{"product_id":"szyreng-milestones-of-a-legend","title":"HENRIK SZERYNG: MILESTONES OF A VIOLIN LEGEND (10 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022_e7703d5a-a47d-4dfb-8593-486633b5ac7a.png?v=1668436318\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eHenryk Szeryng (1918-1988) spoke eight languages. As an \"ambassador of goodwill,\" he traveled to his concerts around the world with a diplomatic passport issued to him by the Mexican state after Szeryng became a naturalized citizen in 1946. He was impressed by Mexico's willingness to help many of his Polish compatriots fleeing the German occupiers. From his violin collection, worth many millions, he later gave away a Stradivarius and a Guarneri to Mexico and to Israel. During World War II Szeryng was a liaison officer and interpreter of the exiled Polish prime minister Sikorski, who had found asylum in France. His career as a violin virtuoso began with studies with Flesch in Berlin and Boulanger in Paris and a performance of Beethoven's Concerto op. 61 under Bruno Walter in Warsaw. It took him to all the music capitals of the world and ended abruptly with his unexpected death in Kassel in 1988. His wide-ranging repertoire, which included many works dedicated to him by contemporary composers, is documented in this 10-CD box with exemplary interpretations.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eLudwig van Beethoven (1770 ñ 1827)\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, OP.\u003cbr\u003e61\u003cbr\u003eKonzert für Violine und Orchester,\u003cbr\u003eD-Dur, op. 61\u003cbr\u003e1. I. Allegro ma non troppo 25ʻ03\u003cbr\u003e2. II. Larghetto 10ʻ29\u003cbr\u003e3. III. Rondo: Allegro 9ʻ20\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003eConductor \/ Dirigent Otto Klemperer\u003cbr\u003erecorded \/ aufgenommen 1959, Live\u003cbr\u003eManuel Ponce (1882 ñ 1948)\u003cbr\u003eVIOLIN CONCERTO\u003cbr\u003eKonzert für Violine und Orchester\u003cbr\u003eDedicated to \/gewidmet Henryk Szeryng\u003cbr\u003e4. I. Allegro non troppo 14ʻ06\u003cbr\u003e5. II. Andante espressivo 7ʻ09\u003cbr\u003e6. III. Vivo, giocoso 7ʻ06\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eSüdwestfunk-Sinfonieorchester\u003cbr\u003eBaden-Baden (?)\u003cbr\u003eConductor \/ Dirigent Ernest Bour\u003cbr\u003erecorded \/ aufgenommen 1951\u003cbr\u003eTotal Time 73ʻ21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003cbr\u003eLudwig van Beethoven (1770 ñ 1827)\u003cbr\u003eSONATA FOR PIANO AND VIOLIN No.\u003cbr\u003e9 IN A MAJOR, Op. 47,\u003cbr\u003eìKREUTZERî\u003cbr\u003eSonate für Klavier und Violine Nr. 9,\u003cbr\u003eA-Dur, op. 47\u003cbr\u003e1. I. Adagio sostenuto ñ Presto 10ʻ50\u003cbr\u003e2. II. Andante con variazioni (I-4) 15ʻ07\u003cbr\u003e3. III. Finale: Presto 6ʻ41\u003cbr\u003eSONATA FOR PIANO AND VIOLIN No.\u003cbr\u003e5 IN F MAJOR, Op. 24,\u003cbr\u003eìSPRINGî\u003cbr\u003eSonate für Klavier und Violine Nr. 5,\u003cbr\u003eF-Dur, op. 24, �Frühlingssonateì\u003cbr\u003e4. I. Allegro 7ʻ12\u003cbr\u003e5. II. Adagio molto espressivo 5ʻ26\u003cbr\u003e6. III. Scherzo. Allegro molto. Trio 1ʻ09\u003cbr\u003e7. IV. Rondo: Allegro ma non troppo\u003cbr\u003e6ʻ22\u003cbr\u003eArthur Rubinstein piano\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003erecorded \/ aufgenommen 1958\u003cbr\u003eLSC 2377\u003cbr\u003eTotal Time 52ʻ51\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003eJohannes Brahms (1833 ñ 1897) 3\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, Op.\u003cbr\u003e77\u003cbr\u003eKonzert für Violine und Orchester,\u003cbr\u003eD-Dur, op. 77\u003cbr\u003e1. I. Allegro non troppo\u003cbr\u003e(Cadenza\/Kadenz: Jos. Joachim) 22ʻ03\u003cbr\u003e2. II. Adagio 9ʻ29\u003cbr\u003e3. III. Allegro giocoso, ma non troppo\u003cbr\u003e8ʻ02\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eConductor \/ Dirigent Pierre Monteux\u003cbr\u003erecorded \/ aufgenommen 1958\u003cbr\u003eLM 2281, Grand Prix du Disque\u003cbr\u003eTRIO FOR PIANO, VIOLIN AND HORN\u003cbr\u003eIN E FLAT MAJOR, Op. 40\u003cbr\u003eTrio für Klavier, Violine und Horn,\u003cbr\u003eEs-Dur, op. 40\u003cbr\u003e4. I. Andante 8ʻ44\u003cbr\u003e5. II. Scherzo: Allegro 7ʻ21\u003cbr\u003e6. III. Adagio mesto 8ʻ07\u003cbr\u003e7. IV. Finale: Allegro con brio 6ʻ17\u003cbr\u003eVictor Babin piano\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eJoseph Eger french horn\u003cbr\u003erecorded \/ aufgenommen 1959\u003cbr\u003eTotal Time 70ʻ10\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 4\u003cbr\u003eJohannes Brahms (1833 ñ 1897)\u003cbr\u003eSONATA FOR PIANO AND VIOLIN No.\u003cbr\u003e1 IN G MAJOR, Op. 78\u003cbr\u003eSonate für Klavier und Violine Nr. 1,\u003cbr\u003eG-Dur, op. 78\u003cbr\u003e1. I. Vivace, ma non troppo 10ʻ35\u003cbr\u003e2. II. Adagio 7ʻ43\u003cbr\u003e3. III. Allegro molto moderato 9ʻ33\u003cbr\u003eSONATA FOR PIANO AND VIOLIN No.\u003cbr\u003e2 IN A MAJOR, Op. 100\u003cbr\u003eSonate für Klavier und Orchester Nr. 2,\u003cbr\u003eA-Dur, op. 100\u003cbr\u003e4. IV. Allegro amabile 8ʻ18\u003cbr\u003e5. V. Andante tranquillo ñ Vivace 6ʻ07\u003cbr\u003e6. VI. Allegretto grazioso (quasi\u003cbr\u003eAndante) 5ʻ57\u003cbr\u003eArthur Rubinstein piano\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003erecorded \/ aufgenommen 1960\u003cbr\u003eLSC 2620\u003cbr\u003eTotal Time 48ʻ21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003eJohannes Brahms (1833 ñ 1897)\u003cbr\u003eSONATA FOR PIANO AND VIOLIN No.\u003cbr\u003e3 IN D MINOR, Op. 108\u003cbr\u003eSonate für Klavier und Violine Nr. 3,\u003cbr\u003ed-Moll, op. 108\u003cbr\u003e1. I. Allegro 7ʻ45\u003cbr\u003e2. II. Adagio 4ʻ41\u003cbr\u003e3. III. Un poco presto e con sentimento\u003cbr\u003e3ʻ00\u003cbr\u003e4. IV. Presto agitato 5ʻ53\u003cbr\u003eLudwig van Beethoven (1770 ñ 1827)\u003cbr\u003eSONATA FOR PIANO AND VIOLIN No.\u003cbr\u003e8 IN G MAJOR, Op. 30 No. 3\u003cbr\u003eSonate für Klavier und Violine Nr. 8,\u003cbr\u003eG-Dur, op. 30\/3\u003cbr\u003e5. I. Allegro assai 4ʻ31\u003cbr\u003e6. II. Tempo di minuetto, ma molto\u003cbr\u003emoderato e grazioso 8ʻ08\u003cbr\u003e7. III. Allegro vivace 3ʻ28\u003cbr\u003eArthur Rubinstein piano\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003erecorded \/ aufgenommen 1960 (1-4)\u003cbr\u003e1961 (5-7)\u003cbr\u003eLSC 2619 (1-4) LSC 2620 (5-7)\u003cbr\u003eTotal Time 37ʻ34\u003cbr\u003eCD 6\u003cbr\u003ePjotr I. Tchaikovsky (1840 ñ 1893)\u003cbr\u003eVIOLIN CONCERTO IN D MAJOR, Op.\u003cbr\u003e35\u003cbr\u003eKonzert für Violine und Orchester,\u003cbr\u003eD-Dur, op. 35\u003cbr\u003e1. I. Allegro moderato 17ʻ31\u003cbr\u003e2. II. Canzonetta: Andante 6ʻ31\u003cbr\u003e3. III. Finale: Allegro vivacissimo 9ʻ30\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eBoston Symphony Orchestra\u003cbr\u003eConductor \/ Dirigent Charles Munch\u003cbr\u003erecorded \/ aufgenommen 1959\u003cbr\u003eLSC 2363\u003cbr\u003eHenri Vieuxtemps (1820 ñ 1881)\u003cbr\u003eVIOLIN CONCERTO No. 4 IN D\u003cbr\u003eMINOR, Op. 31\u003cbr\u003eKonzert für Violine und Orchester Nr. 4,\u003cbr\u003ed-Moll, op. 31\u003cbr\u003e4. I. Andante. Moderato 13ʻ04\u003cbr\u003e5. II. Scherzo. Vivace. Trio meno mosso.\u003cbr\u003eTempo I 4ʻ48\u003cbr\u003e6. III. Finale marciale. Andante. Allegro\u003cbr\u003e7ʻ25\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eSüdwestfunk-Sinfonieorchester\u003cbr\u003eBaden-Baden\u003cbr\u003eConductor \/ Dirigent Hans Rosbaud\u003cbr\u003erecorded \/ aufgenommen 1955\u003cbr\u003eTotal Time 58ʻ57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 7\u003cbr\u003eRobert Schumann (1810 ñ 1856) 7\u003cbr\u003eVIOLIN CONCERTO IN D MINOR\u003cbr\u003eKonzert für Violine und Orchester, d-Moll\u003cbr\u003e1. I. In kr‰ftigem, nicht zu schnellem\u003cbr\u003eTempo 13ʻ23\u003cbr\u003e2. II. Langsam (attacca) 6ʻ29\u003cbr\u003e3. III. Lebhaft, doch nicht zu schnell 9ʻ24\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eSüdwestfunk-Sinfonieorchester\u003cbr\u003eBaden-Baden\u003cbr\u003eConductor \/ Dirigent Hans Rosbaud\u003cbr\u003erecorded \/ aufgenommen 1957\u003cbr\u003eJohann Sebastian Bach (1685 ñ 1750)\u003cbr\u003eSONATA FOR SOLO VIOLIN No. 1 IN G\u003cbr\u003eMINOR, BWV 1001\u003cbr\u003eSonate für Violine solo Nr. 1, g-Moll,\u003cbr\u003eBWV 1001\u003cbr\u003e4. I. Adagio 4ʻ23\u003cbr\u003e5. II. Fuga. Allegro 5ʻ48\u003cbr\u003e6. III. Siciliano 3ʻ30\u003cbr\u003e7. IV. Presto 2ʻ49\u003cbr\u003eSONATA FOR SOLO VIOLIN No. 2 IN A\u003cbr\u003eMINOR, BWV 1003\u003cbr\u003eSonate für Violine solo Nr. 2, a-Moll,\u003cbr\u003eBWV 1003\u003cbr\u003e8. I. Grave 4ʻ24\u003cbr\u003e9. II. Fuga 8ʻ13\u003cbr\u003e10. III. Andante 5ʻ15\u003cbr\u003e11. IV. Allegro 4ʻ29\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003erecorded \/ aufgenommen 1955\u003cbr\u003eTotal Time 68ʻ15\u003cbr\u003eCD 8\u003cbr\u003eJohann Sebastian Bach (1685 ñ 1750)\u003cbr\u003ePARTITA FOR SOLO VIOLIN No. 1 IN B\u003cbr\u003eMINOR, BWV 1002\u003cbr\u003ePartita für Violine solo Nr. 1, h-Moll, BWV 1002\u003cbr\u003e1. I. Allemande Double7ʻ12\u003cbr\u003e2. II. Courante Double. Presto 5ʻ19\u003cbr\u003e3. III. Sarabande Double 4ʻ07\u003cbr\u003e4. IV. Tempo di bourree Double 4ʻ40\u003cbr\u003ePARTITA FOR SOLO VIOLIN No. 3 IN E\u003cbr\u003eMAJOR, BWV 1006\u003cbr\u003ePartita für Violine solo Nr. 3, E-Dur, BWV 1006\u003cbr\u003e5. I. Preludio 3ʻ51\u003cbr\u003e6. II. Loure 3ʻ07\u003cbr\u003e7. III. Gavotte en Rondeau 3ʻ09\u003cbr\u003e8. IV. Menuett I 1ʻ16\u003cbr\u003e9. V. Menuett II 1ʻ21\u003cbr\u003e10. VI. Bourree 1ʻ11\u003cbr\u003e11. VII. Gigue 1ʻ32\u003cbr\u003eJohann Sebastian Bach (1685 ñ 1750)\u003cbr\u003ePARTITA FOR SOLO VIOLIN No. 2 IN D\u003cbr\u003eMINOR, BWV 1004\u003cbr\u003ePartita für Violine solo Nr. 2, d-Moll, BWV 1004\u003cbr\u003e12. I. Allemande 3ʻ35\u003cbr\u003e13. II. Courante 2ʻ18\u003cbr\u003e14. III. Sarabande 4ʻ05\u003cbr\u003e15. IV. Gigue 3ʻ21\u003cbr\u003e16. V. Chaconne 14ʻ06\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003erecorded \/ aufgenommen 1955\u003cbr\u003ePietro Nardini (1722 ñ 1793) Arr. Hans Sitt,\u003cbr\u003eGustav Havemann\u003cbr\u003eVIOLIN CONCERTO IN E MINOR\u003cbr\u003eKonzert für Violine und Orchester, e-Moll\u003cbr\u003e17. I. Allegro moderato 4ʻ20\u003cbr\u003e18. II. Andante cantabile 3ʻ52\u003cbr\u003e19. III. Allegro giocoso 2ʻ58\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eSüdwestfunk-Sinfonieorchester Baden-Baden\u003cbr\u003eConductor \/ Dirigent Hans Rosbaud\u003cbr\u003erecorded \/ aufgenommen 1955\u003cbr\u003eTotal Time 75ʻ35\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 9\u003cbr\u003e…douard Lalo (1823 ñ 1892) 9\u003cbr\u003eSYMPHONY ESPAGNOLE IN D\u003cbr\u003eMINOR, Op. 21\u003cbr\u003eSinfonie espagnole, d-Moll, op. 21\u003cbr\u003e1. I. Allegro non troppo 7ʻ51\u003cbr\u003e2. II. Scherzando: Allegro molto 4ʻ13\u003cbr\u003e3. III. Intermezzo: Allegretto non troppo\u003cbr\u003e6ʻ22\u003cbr\u003e4. IV. Andante 7ʻ34\u003cbr\u003e5. V. Rondo: Allegro 8ʻ25\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eChicago Symphony Orchestra\u003cbr\u003eConductor \/ Dirigent Walter Hendl\u003cbr\u003erecorded \/ aufgenommen 1959\u003cbr\u003eLSC 2456\u003cbr\u003eJohann Sebastian Bach (1685 ñ 1750)\u003cbr\u003eSONATA FOR VIOLIN SOLO No. 3 IN C\u003cbr\u003eMAJOR, BWV 1005\u003cbr\u003eSonate für Violine solo Nr. 3, C-Dur,\u003cbr\u003eBWV 1005\u003cbr\u003e6. I. Adagio 4ʻ44\u003cbr\u003e7. II. Fuga. Alla breve 11ʻ58\u003cbr\u003e8. III. Largo 4ʻ13\u003cbr\u003e9. IV. Allegro assai 4ʻ02\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003erecorded \/ aufgenommen 1955\u003cbr\u003eTotal Time 59ʻ30\u003cbr\u003eCD 10\u003cbr\u003eMaurice Ravel (1875 ñ 1937)\u003cbr\u003e1. TZIGANE ñ Rhapsodie des Concert 9ʻ38\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eSüdwestfunk-Sinfonieorchester\u003cbr\u003eBaden-Baden\u003cbr\u003eConductor \/ Dirigent Hans Rosbaud\u003cbr\u003erecorded \/ aufgenommen 1957\u003cbr\u003eTomaso Antonio Vitali (1663 ñ 1745)\u003cbr\u003e2. CIOACONNA IN G MINOR \/ g-Moll 10ʻ05\u003cbr\u003eGiuseppe Tartini (1692 ñ 1770)\u003cbr\u003e3. ìTHE DEVILʼS TRILLî- SONATA 15ʻ03\u003cbr\u003e(transcribed by F. Kreisler)\u003cbr\u003e�Teufelstriller“-Sonate\u003cbr\u003e4. VARIATIONS on a Theme of Corelli 4ʻ39\u003cbr\u003e(transcribed by Z. Francescatti)\u003cbr\u003eChristoph Willibald Gluck (1714 ñ 1787)\u003cbr\u003e5. MELODY \/ Melodie (transcribed by F.\u003cbr\u003eKreisler) 3ʻ10\u003cbr\u003eDance of the Blessed Spirits from �Orfeo ed\u003cbr\u003eEuridiceì\u003cbr\u003eTanz der seligen Geister\u003cbr\u003eFritz Kreisler (1875 ñ 1962)\u003cbr\u003e6. ALLEGRETTO, in the manner of\u003cbr\u003eBoccherini 2ʻ26\u003cbr\u003eRobert Schumann (1810 ñ 1856)\u003cbr\u003e7. BIRD AS PROPHET, from ìWoodland\u003cbr\u003eSzenesî 3ʻ28\u003cbr\u003e(transcribed by J. Heifetz)\u003cbr\u003eVogel als Prophet, aus �Waldszenen“, op.\u003cbr\u003e82\/7\u003cbr\u003eErnesto Halffter (1905 ñ 1989)\u003cbr\u003e8. GIPSY DANCE \/ Danza de la Gitana 3ʻ27\u003cbr\u003eZigeunertanz (transcribed by J. Heifetz)\u003cbr\u003eHenryk Wieniawski (1835 ñ 1880)\u003cbr\u003e9. SCHERZO TARANTELLE, Op. 16 4ʻ22\u003cbr\u003eHenryk Szeryng violin\u003cbr\u003eCharles Reiner piano\u003cbr\u003erecorded \/ aufgenommen 1959 (2-9)\u003cbr\u003eLSC 2421\u003cbr\u003eTotal Time 56ʻ25\u003c\/p\u003e","brand":"FERMATA","offers":[{"title":"Default Title","offer_id":31370662445143,"sku":"4053796004512","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/700451_front.jpg?v=1735248719","url":"https:\/\/classicselectworld.com\/de-de\/products\/szyreng-milestones-of-a-legend","provider":"ClassicSelect World","version":"1.0","type":"link"}