{"product_id":"v-a-female-jazz-singers-sarah-vaughan-dinah-washington-chris-connor-billie-holiday","title":"FEMALE JAZZ SINGERS: Sarah Vaughan, Dinah Washington, Chris Connor, Billie Holiday (10 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_522753e9-66ba-48ea-8558-b0cd53a478e3_480x480.png?v=1646166167\"\u003e\u003c\/p\u003e\n\u003cp\u003eWhat defines a jazz singer? A question that has long stirred the minds of fans and critics. Regarding this, it does not hurt to consult an old master, who has experienced the development of jazz firsthand and was in close personal contact with the greats of this music: Nat Hentoff , Grand Seigneur among jazz authors. He names three key elements, which are equally true for instrumentalists: swing (as implicit and present as the heartbeat), feeling (which one cannot learn, because it expresses how profoundly one has dealt with himself and life), and the personal sound that comes from the fi rst two factors.\u003cbr\u003e\u003cbr\u003eIf this is too abstract, you only have to experience the great artists on this CD box: twenty completely diff erent individualists who, apart from range of voice and other technical factors, have found their personal voice and can easily entice listeners into their cosmos. Aretha Franklin cannot be left out with a recording from her jazz beginnings, skills which are still outstanding today, as one could witness at the great jazz concert for Barack Obama at the White House in 2016, as well as these goddesses of jazz: Ella, Billie, Sarah and Dinah.\u003cbr\u003e\u003cbr\u003eBut there is also a lot of room for musical diversity and the discovery of talents, which have not made a great career for themselves for a variety of reasons ? or are even forgotten today. At second glance it is worthwhile to notice how completely diff erent and individual their interpretative approaches are by comparing the songs in the various versions assembled here, be it with one of the now classic jazz standards from the Great American songbook or the then completely new songs of Oscar Brown Jr., which are presented here in fantastic interpretations by Nina Simone, Abbey Lincoln, and Sheila Jordan, and which became the soundtrack of the Civil Rights Movement in the USA of the Sixties.\u003cbr\u003e\u003cbr\u003eAccompanying these great singers are equally great instrumentalists, virtuosos like Cliff ord Brown (Sarah Vaughan), Milt Jackson and Max Roach (Dinah Washington), Stanley Turrentine and Wynton Kelly (Abbey Lincoln), Jay Jay Johnson and Herbie Mann (Chris Connor), Gerry Mulligan, Art Farmer and Chet Baker (Annie Ross), and the outstanding orchestral directors and arrangers Quincy Jones and Sy Oliver (Della Reese) and many others legends from this Golden Age of Jazz, which today can only be admired from a distance, by means of recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_80976754-e9e0-46de-b62f-ac42fe034a4c_480x480.png?v=1646155801\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD1\u003cbr\u003eSARAH VAUGHAN - WITH CLIFFORD BROWN\u003cbr\u003e1. Lullaby of Birdland (G. Weiss, G. Shearing) 4.02\u003cbr\u003e2. April in Paris (E.Y. Harburg, V. Duke) 6.23\u003cbr\u003e3. He‘s My Guy (D. Raye, G. DePaul) 4.14\u003cbr\u003e4. Jim (C. Petrillo, E. Ross, N. Shawn) 5.53\u003cbr\u003e5. You‘re Not the Kind (I. Mills, W. Hudson) 4.46\u003cbr\u003e6. Embraceable You (G. Gershwin, I. Gershwin) 4.51\u003cbr\u003e7. I‘m Glad There Is You (J. Dorsey, Paul Mertz) 5.11\u003cbr\u003e8. September Song (K. Weill, M. Anderson) 5.47\u003cbr\u003e9. It‘s Crazy (D. Fields, R. Rodgers) 4.58\u003cbr\u003eSarah Vaughan (voc) Clifford Brown (tp)\u003cbr\u003eHerbie Mann (fl) Paul Quinichette (ts)\u003cbr\u003eJimmy Jones (p) Joe Benjamin (b)\u003cbr\u003eRoy Haynes (drs) Ernie Wilkins (arr, conductor)\u003cbr\u003eRecorded in New York City on December 16 and 18, 1954\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDINAH WASHINGTON - SINGS THE BLUES\u003cbr\u003eBETTY ROCHE - SINGS WITH EARL HINES\u003cbr\u003e10. Blues for a Day (J. Henry) 2.53\u003cbr\u003e11. Rich Man‘s Blues (T. Lowe) 2.56\u003cbr\u003e12. All or Nothing (J. Henry) 2.54\u003cbr\u003e13. Beggin‘ Mama Blues (Manges, Baranco) 2.54\u003cbr\u003e14. Chewin‘ Mama Blues (J. Henry) 2.56\u003cbr\u003e15. Pacific Coast Blues (Manges, Baranco) 2.41\u003cbr\u003e16. Wise Woman Blues (J. Henry) 2.50\u003cbr\u003eDinah Washington (voc) Karl George (tp)\u003cbr\u003eJewel Grant (as) Lucky Thompson (ts) Gene Porter\u003cbr\u003e(brs) Milt Jackson (vibes) Wilbert Baranco (p)\u003cbr\u003eCharles Mingus (b) Lee Young (drs)\u003cbr\u003eRecorded in Hollywood, LA, on December 10, 12 and 13, 1945\u003cbr\u003e17. Blues on My Weary Mind (L. Feather) 3.02\u003cbr\u003e18. Trouble, Trouble (L. Feather) 3.25\u003cbr\u003e19. I‘ll Get By (F. Ahlert, R. Turk) 2.22\u003cbr\u003e20. Design for Jivin‘ (L. Feather) 3.18\u003cbr\u003eBetty Roche (voc) Ray Nance (tp, viol)\u003cbr\u003eJohnny Hodges (as) Flip Phillips (ts)\u003cbr\u003eAl Casey (git) Earl Hines (p)\u003cbr\u003eOscar Pettiford (b) Sid Catlett (drs)\u003cbr\u003eRecorded in New York City, on April 26, 1944\u003cbr\u003eTotal Time 78.18\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD2\u003cbr\u003eELLA FITZGERALD \u0026amp; BILLIE HOLIDAY - AT NEWPORT\u003cbr\u003e1. This Can‘t Be Love (R. Rodgers, L. Hart) 1.45\u003cbr\u003e2. I Got It Bad and That Ain‘t Good (D. Ellington, P. Webster) 4.27\u003cbr\u003e3. Body and Soul (E. Heyman, F. Eyton, J. Green, R. Sour) 4.28\u003cbr\u003e4. April in Paris (V. Duke, E.Y. Harburg) 4.02\u003cbr\u003e5. I‘ve Got a Crush on You (G. Gershwin, I. Gershwin) 2.27\u003cbr\u003e6. Airmail Special (B. Goodman, C. Christian, J. Mundy) 4.34\u003cbr\u003e7. I Can‘t Give You Anything But Love (J. McHugh, D. Fields) 7.01\u003cbr\u003eElla Fitzgerald (voc) Don Abney (p) Wendell Marshall\u003cbr\u003e(b) Jo Jones (drs) Recorded at Freebody Park,\u003cbr\u003eNewport, Rhode Island, on July 4, 1957\u003cbr\u003e8. Nice Work If You Can Get It (G. Gershwin, I. Gershwin) 2.39\u003cbr\u003e9. Willow Weep for Me (Ann Ronell) 3.11\u003cbr\u003e10. My Man (A. Willemetz, C. Pollack, J. Charles, M. Yvain) 3.32\u003cbr\u003e11. Lover Come Back to Me (S. Romberg, O. Hammerstein II) 2.07\u003cbr\u003e12. Lady Sings the Blues (B. Holiday, H. Nichols) 3.02\u003cbr\u003e13. What a Little Moonlight Can Do (Harry Woods) 3.17\u003cbr\u003eBillie Holiday (voc) Mal Waldron (p) Joe Benjamin\u003cbr\u003e(b) Jo Jones (drs) Recorded at Freebody Park,\u003cbr\u003eNewport, Rhode Island on July 6, 1957\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDINAH WASHINGTON - AT NEWPORT ‘58\u003cbr\u003e14. Lover Come Back to Me (Sigmund Romberg) 2.23\u003cbr\u003e15. Back Water Blues (Bessie Smith) 4.41\u003cbr\u003e16. Crazy Love (P. Tuminello, S. Cahn) 3.24\u003cbr\u003e17. All of Me (G. Marks, S. Simons) 5.30\u003cbr\u003e18. Backstage Blues (D. Elliot, T. Gibbs, U. Green) 9.22\u003cbr\u003e19. Julie and Jake (Terry Gibbs) 7.47\u003cbr\u003eDinah Washington (voc, tracks 14-17) Blue Mitchell\u003cbr\u003e(tp, 14-16) Melba Liston (tb, 14-16) Urbie Greene (tb,\u003cbr\u003e17-19) Harold Ousley (ts, 14-16) Sahib Shibab (brs,\u003cbr\u003e14-16) Terry Gibbs (vibes, 17-19) Don Elliot (vibes,\u003cbr\u003emellophone, 17-19) Wynton Kelly (p) Paul West (b)\u003cbr\u003eMax Roach (drs) Recorded at the Newport Jazz\u003cbr\u003eFestival, Newport, Rhode Island, on July 6, 1958\u003cbr\u003eTotal Time 79.41\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD3\u003cbr\u003eCHRIS CONNOR - THIS IS CHRIS\u003cbr\u003e1. Blame It on My Youth (Heyman, Levant) 2.40\u003cbr\u003e2. It‘s All Right with Me (Cole Porter) 2.28\u003cbr\u003e3. Someone to Watch over Me (G. Gershwin, I. Gershwin) 3.12\u003cbr\u003e4. Trouble Is a Man (A. Wilder) 2.53\u003cbr\u003e5. All This and Heaven Too (De Lang, Van Heusen, Remick) 3.30\u003cbr\u003e6. The Thrill Is Gone (Brown, Henderson) 2.45\u003cbr\u003e7. I Concentrate on You (Cole Porter) 3.31\u003cbr\u003e8. All Dressed up with a Broken Heart (Patrick, Reese, Val) 1.51\u003cbr\u003e9. From This Moment On (Cole Porter) 2.30\u003cbr\u003e10. Ridin‘ High (Cole Porter) 4.15\u003cbr\u003eChris Connor (voc) J. J. Johnson, Kai Winding (tb)\u003cbr\u003eHerbie Mann (fl) Joe Puma (git) Ralph Sharon (p)\u003cbr\u003eMilt Hinton (b) Osie Johnson (drs)\u003cbr\u003eRecorded in New York City in April, 1955\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eJERI SOUTHERN - COFFEE, CIGARETTES AND MEMORIES\u003cbr\u003e11. Coffee, Cigarettes, Memories (Jeri Southern) 2.54\u003cbr\u003e12. Spring Will Be a Little Late This Year (Frank Loesser) 3.20\u003cbr\u003e13. This Time the Dream‘s on Me (H. Arlen, J. Mercer) 2.37\u003cbr\u003e14. Detour Ahead (L. Carter, H. Ellis, J. Freigo) 2.46\u003cbr\u003e15. The Song Is Ended (Irving Berlin) 2.06\u003cbr\u003e16. Yesterdays (O. Harbach, J. Kern) 2.34\u003cbr\u003e17. Deep in a Dream (E. DeLange, J. Van Heusen) 3.04\u003cbr\u003e18. I‘m Stepping out with a Memory Tonight (H. Magidson, A. Wrubel) 3.03\u003cbr\u003e19. Maybe It‘s Because I Love You Too Much (Irving Berlin) 2.26\u003cbr\u003e20. Yesterday‘s Gardenias (N. Cogane, S. Mysels, D. Robertson) 2.34\u003cbr\u003e21. I Must Have That Man! (D. Fields, J. McHugh) 3.18\u003cbr\u003e22. I‘ll Never Be the Same (G. Kahn, M. Malneck, F. Signorelli) 2.20\u003cbr\u003eJeri Southern (voc) Lennie Hayton (conductor)\u003cbr\u003eRecorded in 1958\u003cbr\u003eTotal Time 62.41\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD4\u003cbr\u003eARETHA FRANKLIN -ARETHA WITH THE RAY BRYANT COMBO\u003cbr\u003e1. Won‘t Be Long (J. Leslie McFarland) 3.13\u003cbr\u003e2. Over the Rainbow (E. Y. Harburg, H. Arlen) 2.41\u003cbr\u003e3. Love Is the Only Thing (J. Leslie McFarland) 2.44\u003cbr\u003e4. Sweet Lover (J. Leslie McFarland, S. Wyche) 3.25\u003cbr\u003e5. All Night Long (C. Lewis) 3.01\u003cbr\u003e6. Who Needs You? (B. Holiday, J. Burns) 2.50\u003cbr\u003e7. Right Now (J. Leslie McFarland) 2.26\u003cbr\u003e8. Are You Sure (M. Willson) 2.44\u003cbr\u003e9. Maybe I‘m a Fool (J. Leslie McFarland) 3.20\u003cbr\u003e10. It Ain‘t Necessarily So (G. Gershwin, I. Gershwin) 2.57\u003cbr\u003e11. (Blue) By Myself (J. Leslie McFarland, J. Bailey) 2.42\u003cbr\u003e12. Today I Sing the Blues (C. Lewis) 2.47\u003cbr\u003eAretha Franklin (voc, p, 1, 6, 8, 9) Quentin Jackson\u003cbr\u003e(tb, 5 \u0026amp; 11) Tyree Glenn (tb, 2, 3, 7, 12) Al Sears (ts, 5,\u003cbr\u003e6, 8, 9, 11) Warren Luckey (ts, 10) Lord Westbrook\u003cbr\u003e(git, 2, 3, 5 -12) Skeeter Best (git, 7) Ray Bryant (p, 1,\u003cbr\u003e2 -5, 7, 10-12) Bill Lee (b, 1- 5, 7, 10- 12) Milt Hinton (b,\u003cbr\u003e6, 8, 9) Belton Evans (drs, 1, 4, 10) Osie Johnson (drs,\u003cbr\u003e2, 3, 7, 12) Sticks Evans (drs, 5, 6, 8, 9, 11)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTHE GEORGE SHEARING QUINTET WITH NANCY WILSON - THE SWINGIN´S MUTUAL!\u003cbr\u003e13. On Green Dolphin Street (Kaper, Washington) 2.26\u003cbr\u003e14. Oh! Look at Me Now (J. Bushkin, J. De Vries) 2.14\u003cbr\u003e15. The Nearness of You (N. Washington) 3.00\u003cbr\u003e16. You Are There (Cy Walter) 2.12\u003cbr\u003e17. Born to the Blue (M. Torme, R. Wells) 2.16\u003cbr\u003e18. Blue Lo (E. Sampson, I. Mills) 2.20\u003cbr\u003e19. Lullaby of Birdland (B. Y. Forster, G. Shearing) 2.26\u003cbr\u003e20. All Night Long (Curtis Lewis) 3.09\u003cbr\u003e21. Inspiration (George Shearing) 2.18\u003cbr\u003e22. The Things We Did Last Summer (J. Styne, S. Cahn) 2.45\u003cbr\u003e23. Don‘t Call Me (Margy Hyams) 2.50\u003cbr\u003e24. Let‘s Live Again (G. Shearing, M. Raskin) 2.25\u003cbr\u003eNancy Wilson (voc, 13, 15, 17, 20, 22, 24)\u003cbr\u003eGeorge Shearing (p) Warren Chaisson (vibes)\u003cbr\u003eDick Garcia (git) Ralph Pena (b)\u003cbr\u003eVernell Fournier (drs) Armando Peraza (per)\u003cbr\u003eRecorded on June 29, July 5 \u0026amp; 6, 1960\u003cbr\u003eand January 7, 1961\u003cbr\u003eTotal Time 65.12\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD5\u003cbr\u003eBETTY ST. CLAIR (WITH HAL MCKUSICK) - WHAT IS THERE TO SAY\u003cbr\u003e1. That Old Black Magic (H. Arlen, J. Mercer) 2.28\u003cbr\u003e2. What Is There to Say (E. Y. Harburg, V. Duke) 3.33\u003cbr\u003e3. East of the Sun (B. Bowman) 2.28\u003cbr\u003e4. Prelude to a Kiss (D. Ellington, I. Mills, I. Gordon) 3.56\u003cbr\u003e5. Out of Nowhere (Heyman, Green) 2.16\u003cbr\u003e6. I Hadn‘t Anyone ‚Til You (A. Wilder, R. Noble) 2.20\u003cbr\u003e7. Almost Like Being in Love (F. Loewe, A. J. Lerner) 2.46\u003cbr\u003e8. Here Comes Trouble Again (???) 3.21\u003cbr\u003e9. My One and Only Love (G. Wood, R. Mellin) 4.09\u003cbr\u003e10. Why Try to Change Me Now (C. Coleman, J. McCarthy) 3.23\u003cbr\u003e11. Skylark (J. Mercer, H. Carmichael) 3.14\u003cbr\u003e12. Give Me the Simple Life (R. Bloom, H. Ruby) 2.00\u003cbr\u003eBetty St. Clair (voc) Phil Sunkel (tp, 2, 5, 7, 8)\u003cbr\u003eBilly Byers (tb, 2, 5, 7, 8) Hal McKusick (as, cl, 2, 5,\u003cbr\u003e7, 8) Gene DiNovi (p, 2, 5, 7, 8) Eddie Swanson (p,\u003cbr\u003eexcept 2, 5, 7, 8) Jimmy Raney (git, 2, 5, 7, 8) Clyde\u003cbr\u003eLombardi (b, 2, 5, 7, 8) Addison Farmer (b, except 2,\u003cbr\u003e5, 7, 8) Jimmy Campbell (drs, 2, 5, 7, 8) Herb Lovelle\u003cbr\u003e(drs, except 2, 5, 7, 8) Recorded in New York City in 1955\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHELEN MERRILL -AMERICAN COUNTRY SONGS\u003cbr\u003e13. Maybe Tomorrow (D. \u0026amp; P. Everly) 2.40\u003cbr\u003e14. I‘m so Lonesome I Could Cry (Hank Williams) 2.17\u003cbr\u003e15. You Don‘t Know Me (C. Walker, E. Arnold) 2.24\u003cbr\u003e16. Condemned Without Trial (H. Blair, D. Robertson) 2.33\u003cbr\u003e17. You Win Again (Hank Williams) 2.31\u003cbr\u003e18. I‘m Here to Get My Baby out of Jail (Karl, Harty) 4.22\u003cbr\u003e19. A Heart Full of Love (E. Arnold, S. Nelson, R. Sochnel) 3.07\u003cbr\u003e20. Cold, Cold Heart (Hank Williams) 2.42\u003cbr\u003e21. Devoted to You (B. Bryant) 2.25\u003cbr\u003e22. My Heart Would Know (Hank Williams) 2.30\u003cbr\u003e23. Any Time (Herb Lawson) 2.43\u003cbr\u003e24. Half as Much (Curley Williams) 2.30\u003cbr\u003eHelen Merrill (voc) Mundell Lowe, Bill Suyker (git)\u003cbr\u003eBernie Leighton (p) Milt Hinton (b)\u003cbr\u003eBobby Rosengarden, Joe Jones (drs)\u003cbr\u003eHarry Lookofsky, Gene Orloff, David Nadien (viol)\u003cbr\u003eAlfred Brown (viola) Harvey Shapiro (cello)\u003cbr\u003eRecorded in New York City on May 25, 1959\u003cbr\u003eTotal Time 68.39\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD6\u003cbr\u003eBETTY CARTER - MEET BETTY CARTER AND RAY BRYANT\u003cbr\u003e1. Sneaking Around (Ray Bryant) 3.17\u003cbr\u003e2. Moonlight in Vermont(J. Blackburn, K. Suessdorf ) 3.25\u003cbr\u003e3. What Is This Thing Called Love (Cole Porter) 2.54\u003cbr\u003e4. Thou Swell (R. Rodgers, L. Hart) 1.41\u003cbr\u003e5. Willow Weep for Me (A. Ronell) 3.35\u003cbr\u003e6. I Could Write a Book (R. Rodgers, L. Hart) 2.38\u003cbr\u003e7. Threesome (Ray Bryant) 2.46\u003cbr\u003e8. Gone with the Wind (H. Magdison, A. Wrubel) 4.12\u003cbr\u003e9. Old Devil Moon (B. Lane, E.Y. Harburg) 4.00\u003cbr\u003e10. The Way You Look Tonight (D. Fields, J. Kern) 2.42\u003cbr\u003e11. No Moon at All (D. Mann, R. Evans) 2.52\u003cbr\u003e12. Can‘t We Be Friends (K. Swift, P. James) 2.27\u003cbr\u003eBetty Carter (voc, 2, 4, 6, 8, 10,12) Ray Bryant (p)\u003cbr\u003eJerome Richardson (fl, 6, 10, 12)\u003cbr\u003eWendell Marshall (b) Philly Joe Jones (drs)\u003cbr\u003eRecorded in New York City May 13, 16 and June 1, 1955\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eNINA SIMONE - FORBIDDEN FRUIT\u003cbr\u003e13. Rags and Old Iron (Curtis, O. Brown Jr.) 4.10\u003cbr\u003e14. No Good Man (Fisher, Higginbotham, Gallop) 3.40\u003cbr\u003e15. Gin House Blues (Henderson, Troy) 3.05\u003cbr\u003e16. I‘ll Look Around (Cross, Cory) 5.05\u003cbr\u003e17. I Love to Love (L. Hayton) 3.25\u003cbr\u003e18. Work Song (N. Adderley, O. Brown Jr.) 2.36\u003cbr\u003e19. Where Can I Go Without You (Lee, Young) 2.52\u003cbr\u003e20. Just Say I Love Him (Val, Dale, Kalmanoff, Ward) 6.36\u003cbr\u003e21. Memphis in June (Carmichael, Webster) 2.39\u003cbr\u003e22. Forbidden Fruit (Oscar Brown Jr.) 3.49\u003cbr\u003eNina Simone (voc, p) Al Schackman (git)\u003cbr\u003eChris White (b) Bob Hamilton (drs)\u003cbr\u003eRecorded in 1961\u003cbr\u003eTotal Time 74.51\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD7\u003cbr\u003eDELLA REESE - THE STORY OF THE BLUES\u003cbr\u003e1. The Story of the Blues (J. Bushkin, J. Burke) 1.28\u003cbr\u003e2. Good Morning Blues (C. Basie, E. Durham, J. Rushing) 3.49\u003cbr\u003e3. Empty Bed Blues (J. C. Johnson) 3.37\u003cbr\u003e4. Squeeze Me (F. Waller, C. Williams) 3.13\u003cbr\u003e5. You‘ve Been a Good Old Wagon (John Henry) 3.34\u003cbr\u003e6. Sent for You Yesterday (And Here You Come Today) 2.28\u003cbr\u003e(C. Basie, E. Durham, J. Rushing)\u003cbr\u003e7. St. James Infirmary (Joe Primrose) 4.00\u003cbr\u003e8. Lover Man (Oh Where Can You Be) (J. Davis, J. Sherman, R. Ramirez) 3.43\u003cbr\u003e9. Things Ain‘t What They Used to Be (M. Ellington) 2.45\u003cbr\u003e10. Stormy Weather (H. Arlen, T. Koehler) 4.09\u003cbr\u003e11. There‘s Always the Blues (J. Bushkin, J. Burke) 3.18\u003cbr\u003eDella Reese (voc, narration)\u003cbr\u003eSy Oliver and his Orchestra, Released in 1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLURLEAN HUNTER - BLUE \u0026amp; SENTIMENTAL\u003cbr\u003e12. Blue Turning Grey over You (F. Waller, A. Razaf) 3.06\u003cbr\u003e13. If You Could See Me Now (T. Dameron, C. Sigman) 2.48\u003cbr\u003e14. My Kinda Love (J. Trent, L. Alter) 3.17\u003cbr\u003e15. Crazy He Calls Me (C. Sigman, B. Russell) 3.27\u003cbr\u003e16. Just Imagine (G. DeSylva, L. Brown, R. Hennderson) 3.34\u003cbr\u003e17. Blue \u0026amp; Sentimental (C. Basie, J. Livingston, M. David) 3.45\u003cbr\u003e18. The Song Is You (J. Kern, O. Hammerstein) 1.51\u003cbr\u003e19. Then I‘ll Be Tired of You (Ee. Y. Harburg, A. Schwartz) 5.33\u003cbr\u003e20. Fool That I Am (Floyd Hunt) 3.49\u003cbr\u003e21. We‘ll Be Together Again (F. Laine, C. Fisher) 4.08\u003cbr\u003e22. As Long as I Live (H. Arlen, T. Koehler) 2.10\u003cbr\u003eLurlean Hunter (voc) Harry Edison (tp) Rudy\u003cbr\u003eRutherford (cl) Bud Freeman (ts) Jim Hall (git)\u003cbr\u003eJimmy Jones (p) George Duvivier or Trigger Alpert\u003cbr\u003e(b) Don Lamond (drs)\u003cbr\u003eRecorded in New York City in 1960\u003cbr\u003eTotal Time 73.56\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD8\u003cbr\u003eCARMEN MCRAE -AFTER GLOW\u003cbr\u003e1. I Can‘t Escape from You (L. Robin, R. A. Whiting) 3.34\u003cbr\u003e2. Guess Who I Saw Today (M. Grand, E. Boyd) 3.38\u003cbr\u003e3. My Funny Valentine (R. Rodgers, L. Hart) 4.23\u003cbr\u003e4. The Little Things That Mean so Much (H. Adamson, T. Wilson) 3.16\u003cbr\u003e5. I‘m Thru with Love (M. Malneck, F. Livingston, G. Kahn) 4.12\u003cbr\u003e6. Nice Work If You Can Get It (G. \u0026amp; I. Gershwin) 2.32\u003cbr\u003e7. East of the Sun (B. Bowman) 2.18\u003cbr\u003e8. Exactly Like You (McHugh, D. Fields) 2.12\u003cbr\u003e9. All My Life (S. H. Stept, S. Mitchell) 4.17\u003cbr\u003e10. Between the Devil and the Deep Blue Sea (H. Arlen, T. Koehler) 2.29\u003cbr\u003e11. Dream of Life (C. McRae, L. Henderson Jr.) 4.02\u003cbr\u003e12. Perdido (J. Tizol, E. Drake, H. J. Lengsfelder) 2.20\u003cbr\u003eCarmen McRae (voc, p, 1, 4, 8, 12) Ray Bryant (p, all\u003cbr\u003eothers) Ike Isaacs (b) Specs Wright (drs)\u003cbr\u003eRecorded in 1957\u003cbr\u003eANNIE ROSS -SINGS A SONG WITH MULLIGAN!\u003cbr\u003e13. I Feel Pretty (L. Bernstein, S. Sondheim) 3.34\u003cbr\u003e14. How About You? (B. Lane, R. Freed) 2.51\u003cbr\u003e15. I‘ve Grown Accustomed to Your Face (F. Loewe, A. J. Lerner) 3.02\u003cbr\u003e16. This Time the Dream‘s on Me (H. Arlen, J. Mercer) 3.24\u003cbr\u003e17. Let There Be Love (L. Rand, I. Grant) 3.44\u003cbr\u003e18. All of You (Cole Porter) 2.19\u003cbr\u003e19. Give Me the Simple Life (R. Bloom, H. Ruby) 3.35\u003cbr\u003e20. This Is Always (H. Warren, M. Gordon) 4.21\u003cbr\u003e21. Between the Devil and the Deep Blue Sea (H. Arlen, T, Koehler) 3.41\u003cbr\u003e22. It Don‘t Mean a Thing (If It Ain‘t Got That Swing) (D. Ellington, I. Mills) 1.39\u003cbr\u003eAnnie Ross (voc) Gerry Mulligan (brs) Art Farmer\u003cbr\u003e(tp, 1, 3, 6-8) Chet Baker (tp, 2 , 4, 5, 9 , 10) Bill Cro\u003cbr\u003e(b, 1, 3, 6-8) Henry Grimes, Dave Bailey (drs)\u003cbr\u003eRecorded in New York City, September 25, 1958\u003cbr\u003e(tracks 1, 3, 6-8), and December 11, 12 1957\u003cbr\u003e(tracks 2 , 4, 5, 9, 10)\u003cbr\u003eTotal Time 71.24\u003cbr\u003eCD9\u003cbr\u003ePEGGY LEE - BLUES CROSS COUNTRY\u003cbr\u003e1. Kansas City (J. Leiber, M. Stoller) 2.30\u003cbr\u003e2. Basin Street Blues (Spencer Williams) 3.05\u003cbr\u003e3. Los Angeles Blues (P. Lee, Q. Jones) 2.38\u003cbr\u003e4. I Lost My Sugar in Salt Lake City (J. Lange, L. Rene) 2.53\u003cbr\u003e5. The Grain Belt Blues (P. Lee, B. Schluger, M. Raskin) 1.52\u003cbr\u003e6. New York City Blues (P. Lee, Q. Jones) 3.22\u003cbr\u003e7. Goin‘ to Chicago Blues (C. Basie, J. Rushing) 2.37\u003cbr\u003e8. San Francisco Blues (P. Lee, B. Schluger, M. Raskin) 2.38\u003cbr\u003e9. Fisherman‘s Wharf (P. Lee, M. Raskin) 3.12\u003cbr\u003e10. Boston Beans (P. Lee, B. Schluger, M. Raskin) 2.05\u003cbr\u003e11. The Train Blues (P. Lee, Q Jones) 2.43\u003cbr\u003e12. St Louis Blues (W. C. Handy) 2.16\u003cbr\u003ePeggy Lee (voc) Quincy Jones Orchestra:\u003cbr\u003eAl Porcino, Bob Fowler, Conrad Gozzo, Jack Sheldon,\u003cbr\u003eJoe Graves, Pete Candoli, Ray Triscari (tp) Bob\u003cbr\u003eKnight, Dick Nash, Frank Rosolino, George Roberts,\u003cbr\u003eHoyt Bohannon, Lew MacCreary, Tommy Shepard,\u003cbr\u003eVern Friley (tb) Benny Carter, Buddy Collette, Bill\u003cbr\u003eGreen (as) Bill Perkins, Buddy Collette, Justin\u003cbr\u003eGordon, Plas Johnson, Bill Green (ts) Jack Nimitz\u003cbr\u003e(brs) Dennis Budimir, Howard Roberts (g)\u003cbr\u003eFrank Strazzeri, Jimmy Rowles (p) Max Bennett (b)\u003cbr\u003eStan Levey (dr) Chico Guerrero, Chano Pozo (perc)\u003cbr\u003eArranged by Quincy Jones (1-7, 9-1)\u003cbr\u003eBenny Carter (8) Conductor Quincy Jones\u003cbr\u003eRecorded at Capitol Studios, Los Angeles on April \/\u003cbr\u003eMay 1961\u003cbr\u003eHONI GORDON - SINGS\u003cbr\u003e13. Strollin´ (C. Mingus, H. Gordon) 4.35\u003cbr\u003e14. Ill Wind (You‘re Blowing Me No Good) (H. Arlen, T. Koehler) 2.30\u003cbr\u003e15. My Kokomo (George Gordon) 5.19\u003cbr\u003e16. Why Try to Change Me Now (Coleman, McCarthy) 5.00\u003cbr\u003e17. Cupid (Leonard, Gordon) 3.22\u003cbr\u003e18. Walkin‘ (Out the Door) (Mary Lou Williams) 3.10\u003cbr\u003e19. Why (Consuela Moorehead) 3.29\u003cbr\u003e20. Love Affair (Leonard, Gordon) 3.44\u003cbr\u003e21. Lament of the Lonely (Esmond Edwards) 2.45\u003cbr\u003eHoni Gordon (voc) Ken McIntyre (as, fl) Wally\u003cbr\u003eRichardson (git) Jaki Byard (p) George Duvivier (b)\u003cbr\u003eEd Shaughnessy (drs)\u003cbr\u003eRecorded at Van Gelder Studios in Englewood Cliffs,\u003cbr\u003eNJ on March 23, 1962\u003cbr\u003eTotal Time 65.47\u003cbr\u003eCD10\u003cbr\u003eABBEY LINCOLN - ABBEY IS BLUE\u003cbr\u003e1. Afro-Blue (Mongo Santamaria) 3.20\u003cbr\u003e2. Lonely House (Weill, Hughes) 3.40\u003cbr\u003e3. Let Up (Abbey Lincoln) 5.30\u003cbr\u003e4. Thursday‘s Child (Boyd, Grand) 3.31\u003cbr\u003e5. Brother, Where Are You? (Oscar Brown Jr.) 3.10\u003cbr\u003e6. Laugh, Clown, Laugh (Young, Lewis, Fiorito) 5.24\u003cbr\u003e7. Come Sunday (Duke Ellington) 5.13\u003cbr\u003e8. Softly, as in a Morning Sunrise (Hammerstein, Romberg) 2.46\u003cbr\u003e9. Lost in the Stars (Weill, Anderson) 4.10\u003cbr\u003e10. Long as You‘re Living (Priester, Brown Jr., T. Turrentine) 2.35\u003cbr\u003eAbbey Lincoln (voc) Kenny Dorham (tp, 2, 4, 7, 8, 9)\u003cbr\u003eTommy Turrentine (tp 1, 3, 6, 10) Julian Priester (tb,\u003cbr\u003e1, 3, 6, 10) Stanley Turrentine (1, 3, 6, 10) Les Spann\u003cbr\u003e(git, 2, 4, 7, 8, 9; fl, 5) Cedar Walton (p, 3, 6) Phil\u003cbr\u003eWright (p, 7, 8, 9) Wynton Kelly (p, 2, 4) Bobby\u003cbr\u003eBoswell (b, 1, 3, 6, 10) Sam Jones (b, 2, 4, 7, 8, 9)\u003cbr\u003ePhilly Joe Jones (drs, 2, 4, 7, 8, 9) Max Roach (drs, 1,\u003cbr\u003e3, 6, 10) Recorded in New York; Spring and Fall, 1959\u003cbr\u003eww\u003cbr\u003eSHEILA JORDAN - PORTRAIT OF SHEILA\u003cbr\u003e11. Falling in Love with Love (Hart \u0026amp; Hart) 2.32\u003cbr\u003e12. If You Could See Me Now (Sigman, Dameron) 4.33\u003cbr\u003e13. Am I Blue (Clarke, Akst) 4.12\u003cbr\u003e14. Dat Dere (Timmons, Brown Jr.) 2.44\u003cbr\u003e15. When the World Was Young (Mercer, Philippe, Gerard) 4.43\u003cbr\u003e16. Let‘s Face the Music and Dance (Irving Berlin) 1.15\u003cbr\u003e17. Laugh, Clown, Laugh (Young, Lewis, Rito) 3.11\u003cbr\u003e18. Who Can I Turn To? (Wilder, Engvick) 3.22\u003cbr\u003e19. Baltimore Oriole (Carmichael, Webster) 2.34\u003cbr\u003e20. I‘m a Fool to Want You (Sinatra, Wolf, Herron) 4.56\u003cbr\u003e21. Hum Drum Blues (O. Brown Jr.) 2.15\u003cbr\u003e22. Willow Weep for Me (A. Ronell) 3.30\u003cbr\u003eSheila Jordan (voc) Barry Galbraith (git)\u003cbr\u003eSteve Swallow (b) Denzil Best (drs)\u003cbr\u003eRecorded at the Van Gelder Studio,\u003cbr\u003eEnglewood Cliffs, New Jersey, on September 19\u003cbr\u003eand October 12, 1962\u003cbr\u003eTotal Time 79.08\u003c\/p\u003e","brand":"Intense Media","offers":[{"title":"Default Title","offer_id":17341184540723,"sku":"IM600414","price":26.35,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/81azE92wifL._SL1500.jpg?v=1557326829","url":"https:\/\/classicselectworld.com\/de-de\/products\/v-a-female-jazz-singers-sarah-vaughan-dinah-washington-chris-connor-billie-holiday","provider":"ClassicSelect World","version":"1.0","type":"link"}