{"product_id":"vladimir-sofronitzky-masterpieces-and-rarities-10-cds","title":"VLADIMIR SOFRONITZKY: MASTERPIECES AND RARITIES (10 CDS)","description":"\u003cdiv\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_a5dcf294-f51a-49fc-9eb4-d0541f3a0b05_480x480.png?v=1654314595\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e– The celebrated pianist for Scriabin’s works\u003cbr\u003e– Rarely heard composers like Lyadov, Borodin, Glasunov\u003cbr\u003e– A Russian romantic with Schumann and Schubert\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVladimir Sofronitzky (1901 – 1961) is still somewhat of an insider’s tip among the\u003cbr\u003egreat Russian pianists of the 20th century. This 10-CD documentation is the first to\u003cbr\u003epresent a comprehensive overview of his legacy. As the husband of a daughter of\u003cbr\u003eAlexander Scriabin, his name has always been very closely linked to the works of\u003cbr\u003ethis composer, and they are also extensively represented here. However, the\u003cbr\u003eimpressive Schubert and Schumann recordings, which make for a more accurate\u003cbr\u003eevaluation of this pianist, are also highly interesting. His conflicts with the guidelines\u003cbr\u003eof Soviet cultural policy prevented - especially in the 1930s - longer concert tours in\u003cbr\u003eWestern countries. At this time Sofronitzky taught at the Conservatory in Leningrad\u003cbr\u003e(1936 – 42) and then from 1942 to 1961 in Moscow. He avoided glamorous\u003cbr\u003eappearances as much as possible. His recordings were made in the Great Hall and\u003cbr\u003ein the Chamber Music Hall of the Moscow Conservatory, Prokofiev's Sonata No. 7\u003cbr\u003eand the Preludes and Fugues op. 87 by Shostakovich in the Scriabin Memorial\u003cbr\u003eMuseum. Along with the recordings of works by Beethoven, Mozart, Chopin,\u003cbr\u003eDebussy and Liszt, as well as the lesser known Lyadov, Borodin and Glasunov, they\u003cbr\u003enow provide the opportunity to perceive this pianist struggling with alcohol and drug\u003cbr\u003eabuse in all his artistic significance.\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_94cd161d-b5f2-42b6-8234-ac3110505111_480x480.png?v=1654314702\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCD 1\u003cbr\u003e■ Robert Schumann (1810 – 1856)\u003cbr\u003eKREISLERIANA\u003cbr\u003eFANTASIES FOR PIANO, Op. 16\u003cbr\u003e1. Äußerst bewegt 4‘46\u003cbr\u003e2. Sehr innig und nicht zu rasch\u003cbr\u003e(Intermezzo I: Sehr lebhaft 6‘05\u003cbr\u003eIntermezzo II: Etwas bewegter –\u003cbr\u003elangsamer)\u003cbr\u003e3. Sehr aufgeregt 4‘37\u003cbr\u003e4. Sehr langsam – Bewegter 3‘20\u003cbr\u003e5. Sehr lebhaft 3‘04\u003cbr\u003e6. Sehr langsam. Durchaus leise zu\u003cbr\u003ehalten 3‘38\u003cbr\u003e7. Sehr rasch 2‘17\u003cbr\u003e8. Schnell und spielend 3‘25\u003cbr\u003e9. VARIATIONS ON A THEME BY\u003cbr\u003eCLARA WIEK, Op. 14 7‘42\u003cbr\u003e10. ROMANCE, Op. 28 No. 1 3‘35\u003cbr\u003e11. ARABESQUE, Op. 18 6‘09\u003cbr\u003e12. IN THE EVENING \/ AM ABEND 3‘10\u003cbr\u003eFantastic Piece \/ Fantasiestücke, Op. 12\u003cbr\u003eNo. 1\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1952 (1-8)\u003cbr\u003e1953 (9) 1959 (10-12)\u003cbr\u003eTotal Time 52'08\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCD 2\u003cbr\u003e■ Robert Schumann (1810 – 1856)\u003cbr\u003eFANTASIE FOR PIANO IN C MAJOR \/\u003cbr\u003eC-Dur, Op. 17\u003cbr\u003e1. I. Durchaus phantastisch und\u003cbr\u003eleidenschaftlich vorzutragen 11‘44\u003cbr\u003e2. II. Mäßig. Durchaus energisch 7‘45\u003cbr\u003e3. III. Langsam, getragen. Durchweg\u003cbr\u003eleise zu halten 9‘17\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eSYMPHONIC ETUDES, Op. 13 AND\u003cbr\u003ePOSTHUMOUS VARIATIONS\u003cbr\u003eSymphonische Etüden, op. 13, und\u003cbr\u003eVariationen op.posth.\u003cbr\u003e4. Thema 1‘21\u003cbr\u003e5. Étude I 1‘08\u003cbr\u003e6. Variation I 0‘46\u003cbr\u003e7. Étude II 1‘47\u003cbr\u003e8. Étude III 0‘51\u003cbr\u003e9. Étude IV 0‘53\u003cbr\u003e10. Étude V 0‘32\u003cbr\u003e11. Variation IV 1‘34\u003cbr\u003e12. Étude VI 0‘44\u003cbr\u003e13. Étude VII 0‘46\u003cbr\u003e14. Variation II 1‘53\u003cbr\u003e15. Variation V 1‘46\u003cbr\u003e16. Étude VIII 1‘36\u003cbr\u003e17. Étude IX 0‘35\u003cbr\u003e18. Étiude X 0‘42\u003cbr\u003e19. Étude XI 2‘25\u003cbr\u003e20. Étude XII 6‘19\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1959 (1-20)\u003cbr\u003eTotal Time 54'30\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCD 3\u003cbr\u003e■ Robert Schumann (1810 – 1856)\u003cbr\u003eCARNAVAL, Op. 9\u003cbr\u003e1. Préambule 2‘15\u003cbr\u003e2. Pierrot 0‘56\u003cbr\u003e3. Arlequin 1‘09\u003cbr\u003e4. Valse noble 1‘06\u003cbr\u003e5. Eusebius 1‘25\u003cbr\u003e6. Florestan 0‘57\u003cbr\u003e7. Coquette 0‘58\u003cbr\u003e8. Réplique 0‘59\u003cbr\u003e9. Papillons 0‘35\u003cbr\u003e10. A.S.C.H. – S-C.H.A. Lettres\u003cbr\u003eDansantes 0‘49\u003cbr\u003e11. Chiarina 0‘54\u003cbr\u003e12. Chopin 1‘11\u003cbr\u003e13. Estrella 0‘21\u003cbr\u003e14. Reconnaissance 1‘50\u003cbr\u003e15. Pantalon et Colombine 0‘55\u003cbr\u003e16. Valse allemande. Intermezzo:\u003cbr\u003ePaganini 2‘14\u003cbr\u003e17. Aveu 0‘49\u003cbr\u003e18. Promenade 1‘48\u003cbr\u003e19. Pause. Marche des „Davidsbündler“\u003cbr\u003econtre les Philistins 3‘47\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePIANO SONATA No. 1 IN F SHARP\u003cbr\u003eMINOR, Op. 11\u003cbr\u003eKlaviersonata Nr. 1, fis-Moll, op. 11\u003cbr\u003e20. I. Introduzione. Un poco Adagio –\u003cbr\u003eAllegro vivace 10‘04\u003cbr\u003e21. II. Aria 2‘56\u003cbr\u003e22. III. Scherzo e intermezzo:\u003cbr\u003eAllegrissimo 4‘19\u003cbr\u003e23. IV. Finale: Allegro un poco maestoso\u003cbr\u003e10‘45\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1959 (1-19)\u003cbr\u003e1960 (20-23)\u003cbr\u003eTotal Time 53'08\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCD 4\u003cbr\u003e■ Franz Schubert (1797 – 1828)\u003cbr\u003ePIANO SONATA No. 21 IN B FLAT\u003cbr\u003eMAJOR, D. 960\u003cbr\u003eKlaviersonate Nr. 21, B-Dur, D. 960\u003cbr\u003e1. I. Molto moderato 14‘02\u003cbr\u003e2. II. Andante sostenuto 11‘10\u003cbr\u003e3. III. Scherzo: Allegro vivace con\u003cbr\u003edelicatezza 3‘51\u003cbr\u003e4. IV. Allegro ma non troppo 7‘28\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e5. IMPROMPTU IN G FLAT MAJOR \/\u003cbr\u003eGes-Dur, Op. 90 No. 3 5‘57\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e6. IMPROMPTU IN A FLAT MAJOR \/\u003cbr\u003eAs-Dur, Op. 90 No. 4 7‘07\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eFranz Schubert\u003cbr\u003eTranscription: Franz Liszt (1811 – 1886)\u003cbr\u003e7. Der Erlkönig 4‘46\u003cbr\u003e8. Aufenthalt 3‘23\u003cbr\u003e9. Der Müller und der Bach 4‘49\u003cbr\u003e10. Frühlingsglaube 3‘13\u003cbr\u003e11. Der Doppelgänger 3‘35\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1960\u003cbr\u003eTotal Time 69'42\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCD 5\u003cbr\u003e■ Ludwig van Beethoven (1770 – 1827)\u003cbr\u003ePIANO SONATA No. 32 IN C MINOR,\u003cbr\u003eOp. 111\u003cbr\u003eKlaviersonate Nr. 32, c-Moll, op. 111\u003cbr\u003e1. I. Maestoso 9‘09\u003cbr\u003e2. II. Arietta 18‘25\u003cbr\u003e■ Wolfgang Amadeus Mozart (1756 –\u003cbr\u003e1791)\u003cbr\u003e3. FANTASIA IN C MINOR \/ c-Moll, K\u003cbr\u003e396 7‘16\u003cbr\u003e4. FANTASIA IN C MINOR \/ c-Moll, K\u003cbr\u003e475 11‘09\u003cbr\u003e■ Frédéric Chopin (1810 – 1849)\u003cbr\u003e5. SCHERZO No. 1 IN B MINOR \/\u003cbr\u003eh-Moll, Op. 20 9‘52\u003cbr\u003e6. SCHERZO No. 2 IN B FLAT MINOR \/\u003cbr\u003eb-Moll, Op. 31 9‘05\u003cbr\u003e7. WALTZ IN D FLAT MAJOR, Op. 64\u003cbr\u003eNo. 1 \/ 1‘42\u003cbr\u003eWalzer, Des-Dur, op. 64 Nr. 1\u003cbr\u003e8. MAZURKA IN C SHARP MINOR \/\u003cbr\u003ecis-Moll, Op. 30 No. 4 3‘25\u003cbr\u003e9. BALLADE No. 3 IN A FLAT MAJOR \/\u003cbr\u003eAs-Dur, Op. 47 7‘19\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1946 (1, 2)\u003cbr\u003e1951 (3) 1960 (4-9)\u003cbr\u003eTotal Time 77'40\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCD 6\u003cbr\u003e■ Sergej Rachmaninoff (1873 – 1943)\u003cbr\u003eTWO MOMENTS MUSICAUX, Op. 16\u003cbr\u003e1. No. 2 in E flat minor \/ es-Moll 3‘04\u003cbr\u003e2. No. 5 in D flat major \/ Des-Dur 3‘12\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e■ Franz Liszt (1811 – 1886)\u003cbr\u003e3. AFTER A READING OF DANTE \/ 14‘59\u003cbr\u003eNACH DER LEKTÜRTE VON DANTE\u003cbr\u003eA sonata-fantasia from the cycle “Years of\u003cbr\u003ePilgrimage”, Italy, No. 7\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e■ Anatoly Lyadov (1855 – 1914)\u003cbr\u003e4. PRÉLUDE IN D FLAT MAJOR \/ Des-Dur,\u003cbr\u003eOp. 57\/1 2‘08\u003cbr\u003e5. PRÉLUDE IN D FLAT MAJOR \/ Des-Dur,\u003cbr\u003eOp. 57\/2 2‘07\u003cbr\u003e6. PRÉLUDE IN D FLAT MAJOR \/ Des-Dur,\u003cbr\u003eOp. 57\/3 1‘16\u003cbr\u003e7. A MUSCAL SNUFFBOX, Op. 32 \/ 1‘52\u003cbr\u003eEine musikalische Schnupftabakdose\u003cbr\u003e8. PRÉLUDE IN D FLAT MAJOR \/ Des-Dur,\u003cbr\u003eOp. 11\/1 2‘43\u003cbr\u003e9. PRÉLUDE IN G MAJOR \/ G-Dur, Op. 36\/3\u003cbr\u003e0‘55\u003cbr\u003e10. PRÉLUDE IN D MINOR \/ d-Moll, Op.\u003cbr\u003e40\/3 1‘16\u003cbr\u003e11. PRÉLUDE IN D FLAT MINOR \/ des-Moll,\u003cbr\u003eOp. 31\/2 1‘39\u003cbr\u003e12. BARCAROLLE IN F SHARP MAJOR \/\u003cbr\u003eFis-Dur, Op. 44 3‘38\u003cbr\u003e13. NOVELETTE „NOVINKA“, Op. 20 2‘52\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e■ Claude Debussy (1862 – 1918)\u003cbr\u003e14. SERENADE FOR THE DOLL \/\u003cbr\u003eSERENADE FÜR DIE PUPPE 2‘24\u003cbr\u003efrom the piano suite “Children‘s Corner”, No.\u003cbr\u003e5\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e■ Frédéric Chopin (1810 – 1849)\u003cbr\u003eTWO NOCTURNES, Op. 15\u003cbr\u003e15. No. 1 IN F MAJOR \/ F-Dur 4‘20\u003cbr\u003e16. No. 2 IN F SHARP MAJOR \/ Fis-Dur\u003cbr\u003e3‘20\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1960 (1, 15, 16)\u003cbr\u003e1951 (3-14)\u003cbr\u003eTotal Time 52'07\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCD 7\u003cbr\u003e■ Alexander Borodin (1833 – 1887)\u003cbr\u003ePETITE SUITE\u003cbr\u003e1. Dans le monastère 4‘12\u003cbr\u003e2. Intermezzo 3‘07\u003cbr\u003e3. Mazurka in C major \/ C-Dur 2‘33\u003cbr\u003e4. Mazurka in D flat major \/ Des-Dur\u003cbr\u003e2‘43\u003cbr\u003e5. Rêverie 1‘37\u003cbr\u003e6. Sérénade 1‘29\u003cbr\u003e7. Nocturne 2‘19\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e■ Alexander Glasunov (1865 – 1936)\u003cbr\u003e8. Prélude \u0026amp; Fugue, Op. 101\/1 13‘47\u003cbr\u003e9. Piano Piece, Op. 49\/1 2‘17\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e■ Dimitri Shostakovich (1906 – 1975)\u003cbr\u003ePRÉLUDES \u0026amp; FUGUES, Op. 87\u003cbr\u003e10. No. 3 in G major \/ G-Dur 3‘09\u003cbr\u003e11. No. 9 in E major \/ E-Dur 4‘22\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1946\/54\u003cbr\u003eTotal Time 41'47\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCD 8\u003cbr\u003e■ Sergej Prokofiev (1891 – 1953)\u003cbr\u003ePIANO SONATA No. 7 IN B FLAT\u003cbr\u003eMAJOR, Op. 83\u003cbr\u003eKlaviersonate Nr. 7, B-Dur, op. 83\u003cbr\u003e1. I. Allegro inquieto – Andantino –\u003cbr\u003eAllegro 7‘19\u003cbr\u003e2. II. Andante caloroso 5‘32\u003cbr\u003e3. III. Precipitato 3‘14\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eFOUR TALES OF A GRANDMOTHER,\u003cbr\u003eOp. 31\u003cbr\u003eVier Geschichten einer Großmutter, op.\u003cbr\u003e31\u003cbr\u003e4. Moderato 2‘04\u003cbr\u003e5. Andantino 1‘08\u003cbr\u003e6. Andante assai 2‘41\u003cbr\u003e7. Sostenuto 2‘32\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePIANO PIECES, Op. 12\u003cbr\u003e8. Gavotte 2‘19\u003cbr\u003e9. Rigaudon 1‘15\u003cbr\u003e10. Legende 2‘33\u003cbr\u003e11. Prélude 1‘54\u003cbr\u003e12. Allemande 3‘06\u003cbr\u003e13. Scherzo humoristique 2‘56\u003cbr\u003e14. SARCASMS, Op. 17 No. 5 2‘22\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1951\u003cbr\u003eTotal Time 41‘08\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003eCD 9\u003cbr\u003e■ Alexander Scriabin (1872 – 1915)\u003cbr\u003ePIANO SONATA No. 3 IN F SHARP\u003cbr\u003eMINOR, Op. 23\u003cbr\u003eKlaviersonate Nr. 3, fis-Moll, op. 23\u003cbr\u003e1. I. Dramatico 5‘55\u003cbr\u003e2. II. Allegretto 2‘21\u003cbr\u003e3. III. Andante – attacca. Presto con\u003cbr\u003efuoco 14‘15\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003ePIANO SONATA No. 4 IN F SHARP\u003cbr\u003eMAJOR, Op. 30\u003cbr\u003eKlaviersonate Nr. 4, Fis-Dur, op. 30\u003cbr\u003e4. I. Andante 2‘49\u003cbr\u003e5. II. Prestissimo volando 4‘56\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e6. PIANO SONATA No. 5, Op. 53 11‘09\u003cbr\u003e7. PIANO SONATA No. 8, Op. 66 12‘50\u003cbr\u003e8. PIANO SONATA No. 9, Op. 68 7‘57\u003cbr\u003e9. PIANO SONATA No. 10, Op. 70 11‘19\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1958 (1-3, 6,\u003cbr\u003e7) 1959 (4, 5) 1960 (8-9)\u003cbr\u003eTotal Time 73'47\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eCD 10\u003cbr\u003e■ Alexander Scriabin (1872 – 1915)\u003cbr\u003ePRÉLUDES\u003cbr\u003e1. E minor \/ e-Moll, Op. 11 No. 4 1‘28\u003cbr\u003e2. B minor \/ h-Moll, Op. 13 No. 6 1‘21\u003cbr\u003e3. C sharp minor \/ cis-Moll, Op. 9 No. 1 2‘31\u003cbr\u003e4. C sharp minor \/ cis-Moll, Op. 11 No. 10\u003cbr\u003e1‘01\u003cbr\u003e5. F sharp major \/ Fis-Dur, Op. 16 No. 5\u003cbr\u003e0‘33\u003cbr\u003e6. A flat major \/ As-Dur, Op. 11 No. 17 0‘38\u003cbr\u003e7. E flat major \/ Es-Dur, Op. 11 No. 19 1‘04\u003cbr\u003e8. C minor \/ c-Moll, Op. 11 No. 20 1‘01\u003cbr\u003e9. F major \/ F-Dur, Op. 11 No. 23 0‘37\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e10. ETUDE IN B FLAT MINOR \/ b-Moll, Op.\u003cbr\u003e8 No. 11 3‘58\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e11. ETUDE IN D SHARP MINOR \/\u003cbr\u003edes-Moll, Op. 8 No. 12 2‘24\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e12. TRAGIC POEM, Op. 34 3‘17\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eTWO POEMS, Op. 32\u003cbr\u003e13. No. 1 in D major \/ D-Dur 1‘42\u003cbr\u003e14. No. 2 in F sharp major \/ Fis-Dur 3‘08\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eTWO POEMS, Op. 69\u003cbr\u003e15. No. 1 1‘44\u003cbr\u003e16. No. 2 1‘15\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e17. POEME „VERS LA FLAMME“, Op. 72\u003cbr\u003e5‘16\u003cbr\u003e18. THE MASK, Op. 63 No. 1 0‘59\u003cbr\u003e19. MAZURKA IN F SHARP MAJOR \/\u003cbr\u003eFis-Dur, Op. 40 No. 2 1‘15\u003cbr\u003e20. WALTZ IN A FLAT MAJOR \/ A-Dur, Op.\u003cbr\u003e38 6‘26\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eVladimir Sofronitzky piano\u003cbr\u003erecorded \/ aufgenommen 1960 (1-16,\u003cbr\u003e18-20) 1958 (17)\u003cbr\u003eTotal Time 42'05\u003c\/div\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":31744067371095,"sku":"4053796005663","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/milestones-of-a-piano-legend-vladimir-sofronitzky-label-membran-ean-4053796005663-annee-edition-2020-genre-classique-format-10-c.jpg?v=1586793925","url":"https:\/\/classicselectworld.com\/de-de\/products\/vladimir-sofronitzky-masterpieces-and-rarities-10-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}