{"title":"CPO - ADDED AUGUST 12","description":null,"products":[{"product_id":"quintets","title":"Hummel \u0026 Schubert: Quintets - Libertalia Ensemble","description":"\u003cdiv\u003e\u003cspan\u003e Quintet, Op. 87 In E-flat Major\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Nepomuk Hummel\u003c\/div\u003e\n\u003cdiv\u003e(21:56)\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro E Risoluto Assai\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eMenuett\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eLargo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eFinale: Allegro Agitato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eQuintet, D. 667 In A Major \"Trout \"Quintet\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Schubert\u003c\/div\u003e\n\u003cdiv\u003e(34:36)\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAllegro Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eAndante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eScherzo: Presto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eThema: Andantino\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eAllegro Giusto\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059741495546,"sku":"555383-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MjItODU0Mi5qcGVn.jpg?v=1786481655"},{"product_id":"bruch-piano-works","title":"Bruch: Piano Works - 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L'Orfeo Bläserensemble, Carin Van Heerden","description":"\u003cp\u003eSpecializing in unknown repertoire, cpo is now serious about uncovering yet another veritable treasure«: this is what klassik-heute wrote of Vol. 1 of our Wind Overtures by Telemann. This master of all musical trades was also active and extremely successful in the field of Harmoniemusik – the compositional genre for wind ensembles entrusted with military, hunting, and table music. The wind version of the work known as the ‘Alster Overture’ heard along with other works on Vol. 2 is regarded as a model example of this artistic philosophy of Telemann’s. However, what is a more important key to the significance of the work is the knowledge that the movements following the overture are practically to be understood as an audio instrumental preview of the serenata composed by Telemann and going along with them. In this overture suite the ‘musical artist’ presents to our ears highly atmospheric sound depictions of Hamburg and what were then its country surroundings, through which the Alster River flowed. Even the singing swans majestically gliding along the Alster are represented in a wonderfully beautiful sarabande. At the end there is a spirited gigue in which shepherds, hunters, nymphs, and Pan, as it were, gather together again in order to conclude the musical preview anticipating the serenade.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Overture (Quintet) TWV 44:3 in D Major (16:20)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e4:24\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eSiciliano\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003ePaisano\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eMenuett - Trio\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eRigaudon - Trio\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eHarlequina\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003eOverture TWV 55 F:11in F Major\u003cspan\u003e \u003c\/span\u003e(34:07)\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eOuvertüre\u003cspan\u003e \u003c\/span\u003e9:12\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eDie Canonierende Pallas\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eDas Alster-Echo\u003cspan\u003e \u003c\/span\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eDie Hamburgischen Glocken-Spiele\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eDer Schwanen Gesang\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eDer Alster-Schäfer Dorf-Music\u003cspan\u003e \u003c\/span\u003e2:02\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eDie Concertierenden Frösche Und Krähen\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eDer Jauchzende Pan\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003eDer Frohlockende Peleus\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003eDer Ruhende Pan\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003eDer Schäfer Und Nymphen Eilfertiger Abzug\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003eOverture (Quintet) TWV 44:9 in F Major\u003cspan\u003e \u003c\/span\u003e(8:00)\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003eOuvertüre\u003cspan\u003e \u003c\/span\u003e4:06\u003c\/div\u003e\n\u003cdiv\u003e19\u003cspan\u003e \u003c\/span\u003eRondo\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e20\u003cspan\u003e \u003c\/span\u003eMenuett\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e21\u003cspan\u003e \u003c\/span\u003eGigue\u003cspan\u003e \u003c\/span\u003e1:22\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059741593850,"sku":"555212-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/570139.jpg?v=1786477539"},{"product_id":"bagatelles-variations","title":"Beethoven: Bagatelles \u0026 Variations - Michael Korstick","description":"\u003cp\u003eAround the same time that Michael Korstick caused a sensation with the first and, to date, only recording of all Beethoven piano concertos (555 447-2), these recordings were also made. They shed light on the life of the \"Titan\" from the opposing perspectives of fashionable accessories and clever miniatures. These two aspects interweave in reverse chronological order: the Variations in C Minor from 1806 serve as the prelude, while the 24 variations on Righini’s Venni Amore from 1791 conclude the portrait. In between, musical snapshots of the Bagatelles Op. 33 (1802) and Op. 119 (1822) frame the variations on an original theme, Op. 76 (1809), which would later become the Turkish March. In every piece, from the smallest vignette to the most intricate keyboard trick, the boundless imagination of one who set out to instill fear is at work.\u003c\/p\u003e\n\u003cp\u003e1: 32 Variations On an Original Theme in C Minor, WoO80\u003cbr\u003e2: No. 1 in E-flat Major\u003cbr\u003e3: No. 2 in C Major\u003cbr\u003e4: No. 3 in F Major\u003cbr\u003e5: No. 4 in a Major\u003cbr\u003e6: No. 5 in C Major\u003cbr\u003e7: No. 6 in D Major\u003cbr\u003e8: No. 7 in A-flat Major\u003cbr\u003e9: Allegretto in C Minor, WoO53\u003cbr\u003e10: Six Variations On an Original Theme in D Major, Op. 76\u003cbr\u003e11: No. 1 in G Minor\u003cbr\u003e12: No. 2 in C Major\u003cbr\u003e13: No. 3 in D Major\u003cbr\u003e14: No. 4 in a Major\u003cbr\u003e15: No. 5 in C Minor\u003cbr\u003e16: No. 6 in G Major\u003cbr\u003e17: No. 7 in C Major\u003cbr\u003e18: No. 8 in C Major\u003cbr\u003e19: No. 9 in a Minor\u003cbr\u003e20: No. 10 in a Major\u003cbr\u003e21: No. 11 in B-flat Major\u003cbr\u003e22: 24 Variations On Righini's Air 'Venni Amore' in D Major, WoO65\u003c\/p\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059741626618,"sku":"555564-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/1277763.jpg?v=1786475627"},{"product_id":"sergey-rachmaninov-complete-works-for-piano-duo","title":"Rachmaninov: Complete Works for Piano Duo - Genova \u0026 Dimitrov Piano Duo (2 CDS)","description":"\u003cp\u003eTo celebrate its twenty-fifth anniversary, the Piano Duo Genova \u0026amp; Dimitrov realises a fervent wish with a genuine mammoth of a project: the two pianists have recorded Sergei Rachmaninoff’s complete oeuvre for piano duo as a cpo double CD. The manifold colours in these pieces full of musical ideas…an homage to their idol Rachmaninoff. But nobody can describe this music better than the pianists themselves: ‘Rachmaninoff, Second Suite; Schubert, Fantasy; Mozart, Sonata!’ This is the authoritative answer that we received at the end of 1995 from our teacher, the piano legend Vladimir Krainev, when we were students in his solo class at the Hanover College of Music and asked which works we might prepare for our first piano duo competition. At the time we never would have imagined that almost twenty-five years later the idea for this grand project would be developed – one of which we are now so especially proud.”Their impressive interpretations of a whole wide range of compositions display Rachmaninoff’s multifacetedness in all its emotionally incredible, supercharged glory.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1-1        Prélude In C Sharp Minor From \"5 Morceaux de Fantaisie\" Op. 3, 2 for 2 Pianos    3:20\u003cbr\u003e1-2        Russian Rhapsody In E Minor, TN ii\/23 For Pianos    9:03\u003cbr\u003eSuite No. 1 \"Fantaisie (Tableaux)\", Op. 5 For 2 Pianos    (20:27)\u003cbr\u003e1-3        Barcarolle    \u003cbr\u003e1-4        Nacht...Liebe    \u003cbr\u003e1-5        Tränen    \u003cbr\u003e1-6        Ostern    \u003cbr\u003e1-7        The Rock, Symphonic Poem, Op. 7    11:58\u003cbr\u003eSuite No. 2, Op. 17, For 2 Pianos    (23:15)\u003cbr\u003e1-8        Introduktion    \u003cbr\u003e1-9        Walzer    \u003cbr\u003e1-10        Romanze    \u003cbr\u003e1-11        Tarentella    \u003cbr\u003e1-12        Romance In G Major, TN ii\/20 for 1 Piano Four-Hands    1:57\u003cbr\u003e1-13        Polka Italienne, TN ii\/21 For 1 Piano Four-Hands    1:43\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e6 Morceaux (Six Pieces) Op. 11 For 1 Piano Four-Hands    (24:06)\u003cbr\u003e2-1        Barcarolle    \u003cbr\u003e2-2        Scherzo    \u003cbr\u003e2-3        Russisches Thema    \u003cbr\u003e2-4        Walzer    \u003cbr\u003e2-5        Romanze    \u003cbr\u003e2-6        Ruhm    \u003cbr\u003e2-7        Capriccio...on Gypsy Themes Op. 12 For 1 Piano Four-Hands    14:59\u003cbr\u003eSymphonic Dances Op. 45 For 2 Pianos    (32:38)\u003cbr\u003e2-8        (Non) Allegro    \u003cbr\u003e2-9        Andante Con Moto    \u003cbr\u003e2-10        Lento Assai - Allegro Vivace\u003c\/p\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059741659386,"sku":"555326-2","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/533966.jpg?v=1786479916"},{"product_id":"steffens-die-musik-und-ein-guter-wein","title":"Steffens: Die Musik und ein guter Wein (Madrigale \u0026 Balletti) - Hamburger Ratsmusik","description":"\u003cp\u003e1        Laßt uns zusammen in Gottes Namen singen\u003cbr\u003e2        Musik von alters her ist geehrt\u003cbr\u003e3        Paduana \u0026amp; 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Mein Vater?\u003cspan\u003e \u003c\/span\u003e0:57\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eNr. 2 Duett (Ohne Verschulden Knechtschaft Erdulden)\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003eWo Sind Wir Nur? 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\u003c\/span\u003eThe Way You Look Tonight\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003eWhat Is This Thing Called Love\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eSeptember Song\u003cspan\u003e \u003c\/span\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003eThe Darktown Strutters' Ball\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eEmbraceable You\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eThe Last Time I Saw Paris\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eI'll Remember April\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003eSomebody Loves Me\u003cspan\u003e \u003c\/span\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003eLullaby In Rhythm\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003eLazy River\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003eTemptation\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003eTea For Two\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003eThat Old Feeling\u003cspan\u003e \u003c\/span\u003e3:55\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003eI'll Close My Eyes\u003cspan\u003e \u003c\/span\u003e3:56\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003eGuilty\u003cspan\u003e \u003c\/span\u003e3:21\u003c\/div\u003e\n\u003cdiv\u003e1-20\u003cspan\u003e \u003c\/span\u003eRed Sails In The Sunset\u003cspan\u003e \u003c\/span\u003e3:07\u003c\/div\u003e\n\u003cdiv\u003e1-21\u003cspan\u003e \u003c\/span\u003eCarry Me Back To Old Virginny\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e1-22\u003cspan\u003e \u003c\/span\u003eThe Song Is Ended\u003cspan\u003e \u003c\/span\u003e3:07\u003c\/div\u003e\n\u003cdiv\u003eStandards Made In Germany:\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003eBel Ami\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003eVagabundenlied\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003eIllusion\u003cspan\u003e \u003c\/span\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003eHaben Sie Schon Mal Im Dunkeln Geküsst?\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003eSchenk Deiner Frau Doch Hin Und Wieder Rote Rosen\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003eIch Tanze Mit Dir In Den Himmel Hinein\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003eDie Nacht Ist Nicht Allein Zum Schlafen Da\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003eDas Karussel\u003cspan\u003e \u003c\/span\u003e3:00\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003eEs War Einmal Eine Liebe\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e2-10\u003cspan\u003e \u003c\/span\u003eDie Männer Sind Schon Die Liebe Wert\u003cspan\u003e \u003c\/span\u003e2:14\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003eDu Und Ich Im Mondenschein\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e2-12\u003cspan\u003e \u003c\/span\u003eZwei Rote Rosen, Ein Zarter Kuss\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e2-13\u003cspan\u003e \u003c\/span\u003eWas Du Mir Erzählt Hast Von Liebe Und Treu'\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e2-14\u003cspan\u003e \u003c\/span\u003eTango Notturno\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e2-15\u003cspan\u003e \u003c\/span\u003eNachts Ging Das Telefon\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e2-16\u003cspan\u003e \u003c\/span\u003eWenn Die Sonne Hinter Den Dächern Versinkt\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e2-17\u003cspan\u003e \u003c\/span\u003eMein Herz Hat Heut' Premiere\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e2-18\u003cspan\u003e \u003c\/span\u003eIn Hamburg Sind Die Nächte Lang\u003cspan\u003e \u003c\/span\u003e2:38\u003c\/div\u003e\n\u003cdiv\u003e2-19\u003cspan\u003e \u003c\/span\u003eHallo Kleines Fräulein\u003cspan\u003e \u003c\/span\u003e2:02\u003c\/div\u003e\n\u003cdiv\u003e2-20\u003cspan\u003e \u003c\/span\u003eIch Steh Im Regen\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e2-21\u003cspan\u003e \u003c\/span\u003eAuf Den Flügeln Bunter Träume\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003eBei Dir War Es Immer So Schön\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059741921530,"sku":"777282-2","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/OS05ODkzLmpwZWc.jpg?v=1786476984"},{"product_id":"telemann-trios-pour-le-dessus-de-viole","title":"Telemann: Trios pour le Dessus de Viole - Hamburger Ratsmusik, Simone Eckert","description":"\u003cdiv\u003e\u003cspan\u003e Sonate Für Blockflöte, Viola Da Gamba Und Basso Continuo D-Moll TWV 42:D7 (7:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003e1. Vorspiel: Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003e2. Andante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003e3. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003e4. Adagio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003e5. Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Viola Da Gamba, Oboe Und Basso Continuo G-Dur TWV 42:G8\u003cspan\u003e \u003c\/span\u003e(7:46)\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003e1. Soave\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003e2. Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003e3. Andante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003e4. Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Viola Da Gamba, Oboe Und Basso Continuo G-Moll TWV 42:G6\u003cspan\u003e \u003c\/span\u003e(6:36)\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003e1. Largo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003e2. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003e3. Andante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003e4. Presto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Blockflöte, Viola Da Gamba Und Basso Continuo F-Dur TWV 42:F6\u003cspan\u003e \u003c\/span\u003e(5:11)\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003e1. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003e2. Largo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003e3. Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Viola Da Gamba, Oboe Und Basso Continuo C-Moll TWV 42:C3\u003cspan\u003e \u003c\/span\u003e(9:14)\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003e1. Gratioso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003e2. Con contento\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e19\u003cspan\u003e \u003c\/span\u003e3. Sospirando\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e20\u003cspan\u003e \u003c\/span\u003e4. Spirituoso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e21\u003cspan\u003e \u003c\/span\u003e5. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Blockflöte, Viola Da Gamba Und Basso Continuo C-Dur TWV 42:C2\u003cspan\u003e \u003c\/span\u003e(7:38)\u003c\/div\u003e\n\u003cdiv\u003e22\u003cspan\u003e \u003c\/span\u003e1. Dolce\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e23\u003cspan\u003e \u003c\/span\u003e2. Allegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e24\u003cspan\u003e \u003c\/span\u003e3. Grave\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e25\u003cspan\u003e \u003c\/span\u003e4. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Viola Da Gamba, Oboe Und Basso Continuo A-Dur TWV 42:A10\u003cspan\u003e \u003c\/span\u003e(6:40)\u003c\/div\u003e\n\u003cdiv\u003e26\u003cspan\u003e \u003c\/span\u003e1. Cantabile\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e27\u003cspan\u003e \u003c\/span\u003e2. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e28\u003cspan\u003e \u003c\/span\u003e3. Andante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e29\u003cspan\u003e \u003c\/span\u003e4. (Ohne Satzbezeichnung)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Viola Da Gamba, Oboe Und Basso Continuo E-Moll TWV 42:E5\u003cspan\u003e \u003c\/span\u003e(5:42)\u003c\/div\u003e\n\u003cdiv\u003e30\u003cspan\u003e \u003c\/span\u003e1. (Ohne Satzbezeichnung)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e31\u003cspan\u003e \u003c\/span\u003e2. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e32\u003cspan\u003e \u003c\/span\u003e3. Grave\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e33\u003cspan\u003e \u003c\/span\u003e4. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonate Für Blockflöte, Viola Da Gamba Und Basso Continuo G-Moll TWV 42:G9\u003cspan\u003e \u003c\/span\u003e(7:18)\u003c\/div\u003e\n\u003cdiv\u003e34\u003cspan\u003e \u003c\/span\u003e1. Soave Mà Non Adagio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e35\u003cspan\u003e \u003c\/span\u003e2. Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e36\u003cspan\u003e \u003c\/span\u003e3. Largo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e37\u003cspan\u003e \u003c\/span\u003e4. 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Tarkmann, one of today's most creative arrangers of instrumental and vocal music, has personal reasons for setting himself the task of producing music for wind ensemble based on operas by Albert Lortzing: 'Lortzing's music was still very popular during my childhood in the 1960s and 1970s, and so omnipresent in the opera houses and media that his works accompanied me in my musical development. In them I heard highly appealing, mirthful music that was full of inspired melodies. Four decades later I noticed that his operas were gradually disappearing from the performance programs of German opera houses. Was it really possible that Lortzing's stage works, which I had cherished as brilliant and witty musical comedies, had become so antiquated and old-fashioned that they had not negotiated the leap into the twenty-first century?' (Andreas N. Tarkmann). The result: wonderful arrangements for winds splendidly demonstrating that Lortzing's music is of high quality and of an artistic vitality even without text and stage.\u003c\/p\u003e\n\u003cp\u003e1        Overture \"Regina\"    6:20\u003cbr\u003e2        Overture \"Zar Und Zimmermann\"    6:21\u003cbr\u003eHarmonimusik \"Der Wildschütz\"    (43:55)\u003cbr\u003e3        Introduktion Und Lied: A-B-C-D-E    3:56\u003cbr\u003e4        Arie: Auf Des Lebens Raschen Wogen    4:05\u003cbr\u003e5        Jagdlied: Seht Dort Den Muntern Jäger    2:19\u003cbr\u003e6        Introduktion Und Chor: Nicht Geplaudert    4:12\u003cbr\u003e7        Duett Und Kavatine: Bleiben Soll Ich    4:24\u003cbr\u003e8        Duett: Ihr Weib?    4:08\u003cbr\u003e9        Billardquintett: Ich Hab' Num'ro Eins    7:58\u003cbr\u003e10        Arie: Fünftausend Taler    4:24\u003cbr\u003e11        Introduktion Und Arie: Heiterkeit Und Fröhlichkeit    5:21\u003cbr\u003e12        Finale: Kann Es Im Erdenleben    3:04\u003c\/p\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059742183674,"sku":"555045-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/OTAtNzA0NS5qcGVn.jpg?v=1786481529"},{"product_id":"marteau-complete-works-for-string-quartet-vol-1","title":"Marteau: Complete Works for String Quartet, Vol. 1 - Isasi Quartet","description":"\u003cdiv\u003eIt often happens that the compositional oeuvre of a renowned and perhaps even legendary performing artist disappears from view for quite a long time. 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(Aus \"Erbauliche Und Tröstliche Lehren\", Jahrgang 1747\/48) \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVor Der Predigt:\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eChoral (Verfolge Mich, O Welt!)\u003cspan\u003e \u003c\/span\u003e0:43\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eChor (Ich Fürchte Mich Nicht Vor Viel Hunderttausenden)\u003cspan\u003e \u003c\/span\u003e1:47\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eAria (Wie Selig Ist Der Stand)\u003cspan\u003e \u003c\/span\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eRecitativo (Komm Nur, Du Fürste Dieder Welt)\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAria (Unter Meines Jesu Schutz)\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eChoral (Gehab Dich Wohl, O Welt!)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003eNach Der Predigt:\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eChoral (Dich Hab Ich Mir Erlesen)\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eSolo (Herr Jesu! Nimm Meinen Geist Auf!)\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eAria (Immerhin! Immerhin! Will Man Mir Das Leben Nehmen)\u003cspan\u003e \u003c\/span\u003e5:11\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eRecitativo (Gönnt Mir Auf Erden Keine Stelle!)\u003cspan\u003e \u003c\/span\u003e1:02\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eAria (Erlöse Meine Seele, Immanuel!)\u003cspan\u003e \u003c\/span\u003e10:06\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eChoral (Angenehmes Licht Vom Licht!)\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003eAm Sonntag Nach Weihnachten: Gott Lob! Mein Jesus Macht Mich Rein (Aus \"Erbauliche und Tröstliche Lehren\", Jg. 1747\/48)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eVor Der Predigt\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eChoral (Gott Lob! Mein Jesus Macht Mir Rein)\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eChor (Christus Hat Uns Erlöset)\u003cspan\u003e \u003c\/span\u003e3:21\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003eRecitativo (Wie Höchst Beschwerlich Sah Man Doch)\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003eAria (Bloss Das Gesetz Hat Es Gemacht)\u003cspan\u003e \u003c\/span\u003e8:26\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003eChoral (Wie Hoch Ist Doch Die Seligkeit)\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003eRecitativo (Denn Christus Kam An Masis Statt)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e19\u003cspan\u003e \u003c\/span\u003eAria (Der Schattendienst Hat Nun Sein Ende)\u003cspan\u003e \u003c\/span\u003e5:58\u003c\/div\u003e\n\u003cdiv\u003e20\u003cspan\u003e \u003c\/span\u003eChoral (Mose! Donnre Nur Nicht Mehr!)\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003eNach Der Predigt\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e21\u003cspan\u003e \u003c\/span\u003eChoral (Aus Höllenkindern Sind Wir Schon)\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e22\u003cspan\u003e \u003c\/span\u003eChor (Wie Viel Ihn Aber Aufnahmen)\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e23\u003cspan\u003e \u003c\/span\u003eRecitativo (O! Dass Doch Die Erlösten Christen)\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e24\u003cspan\u003e \u003c\/span\u003eAria (Durch Christi Leiden, Tot Und Blut)\u003cspan\u003e \u003c\/span\u003e4:41\u003c\/div\u003e\n\u003cdiv\u003e25\u003cspan\u003e \u003c\/span\u003eRecitativo (O Heilger Geist! Der Mich In Christi Erbteil Weist)\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003e26\u003cspan\u003e \u003c\/span\u003eAria (Welch Ein Adel, Gottes Kind Und Erbe Sein!)\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003e27\u003cspan\u003e \u003c\/span\u003eChoral (Ach Gib Mir Deinen Geist Ins Herz!)\u003cspan\u003e \u003c\/span\u003e1:39\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059742281978,"sku":"777610-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MjUtNDc1NC5qcGVn.jpg?v=1786477382"},{"product_id":"gernsheim-complete-violin-sonatas","title":"Gernsheim: Complete Violin Sonatas - Christoph Schickedanz, Ernst Breidenbach (2 CDs)","description":"\u003cp\u003eFor the biographer Karl Holl chamber music was 'Friedrich Gernsheim’s very special artistic domain'. The composer again and again returned to this field during the course of his life, from his beginnings in Leipzig and Paris to his later Berlin years. The violin sonatas in particular stand out in this group within his oeuvre because they, more than any other genre, document his compositional development. Things began with the fourteen-year-old’s Sonata in E minor, composed for exercise purposes in Leipzig and heard here for the first time on CD, and continued by way of his op. 4, his first full-fledged contribution to this genre, to the mature opp. 50, 64, and 85, with thirteen to fourteen years separating the composition of each of these works. The fourth sonata, a work dedicated to Henri Marteau, may be regarded as the high point of Gernsheim’s duo oeuvre: here his contrapuntal line of thought, something that he had always cultivated, extends over the entire composition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Sonata No. 1 Op. 4 In C Minor (16:39)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eAndante Con Moto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eAllegretto Scherzando\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata In E Minor\u003cspan\u003e \u003c\/span\u003e(20:23)\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eAllegro Con Fuoco\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eAdagio Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003eScherzo: Allegro Assai\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eFinale: Molto Allegro E Vivace\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 3 Op. 64 In F Major\u003cspan\u003e \u003c\/span\u003e(30:17)\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003eAllegro Con Brio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eAllegro Agitato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eAndante Molto Espressivo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eModerato E Sempre Cantabile\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 4 Op. 85 In G Major\u003cspan\u003e \u003c\/span\u003e(25:44)\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003eAllegro Moderato Assai\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003eAndantino Dolente\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003eAllegro Con Brio\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIntroduktion Und Allegro Appassionato Op. 38\u003cspan\u003e \u003c\/span\u003e(9:24)\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003eIntroduktion\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003eAllegro Appassionato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003eAndante In F Major\u003cspan\u003e \u003c\/span\u003e5:55\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 Op. 50 In C Major\u003cspan\u003e \u003c\/span\u003e(25:24)\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003eAllegro Moderato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003eAndante Sostenuto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003eAllegro Energico\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059742511354,"sku":"555330-2","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/554247.jpg?v=1786481098"},{"product_id":"g-schumann-symphony-in-f-minor-op-42-overtures","title":"Schumann, Georg: Symphony in F Minor, Op. 42 \u0026 Overtures - Deutsches Symphonie-Orchester Berlin, James Feddeck","description":"\u003cp\u003eThis second release of music by Georg Schumann features symphonic works. Schumann, who was the director of the Sing-Akademie in Berlin for many years and a professor of composition at the Prussian Academy of the Arts, is currently being rediscovered as a late romanticist, but during his lifetime he was regarded as a neoromanticist. The Symphony in F minor is his most monumental instrumental work. What one critic wrote of the symphony of his youth also is above all true here: ‘… how one idea logically develops from the other’. The recording also includes two of Georg Schumann’s overtures. He was able to express all the moods in music – and this is his claim to greatness. After the weighty Prelude to a Drama he wrote a joyous celebration of life in the Lebensfreude overture, a work overflowing with delight in musical performance.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Symphonie F-Moll, Op. 42 (48:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro Moderato, Molto Energico\u003cspan\u003e \u003c\/span\u003e14:01\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAdagio Con Moto\u003cspan\u003e \u003c\/span\u003e15:17\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eAllegro Assai Con Molto Passione\u003cspan\u003e \u003c\/span\u003e10:18\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eFinale. Allegro Molto Maestoso\u003cspan\u003e \u003c\/span\u003e9:11\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eOuvertüre Zu Einem Drama, Op. 45\u003cspan\u003e \u003c\/span\u003e15:21\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eOuvertüre \"Lebensfreude\", Op. 54\u003cspan\u003e \u003c\/span\u003e14:40\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059742544122,"sku":"555110-2","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MDEtNjI4NC5qcGVn.jpg?v=1786477124"},{"product_id":"der-gross-admiral","title":"Lortzing: Zum Groß-Admiral - Münchner Rundfunkorchester, Chor Des Bayerischen Rundfunks, Ulf Schirmer (2 CDs)","description":"\u003cdiv\u003eUlf Schirmer recorded Albert Lortzing’s Regina in 2011 (CD: CPO 777710-2), and now yet another discovery from this composer’s opera oeuvre of a good dozen works is ready for release: the comic opera Zum Groß-Admiral (The Grand Admiral). Today Lortzing’s name continues to appear in the opera performance repertoire mostly only in association with Zar und Zimmermann or Der Wildschütz, but during his lifetime he was known far and wide not only as a composer but also as a librettist, actor, singer, and conductor. It was\u003cbr\u003eLortzing himself who wrote the libretto for Zum Groß-Admiral, his tenth full-length opera. Composed in Vienna in 1847 and premiered in Leipzig during the same year, this work, like Regina, was born of the spirit of revolution – and completely vanished from performance programs after the revolts of 1848-49. Lortzing, an ardent admirer of Mozart, paid homage to him with the full-length work Szenen aus Mozarts Leben in 1832, and his veneration for this Viennese classical composer is frequently in audible evidence in\u003cbr\u003ehis music. Already the overture to Zum Groß-Admiral sparkles with lightness and performance joy, and the ensemble scenes as well as the solos and choral scenes continue in the tradition of the mirthful virtuosity of the corresponding scenes in Mozart’s operas while representing supreme challenges for the soloists and the chorus.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1. Akt \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eOuvertüre\u003cspan\u003e \u003c\/span\u003e6:33\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eNr. 1 Introduktion \"Lasset Jubel Laut ertönen\" (Chor, Fritsch, Ettmayr)\u003cspan\u003e \u003c\/span\u003e9:05\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003eDialog 1 \"O William\" (Fritsch, Ettmayr)\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eNr. 2 Duett \"Des Landes Stolz\" (Fritsch, Michie)\u003cspan\u003e \u003c\/span\u003e9:15\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eDialog 2 \"Ich fürchte, ich hoffe\" (Fritsch, Wagner)\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003eNr. 3 Lied \"Ein Engel ist an Geist und Zügen\" (Wagner)\u003cspan\u003e \u003c\/span\u003e2:38\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eDialog 3 \"Zum Groß-Admiral?\" (Michie, Wagner)\u003cspan\u003e \u003c\/span\u003e1:22\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003eNr. 4 Chor und Arie \"Der Hörner Ruf verhallet\" (Chor, Berchtold)\u003cspan\u003e \u003c\/span\u003e5:40\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eDialog 4 \"Ah, Graf Rochester\" (Berchtold, Wagner)\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eNr. 5 Finale I \"Auch ich, ich will sie sehen\" (Berchtold, Michie, Wagner, Fritsch, Chor)\u003cspan\u003e \u003c\/span\u003e12:42\u003c\/div\u003e\n\u003cdiv\u003e2. Akt\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eNr. 6 Chor und Arie \"Wirt, lasst uns die Gläser füllen\" (Chor, Blasius)\u003cspan\u003e \u003c\/span\u003e7:45\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003eDialog 5 \"Gratuliere\" (Blasius, Hirtreiter, Berchtold, Wagner)\u003cspan\u003e \u003c\/span\u003e2:04\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003eNr. 7 Barkarole \"Was glänzt im Sonnenstrahle (Berchtold, Chor)\u003cspan\u003e \u003c\/span\u003e3:55\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003eDialog 6 \"Ein schmuckes Lied\" (Blasius, Hirtreiter, Berchtold, Michie)\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e2. Akt Fortsetzung\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-1\u003cspan\u003e \u003c\/span\u003eDialog 6 \"Endlich wird es hier ruhig\" (Dames)\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e2-2\u003cspan\u003e \u003c\/span\u003eNr. 8 Lied \"Seh' ich ein Auge auf mich\" (Dames)\u003cspan\u003e \u003c\/span\u003e3:00\u003c\/div\u003e\n\u003cdiv\u003e2-3\u003cspan\u003e \u003c\/span\u003eDialog 7 \"Ah, Ihr seid es\" (Dames, Wagner)\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e2-4\u003cspan\u003e \u003c\/span\u003eNr. 9 Duett \"Am murmelnden Bach\" (Dames, Wagner)\u003cspan\u003e \u003c\/span\u003e7:38\u003c\/div\u003e\n\u003cdiv\u003e2-5\u003cspan\u003e \u003c\/span\u003eDialog 8 \"Ah, Guido ist da\" (Blasios, Wagner, Michie, Dames)\u003cspan\u003e \u003c\/span\u003e1:48\u003c\/div\u003e\n\u003cdiv\u003e2-6\u003cspan\u003e \u003c\/span\u003eNr. 10 Quartett \"Ha, welch allerliebste Kleine\" (Dames, Berchtold, Wagner, Michie)\u003cspan\u003e \u003c\/span\u003e5:24\u003c\/div\u003e\n\u003cdiv\u003e2-7\u003cspan\u003e \u003c\/span\u003eDialog 9 \"Potz Steuer und Kompass!\" (Blasius, Dames, Wagner, Michie, Berchtold)\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003e2-8\u003cspan\u003e \u003c\/span\u003eNr. 11 Finale II \"Das ist doch sonderbar\" (Berchtold, Blasius, Dames, Wagner, Chor, Michie)\u003cspan\u003e \u003c\/span\u003e10:45\u003c\/div\u003e\n\u003cdiv\u003e3. Akt\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-9\u003cspan\u003e \u003c\/span\u003eNr. 12 Rezitativ und Arie \"Von allen Seiten tönet lauter Jubel\" (Michie)\u003cspan\u003e \u003c\/span\u003e5:44\u003c\/div\u003e\n\u003cdiv\u003e2-10\u003cspan\u003e \u003c\/span\u003eDialog 10 \"Herr Graf!\" (Wagner, Michie, Ettmayr)\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e2-11\u003cspan\u003e \u003c\/span\u003eNr. 13 Arie \"Fern vom Treiben\" (Wagner)\u003cspan\u003e \u003c\/span\u003e5:20\u003c\/div\u003e\n\u003cdiv\u003e2-12\u003cspan\u003e \u003c\/span\u003eDialog 11 \"Oh, welch prächtige Zimmer\" (Dames, Blasius)\u003cspan\u003e \u003c\/span\u003e1:21\u003c\/div\u003e\n\u003cdiv\u003e2-13\u003cspan\u003e \u003c\/span\u003eNr. 14 Terzett \"Ach!\" (Dames, Wagner, Blasius)\u003cspan\u003e \u003c\/span\u003e4:25\u003c\/div\u003e\n\u003cdiv\u003e2-14\u003cspan\u003e \u003c\/span\u003eDialog 12 \"Potz Schott und Wanten\" (Blasius, Dames, Ettmayr)\u003cspan\u003e \u003c\/span\u003e1:27\u003c\/div\u003e\n\u003cdiv\u003e2-15\u003cspan\u003e \u003c\/span\u003eNr. 15 Kavatine \"Ich fühl's, mein unbeständig' Leben\" (Berchtold)\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e2-16\u003cspan\u003e \u003c\/span\u003eNr. 16 Finale III \"Er naht!\" (Berchtold, Michie, Fritsch, Chor, Dames, Blasius, Wagner)\u003cspan\u003e \u003c\/span\u003e15:08\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059742576890,"sku":"555133-2","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/587476.jpg?v=1786476292"},{"product_id":"bree-orchestral-works","title":"Bree: Orchestral Works - Ariadne Daskalakis, Kölner Akademie, Michael Alexander Willens","description":"\u003cp\u003eAccording to the thoroughly credible words of his contemporaries, Johannes Bernardus van Bree, the long-time musical director of the Felix Meritis Society of Amsterdam, was not only an extremely talented violinist and composer. He was also, to the delight of those around him, a very pleasant, flexible character who strove all his life to please others. This made him shy away from tormenting the conservative capital of the Netherlands with avant-garde provocations. However, it did not stop him from skilfully and sensitively composing unusually appealing works in the conventional vocabulary of the early Romantic years. His highly dramatic overture in the \"unfinished\" key of B Minor and his original Symphonic Fantasy, which is a mere stone's throw away from Robert Schumann, are particularly surprising.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e1        Overture In B Minor    12:33\u003cbr\u003eConcerto For Violin And Orchestra In D Minor    (15:17)\u003cbr\u003e2        Allegro Moderato    6:11\u003cbr\u003e3        Andante    3:16\u003cbr\u003e4        Rondo    5:50\u003cbr\u003eFantasy In Form Of A Symphony    (22:09)\u003cbr\u003e5        Adagio    4:51\u003cbr\u003e6        Allegro    3:44\u003cbr\u003e7        Andante    5:27\u003cbr\u003e8        Scherzo    3:53\u003cbr\u003e9        Allegro    4:14\u003cbr\u003e10        Overture In E Flat Major    7:12\u003c\/p\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50059742609658,"sku":"777743-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NjgtNTU1Ny5qcGVn.jpg?v=1786470198"},{"product_id":"stamitz-la-jour-variable-four-symphonies-kolner-akademie-michael-alexander-willens","title":"Stamitz: Le Jour Variable - Four Symphonies - Kölner Akademie, Michael Alexander Willens","description":"\u003cp\u003eDuring his lifetime Carl Stamitz, the firstborn son of Johann Stamitz, the famous founder of the Mannheim School, became a violin and viola virtuoso and successful composer. In our Carl Stamitz Edition we are now releasing four more symphonies that were regarded as a practically ideal embodiment of sensibility because his ‘heart full of feeling left its imprint on his music’. Stamitz’s desire to discover and explore new paths in the composition of symphonies took him to the programmatic pastoral symphony ‘Le jour variable’ (La promenade royale) designed in Versailles in the fall of 1772. What Stamitz presents to the ears in the way of previously ‘unheard-of’ music would completely outshine even the programmatic pieces produced at the end of the nineteenth century. Many experts, including Hugo Riemann, were very much aware of the fact that this program symphony is a particularly interesting and remarkable composition.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Symphony Op. 15\/III In D Minor (19:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003ePresto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAndante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003ePrestissimo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony Op. 2\/III In G Major\u003cspan\u003e \u003c\/span\u003e(14:59)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAndante Moderato\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eMenuetto Cantabile\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003ePresto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony Op. 6\/II In E Flat Major\u003cspan\u003e \u003c\/span\u003e(12:45)\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eAllegro Assai\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eAndante Molto Dolce\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003ePoco Presto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLe Jour Variable (La Promenade Royale) Grand Pastoral Symphony In G [D]\u003cspan\u003e \u003c\/span\u003e(24:51)\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003ePastorale: Le Beau Matin (Andante Moderato)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eLa Tempête (Allegro Con Spirito)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eLa Nuit Obscure (Andante Moderato)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eLa Chasse (un Poco Moderato - Allegro Vivace - Moderato - Allegro Vivace - Moderato - Allegro Vivace - Moderato\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50060414517498,"sku":"555344-2","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NjEtODg2MS5qcGVn.jpg?v=1786477806"},{"product_id":"dimler-three-clarinet-concertos","title":"Dimler: Three Clarinet Concertos - Nikolaus Friedrich, Kurpfälzisches Kammerorchester Mannheim, Johannes Willig","description":"\u003cdiv\u003e\n\u003cspan\u003eThe famous court orchestra of Prince Elector Carl Theodor of the Palatinate was distinguished by the fact that its musicians were not only certified virtuosos on their instruments but also good composers. Some of these most highly capable musicians basked in the limelight of the international music world, while others stayed in the background without this meaning that they were less-talented musicians. One of them was the horn player and later double bassist Anton Dimler, a member of the Mannheim Court Orchestra who today is known as a composer only to a few specialists even though his works exhibit great quality. This is also true of his clarinet concertos, three of which have been recorded for the first time on the present release. The focus in them is always on the highly virtuosic solo parts, while the orchestral accompaniment exercises a subordinate function. The soloist has the opportunity to display his brilliance with passagework, arpeggios, and shifts of register and makes all the colors of the clarinet shine over its whole tonal gamut.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e Clarinet Concerto In E Flat Major (1795) (21:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e12:22\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eLargo\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eRondeau. Allegro Non Troppo Presto\u003cspan\u003e \u003c\/span\u003e6:56\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eClarinet Concerto In B Flat Major (1796)\u003cspan\u003e \u003c\/span\u003e(23:48)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eAllegro Moderato\u003cspan\u003e \u003c\/span\u003e12:36\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAdagio Espressivo\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eRondo. Allegro\u003cspan\u003e \u003c\/span\u003e6:21\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eClarinet Concerto In B Flat Major\u003cspan\u003e \u003c\/span\u003e(21:09)\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eAllegro\u003cspan\u003e \u003c\/span\u003e9:39\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003ePoco Adagio\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eRondeau\u003cspan\u003e \u003c\/span\u003e5:33\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50060418023674,"sku":"555209-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NzMtMTIzMC5qcGVn.jpg?v=1786477974"},{"product_id":"rosetti-three-violin-concertos","title":"Rosetti: Three Violin Concertos - Lena Neudauer, Südwestdeutsches Kammerorchester Pforzheim, Johannes Moesus","description":"\u003cdiv\u003e\u003cspan\u003eToday Lena Neudauer is in great demand as a musician who delights an international public with the clarity, power, charm, and emotional depth of her violin playing. For this reason, following her successful interpretation of Beethoven’s Violin Concerto for cpo, we now are also very delighted to have obtained her services for the interpretation of three violin concertos by Antonio Rosetti: she has a special place in her heart for this charming\u003cbr\u003ecomposer, and her stupendous virtuosity enables her to rise to the challenge of the high technical demands of his concertos. Movements of exuberant freshness flow and overflow with performance joy, and these three concertos once again display Rosetti’s tendency to endow the first movements of his solo concertos with extensive orchestral introductions and richly diverse musical material. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e Violin Concerto In C Major, Murray C5 (22:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro Molto\u003cspan\u003e \u003c\/span\u003e9:33\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eAdagio\u003cspan\u003e \u003c\/span\u003e5:42\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eRondeau: Allegro\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003eViolin Concerto In D Major, Murray C7\u003cspan\u003e \u003c\/span\u003e(19:04)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eAllegro Molto\u003cspan\u003e \u003c\/span\u003e9:26\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAdagio Molto\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eRondeau: Allegretto Ma Non Presto\u003cspan\u003e \u003c\/span\u003e4:20\u003c\/div\u003e\n\u003cdiv\u003eViolin Concerto In F Major, Murray C11\u003cspan\u003e \u003c\/span\u003e(17:41)\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eAllegro Moderato\u003cspan\u003e \u003c\/span\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eAndante Moderato\u003cspan\u003e \u003c\/span\u003e5:14\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eRondo: Andante. Allegro\u003cspan\u003e \u003c\/span\u003e5:56\u003c\/div\u003e\n\u003c\/div\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50060425658618,"sku":"555381-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ODItNDA3MS5qcGVn.jpg?v=1786478359"},{"product_id":"rosetti-three-violin-concertos-lena-neudauer-sudwestdeutsches-kammerorchester-pforzheim-johannes-moesus-copy","title":"Paderewski \u0026 Stojowski: Violin Sonatas - Piotr Pławner, Piotr Sałajczyk","description":"\u003cdiv\u003e\u003cspan\u003e Violin Sonata Op. 13 In A Minor\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ignacy Paderewski\u003c\/div\u003e\n\u003cdiv\u003e(20:49)\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eAllegro Con Fantasia\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eIntermezzo - Andantino\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eFinale: Allegro Molto Quasi Presto\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eViolin Sonata No. 1 Op. 13 In G Major\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Zygmunt Stojowski\u003c\/div\u003e\n\u003cdiv\u003e(21:43)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eAllegro Non Troppo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eAllegretto Capriccioso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eThema Mit Variationen\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eViolin Sonata No. 2 Op. 37 In E Major\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Zygmunt Stojowski\u003c\/div\u003e\n\u003cdiv\u003e(27:23)\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eAllegro Affetuoso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eIntermezzo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eArietta\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eAllegro Giocoso\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CPO","offers":[{"title":"Default Title","offer_id":50060436078842,"sku":"555324-2","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MDgtMjk0Mi5qcGVn.jpg?v=1786478583"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/CPO_SALE_500_x_500_px.jpg?v=1786470046","url":"https:\/\/classicselectworld.com\/en-de\/collections\/cpo-added-august-12.oembed","provider":"ClassicSelect World","version":"1.0","type":"link"}