{"product_id":"venice-by-night-la-serenissima-lawson-munday-whelan","title":"Venice By Night - La Serenissima","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_about_this_recording_sept_2022_e7703d5a-a47d-4dfb-8593-486633b5ac7a_480x480.png?v=1668436318\"\u003e\u003c\/p\u003e\n\u003cp\u003eMhairi Lawson, soprano\u003cbr data-mce-fragment=\"1\"\u003eSimon Munday, trumpet\u003cbr data-mce-fragment=\"1\"\u003ePeter Whelan, bassoon\u003cbr data-mce-fragment=\"1\"\u003eLa Serenissima\u003cbr data-mce-fragment=\"1\"\u003eAdrian Chandler, violin \/ director\u003c\/p\u003e\n\u003cp\u003eAdrian Chandler’s and La Serenissima’s 10th release for Avie – coinciding with the label’s 10th Anniversary – has all the hallmarks that have made the Vivaldi specialists one of the best-selling and acclaimed period-instrument bands performing today. Adrian’s erudition and his ensemble’s crowd-pleasing performances combine to produce recordings that are at once popular and enlightening. Venice by Night evokes an era of the Venetian Republic when the arts flourished, attracting audiences from all over Europe including scores of royalty. Feeding the tourist trade, the resident composers revelled in creating everything from grand operas and serenatas, virtuoso concertos and sinfonias, motets and gondoliers’ ballads. As with the chart-topping Vivaldi: The French Connection 2 (AV 2218) which featured the world-premiere recording of the flute concerto Il Gran Mogol, Adrian has once again unearthed numerous works from this period that are recorded for the first time.\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1_480x480.png?v=1668436329\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1_480x480.png?v=1668436329\"\u003e\u003cbr\u003eArriving by Gondola\u003cbr\u003eANON ca. 1730\u003cbr\u003e1. Si la gondola avere (3:40)\u003cbr\u003e\u003cbr\u003eA Private Concert\u003cbr\u003eCarlo Francesco POLLAROLO (ca.1753 – 1723)\u003cbr\u003e\u003cbr\u003e* Sinfonia to La Vendetta d’Amore for trumpet, strings \u0026amp; continuo (3:10)\u003cbr\u003e2. Allegro assai (1:32)\u003cbr\u003e3. Largo (0:31)\u003cbr\u003e4. Spiritoso (1:07)\u003cbr\u003eTomaso ALBINONI (1670 – 1751)\u003cbr\u003eSinfonia for strings \u0026amp; continuo in g, Si 7 (6:01)\u003cbr\u003e5. Allegro (2:17)\u003cbr\u003e6. Larghetto è sempre piano (1:27)\u003cbr\u003e7. Allegro (2:17)\u003cbr\u003eAntonio VIVALDI (1678 – 1741)\u003cbr\u003eConcerto for bassoon, strings \u0026amp; continuo in C, RV 477 (11:20)\u003cbr\u003e8. Allegro (3:50)\u003cbr\u003e9. Largo (3:56)\u003cbr\u003e10. Allegro (3:34)\u003cbr\u003e\u003cbr\u003eJourney by Gondola\u003cbr\u003eANON ca.1730\u003cbr\u003e11. * Cara Nina el bon to sesto for soprano \u0026amp; guitar (2:00)\u003cbr\u003e\u003cbr\u003eMusic for Compline\u003cbr\u003eFrancesco Maria VERACINI (1690 – 1768)\u003cbr\u003e[12] * Fuga, o capriccio con quattro soggetti in d for strings \u0026amp; continuo (3:05)\u003cbr\u003eAntonio LOTTI (ca. 1667 – 1740)\u003cbr\u003e* Motet Alma ride exulta mortalis for soprano, strings \u0026amp; continuo (12:28)\u003cbr\u003e13. Aria – Allegro: Alma ride exulta mortalis (4:38)\u003cbr\u003e14. Recitativo: Annuntiemur igitur (0:50)\u003cbr\u003e15. Ritornello – Adagio (0:39)\u003cbr\u003e16. Aria – Adagio: Venite ad nos (4:29)\u003cbr\u003e17. Alleluja (1:52)\u003cbr\u003e\u003cbr\u003eSerenata\u003cbr\u003eALBINONI\u003cbr\u003eSinfonia to Il Nome Glorioso in Terra Santificato in Cielo for trumpet, strings \u0026amp; continuo (4:20)\u003cbr\u003e18. Allegro (2:09)\u003cbr\u003e19. Adagio (0:51)\u003cbr\u003e20. Allegro (1:20)\u003cbr\u003e\u003cbr\u003eJourney by Gondola\u003cbr\u003eANON ca.1730\u003cbr\u003e21. No stè a condanarme for soprano \u0026amp; continuo (1:44)\u003cbr\u003e\u003cbr\u003eA Concert from the Ospedale della Pietà\u003cbr\u003eVIVALDI\u003cbr\u003eConcerto for violin, strings \u0026amp; continuo in e, RV 278 (14:54)\u003cbr\u003e22. Allegro molto – Largo – Allegro molto – Andante (6:13)\u003cbr\u003e23. Largo (3:58)\u003cbr\u003e24. Allegro (4:43)\u003cbr\u003e\u003cbr\u003eAt the Opera House\u003cbr\u003eGiovanni PORTA (ca.1690 – 1755)\u003cbr\u003e* Sinfonia for trumpet, strings \u0026amp; continuo in D (4:13)\u003cbr\u003e25. Allegro assai (2:43)\u003cbr\u003e26. Andante (0:37)\u003cbr\u003e27. Allegro (0:53)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVIVALDI\u003cbr\u003eArias for Marianino Nicolini\u003cbr\u003eIl fidarsi alla spene for soprano, strings \u0026amp; continuo from L’Olimpiade, RV 725 (7:02)\u003cbr\u003e28. Recitativo: Pria dell’esito ancor (0:32)\u003cbr\u003e29. Aria – Largo: Il fidarsi della spene (6:30)\u003cbr\u003eAct II Scene 5 for soprano, trumpet, strings \u0026amp; continuo from Motezuma, RV 723 (5:22)\u003cbr\u003e30. Recitativo: Mi deride, mi sprezza (0:30)\u003cbr\u003e31. Aria – Allegro: D’ira e furor armato (4:52)\u003cbr\u003eTotal time: 79:47\u003c\/p\u003e","brand":"AVIE","offers":[{"title":"Default Title","offer_id":43655029227770,"sku":"822252225723","price":5.23,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71glrTDvzOL._SL1200.jpg?v=1668719849","url":"https:\/\/classicselectworld.com\/de-de\/products\/venice-by-night-la-serenissima-lawson-munday-whelan","provider":"ClassicSelect World","version":"1.0","type":"link"}