{"title":"DECCA CLASSICS","description":"","products":[{"product_id":"la-nilsson","title":"LA NILSSON - COMPLETE DECCA AND DEUTSCHE GRAMMOPHON RECORDINGS (79 CDS + 2 DVDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\"\u003e\u003c\/p\u003e\n\u003cp\u003eLimited Edition 79-CD + 2-DVD covering all the major roles Nilsson performed – 27 full-length operas including 2 full Wagner ‘Ring’ cycles.\u003cbr\u003e\u003cbr\u003eBirgit Nilsson’s complete Decca, Philips and Deutsche Grammophon recordings marking her 100th birthday and produced with the full support of the Birgit Nilsson Foundation.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"570\" height=\"321\" src=\"https:\/\/www.youtube.com\/embed\/KVoEz0gX51Y\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWagner: Tristan und Isolde\u003cbr\u003eWiener Philharmoniker\u003cbr\u003eGeorg Solti\u003cbr\u003eFritz Uhl (Tristan), Birgit Nilsson (Isolde), Regina Resnik (Brangaene), Arnold van Mill (Konig Marke), Tom Krause (Kurwenal), Theodor Kirschbichler (Steuermann), Peter Klein (Hirt), Ernst Kozub (Melot), Waldemar Kmentt (Stimme eines jungen Seemanns), Birgit Nilsson (soprano)\u003cbr\u003e1960\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Tristan und Isolde (excerpts)\u003cbr\u003eHans Knappertsbusch\u003cbr\u003eBirgit Nilsson (soprano)\u003cbr\u003e1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Die Walküre\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eErich Leinsdorf\u003cbr\u003eBirgit Nilsson (Brünnhilde), George London (Wotan), Jon Vickers (Siegmund), Gré Brouwenstijn (Sieglinde), David Ward (Hunding), Rita Gorr (Fricka), Marie Collier (Gerhilde), Judith Pierce (Helmwige), Julia Malyon (Ortlinde), Margreta Elkins (Waltraute), Noreen Berry (Siegrune), Maureen Guy (Grimgerde), Birgit Nilsson (soprano)\u003cbr\u003e1961\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Der Ring des Nibelungen\u003cbr\u003eGeorg Solti\u003cbr\u003eBirgit Nilsson (soprano)\u003cbr\u003e1958\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStrauss, R: Salome\u003cbr\u003eWiener Philharmoniker\u003cbr\u003eGeorg Solti\u003cbr\u003eBirgit Nilsson (Salome), Eberhard Wächter (Jokanaan), Gerhard Stolze (Herod), Grace Hoffman (Herodias), Birgit Nilsson (soprano)\u003cbr\u003e1961\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStrauss, R: Elektra\u003cbr\u003eWiener Philharmoniker\u003cbr\u003eGeorg Solti\u003cbr\u003eBirgit Nilsson (Elektra), Regina Resnik (Klytämnestra), Marie Collier (Chrystothemis), Gerhard Stolze (Aegisth), Tom Krause (Orest), Birgit Nilsson (soprano)\u003cbr\u003e1966\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMozart: Don Giovanni, K527\u003cbr\u003eWiener Philharmoniker, Wiener Staatsopernchor\u003cbr\u003eErich Leinsdorf\u003cbr\u003eBirgit Nilsson (Donna Anna), Cesare Siepi (Don Giovanni), Cesare Valletti (Don Ottavio), Leontyne Price (Donna Elvira), Fernando Corena (Leoporello), Arnold Van Mill (Il Commendatore), Heinz Blankenburg (Masetto), Eugenia Ratti (Zerlina), Birgit Nilsson (soprano)\u003cbr\u003e1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBeethoven: Fidelio, Op. 72\u003cbr\u003eWiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor\u003cbr\u003eLorin Maazel\u003cbr\u003eBirgit Nilsson (Leonore), James McCracken (Florestan), Kurt Böhme (Rocco), Tom Krause (Pizarro), Graziella Sciutti (Marzelline), Donald Grobe (Jaquino), Hermann Prey (Don Fernando), Kurt Equiluz \u0026amp; Günther Adam (Prisoners), Birgit Nilsson (soprano)\u003cbr\u003e1961\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVerdi: Un ballo in maschera\u003cbr\u003eOrchestra e Coro dell’Accademia Nazionale di Santa Cecilia\u003cbr\u003eGeorg Solti\u003cbr\u003eBirgit Nilsson (Amelia), Carlo Bergonzi (Riccardo), Cornell MacNeil (Renato), Giulietta Simionato (Ulrica), Sylvia Stahlman (Oscar), Tom Krause (Silvano), Fernando Corena (Samuele), Libero Arbace (Tom), Piero De Palma (Un Giudice), Vittorio Pandano (Un servo), Birgit Nilsson (soprano)\u003cbr\u003e1961\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVerdi: Macbeth\u003cbr\u003eOrchestra e Coro dell’Accademia Nazionale di Santa Cecilia\u003cbr\u003eThomas Schippers\u003cbr\u003eBirgit Nilsson (Lady Macbeth), Giuseppe Taddei (Macbeth), Giovanni Foiani (Banco), Bruno Prevedi (Macduff), Piero De Palma (Malcolm), Dora Carral (Dama), Giuseppe Morresi (Medico), Birgit Nilsson (soprano)\u003cbr\u003e1964\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVerdi: Aida (excerpts)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eJohn Pritchard\u003cbr\u003eBirgit Nilsson (Aida), Luigi Ottolini (Radamès), Grace Hoffman (Amneris), Louis Quilico (Amonasro), Birgit Nilsson (soprano)\u003cbr\u003e1963\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVerdi: Arias\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eArgeo Quadri\u003cbr\u003eBirgit Nilsson (soprano), Birgit Nilsson (soprano)\u003cbr\u003e1962\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePuccini: Tosca\u003cbr\u003eOrchestra e Coro dell’Accademia Nazionale di Santa Cecilia\u003cbr\u003eLorin Maazel\u003cbr\u003eBirgit Nilsson (Tosca), Franco Corelli (Cavaradossi), Dietrich Fischer-Dieskau (Scarpia), Alfredo Mariotti (Il Sagristano), Piero de Palma (Spoletta), Silvio Maionica (Angelotti), Dino Mantovani (Sciarrone), Patricio Veronelli (Un pastore), Paolo Tosi (Un carceriere), Birgit Nilsson (soprano)\u003cbr\u003e1966\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Der Ring des Nibelungen\u003cbr\u003eKarl Böhm\u003cbr\u003eTheo Adam (Wotan), Gerd Nienstedt (Donner), Hermin Esser (Froh), Wolfgang Windgassen (Loge), Gustav Neidlinger (Alberich), Erwin Wohlfahrt (Mime), Martti Talvela (Fasolt) Kurt Böhme (Fafner), Annelies Burmeister (Fricka), Anja Silja (Freia), Vera Soukupova (Erda, Birgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Wesendonck-Lieder (5)\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eColin Davis\u003cbr\u003eBirgit Nilsson (soprano), Birgit Nilsson (soprano)\u003cbr\u003e1971\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Tristan und Isolde\u003cbr\u003eChor und Orchester der Bayreuther Festspiel\u003cbr\u003eKarl Böhm\u003cbr\u003eWolfgang Windgassen (Tristan), Birgit Nilsson (Isolde), Christa Ludwig (Brangäne), Martti Talvela (King Marke), Eberhard Waechter (Kurwenal), Claude Heater (Melot), Erwin Wohlfahrt (Hirt), Gerd Nienstedt (Steuermann), Peter Schreier (Seemann), Birgit Nilsson (soprano)\u003cbr\u003e1966\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Tannhäuser (Dresden version)\u003cbr\u003eDeutsche Oper Berlin\u003cbr\u003eOtto Gerdes\u003cbr\u003eBirgit Nilsson (Elisabeth\/Venus), Wolfgang Windgassen (Tannhäuser), Dietrich Fischer-Dieskau (Wolfram von Eschenbach), Theo Adam (Hermann), Horst R Laubenthal (Walther von der Vogelweide), Klaus Hirte (Biterolf), Friedrich Lenz (Heinrich der Schreiber), Hans Sotin (Reinmar von Zweter),, Birgit Nilsson (soprano)\u003cbr\u003e1969\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMozart: Don Giovanni, K527\u003cbr\u003eOrchestra Of The National Theatre Prague\u003cbr\u003eKarl Böhm\u003cbr\u003eBirgit Nilsson (Donna Anna), Dietrich Fischer-Dieskau (Don Giovanni), Ezio Flagello (Leporello), Martina Arroyo (Donna Elvira), Reri Grist (Zerlina), Peter Schreier (Don Ottavio), Martti Talvela (Il Commendatore), Alfredo Mariotti (Masetto), Birgit Nilsson (soprano)\u003cbr\u003e1967\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWeber: Oberon\u003cbr\u003eSymphonieorchester des Bayerischen Rundfunks\u003cbr\u003eRafael Kubelík\u003cbr\u003eBirgit Nilsson (Reiza), Donald Grobe (Oberon), Plácido Domingo (Huon), Julia Hamari (Fatima), Hermann Prey (Sherasmin), Marga Schiml (Puck), Arleen Auger (Mermaids), Birgit Nilsson (soprano)\u003cbr\u003e1970\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStrauss, R: Die Frau ohne Schatten\u003cbr\u003eWiener Staatsoper\u003cbr\u003eKarl Böhm\u003cbr\u003eBirgit Nilsson (Dyer's Wife), Walter Berry (Barak), Leonie Rysanek (Kaiserin), James King (Kaiser), Ruth Hesse (Amme), Peter Wimberger (Geisterbote), Lotte Rysanek (Stimme des Falken), Gertrude Jahn (Stimme von Oben), Ewald Aichberger (Erscheinung eines Jünglings), Birgit Nilsson (soprano)\u003cbr\u003e1977\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBeethoven: Ah! Perfido, Op. 65\u003cbr\u003eKarl Böhm\u003cbr\u003eBirgit Nilsson (soprano)\u003cbr\u003e1982\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eStrauss, R: Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome)\u003cbr\u003eKarl Böhm\u003cbr\u003eBirgit Nilsson (soprano)\u003cbr\u003e1982\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePuccini: Turandot\u003cbr\u003eTeatro dell'Opera di Roma\u003cbr\u003eFrancesco Molinari-Pradelli\u003cbr\u003eBirgit Nilsson (Turandot), Franco Corelli (Calaf), Renata Scotto (Liù), Renata Scotto (Liù) (Timur), Guido Mazzini (Ping), Franco Ricciardi (Pang), Piero De Palma (Pong), Angelo Mercuriali (L'imperatore Altoum), Giuseppe Morresi (Un mandarino), Birgit Nilsson (soprano)\u003cbr\u003e1965\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eVerdi: Aida\u003cbr\u003eTeatro dell'Opera di Roma\u003cbr\u003eZubin Mehta\u003cbr\u003eBirgit Nilsson (Aida), Franco Corelli (Radamès), Grace Bumbry (Amneris), Mario Sereni (Amonasro), Bonaldo Giaiotti (Ramfis), Ferruccio Mazzoli (Il Re di Egitto), Mirella Fiorentini (Una Sacerdotessa), Piero De Palma (Un Messaggero), Birgit Nilsson (soprano)\u003cbr\u003e1967\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePuccini: La fanciulla del West\u003cbr\u003eTeatro alla Scala\u003cbr\u003eLovro von Matacic\u003cbr\u003eBirgit Nilsson (Minnie), João Gibin (Dick Johnson), Andrea Mongelli (Jack Rance), Birgit Nilsson (soprano)\u003cbr\u003e1958\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePuccini: Turandot\u003cbr\u003eTeatro dell'Opera di Roma\u003cbr\u003eErich Leinsdorf\u003cbr\u003eBirgit Nilsson (Princess Turandot), Jussi Björling (Calaf), Renata Tebaldi (Liù), Mario Sereni (Ping), Piero De Palma (Pang), Tommaso Frascati (Pong), Giorgio Tozzi (Timur) \u0026amp; Alessio De Paolis (Emperor Altoum), Birgit Nilsson (soprano)\u003cbr\u003e1959\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWeber: Der Freischütz\u003cbr\u003eChor und Orchester der Bayerischen Staatsoper Munchen\u003cbr\u003eRobert Heger\u003cbr\u003eBirgit Nilsson (Agathe), Erika Koth (Ännchen), Nicolai Gedda (Max), Walter Berry (Kaspar), Franz Crass (Hermit), Wolfgang Anheisser (Ottokar), Dieter Weller (Kuno), Jurgen Forster (Kilian), Wolfgang Büttner (Zamiel), Birgit Nilsson (soprano)\u003cbr\u003e1969\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Dich, teure Halle (from Tannhauser)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Der Männer Sippe (from Die Walküre)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Du bist der Lenz (from Die Walküre)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Einsam in trüben Tagen (from Lohengrin)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWeber: Ozean, du Ungeheuer (from Oberon)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBeethoven: Abscheulicher! Wo eilst du hin? (from Fidelio)\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBeethoven: Ah! Perfido, Op. 65\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAdam: O Holy Night\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGounod: Ave Maria\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eFranck, C: Panis Angelicus\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGruber, F: Stille Nacht\u003cbr\u003eOrchestra of the Royal Opera House Covent Garden\u003cbr\u003eSir Edward Downes\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibelius: Var det en dröm? Op. 37 No. 4 (J.J. Wecksell)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibelius: Flickan kom från sin älsklings möte, Op. 37, No. 5\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibelius: Svarta rosor, Op. 36 No. 1 (Ernst Josephson)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibelius: Säf, säf, susa, Op. 36 No. 4 (Text: Gustav Fröding)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibeius: Demanten på marssnön, Op. 36 No. 6 (Wecksell)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibelius: Höstkväll, Op. 38:1 (Text: Viktor Rydberg)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSibelius: Våren flyktar hastigt, Op. 13 No. 4 (Text: Runeberg)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGrieg: En svane (No. 2 from Seks Digte af Henrik Ibsen, Op. 25)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGrieg: Fra Monte Pincio, Op. 39 No. 1\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eGrieg: Våren, Op. 33 No. 2\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRangström: Melodi (Melody)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRangström: Bön till natten (Supplication to Night)\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRangström: Sköldmön\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eRangström: En Gammal Danstytm\u003cbr\u003eVienna Opera Orchestra\u003cbr\u003eBertil Bokstedt\u003cbr\u003eBirgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Johohoe! Traft ihr das Schiff im Meere an 'Senta's Ballad' (from Der fliegende Holländer)\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eColin Davis\u003cbr\u003eBirgit Nilsson (soprano), Birgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Gerechter Gott! (from Rienzi)\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eColin Davis\u003cbr\u003eBirgit Nilsson (soprano), Birgit Nilsson (soprano)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWagner: Weh mir, so nah (from Die Feen)\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eColin Davis\u003cbr\u003eBirgit Nilsson (soprano), Birgit Nilsson (soprano)\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"VARIOUS \/ 4-May-18","offer_id":31682701262935,"sku":"028948327874","price":384.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71Hyceox7NL._SL1200.jpg?v=1585758914"},{"product_id":"downton-abbey-various-artists","title":"DOWNTON ABBEY: ORIGINAL SOUNDTRACK","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/STREAMING_BANNER_2_480x480.png?v=1585847653\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"max-width: 100%;\"\u003e\n\u003cdiv style=\"position: relative; padding-bottom: calc(56.25% + 52px); height: 0;\"\u003e\u003ciframe style=\"position: absolute; top: 0; left: 0;\" width=\"100%\" height=\"100%\" src=\"https:\/\/embed.song.link\/?url=https%3A%2F%2Falbum.link%2Fa%2FB006G8TR5O\u0026amp;theme=dark\" frameborder=\"0\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_462c47e3-b42f-43c8-91d4-47d2d450bbe3_480x480.png?v=1585856353\" alt=\"\"\u003e\u003cbr\u003e1\u003cbr\u003eDownton Abbey - The Suite (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e7:08 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e2\u003cbr\u003eLove And The Hunter (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e3:17 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e3\u003cbr\u003eEmancipation\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e2:15 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e4\u003cbr\u003eStory Of My Life (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:56 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e5\u003cbr\u003eFashion (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:18 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e6\u003cbr\u003eDamaged\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e5:24 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e7\u003cbr\u003eIf You Were The Only Girl In The World\u003cbr\u003eby Alfie Boe\u003cbr\u003e3:45 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e8\u003cbr\u003ePreparation (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e3:25 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e9\u003cbr\u003eSuch Good Luck\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e2:30 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e10\u003cbr\u003eUs And Them (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:52 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e11\u003cbr\u003eViolet (From “Downton Abbey” Soundtrack)\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:54 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e12\u003cbr\u003eA Drive\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:03 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e13\u003cbr\u003eAn Ideal Marriage\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e2:43 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e14\u003cbr\u003eRoses Of Picardy\u003cbr\u003eby Alfie Boe\u003cbr\u003e3:55 \u003cbr\u003e\u003cbr\u003e 15\u003cbr\u003eTelegram\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:44 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e16\u003cbr\u003eDeception\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e2:49 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e17\u003cbr\u003eTitanic\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e2:09 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e18\u003cbr\u003eA Song And A Dance\u003cbr\u003eby The Chamber Orchestra Of London\u003cbr\u003e1:27 \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e19\u003cbr\u003eDid I Make The Most Of Loving You (From “Downton Abbey” Soundtrack)\u003cbr\u003eby Mary-Jess\u003cbr\u003e4:18\u003c\/p\u003e","brand":"Decca","offers":[{"title":"VARIOUS ARTISTS","offer_id":31682708897879,"sku":"602527811468","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/51-vLHlVGBL.jpg?v=1585759068"},{"product_id":"essential-guitar-various-artists","title":"ESSENTIAL GUITAR: VARIOUS ARTISTS (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_480x480.png?v=1585851265\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eAlbéniz: Suite española No. 1, Op. 47\u003cbr\u003eAlbéniz: Tango (No. 2 from Espana, Op. 165)\u003cbr\u003eArnold: Guitar Concerto, Op. 67\u003cbr\u003eBach, J S: Cello Suite No. 1 in G major, BWV1007\u003cbr\u003eBach, J S: Cello Suite No. 3 in C major, BWV1009\u003cbr\u003eBach, J S: Lute Suite No. 4 in E major, BWV1006a\u003cbr\u003eBach, J S: Prelude for Lute in C minor, BWV999\u003cbr\u003eBarrios Mangoré: Danza Paraguaya No. 1\u003cbr\u003eGranados: Danza española, Op. 37 No. 5 'Andaluza'\u003cbr\u003eMyers: Cavatina (from The Deerhunter)\u003cbr\u003ePaganini: Caprices for solo violin, Op. 1 Nos. 1-24 (complete)\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 1 in E major 'The Arpeggio'\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 2 in B minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 3 in E minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 4 in C minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 5 in A minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 6 in G minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 7 in A minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 8 in E flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 9 in E major 'The Hunt'\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 10 in G minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 11 in C major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 12 in A flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 13 in B flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 14 in E flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 15 in E minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 16 in G minor\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 17 in E flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 18 in C major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 19 in E flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 20 in D major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 21 in A major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 22 in F major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 23 in E flat major\u003cbr\u003ePaganini: Caprice for solo violin, Op. 1 No. 24 in A minor\u003cbr\u003eRodrigo: Concierto de Aranjuez\u003cbr\u003eRodrigo: Fantasia para un Gentilhombre\u003cbr\u003eRomero, C: Malaguena\u003cbr\u003eRomero, C: Noche en Málaga\u003cbr\u003eTárrega: Recuerdos de la Alhambra\u003cbr\u003eTorroba: Castillos de España\u003cbr\u003eVilla-Lobos: Bachianas Brasileiras No. 5: Aria (Cantilena)\u003cbr\u003eVilla-Lobos: Preludes (5) for guitar\u003cbr\u003eVivaldi: Concerto for Lute and 2 Violins in D major, RV 93\u003cbr\u003eYepes: Jeux interdits (Romance)\u003c\/p\u003e","brand":"Decca","offers":[{"title":"VARIOUS ARTISTS","offer_id":31682712666199,"sku":"028947047728","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/61JVFWgrpUL.jpg?v=1585759108"},{"product_id":"101-romantic-classics","title":"ROMANTIC CLASSICS 101 (6 CDS)","description":"\u003ch4\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_3f509f59-fe4f-4f86-9886-843a741b8836_480x480.png?v=1641838621\"\u003e\u003c\/h4\u003e\n\u003ch4\u003eSergey Vasil'yevich Rachmaninov: Piano Concerto No.2 in C minor, Op.18\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_001_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Adagio sostenuto\u003c\/p\u003e\n\u003ch4\u003eJules Massenet: Thaïs \/ Acte Deux\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_002_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eMéditation religieuse - Symphonie\u003c\/p\u003e\n\u003ch4\u003eGeorges Bizet: Carmen Suite No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_003_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eIntermezzo\u003c\/p\u003e\n\u003ch4\u003eWolfgang Amadeus Mozart: Serenade in G, K.525 \"Eine kleine Nachtmusik\"\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_004_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Romance (Andante)\u003c\/p\u003e\n\u003ch4\u003eNino Rota: Romeo And Juliet: Love Theme\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_005_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eRomeo And Juliet: Love Theme\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: The Sleeping Beauty, Op.66 - Suite\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_006_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003ePas d'action (Adagio) (Act 1)\u003c\/p\u003e\n\u003ch4\u003eCamille Saint-Saëns: Le Carnaval des Animaux, R. 125\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_007_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eAquarium\u003c\/p\u003e\n\u003ch4\u003eErik Satie: 3 Gymnopédies - Orch. Claude Debussy\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_008_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo.1 - Lent et Grave, No.3 - Lent et douloureux\u003c\/p\u003e\n\u003ch4\u003eSir Edward Elgar: Cello Concerto In E Minor, Op.85\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_009_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e3. Adagio\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: String Quartet No.1 in D, Op.11 - orchestral version\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_010_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Andante cantabile\u003c\/p\u003e\n\u003ch4\u003eSergey Vasil'yevich Rachmaninov: Rhapsody on a Theme of Paganini, Op.43\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_011_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eVariation 18\u003c\/p\u003e\n\u003ch4\u003eSergey Vasil'yevich Rachmaninov: Vocalise, Op.34 No.14\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_012_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eVocalise, Op.34 No.14\u003c\/p\u003e\n\u003ch4\u003eSergei Prokofiev: Romeo and Juliet, Op.64 - Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_013_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e19. Balcony Scene\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_014_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e20. Romeo's Variation\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_01_015_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e21. Love Dance\u003c\/p\u003e\n\u003ch4\u003eGiuseppe Verdi: La traviata \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_001_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003ePrelude\u003c\/p\u003e\n\u003ch4\u003eAram Il'yich Khachaturian: Spartacus\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_002_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eAdagio Of Spartacus And Phrygia\u003c\/p\u003e\n\u003ch4\u003eJohann Sebastian Bach: Concerto for Harpsichord, Strings, and Continuo No.5 in F minor, BWV 1056 - Arr.\/ Reconstructed Christopher Hogwood for flute \u0026amp; strings\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_003_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eLargo\u003c\/p\u003e\n\u003ch4\u003eAlessandro Marcello: Oboe Concerto in D minor: Arr. Guitar and Orchestra\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_004_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Andante sostenuto\u003c\/p\u003e\n\u003ch4\u003eWolfgang Amadeus Mozart: Piano Concerto No.21 in C Major, K.467\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_005_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Andante\u003c\/p\u003e\n\u003ch4\u003ePietro Mascagni: Cavalleria rusticana\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_006_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eIntermezzo\u003c\/p\u003e\n\u003ch4\u003eDmitri Shostakovich: The Gadfly, Op.97\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_007_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e3. Youth (Romance)\u003c\/p\u003e\n\u003ch4\u003eCamille Saint-Saëns: Le Carnaval des Animaux, R. 125\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_008_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eThe Swan\u003c\/p\u003e\n\u003ch4\u003eJames Horner: My Heart Will Go On\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_009_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eMy Heart Will Go On\u003c\/p\u003e\n\u003ch4\u003eEdvard Grieg: Lyric Pieces Book V, Op.54 - orchestrated by Edvard Grieg\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_010_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e4. Notturno: Andante\u003c\/p\u003e\n\u003ch4\u003eCamille Saint-Saëns: Symphony No.3 in C minor, Op.78 \"Organ Symphony\"\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_011_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eAdagio\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: The Sleeping Beauty, Op.66 - Suite\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_012_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003ePanorama (Act 2)\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: Piano Concerto No.1 In B Flat Minor, Op.23, TH.55\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_013_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Andantino semplice - Prestissimo - Tempo I\u003c\/p\u003e\n\u003ch4\u003eGeorges Bizet: L'Arlésienne Suite No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_014_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eAdagietto\u003c\/p\u003e\n\u003ch4\u003eSir Edward Elgar: Variations on an Original Theme, Op.36 \"Enigma\"\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_015_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eTheme - 1. C.A.E.\u003c\/p\u003e\n\u003ch4\u003eSergei Prokofiev: Cinderella, Op.87\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_016_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e36. Duet Of The Prince And Cinderella\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: Romeo and Juliet, Fantasy Overture - TH.42\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_02_017_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eLove Theme\u003c\/p\u003e\n\u003ch4\u003eLudwig van Beethoven: Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -\"Moonlight\"\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_001_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e1. Adagio sostenuto\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.2 in E flat, Op.9 No.2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_002_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.2 in E flat, Op.9 No.2\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Berceuse in D Flat, Op.57\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_003_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eBerceuse in D Flat, Op.57\u003c\/p\u003e\n\u003ch4\u003eRobert Schumann: Kinderszenen, Op.15\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_004_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e7. Träumerei\u003c\/p\u003e\n\u003ch4\u003eFranz Liszt: Années de pèlerinage: 2ème année: Italie, S.161\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_005_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e5. Sonetto 104 del Petrarca\u003c\/p\u003e\n\u003ch4\u003eErik Satie: Gnossiennes\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_006_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo. 1 - Lent\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_007_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo. 3 - Lent\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne in C Minor (1837)\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_008_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne in C Minor (1837)\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Waltz No.7 in C Sharp Minor, Op.64, No.2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_009_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eWaltz No.7 in C Sharp Minor, Op.64, No.2\u003c\/p\u003e\n\u003ch4\u003eGabriel Fauré: Nocturne No.1 in E Flat Minor, Op.33, No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_010_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.1 in E Flat Minor, Op.33, No.1\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.8 in D Flat, Op.27 No.2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_011_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.8 in D Flat, Op.27 No.2\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Mazurka In G Minor, Op.67, No.2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_012_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eMazurka In G Minor, Op.67, No.2\u003c\/p\u003e\n\u003ch4\u003eFranz Liszt: Consolation No.3, S.172, No.3 - Lento placido\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_013_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eConsolation No.3, S.172, No.3 - Lento placido\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: The Seasons, Op.37b\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_014_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e6. June: Barcarolle\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.1 in B Flat Minor, Op.9 No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_015_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.1 in B Flat Minor, Op.9 No.1\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Ballade No.4 in F Minor, Op.52\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_03_016_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eBallade No.4 in F Minor, Op.52\u003c\/p\u003e\n\u003ch4\u003eClaude Debussy: Suite bergamasque, L.75\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_001_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e3. Clair de lune\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.20 in C Sharp Minor, Op.Posth.\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_002_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.20 in C Sharp Minor, Op.Posth.\u003c\/p\u003e\n\u003ch4\u003eErik Satie: Gnossiennes\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_003_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo. 4\u003c\/p\u003e\n\u003ch4\u003eErik Satie: Je te veux\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_004_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eJe te veux\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: 24 Préludes, Op.28\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_005_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e7. in A major\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.15 in F Minor, Op.55, No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_006_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.15 in F Minor, Op.55, No.1\u003c\/p\u003e\n\u003ch4\u003eFranz Liszt: Liebestraum No.3 in A Flat Major, S.541\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_007_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eLiebestraum No.3 in A Flat Major, S.541\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.5 In F Sharp, Op.15, No.2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_008_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.5 In F Sharp, Op.15, No.2\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Nocturne No.9 in B Major, Op.32, No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_009_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNocturne No.9 in B Major, Op.32, No.1\u003c\/p\u003e\n\u003ch4\u003ePeter Ilyich Tchaikovsky: The Seasons, Op.37b\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_010_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e10. October: Autumn's Song\u003c\/p\u003e\n\u003ch4\u003eEdward Alexander MacDowell: To a Wild Rose, Op.51, No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_011_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eTo a Wild Rose, Op.51, No.1\u003c\/p\u003e\n\u003ch4\u003eAnton Grigorievich Rubinstein: Melody in F, Op.3, No.1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_012_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eMelody in F, Op.3, No.1\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: 12 Etudes, Op.10\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_013_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo.3 in E Major - \"Tristesse\"\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Waltz No.10 in B Minor, Op.69, No.2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_014_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eWaltz No.10 in B Minor, Op.69, No.2\u003c\/p\u003e\n\u003ch4\u003eLudwig van Beethoven: Piano Sonata No.8 in C minor, Op.13 -\"Pathétique\"\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_015_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e2. Adagio cantabile\u003c\/p\u003e\n\u003ch4\u003eFranz Liszt: 3 Etudes de Concert, S.144\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_016_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo. 3 in D flat \"Un sospiro\" (Allegro affettuoso)\u003c\/p\u003e\n\u003ch4\u003eFranz Schubert: 4 Impromptus, Op.90, D.899\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_017_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eNo.3 in G Flat Major: Andante\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Mazurka in C Major, Op.67, No.3\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_018_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eMazurka in C Major, Op.67, No.3\u003c\/p\u003e\n\u003ch4\u003eFrédéric Chopin: Waltz No.9 in A flat, Op.69 No.1 -\"Farewell\"\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_04_019_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eWaltz No.9 in A flat, Op.69 No.1 -\"Farewell\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: La Bohème \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_001_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Che gelida manina\"\u003c\/p\u003e\n\u003ch4\u003eGiuseppe Verdi: Rigoletto \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_002_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Gualtier Maldè...Caro nome\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Tosca \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_003_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Ah, quegli occhi...Qual occhio al mondo può star di paro\"\u003c\/p\u003e\n\u003ch4\u003eGeorges Bizet: Carmen, WD 31 \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_004_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"L'amour est un oiseau rebelle\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Manon Lescaut \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_005_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eDonna non vidi mai\u003c\/p\u003e\n\u003ch4\u003eGiuseppe Verdi: Otello \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_006_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Già nella notte densa...Venga la morte\"\u003c\/p\u003e\n\u003ch4\u003eGiuseppe Verdi: Aida \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_007_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Se quel guerrier io fossi!..Celeste Aida\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Madama Butterfly \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_008_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eUn bel dì vedremo\u003c\/p\u003e\n\u003ch4\u003eGeorges Bizet: Carmen, WD 31 \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_009_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"La fleur que tu m'avais jetée\"\u003c\/p\u003e\n\u003ch4\u003eJacques Offenbach: Les Contes d'Hoffmann \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_010_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eBarcarolle\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Turandot \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_011_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Signore, ascolta\"\u003c\/p\u003e\n\u003ch4\u003eWolfgang Amadeus Mozart: Don Giovanni, ossia Il dissoluto punito, K.527 \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_012_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Deh! vieni alla finestra\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Tosca \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_013_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Vissi d'arte, vissi d'amore\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Manon Lescaut \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_014_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Oh, sarò la più bella!...Tu, tu, amore tu\"\u003c\/p\u003e\n\u003ch4\u003eCamille Saint-Saëns: Samson et Dalila, Op.47, R. 288 \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_015_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Mon coeur s'ouvre à ta voix\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: La Bohème \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_05_016_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"O soave fanciulla\"\u003c\/p\u003e\n\u003ch4\u003eWolfgang Amadeus Mozart: Don Giovanni, K.527 \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_001_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Là ci darem la mano\"\u003c\/p\u003e\n\u003ch4\u003eAntonín Dvorák: Rusalka, Op.114, B. 203 \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_002_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003eSong to the Moon\u003c\/p\u003e\n\u003ch4\u003eHector Berlioz: Les Troyens - Act 4\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_003_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Nuit d'ivresse et d'extase\"\u003c\/p\u003e\n\u003ch4\u003eGaetano Donizetti: L'elisir d'amore \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_004_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Una furtiva lagrima\"\u003c\/p\u003e\n\u003ch4\u003eAlfredo Catalani: Loreley \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_005_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Amor, celeste ebbrezza\"\u003c\/p\u003e\n\u003ch4\u003eJules Massenet: Werther \/ Act 3\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_006_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Pourquoi me réveiller, ô souffle du printemps?\"\u003c\/p\u003e\n\u003ch4\u003eGiuseppe Verdi: La traviata \/ Act 3\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_007_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Parigi, o cara, noi lasceremo\"\u003c\/p\u003e\n\u003ch4\u003eGiuseppe Verdi: Luisa Miller \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_008_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Quando le sere al placido chiaror d'un ciel stellato\"\u003c\/p\u003e\n\u003ch4\u003eGaetano Donizetti: La Favorita \/ Act 3\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_009_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"O mio Fernando, della terra il trono\"\u003c\/p\u003e\n\u003ch4\u003eUmberto Giordano: Fedora \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_010_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Amor ti vieta\"\u003c\/p\u003e\n\u003ch4\u003eGaetano Donizetti: Lucia di Lammermoor - after Walter Scott - Act 1.\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_011_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Verranno a te sull'aure\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Gianni Schicchi\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_012_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Oh! mio babbino caro\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Tosca \/ Act 3\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_013_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"E lucevan le stelle\"\u003c\/p\u003e\n\u003ch4\u003ePietro Mascagni: L'amico Fritz \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_014_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Son pochi fiori\"\u003c\/p\u003e\n\u003ch4\u003eCharles Gounod: Faust \/ Act 3\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_015_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Quel trouble inconnu...Salut! Demeure chaste et pure\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: La Bohème \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_016_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Quando m'en vo\"\u003c\/p\u003e\n\u003ch4\u003eAmilcare Ponchielli: La Gioconda \/ Act 2\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_017_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Cielo e mar!\"\u003c\/p\u003e\n\u003ch4\u003eGiacomo Puccini: Madama Butterfly \/ Act 1\u003c\/h4\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/samples.prestoclassical.co.uk\/ss\/\/data\/9\/3000014534499\/28947840060\/UMG_audclp_00028947840060_06_018_67.mp3\" class=\"graphic sm2_link\"\u003e\u003c\/a\u003e\"Vogliatemi bene\"\u003c\/p\u003e","brand":"Decca","offers":[{"title":"Various","offer_id":31682753462359,"sku":"028947840060","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71Y0BLi4HnL._SL1400.jpg?v=1585759570"},{"product_id":"britten-composer-conductor","title":"BRITTEN - COMPOSER, CONDUCTOR, PIANIST - 6 DVDS","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_480x480.png?v=1585851265\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBritten:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePeter Grimes\u003c\/strong\u003e\u003cbr\u003ePeter Pears (Peter Grimes), Heather Harper (Ellen Orford), Bryan Drake (Balstrode), Elizabeth Bainbridge (Auntie), Gregory Dempsey (Bob Boles), Owen Brannigan (Swallow), Ann Robson (Mrs Sedley), David Bowman (Ned Keene), Robert Tear (Horace Adams), Michael Rippon (Hobson), Jill Gomez (First Niece), Anne Pashley (Second Niece)\u003cbr\u003eLondon Symphony Orchestra, Benjamin Britten\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eBilly Budd\u003c\/strong\u003e\u003cbr\u003ePeter Glossop (Billy Budd), Peter Pears (Captain Vere), Michael Langdon (Claggart), John Shirley-Quirk (Mr Redburn), Bryan Drake (Mr Flint), David Kelly (Mr Ratcliffe), Kenneth MacDonald (Red Whiskers), David Bowman (Donald), Dennis Wicks (Dansker), Robert Tear (Novice), Robert Bowman (Squeak), Benjamin Luxon (Novice's Friend)\u003cbr\u003eLondon Symphony Orchestra, Charles Mackerras\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eOwen Wingrave\u003c\/strong\u003e\u003cbr\u003eBenjamin Luxon (Owen Wingrave), John Shirley-Quirk (Spencer Coyle), Sylvia Fisher (Miss Wingrave), Heather Harper (Mrs Coyle), Jennifer Vyvyan (Mrs. Julien), Peter Pears (Sir Philip Wingrave\/Narrator), Janet Baker (Kate), Nigel Douglas (Lechmere)\u003cbr\u003eEnglish Chamber Orchestra, Benjamin Britten\u003cbr\u003eDibdin:\u003cbr\u003eTom Bowling\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eGay:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe Beggar's Opera\u003c\/strong\u003e\u003cbr\u003erealised by Benjamin Britten\u003cbr\u003eEnglish Chamber Orchestra, Meredith Davies\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMozart:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIdomeneo, K366\u003c\/strong\u003e\u003cbr\u003eEnglish Version\u003cbr\u003ePeter Pears (Idomeneo), Anne Pashley (Idamante), Heather Harper (Ilia), Rae Woodland (Elettra), Robert Tear (Arbace), Andrew Williams (High Priest), Paul Nemeer (Voice of Neptune)\u003cbr\u003eEnglish Chamber Orchestra, Benjamin Britten\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePurcell:\u003c\/strong\u003e\u003cbr\u003eMan is for the woman made (from The Mock Marriage, Z605)\u003cbr\u003earr. Britten\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSchubert:\u003cbr\u003eWinterreise D911\u003cbr\u003ePeter Pears \u0026amp; Benjamin Britten\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003etrad.:\u003c\/strong\u003e\u003cbr\u003eThe Foggy, Foggy Dew\u003cbr\u003eO Waly, Waly ('The Water is Wide')\u003cbr\u003eSweet Polly Oliver\u003cbr\u003eSally In Our Alley\u003cbr\u003eThe Lincolnshire Poacher\u003cbr\u003eThe Plough Boy\u003cbr\u003eOliver Cromwell\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eplus Peter Pears \u0026amp; Benjamin Britten discuss Winterreise\u003cbr\u003e36. Frühlingstraum 4:50\u003cbr\u003e37. Im Dorfe 5:28\u003cbr\u003e38. Der Leiermann 2:27\u003cbr\u003ePeter Pears, Benjamin Britten\u003c\/p\u003e","brand":"Decca","offers":[{"title":"Benjamin Britten","offer_id":31682763358295,"sku":"044007433669","price":72.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/91KtTsJo7xL._SL1500.jpg?v=1585759625"},{"product_id":"beethoven-favourite-piano-son","title":"BEETHOVEN: FAVOURITE PIANO SONATAS - ASHKENAZY (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_19a2062d-efb2-4940-ac84-cae6b47b1703_480x480.png?v=1590005447\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBeethoven:\u003cbr\u003ePiano Sonata No. 15 in D major, Op. 28 'Pastorale'\u003cbr\u003ePiano Sonata No. 21 in C major, Op. 53 'Waldstein'\u003cbr\u003ePiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight'\u003cbr\u003ePiano Sonata No. 26 in E flat major, Op. 81a 'Les Adieux'\u003cbr\u003ePiano Sonata No. 17 in D minor, Op. 31 No. 2 'Tempest'\u003cbr\u003ePiano Sonata No. 8 in C minor, Op. 13 'Pathétique'\u003cbr\u003ePiano Sonata No. 23 in F minor, Op. 57 'Appassionata'\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eVladimir Ashkenazy (piano)\u003c\/strong\u003e\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":31682792456279,"sku":"028945295220","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/51ih0SGJuSL.jpg?v=1585759907"},{"product_id":"mahler-adagios","title":"MAHLER ADAGIOS (2 CDS)","description":"\u003cp\u003e\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":31682804547671,"sku":"028947823421","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1642266.jpg?v=1593459161"},{"product_id":"bruch-mendelssohn-mozart-vio","title":"BRUCH, MENDELSSOHN, MOZART: VIOLIN CONCERTOS - JOSHUA BELL (2 CDS)","description":"\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_19a2062d-efb2-4940-ac84-cae6b47b1703_480x480.png?v=1590005447\" alt=\"\"\u003e\u003cbr\u003eBRUCH: VIOLIN CONCERTO NO. 1\u003cbr\u003eI. 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top: 0; left: 0;\" width=\"100%\" height=\"100%\" src=\"https:\/\/embed.song.link\/?url=https%3A%2F%2Falbum.link%2Fa%2FB0015RSPA4\u0026amp;theme=light\" frameborder=\"0\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":31682807201879,"sku":"028947567004","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/715036.jpg?v=1594398378"},{"product_id":"bedroom-adagios","title":"BEDROOM ADAGIOS (2 CDs)","description":"\u003cp\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_462c47e3-b42f-43c8-91d4-47d2d450bbe3_480x480.png?v=1585856353\" alt=\"\"\u003e\u003cbr\u003eConcerto for Harpischord, Strings, and Continuo No. 5 in F minor, BWV 1056 - Raymond Leppard\u003cbr\u003eConcerto Grosso in B minor, Op. 6, No. 12 - the Academy of St Martin-In-The-Fields\u003cbr\u003ePavane for a Dead Princess - Steve Erquiaga\u003cbr\u003eRomance for String Orchestra - the Academy of St Martin-In-The-Fields\u003cbr\u003eCarnival of the Animals - Pittsburgh Symphony Orchestra\u003cbr\u003eBachianas Brasileiras No. 5 - Alexandre Lagoya\u003cbr\u003eEn Bateau - L'ochestre de la Suisse Romande\u003cbr\u003eHumming Chorus - BBC Concert Orchestra\u003cbr\u003eSicilienne - Steve Erquaiaga\u003cbr\u003eItaliana - the Academy of St Martin-In-The-Fields\u003cbr\u003eUna Furtiva Lagrima - BBC Concert Orchestra\u003cbr\u003eChanson de Matin, Op. 15, No. 2 - BBC Concert Orchestra\u003cbr\u003eSuite in E Major for Lute, BWV 1006A\/1000 - Eduardo Fernandez\u003cbr\u003eTouch Her Soft Lips, and Part - Bournemouth Symphony Orchestra\u003cbr\u003eSuite for Cello Solo No. 3 in C Major, BWV 1009 - Pepe Romero\u003cbr\u003eJesu, Joy of Man's Desiring - Julian Lloyd Webber\u003cbr\u003ePavane - Nicholas Kraemer\u003cbr\u003eSerenade for Strings in E Major, Op. 22 - the Academy of St Martin-In-The-Fields\u003cbr\u003eO Mio Babbino Caro - BBC Concert Orchestra\u003cbr\u003eCavatina - Goran Sollscher\u003cbr\u003eLa Fileuse - L'orchestre de la Suisse Romande\u003cbr\u003eFlower Duet (Sous Le Dome Epais) - BBC Concert Orchestra\u003cbr\u003ePied-En-L'air - Nicholas Kraemer\u003cbr\u003eArioso - Steve Erquiaga\u003cbr\u003eTwo Aquarelles - English Chamber Orchestra\u003cbr\u003eIn Paradisum - Stephen Cleobury\u003cbr\u003eAfter a Dream - Steve Erquiaga\u003cbr\u003eSuite for Cello Solo No. 1 in G Major, BWV 1007 - Mischa Maisky\u003cbr\u003eMy Bonny Boy - the Academy of St Martin-In-The-Fields\u003cbr\u003eConcerto for Guitar in D Major, RV 93 - Eduardo Fernandez\u003cbr\u003eUn Bel Di - BBC Concert Orchestra\u003cbr\u003eHolbert Suite, Op. 40 - Gothenburg Symphony Orchestra\u003cbr\u003eConcerto for Oboe in D minor, BWV 1059 - Heinz Holliger\u003cbr\u003eVissi D'arte - BBC Concert Orchestra\u003cbr\u003eSheep May Safely Graze - William Bennett\u003cbr\u003eFantasia on Greensleeves - William Bennett\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":31682807431255,"sku":"602498085073","price":17.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/51AgOIZDMzL.jpg?v=1585760102"},{"product_id":"benjamin-britten-britten-conducts-britten-oper","title":"BRITTEN CONDUCTS BRITTEN: OPERAS, VOLUME 2 (10 CDS)","description":"\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_480x480.png?v=1585851265\" alt=\"\" style=\"display: block; 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Unquiet thoughts\u003cbr\u003e2. Whoever thinks or hopes\u003cbr\u003e3. My thoughts are wing'd with hopes\u003cbr\u003e4. If my complaints could passions move\u003cbr\u003e5. Can she excuse my wrongs\u003cbr\u003e6. Now, O now I needs must part\u003cbr\u003e7. Dear, if you change\u003cbr\u003e8. Burst forth my tears\u003cbr\u003e9. Go crystal tears\u003cbr\u003e10. Think'st thou then\u003cbr\u003e11. Come away, come sweet love\u003cbr\u003e12. Rest awhile you cruel cares\u003cbr\u003e13. Sleep wayward thoughts\u003cbr\u003e14. All ye whom love or fortune\u003cbr\u003e15. Wilt thou unkind\u003cbr\u003e16. Would my conceit\u003cbr\u003e17. Come Again: Sweet Love Doth Now Invite\u003cbr\u003e18. His golden locks\u003cbr\u003e19. Awake, sweet love\u003cbr\u003e20. Come heavy sleep\u003cbr\u003e21. Away with these self-loving lads\u003cbr\u003eJohn Dowland: Second Booke of Songes, 1600\u003cbr\u003e1. I saw my lady weep\u003cbr\u003e2. Flow my tears\u003cbr\u003e3. Sorrow, stay\u003cbr\u003e4. Die not before thy day\u003cbr\u003e5. Mourn, day is with darkness fled\u003cbr\u003e6. Time's eldest son\u003cbr\u003e7. Then sit thee down\u003cbr\u003e8. When others sing Venite\u003cbr\u003e9. Praise blindness eyes\u003cbr\u003e10. O sweet woods\u003cbr\u003e11. If floods of tears\u003cbr\u003e12. Fine knacks for ladies\u003cbr\u003e13. Now cease my wand'ring eyes\u003cbr\u003e14. Come ye heavy states of night\u003cbr\u003e15. White as lilies was her face\u003cbr\u003e16. Woeful heart\u003cbr\u003e17. A shepherd in a shade\u003cbr\u003e18. Faction that ever dwells\u003cbr\u003e19. Shall I sue\u003cbr\u003e20. Toss not my soul\u003cbr\u003e21. Clear or cloudy\u003cbr\u003e22. Humor say what mak'st thou here\u003cbr\u003eJohn Dowland: Third Booke of Songes, 1603\u003cbr\u003e1. Farewell too fair\u003cbr\u003e2. Time stands still\u003cbr\u003e3. Behold a wonder here\u003cbr\u003e4. Daphne was not so chaste\u003cbr\u003e5. Me, me and none but me\u003cbr\u003e6. When Phoebus first did Daphne love\u003cbr\u003e7. Say, Love, if ever thou didst find\u003cbr\u003e8. Flow not so fast, ye fountains\u003cbr\u003e9. What if I never speed\u003cbr\u003e10. Love stood amazed\u003cbr\u003e11. Lend your ears to my sorrow\u003cbr\u003e12. By a fountain where I lay\u003cbr\u003e13. O what hath overwrought\u003cbr\u003e14. Farewell, unkind\u003cbr\u003e15. Weep you no more, sad fountains\u003cbr\u003e16. Fie on this feigning\u003cbr\u003e17. I must complain\u003cbr\u003e18. It was a time when silly bees\u003cbr\u003e19. The lowest trees have tops\u003cbr\u003e20. What poor astromomers are they\u003cbr\u003e21. Come when I call\u003cbr\u003eJohn Dowland: A Pilgrim's Solace (1612)\u003cbr\u003e1. Disdain me still\u003cbr\u003e2. Sweet stay awhile\u003cbr\u003e3. To ask for all thy love\u003cbr\u003e4. Love, those beams that breed\u003cbr\u003e5. Shall I strive with words to move\u003cbr\u003e6. Were every thought an eye\u003cbr\u003e7. Stay, Time, awhile thy flying\u003cbr\u003e8. Tell me, true love\u003cbr\u003e9. Go nightly cares\u003cbr\u003e10. From silent night\u003cbr\u003e11. Lasso vita mia\u003cbr\u003e12. In this trembling shadow cast\u003cbr\u003e13. If that a sinner's sighs\u003cbr\u003e14. Thou mighty God\u003cbr\u003e15. When David's life\u003cbr\u003e16. When the poor cripple\u003cbr\u003e17. Where sin sore wounding\u003cbr\u003e18. My heart and tongue were twins\u003cbr\u003e19. Up merry mates\u003cbr\u003e20. Welcome black night\u003cbr\u003e21. Cease these false sports\u003cbr\u003eJohn Dowland: Lachrimae Pavan (Paduana Lachrimae) - Transc. for keyboard by Giles Farnaby\u003cbr\u003eLachrimae Pavan (Paduana Lachrimae) - Transc. for keyboard by Giles Farnaby\u003cbr\u003eJohn Dowland: Can shee excuse my wrongs (1st Book of Songs, 1597) - Anonymously transcribed for keyboard\u003cbr\u003eCan shee excuse my wrongs (1st Book of Songs, 1597) - Anonymously transcribed for keyboard\u003cbr\u003eJohn Dowland: Paduana \"La mia Barbara\" (Consort Music) - Transc. for keyboard by Paul Siefert\u003cbr\u003ePaduana \"La mia Barbara\" (Consort Music) - Transc. for keyboard by Paul Siefert\u003cbr\u003eJohn Dowland: The Frogge - Transc. for keyboard by John Wilbye\u003cbr\u003eThe Frogge - Transc. for keyboard by John Wilbye\u003cbr\u003eJohn Dowland: The Frog Gailliard (Now, o now I need must part) - Transc. for keyboard by Thomas Morley\u003cbr\u003eThe Frog Gailliard (Now, o now I need must part) - Transc. for keyboard by Thomas Morley\u003cbr\u003eJohn Dowland: Pavana \u0026amp; Galliarda - Transc. for keyboard by Thomas Morley\u003cbr\u003ePavana \u0026amp; Galliarda - Transc. for keyboard by Thomas Morley\u003cbr\u003eJohn Dowland: Lachrimae Pavan (Paduana Lachrimae) - Transc. for keyboard by Melchior Scheldt\u003cbr\u003eLachrimae Pavan (Paduana Lachrimae) - Transc. for keyboard by Melchior Scheldt\u003cbr\u003eJohn Dowland: Can shee excuse my wrongs (1st Book of Songs, 1597) - Anonymously transcribed for keyboard\u003cbr\u003eCan shee excuse my wrongs (1st Book of Songs, 1597) - Anonymously transcribed for keyboard\u003cbr\u003eJohn Dowland: Solus cum sola pavan (Lute works) - Anonymously transcribed for keyboard\u003cbr\u003eSolus cum sola pavan (Lute works) - Anonymously transcribed for keyboard\u003cbr\u003eJohn Dowland: Dowland's Almayne - Anonymously transcribed for keyboard\u003cbr\u003eDowland's Almayne - Anonymously transcribed for keyboard\u003cbr\u003eJohn Dowland: Piper's Pavan \u0026amp; Galliard - transcr. for keyboard by J. Bull \u0026amp; M. Peerson\u003cbr\u003ePiper's Pavan \u0026amp; Galliard - transcr. for keyboard by J. Bull \u0026amp; M. Peerson\u003cbr\u003eJohn Dowland: Lachrimae Pavan (Paduana Lachrimae) - Transc. for keyboard by Willian Byrd\u003cbr\u003eLachrimae Pavan (Paduana Lachrimae) - Transc. for keyboard by Willian Byrd\u003cbr\u003eJohn Dowland: Mr Henry Noell Lamentations 1597\u003cbr\u003e1. Lord turn not away\u003cbr\u003e2. Lord in thy wrath\u003cbr\u003e3. Lord consider my distress\u003cbr\u003e4. O Lord of whom I do depend\u003cbr\u003e5. Where righteousness doth say\u003cbr\u003e6. Lord to thee I make my moan\u003cbr\u003e7. Lord hear my prayer\u003cbr\u003eJohn Dowland: Lachrimae, 1604\u003cbr\u003eLachrimae Antiquae\u003cbr\u003eLachrimae Antiquae Novae\u003cbr\u003eLachrimae Gementes\u003cbr\u003eLachrimae Tristes\u003cbr\u003eLachrimae Coactae\u003cbr\u003eLachrimae Amantis\u003cbr\u003eLachrimae Verae\u003cbr\u003eM. John Langton's Pavan\u003cbr\u003eM. Nicolas Gryffith his Galiard\u003cbr\u003eSir John Souch, his Galiard\u003cbr\u003eSemper Dowland semper dolens\u003cbr\u003eM. Giles Hobies Galiard\u003cbr\u003eThe King of Denmark's Galiard\u003cbr\u003eSir Henry Upton's Funeral\u003cbr\u003eM. Henry Noel his Galiard\u003cbr\u003eThe Earl of Essex Galiard\u003cbr\u003eM. Buctons Galiard\u003cbr\u003eM. George Whithead his Almand\u003cbr\u003eCaptaine Digorie Piper his Galiard\u003cbr\u003eM. Thomas Collier his Galiard\u003cbr\u003eMrs Nichols Almand\u003cbr\u003eJohn Dowland: Sacred Songs (Collected Works)\u003cbr\u003eSorrow, come\u003cbr\u003eI shame at mine unworthiness\u003cbr\u003eAn heart that's broken\u003cbr\u003eJohn Dowland: Psalmes\u003cbr\u003eAll people that on earth do dwell (Psalm 100)\u003cbr\u003ePut me not to rebuke O Lord (Psalm 38)\u003cbr\u003eLord to thee I make my moan (Psalm 130)\u003cbr\u003eMy soul praise the Lord (Psalm 100)\u003cbr\u003eAll people that on earth so dwell (Psalm 100)\u003cbr\u003eBehold and have regard (Psalm 134)\u003cbr\u003eA Prayer for the Queen's most Excellent Majesty\u003cbr\u003eJohn Dowland: Solus cum sola pavan (Lute works)\u003cbr\u003eSolus cum sola pavan (Lute works)\u003cbr\u003eJohn Dowland: A Miscellany (Complete Works)\u003cbr\u003eLachrimae\u003cbr\u003eGalliard\u003cbr\u003ePipers Pavan\u003cbr\u003eLachrimae\u003cbr\u003eLady Rich Galliard\u003cbr\u003eEarl of Essex Galliard\u003cbr\u003eIf my complaints\u003cbr\u003eLachrimae Doolande\u003cbr\u003eLord Willoughbie's Welcome Home\u003cbr\u003eLord Chamberlayne his Galliard\u003cbr\u003eComagin\u003cbr\u003ePavan Lachrymae\u003cbr\u003eSorrow Stay\u003cbr\u003eJohn Dowland: Lute Music - England\u003cbr\u003ePreludium\u003cbr\u003eLachrimae (Sturt version)\u003cbr\u003eCan she excuse\u003cbr\u003eDr. Case's Pavan\u003cbr\u003eMelancholy Galliard\u003cbr\u003eSir John Smith, His Almain\u003cbr\u003eA Fantasia\u003cbr\u003eA Dream\u003cbr\u003eAn Almain\u003cbr\u003eThe Queen's Galliard\u003cbr\u003eCoranto\u003cbr\u003eResolution\u003cbr\u003eMrs Vaux Galliard\u003cbr\u003eAn Almain\u003cbr\u003eMr Dowland's Midnight\u003cbr\u003eA Fantasia\u003cbr\u003eLoth to depart\u003cbr\u003eThe Most Sacred Queen Elizabeth, Her Galliard\u003cbr\u003eThe Earl of Essex, His Galliard\u003cbr\u003eA Pavan\u003cbr\u003eJohn Dowland's Galliard\u003cbr\u003eAloe\u003cbr\u003eThe Lady Clifton's Spirit\u003cbr\u003eWhat if a day\u003cbr\u003eGiles Hobie's Galliard\u003cbr\u003eCome away\u003cbr\u003eA Galliard\u003cbr\u003eA Fancy\u003cbr\u003eLachrimae\u003cbr\u003eGalliard to Lachrimae\u003cbr\u003e(A Jig)\u003cbr\u003eA Galliard (on Walsingham)\u003cbr\u003eComplaint\u003cbr\u003eMignarda\u003cbr\u003eSemper Dowland semper dolens\u003cbr\u003eThe Frog Galliard\u003cbr\u003eA Fancy\u003cbr\u003eA Fancy\u003cbr\u003ePiper's Pavan\u003cbr\u003eCaptain Digorie Piper's Galliard\u003cbr\u003eLady Laiton's Almain\u003cbr\u003eDowland's Galliard\u003cbr\u003eDowland's First Galliard\u003cbr\u003eTarleton's Jig\u003cbr\u003eWalsingham\u003cbr\u003eLord Willoughby's Welcome Home\u003cbr\u003eSir Henry Guilforde, His Almain\u003cbr\u003eA Pavan\u003cbr\u003eMr. Langton's Galliard\u003cbr\u003eMrs. Clifton's Almain\u003cbr\u003eA Galliard\u003cbr\u003eLady Hunsdon's Puffe\u003cbr\u003eGalliard\u003cbr\u003eGo from my window\u003cbr\u003eA Fancy\u003cbr\u003ePavana John Dowland\u003cbr\u003eMrs. Brigide Fleetwood's Pavan\u003cbr\u003eLa mia Barbara\u003cbr\u003eSir Henry Upton's Funeral\u003cbr\u003eLachrimae (Cozen's version)\u003cbr\u003eFarewell Fancy\u003cbr\u003eFarewell (on the \"In Nomine\" theme)\u003cbr\u003eThe King of Denmark, His Galliard\u003cbr\u003eMrs Vaux's Jig\u003cbr\u003eMrs. Nichol's Almain\u003cbr\u003eA Galliard\u003cbr\u003eLord Strang's March\u003cbr\u003eMrs. Winter's Jump\u003cbr\u003eCan she excuse\u003cbr\u003eThe Shoemaker's Wife\u003cbr\u003eMrs Norrish's Delight\u003cbr\u003eA Galliard\u003cbr\u003eMrs White's Thing\u003cbr\u003eMrs White's Nothing\u003cbr\u003eThe Frog Galliard\u003cbr\u003eSolus cum sola\u003cbr\u003eThe Lord Viscount Lisle, His Galliard\u003cbr\u003eOrlando sleepeth\u003cbr\u003eRobin\u003cbr\u003eA Galliard\u003cbr\u003eForlorne Hope Fancy\u003cbr\u003eThe Lady Russell's Pavan\u003cbr\u003eA Fancy\u003cbr\u003eSir John Langton's Pavan\u003cbr\u003eEarl of Derby, His Galliard\u003cbr\u003eA Coy Toy\u003cbr\u003eFortune\u003cbr\u003eAlmain\u003cbr\u003eMr. Knight's Galliard\u003cbr\u003eSir John Souch's Galliard\u003cbr\u003eTarletone's Riserrectione\u003cbr\u003eThe Lady Rich, Her Galliard\u003cbr\u003eJohn Dowland: Consort Music (Collected Works)\u003cbr\u003eLachrimae Pavan\u003cbr\u003eCan she excuse Galliard\u003cbr\u003eCaptain Piper's Pavan \u0026amp; Galliard\u003cbr\u003eThe Frog Galliard\u003cbr\u003eRound Battell Galliard\u003cbr\u003eFortune my foe\u003cbr\u003eDowland's First Galliard\u003cbr\u003eKatherine Darcie's Galliard\u003cbr\u003eTarleton's Jigge\u003cbr\u003eAlman à 2\u003cbr\u003eMistress Nichols Alman à 2\u003cbr\u003eSusanna Fair Galliard\u003cbr\u003eMistress Nichols Alman à 5\u003cbr\u003eM. John Langton Pavan \u0026amp; Galliard\u003cbr\u003eLa mia Barbara Pavan \u0026amp; Galliard\u003cbr\u003eLachrimae Antiquae Novae Pavan \u0026amp; Galliard\u003cbr\u003eMistress Nichols Alman\u003cbr\u003eVolta à 4\u003cbr\u003eWere every thought an eye\u003cbr\u003eLady if you so spite me\u003cbr\u003ePavan à 4\u003cbr\u003eAnthony Holborne: My Heavy Sprite, Oppress'd With Sorrow's Might\u003cbr\u003eMy Heavy Sprite, Oppress'd With Sorrow's Might\u003cbr\u003eRichard Martin: Change Thy Mind Since She Doth Change\u003cbr\u003eChange Thy Mind Since She Doth Change\u003cbr\u003eRobert Hales: O Eyes, Leave Off Your Weeping\u003cbr\u003eO Eyes, Leave Off Your Weeping\u003cbr\u003eAnonymous: Go, My Flock, Go Get You Hence\u003cbr\u003eGo, My Flock, Go Get You Hence\u003cbr\u003eAnonymous: O Dear, What Can The Matter Be?\u003cbr\u003eO Dear, What Can The Matter Be?\u003cbr\u003eDaniel Batchelar: To Plead My Faith\u003cbr\u003eTo Plead My Faith\u003cbr\u003eGuillaume Tessier: In A Grove Most Rich Of Shade\u003cbr\u003eIn A Grove Most Rich Of Shade\u003cbr\u003eJohn Dowland: Far From Triumphing Court\u003cbr\u003eFar From Triumphing Court\u003cbr\u003eJohn Dowland: Lady, If You So Spite Me\u003cbr\u003eLady, If You So Spite Me\u003cbr\u003eJohn Dowland: In Darkness Let Me Dwell\u003cbr\u003eIn Darkness Let Me Dwell\u003cbr\u003ePierre Guédron: Si le parler et la silence\u003cbr\u003eSi le parler et la silence\u003cbr\u003ePierre Guédron: Ce penser qui sans fin tirannise ma vie\u003cbr\u003eCe penser qui sans fin tirannise ma vie\u003cbr\u003ePierre Guédron: Vous que le Bonheur rappelle\u003cbr\u003eVous que le Bonheur rappelle\u003cbr\u003eAnonymous: Passava Amor su arco desarmado\u003cbr\u003ePassava Amor su arco desarmado\u003cbr\u003eAnonymous: Sta notte\u003cbr\u003eSta notte\u003cbr\u003eAnonymous: Vuestros ojos tienen d'Amor\u003cbr\u003eVuestros ojos tienen d'Amor\u003cbr\u003eDomenico Maria Megli: Se de farmi morire?\u003cbr\u003eSe de farmi morire?\u003cbr\u003eGiulio Romano Caccini: Dovrò dunque morire?\u003cbr\u003eDovrò dunque morire?\u003cbr\u003eGiulio Romano Caccini: Amarilli mia bella\u003cbr\u003eAmarilli mia bella\u003cbr\u003eAnonymous: O bella piu\u003cbr\u003eO bella piu\u003c\/p\u003e","brand":"Decca","offers":[{"title":"John Dowland","offer_id":31682824306775,"sku":"028945256320","price":119.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71cHl56zIzL._SL1407.jpg?v=1585760365"},{"product_id":"the-john-rutter-collection-john-rutter-and-the-cambridge-singers","title":"RUTTER: The John Rutter Collection - John Rutter and the Cambridge Singers","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_480x480.png?v=1663272176\"\u003e\u003c\/p\u003e\n\u003cp\u003e1. 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Piano Sonata No. 19 in C Minor, D958 4th Movement: Allegro","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32190002987095,"sku":"4988005609847","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1648881.jpg?v=1592861163"},{"product_id":"various-artists-50-x-bach","title":"50 X BACH (3 CDs)","description":"\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_b0685975-3020-43a3-8464-965c00d01f1d_480x480.png?v=1590010877\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Toccata and Fugue for Organ in D minor, BWV 565\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Orchestral Suite no 3 in D major, BWV 1068\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Wachet auf, ruft uns die Stimme, cantata, BWV 140\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Brandenburg Concerto no 4 in G major, BWV 1049\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Das Wohltemperierte Klavier, Book 1\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto in F minor, for harpsichord, strings and continuo, BWV 1056\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto in D minor, for 2 violins, strings and continuo, BWV 1043\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Magnificat in E flat major, BWV 243a\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Suite no 1 in G major, for solo cello, BWV 1007\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Brandenburg Concerto no 2 in F major, BWV 1047\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Italian Concerto in F major, BWV 971\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Mass in B minor, BWV 232\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto in F major, for oboe, strings and continuo, BWV 1053 (Reconstruction after Concerto no 2 i\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Suite in E minor, BWV 996\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Was mir behagt, ist nur die muntre Jagd, cantata, BWV 108\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Matthäus-Passion, BWV 244\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003cspan itemprop=\"name\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003cspan itemprop=\"name\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eCD 2\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Weihnachts-Oratorium, BWV 248\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Brandenburg Concerto no 3 in G major, BWV 1048\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto in D minor, for violin, oboe and strings, BWV 1060\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Partita for Violin solo no 2 in D minor, BWV 1004\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Ich habe genug, cantata, BWV 82\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale no 1), BWV 645 (BC K22\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Herz und Mund und Tat und Leben, cantata, BWV 147\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Brandenburg Concerto no 5 in D major, BWV 1050\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : French Suite no 5 in G major, BWV 816\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto for Violin in E major, BWV 1042\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Johannes-Passion, BWV 245\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Prelude for Lute in C minor, BWV 999\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto in D minor, for harpsichord, strings and continuo, BWV 1052\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Orchestral Suite no 2 in B minor, BWV 1067\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003cspan itemprop=\"name\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\n\u003cspan itemprop=\"name\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eCD 3\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Concerto for Violin in A minor, BWV 1041\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Suite in E major, for lute, BWV 1006a\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale no 6), BWV 65\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Goldberg Variations, BWV 988\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Sonata no 3 in G minor, for cello and continuo, BWV 1029\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Mass in B minor\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Sonata no 1 in G minor, BWV 1001\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Sonata no 2 in E flat major, for flute and harp, BWV 1031\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : Brandenburg Concerto no 6 in B flat major, BWV 1051\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"table-row\"\u003e\n\u003cdiv class=\"left-container2\" itemprop=\"track\" itemscope=\"\" itemtype=\"http:\/\/schema.org\/MusicRecording\"\u003e\u003cspan itemprop=\"name\"\u003eBach, Johann Sebastian : In dulci jubilo, BWV 729\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32249228558423,"sku":"028947872931","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71AoQSg8_2BxL._SL1500.jpg?v=1594932659"},{"product_id":"robert-denzler-the-decca-recordings-import","title":"ROBERT DENZLER: THE DECCA RECORDINGS (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eZurich-born and trained, the conductor Robert Denzler (1892–1972) found a summer home in Bayreuth as an assistant to the likes of Hans Richter and Karl Muck. He thus established his Wagnerian credentials early on, and from 1925 to 1931 he ran an annual Wagner Festival in Geneva in cooperation with L’Orchestre de la Suisse Romande. Later that decade he directed the premieres, in Zurich, of both Hindemith’s Mathis der Maler and Berg’s unfinished Lulu.\u003cbr\u003e\u003cbr\u003eFollowing the final rehearsal of a Die Walküre staging in 1951 the city’s Grand Theatre was gutted by all-too-real fire, and Denzler directed the opera in concert at the Victoria Hall. One performance survives, revealing Denzler as an impulsive, incandescent Wagnerian in the mould of Artur Rodzinski: qualities which readily transfer themselves to the opulent Symphony by Ernst Chausson. This was the work’s first stereo recording, and both Denzler and the Decca engineers did it proud.\u003cbr\u003e\u003cbr\u003eToo little of Denzler’s work is preserved on record, making this anthology of his complete Decca recordings all the more valuable. His work with the company began in May 1954 with sessions for a medium-play, 10-inch disc of two Berlioz overtures, well received for Denzler’s accomplished sense of theatre and clarity of direction. In June 1955 there followed the first recording of Honegger’s wartime symphony, the ‘Liturgique’. This was made with the Paris Conservatoire Orchestra, which was then going through a golden period, directed by the likes of Erich Kleiber and Carl Schuricht, and Denzler secures from them playing of no less power and authority.\u003cbr\u003e\u003cbr\u003eThe Chausson was recorded in Paris in May 1956, and Denzler’s slender Decca discography was brought to a fiery close with the Fourth Symphony of Tchaikovsky, recorded back in Geneva in October and November of 1960. With all their experience of recording the Suisse Romande under its founder-director Ernest Ansermet, the Decca engineers had made a home from home in the Victoria Hall, and Denzler’s reading makes for fascinating comparison with the Decca OSR account conducted by Ataulfo Argenta five years earlier: more rhythmically solid, more brass-heavy, hardly less rousing. The compilation is enhanced by a new appreciation of Denzler’s recorded legacy by Jonathan Summers. Original covers are pictured within the booklet.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e‘Berlioz would have liked this disc. Like his music, and his orchestration, it is brilliant and clear.’ Gramophone, November 1954 (Berlioz)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘A record that must obviously be recommended to all Honegger enthusiasts.’ Gramophone, April 1956 (Honegger)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘The slow movement is beautifully done.’ Musical Times, September 1956 (Honegger)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Throughout there is a richness and warmth in the playing that suits the late-romantic style of the music very well.’ Gramophone, September 1957 (Chausson)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Denzler’s approach is refreshingly direct and unaffected.’ Gramophone, June 1961 (Tchaikovsky)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘A vigorous and straightforward account … the performance is unfussy and has conviction, while the stereo recording is remarkably good for its age.’ Gramophone, April 1972 (Chausson)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1 \u003cbr\u003e\u003cbr\u003eERNEST CHAUSSON (1855–1899)\u003cbr\u003e\u003cbr\u003e1–3 Symphony in B flat major, Op. 20* \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eARTHUR HONEGGER (1892–1955)\u003cbr\u003e\u003cbr\u003e4–6 Symphony No. 3 ‘Symphonie Liturgique’ \u003cbr\u003e\u003cbr\u003e7 Chant de joie \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eCD 2 \u003cbr\u003e\u003cbr\u003eHECTOR BERLIOZ (1803–1869)\u003cbr\u003e\u003cbr\u003e1 Benvenuto Cellini – Overture*\u003cbr\u003e\u003cbr\u003e2 Béatrice et Bénédict – Overture*\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003ePIOTR ILYICH TCHAIKOVSKY (1840–1893)\u003cbr\u003e\u003cbr\u003e3–6 Symphony No. 4 in F minor, Op. 36* \u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eOrchestre de la Société des Concerts du Conservatoire de Paris (Chausson, Honegger)\u003cbr\u003e\u003cbr\u003eL’Orchestre de la Suisse Romande (Berlioz, Tchaikovsky)\u003cbr\u003e\u003cbr\u003eRobert Denzler\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264735326295,"sku":"028948402625","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3821309-2567280.jpg?v=1596071727"},{"product_id":"tchaikovsky-symphony-3-violin-concerto-import","title":"BOULT CONDUCTS TCHAIKOVSKY - SYMPHONY NO. 3; SUITE NO. 3; VIOLIN CONCERTO, OVERTURES (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eSir Adrian Boult was a conductor of much more ‘temperament’ than is commonly supposed, with ever-frustrated ambitions to lead a complete Ring cycle, and whose consummate professionalism and Edwardian moustache concealed an interpreter of often fiery passions in Romantic repertoire.\u003cbr\u003e\u003cbr\u003eThis new collection invaluably gathers up all the Tchaikovsky recordings he made for Decca between 1952 and 1956.\u003cbr\u003e\u003cbr\u003eThe first of them was the fantasy overture based on Hamlet, a recording produced in Kingsway Hall by the young John Culshaw. Later the same month came the 1812 Overture, recorded without cannon or bells but possessed of a strength and dignity not always present in more bombastic accounts.\u003cbr\u003e\u003cbr\u003eTchaikovsky played a formative role in Boult’s development. At the age of twelve he attended what he later called ‘the most important concert I have attended from my own point of view’. Arthur Nikisch was conducting Tchaikovsky’s Fifth Symphony and the First Piano Concerto with Mark Hambourg as soloist. Boult was captivated by Nikisch’s ability to obtain playing of the utmost brilliance and a quality of sound he had not heard before. It was on that evening that he decided that he had to become a conductor.\u003cbr\u003e\u003cbr\u003eAt the beginning of June 1954 Boult and the LPO were joined by the 63-year-old violinist Mischa Elman for the Violin Concerto, and Elman rekindled in the sessions something of the golden tone which had propelled him to youthful fame as a pupil of Leopold Auer, to whom Tchaikovsky had originally dedicated the concerto.\u003cbr\u003e\u003cbr\u003eThese are all mono recordings, whereas the Third Suite and Third Symphony were recorded in both mono and stereo, made in Paris and London respectively. Boult was apparently perplexed by the invitation to conduct the Paris Conservatoire Orchestra, but he secures from them playing of rare affection in the once-popular Theme and Variations movement. This compilation issues the stereo version of the Suite for this first time on a Decca CD.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e ‘Boult must have devoted as much care and rehearsal to this as to any music of more intrinsic value; and the very good result justifies abundantly all the labour.’ Gramophone, August 1952 (1812\/Hamlet)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sir Adrian directs conservative, traditional readings that stress a broad, singing lyricism. The orchestra is fine and well rehearsed, and… the recorded sound is silken.’ High Fidelity, August 1960 (Hamlet)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Exciting on the grand scale and offering a wealth of fine-scale musical detail (some of it orchestral)… [Elman’s] partnership with Boult and the London Symphony Orchestra seems to have been a congenial one.’ Fanfare, November 2005 (Violin Concerto)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘A vibrant, yet controlled rendition… It should be no surprise that [Boult] is an excellent conductor of Tchaikovsky, and especially of this lovely symphony.’ Fanfare, July 2009 (Symphony No.3)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘[Boult] makes the [1812 Overture] more coherent than do most, and gets the requisite colours, including its darkness, from the Hamlet Overture. In short, this is a distinguished recording.’ Fanfare, July 2009\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘A dream performance.’ Stereo Review, December 1989 (Suite No.3)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e1–5 Symphony No. 3 in D major, Op. 29 ‘Polish’\u003cbr\u003e6 Hamlet – Overture-Fantasy after Shakespeare, Op. 67*\u003cbr\u003e7 Ouverture solennelle ‘1812’, Op. 49*\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e1–3 Violin Concerto in D major, Op. 35*\u003cbr\u003e\u003cbr\u003eMischa Elman, violin (Violin Concerto)\u003cbr\u003eLondon Philharmonic Orchestra\u003cbr\u003eSir Adrian Boult\u003cbr\u003e\u003cbr\u003e4–7 Suite No. 3 in G major, Op. 55°\u003cbr\u003e\u003cbr\u003eOrchestre de la Société des Concerts du Conservatoire de Paris\u003cbr\u003eSir Adrian Boult\u003cbr\u003e\u003cbr\u003e*FIRST CD RELEASE ON DECCA\u003cbr\u003e°FIRST CD RELEASE OF STEREO VERSION ON DECCA\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264735719511,"sku":"028948403813","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3798939-2546176.jpg?v=1596223208"},{"product_id":"bach-goldberg-variations-import","title":"BACH: GOLDBERG VARIATIONS - GEORGE MALCOLM","description":"\u003cp\u003e\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_bddc80cf-14fa-424f-967f-c6e88f52528d_480x480.png?v=1658409827\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_bddc80cf-14fa-424f-967f-c6e88f52528d_480x480.png?v=1658409827\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\"\u003e\u003c\/p\u003e\n\u003cp\u003eEndowed with a prodigious and versatile musical talent, the harpsichordist George Malcolm brought a consummate polish to both performance and recording. Despite working at the vanguard of historically informed performance, he did not pursue an aesthetic of zealous purity but concentrated rather on refinement of effect to communicate the spirit of the composition.\u003cbr\u003e\u003cbr\u003eHappy to play and recompose Bach in a jazz-inflected modern idiom, he performed with an impish sense of humour which lends delight and legerdemain to his 1961 recording of the Goldberg Variations, made for L’Oiseau Lyre and receiving its first CD release.\u003cbr\u003e\u003cbr\u003eMalcolm was renowned for his varied registrations, particularly on the harpsichords of Thomas Goff, which offer unusual tonal possibilities. While taking all the score’s marked repeats - commonplace now, but still both a feat of endurance and a singular choice of interpretative fidelity in the early 60s - Malcolm explores the full range of those timbral variations in his Goldbergs. The musical grip and rhythmic purpose of his playing here has rarely been equalled by harpsichordists of any generation: a ‘peerless’ recording according to Sir Nicholas Kenyon, ‘which comprehended the extraordinary intellectual span of that work as if in a single breath.’\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264735785047,"sku":"028948284399","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/61XygaCMTpL._SL1200.jpg?v=1595272082"},{"product_id":"tippett-orchestral-music-import","title":"TIPPETT: ORCHESTRA MUSIC - COLIN DAVIS, NEVILLE MARRINER","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTippett never hesitated to go his own way. He was expelled from grammar school for attempting to convert his friends to atheism, espoused Trotskyism, and, in 1943, was jailed for three months as a conscientious objector. Tippett's time would come, however, and by the 1960s and 70s, thanks to younger interpreters such as Colin Davis, who were unfazed by the supposed technical and stylistic 'difficulty' of his music. He was knighted in 1966. This collection includes the much requested first release on CD of Davis' charming and beautifully realized Philips recording of the Suite in D for the birthday of Prince Charles as well as three virtuoso performances of music for strings with Marriner and the Academy.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003cbr\u003eTippett: Concerto for double string orchestra - ACADEMY OF ST. MARTIN IN THE FIELDS, NEVILLE MARRINER\u003cbr\u003eTippett: Fanfare for Brass - PHILIP JONES BRASS ENSEMBLE\u003cbr\u003eTippett: Fantasia Concertante on a Theme of Corelli - ACADEMY OF ST. MARTIN IN THE FIELDS, NEVILLE MARRINER\u003cbr\u003eTippett: Little Music for String Orchestra - ACADEMY OF ST. MARTIN IN THE FIELDS, NEVILLE MARRINER\u003cbr\u003eTippett: Suite in D for the Birthday of Prince Charles - COLIN DAVIS, LONDON SYMPHONY ORCHESTRA\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264735916119,"sku":"028947679608","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1233987.jpg?v=1595267201"},{"product_id":"birgit-nilsson-sings-wagner-import","title":"BIRGIT NILSSON SINGS WAGNER (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBirgit Nilsson. Richard Wagner. It was an operatic marriage made in heaven that lasted for over twenty years and, thanks to recordings, continues to thrill music lovers around the world. Nilsson sang her first Wagnerian part in Stockholm. It was Senta in Der fliegende Holländer. It was greeted rapturously and throughout her long career it was for her Wagner and Strauss roles that she was most noted. Many of the greatest recordings of music dramas and operas by these composers have featured her, and many appear on Decca. However, she also made two Wagner records for Philips – one with Leif Segerstam in 1974 of extended scenes from Walküre and Parsifal, another, in 1972, with Colin Davis of the Wesendonck-Lieder and extracts from Der fliegende Holländer, Rienzi and the little-known early Wagner opera, Die Feen (The Fairies). Also included are scenes from Tristan und Isolde, one of her great calling cards and of which she made one studio recording with Georg Solti, and another of scenes (with Grace Hoffman as Brangäne) with Hans Knappertsbusch.\u003cbr\u003e\u003cbr\u003eNilsson’s voice had the clear, silvery sound that seems to be characteristic of Scandinavian singers. It was rock solid, encompassed over two octaves, and was perfectly even, top to bottom. It was also enormous. Especially in the upper part of the voice it could take on a laser-like quality that simply sliced through the densest orchestral sound and speared listeners to the backs of their seats. That meant the great moments of a Wagnerian opera were truly monumental – a surging orchestra and a soprano who dominated everything, combined into an overwhelming climax as Wagner must have heard in his dreams.\u003cbr\u003e\u003cbr\u003eHere is a snapshot of some of those great moments, captured on record, and bringing together three complete LPs – two made for Philips (Segerstam, Davis) and one for Decca (Knappertsbusch).\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘Her Kundry, in the most crucial scene of the opera, is lulling, sensuous, the menace more sinister because it is not revealed in any hardness of tone or phrasing … It is an immensely subtle performance, a proper reconciliation of great vocal gifts with an intelligent understanding of the most difficult moment of the most difficult of all operas. … a showpiece for Miss Nilsson’s great powers’ (Parsifal, Walküre) Gramophone \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Even allowing for the fact that these were demonstration records when they first appeared, the sound on this CD is astonishing in its lifelike presence and its warmth. As nobody has surpassed Knappertsbusch to this day as a Wagner conductor in the inevitable sweep and grandeur of his direction … What glorious singing Nilsson gives us; full throated in the great passage, “O blinde Augen!”, which she ends with an electrifying top B natural, producing another (no mere glancing at the note) on “lacht” just before her thrilling singing of the curse. (Tristan und Isolde) Gramophone \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eWAGNER\u003cbr\u003e1 Die Walküre: ‘Schläfst du Gast’ (Act I – closing scene)\u003cbr\u003e2 Parsifal: ‘Dies alles hab’ ich nun’ – ‘Ich sah das Kind’ (Act II)\u003cbr\u003eOrchestra of the Royal Opera House, Covent Garden\u003cbr\u003eLeif Segerstam\u003cbr\u003e\u003cbr\u003e3 Rienzi: ‘Gerechter Gott’\u003cbr\u003e4 Der fliegende Holländer: ‘Johohoe! Traft ihr das Schiff im Meere an’*\u003cbr\u003e5 Die Feen: ‘Weh mir, so nah’\u003cbr\u003e6 Wesendonck-Lieder\u003cbr\u003eThe John Alldis Choir*\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003eSir Colin Davis\u003cbr\u003e\u003cbr\u003eTristan und Isolde:\u003cbr\u003e7 Prelude to Act I\u003cbr\u003e8 Isolde’s Narrative and Curse*\u003cbr\u003e9 Liebestod\u003cbr\u003eGrace Hoffman (Brangäne)*\u003cbr\u003eWiener Philharmoniker\u003cbr\u003eHans Knappertsbusch\u003cbr\u003e\u003cbr\u003eBirgit Nilsson, soprano\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264736145495,"sku":"028948035502","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1869186.jpg?v=1595534157"},{"product_id":"the-eton-choirbook-import","title":"THE ETON CHOIRBOOK - PURCELL CONSORT OF VOICES; ELIZABETHAN CONSORT OF VIOLS (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003cbr\u003eThe first substantial survey of the Eton Choirbook's treasures on record, newly remastered, compiled and reissued on CD for the first time. Copied out between 1490 and 1502, the Eton Choirbook is the most substantial extant source of English liturgical polyphony from the late 15th and very early 16th centuries. The architectural historian Nicholas Pevsner described the late-perpendicular style of buildings like the chapels of Eton and King's College, Cambridge, as a 'union of practical, matter-of-fact spirit with a sense of mystery, and an almost oriental effusion of ornament'. What we contemplate in these buildings we may hear mirrored by the music of the Eton Choirbook. From the 1920s onwards attempts were made to perform and record pieces from the Eton Choirbook but they were hampered both by the technical demands of the music - often as thrilling as it is rhythmically complex and metrically unstable - and by it's relative unfamiliarity to English cathedral choirs. Only in 1968 was a successful attempt madeby Argo to record a selection on two albums, which are united here. The performers constituted an astute combination of an all-male choral foundation (from St Margaret Street in London) with the professional ensemble of the Purcell Consort of Voices, directed by their founder Grayston Burgess, who died in 2019. The first album documented the setting of the St Matthew Passion by Richard Davy and the second included a selection of motets compact (the Ave Maria of Cornysh and Nesciens Mater of Lambe) and spacious, most notably Browne's Stabat Mater and Fawkner's Gaude Rosa. The singing is robust rather than ethereal, and the albums blazed a trail both for this repertoire and style of performance which has been emulated by many professional early-music groups during the past half-century. Filling out this 2CD set is a third Purcell Consort of Voices album of 15th-century repertoire recorded by Argo and never previously issued complete on CD. The flowing polyphonic style of John Dunstable and the sublime reach of Josquin des Prez are surveyed with both sacred and secular, instrumental and vocal works; highlights include the courtly elegance of Dunstable's O Rosa Bella and Josquin's affecting tribute to his teacher in the Déploration sur la Mort de Okeghem.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eBrowne, J: Stabat Mater\u003cbr\u003eCornyshe: Ave Maria, Mater Dei\u003cbr\u003eDavy, R: St Matthew Passion a 4\u003cbr\u003eDespres: Ave Maria\u003cbr\u003eDespres: El Grillo\u003cbr\u003eDespres: Fortuna desperata\u003cbr\u003eDespres: La Bernardina\u003cbr\u003eDespres: Petite camusette\u003cbr\u003eDespres: Vive le roy\u003cbr\u003eDunstaple: Alma Redemptoris Mater\u003cbr\u003eDunstaple: Ave maris stella\u003cbr\u003eDunstaple: Sancta Maria succurre miseris\u003cbr\u003eDunstaple: Veni Sancte Spiritus\u003cbr\u003eLambe: Nesciens mater a 5\u003cbr\u003eNesbett: Magnificat\u003cbr\u003eWylkynson: Salve Regina\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/STREAMING_BANNER_2_3ffea259-c443-454f-b50b-9beacfe7836d_480x480.png?v=1595265224\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"max-width: 100%;\"\u003e\n\u003cdiv style=\"position: relative; padding-bottom: calc(56.25% + 52px); height: 0;\"\u003e\u003ciframe style=\"position: absolute; top: 0; left: 0;\" width=\"100%\" height=\"100%\" src=\"https:\/\/embed.song.link\/?url=https%3A%2F%2Falbum.link%2Fa%2FB084CXJ5K8\u0026amp;theme=dark\" frameborder=\"0\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264736178263,"sku":"028948402502","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71ah9wrQNsL._SL1223.jpg?v=1595264958"},{"product_id":"memories-of-vienna-import","title":"MEMORIES OF VIENNA - JOSEF KRIPS, VIENNA PHILHARMONIC","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStrauss waltzes and polkas in classic Decca 1950s recordings, led to the manner born by the Viennese conductor Josef Krips.\u003cbr\u003e\u003cbr\u003eNewly remastered from the original tapes – and in the case of two works the shellac discs – this compilation presents recordings made in London and Vienna by a conductor born and bred to the rhythms of the Strauss family. Josef Krips cut his teeth as a repetiteur at the Volksoper in Vienna, making his debut there in 1921, before graduating to the more prestigious Staatsoper in 1933.\u003cbr\u003e\u003cbr\u003eMozart was forever Krips’s musical god: ‘My maxim is that everything has to sound as though it were by Mozart, or it will be a bad performance. When you perform Mozart, everything has to be crystal clear, everything has to be in balance and everything has to have a relaxed sound.’ These are the qualities that mark out his conducting of these waltzes and polkas, which he continued to conduct wherever his career took him: to London in the late 1940s, becoming principal conductor of the LSO for three years in the early 50s, and thence to the US, such as a late-in-life post as musical director of the Buffalo Philharmonic, returning often however, to his spiritual home of Vienna.\u003cbr\u003e\u003cbr\u003eThe recordings here were made first of all with the ‘New’ Symphony Orchestra of London musicians in April 1948, then with the LSO in April 1950. The legendary Decca producer John Culshaw was behind the glass at the Sofiensaal for Vienna Philharmonic sessions in October 1956 and September 1957 that yielded the ‘Memories of Vienna’ LP which gives this album its title. He was joined by the soprano Hilde Gueden for the obbligato soprano parts in waltzes such as Voices of Spring; Gueden had been one of the most prominent members of the Vienna State Opera immediately after the war while Krips rebuilt and nurtured it from the ground up, and she too was blessed with an instinctive understanding of Viennese style as well as the kind of light lyric soprano voice that made her ideal for Josef Strauss’s Village Swallows waltz.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘Played with poetic feeling, affection and with meticulous attention to detail… I was charmed and amused in the Perpetuum mobile by Krips’s spoken ‘And so on!’ Gramophone, January 1949 (New SO recordings)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Here are four of the loveliest Strauss waltzes played with warm affection and lovely tone.’ Gramophone, December 1959 (‘Memories of Vienna’)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Krips’s performances with their gentle rhythmic emphasis are attractively affectionate… The waltzes have spirit, and the Pizzicato Polka comes off especially well. This dates from the earliest days of stereo, but the acoustic is warm and the sound is surprisingly good.’ Penguin Guide, 1982 (‘Memories of Vienna’)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003cbr\u003eJOHANN STRAUSS II (1825–1899)\u003cbr\u003e1 Wiener Blut, Op. 354*\u003cbr\u003e\u003cbr\u003eJOHANN STRAUSS I (1804–1849)\u003cbr\u003e2 Piefke und Pufke – Polka française, Op. 235*\u003cbr\u003e\u003cbr\u003eJOHANN STRAUSS II (1825–1899)\u003cbr\u003e3 Tritsch-Tratsch-Polka, Op. 214*\u003cbr\u003e4 Wein, Weib und Gesang, Op. 333*\u003cbr\u003e5 Annen-Polka, Op. 117*\u003cbr\u003e6 Perpetuum mobile, Op. 257*\u003cbr\u003e7 An der schönen blauen Donau, Op. 314°\u003cbr\u003e8 Accelerationen, Op. 234\u003cbr\u003e9 Kaiserwalzer, Op. 437\u003cbr\u003e10 Rosen aus dem Süden, Op. 388\u003cbr\u003e\u003cbr\u003eJOHANN STRAUSS II (1825–1899) \u0026amp; JOSEF STRAUSS (1827–1870)\u003cbr\u003e11 Pizzicato-Polka°\u003cbr\u003e\u003cbr\u003eJOSEF STRAUSS (1827–1870)\u003cbr\u003e12 Dorfschwalben aus Österreich, Op. 164\u003cbr\u003e13 Frühlingsstimmen, Op. 410\u003cbr\u003e\u003cbr\u003eHilde Gueden, soprano (12, 13)\u003cbr\u003eLondon Symphony Orchestra (1-4)\u003cbr\u003eNew Symphony Orchestra (5-6)\u003cbr\u003eWiener Philharmoniker (7-13)\u003cbr\u003eJosef Krips\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e*FIRST CD RELEASE ON DECCA °FIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264736211031,"sku":"028948406920","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71tTFFrfo3L._SL1200.jpg?v=1595891671"},{"product_id":"tchaikovsky-symphonies-4-6-violin-concerto-import","title":"TCHAIKOVSKY: SYMPHONIES 4 \u0026 6; VIOLIN CONCERTO - RICCI, KLEIBER, SARGEANT (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003cbr\u003eErich Kleiber’s major Tchaikovsky recordings, newly remastered and coupled with Ruggero Ricci’s debut recording for Decca.\u003cbr\u003e\u003cbr\u003eOnly a truncated version of the Capriccio Italien from 1933 predates these accounts of the Fourth and Sixth symphonies in the Kleiber discography. They were made in Paris – Decca apparently esteemed the playing of the Conservatoire Orchestra in Russian repertoire – and are precious testaments to the particular attack and vigour he inspired from orchestras in this music.\u003cbr\u003e\u003cbr\u003eDespite being recorded under 78rpm conditions, in four- or five-minute sections, the Fourth Symphony is marked by a palpable symphonic rigour as well as the edgy brass which lends such intensity to Decca’s Paris recordings of Russian music. This Fourth dates from 1949; four years later Kleiber returned to Paris for the ‘Pathétique’, recorded on tape, with an especially compelling sense of line drawn through the symphony’s tragic finale.\u003cbr\u003e\u003cbr\u003eAfter his early death in January 1956, at the age of 65, his friend Jacques Barzun recalled watching Kleiber rehearse and perform in Paris, presumably for these recordings: ‘He did not seem to conduct, that is, to earn his fee on the podium. All his histrionic ability went into rehearsal: there he gestured, danced, chattered, pantomimed his way into the subconscious of his players until the right musical utterance came out of their fingers and lungs.’\u003cbr\u003e\u003cbr\u003eIn January 1950, when Ruggiero Ricci first recorded the Tchaikovsky Violin Concerto, he was 31 years old and had been performing in public for over 20 years. The sessions marked his debut for Decca, at least in concertos, and he was most sympathetically partnered by Sir Malcolm Sargent – the preferred conductor of Jascha Heifetz on his appearances in London. Two further Decca recordings followed, in 1961 and 1974, both impressive in their ways and technologically advanced but hardly superseding the folksy bravura and legerdemain of his initial efforts.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Ricci certainly reels off the technical difficulties with ease… in the finale his attack and rhythmic impetus are exceptionally powerful and vigorous.’ Gramophone, September 1950 (Violin Concerto)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Kleiber’s ideas meld beautifully in a performance that is all energy, albeit well -controlled energy.’ High Fidelity, August 1954 (Symphony No.4)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ricci’s performance is very fine and musicianly, and the recorded sound is excellent.’ The Record Guide, 1955 (Violin Concerto)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e1–4 Symphony No. 4 in F minor, Op. 36\u003cbr\u003eOrchestre de la Société des Concerts du Conservatoire de Paris\u003cbr\u003eErich Kleiber\u003cbr\u003e\u003cbr\u003e5–7 Violin Concerto in D major, Op. 35\u003cbr\u003eRuggiero Ricci, violin\u003cbr\u003eNew Symphony Orchestra of London\u003cbr\u003eSir Malcolm Sargent\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e1–4 Symphony No. 6 in B minor, Op. 74 ‘Pathétique’\u003cbr\u003eOrchestre de la Société des Concerts du Conservatoire de Paris\u003cbr\u003eErich Kleiber\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264736571479,"sku":"028948403738","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/61Mgb3Y60_2BL._SL1200.jpg?v=1596131520"},{"product_id":"dvorak-symphonic-variations-serenade-for-strings-import","title":"DVORAK: SYMPHONIC VARIATIONS; SERENADE FOR STRINGS - COLIN DAVIS, LONDON SYMPHONY ORCHESTRA","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_bddc80cf-14fa-424f-967f-c6e88f52528d_480x480.png?v=1658409827\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_bddc80cf-14fa-424f-967f-c6e88f52528d_480x480.png?v=1658409827\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eDvořák: Symphonic Variations; Serenade For Strings\u003cbr\u003e\u003cbr\u003eLondon Symphony Orchestra, Sir Colin Davis\u003c\/p\u003e\n\u003cp\u003eAn original Philips album of two light-orchestral masterpieces by Dvořák, with the Serenade for Strings receiving a first international reissue on CD. While best known as a conductor of the central symphonic repertoire, and the operas of Berlioz and Tippett, Colin Davis always showed special affection for the music of Dvořák. He made this album in March 1968, conducting the orchestra with whom he enjoyed the longest and most fruitful relationship of his career, the London Symphony Orchestra. After some troubled times in the early 1960s, when Davis suffered a breakdown and the orchestra passed him over in favour of Istvan Kertesz as music director, they hit a sweet spot together in this album and several others such as the early volumes of their Berlioz and Tippett series together. The Symphonic Variations remains a comparatively neglected work - astonishingly so, given it's tremendous charm. When Hans Richter first conducted the work in Vienna, he declared that he could never remember a new piece achieving such a popular success. Brahms thought equally highly of it, and perhaps valued the quality of wit which is rarely found in Dvořák's music. Davis certainly did so, and conducted the Variations throughout his career, including late in life with the LSO, but this first recording enjoys a particularly unfettered freedom of expression. Affection also beams from every bar of the Serenade for Strings which Dvořák composed in 1876, the year before the Variations. This was a happy time for the composer, who was so often beset by suffering and personal tragedy, and it breathes the same joyous air as his Fifth Symphony and Second String Quintet, full of Czech and Viennese dance rhythms, which are handled by the LSO's string section with rather more lightness of touch than on Davis's later Philips recording with the BRSO.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003eColin Davis' utterly charming performance [of the Variations] everything is extremely well judged The adorable Serenade for Strings gets an equally affectionate and warm performance and the LSO is in tremendous form throughout. Gramophone, February 1969\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDavis is the only conductor since Beecham to have taken the music out of the realm of the academic and transformed it into a truly stimulating and altogether delightful listening experience The performance as a whole is a model of how to achieve perfect transparency and ideal balance in the context of Middle-European romantic orchestral music. Davis' deft understatement also does wonders for the Serenade A flawless achievement. Stereo Review, October 1969\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264736604247,"sku":"028948293803","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71uyg0tWMHL._SL1200.jpg?v=1595339905"},{"product_id":"mendelssohn-octet-boccherini-qnt-no-7-import","title":"MENDELSSOHN: OCTET; BOCCHERINI: QUINTET IN C MAJOR - ACADEMY OF ST. MARTIN IN THE FIELDS","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMendelssohn’s Octet, Op. 20 occupies a proud place in the history of works by indecently young composers; it is doubtful whether even such prodigies as Mozart and Schubert produced such an extended, mature work at the age of sixteen. Moreover, one of its movements granted the composer the honour of having an adjective named after him pass into common use – for this Scherzo Mendelssohnian is the only appropriate description. The coupling on this legendary recording – selected for inclusion by the Penguin Guide to the 1000 Finest Classical Recordings – is the much rarer Boccherini Quintet, is, like much of his music, gentle and genial… a quality that led to a contemporary once waspishly describing him as ‘Haydn’s wife’.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ethe whole work is splendidly done […] There is a knife-edge tautness about their performance [of the Scherzo] that is extraordinarily gripping’ (Mendelssohn) […] the minuet is a lollipop, at least as pretty as the Boccherini minuet … All in all, then, this is a most enjoyable work and very well played by all concerned. And very well recorded too. --GRAMOPHONE\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis 1968 performance by the ASMF is fresh and buoyant and the recording wears its years lightly. It offers fine judgement in matters of clarity and sonority and is coupled with a highly desirable and much less well-known work by Boccherini. --PENGUIN GUIDE\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1 Mendelssohn: Octet for Strings Op.20 - Academy of St. Martin in the Fields\u003cbr\u003e2 Boccherini: Quintet in C Major for Cellor and Strings Op.37 No 7 (G.310) - Academy of St. Martin in the Fields\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264736899159,"sku":"028948074259","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/2249079.jpg?v=1595352827"},{"product_id":"tchaikovsky-symphonies-4-5-import","title":"TCHAIKOVSKY: SYMPHONIES 4 \u0026 5 - Hans Schmidt-Isserstedt; Albert Wolff; Carl Schuricht (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Decca Sound in Hamburg and Paris: a trio of 1950s Tchaikovsky albums, including a pair of symphony recordings previously unpublished on CD.\u003cbr\u003e\u003cbr\u003eThis supple and beautifully proportioned 1952 mono account of the Fifth Symphony marked the debut on disc of the NDR Sinfonieorchester under its founding conductor Hans Schmidt-Isserstedt, the focus of two other recent Eloquence releases (symphonies by Mozart, 484 0353, and Dvořák, 484 0366). ‘Like most of the great European conductors,’ wrote the critic Harold C Schonberg, ‘[Schmidt-Isserstedt] has been brought up in a tradition that insists on selflessness before great music. The aim of conducting, as he sees it, is to bring out the message of the composer and not the skill.’\u003cbr\u003e\u003cbr\u003eThe other performances on this compilation have a French accent which particularly suits the brilliance of Tchaikovsky’s orchestration. Albert Wolff (1884-1970) had begun recording for Decca in 1951 – Massenet’s Manon with the Opéra Comique – and he continued to make albums of French and Russian music throughout the 50s, with this combustible stereo account of Tchaikovsky’s Fourth being his envoi to the label. Carl Schuricht (1880-1967) was a no less welcome guest to the podium of the Paris Conservatoire Orchestra at that time. For EMI they made an admirably unfussy cycle of Beethoven symphonies, preserving the French Beethoven tradition at its most fleet and balletic, while their Decca recordings displayed the same virtues in the music of Schumann, Wagner and Tchaikovsky. These mono recordings of the Capriccio Italien and the Theme and Variations finale of the Third Orchestral Suite have only previously been available on CD as part of a larger box; their extrovert temperament makes them a fine complement to Wolff in the Fourth Symphony.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The playing is excellent and Decca’s sound has a nice bloom.’ High Fidelity, October 1954 (Capriccio Italien)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘The reproduced sound is interesting. There is some brilliance, much warmth, good colour, and fine fortissimo. The first clarinet of the Hamburg orchestra is a noticeably fine player, and the strings are very good too… the Hamburgers are an excellent orchestra, and the recording contains a large amount of very beautiful sound.’ Gramophone, February 1953 (Symphony No.5)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e1–4 Symphony No. 4 in F minor, Op. 36*\u003cbr\u003e5 Capriccio italien, Op. 45\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e1 Suite No. 3 in G major, Op. 55: IV. Tema con variazioni\u003cbr\u003eParis Conservatoire Orchestra\u003cbr\u003eAlbert Wolff (Symphony No. 4)\u003cbr\u003eCarl Schuricht (Capriccio italien, Suite No. 3)\u003cbr\u003e\u003cbr\u003e2–5 Symphony No. 5 in E minor, Op. 64°\u003cbr\u003eHamburg Radio Symphony Orchestra\u003cbr\u003eHans Schmidt-Isserstedt\u003cbr\u003e\u003cbr\u003e*FIRST CD RELEASE ON DECCA\u003cbr\u003e°FIRST INTERNATIONAL CD RELEASE ON DECCA\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264737062999,"sku":"028948404070","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3798940-2546246.jpg?v=1596116529"},{"product_id":"handel-messiah-bach-magnificat-import","title":"HANDEL: MESSIAH; BACH: MAGNIFICAT - BOULT, COLUMBO (3 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eSir Adrian Boult’s first Messiah for Decca, newly remastered and coupled with a rare L’Oiseau-Lyre recording of the Bach Magnificat, new to CD.\u003cbr\u003e\u003cbr\u003eWhen this Messiah was released in 1954, critics were quick to recognise it as exemplifying the English oratorio tradition at its finest. Boult used a large chorus – the London Philharmonic Choir, singing with superb discipline and clarity of articulation – but he rejected both the monumental style of performance cultivated by Sir Malcolm Sargent and the anachronistic trappings of Sir Thomas Beecham’s Handel. Boult slimmed down the LPO to chamber-orchestra dimensions, though he did not neglect the oratorio’s moments of grandeur, pathos and splendour. Almost everywhere, the recorded sound belies its age. With mono this vivid and with bass frequencies this powerful, few will pine for stereo. Each orchestral section is sharply delineated: a glint of oboe timbre here, a welcome emphasis on the bottom line’s crunchy bassoon timbre there.\u003cbr\u003e\u003cbr\u003eIn fact his stereo remake from seven years later (with the London Symphony Orchestra) has a more old-fashioned feel, due at least in part to a more operatically scaled team of soloists. In 1954 Boult’s cast was led by the elegant and imperious soprano of Jennifer Vyvyan. The male soloists, too, found favour with Benjamin Britten when casting his operas; the recording is particularly valuable as a rare example on records of the artistry of the American tenor George Maran: always well-focused, assured from top to bottom of the register.\u003cbr\u003e\u003cbr\u003eMore British singers on top form may be enjoyed in the coupling, a recording of Bach’s Magnificat made in 1955 for L’Oiseau-Lyre by the London-based Kalmar Chamber Orchestra and St Anthony Singers. The Swiss conductor Pierre Colombo, little known now, presides over a rhythmically vital account, lent a further ‘period’ feel by the stylish contributions of both the countertenor Alfred Deller and the slender, pure-toned soprano member of the Deller Consort, Eileen McLoughlin. This reissue is further enhanced by a new essay by R.J. Stove, contextualising both the works and these marvellous performances.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘Beautifully engineered sound. Balance is exceptional in all directions… [enhancing] the excellent singing of the soloists the really fine choral discipline and the responsiveness of the LPO to a conductor whom they obviously respect.’ High Fidelity, September 1954 (Messiah)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘This is deservedly a classic among Messiah recordings.’ Gramophone, March 1961 (Messiah)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘A very strong and very attractive performance… Boult’s reading… is always firmly controlled and finely balanced, with excellent tempos.’ Stereo Review, February 1963 (Messiah)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Most enjoyable listening… Deller gives a performance of outstanding distinction… [Colombo’s] direction is lively and sensitive.’ Gramophone, January 1956 (Magnificat)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/STREAMING_BANNER_2_3ffea259-c443-454f-b50b-9beacfe7836d_480x480.png?v=1595265224\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv style=\"max-width: 100%;\"\u003e\n\u003cdiv style=\"position: relative; padding-bottom: calc(56.25% + 52px); height: 0;\"\u003e\u003ciframe style=\"position: absolute; top: 0; left: 0;\" width=\"100%\" height=\"100%\" src=\"https:\/\/embed.song.link\/?url=https%3A%2F%2Falbum.link%2Fs%2F4RMNNl5Ob0aOepRfu28gbs\u0026amp;theme=dark\" frameborder=\"0\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGEORGE FRIDERIC HANDEL (1685–1759)\u003cbr\u003eMessiah, HWV 56*\u003cbr\u003e\u003cbr\u003eJennifer Vyvyan, soprano\u003cbr\u003eNorma Procter, contralto\u003cbr\u003eGeorge Maran, tenor\u003cbr\u003eOwen Brannigan, bass-baritone\u003cbr\u003eLondon Philharmonic Choir\u003cbr\u003eFrederic Jackson, chorus master\u003cbr\u003eLondon Philharmonic Orchestra\u003cbr\u003eGeorge Malcolm, harpsichord\u003cbr\u003eRalph Downes, organ\u003cbr\u003eEric Bravington, trumpet\u003cbr\u003eSir Adrian Boult\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eJ.S. BACH (1685–1750)\u003cbr\u003eMagnificat in D major, BWV 243°\u003cbr\u003eEileen McLoughlin, soprano I\u003cbr\u003eHeather Harper, soprano II\u003cbr\u003eAlfred Deller, countertenor\u003cbr\u003eWilfred Brown, tenor\u003cbr\u003eMaurice Bevan, bass\u003cbr\u003eSt. Anthony Singers\u003cbr\u003eThe Kalmar Orchestra\u003cbr\u003eDenis Vaughan, organ\u003cbr\u003eThornton Lofthouse, harpsichord\u003cbr\u003ePierre Colombo\u003cbr\u003e\u003cbr\u003e*FIRST INTERNATIONAL CD RELEASE ON DECCA\u003cbr\u003e\u003cbr\u003e°FIRST CD RELEASE ON DECCA\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264737128535,"sku":"028948404117","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3734007-2502462.jpg?v=1595523255"},{"product_id":"handel-cantatas-arias-import","title":"HANDEL: CANTATAS \u0026 ARIAS - HELEN WATTS, ROBERT TEAR, ACADEMY OF ST. MARTIN IN THE FIELDS, MARRINER","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eHandel: Cantatas; Arias\u003cbr\u003e\u003cbr\u003eHelen Watts (contralto), Robert Tear (tenor)\u003cbr\u003e\u003cbr\u003eAcademy of St Martin in the Fields, Sir Neville Marriner\u003c\/p\u003e\n\u003cp\u003eOf the works by Handel presented here, three are cantatas devoted to the Patron Saint of music, St. Cecilia, another is an Italian cantata that was probably presented for a private patron in Rome, while the remaining two works are drawn from Handel's unique set of Neun Deutsche Arien (Nos. 4 \u0026amp; 6 in the supposed original numbering), composed around 1724 to texts by Barthold Heinrich Brockes, the Hamburg poet and city official whose vernacular text of the Passion was set to music by several eighteenth-century composers including Handel. Brockes himself was pleased to note of the German Arias that 'the world-renowned virtuoso, Mr. Handel, set these to music in a very special manner.' They have attracted many fine singers on record, but few with so acute a feeling for Handel's word-painting as the tenor Robert Tear. The three Italian cantatas composed between 1707 and 1737 and sung by the great Welsh contralto Helen Watts, display the singer's complete command of Italian, her flair for dramatic declamation and her highly sophisticated and agile coloratura technique, surprising perhaps to those who hear in her voice the typical heavier English \"oratorio\" contralto sound. The British harpsichordist, musicologist and conductor, Raymond Leppard directed these performances with Helen Watts from the harpsichord (built by Thomas Goff), with his colleagues of the English Chamber Orchestra providing stylish accompaniments. Watts lent distinction to many Handel recordings of the 1960s and 70s, including Messiah directed by Sir Colin Davis as well as pioneering recordings of Jephtha and Semele (reissued on Decca Eloquence 4825055).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘Helen Watts, with her exceptionally flexible and well-focused contralto voice and excellent breath control fulfils the technical demands more than competently … Raymond Leppard gets wonderfully spirited playing from the English Chamber Orchestra … an immensely enjoyable record.’ Gramophone, April 1962\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003cbr\u003eHandel: Carco sempre di gloria\u003cbr\u003eHandel: Look Down, Harmonious Saint, HWV 124\u003cbr\u003eHandel: Meine Seele hört im Sehen, HWV207\u003cbr\u003eHandel: Splenda l’alba in oriente, cantata, HWV 166\u003cbr\u003eHandel: Tu fedel? tu costante? (HWV 171)\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264737259607,"sku":"028948247530","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3702021-2419737.jpg?v=1595294567"},{"product_id":"clair-de-lune-waldteufel-waltzes-import","title":"ORCHESTRAL FAVORITES - RAYMOND AGOULT, DOUGLAS GAMLEY (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThree Decca albums of popular Romantic classics, remastered complete for CD and compiled for the first time.\u003cbr\u003e\u003cbr\u003eRecorded at London’s Kingsway Hall early in 1957 and first released in the US by RCA Victor, ‘Overtures in Spades’ was a collection of operatic openers that enjoyed more popular currency then than they do now: Suppé’s ‘Light Cavalry’ still features on radio playlists, less so his overtures to ‘Morning, Noon and Night in Vienna’ or ‘The Queen of Spades’. While three, 19th-century pieces of polished craftsmanship by Adam, Auber and Hérold are hardly known today.\u003cbr\u003e\u003cbr\u003eReissued as ‘Overture! Overture!’ the album took another 12 years to be incorporated within the Decca catalogue, though the reviewers had enjoyed the dynamic Decca sound of the original recording as well as the full-bodied, exciting performances of a London studio band under the directorship of Raymond Agoult, a seasoned, Hungarian-born conductor of popular and light classics.\u003cbr\u003e\u003cbr\u003eIn 1958, Agoult and the New Symphony Orchestra made a second record for RCA\/Decca – ‘Clair de lune’, featuring gentle Andantes and tender Adagios – by the likes of Debussy, Elgar, Tchaikovsky and Massenet. Newly remastered from the original tapes both albums are coupled on this Eloquence reissue with a rare LP of Waldteufel waltzes under the direction of another experienced, British-based session musician, the Australian-born, Douglas Gamley. Waldteufel’s art lay in combining the easygoing feel and nostalgic pull of the Viennese waltz with a more brilliant, French style of orchestration: a synthesis that endeared him to English audiences in particular. This collection fills out a portrait of the composer beyond the ubiquitous ‘Skaters’ Waltz’, to present six further waltzes and a ‘Grenadiers March’ scored with surprising delicacy.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The recording … is a humdinger, with a resounding lower region, unbelievably powerful dynamics, excellent balance and marvellously sweet string tone.’ High Fidelity, August 1958 (Overtures in Spades)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘There is plenty of care and musical feeling in the performances … Particularly successful are the ‘Méditation’, the ‘Andante cantabile’ and the ‘Dernier sommeil’, in all of which the intense but really quiet string playing is highly commendable.’ Gramophone, June 1960 (Clair de lune)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘The playing has marvellous life and flair and its spirit is essentially French … the National Philharmonic in spanking form.’ Gramophone, October 1982 (Waldteufel)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eJULES MASSENET: Méditation\u003cbr\u003ePYOTR ILYICH TCHAIKOVSKY: Chant sans paroles*\u003cbr\u003eGABRIEL FAURÉ: Pavane\u003cbr\u003eEDWARD ELGAR: Dream Children\u003cbr\u003eCLAUDE DEBUSSY: Clair de lune (orch. Mouton)*\u003cbr\u003eJOHANN SEBASTIAN BACH–BANTOCK: Wachet auf, ruft uns die Stimme\u003cbr\u003ePYOTR ILYICH TCHAIKOVSKY: Andante cantabile\u003cbr\u003eCHRISTOPH WILLIBALD GLUCK: Dance of the Blessed Spirits*\u003cbr\u003eJULES MASSENET: Le dernier sommeil de la Vierge\u003cbr\u003eADOLPHE ADAM: Si j’étais roi – Overture\u003cbr\u003eDANIEL AUBER: Les Diamants de la couronne – Overture°\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003eFRANZ VON SUPPÉ:\u003cbr\u003eDie leichte Kavallerie – Overture\u003cbr\u003eEin Morgen, ein Mittag, ein Abend in Wien – Overture*\u003cbr\u003ePique Dame – Overture*\u003cbr\u003eFERDINAND HÉROLD: Zampa – Overture*\u003cbr\u003eNew Symphony Orchestra of London\u003cbr\u003eRaymond Agoult\u003cbr\u003e\u003cbr\u003eÉMILE WALDTEUFEL\u003cbr\u003eLes Patineurs – Waltz\u003cbr\u003eMon rêve – Waltz\u003cbr\u003eToujours ou jamais – Waltz\u003cbr\u003eLes Grenadiers – Valse militaire\u003cbr\u003eEspaña\u003cbr\u003eDolorès\u003cbr\u003ePomone – Waltz\u003cbr\u003eNational Philharmonic Orchestra\u003cbr\u003eDouglas Gamley\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264737292375,"sku":"028948273393","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3673380-2419739.jpg?v=1597247257"},{"product_id":"handel-jephtha-rodrigo-concertos-for-lute-harp-import","title":"HANDEL: SUITES AND CONCERTOS - ELLIS, DUPRE, PINI, MARRINER, PHILOMUSICA OF LONDON","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eHandel: Suites \u0026amp; Concertos\u003cbr\u003e\u003cbr\u003eOsian Ellis (harp), Desmond Dupre (lute), Carl Pini, Neville Marriner (violins)\u003cbr\u003e\u003cbr\u003ePhilomusica of London, Anthony Lewis, Granville Jones\u003c\/p\u003e\n\u003cp\u003eThe works on this collection are drawn from two of the very first stereo LPs released by the L'Oiseau-Lyre sub-label of Decca. 'Music of Handel' was a 1958 album containing arias (recently reissued by Eloquence 482 4759) and this instrumental suite from Rodrigo, one of the composer's early pre-London Italian operas, performed in Florence in 1707. The music was compiled and edited by Philip Cranmer and Anthony Lewis, who as both scholar and conductor contributed much to the early success of L'Oiseau Lyre: also reissued by Eloquence is his ground-breaking recording of Purcell's masque The Fairy Queen (482 7449). As on the original LP, the suite is preceded by two sinfonias from Handel's final oratorio, the majestic and tragic Jephtha: the juxtaposition serves to underline the strength and consistency of the composer's voice over the course of almost half a century. With the Handel orchestral works LP of two years later, the scholar and harpsichordist, Thurston Dart, along with his collaborator from the Jacobean Ensemble, Welsh violinist, Granville Jones, presented performances of two of Handel's concertos from his Op. 4 collection composed in 1735-36. The original intended solo instrument was possibly organ, but the concertos are performed here in arrangements made by Thurston Dart - another regular contributor to L'Oiseau Lyre in it's early days - to exploit the virtuosity of the harpist Osian Ellis and lutenist Desmond Dupré. Neville Marriner, collaborator with both Dart and Granville Jones in the Jacobean Ensemble, described Jones as: 'Wild and Welsh, the most gifted of my contemporaries, a manic-depressive who played like a god or a gypsy'. Marriner features here not as director but violinist, his first occupation, as a ripieno soloist in the concerto grosso from the oratorio Alexander's Feast.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The piece that really gave me pleasure was the fine Concerto in C, in which the violin duetting of Carl Pini and Neville Marriner struck me as being very near the zenith of sonorous pulchritude … I doubt whether it will ever be played better than on this disc.’ Gramophone, March 1960\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘This is a delicate and airy performance [of Op. 4 No. 6] … The Concerto grosso is performed with vivacity, and the sound throughout is fine.’ High Fidelity, July 1961\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264737849431,"sku":"028948247493","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71UlpsGxyDL._SL1215.jpg?v=1595338065"},{"product_id":"george-london-sings-wagner-import","title":"GEORGE LONDON SINGS WAGNER","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003cbr\u003eGeorge London was born in Montreal, Canada; when he was fifteen the family moved to the United States. His original surname was Burnstein (he also used Burnson for a time) and his forebears were from Širvintos in Lithuania. He began his singing studies in Los Angeles and by the 1940s was touring with a trio that included Frances Yeend and Mario Lanza. His début in a leading role was in Rigoletto for San Francisco Opera in 1946. Three years later, in Vienna, he sang Amonasro in ‘Aida’, a role that also launched his Metropolitan Opera career in 1951.\u003cbr\u003e\u003cbr\u003eIt was while London was singing the four villains in ‘The Tales of Hoffmann‘ in Vienna that Hans Knappertsbusch decided to recommend London to Wieland Wagner for the 1951 Bayreuth Festival. Seven years later, Knappertsbusch recorded four great Wagner scenes for Decca with George London. The recording appears here in its entirety. It’s supplemented with one of the great scenes from their 1962 performance of ‘Parsifal’ (recorded ‘live’ at the Bayreuth Festival’, it went on to become one of most venerated recordings of this opera) and the closing scene of ‘Rheingold’ in which London appears on the celebrated Solti recording as Wotan.\u003cbr\u003e\u003cbr\u003eLondon’s vocal health began to deteriorate rapidly during the 1963–64 season; eventually the problem was diagnosed as paralysis of the vocal cords. Efforts to restore the voice proved fruitless and in due course London had to accept that, at 46, his singing career was over. The operatic world had suffered a great loss. He died after a series of heart attacks in March 1985. George London is remembered as an exceptional and intelligent artist who combined a great voice and superb musicianship with a commanding stage presence.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eRICHARD WAGNER\u003cbr\u003eDas Rheingold: Entry of the Gods into Valhalla\u003cbr\u003eParsifal: Wehvolles Erbe, dem ich verfallen\u003cbr\u003eDer fliegende Holländer: Die Frist ist um\u003cbr\u003e\u003cbr\u003eDie Meistersinger von Nurnberg:\u003cbr\u003eWas duftet doch der Flieder\u003cbr\u003eWahn! Wahn! Überall Wahn\u003cbr\u003e\u003cbr\u003eDie Walküre: Leb’ wohl, du kühnes herrliches Kind!\u003cbr\u003e\u003cbr\u003eGeorge London, bass-baritone\u003cbr\u003eWiener Philharmoniker\u003cbr\u003eHans Knappertsbusch\u003cbr\u003eGeorg Solti\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264737914967,"sku":"028948070640","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/2249084.jpg?v=1595536888"},{"product_id":"decca-recitals-import","title":"SYLVIA SASS: THE DECCA RECITALS (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_2aac13c0-42d7-4034-91e1-0388bd50aad3_480x480.png?v=1590007283\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eSylvia Sass was born near Budapest, Hungary, in 1951 to a very musical family. Her mother was a coloratura soprano and her father a high school music teacher. She made her stage debut at age 14 in Adam’s operetta Die Nürnberger Puppe and then commenced study at the celebrated Franz Liszt Academy in Budapest, completing a five-year program in two. Her professional debut was as Frasquita in Carmen in 1971. Several awards followed – 1st prize at the Kodály Voice Competition in Budapest, 1972; winner at the International Opera Competition for Young Singers, of the Grand Prix as Violetta in La traviata, 1973, the Silver Medal at the International Tchaikovsky Competition in Moscow, 1974. She was also made an Honoured Artist of Hungary in 1977.\u003cbr\u003e\u003cbr\u003eWhile still in Budapest, she performed such dramatic roles as Freia in Das Rheingold, Violetta in La traviata and Mimi in La bohème. International stardom came with a composer with whom she is most associated and in a role represented on her Decca recitals – Giselda in Verdi’s I Lombardi at Covent Garden in London, 1976. The next year she made both, her Italian debut in Turin as Lady Macbeth, and her Metropolitan Opera debut as Tosca alongside José Carreras. La Scala followed the year after, in 1978, where she sang Puccini’s tragic heroine Manon Lescaut alongside Plácido Domingo.\u003cbr\u003e\u003cbr\u003eSoon, Sass was being heralded as ‘the new Callas’, and she did meet Callas in person, thanks to a meeting set up by Leonard Bernstein. True, the voice had a similar dramatic colour, but Sass quickly rebuffed the comparison, saying, ‘Callas was so great and so unique. I just don’t think it’s fair to compare somebody with such a great artist.’\u003cbr\u003e\u003cbr\u003eHer three recital records for Decca include two discs of operatic arias, including all her most celebrated roles, both conducted by Lamberto Gardelli, and a disc of songs by Liszt and Bartók with her compatriot, pianist András Schiff. All of these are issued collectively as a 2CD set for the first time. \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_02159b8f-635b-4495-9384-0552adf26a7d_480x480.png?v=1590007257\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\"Entering into every nuance of the songs’ moods, and employing a dynamic range from the merest whisper to a full-blooded climax, Sylvia Sass makes the utmost of their not very rewarding vocal line; but the success of this performance is assured by the subtle playing of András Schiff, who conjures up beautiful sounds from the swirling figurations [Bartók] … Die Loreley is an evocative scena, sung imaginatively (and with much flexibility of pace) by Sass, bringing into play a vocal quality as seductive as that of the siren herself; and her gentle singing of the serenade Kling leise, mein Lied would melt the most obdurate heart. … all the performances here are unusually illuminating and satisfying; and the recording is excellent. - GRAMOPHONE\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_19a2062d-efb2-4940-ac84-cae6b47b1703_480x480.png?v=1590005447\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e- Disc 1 -\u003c\/p\u003e\n\u003cp\u003ePUCCINI\u003cbr\u003e1 In Questa Reggia - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e2 Vissi D'arte - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e3 In Quelle Trine Morbide - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e4 Sola, Perduta, Abbandonata - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e5 Un Bel DÃ- Vedremo - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eVERDI\u003cbr\u003e6 Ritorna Vincitor! - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e7 Una Macchia Ã? Qui Tuttora - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e8 Oh Madre, Dal Cielo... Se Vano, Se Vano Ã? Il Pregare - Sylvia Sass\/London Symphony Orchestra - Sylvia Sass\/London Symphony Orchestra\u003cbr\u003e9 E Strano... Ah, Fors'ã.. Lui... Sempre Libera - Sylvia Sass\/Ambrosian Singers - Sylvia Sass\/Ambrosian Singers\u003cbr\u003e10 Vanne, Lasciami... D'amor Sull'ali Rosee - Sylvia Sass\/Ambrosian Singers - Sylvia Sass\/Ambrosian Singers\u003cbr\u003e11 Vieni T'affreta!; la Luce Langue - Sylvia Sass\/Ambrosian Singers - Sylvia Sass\/Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- Disc 2 -\u003c\/p\u003e\n\u003cp\u003eBELLINI\u003cbr\u003e1 Sediziose Voci... Casta Diva... Ah! Bello a Me - Sylvia Sass\/Ambrosian Singers - Sylvia Sass\/Ambrosian Singers\u003c\/p\u003e\n\u003cp\u003ePONCHIELLI\u003cbr\u003e2 Suicidio! - Sylvia Sass\/National Philharmonic Orchestra - Sylvia Sass\/National Philharmonic Orchestra\u003c\/p\u003e\n\u003cp\u003eLISZT\u003cbr\u003e3 Die Lorelei, S273 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e4 Ne Brany Menya, Moy Drug - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e5 Enfant, Si J'etais Roi, S283 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e6 Es Muss Ein Wunderbares Sein, S314 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e7 Vergiftet Sind Meine Lieder, S289 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e8 Kling Leise, Mein Lied, S301 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e9 Es War Ein Kã¶Nig in Thule, S278 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003c\/p\u003e\n\u003cp\u003eBARTOK\u003cbr\u003e10 Die Drei Zigeuner, S320 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003cbr\u003e11 Five Songs, Op. 16 - Sylvia Sass\/Andras Schiff - Sylvia Sass\/Andras Schiff\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264738013271,"sku":"028948020935","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1896387.jpg?v=1595263302"},{"product_id":"herold-la-fille-mal-gardee-lecocq-mamzelle-import","title":"HEROLD: LA FILLE MAL GARDEE; LECOCQ: MAM'ZELLE - LANCHBERY, BONYNGE (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eA perennial best-seller in the catalogue and much beloved of balletomanes, these vividly recorded ballet masterpieces are restored to the catalogue – and at super-budget price!\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eFERDINAND HÉROLD (arr. John Lanchbery)\u003cbr\u003eLa fille mal gardée*\u003cbr\u003e\u003cbr\u003eOrchestra of the Royal Opera House, Covent Garden\u003cbr\u003eJohn Lanchbery\u003cbr\u003e\u003cbr\u003eCHARLES LECOCQ (arr. Gordon Jacob)\u003cbr\u003eMam’zelle Angot**\u003cbr\u003e\u003cbr\u003eNational Philharmonic Orchestra\u003cbr\u003eRichard Bonynge\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264738406487,"sku":"028944290486 - ETC","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1080255.jpg?v=1597247979"},{"product_id":"wonderful-world-of-nursery-rhymes-import","title":"WONDERFUL WORLD OF NURSERY RHYMES - MCKELLAR, LYNN","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn March 1959 and May 1963, respectively, Vera Lynn and Kenneth McKellar – two of Decca’s best-selling exclusive artists – went into the studio to record albums of nursery rhymes. Simply but deliciously scored with several touches of humour, the two collections were brought together by Decca in 1976 and issued as “The Wonderful World of Nursery Rhymes”. A gatefold sleeve for the 1976 LP (SPA 485) was commissioned and it included an illustration that encompassed all 54 nursery rhymes featured on the album. Now, for the first complete CD reissue of that LP, the same illustration is used and the original sequencing of the nursery rhymes retained. Additionally, the lyrics for all the nursery rhymes are printed in the booklet, ensuring that this becomes something of a collector’s item as well as the perfect gift for the young at heart.\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGirls And Boys Come Out To Play (Vera Lynn)\u003cbr\u003eThe Grand Old Duke Of York (Vera Lynn)\u003cbr\u003eHey Diddle Dumpling, My Son John (Kenneth McKellar)\u003cbr\u003eLondon Bridge Is Falling Down (Kenneth McKellar)\u003cbr\u003ePolly Put The Kettle On (Kenneth McKellar)\u003cbr\u003eDickery, Dickery, Dock (Vera Lynn)\u003cbr\u003eHere We Come Gathering Nuts In May (Kenneth McKellar)\u003cbr\u003eLittle Jack Horner (Kenneth McKellar)\u003cbr\u003eHere We Go Round The Mulberry Bush (Vera Lynn)\u003cbr\u003eLittle Miss Muffet (Kenneth McKellar)\u003cbr\u003eYankee Doodle (Vera Lynn)\u003cbr\u003eOld Mother Hubbard (Kenneth McKellar)\u003cbr\u003eJack And Jill (Kenneth McKellar)\u003cbr\u003eThree Blind Mice (Kenneth McKellar)\u003cbr\u003eSing A Song Of Sixpence (Vera Lynn)\u003cbr\u003eHey Diddle Diddle (Kenneth McKellar)\u003cbr\u003eWhat Are Little Boys Made Of (Kenneth McKellar)\u003cbr\u003eMary Had A Little Lamb (Vera Lynn)\u003cbr\u003eBye Baby Bunting (Kenneth McKellar)\u003cbr\u003eDing Dong Bell (Kenneth McKellar)\u003cbr\u003eCock-A-Doodle-Doo (Kenneth McKellar)\u003cbr\u003eI Had A Little Nut Tree (Vera Lynn)\u003cbr\u003ePat-A-Cake (Kenneth McKellar)\u003cbr\u003eTwinkle, Twinkle, Little Star (Vera Lynn)\u003cbr\u003eLittle Boy Blue (Kenneth McKellar)\u003cbr\u003eSee-Saw Marjorie Daw (Vera Lynn)\u003cbr\u003eO Where, O Where Has My Little Dog Gone? (Kenneth McKellar)\u003cbr\u003eThe North Wind Doth Blow (Kenneth McKellar)\u003cbr\u003eThree Little Kittens (Kenneth McKellar)\u003cbr\u003eLucy Locket (Kenneth McKellar)\u003cbr\u003ePop Goes The Weasel (Vera Lynn)\u003cbr\u003eGeorgie Porgie (Kenneth McKellar)\u003cbr\u003eHumpty Dumpty (Kenneth McKellar)\u003cbr\u003eThe Frog’s Wooing (Vera Lynn)\u003cbr\u003eThere Was A Little Man (Kenneth McKellar)\u003cbr\u003eRide A Cock Horse (Kenneth McKellar)\u003cbr\u003eDoctor Foster Went To Gloucester (Kenneth McKellar)\u003cbr\u003eThe Jolly Miller (Vera Lynn)\u003cbr\u003eThe Lion And The Unicorn (Kenneth McKellar)\u003cbr\u003eTom, Tom, The Piper’s Son (Vera Lynn)\u003cbr\u003eBaa, Baa, Black Sheep (Vera Lynn)\u003cbr\u003eOranges And Lemons (Vera Lynn)\u003cbr\u003eThere Was A Crooked Man (Kenneth McKellar)\u003cbr\u003eSimple Simon (Kenneth McKellar)\u003cbr\u003eOld King Cole (Kenneth McKellar)\u003cbr\u003eMary, Mary, Quite Contrary (Kenneth McKellar)\u003cbr\u003eGoosey, Goosey Gander (Kenneth McKellar)\u003cbr\u003eOh Dear, What Can The Matter Be? (Vera Lynn)\u003cbr\u003eThere Was An Old Woman (Kenneth McKellar)\u003cbr\u003ePussy Cat, Pussy Cat (Kenneth McKellar)\u003cbr\u003eWhere Are You Going To, My Pretty Maid? (Vera Lynn)\u003cbr\u003eI Love Little Pussy (Kenneth McKellar)\u003cbr\u003eLittle Bo Peep (Vera Lynn)\u003cbr\u003eHush A Bye Baby (Kenneth McKellar)\u003cbr\u003e\u003cbr\u003eVera Lynn\u003cbr\u003ewith ensemble directed by Barry Gray\u003cbr\u003eArrangements by Barry Gray and Georgio Forli\u003cbr\u003e\u003cbr\u003eKenneth McKellar\u003cbr\u003ewith ensemble directed by Bob Sharples\u003cbr\u003eArrangements by Bob Sharples\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264739225687,"sku":"028944286816","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1628911.jpg?v=1597895118"},{"product_id":"mendelssohn-symphony-4-midsummer-nights-dream-import","title":"MENDELSSOHN: SYMPHONY NO. 4; THE HEBRIDES OVERTURE; MIDSUMMER NIGHT'S DREAM - VAN BEINUM, CONCERTGEBOUW, LONDON PHILHARMONIC","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003cbr\u003eWith three of Mendelssohn’s most popular orchestral works, Eloquence continues its revival of the recorded legacy of Eduard van Beinum. Principal conductor of the Concertgebouw Orchestra from 1945 until his death in 1959, Van Beinum also led the London Philharmonic Orchestra for two seasons, starting in 1947.\u003cbr\u003e\u003cbr\u003eThis compilation represents his work for the Decca label with both orchestras. The Hebrides Overture is an LPO recording from February 1949, praised in the press at the time for its refined palette of timbres in perhaps the composer’s finest evocation of nature-imagery, composed in 1830 from memories of his trip to Fingal’s Cave during his tour of Scotland the previous year.\u003cbr\u003e\u003cbr\u003eVan Beinum recorded music from A Midsummer Night’s Dream twice for Decca and on both occasions with the Concertgebouw: first in 1946, when he omitted the Overture but included the Intermezzo, alongside the Scherzo and Nocturne and again in 1952 (the recording heard here), this time including the Overture but omitting the Intermezzo.\u003cbr\u003e\u003cbr\u003eThe conductor’s last Mendelssohn recording was made in June 1955, also in Amsterdam: a painstakingly moulded account of the ‘Italian’ Symphony in its familiar original version. As Raymond Tuttle remarks in the new booklet appreciation, van Beinum almost self-effacingly lets the musicians themselves shine and allows us to admire Mendelssohn’s skilful handling of the orchestra.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The LPO is on good form here; Van Beinum is a conductor for whom I have a great respect; the recording… is admirably full.’ Gramophone (Hebrides)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘It has been claimed that van Beinum was too neutral and reserved a performer. Those who so view him would do well to listen to the… Mendelssohn performances in this set. Not only is there brio and dash aplenty, there is a daring that other conductors would do well to follow.’ Fanfare\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eFELIX MENDELSSOHN \u003cbr\u003eOverture: The Hebrides, Op. 26 (Fingal’s Cave)*\u003cbr\u003e\u003cbr\u003eA Midsummer Night’s Dream: Overture, Op. 21\u003cbr\u003e\u003cbr\u003eIncidental Music, Op. 61:\u003cbr\u003eNotturno\u003cbr\u003eScherzo\u003cbr\u003e\u003cbr\u003eSymphony No. 4 in A major, Op. 90 ‘Italian’*\u003cbr\u003e\u003cbr\u003eLondon Philharmonic Orchestra\u003cbr\u003eConcertgebouworkest\u003cbr\u003eEduard van Beinum\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264739291223,"sku":"028948255153","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3785656.jpg?v=1597257592"},{"product_id":"mozart-sym-nos-33-39-40-import","title":"MOZART: SYMPHONIES NO. 33, 39 \u0026 40 - KERTESZ, VIENNA PHILHARMONIC","description":"\u003cp\u003eMozart - Symphonies Nos. 33, 39 \u0026amp; 40\u003cbr\u003e\u003cbr\u003eWiener Philharmoniker, Istvan Kertesz\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMozart: Symphony No. 33 in B flat major, K319\u003cbr\u003eMozart: Symphony No. 39 in E flat major, K543\u003cbr\u003eMozart: Symphony No. 40 in G minor, K550\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264740438103,"sku":"028947674023","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/739792.jpg?v=1595342786"},{"product_id":"haydn-pno-trios-1-h-12-26-28-30-import","title":"HAYDN: PIANO TRIOS, VOLUME 1 (HOB XV: 12; 26; 28; 30) - ANDRAS SCHIFF, BORIS PERGAMENSCHIKOW, YUUKO SHIOKAWA","description":"\u003cp\u003eHaydn: Piano Trios (Vol. 1)\u003cbr\u003e\u003cbr\u003eBoris Pergamenschikow (cello), Andras Schiff (piano), Yuuko Shiokawa (violin)\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eClassics Today\u003cbr\u003e\"What a joy it is to have these virile, intelligent, and gorgeously groomed performances back in circulation!... Wonderful music, inspired interpretations, excellent sound, perceptive booklet notes, and modest cost to the consumer: anything less than a \"10\/10\" would sell this disc short.\"\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e1 Piano Trio in E minor, H.12 - I Allegro Moderato (Haydn)\u003cbr\u003e2 Piano Trio in E minor, H.12 - II Andante (Haydn)\u003cbr\u003e3 Piano Trio in E minor, H.12 - III Rondo : Presto (Haydn)\u003cbr\u003e4 Piano Trio in F Sharp minor, H.26 - I Allegro (Haydn)\u003cbr\u003e5 Piano Trio in F Sharp minor, H.26 - II Adagio (Haydn)\u003cbr\u003e6 Piano Trio in F Sharp minor, H.26 - III Tempo Di Minuet (Haydn)\u003cbr\u003e7 Piano Trio in E Major, H.28 - I Allegro Maderato (Haydn)\u003cbr\u003e8 Piano Trio in E Major, H.28 - II Allegretto (Haydn)\u003cbr\u003e9 Piano Trio in E Major, H.28 - III Finale : Allegro (Haydn)\u003cbr\u003e10 Piano Trio in E Flat Major, H.30 - I Allegro Moderato (Haydn)\u003cbr\u003e11 Piano Trio in E Flat Major, H.30 - II Andante Con Moto- (Haydn)\u003cbr\u003e12 Piano Trio in E Flat Major, H.30 - III Presto (Haydn)\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264740634711,"sku":"028947625773","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/692952.jpg?v=1595266391"},{"product_id":"munchinger-miniatures-import","title":"MUNCHINGER MINATURES (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTwo Decca LP albums of orchestral miniatures newly remastered and issued complete for the first time on CD, with a substantial bonus from Karl Munchinger's varied discography.\u003c\/p\u003e\n\u003cp\u003eKarl Munchinger (1915-1990) was remembered for decades as a solid conductor of Baroque music, but previous reissues on Eloquence have served to broaden our view of a consummate musician. Recent issues of Haydn and Mozart (4840170) and Liszt and Wagner (4828427) demonstrate that he also had the Classical and Romantic repertoire at his fingertips.\u003c\/p\u003e\n\u003cp\u003eHere is the complement to those issues, an invaluable continuation of the Munchinger story: a genial disc of encore-like gems from Bach to Grieg, recorded by Decca in September 1966 and first issued the following summer. It includes the conductor's own, straightforward but sensitive orchestrations of two Bach fugues and a movement from Schumann's Op.66 piano cycle, Bilder aus Osten.\u003c\/p\u003e\n\u003cp\u003eAlongside them are Baroque classics for which the Stuttgart Chamber Orchestra was famed, such as the 'Air on a G string', two movements from Vivaldi's 'Alla Rustica' Concerto and the Musette from Handel's G minor Concerto grosso Op.6.\u003c\/p\u003e\n\u003cp\u003eOn CD2, 'Contemporary Music for String Orchestra' ventures beyond the well-trodden path of Barber's Adagio to include a set of Hindemith's pedagogical music, a delicately refined Serenade by Lennox Berkeley, and Frank Martin's arrangement of his own organ Passacaille, made for Munchinger 'and his wonderful Stuttgart Chamber Orchestra'.\u003c\/p\u003e\n\u003cp\u003eDating from October 1950, the album was recorded in Decca's crystal-clear mono sound, as were two bonus items on this new compilation: the sombre, graceful Chaconne from Gluck's Paride ed Elena, in 1960, and from a decade earlier, the Third Suite of Respighi's Ancient Airs and Dances, with it's haunting Siciliano and imposing final Passacaglia. The striking cover transformation of Grien's Portrait of a Lady is reproduced from the original issue of 'Munchinger Miniatures'; so is the booklet note by the recording's producer, Ray Minshull.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e1 J.S. BACH Fugue in A minor, BWV 947 (arr. Münchinger)\u003cbr\u003e2 BOCCHERINI Minuet (from String Quintet in E major, Op. 13 No. 5)\u003cbr\u003e3–4 MOZART Les Petits riens, KV app. 10 (ballet) – excerpts*\u003cbr\u003e5 HOFFSTETTER (attrib. HAYDN) Andante cantabile (from String Quartet, Op. 3 No. 5)\u003cbr\u003e6–7 VIVALDI Concerto for Strings and Continuo in G major, R.151 ‘alla Rustica’ – excerpts*\u003cbr\u003e8 J.S. BACH Air (from Suite No. 3 in D major, BWV 1068)\u003cbr\u003e9 GRIEG Präludium: Allegro vivace (from Holberg Suite, Op. 40)*\u003cbr\u003e10 SCHUMANN No. 1: Lebhaft (from Bilder aus Osten, arr. chamber orchestra)*\u003cbr\u003e11 MOZART Menuetto \u0026amp; Trio (from Divertimento in D major, KV 334)\u003cbr\u003e12 HANDEL Musette (from Concerto grosso in G minor, Op. 6 No. 6)\u003cbr\u003e13 SCHUBERT Minuet \u0026amp; Trio No. 5 in C major (from Five Minuets with six Trios, D.89)*\u003cbr\u003e14 J.S. BACH Fugue (from Prelude [Fantasia] and Fugue in G minor, BWV 542 ‘Great’)\u003cbr\u003e15 GLUCK Chaconne (from Paride ed Elena)\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e1–4 RESPIGHI Ancient Airs and Dances: Suite No. 3*\u003cbr\u003e5 MARTIN Passacaille for String Orchestra\u003cbr\u003e6–10 HINDEMITH Fünf Stücke für Streichorchester*\u003cbr\u003e11–14 BERKELEY Serenade for Strings, Op. 12*\u003cbr\u003e15 BARBER Adagio for Strings, Op. 11\u003cbr\u003e\u003cbr\u003eStuttgarter Kammerorchester\u003cbr\u003eKarl Münchinger\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264740831319,"sku":"028948269549","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3743637-2502035.jpg?v=1597261577"},{"product_id":"organ-at-sydney-opera-house-import","title":"PETER HURFORD: THE ORGAN AT THE SYDNEY OPERA HOUSE","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\"\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eWhile playing organs worldwide, and concentrating his work in his native England, Peter Hurford nonetheless gave recitals on organs across Australia throughout his long career. However, he hardly played an instrument more dazzling in it's impact and variety than the organ which was installed at the Sydney Opera House. Completed in May 1979 at a cost of $1.2 million, the organ has come to be regarded as one of the finest such instruments in the southern hemisphere. Among the world's largest mechanical-action organs, it was built by an Australian, Ronald Sharpe and, during the final phase of construction, the Austrian organ-building firm of Gregor Hradetzky. Both the instrument and Hurford's rhythmically animated playing are justly immortalized by this album of popular organ classics. It begins with the toccata and fugue which was almost certainly not written for organ and probably not composed by Bach, but is destined to be associated with both in the public imagination. Likewise the Adagio that is no more or less than Giazotto's reworking and Romantic elaboration of a slender theme 'by' Albinoni. Whoever it was by, every piece on this compendious introduction to organ literature is richly enjoyable, and Hurford duly enjoys all the colors of the Sydney organ by, almost literally, pulling out all the stops during the course of the album. In the hands of Hurford, Herbert Murrill's Carillon is a dazzling feat of prestidigitation, and the Sydney trumpets will test out the most exacting audio equipment here and in the album's inevitable conclusion, the Toccata from Widor's Fifth Symphony.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘This is the sort of programme with which organs are baptized … There is a springiness in the playing which comes up fresh every time … All very good value.’ Gramophone, June 1983\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Here’s a bit of fun. Imagine the astonishment of Purcell and Bach, leading from the bar of heaven to listen to the Trumpet Tune and Jesu, joy on an organ beyond their wildest imaginings. Hurford plays as scrupulously for a popular audience as for the stuffiest international jury.’ Musical Times, December 1983\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e1 BACH: Toccata and Fugue in D minor, BWV 565\u003cbr\u003e2 BACH: Jesu, Joy of Man's Desiring (Arr. Hurford)\u003cbr\u003e3 ALBINONI: Adagio in G minor\u003cbr\u003e4 CLARKE: Trumpet Tune in D Major (Arr. Hurford)\u003cbr\u003e5 MENDELSSOHN: Wedding March (From 'A Midsummer Night's Dream')\u003cbr\u003e6 FRANCK: Chorale No. 2 in B minor\u003cbr\u003e7 MURRILL: Carillon\u003cbr\u003e8 WALFORD DAVIES: Solemn Melody\u003cbr\u003e9 WIDOR: Toccata (From Symphony No. 5)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264741027927,"sku":"028948403516","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3908738.jpg?v=1595357987"},{"product_id":"schumann-chamber-music-import","title":"SCHUMANN: CHAMBER MUSIC - ASHKENAZY, BRENDEL, HOLLIGER, TUCKWELL, ROSTROPOVICH, BRITTEN","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eLate in the 1840s, Schumann entered a chamber music phase. It was, it is said, motivated partly by financial reasons – creating a body of chamber works that could be played by talented amateurs in their own homes. Many of the works on this disc date from 1849. Significantly, for collectors, one of these – the Andante and Variations – receives its first release on CD and marks Vladimir Ashkenazy’s first recording of chamber music for Decca. The same sessions also included duo piano recordings with Malcolm Frager, from which the Study in Canon Form emanates. Other notable duo collaborations on this disc include Rostropovich and Britten (Fünf Stücke im Volkston), Holliger and Brendel (Drei Romanzen, Abendlied) and Ashkenazy with Tuckwell in the 1974 (Adagio and Allegro) and with Franklin Cohen in 1990 (Fantasiestücke).\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSchumann played by such luminaries as Ashkenazy, Holliger and Brendel, culminating in a spellbinding account by Rostropovich and Britten of the five cello and piano pieces Op. 102. -- BBC MUSIC MAGAZINE\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eROBERT SCHUMANN\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eAndante and Variations for two pianos, two cellos and horn, Op. 46\u003cbr\u003e\u003cstrong\u003eVladimir Ashkenazy, Malcolm Frager,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epianos\u003cbr\u003e\u003cstrong\u003eAmaryllis Fleming, Terence Weil,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecellos\u003cbr\u003e\u003cstrong\u003eBarry Tuckwell,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehorn\u003c\/p\u003e\n\u003cp\u003eStudy in Canon form in A flat major, Op. 56 No. 4\u003cbr\u003e\u003cstrong\u003eVladimir Ashkenazy, Malcolm Frager,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epianos\u003c\/p\u003e\n\u003cp\u003eAdagio and Allegro in A flat major, Op. 70\u003cbr\u003e\u003cstrong\u003eBarry Tuckwell,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehorn\u003cbr\u003e\u003cstrong\u003eVladimir Ashkenazy,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003c\/p\u003e\n\u003cp\u003eDrei Romanzen, Op. 94\u003cbr\u003eAbendlied, Op. 85 No. 12\u003cbr\u003e\u003cstrong\u003eHeinz Holliger,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eoboe\u003cbr\u003e\u003cstrong\u003eAlfred Brendel,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003c\/p\u003e\n\u003cp\u003eFantasiestücke, Op. 73\u003cbr\u003eFranklin Cohen, clarinet\u003cbr\u003e\u003cstrong\u003eVladimir Ashkenazy,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003c\/p\u003e\n\u003cp\u003eFünf Stücke im Volkston, Op. 102\u003cbr\u003e\u003cstrong\u003eMstislav Rostropovich,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecello\u003cbr\u003e\u003cstrong\u003eBenjamin Britten,\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epiano\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264741716055,"sku":"028948036103","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/2208367.jpg?v=1595354045"},{"product_id":"tchaikovsky-vln-cto-shostakovich-vln-cto-1-import","title":"TCHAIKOVSKY: VIOLIN CONCERTO; SHOSTAKOVICH: VIOLIN CONCERTO NO. 1 - BELKIN","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTwo Russian violin concertos together on a single disc. The performances are staggering, to say the least… just try the finale of the Tchaikovsky to get an idea (which, incidentally, is released complete for the first time on CD). The brooding, expansive Shostakovich makes an ideal foil to the highwire Tchaikovsky, its meditative Passacaglia worth seeking-out first, for those unfamiliar with this haunting work.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003ePYOTR ILYICH TCHAIKOVSKY\u003cbr\u003eViolin Concerto in D major, Op. 35*\u003cbr\u003e\u003cbr\u003eDIMITRI SHOSTAKOVICH Violin Concerto No. 1\u003cbr\u003eRoyal Philharmonic Orchestra**\u003cbr\u003e\u003cbr\u003eBoris Belkin, violin\u003cbr\u003eNew Philharmonia Orchestra*\u003cbr\u003eRoyal Philharmonic Orchestra**\u003cbr\u003eVladimir Ashkenazy\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32264745091159,"sku":"028946760420","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/1233617.jpg?v=1597892497"},{"product_id":"strauss-die-fledermaus-import","title":"STRAUSS: DIE FLEDERMAUS - CLEMENS KRAUSS, VIENNA PHILHARMONIC (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStill considered by many to be the finest recording ever made of the jewel in Viennese operetta: ‘Die Fledermaus’ was one of a trio of Strauss-family recordings made by Clemens Krauss for Decca in the early 1950s. Like ‘Der Zigeunerbaron’ (482 7371) and his New Year Concerts (482 7364), it is now reissued by Eloquence, in a new remastering and with fresh editorial retrospectives on the special chemistry between composer, conductor and orchestra.\u003cbr\u003e\u003cbr\u003eAt the time of its premiere in 1885, ‘Die Fledermaus’ attracted censure – and was given a run of only sixteen performances – for singing the praises of champagne while many of the inhabitants of Vienna were starving or on the breadline. Today, however, the piece delights audiences worldwide, above all when it is celebrated in a performance by its native interpreters, the Vienna Philharmonic with Clemens Krauss conducting. Krauss was able to claim that he had been gently rocked and swayed to the sound of this orchestra even before he was born; his mother was a dancer with the Vienna court ballet, not yet seventeen years old at the time of his birth in Vienna in 1893. Before he was 30 he had conducted ‘Der Rosenkavalier’ at the State Opera; Strauss himself was co-director of the house at the time, and came on stage to tell Krauss, ‘Consider yourself engaged forthwith.’\u003cbr\u003e\u003cbr\u003eWhen Decca made this recording in September 1950, the city and its inhabitants were still recovering from wartime privations just as Strauss’s first audience had been. Krauss himself had worked with the Philharmonic throughout the war, and he cast this ‘Fledermaus’ from among his circle of friends in Vienna: Wilma Lipp, Julius Patzak, Alfred Poell and Kurt Preger, all local singers, in command of Vienna’s particular dialects of speech and song.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘This 1950 ‘Fledermaus’ has consistently rated at the top of all performances. Clemens Krauss is simply the finest-ever conductor of the Viennese waltz genre. There is a joie de vivre here, despite the grimness of life in occupied Vienna in 1950, that hasn’t been equalled elsewhere. Also, the soloists are among the finest Vienna has produced and are all first-class.’ Fanfare magazine, Nov\/Dec 1992\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/STREAMING_BANNER_2_3ffea259-c443-454f-b50b-9beacfe7836d_480x480.png?v=1595265224\" alt=\"\"\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe width=\"100%\" height=\"150\" src=\"https:\/\/embed.song.link\/?url=https%3A%2F%2Falbum.link%2Fs%2F6zlw57Q6Q4yICVjayiuGuG\u0026amp;theme=dark\" frameborder=\"0\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eJOHANN STRAUSS II\u003cbr\u003eDie Fledermaus\u003cbr\u003e\u003cbr\u003eGabriel von Eisenstein: Julius Patzak\u003cbr\u003eRosalinde: Hilde Gueden\u003cbr\u003eDr. Falke: Alfred Poell\u003cbr\u003eAdele: Wilma Lipp\u003cbr\u003ePrinz Orlofsky: Sieglinde Wagner\u003cbr\u003eFrank: Kurt Preger\u003cbr\u003eAlfred: Anton Dermota\u003cbr\u003eDr. Blind: August Jaresch\u003cbr\u003e\u003cbr\u003eWiener Staatsopernchor\u003cbr\u003eWiener Philharmoniker\u003cbr\u003eClemens Krauss\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32273980653655,"sku":"028948273799","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3737867.jpg?v=1595875280"},{"product_id":"beethoven-mozart-brahms-violin-sonatas-import","title":"BEETHOVEN \/ MOZART \/ BRAHMS: VIOLIN SONATAS - KULENKAMPFF; SOLTI (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGeorg Solti’s first recordings were as a pianist – those with the great German violinist, Georg Kulenkampff, here collected in their entirety. The two artists recorded Brahms’s G major sonata in February 1947 and Beethoven’s ’Kreutzer’ Sonata in June 1947. They completed the Brahms sonatas in July 1948. Sadly, this would be their only collaboration. Kulenkampff died on 4th October, 1948 after a brief illness. He was only 50.\u003cbr\u003e\u003cbr\u003eIn these recordings with Kulenkampff, Solti’s exceptional abilities as a listener, his accomplishments as a repetiteur and his instinct as a soloist combine in perfect harmony. He is discreet but never excessively deferential in accompanimental passages and bold but never obtrusive when the piano assumes a soloistic or quasi-orchestral prominence, especially in the Brahms sonatas and Beethoven’s ‘Kreutzer’. These recordings were made in the days when it was still standard practice to favour the violin acoustically, perpetuating the invidious idea of the pianist as mere ‘accompanist’. Yet through the very quality of his tone and impeccable judgement of his rhythm, Solti redresses the balance despite being somewhat ‘recessed’ by the recording team.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e‘This recording reveals what a magnificent technique [Solti] possessed … his playing is pretty good, and often remarkable for his very sparing use of the pedal … [Kulenkampff’s playing] of the slow movement is exquisitely expressive.’ (Beethoven) Gramophone, February 1964\u003cbr\u003e\u003cbr\u003e‘The great virtues of Kulenkampff were his sweet lyrical tone and his exquisite phrasing … this is glorious playing [of the Brahms Op. 78] by both artists. The last page of the slow movement is really tremendous, and touched with inspiration’ (Brahms) Gramophone, May 1965\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eWOLFGANG AMADEUS MOZART\u003cbr\u003eSonata for Piano \u0026amp; Violin in B flat major, KV 454\u003cbr\u003e\u003cbr\u003eLUDWIG VAN BEETHOVEN\u003cbr\u003eSonata for Violin \u0026amp; Piano No. 9 in A major, Op. 47 ‘Kreutzer’\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003eJOHANNES BRAHMS\u003cbr\u003eSonata for Violin \u0026amp; Piano No. 1 in G major, Op. 78\u003cbr\u003eSonata for Violin \u0026amp; Piano No. 2 in A major, Op. 100\u003cbr\u003eSonata for Violin \u0026amp; Piano No. 3 in D minor, Op. 108\u003cbr\u003e\u003cbr\u003eGeorg Kulenkampff, violin\u003cbr\u003eGeorg Solti, piano\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32273980948567,"sku":"028948065820","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3430610.jpg?v=1595879417"},{"product_id":"mascagni-cavalleria-leoncavallo-pagliacci-import","title":"LEONCAVALLO: PAGLIACCI; MASCAGNI: CAVALLERIA RUSTICANA - DEL MONACO (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_480x480.png?v=1596125360\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThese new re-masterings cast fresh light on seminal recordings of ‘Cavalleria rusticana’ and ‘Pagliacci’ both featuring Mario del Monaco. He was in his prime when he recorded Turiddu and Canio, and his performances in both recordings could hardly be more spine-tingling. ‘Cavalleria rusticana’ was recorded in 1954 and ‘Pagliacci’ in 1953. Franco Ghione’s feeling for the lyricism of Mascagni’s score is clear from the outset, reminding us that although this music is usually regarded as marking the birth of ‘verismo’, it is in many ways a continuation of the Bellinian love affair with the vocal line. Alberto Erede conducts a grippingly dramatic ‘Pagliacci’. The scoring is brilliant and Erede makes the most of it. Lavished with praise when first issued, they are released from hibernation to enjoy new life on CD.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003ePIETRO MASCAGNI\u003cbr\u003eCavalleria rusticana\u003cbr\u003e\u003cbr\u003eSantuzza: Elena Nicolai\u003cbr\u003eTuriddu: Mario del Monaco\u003cbr\u003eMamma Lucia: Annamaria Anelli\u003cbr\u003eAlfio: Aldo Protti\u003cbr\u003eLola: Laura Didier\u003cbr\u003eOrchestra e Coro del Teatro alla Scala, Milano\u003cbr\u003eFranco Ghione\u003cbr\u003e\u003cbr\u003eRUGGIERO LEONCAVALLO\u003cbr\u003ePagliacci\u003cbr\u003e\u003cbr\u003eCanio: Mario del Monaco\u003cbr\u003eNedda: Clara Petrella\u003cbr\u003eTonio: Afro Poli\u003cbr\u003eBeppe: Piero de Palma\u003cbr\u003eSilvio: Aldo Protti\u003cbr\u003eOrchestra e Coro dell’Accademia Nazionale di Santa Cecilia\u003cbr\u003eAlberto Erede\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32273981341783,"sku":"028948072682","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/2950413.jpg?v=1596128681"},{"product_id":"mozart-symphonies-34-39-40-eine-kleine-import","title":"ZUBIN MEHTA CONDUCTS MOZART - SYMPHONIES AND OTHER WORKS (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/ABOUT_THIS_RECORDING_W._WORLD_2_e41329ea-b9a9-4e85-9c74-e4ca06232094_480x480.png?v=1597936917\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eZubin Mehta was one of Decca’s stars in the 1960s and 1970s, known more for his recordings of 19th and 20th-century repertoire than of the 18th. Yet, he has long had an abiding love for Mozart and conducts his symphonic and operatic music on a regular basis. Issued to coincide with his 80th birthday year, this 2CD set includes all the Decca recordings of Mozart’s music made by Mehta of which the three symphonies receive their first release on CD.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The finale [of Symphony No. 34] is impressive in its crispness of articulation with the tarantella triplets sharply enunciated’ Gramophone, March 1977\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Zubin Mehta’s balanced and musicianly performance of Mozart’s great G minor Symphony has many good points … The Israel Philharmonic Orchestra plays splendidly for him and is given a mellow but well detailed recording’ Gramophone, May 1978\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_1_81beb09d-4c29-4149-bf73-0d3740fd1d73_480x480.png?v=1595264371\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eWOLFGANG AMADEUS MOZART\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003eLe nozze di Figaro, KV 492: Overture\u003cbr\u003eSymphony No. 34 in C major, KV 338+*\u003cbr\u003eSymphony No. 39 in E flat major, KV 543+*\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003eSymphony No. 40 in G minor, KV 550+\u003cbr\u003eSerenade in G major, KV 525 ‘Eine kleine Nachtmusik’+\u003cbr\u003eLe nozze di Figaro, KV 492: Voi che sapete**\u003cbr\u003eMass in C minor, KV 427 ‘Groβe Messe’: Laudamus te (Gloria)**\u003cbr\u003e\u003cbr\u003eAnne Sofie von Otter, mezzo-soprano (CD2: **)\u003cbr\u003eLos Angeles Philharmonic Orchestra (CD1: 1)\u003cbr\u003eIsrael Philharmonic Orchestra (CD1: +, CD2: +)\u003cbr\u003eLondon Philharmonic Orchestra (CD2: **)\u003cbr\u003eZubin Mehta\u003cbr\u003e\u003cbr\u003eZUBIN MEHTA’S MOZART RECORDINGS FOR DECCA\u003cbr\u003e*FIRST INTERNATIONAL RELEASE ON DECCA CD\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32273981505623,"sku":"028948246274 L","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3430608.jpg?v=1737325730"},{"product_id":"brahms-sym-2-variations-on-a-theme-by-haydn-import","title":"BRAHMS: SYMPHONY NO. 2; VARIATIONS ON A THEME BY HAYDN - MONTEUX, VIENNA PHILHARMONIC, LONDON SYMPHONY","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMonteux recorded Brahms’s Second Symphony several times; in addition to the present recording for Decca with the Vienna Philharmonic, there are versions with the San Francisco Symphony Orchestra and the London Symphony Orchestra. He recorded the ‘Variations on a theme by Haydn’ just once, in 1958 with the London Symphony Orchestra. This reissue continues Eloquence’s survey of selected Philips and Decca recordings by Monteux.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003cbr\u003e\u003cem\u003e‘Monteux gives a fresh, relaxed account of the Second with the Vienna Philharmonic and the spaciousness of his reading is enhanced by the fact that he observes the first movement exposition repeat … Recommended.’ Gramophone\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘his is a fine reading [of the Second Symphony], the first movement unfolding naturally (with exposition repeat, as Monteux always taught his students), the second never bogging down like Walter or Karajan’ Fanfare\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Monteux’s account of the [Haydn Variations] is hugely enjoyable and the natural, unforced yet splendidly disciplined orchestral playing makes this record highly desirable’ Gramophone\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/WORKS_WITH_GLOBE_1_7927fcc1-9689-41eb-ba92-129813efac37_480x480.png?v=1595264456\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eJOHANNES BRAHMS\u003cbr\u003eSymphony No. 2 in D major, Op. 73\u003cbr\u003eWiener Philharmoniker\u003cbr\u003ePierre Monteux\u003cbr\u003e\u003cbr\u003eVariations on a theme by Haydn\u003cbr\u003eLondon Symphony Orchestra\u003cbr\u003ePierre Monteux\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32273982095447,"sku":"028948089130","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/2950414.jpg?v=1595879244"},{"product_id":"arne-c-p-e-bach-j-c-bach-harpsichord-concertos-import","title":"ARNE; C.P.E. BACH; J.C. BACH: HARPSICHORD CONCERTI - GEORGE MALCOLM, ACADEMY OF ST. MARTIN IN THE FIELDS","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_bddc80cf-14fa-424f-967f-c6e88f52528d_480x480.png?v=1658409827\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_bddc80cf-14fa-424f-967f-c6e88f52528d_480x480.png?v=1658409827\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/DESCRIPTION_WITH_WORLD_1_d9254874-1b5f-48ee-852d-4074a16878e6_480x480.png?v=1595264382\" alt=\"\"\u003e\u003cbr\u003eThere were many worlds in George Malcolm’s (1917–1997) universe – organist, harpsichordist, pianist, composer, choral director and conductor – and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any other individual defined the harpsichord’s identity in England. After World War II, Malcolm became the most famous English harpsichordist of his day with a brilliant technique, superb musicianship and an idiosyncratically modern approach to playing which, for his audiences, came to exemplify the very nature of the instrument itself.\u003cbr\u003e\u003cbr\u003eThe present release, explores George Malcolm’s work from the 1960s as soloist with the Academy of St. Martin in the Fields in concertos by Carl Philipp Emanuel, Johann Christian Bach and Thomas Arne. In addition to the concertos there are also samples of Malcolm’s brilliant solo playing, including the F-major Sonata by Arne (as close to Scarlatti as an English composer ever came) and an exotic set of variations on ‘Les Folies d’Espagne’ by C.P.E. Bach. His brilliant, mercurial style is well suited to the younger generation Bachs, so different in outlook from their famous father and his dense, contrapuntal language. These recordings of the solo works and the J.C. Bach concerto were made using a large two-manual Goble harpsichord while the familiar sound of the Thomas Goff instrument is heard in the concertos by C.P.E. Bach and Arne.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/STREAMING_BANNER_2_3ffea259-c443-454f-b50b-9beacfe7836d_480x480.png?v=1595265224\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"150\" src=\"https:\/\/embed.song.link\/?url=https%3A%2F%2Falbum.link%2Fs%2F3McKa5Z2nefbLrVFKIzcMz\u0026amp;theme=dark\" frameborder=\"0\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-presentation allow-popups allow-popups-to-escape-sandbox\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/REVIEWS_CS_WORLD_7ad42b8b-2188-414f-9c17-0e66da4d836d_480x480.png?v=1595264361\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘a stimulating record … splendidly recorded. The brilliance of both composers is most effectively conveyed and the wildness of some of the modulations and the mercurial quality of the faster movements of both the Bach symphony and concerto are arresting’ (Arne, C.P.E. Bach) Gramophone, November 1968\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘George Malcolm plays [the C.P.E. Bach concerto] with his usual astonishing expertise, and he is also superb in the variations on “La folia” by the same composer. Much of the credit in this excellent disc must be given to the string playing by Neville Marriner and his players … the Academy of St. Martin in the Fields sound [is] marvellously alive and buoyant … Argo are to be warmly congratulated’ (Arne, C.P.E. Bach) Gramophone, July 1968\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘[the J.C. Bach Concerto] is splendidly played here, with strong rhythms and plenty of nervous vitality … the recording is excellent.’ (J.C. Bach) Gramophone, October 1969\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39_480x480.png?v=1658409003\"\u003e\u003c\/p\u003e\n\u003cp\u003eTHOMAS AUGUSTINE ARNE\u003cbr\u003eHarpsichord Concerto No. 5 in G minor\u003cbr\u003eSonata No. 1 in F major*\u003cbr\u003eOverture No. 1 in E minor\u003cbr\u003e\u003cbr\u003eCARL PHILIPP EMANUEL BACH\u003cbr\u003eSinfonia in B flat major, Wq 182 No. 2*\u003cbr\u003eVariations on Les Folies d’Espagne*\u003cbr\u003eHarpsichord Concerto in C minor Wq 43 No. 4\u003cbr\u003e\u003cbr\u003eJOHANN CHRISTIAN BACH\u003cbr\u003eHarpsichord Concerto in A major, T297\/l(ii)\u003cbr\u003e\u003cbr\u003eGeorge Malcolm, harpsichord\u003cbr\u003eAcademy of St. Martin in the Fields\u003cbr\u003eNeville Marriner\u003cbr\u003e\u003cbr\u003e*FIRST RELEASE ON CD\u003cbr\u003e\u003cbr\u003eNotes are by Peter Watchorn, an Australian-born, US-based harpsichordist, one of whose teachers, Harold Lobb, was also an associate of Malcolm.\u003c\/p\u003e","brand":"DECCA","offers":[{"title":"Default Title","offer_id":32273982160983,"sku":"IMT5044846.2","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/3553100.jpg?v=1595872621"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/dark_blue_gradient.png?v=1668020545","url":"https:\/\/classicselectworld.com\/en-de\/collections\/decca.oembed?page=3","provider":"ClassicSelect World","version":"1.0","type":"link"}