, D. 417: IV. Allegro\u003cbr\u003e5 Symphony No. 6 in C Major, D. 589: I. Adagio - Allegro\u003cbr\u003e6 Symphony No. 6 in C Major, D. 589: II. Andante\u003cbr\u003e7 Symphony No. 6 in C Major, D. 589: III. Scherzo. Presto - Trio. Più Lento\u003cbr\u003e8 Symphony No. 6 in C Major, D. 589: IV. Allegro Moderato\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 24 -\u003cbr\u003e1 Symphony No. 5 in B-Flat Major, D. 485: I. Allegro\u003cbr\u003e2 Symphony No. 5 in B-Flat Major, D. 485: II. Andante Con Moto\u003cbr\u003e3 Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro Molto - Trio\u003cbr\u003e4 Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro Vivace\u003cbr\u003e5 Symphony No. 8 in B minor, D. 759 \"Unfinished\": I. Allegro Moderato\u003cbr\u003e6 Symphony No. 8 in B minor, D. 759 \"Unfinished\": II. Andante Con Moto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 25 -\u003cbr\u003e1 Symphony No. 9 in C Major, D. 944 \"The Great\": I. Andante - Allegro Ma Non Troppo\u003cbr\u003e2 Symphony No. 9 in C Major, D. 944 \"The Great\": II. Andante Con Moto\u003cbr\u003e3 Symphony No. 9 in C Major, D. 944 \"The Great\": III. Scherzo. Allegro Vivace - Trio\u003cbr\u003e4 Symphony No. 9 in C Major, D. 944 \"The Great\": IV. Finale. Allegro Vivace\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 26 -\u003cbr\u003e1 Symphonie Fantastique, Op. 14, H 48: I. Rêveries - Passions. Largo - Allegro Agitato E Appassionato Assai\u003cbr\u003e2 Symphonie Fantastique, Op. 14, H 48: II. Un Bal. Valse. Allegro Non Troppo\u003cbr\u003e3 Symphonie Fantastique, Op. 14, H 48: III. Scene Aux Champs. Adagio\u003cbr\u003e4 Symphonie Fantastique, Op. 14, H 48: IV. Marche Au Supplice. Allegretto Non Troppo\u003cbr\u003e5 Symphonie Fantastique, Op. 14, H 48: V. Songe D'une Nuit Du Sabbat. Larghetto - Allegro\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 27 -\u003cbr\u003e1 Symphony No. 3 in a Minor, Op. 56, MWV N18 \"Scottish\": I. Andante Con Moto - Allegro Un Poco Agitato\u003cbr\u003e2 Symphony No. 3 in a Minor, Op. 56, MWV N18 \"Scottish\": II. Vivace Non Troppo\u003cbr\u003e3 Symphony No. 3 in a Minor, Op. 56, MWV N18 \"Scottish\": III. Adagio\u003cbr\u003e4 Symphony No. 3 in a Minor, Op. 56, MWV N18 \"Scottish\": IV. Allegro Vivacissimo - Allegro Maestoso Assai\u003cbr\u003e5 Symphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": I. Allegro Vivace\u003cbr\u003e6 Symphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": II. Andante Con Moto\u003cbr\u003e7 Symphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": III. Con Modo Moderato\u003cbr\u003e8 Symphony No. 4 in a Major, Op. 90, MWV N16 \"Italian\": IV. Saltarello. Presto\u003cbr\u003e- Disc 28 -\u003cbr\u003e1 Symphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": I. Lebhaft\u003cbr\u003e2 Symphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": II. Scherzo. Sehr Mäßig\u003cbr\u003e3 Symphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": III. Nicht Schnell\u003cbr\u003e4 Symphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": IV. Feierlich\u003cbr\u003e5 Symphony No. 3 in E-Flat Major, Op. 97 \"Rhenish\": V. Lebhaft\u003cbr\u003e6 Symphony No. 4 in D minor, Op. 120: I. Ziemlich Langsam - Lebhaft\u003cbr\u003e7 Symphony No. 4 in D minor, Op. 120: II. Romanze. Ziemlich Langsam\u003cbr\u003e8 Symphony No. 4 in D minor, Op. 120: III. Scherzo. Lebhaft\u003cbr\u003e9 Symphony No. 4 in D minor, Op. 120: IV. Langsam - Presto\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 29 -\u003cbr\u003e1 Rienzi: Overture\u003cbr\u003e2 Tristan Und Isolde, Act 1: Prelude\u003cbr\u003e3 Tristan Und Isolde, Act 3: Isoldes Liebestod. \"Mild Und Leise\"\u003cbr\u003e4 Die Meistersinger Von Nürnberg, Act 1: Prelude\u003cbr\u003e5 Siegfried-Idyll\u003cbr\u003e6 Parsifal, Act 1: Prelude\u003cbr\u003e7 Lohengrin, Act 1: Prelude\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 30 -\u003cbr\u003e1 Symphony No. 3 in D minor, Wab 103 \"Wagner Symphony\": I. Gemäßigt, Mehr Bewegt, Misterioso (1873 Version)\u003cbr\u003e2 Symphony No. 3 in D minor, Wab 103 \"Wagner Symphony\": II. Adagio. Bewegt, Quasi Andante (1873 Version)\u003cbr\u003e3 Symphony No. 3 in D minor, Wab 103 \"Wagner Symphony\": III. Scherzo. Ziemlich Schnell (1873 Version)\u003cbr\u003e4 Symphony No. 3 in D minor, Wab 103 \"Wagner Symphony\": IV. Finale. Allegro (1873 Version)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 31 -\u003cbr\u003e1 National Anthem of the Czech Republic\u003cbr\u003e2 MÁ Vlast: I. Vysehrad\u003cbr\u003e3 MÁ Vlast: II. Vltava\u003cbr\u003e4 MÁ Vlast: III. Sárka\u003cbr\u003e5 MÁ Vlast: IV. Z Ceskych Luhu a Haju\u003cbr\u003e6 MÁ Vlast: V. Tábor\u003cbr\u003e7 MÁ Vlast: VI. Blaník\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 32 -\u003cbr\u003e1 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Theme. Andante\u003cbr\u003e2 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation I. Poco Più Animato\u003cbr\u003e3 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation II. Più Vivace\u003cbr\u003e4 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation III. Con Moto\u003cbr\u003e5 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation IV. Andante Con Moto\u003cbr\u003e6 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation V. Vivace\u003cbr\u003e7 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation VI. Vivace\u003cbr\u003e8 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation VII. Grazioso\u003cbr\u003e9 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation VIII. Presto Non Troppo\u003cbr\u003e10 Variations on a Theme By Haydn, Op. 56A \"ST. Antoni Chorale\": Variation IX. Finale - Andante\u003cbr\u003e11 Symphony No. 1 in C minor, Op. 68: I. Un Poco Sostenuto - Allegro\u003cbr\u003e12 Symphony No. 1 in C minor, Op. 68: II. Andante Sostenuto\u003cbr\u003e13 Symphony No. 1 in C minor, Op. 68: III. Un Poco Allegretto E Grazioso\u003cbr\u003e14 Symphony No. 1 in C minor, Op. 68: IV. Finale. Adagio\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 33 -\u003cbr\u003e1 Tragic Overture, Op. 81\u003cbr\u003e2 Symphony No. 2 in D Major, Op. 73: I. Allegro Non Troppo\u003cbr\u003e3 Symphony No. 2 in D Major, Op. 73: II. Adagio Non Troppo\u003cbr\u003e4 Symphony No. 2 in D Major, Op. 73: III. Allegretto Grazioso. Quasi Andantino\u003cbr\u003e5 Symphony No. 2 in D Major, Op. 73: IV. Allegro Con Spirito\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 34 -\u003cbr\u003e1 Symphony No. 3 in F Major, Op. 90: I. Allegro Con Brio - Un Poco Sostenuto\u003cbr\u003e2 Symphony No. 3 in F Major, Op. 90: II. Andante\u003cbr\u003e3 Symphony No. 3 in F Major, Op. 90: III. Poco Allegretto\u003cbr\u003e4 Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un Poco Sostenuto\u003cbr\u003e5 Symphony No. 4 in E minor, Op. 98: I. Allegro Non Troppo\u003cbr\u003e6 Symphony No. 4 in E minor, Op. 98: II. Andante Moderato\u003cbr\u003e7 Symphony No. 4 in E minor, Op. 98: III. Allegro Giocoso\u003cbr\u003e8 Symphony No. 4 in E minor, Op. 98: IV. Allegro Energico E Passionato\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 35 -\u003cbr\u003e1 Begräbnisgesang Op. 13\u003cbr\u003e2 Ein Deutsches Requiem, Op. 45: I. Selig Sind Die Da Leid Tragen\u003cbr\u003e3 Ein Deutsches Requiem, Op. 45: II. Denn Alles Fleisch Es Ist Wie Gras\u003cbr\u003e4 Ein Deutsches Requiem, Op. 45: III. Herr, Lehre Doch Mich\u003cbr\u003e5 Ein Deutsches Requiem, Op. 45: IV. Wie Lieblich Sind Deine Wohnungen\u003cbr\u003e6 Ein Deutsches Requiem, Op. 45: V. Ihr Habt Nun Traurigkeit\u003cbr\u003e7 Ein Deutsches Requiem, Op. 45: VI. Denn Wir Haben Hie Keine Bleibende Statt\u003cbr\u003e8 Ein Deutsches Requiem, Op. 45: VII. Selig Sind Die Toten\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 36 -\u003cbr\u003e1 The Fairy Queen, Z. 629: First Music. Prelude\u003cbr\u003e2 The Fairy Queen, Z. 629: First Music. Hornpipe\u003cbr\u003e3 The Fairy Queen, Z. 629: Second Music. Air\u003cbr\u003e4 The Fairy Queen, Z. 629: Second Music. Rondeau\u003cbr\u003e5 The Fairy Queen, Z. 629: Overture\u003cbr\u003e6 The Fairy Queen, Z. 629, Act I: Duet. \"Come, Let Us Leave the Town\"\u003cbr\u003e7 The Fairy Queen, Z. 629, Act I: Scene of the Drunken Poet. \"Fill Up the Bowl\"\u003cbr\u003e8 The Fairy Queen, Z. 629, Act I: First Act Tune. Jig\u003cbr\u003e9 The Fairy Queen, Z. 629, Act II. Song. \"Come All Ye Songsters of the Sky\"\u003cbr\u003e10 The Fairy Queen, Z. 629, Act II: Prelude\u003cbr\u003e11 The Fairy Queen, Z. 629, Act II: Trio. \"May the God of Wit Inspire\"\u003cbr\u003e12 The Fairy Queen, Z. 629, Act II: Echo\u003cbr\u003e13 The Fairy Queen, Z. 629, Act II: Chorus. \"Now Join Your Warbling Voices All\"\u003cbr\u003e14 The Fairy Queen, Z. 629, Act II: Song and Chorus. \"Sing While We Trip It\"\u003cbr\u003e15 The Fairy Queen, Z. 629, Act II. Song. \"See, Even Night Herself Is Here\"\u003cbr\u003e16 The Fairy Queen, Z. 629, Act II. Song. \"I Am Come to Lock All Fast\"\u003cbr\u003e17 The Fairy Queen, Z. 629, Act II. Song. \"One Charming Night\"\u003cbr\u003e18 The Fairy Queen, Z. 629, Act II: Song and Chorus. \"Hush, No More\"\u003cbr\u003e19 The Fairy Queen, Z. 629, Act II: Dance for the Followers of Night\u003cbr\u003e20 The Fairy Queen, Z. 629, Act II: Second Act Tune. Air\u003cbr\u003e21 The Fairy Queen, Z. 629, Act III. Song and Chorus. \"If Love's a Sweet Passion\"\u003cbr\u003e22 The Fairy Queen, Z. 629, Act III. Symphony While the Swans Come Forward\u003cbr\u003e23 The Fairy Queen, Z. 629, Act III: Dance for the Fairies\u003cbr\u003e24 The Fairy Queen, Z. 629, Act III: Dance for the Green Men\u003cbr\u003e25 The Fairy Queen, Z. 629, Act III: Song. \"Ye Gentle Spirits of the Air\"\u003cbr\u003e26 The Fairy Queen, Z. 629, Act III: Dialogue Between Coridon and Mopsa. \"Now the Maids and the Men\"\u003cbr\u003e27 The Fairy Queen, Z. 629, Act III: Dance for the Haymakers\u003cbr\u003e28 The Fairy Queen, Z. 629, Act III. Song. \"When I Have Often Heard\"\u003cbr\u003e29 The Fairy Queen, Z. 629, Act III: Duet. \"A Thousand, Thousand Ways\"\u003cbr\u003e30 The Fairy Queen, Z. 629, Act III: Third Act Tune. Hornpipe\u003cbr\u003e- Disc 37 -\u003cbr\u003e1 The Fairy Queen, Z. 629, Act IV: Symphony\u003cbr\u003e2 The Fairy Queen, Z. 629, Act IV: Song and Chorus. \"Now the Night Is Chased Away\"\u003cbr\u003e3 The Fairy Queen, Z. 629, Act IV: Duet. \"Let the Fifes and the Clarions\"\u003cbr\u003e4 The Fairy Queen, Z. 629, Act IV: Entry of Phoebus\u003cbr\u003e5 The Fairy Queen, Z. 629, Act IV: Song and Chorus. \"When a Cruel Long Winter\"\u003cbr\u003e6 The Fairy Queen, Z. 629, Act IV: Chorus.\"Hail! Great Parent of Us All\"\u003cbr\u003e7 The Fairy Queen, Z.629, Act IV: Song. \"Thus the Ever Grateful Spring\"\u003cbr\u003e8 The Fairy Queen, Z. 629, Act IV: Song. \"Here's the Summer, Sprightly, Gay\"\u003cbr\u003e9 The Fairy Queen, Z. 629, Act IV: Song. \"See, See My Many Colour'd Fields\"\u003cbr\u003e10 The Fairy Queen, Z. 629, Act IV: Song. \"Now Winter Comes Slowly\"\u003cbr\u003e11 The Fairy Queen, Z. 629, Act IV: Chorus.\"Hail! Great Parent of Us All\" (Reprise)\u003cbr\u003e12 The Fairy Queen, Z. 629, Act IV: Fourth Act Tune. Air\u003cbr\u003e13 The Fairy Queen, Z. 629, Act V. Prelude\u003cbr\u003e14 The Fairy Queen, Z. 629, Act V. Epithalamium. \"Thrice Happy Lovers\"\u003cbr\u003e15 The Fairy Queen, Z. 629, Act V: The Plaint. \"O Let Me Ever, Ever Weep\"\u003cbr\u003e16 The Fairy Queen, Z. 629, Act V: Entry Dance\u003cbr\u003e17 The Fairy Queen, Z. 629, Act V: Symphony\u003cbr\u003e18 The Fairy Queen, Z. 629, Act V: Song. \"Thus the Gloomy World\"\u003cbr\u003e19 The Fairy Queen, Z. 629, Act V: Song and Chorus. \"Thus Happy and Free\"\u003cbr\u003e20 The Fairy Queen, Z. 629, Act V: Song. \"Yes, Daphne\"\u003cbr\u003e21 The Fairy Queen, Z. 629, Act V: Monkey's Dance\u003cbr\u003e22 The Fairy Queen, Z. 629, Act V: Song. \"Hark! How All Things\"\u003cbr\u003e23 The Fairy Queen, Z. 629, Act V: Song. \"Hark! the Echoing Air\"\u003cbr\u003e24 The Fairy Queen, Z. 629, Act V: Duet and Chorus. \"Sure the Dull God\"\u003cbr\u003e25 The Fairy Queen, Z. 629, Act V: Prelude\u003cbr\u003e26 The Fairy Queen, Z. 629, Act V: Song. \"See, I Obey\"\u003cbr\u003e27 The Fairy Queen, Z. 629, Act V: Duet. \"Turn Then Thine Eyes\"\u003cbr\u003e28 The Fairy Queen, Z. 629, Act V: Song. \"My Torch Indeed\"\u003cbr\u003e29 The Fairy Queen, Z. 629, Act V: Trio and Chorus. \"They Shall Be As Happy As They're Fair\"\u003cbr\u003e30 The Fairy Queen, Z. 629, Act V: Chaconne\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 38 -\u003cbr\u003e1 Serse, HWV 40, Act 1, Scene 1: Accompagnato. \"Frondi Tenere\" - Arioso. \"Ombra Mai FÙ\" (Serse)\u003cbr\u003e2 Serse, HWV 40, Act 1, Scene 1: Arioso. \"Ombra Mai FÙ\" (Serse)\u003cbr\u003e3 Giulio Cesare in Egitto, HWV 17, Act 1: Aria. \"Va Tacito E Nascosto\" (Cesare)\u003cbr\u003e4 Giulio Cesare in Egitto, HWV 17, Act 2: Aria. \"Al Lampo Dell' Armi\" (Cesare)\u003cbr\u003e5 Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. \"Dall'ondoso Periglio\" (Cesare)\u003cbr\u003e6 Giulio Cesare in Egitto, HWV 17, Act 3: Aria. \"Aure, Deh, Per Pieta\" (Cesare)\u003cbr\u003e7 Tamerlano, HWV 18, Act 3: Aria. \"A Dispetto D'un Volto Ingrato\" (Andronico)\u003cbr\u003e8 Ariodante, HWV 33, Act 2: Recitativo. \"E Vivo Ancora?\" (Ariodante)\u003cbr\u003e9 Ariodante, HWV 33, Act 2: Aria. \"Scherza Infida!\" (Ariodante)\u003cbr\u003e10 Giulio Cesare in Egitto, HWV 17, Act 1: Aria. \"Cara Speme, Questo Core\" (Sesto)\u003cbr\u003e11 Giulio Cesare in Egitto, HWV 17, Act 2: Aria. \"L'angue Offeso Mai Riposa\" (Sesto)\u003cbr\u003e12 Rodelinda, HWV 19, Act 1, Scene 6: Sinfonia - Recitativo. \"Pompe Vanne Di Morte!\" (Bertarido)\u003cbr\u003e13 Rodelinda, HWV 19, Act 1, Scene 6: Aria. \"Dove Sei, Amato Bene?\" (Bertarido)\u003cbr\u003e14 Rodelinda, HWV 19, Act 3, Scene 7: Aria. \"Vivi, Tiranno!\" (Bertarido)\u003cbr\u003e15 Rinaldo, HWV 7, Act 1: Aria. \"Cara Sposa\" (Rinaldo)\u003cbr\u003e16 Rinaldo, HWV 7, Act 1: Aria. \"Venti, Turbini, Prestate\" (Rinaldo)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 39 -\u003cbr\u003e1 Don Giovanni, K. 527: Overture\u003cbr\u003e2 Don Giovanni, K. 527, Act 1: Introduzione. \"Notte E Giorno Faticar\" - \"Lasciala, Indegno!\" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)\u003cbr\u003e3 Don Giovanni, K. 527, Act 1: Recitativo. \"Leporello, Ove Sei?\" (Don Giovanni, Leporello)\u003cbr\u003e4 Don Giovanni, K. 527, Act 1: Recitativo. \"Ah! Del Padre in Periglio\" - Recitativo Accompagnato. \"Ma Qual Mai S'offre, Oh Dei\" (Donna Anna, Don Ottavio)\u003cbr\u003e5 Don Giovanni, K. 527, Act 1: Duetto. \"Fuggi, Crudele, Fuggi!\" (Donna Anna, Don Ottavio)\u003cbr\u003e6 Don Giovanni, K. 527, Act 1: Recitativo. \"Orsù, Spicciati Presto\" (Don Giovanni, Leporello)\u003cbr\u003e7 Don Giovanni, K. 527, Act 1: Aria. \"Ah! Chi Mi Dice Mai\" (Donna Elvira, Don Giovanni, Leporello)\u003cbr\u003e8 Don Giovanni, K. 527, Act 1: Recitativo. \"Chi E La?\" (Donna Elvira, Don Giovanni, Leporello)\u003cbr\u003e9 Don Giovanni, K. 527, Act 1: Aria. \"Madamina, Il Catalogo E Questo\" (Leporello)\u003cbr\u003e10 Don Giovanni, K. 527, Act 1: Recitativo. \"In Questa Forma Dunque\" (Donna Elvira)\u003cbr\u003e11 Don Giovanni, K. 527, Act 1: Coro. \"Giovinette Che Fate All'amore\" (Zerlina, Masetto, Coro)\u003cbr\u003e12 Don Giovanni, K. 527, Act 1: Recitativo. \"Manco Sale E Partita\" (Don Giovanni, Leporello, Zerlina, Masetto)\u003cbr\u003e13 Don Giovanni, K. 527, Act 1: Aria. \"Ho Capito, Signor Si\" (Masetto)\u003cbr\u003e14 Don Giovanni, K. 527, Act 1: Recitativo. \"Alfin Siam Liberati\" (Don Giovanni, Zerlina)\u003cbr\u003e15 Don Giovanni, K. 527, Act 1: Duettino. \"La CI Darem la Mano\" (Don Giovanni, Zerlina)\u003cbr\u003e16 Don Giovanni, K. 527, Act 1: Recitativo. \"Fermati, Scellerato\" (Donna Elvira, Zerlina, Don Giovanni)\u003cbr\u003e17 Don Giovanni, K. 527, Act 1: Aria. \"Ah, Fuggi Il Traditor\" (Donna Elvira)\u003cbr\u003e18 Don Giovanni, K. 527, Act 1: Recitativo. \"Mi Par Ch'oggi Il Demonio Si Diverta\" - Recitativo. \"Ah! Ti Retrovo Ancor\" (Donna Elvira, Don Giovanni, Don Ottavio, Donna Anna)\u003cbr\u003e19 Don Giovanni, K. 527, Act 1: Quartetto. \"Non Ti Fidar, O Misera\" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)\u003cbr\u003e20 Don Giovanni, K. 527, Act 1: Recitativo. \"Povera Sventurata!\" (Don Giovanni)\u003cbr\u003e21 Don Giovanni, K. 527, Act 1: Recitativo Accompagnato. \"Don Ottavio, Son Morta!\" (Donna Anna, Don Ottavio)\u003cbr\u003e22 Don Giovanni, K. 527, Act 1: Aria. \"Or Sai Chi L'onore\" (Donna Anna)\u003cbr\u003e23 Don Giovanni, K. 527, Act 1: Recitativo. \"Come Mai Creder Deggio\" (Don Ottavio)\u003cbr\u003e24 Don Giovanni, K. 527, Act 1: Recitativo. \"Io Deggio Ad Ogni Patto\" (Leporello, Don Giovanni)\u003cbr\u003e25 Don Giovanni, K. 527, Act 1: Aria. \"Fin Ch'han Dal Vino\" (Don Giovanni)\u003cbr\u003e26 Don Giovanni, K. 527, Act 1: Recitativo. \"Masetto, Senti Un Po'!\" (Zerlina, Masetto)\u003cbr\u003e27 Don Giovanni, K. 527, Act 1: Aria. \"Batti, Batti, O Bel Masetto\" (Zerlina)\u003cbr\u003e28 Don Giovanni, K. 527, Act 1: Recitativo. \"Guarda Un Po'\" (Masetto, Don Giovanni, Zerlina)\u003cbr\u003e29 Don Giovanni, K. 527, Act 1: Finale. \"Presto, Presto Pria Ch'ei Venga\" (Masetto, Zerlina, Don Giovanni, Coro)\u003cbr\u003e30 Don Giovanni, K. 527, Act 1: \"Bisogna Aver Coraggio\" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)\u003cbr\u003e31 Don Giovanni, K. 527, Act 1: \"Protegge Il Giusto Cielo\" (Donna Anna, Don Ottavio, Donna Elvira)\u003cbr\u003e32 Don Giovanni, K. 527, Act 1: \"Riposate, Vezzose Ragazze!\" (Don Giovanni, Leporello, Masetto, Zerlina)\u003cbr\u003e33 Don Giovanni, K. 527, Act 1: \"Venite Pur Avanti\" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina)\u003cbr\u003e34 Don Giovanni, K. 527, Act 1: \"Ecco Il Birbo Che T'ha Offesa\" - \"Trema, Trema, O Scellerato!\" (Don Giovanni, Leporello, Don Ottavio, Donna Elvira, Donna Anna, Zerlina, Masetto)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 40 -\u003cbr\u003e1 Don Giovanni, K. 527, Act 2: Duetto. \"Eh Via Buffone, Non Mi Seccar\" (Don Giovanni, Leporello)\u003cbr\u003e2 Don Giovanni, K. 527, Act 2: Recitativo. \"Leporello!\" (Don Giovanni, Leporello)\u003cbr\u003e3 Don Giovanni, K. 527, Act 2: Terzetto. \"Ah! Taci, Ingiusto Core!\" (Donna Elvira, Leporello, Don Giovanni)\u003cbr\u003e4 Don Giovanni, K. 527, Act 2: Recitativo. \"Amico, Che Ti Par?\" - \"Eccomi a Voi\" (Donna Elvira, Don Giovanni, Leporello)\u003cbr\u003e5 Don Giovanni, K. 527, Act 2: Canzonetta. \"Deh, Vieni Alla Finestra\" (Don Giovanni)\u003cbr\u003e6 Don Giovanni, K. 527, Act 2: Recitativo. \"V'e Gente Alla Finestra\" (Don Giovanni, Masetto)\u003cbr\u003e7 Don Giovanni, K. 527, Act 2: Aria. \"Meta Di Voi Qua Vadano\" (Don Giovanni)\u003cbr\u003e8 Don Giovanni, K. 527, Act 2: Recitativo. \"Zitto! Lascia Ch'io Senta\" - Recitativo. \"Ahi! Ahi! la Testa Mia\" (Don Giovanni, Masetto, Zerlina)\u003cbr\u003e9 Don Giovanni, K. 527, Act 2: Aria. \"Vedrai, Carino\" (Zerlina)\u003cbr\u003e10 Don Giovanni, K. 527, Act 2: Recitativo. \"Di Molte Faci Il Lume\" (Leporello, Donna Elvira)\u003cbr\u003e11 Don Giovanni, K. 527, Act 2: Sestetto. \"Sola, Sola, in Buio Loco\" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)\u003cbr\u003e12 Don Giovanni, K. 527, Act 2: Sestetto. \"Mille Torbidi Pensieri\" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)\u003cbr\u003e13 Don Giovanni, K. 527, Act 2: Recitativo. \"Dunque Quello Sei Tu\" (Zerlina, Donna Elvira, Don Ottavio, Masetto)\u003cbr\u003e14 Don Giovanni, K. 527, Act 2: Aria. \"Ah, Pieta, Signori Miei\" (Leporello)\u003cbr\u003e15 Don Giovanni, K. 527, Act 2: Recitativo. \"Ferma, Perfido, Ferma\" (Donna Elvira, Masetto, Zerlina, Don Ottavio)\u003cbr\u003e16 Don Giovanni, K. 527, Act 2: Aria. \"Il Mio Tesoro Intanto\" (Don Ottavio)\u003cbr\u003e17 Don Giovanni, K. 527, Act 2: Recitativo. \"Ah, Ah, Ah, Ah, Questa E Buona\" (Don Giovanni, Leporello, Il Commendatore)\u003cbr\u003e18 Don Giovanni, K. 527, Act 2: Duetto. \"O Statua Gentilissima\" (Leporello, Don Giovanni, Commendatore)\u003cbr\u003e19 Don Giovanni, K. 527, Act 2: Recitativo. \"Calmatevi, Idol Mio!\" (Don Ottavio, Donna Anna)\u003cbr\u003e20 Don Giovanni, K. 527, Act 2: Recitativo Accompagnato. \"Crudele? Ah No, Mio Bene\" (Donna Anna)\u003cbr\u003e21 Don Giovanni, K. 527, Act 2: Rondo. \"Non Mi Dir, Bell'idol Mio\" (Donna Anna)\u003cbr\u003e22 Don Giovanni, K. 527, Act 2: Recitativo. \"Ah, Si Segua Il Suo Passo\" (Don Ottavio)\u003cbr\u003e23 Don Giovanni, K. 527, Act 2: Finale. \"Gia la Mensa E Preperata\" (Don Giovanni, Leporello)\u003cbr\u003e24 Don Giovanni, K. 527, Act 2: Recitativo. \"L'ultima Prova Dell'amor Mio\" (Donna Elvira, Don Giovanni, Leporello)\u003cbr\u003e25 Don Giovanni, K. 527, Act 2: \"Ah Signor, Per Carita!\" (Leporello, Don Giovanni)\u003cbr\u003e26 Don Giovanni, K. 527, Act 2: \"Don Giovanni, a Cenar Teco\" - \"Da Qual Tremore Insolito\" (Don Giovanni, Coro, Leporello, Il Commendatore)\u003cbr\u003e27 Don Giovanni, K. 527, Act 2: \"Ah! Dove E Perfido\" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)\u003cbr\u003e28 Don Giovanni, K. 527, Act 2: \"Or Che Tutti, O Mio Tesoro\" (Don Ottavio, Donna Anna, Donna Elvira, Zerlina, Masetto, Leporello)\u003cbr\u003e29 Don Giovanni, K. 527, Act 2: \"Questo E Il Fin Di Chi Fa Mal!\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 41 -\u003cbr\u003e1 Don Giovanni, K. 527, Act 1: Recitativo. \"Come Mai Creder Deggio\" (Don Ottavio)\u003cbr\u003e2 Don Giovanni, K. 527, Act 1: Aria. \"Dalla Sua Pace\" (Don Ottavio)\u003cbr\u003e3 Don Giovanni, K. 527, Act 1: Recitativo. \"Io Deggio Ad Ogni Patto\" (Leporello, Don Giovanni)\u003cbr\u003e4 Don Giovanni, K. 527, Act 1: Aria. \"Fin Ch'han Dal Vino\" (Don Giovanni)\u003cbr\u003e5 Don Giovanni, K. 527, Act 1: Recitativo. \"Masetto, Senti Un Po'!\" (Zerlina, Masetto)\u003cbr\u003e6 Don Giovanni, K. 527, Act 1: Aria. \"Batti, Batti, O Bel Masetto\" (Zerlina)\u003cbr\u003e7 Don Giovanni, K. 527, Act 2: Recitativo. \"Dunque Quello Sei Tu\" (Zerlina, Donna Elvira, Don Ottavio, Masetto)\u003cbr\u003e8 Don Giovanni, K. 527, Act 2: Recitativo. \"Ah Pieta. Compassion\" (Leporello, Don Ottavio)\u003cbr\u003e9 Don Giovanni, K. 527, Act 2: Recitativo. \"Ferma, Perfido, Ferma\" (Donna Elvira, Masetto, Zerlina, Don Ottavio)\u003cbr\u003e10 Don Giovanni, K. 527, Act 2: Recitativo. \"Restati Qua\" (Zerlina, Leporello)\u003cbr\u003e11 Don Giovanni, K. 527, Act 2: Duetto. \"Per Queste Tue Manine\" (Zerlina, Leporello)\u003cbr\u003e12 Don Giovanni, K. 527, Act 2: Recitativo. \"Amico, Per Pieta\" (Leporello)\u003cbr\u003e13 Don Giovanni, K. 527, Act 2: Recitativo. \"Andiam, Andiam, Signora\" (Zerlina, Donna Elvira, Masetto)\u003cbr\u003e14 Don Giovanni, K. 527, Act 2: Recitativo Accompagnato. \"In Quali Eccessi, O Numi\" (Donna Elvira)\u003cbr\u003e15 Don Giovanni, K. 527, Act 2: Aria. \"Mi Tradì Quell'alma Ingrata\" (Donna Elvira)\u003cbr\u003e16 Don Giovanni, K. 527, Act 2: Recitativo. \"Ah, Ah, Ah, Ah, Questa E Buona\" (Don Giovanni, Leporello, Il Commendatore)\u003cbr\u003e17 Don Giovanni, K. 527, Act 2: Duetto. \"O Statua Gentilissima\" (Leporello, Don Giovanni, Commendatore)\u003cbr\u003e18 Don Giovanni, K. 527, Act 2: Finale. \"Gia la Mensa E Preperata\" (Don Giovanni, Leporello)\u003cbr\u003e19 Don Giovanni, K. 527, Act 2: Recitativo. \"L'ultima Prova Dell'amor Mio\" (Donna Elvira, Don Giovanni, Leporello)\u003cbr\u003e20 Don Giovanni, K. 527, Act 2: \"Ah Signor, Per Carita!\" (Leporello, Don Giovanni)\u003cbr\u003e21 Don Giovanni, K. 527, Act 2: \"Don Giovanni, a Cenar Teco\" - \"Da Qual Tremore Insolito\" (Don Giovanni, Coro, Leporello, Il Commendatore)\u003cbr\u003e22 Don Giovanni, K. 527, Act 2: \"Ah! Dove E Perfido\" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)\u003cbr\u003e23 Don Giovanni, K. 527, Act 2: \"Questo E Il Fin Di Chi Fa Mal!\" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 42 -\u003cbr\u003e1 Die Zauberflote, K. 620: Ouverture. Adagio - Allegro\u003cbr\u003e2 Die Zauberflote, K. 620, Act 1 Scene 1: No. 1, Introduction, \"Zu Hilfe! Zu Hilfe!\" (Tamino, Drei Damen)\u003cbr\u003e3 Die Zauberflote, K. 620, Act 1 Scene 1: \"Ich Sollte Fort! Ei Ei! Wie Fein!\" (Drei Damen)\u003cbr\u003e4 Die Zauberflote, K. 620, Act 1 Scene 1: Dialog, \"Wo Bin Ich? Ist's Phantasie, Dass Ich Noch Lebe?\" (Tamino)\u003cbr\u003e5 Die Zauberflote, K. 620, Act 1 Scene 2: Dialog, \"Was Hor' Ich?\" (Tamino) - No. 2, Aria, \"Der Vogelfänger Bin Ich Ja\" (Papageno)\u003cbr\u003e6 Die Zauberflote, K. 620, Act 1 Scene 2: Dialog, \"He Da! Was Da?\" (Tamino, Papageno)\u003cbr\u003e7 Die Zauberflote, K. 620, Act 1 Scene 3: Dialog, \"Papageno! Wer Sind Diese Damen?\" (Drei Damen, Papageno, Tamino)\u003cbr\u003e8 Die Zauberflote, K. 620, Act 1 Scene 4: No. 3, Arie, \"Dies Bildnis Ist Bezaubernd Schon\" (Tamino)\u003cbr\u003e9 Die Zauberflote, K. 620, Act 1 Scene 5: Dialog, \"Rüste Dich Mit Mut Und Standhaftigkeit Sie Kommt!\" (Drei Damen, Tamino)\u003cbr\u003e10 Die Zauberflote, K. 620, Act 1 Scene 6: No. 4, Rezitativ Und Arie, \"O Zittre Nicht, Mein Lieber Sohn!\" (Konigin Der Nacht)\u003cbr\u003e11 Die Zauberflote, K. 620, Act 1 Scene 6: Dialog, \"Ist's Denn Auch Wirklichkeit, Was Ich Sah?\" (Tamino)\u003cbr\u003e12 Die Zauberflote, K. 620, Act 1 Scene 7: No. 5, Quintett, \"HM! HM! HM! HM!\" (Papageno, Tamino, Drei Damen)\u003cbr\u003e13 Die Zauberflote, K. 620, Act 1 Scene 9: Dialog, \"Ha, Ha, Ha\" (Drei Sklaven, Monostatos)\u003cbr\u003e14 Die Zauberflote, K. 620, Act 1 Scene 9: No. 6, Terzett, \"Du Feines Täubchen, Nur Herein!\" (Monostatos, Pamina, Papageno)\u003cbr\u003e15 Die Zauberflote, K. 620, Act 1 Scene 11: Dialog, \"Mutter - Mutter - Mutter! Bin Ich Nicht Ein Narr\" (Pamina, Papageno)\u003cbr\u003e16 Die Zauberflote, K. 620, Act 1 Scene 12: No. 7, Duett, \"Bei Männern, Welche Liebe Fühlen\" (Pamina, Papageno)\u003cbr\u003e17 Die Zauberflote, K. 620, Act 1 Scene 13: No. 8, Finale, \"Zum Ziele FÜHRT Dich Diese Bahn\" (Drei Knaben, Tamino)\u003cbr\u003e18 Die Zauberflote, K. 620, Act 1 Scene 13: \"Die Weisheitslehre Dieser Knaben O Ew'ge Nacht!\" (Tamino, Sprecher, Priester)\u003cbr\u003e19 Die Zauberflote, K. 620, Act 1 Scene 13: Arie, \"Wie Stark Ist Nicht Dein Zauberton!\" (Tamino)\u003cbr\u003e20 Die Zauberflote, K. 620, Act 1 Scene 14: \"Schnelle Füsse, Rascher Mut Nur Geschwinde, Nur Geschwinde Wer Viel Wagt, Gewinnt Oft Viel! Das Klinget So Herrlich Konnte Jeder Brave Mann\" (Pamina, Papageno, Monostatos, Die Sklaven)\u003cbr\u003e21 Die Zauberflote, K. 620, Act 1 Scene 15: \"Es Lebe Sarastro! Sarastro Lebe!\" (Die Gefolge, Papageno, Pamina)\u003cbr\u003e22 Die Zauberflote, K. 620, Act 1 Scene 16: \"Herr! Ich Bin Zwar Verbrecherin!\" (Pamina, Sarastro)\u003cbr\u003e23 Die Zauberflote, K. 620, Act 1 Scene 17: \"Nun, Stolzer Jüngling, Nur Hierher!\" (Monostatos, Pamina, Tamino, Sarastro, Die Gefolge)\u003cbr\u003e24 Die Zauberflote, K. 620, Act 1 Scene 17: Chor, \"Wenn Tugend Und Gerechtigkeit\" (Die Gefolge)\u003cbr\u003e25 Die Zauberflote, K. 620, Act 2 Scene 1: No. 9, Marsch Der Priester (Andante)\u003cbr\u003e26 Die Zauberflote, K. 620, Act 2 Scene 1: Dialog, \"Ihr, in Dem Weisheitstempel Eingeweihten Diener Grosser Sarastro\" (Sarastro, Drei Priester, Sprecher)\u003cbr\u003e27 Die Zauberflote, K. 620, Act 2: \"O Isis Und Osiris\" (Sarastro, Chorus)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 43 -\u003cbr\u003e1 Die Zauberflote, K. 620, Act 2 Scene 2: Dialog, \"Eine Schreckliche Nacht!\" (Tamino, Papageno, Sprecher, Zweiter Priester)\u003cbr\u003e2 Die Zauberflote, K. 620, Act 2 Scene 3: No. 11, Duett, \"Bewahret Euch Vor Weibertücken\" (Zweiter Priester, Sprecher)\u003cbr\u003e3 Die Zauberflote, K. 620, Act 2 Scene 4: Dialog, \"He, Lichter Her! Lichter Her!\" (Papageno, Tamino)\u003cbr\u003e4 Die Zauberflote, K. 620, Act 2 Scene 5: No. 12, Quintett, \"Wie? Wie? Wie?\" (Drei Damen, Papageno, Tamino, Die Eingeweihten)\u003cbr\u003e5 Die Zauberflote, K. 620, Act 2 Scene 6: Dialog, \"Heil Dir, Jüngling! Dein Standhaft Männliches Betragen Hat Gesiegt\" (Sprecher, Zweiter Priester, Papageno)\u003cbr\u003e6 Die Zauberflote, K. 620, Act 2 Scene 7: Dialog, \"Ha, Da Find'ich Ja Die Sprode Schone!\" (Monostatos)\u003cbr\u003e7 Die Zauberflote, K. 620, Act 2 Scene 7: No. 13, Arie, \"Alles FÜHLT Der Liebe Freuden\" (Monostatos)\u003cbr\u003e8 Die Zauberflote, K. 620, Act 2 Scene 8: Dialog, \"Zurücke! Ich Gotter! O Weh!\" (Konigin Der Nacht, Pamina, Monostatos)\u003cbr\u003e9 Die Zauberflote, K. 620, Act 2 Scene 8: No. 14, Arie, \"Der Holle Rache Kocht in Meinem Herzen\" (Konigin)\u003cbr\u003e10 Die Zauberflote, K. 620, Act 2 Scene 9: Dialog, \"Morden Soll Ich? Was Soll Ich Nun? So Fahr Denn Hin! Herr, Strafe Meine Mutter Nicht!\" (Pamina, Monostatos, Sarastro)\u003cbr\u003e11 Die Zauberflote, K. 620, Act 2 Scene 12: No. 15, Arie, \"In Diesen Heil'gen Hallen\" (Sarastro)\u003cbr\u003e12 Die Zauberflote, K. 620, Act 2 Scene 13: Dialog, \"Hier Seid Ihr Euch Beide Allein Überlassen Tamino! Ist Das FÜR Mich?\" (Sprecher, Papageno, Tamino, Ein Altes Weib)\u003cbr\u003e13 Die Zauberflote, K. 620, Act 2 Scene 16: No. 16, Terzett, \"Seid Uns Zum Zweitenmal Willkommen\" (Drei Knaben)\u003cbr\u003e14 Die Zauberflote, K. 620, Act 2 Scene 17: Dialog, \"Tamino, Wollen Wir Nicht Speisen? Du Hier? Gütige Gotter!\" (Papageno, Pamina, Tamino)\u003cbr\u003e15 Die Zauberflote, K. 620, Act 2 Scene 18: No. 17, Arie, \"Ach, Ich FÜHL's, Es Ist Verschwunden!\" (Pamina)\u003cbr\u003e16 Die Zauberflote, K. 620, Act 2 Scene 19: Dialog, \"Nicht Wahr, Tamino, Ich Kann Auch Schweigen\" (Papageno)\u003cbr\u003e17 Die Zauberflote, K. 620, Act 2 Scene 20: No. 18, Chor, \"O Isis Und Osiris\" (Die Priester)\u003cbr\u003e18 Die Zauberflote, K. 620, Act 2 Scene 21: Dialog, \"Prinz, Dein Betragen War Bisher Männlich Und Gelassen\" (Sarastro, Pamina, Tamino)\u003cbr\u003e19 Die Zauberflote, K. 620, Act 2 Scene 21: No. 19, Terzett, \"Soll Ich Dich Teurer Nicht Mehr Sehn?\" (Pamina, Sarastro, Tamino)\u003cbr\u003e20 Die Zauberflote, K. 620, Act 2 Scene 22: Dialog, \"Tamino! Tamino! Mensch! Du Hättest Verdient\" (Papageno, Sprecher)\u003cbr\u003e21 Die Zauberflote, K. 620, Act 2 Scene 23: No. 20, Arie, \"Ein Mädchen Oder Weibchen\" (Papageno)\u003cbr\u003e22 Die Zauberflote, K. 620, Act 2 Scene 24: Dialog, \"Da Bin Ich Schon, Mein Engel! Fort Mit Dir, Junges Weib!\" (Ein Altes Weib, Papageno, Sprecher)\u003cbr\u003e23 Die Zauberflote, K. 620, Act 2 Scene 26: No. 21, Finale, \"Bald Prangt, Den Morgen Zu Verkünden Du Also Bist Mein Bräutigam?\" (Drei Knaben, Pamina)\u003cbr\u003e24 Die Zauberflote, K. 620, Act 2 Scene 27: \"Holdes Mädchen, Sieh Uns An!\" (Drei Knaben, Pamina)\u003cbr\u003e25 Die Zauberflote, K. 620, Act 2 Scene 28: \"Der, Welcher Wandert Diese Strasse Voll Beschwerden\" (Zwei Geharnischten, Tamino, Pamina)\u003cbr\u003e26 Die Zauberflote, K. 620, Act 2 Scene 28: \"Tamino Mein! O Welch Ein GLÜCK!\" (Pamina, Tamino, Zwei Geharnischten)\u003cbr\u003e27 Die Zauberflote, K. 620, Act 2 Scene 28: Marsch - \"Wir Wandelten Durch Feuergluten Triumph! Triumph! Du Edles Paar!\" (Pamina, Tamino, Die Priester, Die Gefolge)\u003cbr\u003e28 Die Zauberflote, K. 620, Act 2 Scene 29: \"Papagena! Papagena! Papagena!\" (Papageno, Drei Knaben)\u003cbr\u003e29 Die Zauberflote, K. 620, Act 2 Scene 29: \"Klinget Glockchen Klinget\" (Papageno, Drei Knaben)\u003cbr\u003e30 Die Zauberflote, K. 620, Act 2: \"Pa-Pa-Pa\" (Papageno, Papagena)\u003cbr\u003e31 Die Zauberflote, K. 620, Act 2 Scene 30: \"Nur Stille! Stille! Stille!\" (Monostatos, Konigin Der Nacht, Drei Damen)\u003cbr\u003e32 Die Zauberflote, K. 620, Act 2 Scene 31: \"Die Strahlen Der Sonne Vertreiben Die Nacht\" (Sarastro, Die Priester)\u003cbr\u003e33 Die Zauberflote, K. 620, Act 2 Scene 31: \"Es Siegte Die Stärke\" (Die Priester)\u003cbr\u003e- Disc 44 -\u003cbr\u003e1 La Gazza Ladra: Overture\u003cbr\u003e2 La Donna Del Lago: Mura Felici (Act 1)\u003cbr\u003e3 Stabat Mater: Inflammatus Et Accensus\u003cbr\u003e4 La Cenerentola, or la Bonta in Trionfo, 'Cinderella': Della Fortuna\u003cbr\u003e5 Zelmira: Terra Amica (Act 1)\u003cbr\u003e6 Bianca E Falliero: Cielo, Il Mio Labbro Ispira\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 45 -\u003cbr\u003e1 Guillaume Tell: Ne M'abandonne Pas (Non Mi Lasciare)\u003cbr\u003e2 Il Barbiere Di Siviglia, Act I: Largo Al Factotum\u003cbr\u003e3 Petite Messe Solennelle: Agnus Dei\u003cbr\u003e4 L'italiana in Algeri: Pappataci! Che Mai Sento\u003cbr\u003e5 Zelmira: Perche Mi Guardi, E Piangi\u003cbr\u003e6 Le Siege de Corinthe: La Flamme Rapide. La Gloire Et la Fortune (Act 1)\u003cbr\u003e7 Il Viaggio a Reims (Or L'albergo Del Giglio D'oro): Ah! a Tal Colpo Inaspettato\u003c\/p\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":43862468002042,"sku":" 0190296245275","price":131.27,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiOTM3NTc0OC4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwianBlZyI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0IjoianBlZyJ9LCJ0aW1lc3RhbXA.jpg?v=1673107803","url":"https:\/\/classicselectworld.com\/de-de\/products\/roger-norrington-the-complete-erato-recordings-45-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}