{"product_id":"the-liszt-legacy","title":"THE LISZT LEGACY - ARRAU, DE LARROCHA, LEWENTHAL, MOISEIWITCH, PETRI (10 CDs)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe pièce de résistance of Deutsche Grammophon’s Liszt 200th anniversary celebration is a 10-CD box that brings together five great piano virtuosos of the past in a staggeringly display of virtuosity and “old-style” pianism – quite unlike anything else on offer in Liszt Year.\u003cbr\u003e\u003cbr\u003eThe artists – Claudio Arrau, Alicia de Larrocha, Raymond Lewenthal, Benno Moiseiwitch and Egon Petri - can be regarded as Liszt’s heirs for their astounding virtuosic command, for having created a repertoire of their own, or for having studied with Liszt’s own pupils or grand-pupils. The excellent booklet essay by Jed Distler sets out the very convincing rationale behind the choices.\u003cbr\u003e\u003cbr\u003eThe box draws exclusively on recordings from the American Decca and Westminster labels, most of which have never been released on CD, and, in the case of Claudio Arrau, are now being released for the very first time.\u003cbr\u003e\u003cbr\u003ePainstakingly restored, the recordings, from the 1950s and early 1960s, both mono and stereo, have come up wonderfully well. Arrau plays previously unreleased Beethoven (five favourite sonatas) and Chopin; De Larrocha offers pristine accounts of her core repertoire of Granados, Turina and Mompou; Lewenthal has scintillating Scriabin, an incandescent programme of Toccatas and Encores; Moiseiwitch, in his last recorded sessions (New York, 1961), ranges from Beethoven and Schumann to Mussorgsky; and Petri unfolds an unforgettable programme of Liszt and Busoni. Each artist has two CDs to display his or her powers. A summary of content is below.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ethis is an enthralling collection which pianophiles will relish...carefully annotated and handsomely presented. We must hope for further treasures from the same source: the Decca vaults are deep. --GRAMOPHONE\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBeethoven: Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier'\u003cbr\u003eClaudio Arrau (piano)\u003cbr\u003eRecorded: 1954\u003cbr\u003e\u003cbr\u003e1. Allegro\u003cbr\u003e2. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I)\u003cbr\u003e3. Adagio sostenuto\u003cbr\u003e4. Largo - Allegro risoluto\u003cbr\u003e\u003cbr\u003eBeethoven: Piano Sonata No. 8 in C minor, Op. 13 'Pathetique'\u003cbr\u003eClaudio Arrau (piano)\u003cbr\u003eRecorded: 1954\u003cbr\u003e\u003cbr\u003e1. Grave - Allegro di molto e con brio\u003cbr\u003e2. Adagio cantabile\u003cbr\u003e3. Rondo (Allegro)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBeethoven: Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight'\u003cbr\u003eClaudio Arrau (piano)\u003cbr\u003eRecorded: 1954\u003cbr\u003e\u003cbr\u003e1. Adagio sostenuto\u003cbr\u003e2. Allegretto\u003cbr\u003e3. Presto agitato\u003cbr\u003e\u003cbr\u003eBeethoven: Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'\u003cbr\u003eClaudio Arrau (piano)\u003cbr\u003eRecorded: 1954\u003cbr\u003e\u003cbr\u003e1. Allegro assai\u003cbr\u003e2. Andante con moto\u003cbr\u003e3. Allegro ma non troppo\u003cbr\u003e\u003cbr\u003eBeethoven: Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'\u003cbr\u003eClaudio Arrau (piano)\u003cbr\u003eRecorded: 1954\u003cbr\u003e\u003cbr\u003e1. Das Lebewohl (Adagio - Allegro)\u003cbr\u003e2. Abwesenheit (Andante espressivo)\u003cbr\u003e3. Das Wiedersehen (Vivacissimamente)\u003cbr\u003e\u003cbr\u003eChopin: Fantasia in F minor, Op. 49\u003cbr\u003eClaudio Arrau (piano)\u003cbr\u003eRecorded: 1954\u003cbr\u003e\u003cbr\u003eTurina: Danzas fantásticas, Op. 22\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1953-11-03\u003cbr\u003e\u003cbr\u003e1. Exaltación\u003cbr\u003e2. Ensueño\u003cbr\u003e3. Orgía\u003cbr\u003e\u003cbr\u003eTurina: Preludios, Op.80 (Ciclo pianistico, VII)\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1953-11-03\u003cbr\u003e\u003cbr\u003e1. Adagio\u003cbr\u003e2. Allegretto\u003cbr\u003e3. Allegro giusto\u003cbr\u003e4. Allegretto\u003cbr\u003e5. Adagio - Allegro vivo\u003cbr\u003e\u003cbr\u003eTurina: Souvenirs de l’Ancienne Espagne, Op. 48\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1953-11-03\u003cbr\u003e\u003cbr\u003e1. La eterna Carmen\u003cbr\u003e2. Habanera\u003cbr\u003e3. Don Juan\u003cbr\u003e4. Estudiantina\u003cbr\u003e\u003cbr\u003eTurina: Partita, Op. 57\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1953-11-03\u003cbr\u003e\u003cbr\u003e1. Preludio\u003cbr\u003e2. Zarabanda\u003cbr\u003e3. Capricho\u003cbr\u003e4. Introducción y giga\u003cbr\u003e\u003cbr\u003eGranados: Escenas romanticas\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1956-01-11\u003cbr\u003e\u003cbr\u003e1. Mazurka\u003cbr\u003e2. Berceuse\u003cbr\u003e3. Lento con extasis\u003cbr\u003e4. Allegretto\u003cbr\u003e5. Allegretto appassionato\u003cbr\u003e6. Epilogo: Andantino spianato\u003cbr\u003e\u003cbr\u003eGranados: Goyescas (piano suite)\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1955-05-01\u003cbr\u003e\u003cbr\u003e1. Los requiebros\u003cbr\u003e2. Coloquio en la reja\u003cbr\u003e3. El Fandango del Candi\u003cbr\u003e4. Allegretto\u003cbr\u003e5. Allegretto appassionato\u003cbr\u003e6. Epilogo: Andantino spianato\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMompou: Impresiones Intimas\u003cbr\u003eAlicia de Larrocha (piano)\u003cbr\u003eRecorded: 1955\u003cbr\u003e\u003cbr\u003e1. Planys I\u003cbr\u003e2. Planys II\u003cbr\u003e3. Planys III\u003cbr\u003e4. Quejas ó la maja y el ruiseñor\u003cbr\u003e5. El amor y la muerte (Balada)\u003cbr\u003e6. Epilogo (Serenata del espectro)\u003cbr\u003e7. El pelele (Escena goyesca)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eScriabin: Preludes (24), Op. 11\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1956-06-05\u003cbr\u003e\u003cbr\u003eNo. 1 in C\u003cbr\u003eNo. 5 in D\u003cbr\u003eNo. 7 in A\u003cbr\u003eNo. 9 in E\u003cbr\u003eNo. 20 in C minor\u003cbr\u003eNo. 12 in G sharp minor\u003cbr\u003eNo. 11 in B\u003cbr\u003eNo. 18 in F minor\u003cbr\u003eNo. 10 in C sharp minor\u003cbr\u003eNo. 13 in G flat\u003cbr\u003eNo. 19 in E flat\u003cbr\u003eNo. 4 in E minor\u003cbr\u003eNo. 3 in G\u003cbr\u003eNo. 16 in B flat minor\u003cbr\u003eNo. 17 in A flat\u003cbr\u003eNo. 14 in E flat minor\u003cbr\u003eNo. 15 in D flat\u003cbr\u003eNo. 8 in F sharp minor\u003cbr\u003eNo. 2 in A minor\u003cbr\u003eNo. 21 in B flat\u003cbr\u003eNo. 6 in B minor\u003cbr\u003eNo. 22 in G minor\u003cbr\u003eNo. 23 in F\u003cbr\u003eNo. 24 in D minor\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eScriabin: Preludes (5), Op. 74\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eNo.1\u003cbr\u003eNo.2\u003cbr\u003eNo.3\u003cbr\u003eNo.4\u003cbr\u003eNo.5\u003cbr\u003e\u003cbr\u003eScriabin: Fantasy in B minor, Op. 28\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1956-06-05\u003cbr\u003e\u003cbr\u003eScriabin: Vers la flamme, Op. 72\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1956-06-05\u003cbr\u003e\u003cbr\u003eanon.: Greensleeves to a Ground for Treble Recorder and Continuo - Greensleeves\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003eGreensleeves\u003cbr\u003e\u003cbr\u003eSaint-Saëns: Le Carnaval des Animaux - Paraphrase by Godowsky\u003cbr\u003eRaymond Lewenthal (piano), Leopold Godowsky (work arranger)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003eXIII The Swan\u003cbr\u003e\u003cbr\u003eFelix Mendelssohn, Franz Liszt: On The Wings Of Song Opus 34 No.2\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003eRachmaninov: How Beautiful It Is Here (Zdes' khorosho), Op.21, No.7 - How Fair This Spot\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003eHow Fair This Spot\u003cbr\u003e\u003cbr\u003eSchumann: Toccata in C major, Op. 7\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAlkan: Toccatina in C minor, Op.75\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCzerny: Toccata in C Major, Op.92\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003eAzzolini della Ciaia: Toccata in G minor\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBach, J S: Toccata in C minor, BWV911\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eProkofiev: Toccata in D minor, Op. 11\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e Excerpt, Debussy: Pour le piano\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e3. Toccata\u003cbr\u003e\u003cbr\u003e Excerpt, Ravel: Le Tombeau de Couperin\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e6. Toccata\u003cbr\u003e\u003cbr\u003eValery Jelobinsky: Toccata in C major, Op.19, No.1\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLewenthal: Toccata alla Scarlatti\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMenotti: Ricercare and Toccata on a Theme from 'The Old Maid and the Thief'\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1955-07\u003cbr\u003e\u003cbr\u003eRubinstein, A: 6 Soirées de Saint-Pétersbourg, Op.44\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003eRomance\u003cbr\u003e\u003cbr\u003eMassenet: Elégie\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSchubert: Serenade (from Schwanengesang)\u003cbr\u003eRaymond Lewenthal (piano), Franz Liszt (work arranger)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003e Excerpt, Debussy: Suite Bergamasque\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003e3. Clair de lune\u003cbr\u003e\u003cbr\u003eLiszt: Liebestraum, S541 No. 3 (Nocturne in A flat major)\u003cbr\u003eRaymond Lewenthal (piano)\u003cbr\u003eRecorded: 1957-07\u003cbr\u003e\u003cbr\u003eSchumann: Carnaval, Op. 9\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e1. Préambule\u003cbr\u003e2. Pierrot\u003cbr\u003e3. Arlequin\u003cbr\u003e4. Valse noble\u003cbr\u003e5. Eusebius\u003cbr\u003e6. Florestan\u003cbr\u003e7. Coquette\u003cbr\u003e8a. Réplique\u003cbr\u003e9. Papillons\u003cbr\u003e10. A.S.C.H.-S.C.H.A. (Lettres dansantes)\u003cbr\u003e11. Chiarina\u003cbr\u003e12. Chopin\u003cbr\u003e13. Estrella\u003cbr\u003e14. Reconnaissance\u003cbr\u003e15. Pantalon et Colombine\u003cbr\u003e16a. Valse Allemande\u003cbr\u003e16b. Intermezzo: Paganini\u003cbr\u003e17. Aveu\u003cbr\u003e18. Promenade\u003cbr\u003e19. Pause\u003cbr\u003e20. Marche des \"Davidsbündler\" contre les Philistins\u003cbr\u003e\u003cbr\u003eSchumann: Kreisleriana, Op. 16\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e1. Äusserst bewegt\u003cbr\u003e2. Sehr innig und nicht zu rasch - Intermezzo I (Sehr lebhaft) - Tempo I - Intermezzo II (Etwas bewegter) - Tempo I\u003cbr\u003e3. Sehr aufgeregt\u003cbr\u003e4. Sehr langsam\u003cbr\u003e5. Sehr lebhaft\u003cbr\u003e6. Sehr langsam\u003cbr\u003e7. Sehr rasch\u003cbr\u003e8. Schnell und spielend\u003cbr\u003e\u003cbr\u003eSchumann: Kinderszenen, Op. 15\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1. Von fremden Ländern und Menschen\u003cbr\u003e2. Kuriose Geschichte\u003cbr\u003e3. Hasche-Mann\u003cbr\u003e4. Bittendes Kind\u003cbr\u003e5. Glückes genug\u003cbr\u003e6. Wichtige Begebenheit\u003cbr\u003e7. Träumerei\u003cbr\u003e8. Am Kamin\u003cbr\u003e9. Ritter vom Steckenpferd\u003cbr\u003e10. Fast zu ernst\u003cbr\u003e11. Fürchtenmachen\u003cbr\u003e12. Kind im Einschlummern\u003cbr\u003e13. Der Dichter spricht\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSchumann: Arabeske in C major, Op. 18\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003eMussorgsky: Pictures at an Exhibition - arranged by Moiseiwitsch\u003cbr\u003eBenno Moiseiwitsch (piano), Benno Moiseiwitsch (work arranger)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePromenade\u003cbr\u003eGnomus\u003cbr\u003ePromenade\u003cbr\u003eIl vecchio castello\u003cbr\u003ePromenade\u003cbr\u003eTuileries\u003cbr\u003eBydlo\u003cbr\u003ePromenade\u003cbr\u003eBallet of the unhatted chicks\u003cbr\u003eSamuel Goldenberg and Schmuyle\u003cbr\u003eThe market-place at Limoges\u003cbr\u003eCatacombae\u003cbr\u003eCum mortuis in lingua mortua\u003cbr\u003eThe hut on chicken's legs\u003cbr\u003eThe Bogatyr Gate at Kiev\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBeethoven: Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight'\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1. Adagio sostenuto\u003cbr\u003e2. Allegretto\u003cbr\u003e3. Presto agitato\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBeethoven: Piano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e1. Das Lebewohl (Adagio - Allegro)\u003cbr\u003e2. Abwesenheit (Andante espressivo)\u003cbr\u003e3. Das Wiedersehen (Vivacissimamente)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBeethoven: Andante Favori in F, WoO 57\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e Excerpt, Schumann: Waldszenen, Op. 82\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003cbr\u003e\u003cbr\u003e7. Vogel als Prophet\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e Excerpt, Schumann: Romances (3), Op. 28\u003cbr\u003eBenno Moiseiwitsch (piano)\u003cbr\u003eRecorded: 1961\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNo. 2 in F sharp (Einfach)\u003cbr\u003e\u003cbr\u003eFelix Mendelssohn, Franz Liszt: Paraphrase on \"Wedding March\" and \"Elfin Chorus\" from Mendelssohn's \"Midsummer Night's Dream\"\u003cbr\u003eEgon Petri (piano)\u003cbr\u003e\u003cbr\u003eCharles Gounod, Franz Liszt, Ferruccio Busoni: Waltz from Gounod's \"Faust\"\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (cadenzor)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eFranz Liszt, Ludwig van Beethoven: Adélaide (after Beethoven)\u003cbr\u003eEgon Petri (piano)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eLiszt: Mephisto Waltz No. 1\u003cbr\u003e\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (work arranger)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eLiszt: Fantasy on two themes from Mozart's \"Le Nozze di Figaro\", S.697 - edited and completed by F. Busoni\u003cbr\u003eEgon Petri (piano)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eFantasie on two motives from Mozart's \"Marriage of Figaro\"\u003cbr\u003e\u003cbr\u003eBusoni: Fantasia Contrappuntistica\u003cbr\u003eEgon Petri (piano)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003ePreludio corale\u003cbr\u003eFuga I\u003cbr\u003eFuga II\u003cbr\u003eFuga III\u003cbr\u003eIntermezzo\u003cbr\u003eVariazione I\u003cbr\u003eVariazone II - Variazione III\u003cbr\u003eCadenza\u003cbr\u003eFuga IV - Corale - Stretta\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBach, J S: Toccata \u0026amp; Fugue in D minor, BWV565\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (work arranger)\u003cbr\u003eRecorded: 1956-06-21\u003cbr\u003e\u003cbr\u003eToccata\u003cbr\u003eFugue\u003cbr\u003e\u003cbr\u003eBach, J S: Toccata, Adagio and Fugue in C, BWV 564 - Arr. for piano by F. Busoni (1866 - 1924)\u003cbr\u003e\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (work arranger)\u003cbr\u003eRecorded: 1956-06-21\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eToccata\u003cbr\u003eAdagio\u003cbr\u003eFugue\u003cbr\u003e\u003cbr\u003eBach, J S: Prelude and Fugue in E flat, BWV 552 - Arr. for piano by F. Busoni (1886-1924)\u003cbr\u003e\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (work arranger)\u003cbr\u003eRecorded: 1956-06-21\u003cbr\u003e\u003cbr\u003ePrelude\u003cbr\u003eFugue\u003cbr\u003e\u003cbr\u003eBach, J S: Prelude and Fugue in D major, BWV 532 - Arr. for piano by F. Busoni\u003cbr\u003e\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (work arranger)\u003cbr\u003eRecorded: 1956-06-21\u003cbr\u003e\u003cbr\u003ePrelude\u003cbr\u003eFugue\u003cbr\u003e\u003cbr\u003eBach, J S: Chorale Prelude BWV645 'Wachet auf, ruft uns die Stimme'\u003cbr\u003eEgon Petri (piano)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eWachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake') - Transcribed for piano Ferruccio Busoni (1866-1924)\u003cbr\u003e\u003cbr\u003eBach, J S: In dir ist Freude (Fantasia), BWV 615 - Transcribed for piano Ferruccio Busoni (1866-1924)\u003cbr\u003eEgon Petri (piano)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eBach, J S: Chorale Prelude BWV639 'Ich ruf' zu dir, Herr Jesu Christ'\u003cbr\u003eEgon Petri (piano), Ferruccio Busoni (work arranger)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eBach, J S: Chorale Prelude BWV734 'Nun freut euch, lieben Christen gmein'\u003cbr\u003eEgon Petri (piano)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eBuxtehude: Now We Thank Thee\u003cbr\u003eEgon Petri (piano), Egon Petri (work arranger)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eBach, J S: I Step Before Thy Throne, O Lord\u003cbr\u003eEgon Petri (piano), Egon Petri (work arranger)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eBach, J S: Minuet (from Notebook for W.F. Bach, BWV 841 - 3)\u003cbr\u003eEgon Petri (piano), Egon Petri (work arranger)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003e Excerpt, Bach, J S: Cantata BWV208 'Was mir behagt, ist nur die muntre Jagd!'\u003cbr\u003eEgon Petri (piano), Egon Petri (work arranger)\u003cbr\u003eRecorded: 1956-06-22\u003cbr\u003e\u003cbr\u003eSheep may safely graze\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DEUTSCHE GRAMMOPHON","offers":[{"title":"Default Title","offer_id":32297647177815,"sku":"0028947795278","price":52.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiODAwMTc1NC4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6OTAwfSwianBlZyI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0IjoianBlZyJ9LCJ0aW1lc3RhbXA.jpg?v=1597083194","url":"https:\/\/classicselectworld.com\/de-de\/products\/the-liszt-legacy","provider":"ClassicSelect World","version":"1.0","type":"link"}