{"title":"GRAND PIANO - PRICES START AT $6.99","description":"","products":[{"product_id":"debussy-dindy-godard-gouvy-saint-saens-satie-french","title":"FRENCH IMPRESSIONS - A Potpourri of French Piano Styles, from the Romantics to a New Age - Debussy, d'Indy, Godard, Gouvy, Saint-Saens \u0026 Satie  (6-CD Box Set)","description":"\u003cp\u003eThe range and variety of French piano music in the 19th and 20th centuries is exemplifi ed in these critically acclaimed albums bringing together rarely encountered pieces, a number of which are performed on period instruments. Théodore Gouvy’s little-known sonatas and Benjamin Godard’s fragrant lyricism are part of a lineage that includes the masterful large-scale Piano Sonata of Vincent d’Indy, the virtuosic rarities – many in première recordings – of Saint-Saëns, Satie’s tenderness and wit, and unknown piano versions of some of Debussy’s greatest orchestral masterpieces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eGOUVY, L.T.: Sonatas for Piano 4 Hands, Opp. 36, 49 and 51 (Naoumoff, Yau Cheng)  GP676\u003cbr\u003eSAINT-SAËNS, C.: Piano Works (Complete), Vol. 5 (Burleson)  GP626\u003cbr\u003eDEBUSSY, C.: Rare Piano Music (The Unknown Debussy) (Horvath)  GP822\u003cbr\u003eSATIE, E.: Piano Works (Complete), Vol. 4 (New Salabert Edition) (Horvath)  GP823\u003cbr\u003ed'INDY, V.: Piano Sonata \/ Tableaux de Voyage (excerpts) (Armengaud)  GP756\u003cbr\u003eGODARD, B.: Piano Works, Vol. 2 (E. Reyes)  GP684\u003c\/p\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836183290,"sku":"GP900X","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP900X.jpg?v=1777494410"},{"product_id":"ekanayaka-twelve-piano-prisms-silvestrov-works-glass-pi","title":"PERFECT MOODS - Piano Music of the 21st Century (6 CDs)","description":"\u003cp\u003ePerfect Moods is a collection of acclaimed albums that together present a multi-cultural journey of inspiring and contemplative modern piano repertoire for the 21st century. Armenian pianist Mikael Ayrapetyan explores his countryman Haro Stepanian’s exquisite Preludes; the spiritual and sensual Melodies of the Upper Worlds by the prominent Kabbalist Baal HaSulam; as well as Ayrapetyan’s own A Whole in 12. Composer-pianist Tanya Ekanayaka performs her Twelve Piano Prisms – a diverse mix of melodies from her native Sri Lanka combined with music from other countries and genres. The album devoted to Valentin Silvestrov presents an essential overview of this Ukrainian composer’s ‘post-modern’ piano music, with its lingering allusions to the past. For Philip Glass the focus is on love, not least in music for the BAFTA-winning score for The Hours, but also in the breathtaking Modern Love Waltz. All of the composers included in this set showcase contemporary piano music at its most accessible, tonal and expressive.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBAAL HASULAM: Melodies of the Upper Worlds (Ayrapetyan)  GP808\u003cbr\u003eSTEPANIAN, H.: Preludes, Opp. 47, 48 and 63 (Ayrapetyan)  GP760\u003cbr\u003eSILVESTROV, V.: Piano Music - Naive Music \/ Der Bote \/ 2 Waltzes \/ 4 Pieces \/ 2 Bagatelles \/ Kitsch-Musik (Blumina)  GP639\u003cbr\u003eGLASS, P.: Glassworlds, Vol. 4 - Hours (The) \/ Modern Love Waltz \/ Notes on a Scandal \/ Music in Fifths (On Love) (Horvath)  GP692\u003cbr\u003eEKANAYAKA, T.: 12 Piano Prisms (Ekanayaka)  GP785\u003cbr\u003eAYRAPETYAN, M.: Whole in Twelve (A) (Ayrapetyan)  GP809\u003c\/p\u003e\n\u003cp\u003e1-1        Krivu Li = Draw Close To Me (1926)    5:15\u003cbr\u003e1-2        Ki Chilattzta Nafshi = You Saved My Soul (1926)    3:34\u003cbr\u003e1-3        Hamol Al Masecha = Have Pity On Your Deeds (1926)    4:21\u003cbr\u003e1-4        Nigun = Melody (1926)    4:07\u003cbr\u003eBneii Heichala = The Sons Of King's Palace (1926)    (8:00)\u003cbr\u003e1-5        Part I    4:47\u003cbr\u003e1-6        Part II    3:38\u003cbr\u003e1-7        Chasal Seder Pesach = Passover Meal (1926)    2:00\u003cbr\u003e1-8        Kel Mistater = The Creator Hides In Secrecy (1926)    3:45\u003cbr\u003e1-9        March (1926)    3:17\u003cbr\u003e1-10        Ia'ale Tachanuneinu = Accept Our Prayers (1926)    4:25\u003cbr\u003e1-11        Hiney Ke Homer = Like Matter Is His Hands (1926)    4:39\u003cbr\u003e1-12        Mizmor Le David = David's Song (1926)    3:32\u003cbr\u003e1-13        Misod Chachamim = The Assembly Of Sages (1926)    4:39\u003cbr\u003e1-14        Leagid Baboker = To Proclaim In The Morning About Your Mercy (1926)    2:55\u003cbr\u003e1-15        Kadish = Consecration (1926)    3:47\u003cbr\u003e1-16        Tzadik = Saint (1926)    3:17\u003cbr\u003e1-17        Iadid Nefesh = Beloved Of The Soul (1926)    7:12\u003cbr\u003e8 Preludes, Op. 47 (1947)    \u003cbr\u003e2-1        No. 1 In G Minor    2:52\u003cbr\u003e2-2        No. 2 In A Major    1:37\u003cbr\u003e2-3        No. 3 In F Minor    2:33\u003cbr\u003e2-4        No. 4 In F-Sharp Minor    1:41\u003cbr\u003e2-5        No. 5 In G Major    1:59\u003cbr\u003e2-6        No. 6 In F Minor    2:29\u003cbr\u003e2-7        No. 7 In C Minor    3:06\u003cbr\u003e2-8        No. 8 In F-Sharp Minor    1:43\u003cbr\u003e8 Preludes, Op. 48 (1948)    (17:03)\u003cbr\u003e2-9        No. 1 In E Minor    1:41\u003cbr\u003e2-10        No. 2 In C Minor    2:30\u003cbr\u003e2-11        No. 3 In A Major    2:15\u003cbr\u003e2-12        No. 4 In A Minor    1:42\u003cbr\u003e2-13        No. 5 In F Minor    1:59\u003cbr\u003e2-14        No. 6 In F-Sharp Minor    2:37\u003cbr\u003e2-15        No. 7 In G Minor    2:20\u003cbr\u003e2-16        No. 8 In F Major    1:59\u003cbr\u003e8 Preludes, Op. 63 (1956)    (14:32)\u003cbr\u003e2-17        No. 1 In E Minor    2:01\u003cbr\u003e2-18        No. 2 In G Minor    1:29\u003cbr\u003e2-19        No. 3 In F-Sharp Major    1:52\u003cbr\u003e2-20        No. 4 In A Minor    1:23\u003cbr\u003e2-21        No. 5 In B Minor    2:31\u003cbr\u003e2-22        No. 6 In B Minor    1:18\u003cbr\u003e2-23        No. 7 In B Major    2:01\u003cbr\u003e2-24        No. 8 In G Minor    1:57\u003cbr\u003e2-25        Prelude In A Major (1964)    2:41\u003cbr\u003e2-26        Prelude In F Minor (1965)    2:30\u003cbr\u003eNaive Music (1955)    (26:36)\u003cbr\u003e3-1        No. 1. Waltz    3:42\u003cbr\u003e3-2        No. 2. Nocturne    2:36\u003cbr\u003e3-3        No. 3. Fairy Tale    6:53\u003cbr\u003e3-4        No. 4. Idyll    4:43\u003cbr\u003e3-5        No. 5. Nocturne    2:14\u003cbr\u003e3-6        No. 6. Prelude    2:06\u003cbr\u003e3-7        No. 7. Waltz    4:22\u003cbr\u003e3-8        The Messenger = Der Bote (1996) (Version For Piano)    7:30\u003cbr\u003e2 Waltzes, Op. 153 (2009)    (5:00)\u003cbr\u003e3-9        No. 1. Allegro Assai    1:57\u003cbr\u003e3-10        No. 2. Allegretto    2:28\u003cbr\u003e4 Pieces, Op. 2 (2006)    (8:00)\u003cbr\u003e3-11        No. 1. Lullaby: Moderato    2:46\u003cbr\u003e3-12        No. 2. Pastorale: Vivace    2:02\u003cbr\u003e3-13        No. 3. Bagatelle: Moderato    2:12\u003cbr\u003e3-14        No. 4. Postludium: Moderato    2:01\u003cbr\u003e2 Bagatelles, Op. 173 (2011)    (4:00)\u003cbr\u003e3-15        No. 1. Moderato    1:27\u003cbr\u003e3-16        No. 2. Andantino    2:08\u003cbr\u003eKitsch-Musik    (16:22)\u003cbr\u003e3-17        I. Allegro Vivace    3:24\u003cbr\u003e3-18        II. Moderato    3:57\u003cbr\u003e3-19        III. Allegretto    3:02\u003cbr\u003e3-20        IV. Moderato    2:43\u003cbr\u003e3-21        V. Allegretto    1:46\u003cbr\u003eThe Hours (2002)    (47:22)\u003cbr\u003e4-1        The Poet Acts    3:20\u003cbr\u003e4-2        Morning Passages    5:06\u003cbr\u003e4-3        Something She Has To Do    2:55\u003cbr\u003e4-4        For Your Own Benefit    1:55\u003cbr\u003e4-5        Vanessa And The Changelings    1:29\u003cbr\u003e4-6        I'm Going To Make A Cake    3:02\u003cbr\u003e4-7        An Unwelcome Friend    4:17\u003cbr\u003e4-8        Dead Things    2:49\u003cbr\u003e4-9        The Kiss    3:37\u003cbr\u003e4-10        Why Does Someone Have To Die?    3:05\u003cbr\u003e4-11        Tearing Herself Away    3:20\u003cbr\u003e4-12        Escape!    3:08\u003cbr\u003e4-13        Choosing Life    3:44\u003cbr\u003e4-14        The Hours    5:35\u003cbr\u003e4-15        Modern Love Waltz (1977)    3:36\u003cbr\u003e4-16        Notes On A Scandal: The Harts - I Knew Her (Version For Piano) (2006)    4:15\u003cbr\u003e4-17        Music In Fifths (1969)    5:59\u003cbr\u003e5-1        Piano Prism No. 1. E Flat - July 2016\/17 (2017)    4:36\u003cbr\u003e5-2        Piano Prism No. 2. B Flat - Armenia To A Pearl (2017)    2:40\u003cbr\u003e5-3        Piano Prism No. 3. C - Emerald Lapwing Karpet (2017)    5:36\u003cbr\u003e5-4        Piano Prism No. 4. D Flat - Intuition, Auld Lang Syne \u0026amp; An Asian Sacred (2017)    4:14\u003cbr\u003e5-5        Piano Prism No. 5. G - With Paaru Kavi (2016)    5:33\u003cbr\u003e5-6        Piano Prism No. 6. F - Renewal \u0026amp; Goyam Kapuma (2016)    8:32\u003cbr\u003e5-7        Piano Prism No. 7. E - Arrow-and (2017)    2:10\u003cbr\u003e5-8        Piano Prism No. 8. A - Zuni Sea (2017)    3:23\u003cbr\u003e5-9        Piano Prism No. 9. A Flat Scintilla: Komitas Unto Childhood (2017)    3:05\u003cbr\u003e5-10        Piano Prism No. 10. B - Of Vannam \u0026amp; Zhuang Tai Qiu Si (2017)    1:56\u003cbr\u003e5-11        Piano Prism No. 11. F Sharp - Kitty \u0026amp; Bambaru (2016)    9:45\u003cbr\u003e5-12        Piano Prisms No. 12. D - Hana Hare    4:03\u003cbr\u003e6-1        Autumnal (2018)    4:31\u003cbr\u003e6-2        The Lady Plays (2018)    5:03\u003cbr\u003e6-3        Longing (2018)    4:21\u003cbr\u003e6-4        Dilemma (2018)    4:30\u003cbr\u003e6-5        Arousal (2018)    4:24\u003cbr\u003e6-6        Prayer (2018)    5:06\u003cbr\u003e6-7        Clouds (2018)    4:52\u003cbr\u003e6-8        The First Snow (2018)    3:18\u003cbr\u003e6-9        Christmas Eve (2018)    4:37\u003cbr\u003e6-10        Totality (2018)    5:15\u003cbr\u003e6-11        Rain And Rendezvous (2018)    4:15\u003cbr\u003e6-12        Finality (2018)    4:15\u003c\/p\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836248826,"sku":"GP898X","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81bZAaSQMdL._SL1500.jpg?v=1777558890"},{"product_id":"three-centuries-of-female-composers","title":"Three Centuries of Female Composers (10 CDs)","description":"\u003cp\u003eGrand Piano celebrates its 10th anniversary with a series of limited⁠-⁠edition boxed sets, starting with a collection of piano music by female composers on 10 CDs.\u003c\/p\u003e\n\u003cp\u003eRanging from the 18th century to the music of our time, this collection of critically acclaimed recordings explores the significant contribution to solo piano repertoire made by a wide variety of women composers. These rare and important pieces include the works of the celebrated pianist Anne-Louise Brillon de Jouy and of Hélène de Montgeroult, whose sonatas are distinctive additions to the Classical and early Romantic periods. Maria Szymanowska’s deft dances contrast with the fearsome demands of Teresa Carreño, herself a great virtuoso. Vítězslava Kaprálová was the most important female Czech composer of the 20th century, while Agathe Backer Grøndahl was one of Norway’s most respected composer-pianists. Tanya Ekanayaka continues the lineage in her own diverse and hybrid pieces.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/official_TRACK_LISTING_WITH_WORLD_0dc0c6c8-3485-4867-8aa8-a09c520223c1.png?v=1668436329\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eBRILLON DE JOUY, A.-L. B. d'H.: Piano Sonatas Discovered (The) (Horvath)  GP872-73\u003cbr\u003eMONTGEROULT, H.-A.-M. de N. de: Piano Sonatas (Complete) (Horvath)  GP885-86\u003cbr\u003eSZYMANOWSKA, M.: Dances for Solo Piano (Complete) (Kostritsa)  GP685\u003cbr\u003eBACKER GRØNDAHL, A.: Piano Works - Norwegian Folksongs and Dances, Opp. 30 and 33 (excerpts) \/ Études and Studies (Smiseth)  GP902\u003cbr\u003eCARREÑO, T.: Rêverie - Selected Music for Piano (Oehler)  GP660\u003cbr\u003eKAPRÁLOVÁ, V.: Piano Music (Complete) (Koukl)  GP708\u003cbr\u003eEKANAYAKA, T.: Planets and Humanity (The) - Piano Reflections (Ekanayaka)  GP879\u003cbr\u003ePiano Recital: Ishimoto, Hiroko - BACKER GRØNDAHL, A. \/ BĄDARZEWSKA-BARANOWSKA, T. \/ BEACH, A. \/ BON, A. (Pioneers - Piano Works by Female Composers)  GP844\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e CD 1 - The Piano Sonatas Rediscovered \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSonnatte in A Minor\u003cspan\u003e \u003c\/span\u003e(8:39)\u003c\/div\u003e\n\u003cdiv\u003e1.1\u003cspan\u003e \u003c\/span\u003eI. Andanté molto con éxprésioné\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003e1.2\u003cspan\u003e \u003c\/span\u003eII. Allégro con motto\u003cspan\u003e \u003c\/span\u003e4:36\u003c\/div\u003e\n\u003cdiv\u003eTroisème Recueil De Sonates Pour Le Pianoforte Avec Accompagnement Ad Libitum\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 1 In C Minor\u003cspan\u003e \u003c\/span\u003e(8:10)\u003c\/div\u003e\n\u003cdiv\u003e1.3\u003cspan\u003e \u003c\/span\u003eI. Allegro Non Tanto\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e1.4\u003cspan\u003e \u003c\/span\u003eII. Minuetto\u003cspan\u003e \u003c\/span\u003e5:08\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 In B Flat Major\u003cspan\u003e \u003c\/span\u003e(8:44)\u003c\/div\u003e\n\u003cdiv\u003e1.5\u003cspan\u003e \u003c\/span\u003eI. Allegro Molto Moderato\u003cspan\u003e \u003c\/span\u003e3:35\u003c\/div\u003e\n\u003cdiv\u003e1.6\u003cspan\u003e \u003c\/span\u003eII. Rondo Et Variations\u003cspan\u003e \u003c\/span\u003e5:07\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 3 In C Major\u003cspan\u003e \u003c\/span\u003e(8:09)\u003c\/div\u003e\n\u003cdiv\u003e1.7\u003cspan\u003e \u003c\/span\u003eI. Andante\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003e1.8\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 4 In G Minor\u003cspan\u003e \u003c\/span\u003e(6:22)\u003c\/div\u003e\n\u003cdiv\u003e1.9\u003cspan\u003e \u003c\/span\u003eI. Andante Con Espressione\u003cspan\u003e \u003c\/span\u003e3:25\u003c\/div\u003e\n\u003cdiv\u003e1.10\u003cspan\u003e \u003c\/span\u003eII. Rondo\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 5 In E Flat Major\u003cspan\u003e \u003c\/span\u003e(8:05)\u003c\/div\u003e\n\u003cdiv\u003e1.11\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:44\u003c\/div\u003e\n\u003cdiv\u003e1.12\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003eCD 2 - The Piano Sonatas Rediscovered\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 6 In D Minor\u003cspan\u003e \u003c\/span\u003e(13:25)\u003c\/div\u003e\n\u003cdiv\u003e2.1\u003cspan\u003e \u003c\/span\u003eI. Cantabile\u003cspan\u003e \u003c\/span\u003e7:20\u003c\/div\u003e\n\u003cdiv\u003e2.2\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e6:01\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 7 In B Flat Major\u003cspan\u003e \u003c\/span\u003e(10:52)\u003c\/div\u003e\n\u003cdiv\u003e2.3\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e2.4\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e2.5\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e3:54\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 8 In A Minor\u003cspan\u003e \u003c\/span\u003e(6:33)\u003c\/div\u003e\n\u003cdiv\u003e2.6\u003cspan\u003e \u003c\/span\u003eI. —\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e2.7\u003cspan\u003e \u003c\/span\u003eII. Minuetto E Trio\u003cspan\u003e \u003c\/span\u003e4:06\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 9 In F Minor\u003cspan\u003e \u003c\/span\u003e(6:42)\u003c\/div\u003e\n\u003cdiv\u003e2.8\u003cspan\u003e \u003c\/span\u003eI. Andante Amoroso\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e2.9\u003cspan\u003e \u003c\/span\u003eII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 2 In G Minor\u003cspan\u003e \u003c\/span\u003e(10:39)\u003c\/div\u003e\n\u003cdiv\u003e2.10\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e6:24\u003c\/div\u003e\n\u003cdiv\u003e2.11\u003cspan\u003e \u003c\/span\u003eII. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 11 In D Minor\u003cspan\u003e \u003c\/span\u003e(14:24)\u003c\/div\u003e\n\u003cdiv\u003e2.12\u003cspan\u003e \u003c\/span\u003eI. Andante Un Poco Allegro\u003cspan\u003e \u003c\/span\u003e6:47\u003c\/div\u003e\n\u003cdiv\u003e2.13\u003cspan\u003e \u003c\/span\u003eII. Rondeau Allegro\u003cspan\u003e \u003c\/span\u003e7:34\u003c\/div\u003e\n\u003cdiv\u003eSonata No. 12 In C Minor\u003cspan\u003e \u003c\/span\u003e(7:51)\u003c\/div\u003e\n\u003cdiv\u003e2.14\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e2.15\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003eCD 3 - Complete Piano Sonatas\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Forte-Piano, Œuvre Premiére (Pub. 1795)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata I In F Major\u003cspan\u003e \u003c\/span\u003e(9:45)\u003c\/div\u003e\n\u003cdiv\u003e3.1\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Spirito\u003cspan\u003e \u003c\/span\u003e4:29\u003c\/div\u003e\n\u003cdiv\u003e3.2\u003cspan\u003e \u003c\/span\u003eII. Prestissimo\u003cspan\u003e \u003c\/span\u003e5:12\u003c\/div\u003e\n\u003cdiv\u003eSonata II In E Flat Major\u003cspan\u003e \u003c\/span\u003e(14:29)\u003c\/div\u003e\n\u003cdiv\u003e3.3\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Motor\u003cspan\u003e \u003c\/span\u003e8:29\u003c\/div\u003e\n\u003cdiv\u003e3.4\u003cspan\u003e \u003c\/span\u003eII. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:58\u003c\/div\u003e\n\u003cdiv\u003eSonata III In F Minor\u003cspan\u003e \u003c\/span\u003e(19:26)\u003c\/div\u003e\n\u003cdiv\u003e3.5\u003cspan\u003e \u003c\/span\u003eI. Maëstoso Con Espressione\u003cspan\u003e \u003c\/span\u003e8:48\u003c\/div\u003e\n\u003cdiv\u003e3.6\u003cspan\u003e \u003c\/span\u003eII. Allegro Agitato\u003cspan\u003e \u003c\/span\u003e10:35\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Forte Piano, c Deuxiéme (Pub. c. 1800)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePrima Sonata In G Minor\u003cspan\u003e \u003c\/span\u003e(12:06)\u003c\/div\u003e\n\u003cdiv\u003e3.7\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Moto E Espressione\u003cspan\u003e \u003c\/span\u003e6:17\u003c\/div\u003e\n\u003cdiv\u003e3.8\u003cspan\u003e \u003c\/span\u003eII. Presto\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003eSeconda Sonata In C Major\u003cspan\u003e \u003c\/span\u003e(19:40)\u003c\/div\u003e\n\u003cdiv\u003e3.9\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e9:24\u003c\/div\u003e\n\u003cdiv\u003e3.10\u003cspan\u003e \u003c\/span\u003eII. Andantino Quasi Allegretto\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e3.11\u003cspan\u003e \u003c\/span\u003eIII. Allegro Con Brio, Vivace\u003cspan\u003e \u003c\/span\u003e6:01\u003c\/div\u003e\n\u003cdiv\u003eCD 4 - Complete Piano Sonatas\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eTerza Sonata In A Minor\u003cspan\u003e \u003c\/span\u003e(17:07)\u003c\/div\u003e\n\u003cdiv\u003e4.1\u003cspan\u003e \u003c\/span\u003eI. Agitato\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e4.2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e7:19\u003c\/div\u003e\n\u003cdiv\u003e4.3\u003cspan\u003e \u003c\/span\u003eIII. Vivace Con Espressione\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003eTrois Sonates Pour Le Piano Forte,Œuvre Cinquième (Pub. 1811)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePrima Sonata In D Major\u003cspan\u003e \u003c\/span\u003e(26:01)\u003c\/div\u003e\n\u003cdiv\u003e4.4\u003cspan\u003e \u003c\/span\u003eI. Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e13:47\u003c\/div\u003e\n\u003cdiv\u003e4.5\u003cspan\u003e \u003c\/span\u003eII. Adagio Non Troppo\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e4.6\u003cspan\u003e \u003c\/span\u003eIII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e1:17\u003c\/div\u003e\n\u003cdiv\u003e4.7\u003cspan\u003e \u003c\/span\u003eIV. Presto\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003eSeconda Sonata In F Minor\u003cspan\u003e \u003c\/span\u003e(21:21)\u003c\/div\u003e\n\u003cdiv\u003e4.8\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato Con Espressione\u003cspan\u003e \u003c\/span\u003e9:08\u003c\/div\u003e\n\u003cdiv\u003e4.9\u003cspan\u003e \u003c\/span\u003eII. Aria Con Espressione\u003cspan\u003e \u003c\/span\u003e5:04\u003c\/div\u003e\n\u003cdiv\u003e4.10\u003cspan\u003e \u003c\/span\u003eIII. Allegro, Agitato Con Fuoco\u003cspan\u003e \u003c\/span\u003e7:04\u003c\/div\u003e\n\u003cdiv\u003eTerza Sonata In F Sharp Minor\u003cspan\u003e \u003c\/span\u003e(16:26)\u003c\/div\u003e\n\u003cdiv\u003e4.11\u003cspan\u003e \u003c\/span\u003eI. Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e7:01\u003c\/div\u003e\n\u003cdiv\u003e4.12\u003cspan\u003e \u003c\/span\u003eII. Adagio Non Troppo\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e4.13\u003cspan\u003e \u003c\/span\u003eIII. Presto\u003cspan\u003e \u003c\/span\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003eCD 5 Complete Dances For Solo Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e18 Danses\u003cspan\u003e \u003c\/span\u003e(33:40)\u003c\/div\u003e\n\u003cdiv\u003e5.1\u003cspan\u003e \u003c\/span\u003eNo. 1. Polonaise In C Major\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e5.2\u003cspan\u003e \u003c\/span\u003eNo. 2. Polonaise In E Minor\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e5.3\u003cspan\u003e \u003c\/span\u003eNo. 3. Polonaise In A Major\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e5.4\u003cspan\u003e \u003c\/span\u003eNo. 4. Polonaise In F Minor\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e5.5\u003cspan\u003e \u003c\/span\u003eNo. 5. Valse In E Flat Major\u003cspan\u003e \u003c\/span\u003e1:26\u003c\/div\u003e\n\u003cdiv\u003e5.6\u003cspan\u003e \u003c\/span\u003eNo. 6. Valse In A Major\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e5.7\u003cspan\u003e \u003c\/span\u003eNo. 7. Valse in B Flat Major\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e5.8\u003cspan\u003e \u003c\/span\u003eNo. 8. Valse In F Major\u003cspan\u003e \u003c\/span\u003e0:50\u003c\/div\u003e\n\u003cdiv\u003e5.9\u003cspan\u003e \u003c\/span\u003eNo. 9. Anglaise In E Flat Major\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e5.10\u003cspan\u003e \u003c\/span\u003eNo. 10. Anglaise In B Flat Major\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e5.11\u003cspan\u003e \u003c\/span\u003eNo. 11. Anglaise In A Flat Major\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e5.12\u003cspan\u003e \u003c\/span\u003eNo. 12. Anglaise In E Flat Major\u003cspan\u003e \u003c\/span\u003e0:46\u003c\/div\u003e\n\u003cdiv\u003e5.13\u003cspan\u003e \u003c\/span\u003eNo. 13. Contredanse In B Flat Major\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e5.14\u003cspan\u003e \u003c\/span\u003eNo. 14. Contredanse In A Flat Major\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e5.15\u003cspan\u003e \u003c\/span\u003eNo. 15. Quadrille in E Flat Major\u003cspan\u003e \u003c\/span\u003e1:02\u003c\/div\u003e\n\u003cdiv\u003e5.16\u003cspan\u003e \u003c\/span\u003eNo. 16. Quadrille In F Major\u003cspan\u003e \u003c\/span\u003e1:22\u003c\/div\u003e\n\u003cdiv\u003e5.17\u003cspan\u003e \u003c\/span\u003eNo. 17. Mazurek In C Major\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e5.18\u003cspan\u003e \u003c\/span\u003eNo. 18. Cotillon In A Flat Major\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e24 Mazurkas\u003cspan\u003e \u003c\/span\u003e(13:57)\u003c\/div\u003e\n\u003cdiv\u003e5.19\u003cspan\u003e \u003c\/span\u003eMazurka No. 1\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e5.20\u003cspan\u003e \u003c\/span\u003eMazurka No. 2\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e5.21\u003cspan\u003e \u003c\/span\u003eMazurka No. 3\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e5.22\u003cspan\u003e \u003c\/span\u003eMazurka No. 4\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e5.23\u003cspan\u003e \u003c\/span\u003eMazurka No. 5\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e5.24\u003cspan\u003e \u003c\/span\u003eMazurka No. 6\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e5.25\u003cspan\u003e \u003c\/span\u003eMazurka No. 7\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e5.26\u003cspan\u003e \u003c\/span\u003eMazurka No. 8\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e5.27\u003cspan\u003e \u003c\/span\u003eMazurka No. 9\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e5.28\u003cspan\u003e \u003c\/span\u003eMazurka No. 10\u003cspan\u003e \u003c\/span\u003e0:37\u003c\/div\u003e\n\u003cdiv\u003e5.29\u003cspan\u003e \u003c\/span\u003eMazurka No. 11\u003cspan\u003e \u003c\/span\u003e0:17\u003c\/div\u003e\n\u003cdiv\u003e5.30\u003cspan\u003e \u003c\/span\u003eMazurka No. 12\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e5.31\u003cspan\u003e \u003c\/span\u003eMazurka No. 13\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.32\u003cspan\u003e \u003c\/span\u003eMazurka No. 14\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.33\u003cspan\u003e \u003c\/span\u003eMazurka No. 15\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e5.34\u003cspan\u003e \u003c\/span\u003eMazurka No. 16\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e5.35\u003cspan\u003e \u003c\/span\u003eMazurka No. 17\u003cspan\u003e \u003c\/span\u003e0:53\u003c\/div\u003e\n\u003cdiv\u003e5.36\u003cspan\u003e \u003c\/span\u003eMazurka No. 18\u003cspan\u003e \u003c\/span\u003e0:39\u003c\/div\u003e\n\u003cdiv\u003e5.37\u003cspan\u003e \u003c\/span\u003eMazurka No. 19\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e5.38\u003cspan\u003e \u003c\/span\u003eMazurka No. 20\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003e5.39\u003cspan\u003e \u003c\/span\u003eMazurka No. 21\u003cspan\u003e \u003c\/span\u003e0:16\u003c\/div\u003e\n\u003cdiv\u003e5.40\u003cspan\u003e \u003c\/span\u003eMazurka No. 22\u003cspan\u003e \u003c\/span\u003e0:13\u003c\/div\u003e\n\u003cdiv\u003e5.41\u003cspan\u003e \u003c\/span\u003eMazurka No. 23\u003cspan\u003e \u003c\/span\u003e0:22\u003c\/div\u003e\n\u003cdiv\u003e5.42\u003cspan\u003e \u003c\/span\u003eMazurka No. 24\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e6 Minuets\u003cspan\u003e \u003c\/span\u003e(16:22)\u003c\/div\u003e\n\u003cdiv\u003e5.43\u003cspan\u003e \u003c\/span\u003eNo. 1 In A Minor: Allegretto\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e5.44\u003cspan\u003e \u003c\/span\u003eNo. 2 In G Minor: Quasi Allegro\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e5.45\u003cspan\u003e \u003c\/span\u003eNo. 3 In E Flat Major: Modarato\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e5.46\u003cspan\u003e \u003c\/span\u003eNo. 4 In G Minor: Vivace Agitato\u003cspan\u003e \u003c\/span\u003e2:28\u003c\/div\u003e\n\u003cdiv\u003e5.47\u003cspan\u003e \u003c\/span\u003eNo. 5 In E Major: Allegro\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e5.48\u003cspan\u003e \u003c\/span\u003eNo. 6 In D Minor: Vivace\u003cspan\u003e \u003c\/span\u003e2:29\u003c\/div\u003e\n\u003cdiv\u003e5.49\u003cspan\u003e \u003c\/span\u003ePolonaise Sur L'Air National Favori Du Feu Prince Joseph Poniatowsky\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e5.50\u003cspan\u003e \u003c\/span\u003eDanse Polonaise\u003cspan\u003e \u003c\/span\u003e3:39\u003c\/div\u003e\n\u003cdiv\u003e5.51\u003cspan\u003e \u003c\/span\u003eCotillon Ou Valse Figurée\u003cspan\u003e \u003c\/span\u003e4:09\u003c\/div\u003e\n\u003cdiv\u003eCD6 - Piano Works\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e6.1\u003cspan\u003e \u003c\/span\u003eSuite, Op. 20 (1887): I. Prelude\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e6.2\u003cspan\u003e \u003c\/span\u003e3 Morceaux, Op. 15 (1882): I. Sérénade\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e6.3\u003cspan\u003e \u003c\/span\u003eÉtudes De Concert, Op. 57 (1903): I. Allegretto\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e6.4\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891): I. Brudeslaat (Lom?)\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e6.5\u003cspan\u003e \u003c\/span\u003e6 Idylles, Op. 24 (1888): I. Allegretto Leggiero\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891)\u003cspan\u003e \u003c\/span\u003e(7:43)\u003c\/div\u003e\n\u003cdiv\u003e6.6\u003cspan\u003e \u003c\/span\u003eIX. Siklebækken (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:57\u003c\/div\u003e\n\u003cdiv\u003e6.7\u003cspan\u003e \u003c\/span\u003eX. Kivlemøyerne (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e6.8\u003cspan\u003e \u003c\/span\u003eXI. Fanitullen (Møllargutten)\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e6.9\u003cspan\u003e \u003c\/span\u003e6 Idylles, Op. 24 (1888): V. Allegretto Tranquillo\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e6.10\u003cspan\u003e \u003c\/span\u003e6 Fantasistykker, Barnlige Billeder, Op. 66 (1905): I. Ride, Ride Ranke\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e6.11\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): III. Laat I Fjellet\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e6.12\u003cspan\u003e \u003c\/span\u003e3 Ungarske Studier ('Three Hungarian Studies'), Op. 38 (1896): II. Intermezzo\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e6.13\u003cspan\u003e \u003c\/span\u003eFantasistykker For Piano, 2den Samling, Op. 39 (1896): Hefte I: I. Souvenir\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e6.14\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): VIII. Bruralaat (Valdres)\u003cspan\u003e \u003c\/span\u003e1:35\u003c\/div\u003e\n\u003cdiv\u003e6.15\u003cspan\u003e \u003c\/span\u003e4 Skizzer (\"Sketches\"), Op. 19 (1886): I. Allegretto Leggiero\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e6.16\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlege, Op. 33 (1894): I. Halling\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e6.17\u003cspan\u003e \u003c\/span\u003eSmaa Fantasistykker For Piano, 4de Samling, Op. 55 (1902): IV. Et Farvel\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e6.18\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse Behandlede, Op. 33 (1894): VI. Springdans (Vinje)\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e6.19\u003cspan\u003e \u003c\/span\u003eNorske Folkeviser Og Folkedanse, Op. 30 (1891): V. Springdans\u003cspan\u003e \u003c\/span\u003e0:34\u003c\/div\u003e\n\u003cdiv\u003e6.20\u003cspan\u003e \u003c\/span\u003eSuite, Op. 20 (1887): II. Nocturne\u003cspan\u003e \u003c\/span\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e6.21\u003cspan\u003e \u003c\/span\u003eHuldreslaatt (\"Dance Of The Huldra\")(1887)\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e6:22\u003cspan\u003e \u003c\/span\u003eSmaa Fantasistykker For Piano, 4de Samling, Op. 55 (1902): IX. Romance\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e6.23\u003cspan\u003e \u003c\/span\u003eI Blaafjellet ('In The Blue Mountains'). Eventyr Suite 1 6 Claverstykker, Op. 44 (1894): II. I Trollhallen\u003cspan\u003e \u003c\/span\u003e4:40\u003c\/div\u003e\n\u003cdiv\u003e6.24\u003cspan\u003e \u003c\/span\u003e6 Études De Concert, Op. 11 (1881): IV. Allegretto\u003cspan\u003e \u003c\/span\u003e6:37\u003c\/div\u003e\n\u003cdiv\u003eCD7 - Rêverie - Selected Music For Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e7.1\u003cspan\u003e \u003c\/span\u003eNocturne, 'Souvenirs De Mons Pays', Op. 10: Andante Molto Espressivo\u003cspan\u003e \u003c\/span\u003e7:14\u003c\/div\u003e\n\u003cdiv\u003e7.2\u003cspan\u003e \u003c\/span\u003eCaprice-Étude No. 1, Op. 4: Andante Non Troppo\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e7.3\u003cspan\u003e \u003c\/span\u003ePrière, Op. 12: Andante Religioso\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e7.4\u003cspan\u003e \u003c\/span\u003eRêverie-Impromptu, Op. 3: Andantino\u003cspan\u003e \u003c\/span\u003e6:53\u003c\/div\u003e\n\u003cdiv\u003e7.5\u003cspan\u003e \u003c\/span\u003eMarch Funèbre, Op. 11: Maestoso\u003cspan\u003e \u003c\/span\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003e7.6\u003cspan\u003e \u003c\/span\u003eCaprice-Étude No. 2, Op. 6: Maestoso\u003cspan\u003e \u003c\/span\u003e8:35\u003c\/div\u003e\n\u003cdiv\u003e7.7\u003cspan\u003e \u003c\/span\u003eÉlégie, Op. 18: Andante Maestoso, Quasi Adagio\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e7.8\u003cspan\u003e \u003c\/span\u003eMélodies, 'Plaintes Au Bord D'Une Tombe', Op. 22: No. 6: Andante\u003cspan\u003e \u003c\/span\u003e9:46\u003c\/div\u003e\n\u003cdiv\u003e7.9\u003cspan\u003e \u003c\/span\u003eImpromptu, 'Une Larme', Op. 5: Andante Cantabile\u003cspan\u003e \u003c\/span\u003e3:19\u003c\/div\u003e\n\u003cdiv\u003e7.10\u003cspan\u003e \u003c\/span\u003eGottschalk Waltz No.1: Introduction (Andante) - Waltz\u003cspan\u003e \u003c\/span\u003e7:42\u003c\/div\u003e\n\u003cdiv\u003eCD8 - Complete Piano Music\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSonata Appassionata, Op. 6 (1933)\u003cspan\u003e \u003c\/span\u003e(18:45)\u003c\/div\u003e\n\u003cdiv\u003e8.1\u003cspan\u003e \u003c\/span\u003eI. Maestoso. Appassionato.\u003cspan\u003e \u003c\/span\u003e7:58\u003c\/div\u003e\n\u003cdiv\u003e8.2\u003cspan\u003e \u003c\/span\u003eII. Theme And Variations (Theme: Andante Semplice)\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e8.3\u003cspan\u003e \u003c\/span\u003eVariation 1 — Più Mosso\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003e8.4\u003cspan\u003e \u003c\/span\u003eVariation 2 — Scherzando\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e8.5\u003cspan\u003e \u003c\/span\u003eVariation 3 — Con Moto\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e8.6\u003cspan\u003e \u003c\/span\u003eVariation 4 — Vivace\u003cspan\u003e \u003c\/span\u003e1:03\u003c\/div\u003e\n\u003cdiv\u003e8.7\u003cspan\u003e \u003c\/span\u003eVariation 5 — Largo\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e8.8\u003cspan\u003e \u003c\/span\u003eVariation 6 — Vivo\u003cspan\u003e \u003c\/span\u003e5:19\u003c\/div\u003e\n\u003cdiv\u003eThree Piano Pieces, Op. 9 (Excerpts)(1935)\u003cspan\u003e \u003c\/span\u003e(6:23)\u003c\/div\u003e\n\u003cdiv\u003e8.9\u003cspan\u003e \u003c\/span\u003eI. Praeludium\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e8.10\u003cspan\u003e \u003c\/span\u003eII. Crab Canon\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e8.11\u003cspan\u003e \u003c\/span\u003eGrotesque Passacaglia (1935)\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003eFive Piano Compositions (1931-32)\u003cspan\u003e \u003c\/span\u003e(13:07)\u003c\/div\u003e\n\u003cdiv\u003e8.12\u003cspan\u003e \u003c\/span\u003eMaestoso\u003cspan\u003e \u003c\/span\u003e1:30\u003c\/div\u003e\n\u003cdiv\u003e8.13\u003cspan\u003e \u003c\/span\u003eCantabile-Moderato\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e8.14\u003cspan\u003e \u003c\/span\u003eAndante Con Moto\u003cspan\u003e \u003c\/span\u003e1:31\u003c\/div\u003e\n\u003cdiv\u003e8.15\u003cspan\u003e \u003c\/span\u003eTempo Di Menuetto\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e8.16\u003cspan\u003e \u003c\/span\u003eAlla Marcia Funebre\u003cspan\u003e \u003c\/span\u003e6:15\u003c\/div\u003e\n\u003cdiv\u003eDubnová Preludia, Op. 13 (April Preludes)(1937\u003cspan\u003e \u003c\/span\u003e(9:06)\u003c\/div\u003e\n\u003cdiv\u003e8.17\u003cspan\u003e \u003c\/span\u003eAllegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e8.18\u003cspan\u003e \u003c\/span\u003eAndante\u003cspan\u003e \u003c\/span\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e8.19\u003cspan\u003e \u003c\/span\u003eAndante Semplice\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e8.20\u003cspan\u003e \u003c\/span\u003eVivo\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003eVariations Sur Carillon De L'Église St-Étienne-Du-Mont, Op. 16 (1838)\u003cspan\u003e \u003c\/span\u003e(7:59)\u003c\/div\u003e\n\u003cdiv\u003e8.21\u003cspan\u003e \u003c\/span\u003eTheme (Andante) and Variation 1 - Più vivo\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e8.22\u003cspan\u003e \u003c\/span\u003eVariation 2— Allegretto\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e8.23\u003cspan\u003e \u003c\/span\u003eVariation 3 — Lento, Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e1:08\u003c\/div\u003e\n\u003cdiv\u003e8.24\u003cspan\u003e \u003c\/span\u003eVariation 4 — Quasi Étude-Vivo\u003cspan\u003e \u003c\/span\u003e0:45\u003c\/div\u003e\n\u003cdiv\u003e8.25\u003cspan\u003e \u003c\/span\u003eVariation 5 — Choral\u003cspan\u003e \u003c\/span\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e8.26\u003cspan\u003e \u003c\/span\u003eVariation 6 — Allegro E Coda\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e8.27\u003cspan\u003e \u003c\/span\u003eDance For Piano (1940 Unpublished, Reconstructed By Giorgio Koukl)\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003eDvě Kytičky (Two Bouquets Of Flowers)(1935)\u003cspan\u003e \u003c\/span\u003e(1:36)\u003c\/div\u003e\n\u003cdiv\u003e8.28\u003cspan\u003e \u003c\/span\u003eKytička Fialek (Small Bouquet Of Violets)\u003cspan\u003e \u003c\/span\u003e0:41\u003c\/div\u003e\n\u003cdiv\u003e8.29\u003cspan\u003e \u003c\/span\u003ePodzimni Listu (Autumn Leaves)\u003cspan\u003e \u003c\/span\u003e0:55\u003c\/div\u003e\n\u003cdiv\u003e8.30\u003cspan\u003e \u003c\/span\u003ePísnička (Little Song)(1936)\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e8.31\u003cspan\u003e \u003c\/span\u003eOstinato Fox (1937)\u003cspan\u003e \u003c\/span\u003e1:06\u003c\/div\u003e\n\u003cdiv\u003e8.32\u003cspan\u003e \u003c\/span\u003eSlavnostní Fanfára (Festive Fanfare) (1940)\u003cspan\u003e \u003c\/span\u003e0:24\u003c\/div\u003e\n\u003cdiv\u003eCD9 - The Planets And Humanity - Piano Reflection\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e9.1\u003cspan\u003e \u003c\/span\u003eNeptune: Asháninka Kindled\u003cspan\u003e \u003c\/span\u003e16:44\u003c\/div\u003e\n\u003cdiv\u003e9.2\u003cspan\u003e \u003c\/span\u003eMercury With Antarctica\u003cspan\u003e \u003c\/span\u003e5:11\u003c\/div\u003e\n\u003cdiv\u003e9.3\u003cspan\u003e \u003c\/span\u003eUranus: Numbulwar Sustaining\u003cspan\u003e \u003c\/span\u003e5:50\u003c\/div\u003e\n\u003cdiv\u003e9.4\u003cspan\u003e \u003c\/span\u003eVenus: Sámi Traced\u003cspan\u003e \u003c\/span\u003e5:22\u003c\/div\u003e\n\u003cdiv\u003e9.5\u003cspan\u003e \u003c\/span\u003eSaturn: Gond Inspired\u003cspan\u003e \u003c\/span\u003e10:12\u003c\/div\u003e\n\u003cdiv\u003e9.6\u003cspan\u003e \u003c\/span\u003eEarth - Life\u003cspan\u003e \u003c\/span\u003e5:01\u003c\/div\u003e\n\u003cdiv\u003e9.7\u003cspan\u003e \u003c\/span\u003eJupiter: Cree Cast\u003cspan\u003e \u003c\/span\u003e5:26\u003c\/div\u003e\n\u003cdiv\u003e9.8\u003cspan\u003e \u003c\/span\u003eMars: Hadzabe Touched\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003eCD10 - Piano Works By Female Composers\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e10.1\u003cspan\u003e \u003c\/span\u003eBlumenlegen ('Life Of Flowers'), Op. 19 - No. 5. Rose (1904-05)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Dora Pejačević\u003c\/div\u003e\n\u003cdiv\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e10.2\u003cspan\u003e \u003c\/span\u003eValse-Caprice, Op. 33 (Pub. ?1885)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Cécile Chaminade\u003c\/div\u003e\n\u003cdiv\u003e5:09\u003c\/div\u003e\n\u003cdiv\u003e10.3\u003cspan\u003e \u003c\/span\u003eKeyboard Sonata In B Flat Major, Op. 2, No. 2 (Pub. 1757)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Anna Bon\u003c\/div\u003e\n\u003cdiv\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003e10.4\u003cspan\u003e \u003c\/span\u003e3 Romances, Op. 21 - No. 1 In A Minor (1853-55)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Clara Schumann\u003c\/div\u003e\n\u003cdiv\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e10.5\u003cspan\u003e \u003c\/span\u003e3 Morceaux, Op. 15 - No. 3. Humoresque In G Minor (Pub. 1882)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Agathe Backer Grøndahl\u003c\/div\u003e\n\u003cdiv\u003e4:13\u003c\/div\u003e\n\u003cdiv\u003e10.6\u003cspan\u003e \u003c\/span\u003eHermit Thrush At Eve\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amy Marcy Cheney Beach\u003c\/div\u003e\n\u003cdiv\u003e4:58\u003c\/div\u003e\n\u003cdiv\u003e10.7\u003cspan\u003e \u003c\/span\u003eScottish Legend, Op. 54, No. 1 (1903)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amy Marcy Cheney Beach\u003c\/div\u003e\n\u003cdiv\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e10.8\u003cspan\u003e \u003c\/span\u003eValses Viennoises (c. 1925)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Emma Kodály\u003c\/div\u003e\n\u003cdiv\u003e9:57\u003c\/div\u003e\n\u003cdiv\u003e3 Morceaux Pour Piano\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Lili Boulanger\u003c\/div\u003e\n\u003cdiv\u003e(6:21)\u003c\/div\u003e\n\u003cdiv\u003e10.9\u003cspan\u003e \u003c\/span\u003eNo. 1. D'un Vieux jardin\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e10.10\u003cspan\u003e \u003c\/span\u003eNo. 2. D'un Jardin Clair\u003cspan\u003e \u003c\/span\u003e1:54\u003c\/div\u003e\n\u003cdiv\u003e10.11\u003cspan\u003e \u003c\/span\u003eNo. 3. Cortège\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e10.12\u003cspan\u003e \u003c\/span\u003eCananéa, Valsa (?1900)\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Anonymous\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Chiquinha Gonzaga\u003c\/div\u003e\n\u003cdiv\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e10.13\u003cspan\u003e \u003c\/span\u003eÁgua Do Vintém ('The Water Of Vintem') (Pub. C. 1897)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Chiquinha Gonzaga\u003c\/div\u003e\n\u003cdiv\u003e2:04\u003c\/div\u003e\n\u003cdiv\u003e10.14\u003cspan\u003e \u003c\/span\u003e3 Klaverstykker, Op. 35 - No. 2. Albumblad (Pub. 1894)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Agathe Backer Grøndahl\u003c\/div\u003e\n\u003cdiv\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e10.15\u003cspan\u003e \u003c\/span\u003eDouce Rèverie (Mazurka) (Pub. 1863)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tekla Bądarzewska-Baranowska\u003c\/div\u003e\n\u003cdiv\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e10.16\u003cspan\u003e \u003c\/span\u003ePiano Sonata In E Minor - II. Andante (Pub. 1932)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Florence B. Price\u003c\/div\u003e\n\u003cdiv\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003eAlbum For Children, Op. 19 (Selection)(1958)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tatiana Nikolayeva\u003c\/div\u003e\n\u003cdiv\u003e(3:39)\u003c\/div\u003e\n\u003cdiv\u003e10.17\u003cspan\u003e \u003c\/span\u003eNo. 1. March\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e10.18\u003cspan\u003e \u003c\/span\u003eNo. 2. Music Box\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e10.19\u003cspan\u003e \u003c\/span\u003eNo. 3. Old Waltz\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e10.20\u003cspan\u003e \u003c\/span\u003eDubnová Preludia ('April Preludes'), Op. 13 - No. 2. Andante (1937)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Vítězslava Kaprálová\u003c\/div\u003e\n\u003cdiv\u003e2:45\u003c\/div\u003e\n\u003cdiv\u003e10.21\u003cspan\u003e \u003c\/span\u003e43° North - A Tango (2019 Version For Piano)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Haruna Miyake\u003c\/div\u003e\n\u003cdiv\u003e7:19\u003c\/div\u003e","brand":"Grand Piano","offers":[{"title":"Default Title","offer_id":48790836347130,"sku":"GP897X","price":55.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/81NzXkX224L._SL1500.jpg?v=1777666062"},{"product_id":"grainger-folk-inspired-works-for-piano-duet-and-duo","title":"Grainger: Folk-Inspired Works for Piano Duet and Duo - Caroline Weichert, Clemens Rave","description":"\u003cp\u003eThe essence of Percy Grainger’s music is most evident in his piano pieces. He took ownership of traditional and popular influences, rejecting outdated conventions to create works of ingenious variation, textures and moods. No catalogue of piano repertoire should be without a strong selection of works by Grainger, and this duo\/duet programme covers the entire range of his spectacular genius in arranging and re-working popular musical material and making it entirely his own. Grainger’s sparkling talent can be heard throughout, ranging from the fantastically popular Country Gardens to the elaborate Fantasy on ‘Porgy and Bess’. Award-winning pianist Caroline Weichert has been praised for her “strong, crystalline tone” (Spiegel Online) in the music of Erwin Schulhoff (GP604), and Clemens Rave’s playing is consistently praised, including in his ability “to handle sound and expression [with] sensitive awareness” (Generalanzeiger Bonn).\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eHandel in the Strand, \"Clog Dance\" (version for 2 pianos) (1912) (00:04:39)\u003cbr\u003e2\u003cbr\u003eMolly on the Shore, \"An Irish Reel\" (version for 2 pianos) (1907) (00:04:46)\u003cbr\u003e3\u003cbr\u003eShepherd's Hey (version for 2 pianos) (1913) (00:02:21)\u003cbr\u003e4\u003cbr\u003eHarvest Hymn, \"Harvest Time in Sweden\" (version for piano 4 hands) (1906) (00:02:25)\u003cbr\u003e5\u003cbr\u003eCountry Gardens (version for piano 4 hands) (1918) (00:02:24)\u003cbr\u003e6\u003cbr\u003eSong from the Faroer Islands: Let's Dance Gay in Green Meadow (1905) (00:02:31)\u003cbr\u003e7\u003cbr\u003eSpoon River (version for 2 pianos) (1922) (00:04:27)\u003cbr\u003e8\u003cbr\u003eAs Sally Sat A-Weeping (version for 2 pianos) (1912) (00:01:07)\u003cbr\u003e \u003cbr\u003eLincolnshire Posy (version for 2 pianos) (1937) (00:17:00 )\u003cbr\u003e9\u003cbr\u003eI. Lisbon (00:02:05)\u003cbr\u003e10\u003cbr\u003eII. Horkstow Grange (00:02:26)\u003cbr\u003e11\u003cbr\u003eIII. Rufford Park Poachers (00:04:28)\u003cbr\u003e12\u003cbr\u003eIV. The Brisk Young Sailor (00:01:44)\u003cbr\u003e13\u003cbr\u003eV. Lord Melbourne (00:03:50)\u003cbr\u003e14\u003cbr\u003eVI. The Lost Lady Found (00:02:29)\u003cbr\u003e15\u003cbr\u003eFantasy on George Gershwin's Porgy and Bess (1951) (00:20:59)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853075656954,"sku":"GP633","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp633.jpg?v=1778182030"},{"product_id":"kozeluch-complete-keyboard-sonatas-vol-3","title":"Koželuch: Complete Keyboard Sonatas, Vol. 3 - Kemp English","description":"\u003cp\u003eMozart’s esteemed contemporary and rival, Leopold Koželuch, was an early champion of the fortepiano. His keyboard sonatas are a treasure trove of late 18th-century Viennese style, representing perfection of form and foreshadowing Beethoven and Schubert. Kemp English, one of New Zealand’s leading artists, performs on copies of 1795 fortepianos and original instruments from the 18th and early 19th centuries, bringing the entire cycle of Koželuch’s 50 keyboard sonatas to life for the first time in a recorded format.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a period instrument: Fortepiano by Thomas and Barbara Wolf (USA), after Anton Walter (c. 1795)\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata in C Major, Op. 8, No. 1, P. XII:5 (c. 1784) (00:17:58 )\u003cbr\u003e1\u003cbr\u003eI. Allegro molto (00:04:47)\u003cbr\u003e2\u003cbr\u003eII. Adagio cantabile (00:06:39)\u003cbr\u003e3\u003cbr\u003eIII. Rondeau (00:03:44)\u003cbr\u003e4\u003cbr\u003eIII. Rondo: Andante (alternative version) (00:02:53)\u003cbr\u003e \u003cbr\u003ePiano Sonata in F Major, Op. 8, No. 2, P. XII:4 (c. 1784) (00:14:49 )\u003cbr\u003e5\u003cbr\u003eI. Allegretto maestoso (00:05:36)\u003cbr\u003e6\u003cbr\u003eII. Poco adagio (00:04:48)\u003cbr\u003e7\u003cbr\u003eIII. Menuetto (00:04:40)\u003cbr\u003e8\u003cbr\u003eIII. Aria con variatione (alternative version) (00:08:46)\u003cbr\u003e \u003cbr\u003ePiano Sonata in E-Flat Major, Op. 10, No. 1, P. XII:15 () (00:18:05 )\u003cbr\u003e9\u003cbr\u003eI. Allegro molto (00:08:06)\u003cbr\u003e10\u003cbr\u003eII. Andante (00:05:41)\u003cbr\u003e11\u003cbr\u003eIII. Allegretto (00:04:17)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853075755258,"sku":"GP644","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp644.jpg?v=1778194439"},{"product_id":"abramian-24-preludes-for-piano","title":"Abramian: 24 Preludes for Piano - Mikael Ayrapetyan","description":"\u003cdiv\u003e\u003cspan\u003e 24 Preludes (1958) (1:00:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1 No. 1 In E Flat Major 1:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 No. 2 In C Major 2:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 No. 3 In E Minor 2:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4 No. 4 In E Flat Minor 3:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 No. 5 In D Minor 4:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 No. 6 In C Sharp Minor 2:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7 No. 7 In D Flat Major 2:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8 No. 8 In B Flat Major 2:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9 No. 9 In F Sharp Major 2:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10 No. 10 In E Major 1:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11 No. 11 In F Sharp Minor 3:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12 No. 12 In F Minor 1:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13 No. 13 In A Major 3:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14 No. 14 In B Flat Minor 1:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15 No. 15 In D Minor 3:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16 No. 16 In F Major 2:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17 No. 17 In B Major 1:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18 No. 18 In G Minor 2:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19 No. 19 In G Sharp Minor 2:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20 No. 20 In A Flat Major 2:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21 No. 21 In C Minor 1:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22 No. 22 In G Major 3:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23 No. 23 In E Flat Minor 2:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24 No. 24 In B Minor 2:42\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853075820794,"sku":"GP665","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71WVt0jYz5L._SL1200.jpg?v=1778109885"},{"product_id":"stepanian-26-preludes-for-piano","title":"Stepanian: 26 Preludes for Piano - Mikael Ayrapetyan","description":"\u003cp\u003eDescribed by Aram Khachaturian as “the greatest Soviet Armenian composer”, Haro Stepanian followed the pioneering efforts of composers such as Komitas in establishing a strong national voice for Armenian music. He composed three symphonies, operatic works, numerous songs, chamber pieces, and works for piano. Building on the models of Chopin, Rachmaninov and fellow Armenians such as Komitas and Tigranian, the 26 varied and sharply contrasting Preludes are exquisite folk-influenced\u003cbr\u003eminiatures suffused with sadness, poetic contemplation, the natural world and scenes of Armenian life.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e8 Preludes, Op. 47 (1947) (00:55:35 )\u003cbr\u003e1\u003cbr\u003eNo. 1 in G Minor (00:02:52)\u003cbr\u003e2\u003cbr\u003eNo. 2 in A Major (00:01:37)\u003cbr\u003e3\u003cbr\u003eNo. 3 in F Minor (00:02:33)\u003cbr\u003e4\u003cbr\u003eNo. 4 in F-Sharp Minor (00:01:41)\u003cbr\u003e5\u003cbr\u003eNo. 5 in G Major (00:01:59)\u003cbr\u003e6\u003cbr\u003eNo. 6 in F Minor (00:02:29)\u003cbr\u003e7\u003cbr\u003eNo. 7 in C Minor (00:03:06)\u003cbr\u003e8\u003cbr\u003eNo. 8 in F-Sharp Minor (00:01:43)\u003cbr\u003e \u003cbr\u003e8 Preludes, Op. 48 (1948) (00:17:03 )\u003cbr\u003e9\u003cbr\u003eNo. 1 in E Minor (00:01:41)\u003cbr\u003e10\u003cbr\u003eNo. 2 in C Minor (00:02:30)\u003cbr\u003e11\u003cbr\u003eNo. 3 in A Major (00:02:15)\u003cbr\u003e12\u003cbr\u003eNo. 4 in A Minor (00:01:42)\u003cbr\u003e13\u003cbr\u003eNo. 5 in F Minor (00:01:59)\u003cbr\u003e14\u003cbr\u003eNo. 6 in F-Sharp Minor (00:02:37)\u003cbr\u003e15\u003cbr\u003eNo. 7 in G Minor (00:02:20)\u003cbr\u003e16\u003cbr\u003eNo. 8 in F Major (00:01:59)\u003cbr\u003e \u003cbr\u003e8 Preludes, Op. 63 (1956) (00:14:32 )\u003cbr\u003e17\u003cbr\u003eNo. 1 in E Minor (00:02:01)\u003cbr\u003e18\u003cbr\u003eNo. 2 in G Minor (00:01:29)\u003cbr\u003e19\u003cbr\u003eNo. 3 in F-Sharp Major (00:01:52)\u003cbr\u003e20\u003cbr\u003eNo. 4 in A Minor (00:01:23)\u003cbr\u003e21\u003cbr\u003eNo. 5 in B Minor (00:02:31)\u003cbr\u003e22\u003cbr\u003eNo. 6 in B Minor (00:01:18)\u003cbr\u003e23\u003cbr\u003eNo. 7 in B Major (00:02:01)\u003cbr\u003e24\u003cbr\u003eNo. 8 in G Minor (00:01:57)\u003cbr\u003e25\u003cbr\u003ePrelude in A Major (1964) (1964) (00:02:41)\u003cbr\u003e26\u003cbr\u003ePrelude in F Minor (1965) (1965) (00:02:30)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853075951866,"sku":"GP760","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp760.jpg?v=1778193157"},{"product_id":"franck-piano-rarities-original-works-transcriptions","title":"Franck: Piano Rarities (Original Works \u0026 Transcriptions) - Jean-Pierre Armengaud","description":"\u003cp\u003eFew composers have enjoyed a late flowering to compare with that of César Franck. Many of the great works in this recording were composed during his final decades and still stand today as powerful representatives of French music in the post-Franco-Prussian War period. The influence of Wagner can be heard in the poetic evocations of Les Éolides, while the magnificent Prélude, Choral et Fugue, much admired by Liszt, reinterprets well-known Baroque-era genres into an unforgettably expressive Romantic aesthetic. Widely acknowledged as one today’s great interpreters of French music, Jean-Pierre Armengaud presents an album of rarities composed for piano by Franck and arrangements of the composer’s works by distinguished musicians from the early 20th century.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePrélude, fugue et variation in B Minor, Op. 18, M. 30 (arr. H. Bauer for piano) (1860) (00:04:00 )\u003cbr\u003e1\u003cbr\u003ePrélude: Andantino cantabile (00:03:43)\u003cbr\u003e2\u003cbr\u003ePrélude: Lento (00:00:59)\u003cbr\u003e3\u003cbr\u003eFugue (00:03:22)\u003cbr\u003e4\u003cbr\u003eVariation (00:04:04)\u003cbr\u003e5\u003cbr\u003eLes Éolides, M. 43 (arr. G. Samazeuilh and J.-P. Armengaud for piano) (1876) (00:14:53)\u003cbr\u003e6\u003cbr\u003ePrière, Op. 20, M. 32 (arr. B. Selva for piano) (1862) (00:14:12)\u003cbr\u003e \u003cbr\u003ePrélude, choral et fugue (Prelude, Chorale and Fugue), M. 21 (1884) (00:18:00 )\u003cbr\u003e7\u003cbr\u003ePrélude - (00:05:04)\u003cbr\u003e8\u003cbr\u003eChoral - (00:06:15)\u003cbr\u003e9\u003cbr\u003eFugue (00:08:48)\u003cbr\u003e10\u003cbr\u003eRuth, églogue biblique, Part I: Introduction (version for piano) (1871) (00:07:33)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853076050170,"sku":"GP906","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp906.jpg?v=1778182108"},{"product_id":"frommel-piano-sonatas-nos-1-3","title":"Frommel: Piano Sonatas Nos. 1-3 - Tatania Blome","description":"\u003cdiv\u003eGerhard Frommel rejected vapid pre-war Nationalism and Schoenberg’s dodecaphony, finding his voice in individuality and tradition. His highly contrasting Piano Sonatas are rooted in a blend of romanticism and the rhythmic propulsion of Stravinsky, articulated with tenderness in No 1, clownish grotesquerie in No 2, and sensual impressionism in No 3.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFrommel, Gerhard\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 3 in E Major, Op. 15, \"Sisina\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Piano Sonata No. 3 in E Major, Op. 15, \"Sisina\" 18:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 2 in F Major, Op. 10\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Allegro 08:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Andante cantabile 05:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Allegro 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 1 in F-Sharp Minor, Op. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro moderato, poco rubato 10:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Langsam und traumerisch 09:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Finale: Allegro giocoso 07:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853076148474,"sku":"GP606","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP606.jpg?v=1780235965"},{"product_id":"weinberg-complete-piano-works-vol-4","title":"Weinberg: Complete Piano Works, Vol. 4 - Allison Brewster Franzetti","description":"\u003cdiv\u003eWeinberg’s fraught early life included two dramatic escapes from the Nazis, as he made his way from his native Poland to the Soviet Union. His eventual arrival in Moscow in August 1943 saw a period of relative stability in his personal life and an extraordinary burst of creative vitality. Sonata No 3, composed in the space of a week at the end of January 1946, represents a conspicuous advance on its predecessors. The deeply expressive, technically challenging and superbly varied Nos 5 (1956) and 6 (1960) are the last of the numbered piano sonatas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeinberg, Mieczysław\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 3, Op. 31\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro tranquillo 09:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Adagio 05:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Moderato con moto 06:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 5, Op. 58\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegro 09:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Andante 07:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Allegretto 08:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 2 Fugues for Ludmila Berlinskaya\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 1. — 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 2. — 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 6, Op. 73\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Adagio 06:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Allegro molto 07:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853076214010,"sku":"GP611","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP611_41c82e69-f592-42c0-8a75-1a0f4b50156d.jpg?v=1780244815"},{"product_id":"neefe-12-keyboard-sonatas-1773","title":"Neefe: 12 Keyboard Sonatas (1773); BEETHOVEN: 9 Variations on a March by Dressler - S. Kagan (2 CDS)","description":"\u003cdiv\u003eChristian Gottlob Neefe flourished as the Baroque was giving way to the Classical period. These Twelve Sonatas represent important steps in this transition, each having a uniquely individual character and showing a mixture of styles. Neefe is remembered today as Beethoven’s first main teacher in Bonn, the Dressler Variations being young Ludwig’s first published composition.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis recording was made on a modern instrument: Hamburg Steinway CD147\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eNeefe, Christian Gottlob\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 1 in D Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro con spirito 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Poco adagio 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegretto 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 2 in D Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegretto grazioso 04:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Tempo di minuetto 02:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 3 in G Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Vivace 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Andante con tenerezza 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro assai 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 4 in C Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Allegro 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Andante con gusto 01:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Presto 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 5 in C Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 I. Allegro moderato 05:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 II. Largo e mesto 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 III. Allegro e scherzando 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 6 in F Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 I. Poco lento e languido 08:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 II. Tempo di minuetto 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 7 in B-Flat Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 I. Allegro 04:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 II. Arioso ed un poco sostenuto 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 III. Molto presto 03:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 8 in E-Flat Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegretto e cantabile 04:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Poco largo 02:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Presto 01:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 9 in C Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Moderato 04:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Minuetto 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Polacca 01:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas: Sonata No. 10 in C Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Con gusto 03:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Minuetto 01:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Rondeau 01:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 11 in D Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 I. Allegro con spirito 03:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 II. Andante con gravita 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 III. Minuetto 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Keyboard Sonatas (1773): Sonata No. 12 in A Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 I. Tempo giusto 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 II. Minuetto 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 III. Alla Polacca 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e 9 Variations on a March by Dressler in C Minor, WoO 63\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 9 Variations on a March by Dressler, WoO 63 15:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077426426,"sku":"GP615-16","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP615-16.jpg?v=1780239422"},{"product_id":"kozeluch-complete-keyboard-sonatas-vol-10","title":"Koželuch: Complete Keyboard Sonatas, Vol. 10 - Kemp English","description":"\u003cp\u003eComposed between 1807 and 1809, the four sonatas in this volume of Leopold Koželuch’s complete cycle represent his return to the genre after a period of fourteen years. Whilst aware of the influence of the resonant new English piano, the Bohemian composer explored the special effects of the Viennese instrument. The Turkish sounds in the finale of Sonata No. 41 illustrate the timbres available whilst the romantic quality of his slow introductions, not least the Largo of Sonata No. 40, reveal his command of colour and texture.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a period instrument: Original grand fortepiano by Johann Fritz, c. 1815.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata in E-Flat Major, Op. 51, No. 1, P. XII:38 (1803) (00:19:32 )\u003cbr\u003e1\u003cbr\u003eI. Allegro (00:09:01)\u003cbr\u003e2\u003cbr\u003eII. Adagio (00:04:19)\u003cbr\u003e3\u003cbr\u003eIII. Rondo: Vivace (00:06:09)\u003cbr\u003e \u003cbr\u003ePiano Sonata in C Minor, Op. 51, No. 2, P. XII:39 (1803) (00:17:10 )\u003cbr\u003e4\u003cbr\u003eI. Largo - Allegro (00:11:05)\u003cbr\u003e5\u003cbr\u003eII. Rondeau: Allegro (00:06:03)\u003cbr\u003e \u003cbr\u003ePiano Sonata in D Minor, Op. 51, No. 3, P. XII:40 (1803) (00:17:07 )\u003cbr\u003e6\u003cbr\u003eI. Largo - Allegro (00:11:34)\u003cbr\u003e7\u003cbr\u003eII. Rondeau: Allegretto (00:05:35)\u003cbr\u003e \u003cbr\u003ePiano Sonata in G Major, Op. 53, No. 1, P. XII:46 (1806) (00:13:05 )\u003cbr\u003e8\u003cbr\u003eI. Allegro (00:07:45)\u003cbr\u003e9\u003cbr\u003eII. Andante espressivo - Rondo: Allegretto (00:05:30)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077524730,"sku":"GP734","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp734.jpg?v=1778194681"},{"product_id":"balassa-complete-piano-music-vol-1","title":"Balassa: Complete Piano Music, Vol. 1 - István Kassai","description":"\u003cdiv\u003e\u003cspan\u003eDistinguished Hungarian composer Sándor Balassa’s philosophy on his music is that it ‘has to be whole, beautiful, interesting and appealing; as natural as if it were this way since the beginning of time, and so that anyone can pick it up with a feeling of joy.’ Balassa’s uniquely sophisticated textures, timbres and lyrical style can be heard here in pieces for young pianists, remarkable works originally written for cimbalom, and in the Baroque references and sweeping momentum of the Szonatina No. 1.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Testvér (5 Brothers), Op. 5 (1960) (00:09:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Moderato, poco espressivo (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto movimento (00:00:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Sostenuto, pesante (00:00:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Allegro ma non troppo (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Andante cantabile (00:03:45)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLevelek a rezervátumból (Letters from the Reservation), Op. 87 (version for piano) (2004) (00:12:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Moderato (00:00:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto (00:01:26)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Vivo (00:01:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Andante (00:02:20)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Movimento con moto (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Cantabile tranquillo (00:02:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Presto (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Zongoradarab (2 Piano Pieces), Op. 137 (2014) (00:07:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Adagio - Allegretto - Adagio (00:03:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegro ma non troppo (00:02:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLádafia, Vol. 1 (From an Old Chest, Vol. 1), Op. 113 (2009) (00:14:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Pasztorál (Pastorale) (00:00:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Allegretto (00:00:34)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Üzenet (Message) (00:00:50)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Etűd (Etude) (00:00:41)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Horizont (Horizon) (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Dallam (Melody) (00:00:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Legato (00:02:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Kürtök és trombiták (Horns and Trumpets) (00:01:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Különös arc (A Peculiar Face) (00:00:55)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Nyári könnyu szello (Light Summer Breeze) (00:00:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Allegro (00:01:12)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Szelíden és vadul (Gently and Fiercely) (00:01:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 13. Egyszerű ének (Simple Song) (00:01:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 14. Fürge játék (Fast Game) (00:01:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLádafia, Vol. 2 (From an Old Chest, Vol. 2), Op. 120 (2010) (00:21:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Prelúdium (Prelude) (00:01:49)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Kicsi (Little) (00:00:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Dombról jövet (Coming Down the Hill) (00:02:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Capriccio (00:01:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Borsószem (A Pea) (00:01:08)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Elutasított kérés (Request Denied) (00:02:01)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 7. Csőlátó (Tunnel Vision) (00:00:59)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 8. Barlangban (In a Cave) (00:01:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 9. Ugróiskola (Hopscotch) (00:01:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 10. Kápolna (Chapel) (00:01:04)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 11. Tánczene (Dance Music) (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 12. Furcsa pár (Strange Couple) (00:00:46)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 13. Titkos kert (Secret Garden) (00:02:47)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 14. Posztludium (Postlude) (00:01:51)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePiano Sonatina No. 1, Op. 23, No. 5 (1961) (00:10:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Andantino (00:02:14)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Marciale, con movimento (00:01:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Tranquillo cantabile (00:01:57)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Veloce (00:03:27)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077590266,"sku":"GP803","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp803.jpg?v=1778174042"},{"product_id":"raff-piano-works-vol-3","title":"Raff: Piano Works, Vol. 3 (Album Lyrique, Op. 17 • Cinq Eglogues, Op. 105 • Impromptu-Valse, Op. 94 • Fantaisie-Polonaise, Op. 106) - Tra Nguyen","description":"\u003cp\u003eJoachim Raff, Liszt’s amanuensis and confidante in Weimar, was one of Germany’s leading composers, a reputation based largely on his symphonic works. But he was prolific in other forms as well, excelling in chamber and vocal music, and especially in numerous and varied compositions for the piano. The Album Lyrique, Op.17 contains a distillation of Raff’s gifts for writing richly varied character pieces for the piano. They are often slow and meditative, but become increasingly dramatic and sonorous as the music progresses. The Cinq Eglogues, Op.105 are poetic gems, the Impromptu-Valse, Op. 94 attained huge popularity, whilst the Fantaisie-Polonaise, Op.106 reveals Raff’s bravura side.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eAlbum lyrique, Op. 17 (1849 version) (1845) (00:46:54 )\u003cbr\u003e1\u003cbr\u003eVolume 1: No. 1. Reverie: Larghetto rubato * (00:04:08)\u003cbr\u003e2\u003cbr\u003eVolume 1: No. 2. Reverie: Lento * (00:04:11)\u003cbr\u003e3\u003cbr\u003eVolume 1: No. 3. Reverie: Andante con moto, quasi allegretto * (00:04:09)\u003cbr\u003e4\u003cbr\u003eVolume 2: No. 4. Romance: Moderato * (00:04:33)\u003cbr\u003e5\u003cbr\u003eVolume 2: No. 5. Ballade: Allegro * (00:04:37)\u003cbr\u003e6\u003cbr\u003eVolume 3: No. 6. Nocturne: Lento * (00:05:59)\u003cbr\u003e7\u003cbr\u003eVolume 3: No. 7. Nocturne: Larghetto * (00:04:49)\u003cbr\u003e8\u003cbr\u003eVolume 4: No. 8. Scherzo: Allegro * (00:05:22)\u003cbr\u003e9\u003cbr\u003eVolume 5: No. 9. Introduction and Fugue: Allegro * (00:09:04)\u003cbr\u003e \u003cbr\u003e5 Eglogues, Op. 105 (1861) (00:18:26 )\u003cbr\u003e10\u003cbr\u003eNo. 1. Allegro molto * (00:04:20)\u003cbr\u003e11\u003cbr\u003eNo. 2. Andante con moto * (00:04:22)\u003cbr\u003e12\u003cbr\u003eNo. 3. Andante quasi larghetto * (00:03:57)\u003cbr\u003e13\u003cbr\u003eNo. 4. Andante mosso * (00:02:39)\u003cbr\u003e14\u003cbr\u003eNo. 5. Presto giojoso * (00:03:06)\u003cbr\u003e15\u003cbr\u003eImpromptu-valse, Op. 94 (1860) * (00:04:15)\u003cbr\u003e16\u003cbr\u003eFantaisie-polonaise, Op. 106 (1861) * (00:07:02)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077655802,"sku":"GP634","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp634.jpg?v=1778186643"},{"product_id":"castiglioni-complete-piano-works-vol-1","title":"Castiglioni: Complete Piano Works, Vol. 1 - Aldo Orvieto","description":"\u003cp\u003e \u003cbr\u003ePiano Sonatina in G Major (1952) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto (00:03:27)\u003cbr\u003e2\u003cbr\u003eII. Andantino (00:03:50)\u003cbr\u003e3\u003cbr\u003eIII. Minuetto - Trio I-II (00:02:17)\u003cbr\u003e \u003cbr\u003ePiccola suite in G (1952) (00:10:11 )\u003cbr\u003e4\u003cbr\u003eI. Marcetta (00:01:00)\u003cbr\u003e5\u003cbr\u003eII. Nenia: Andante (00:02:12)\u003cbr\u003e6\u003cbr\u003eIII. Caccia: Allegro (00:01:18)\u003cbr\u003e7\u003cbr\u003eIV. Larghetto (00:01:40)\u003cbr\u003e8\u003cbr\u003eV. Allegrino (00:01:05)\u003cbr\u003e9\u003cbr\u003eVI. Walzer: Molto moderato (00:01:39)\u003cbr\u003e10\u003cbr\u003eVII. Melodia: Moderato, a tempo sempre (00:01:12)\u003cbr\u003e \u003cbr\u003e4 Canti (1954) (00:06:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Ostinato (00:01:07)\u003cbr\u003e12\u003cbr\u003eNo. 2. Aria: Molto calmo (00:01:18)\u003cbr\u003e13\u003cbr\u003eNo. 3. Intermezzo: Larghetto (00:01:13)\u003cbr\u003e14\u003cbr\u003eNo. 4. Corale: Sostenuto, quasi grave (00:01:56)\u003cbr\u003e \u003cbr\u003eMomento musicale (1954) (00:03:00 )\u003cbr\u003e15\u003cbr\u003eI. Prestissimo - (00:00:22)\u003cbr\u003e16\u003cbr\u003eII. Il più presto possibile (00:00:29)\u003cbr\u003e17\u003cbr\u003eIII. Il più presto possibile (00:00:25)\u003cbr\u003e18\u003cbr\u003eIV. Il più presto possibile (00:00:35)\u003cbr\u003e19\u003cbr\u003eV. Concitato, molto liberamente (00:00:41)\u003cbr\u003e \u003cbr\u003eCome io passo l'estate (1983) (00:10:00 )\u003cbr\u003e20\u003cbr\u003eI. Arrivo a Tires (00:00:51)\u003cbr\u003e21\u003cbr\u003eII. La Fossa del lupo (00:01:34)\u003cbr\u003e22\u003cbr\u003eIII. Andiamo al rifugio Bergamo (00:00:55)\u003cbr\u003e23\u003cbr\u003eIV. La valle del Ciamin (00:00:51)\u003cbr\u003e24\u003cbr\u003eV. Il buco dell'orso (00:01:17)\u003cbr\u003e25\u003cbr\u003eVI. La fontanella di Ganna (00:00:37)\u003cbr\u003e26\u003cbr\u003eVII. Ghiaccio sul Rosengarten (00:01:11)\u003cbr\u003e27\u003cbr\u003eVIII. Antonio Ballista dorme in casa dei Carabinieri (00:01:55)\u003cbr\u003e28\u003cbr\u003eIX. Il fantasma del castello di Presule (for upright piano) (00:00:27)\u003cbr\u003e29\u003cbr\u003eX. Canzone per il mio compleanno (00:01:09)\u003cbr\u003e \u003cbr\u003ePiano Sonatina (1984) (1984) (00:07:00 )\u003cbr\u003e30\u003cbr\u003eI. Andantino mosso assai dolcino (00:03:47)\u003cbr\u003e31\u003cbr\u003eII. Laendler (00:01:27)\u003cbr\u003e32\u003cbr\u003eIII. Fughetta (00:01:09)\u003cbr\u003e33\u003cbr\u003ePiano Sonatina (1987) (1987) (00:03:29)\u003cbr\u003e34\u003cbr\u003eDas Reh im Wald (1988) (00:02:10)\u003cbr\u003e \u003cbr\u003eIn principio era la danza (1989) (00:02:00 )\u003cbr\u003e35\u003cbr\u003eI. Valzer A (00:00:14)\u003cbr\u003e36\u003cbr\u003eII. Canzone del bruco (00:00:20)\u003cbr\u003e37\u003cbr\u003eIII. Valzer B (00:00:14)\u003cbr\u003e38\u003cbr\u003eIV. Canzone della farfalla (00:00:06)\u003cbr\u003e39\u003cbr\u003eV. Valzer C (00:00:33)\u003cbr\u003e \u003cbr\u003ePreludio, Corale e Fuga (1994) (00:04:00 )\u003cbr\u003e40\u003cbr\u003ePreludio: Liquido (00:01:16)\u003cbr\u003e41\u003cbr\u003eCorale (00:00:57)\u003cbr\u003e42\u003cbr\u003eFuga (00:02:17)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077950714,"sku":"GP862","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp862.jpg?v=1778195000"},{"product_id":"schmitt-complete-original-works-for-piano-duet-duo-vol","title":"Schmitt: Complete Original Works for Piano Duet \u0026 Duo, Vol. 3 (March of the 163 Infantry Regiment • Travel Pages Books 1 and 2 • Carnival Music) - Invencia Piano Duo","description":"\u003cp\u003eFlorent Schmitt remains one of the most important and influential French composers of the twentieth-century. Although he wrote successfully in almost all forms except opera, he was by training a formidable pianist and his writing for the instrument is colourful, bold and harmonically dextrous. Schmitt was also an inveterate traveller and this permeates his poetic and Romantic Feuillets de voyage (Travel Pages), Op. 26 whilst Musiques foraines (Carnival Music) Op. 22 reveals Schmitt the festive humorist.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eMarche du 163 R.I., Op. 48, No. 2 (1916) * (00:07:13)\u003cbr\u003e \u003cbr\u003eFeuillets de voyage, Book 1, Op. 26 (1913) (00:11:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Sérénade (00:03:46)\u003cbr\u003e3\u003cbr\u003eNo. 2. Visite (00:03:26)\u003cbr\u003e4\u003cbr\u003eNo. 3. Compliments (00:01:14)\u003cbr\u003e5\u003cbr\u003eNo. 4. Douceur du soir (00:02:12)\u003cbr\u003e6\u003cbr\u003eNo. 5. Danse britannique (00:01:36)\u003cbr\u003e \u003cbr\u003eFeuillets de voyage, Book 2, Op. 26 (1913) (00:13:59 )\u003cbr\u003e7\u003cbr\u003eNo. 1. Berceuse (00:04:27)\u003cbr\u003e8\u003cbr\u003eNo. 2. Mazurka (00:01:30)\u003cbr\u003e9\u003cbr\u003eNo. 3. Marche burlesque (00:02:17)\u003cbr\u003e10\u003cbr\u003eNo. 4. Retour à l'endroit familier (00:03:08)\u003cbr\u003e11\u003cbr\u003eNo. 5. Valse (00:03:45)\u003cbr\u003e \u003cbr\u003eMusiques foraines, Op. 22 (1902) (00:25:22 )\u003cbr\u003e12\u003cbr\u003eI. Parade * (00:04:38)\u003cbr\u003e13\u003cbr\u003eII. Boniment de clowns * (00:02:41)\u003cbr\u003e14\u003cbr\u003eIII. La belle Fathma * (00:03:37)\u003cbr\u003e15\u003cbr\u003eIV. Les éléphants savants * (00:04:29)\u003cbr\u003e16\u003cbr\u003eV. La pythonisse * (00:04:39)\u003cbr\u003e17\u003cbr\u003eVI. Chevaux de bois * (00:05:13)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853077983482,"sku":"GP623","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp623.jpg?v=1778192158"},{"product_id":"medtner-complete-piano-sonatas-vol-1","title":"Medtner: Complete Piano Sonatas, Vol. 1 - Paul Stewart","description":"\u003cp\u003eLike his near-contemporary Rachmaninov, who called him ‘the greatest composer of our time’, Nikolay Medtner was a composer, pianist and an exile from his native Russia. His portfolio of works includes a remarkable series of pieces for his own instrument, including fourteen sonatas and some hugely evocative, deeply poetic miniatures. Medtner’s gift for melody is immediately discerned in the early Sonatina in G minor. The Sonata No. 1, Op. 5, his first large-scale work, enshrines autobiographical elements and is both intense and spiritually charged. Poetry and nostalgia flood the beautiful Sonata-Reminiscenza in A minor. This is the first volume of a complete cycle of the Medtner Piano Sonatas.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eSonatina in G Minor (1898) (00:07:23 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto, ma non troppo (00:02:42)\u003cbr\u003e2\u003cbr\u003eII. Scherzo: Allegro (00:04:47)\u003cbr\u003e \u003cbr\u003ePiano Sonata in F Minor, Op. 5 (1903) (00:31:00 )\u003cbr\u003e3\u003cbr\u003eI. Allegro (00:13:50)\u003cbr\u003e4\u003cbr\u003eII. Intermezzo: Allegro - (00:03:41)\u003cbr\u003e5\u003cbr\u003eIII. Largo - (00:08:43)\u003cbr\u003e6\u003cbr\u003eIV. Finale: Allegro risoluto (00:09:12)\u003cbr\u003e7\u003cbr\u003eForgotten Melodies, Op. 38: No. 1. Sonata reminiscenza (1922) (00:15:27)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078081786,"sku":"GP617","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp617.jpg?v=1778184592"},{"product_id":"tcherepnin-complete-piano-music-vol-4","title":"Tcherepnin: Complete Piano Music, Vol. 4 - Giorgio Koukl","description":"\u003cp\u003eDrawn from different parts of Tcherepnin’s life, the Entretiens display distinct cinematic qualities. With their exhaustive range of expression the Twelve Preludes vividly demonstrate the multi-faceted genius of their composer. The Romances contrast tenderness and warmth with unsettling moods and the Five Concert Etudes show an infatuation with all things Chinese.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEntretiens, Op. 46 (1930) (00:12:12 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Lento (00:01:30)\u003cbr\u003e2\u003cbr\u003eNo. 2. Animato (00:00:31)\u003cbr\u003e3\u003cbr\u003eNo. 3. Moderato (00:01:45)\u003cbr\u003e4\u003cbr\u003eNo. 4. Allegretto (00:01:15)\u003cbr\u003e5\u003cbr\u003eNo. 5. Recitando (00:00:26)\u003cbr\u003e6\u003cbr\u003eNo. 6. Animato (00:00:49)\u003cbr\u003e7\u003cbr\u003eNo. 7. Moderato (00:01:11)\u003cbr\u003e8\u003cbr\u003eNo. 8. Animato (00:00:58)\u003cbr\u003e9\u003cbr\u003eNo. 9. Grave (00:02:29)\u003cbr\u003e10\u003cbr\u003eNo. 10. Allegretto (00:01:07)\u003cbr\u003e \u003cbr\u003e12 Preludes, Op. 85 (1953) (00:25:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Adagio (00:02:56)\u003cbr\u003e12\u003cbr\u003eNo. 2. Animato (00:02:05)\u003cbr\u003e13\u003cbr\u003eNo. 3. Lento (00:02:09)\u003cbr\u003e14\u003cbr\u003eNo. 4. Allegro (00:01:25)\u003cbr\u003e15\u003cbr\u003eNo. 5. Allegretto (00:01:29)\u003cbr\u003e16\u003cbr\u003eNo. 6. Lento recitando (00:01:23)\u003cbr\u003e17\u003cbr\u003eNo. 7. Animato (00:01:05)\u003cbr\u003e18\u003cbr\u003eNo. 8. Mesto (00:03:20)\u003cbr\u003e19\u003cbr\u003eNo. 9. Allegro (00:01:22)\u003cbr\u003e20\u003cbr\u003eNo. 10. Lento marciale (00:01:23)\u003cbr\u003e21\u003cbr\u003eNo. 11. Agitato (00:01:52)\u003cbr\u003e22\u003cbr\u003eNo. 12. Lento (00:01:40)\u003cbr\u003e \u003cbr\u003e4 Romances, Op. 31 (1924) (00:08:00 )\u003cbr\u003e23\u003cbr\u003eNo. 1. Lento * (00:01:47)\u003cbr\u003e24\u003cbr\u003eNo. 2. Tempo risoluto * (00:01:49)\u003cbr\u003e25\u003cbr\u003eNo. 3. Allegro * (00:02:06)\u003cbr\u003e26\u003cbr\u003eNo. 4. Andantino * (00:01:56)\u003cbr\u003e \u003cbr\u003e5 Concert Études, Op. 52, \"Chinese\" (1936) (00:16:00 )\u003cbr\u003e27\u003cbr\u003eNo. 1. Shadow Play (00:03:09)\u003cbr\u003e28\u003cbr\u003eNo. 2. The Lute (00:03:35)\u003cbr\u003e29\u003cbr\u003eNo. 3. Homage to China (00:02:32)\u003cbr\u003e30\u003cbr\u003eNo. 4. Punch and Judy (00:02:04)\u003cbr\u003e31\u003cbr\u003eNo. 5. Chant (00:04:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078147322,"sku":"GP649","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp649.jpg?v=1778191020"},{"product_id":"tcherepnin-piano-music-vol-3","title":"Tcherepnin: Piano Music, Vol. 3 - Giorgio Koukl","description":"\u003cp\u003eGiorgio Koukl’s survey of Tcherepnin’s inventive piano music continues with two 1950s collections that reflect a synthesis of his earlier technical and expressive innovations – the virtuosic Eight Pieces and the beguiling Expressions. These two cycles bracket a varied group of scores, from the youthful Feuilles libres through the restrained lyricism of the Préludes, and the quirky modernism of the Intermezzo and Tanz, to the relaxed songfulness of the Etudes, written following a concert tour of the Far East.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e8 Pieces, Op. 88 (1955) (00:15:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Meditation (00:02:33)\u003cbr\u003e2\u003cbr\u003eNo. 2. Intermezzo (00:01:13)\u003cbr\u003e3\u003cbr\u003eNo. 3. Reverie (00:02:29)\u003cbr\u003e4\u003cbr\u003eNo. 4. Impromptu (00:01:12)\u003cbr\u003e5\u003cbr\u003eNo. 5. Invocation (00:01:34)\u003cbr\u003e6\u003cbr\u003eNo. 6. The Chase (00:01:41)\u003cbr\u003e7\u003cbr\u003eNo. 7. Etude (00:00:35)\u003cbr\u003e8\u003cbr\u003eNo. 8. Burlesque (00:02:34)\u003cbr\u003e \u003cbr\u003eFeuilles libres, Op. 10 (1920) (00:07:29 )\u003cbr\u003e9\u003cbr\u003eI. Grave * (00:01:59)\u003cbr\u003e10\u003cbr\u003eII. Avec douleur * (00:02:31)\u003cbr\u003e11\u003cbr\u003eIII. Excité * (00:00:47)\u003cbr\u003e12\u003cbr\u003eIV. Lent avec tristesse * (00:02:15)\u003cbr\u003e \u003cbr\u003e4 Nostalgic Preludes, Op. 23 (1922) (00:06:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Lento (00:02:15)\u003cbr\u003e14\u003cbr\u003eNo. 2. Allegretto (00:00:36)\u003cbr\u003e15\u003cbr\u003eNo. 3. Tempestoso (00:00:46)\u003cbr\u003e16\u003cbr\u003eNo. 4. Con dolore (00:02:30)\u003cbr\u003e \u003cbr\u003e4 Preludes, Op. 24 (1923) (00:04:58 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Giocoso * (00:01:26)\u003cbr\u003e18\u003cbr\u003eNo. 2. Adagio * (00:00:50)\u003cbr\u003e19\u003cbr\u003eNo. 3. Allegretto * (00:00:45)\u003cbr\u003e20\u003cbr\u003eNo. 4. Allegro * (00:01:57)\u003cbr\u003e21\u003cbr\u003eIntermezzo, Op. 33a (1926) * (00:01:59)\u003cbr\u003e22\u003cbr\u003eTanz (Dance), Op. posth. (1928) * (00:01:32)\u003cbr\u003e \u003cbr\u003e7 Etudes, Op. 56 (1938) (00:11:09 )\u003cbr\u003e23\u003cbr\u003eNo. 1. Moderato (00:01:33)\u003cbr\u003e24\u003cbr\u003eNo. 2. Allegro (00:00:51)\u003cbr\u003e25\u003cbr\u003eNo. 3. Allegro marciale (00:01:28)\u003cbr\u003e26\u003cbr\u003eNo. 4. Allegro (00:01:46)\u003cbr\u003e27\u003cbr\u003eNo. 5. Allegro risoluto (00:01:13)\u003cbr\u003e28\u003cbr\u003eNo. 6. Allegro moderato (00:01:37)\u003cbr\u003e29\u003cbr\u003eNo. 7. Andantino (00:02:44)\u003cbr\u003e \u003cbr\u003eExpressions, Op. 81 (1951) (00:15:00 )\u003cbr\u003e30\u003cbr\u003eI. Entrance (00:00:52)\u003cbr\u003e31\u003cbr\u003eII. The Hour of Death (00:02:17)\u003cbr\u003e32\u003cbr\u003eIII. Caprice (00:01:03)\u003cbr\u003e33\u003cbr\u003eIV. Silly Story of the White Oxen (00:00:45)\u003cbr\u003e34\u003cbr\u003eV. Thief in the Night (00:00:51)\u003cbr\u003e35\u003cbr\u003eVI. At the Fair (00:01:14)\u003cbr\u003e36\u003cbr\u003eVII. Barcarole (00:01:50)\u003cbr\u003e37\u003cbr\u003eVIII. Blind Man's Buff (00:00:42)\u003cbr\u003e38\u003cbr\u003eIX. At Dawn (00:01:26)\u003cbr\u003e39\u003cbr\u003eX. Exit (00:00:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078245626,"sku":"GP635","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp635.jpg?v=1778190928"},{"product_id":"rota-complete-solo-piano-works-vol-1","title":"Rota: Complete Solo Piano Works, Vol. 1 - Eleanor Hodgkinson","description":"\u003cp\u003eNino Rota embraced neo-Classical, neo-Romantic and even neo-Baroque affiliations. His music prized melodic directness and communicative generosity and it is not therefore surprising that he should be best known for his epochal film scores—the music for The Godfather pre-eminently.\u003c\/p\u003e\n\u003cp\u003eNino Rota’s 15 Preludes utilise melodic and harmonic explorations to chart music that is agitated and melancholic, but also joyous and comedic. The Fantasia in G comprises seven themes—folkloric, droll and ultimately heroic. A late work, the 7 Pezzi difficili per bambini is generous in its emotional directness.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e15 Preludes (1964) (00:21:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Allegro molto (00:01:43)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegro, ma espressivo e delicato (00:01:41)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto con spirito (00:01:26)\u003cbr\u003e4\u003cbr\u003eNo. 4. Andante sostenuto ed espressivo (00:01:53)\u003cbr\u003e5\u003cbr\u003eNo. 5. Con impeto (00:02:13)\u003cbr\u003e6\u003cbr\u003eNo. 6. Andante (00:01:57)\u003cbr\u003e7\u003cbr\u003eNo. 7. Allegro con spirito (00:01:30)\u003cbr\u003e8\u003cbr\u003eNo. 8. Lento con accento (00:02:16)\u003cbr\u003e9\u003cbr\u003eNo. 9. Allegretto quasi andantino (00:01:41)\u003cbr\u003e10\u003cbr\u003eNo. 10. Allegro mosso e marcato (00:01:10)\u003cbr\u003e11\u003cbr\u003eNo. 11. Andante senza lentezza (00:02:39)\u003cbr\u003e12\u003cbr\u003eNo. 12. Allegro (00:01:56)\u003cbr\u003e13\u003cbr\u003eNo. 13. Andante cantabile (00:02:23)\u003cbr\u003e14\u003cbr\u003eNo. 14. Allegro non troppo e marcato (00:01:44)\u003cbr\u003e15\u003cbr\u003eNo. 15. Allegro robusto (00:01:28)\u003cbr\u003e16\u003cbr\u003eFantasia in G Major (1945) (00:16:32)\u003cbr\u003e \u003cbr\u003e7 Pezzi Difficili per Bambini (7 Difficult Pieces for Children) (1971) (00:12:00 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Salti e giochi (Skips and Games) (00:01:00)\u003cbr\u003e18\u003cbr\u003eNo. 2. Capriccio (Caprice) (00:01:12)\u003cbr\u003e19\u003cbr\u003eNo. 3. Cantilena (Lullaby) (00:02:40)\u003cbr\u003e20\u003cbr\u003eNo. 4. Le scalette (Little Scales) (00:01:50)\u003cbr\u003e21\u003cbr\u003eNo. 5. Grillo notturno (Cricket in the Night) (00:01:33)\u003cbr\u003e22\u003cbr\u003eNo. 6. Puccettino nella giungla (Puccettino in the Jungle) (00:02:09)\u003cbr\u003e23\u003cbr\u003eNo. 7. L'acrobata (The Acrobat) (00:01:46)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078343930,"sku":"GP827","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp827.jpg?v=1778185305"},{"product_id":"khachaturian-original-piano-works-transcriptions","title":"Khachaturian: Original Piano Works \u0026 Transcriptions - Kariné Poghosyan","description":"\u003cp\u003eAlthough Khachaturian is today renowned for his great ballet scores, his piano works have been relatively neglected. Performed by the award-winning Armenian pianist Kariné Poghosyan, this programme features arrangements of excerpts from two of Khachaturian’s most popular works, Spartacus and Masquerade, alongside the technically demanding Toccata and Poem from the earlier part of his career and the impressive 1961 Piano Sonata, one of the most formally classical of the composer’s larger works.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eToccata (1932) (00:04:37)\u003cbr\u003e \u003cbr\u003eWaltz-Caprice and Dance (1926) (00:04:00 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Waltz-Caprice (00:02:23)\u003cbr\u003e3\u003cbr\u003eNo. 2. Dance (00:01:39)\u003cbr\u003e4\u003cbr\u003eSpartacus: Adagio (arr. M. Cameron for piano) (1954) * (00:09:07)\u003cbr\u003e5\u003cbr\u003ePoem (1926) (1926) (00:07:00)\u003cbr\u003e \u003cbr\u003ePiano Sonata (1961) (00:22:00 )\u003cbr\u003e6\u003cbr\u003eI. Allegro vivace (00:07:29)\u003cbr\u003e7\u003cbr\u003eII. Andante tranquillo (00:10:35)\u003cbr\u003e8\u003cbr\u003eIII. Allegro assai (00:08:06)\u003cbr\u003e \u003cbr\u003eMasquerade Suite (arr. A. Dolukhanian for piano) (1941) (00:16:00 )\u003cbr\u003e9\u003cbr\u003eII. Nocturne * (00:03:27)\u003cbr\u003e10\u003cbr\u003eIV. Romance * (00:03:27)\u003cbr\u003e11\u003cbr\u003eI. Waltz * (00:04:12)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078540538,"sku":"GP673","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp673.jpg?v=1778182739"},{"product_id":"gulda-piano-works","title":"Gulda: Piano Works - Martin David Jones","description":"\u003cp\u003e\u003cbr\u003e1\u003cbr\u003eVariations on Light My Fire (1970) (00:14:47)\u003cbr\u003e \u003cbr\u003ePlay Piano Play, \"10 Pieces for Yuko\" (1971) (00:31:11 )\u003cbr\u003e2\u003cbr\u003eNo. 1. Moderato (00:01:59)\u003cbr\u003e3\u003cbr\u003eNo. 2. Alla marcia, risoluto (00:03:16)\u003cbr\u003e4\u003cbr\u003eNo. 3. Andante serioso (00:03:32)\u003cbr\u003e5\u003cbr\u003eNo. 4. Allegro ma non troppo (00:04:15)\u003cbr\u003e6\u003cbr\u003eNo. 5. Moderato, poco mosso (00:02:38)\u003cbr\u003e7\u003cbr\u003eNo. 6. Presto possibile (00:01:56)\u003cbr\u003e8\u003cbr\u003eNo. 7. Lento, molto tranquillo e piano (00:03:49)\u003cbr\u003e9\u003cbr\u003eNo. 8. Tempo giusto e risoluto (00:03:15)\u003cbr\u003e10\u003cbr\u003eNo. 9. Allegro, dolce (00:02:25)\u003cbr\u003e11\u003cbr\u003eNo. 10. Allegro pesante (00:03:00)\u003cbr\u003e \u003cbr\u003ePrelude and Fugue (1965) (00:03:58 )\u003cbr\u003e12\u003cbr\u003ePrelude (00:02:19)\u003cbr\u003e13\u003cbr\u003eFugue (00:02:24)\u003cbr\u003e \u003cbr\u003eSonatine (1967) (00:19:00 )\u003cbr\u003e14\u003cbr\u003eI. Entrée (00:07:31)\u003cbr\u003e15\u003cbr\u003eII. Ballad (00:07:04)\u003cbr\u003e16\u003cbr\u003eIII. Shuffle (00:03:10)\u003cbr\u003e17\u003cbr\u003eFür Rico (1974) (00:02:46)\u003cbr\u003e18\u003cbr\u003eFür Paul (1974) (00:03:08)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078606074,"sku":"GP759","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp759.jpg?v=1778189305"},{"product_id":"bowen-24-preludes-suite-mignonne-berceuse-op-83","title":"Bowen: 24 Preludes, Suite Mignonne \u0026 Berceuse, Op. 83 - Christina Ortiz","description":"\u003cp\u003eYork Bowen was described by Saint-Saëns as 'the most remarkable of the young British composers'. His 24 Preludes form a sequence of concise, richly expressive and directly communicative studies. The Berceuse, Op. 83 ranks amongst Bowen’s most intimate scores, while the sophisticated Suite Mignonne demands the most delicate of touches from the pianist.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e24 Preludes, Op. 102 (1938) (00:51:38 )\u003cbr\u003e1\u003cbr\u003ePrelude No. 1 in C Major: Moderato appassionato (00:01:14)\u003cbr\u003e2\u003cbr\u003ePrelude No. 2 in C Minor: Andante tranquillo (00:02:26)\u003cbr\u003e3\u003cbr\u003ePrelude No. 3 in D-Flat Major: Andante grazioso (00:02:04)\u003cbr\u003e4\u003cbr\u003ePrelude No. 4 in C-Sharp Minor: Allegro con fuoco (00:01:35)\u003cbr\u003e5\u003cbr\u003ePrelude No. 5 in D Major: Allegro risoluto (00:01:35)\u003cbr\u003e6\u003cbr\u003ePrelude No. 6 in D Minor: Andante con moto (00:02:55)\u003cbr\u003e7\u003cbr\u003ePrelude No. 7 in E-Flat Major: Andantino amabile (00:02:05)\u003cbr\u003e8\u003cbr\u003ePrelude No. 8 in E-Flat Minor: Poco lento, serioso (00:02:20)\u003cbr\u003e9\u003cbr\u003ePrelude No. 9 in E Major: Allegro risoluto e ritmico (00:01:48)\u003cbr\u003e10\u003cbr\u003ePrelude No. 10 in E Minor: Moderato, a capriccio (00:01:31)\u003cbr\u003e11\u003cbr\u003ePrelude No. 11 in F Major: Andante con moto e grazioso (00:02:28)\u003cbr\u003e12\u003cbr\u003ePrelude No. 12 in F Minor: Allegro con fuoco (00:01:42)\u003cbr\u003e13\u003cbr\u003ePrelude No. 13 in G-Flat Major: Andante tranquillo (00:02:37)\u003cbr\u003e14\u003cbr\u003ePrelude No. 14 in F-Sharp Minor: Allegretto scherzando (00:01:23)\u003cbr\u003e15\u003cbr\u003ePrelude No. 15 in G Major: Allegretto grazioso (00:02:09)\u003cbr\u003e16\u003cbr\u003ePrelude No. 16 in G Minor: Moderato semplice (00:02:29)\u003cbr\u003e17\u003cbr\u003ePrelude No. 17 in A-Flat Major: Andante molto espressivo (00:02:09)\u003cbr\u003e18\u003cbr\u003ePrelude No. 18 in G-Sharp Minor: Allegro con fuoco (00:02:33)\u003cbr\u003e19\u003cbr\u003ePrelude No. 19 in A Major: Andantino con moto (00:02:09)\u003cbr\u003e20\u003cbr\u003ePrelude No. 20 in A Minor: Allegro con fuoco (00:01:33)\u003cbr\u003e21\u003cbr\u003ePrelude No. 21 in B-Flat Major: Andante piacevole (00:02:21)\u003cbr\u003e22\u003cbr\u003ePrelude No. 22 in B-Flat Minor: Allegro molto e con fuoco (00:01:32)\u003cbr\u003e23\u003cbr\u003ePrelude No. 23 in B Major: Andante con moto (00:01:56)\u003cbr\u003e24\u003cbr\u003ePrelude No. 24 in B Minor: Moderato serioso e tragico (00:05:04)\u003cbr\u003e25\u003cbr\u003eBerceuse in D Major, Op. 83 (ca. 1928) (00:04:06)\u003cbr\u003e26\u003cbr\u003eSuite for Piano No. 2, Op. 30: III. Barcarolle (ca.1919) (00:04:44)\u003cbr\u003e \u003cbr\u003eSuite for Piano No. 4, Op. 39, \"Suite Mignonne\" () (00:08:48 )\u003cbr\u003e27\u003cbr\u003eI. Prelude: Moderato (00:03:03)\u003cbr\u003e28\u003cbr\u003eII. Valse: Un poco sostenuto (00:02:41)\u003cbr\u003e29\u003cbr\u003eIII. Finale: Moto perpetuo - Veloce e leggiero (00:03:12)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078704378,"sku":"GP637","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp637.jpg?v=1778193739"},{"product_id":"a-hundred-years-of-british-piano-miniatures","title":"A Hundred Years of British Piano Miniatures","description":"\u003cp\u003eThe piano pieces here trace a trajectory from the Edwardian poetry of Leo Livens to the overdubbing of Peter Reynolds by way of a century of evocative, descriptive and exciting miniatures. Reflecting pastoral, light and experimental traditions, these previously unrecorded works offer rich variety from neglected composers. Duncan Honeybourne enjoys a colorful and unique career as solo pianist, chamber musician, educator and artistic director. He has appeared at many major concert halls and at leading festivals, and has been a frequent broadcaster at home and abroad. One of his generation's leading exponents of 20th century English piano music, several celebrated contemporary composers have also dedicated major new works to him. An inspiring teacher and educator, he has devised and written several recital programmes blending words and music and has created and directed several series of piano and chamber concerts. Duncan is also sought-after nationwide as a thought-provoking and entertaining lecturer on his experience of living with autism.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e1 Moonbeams\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Leo Livens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2 Shadows\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Evangeline Livens\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3 Severn Country\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Julius Harbison\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4 Idyll In G Flat Major\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Constance Warren\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLakeland Summer Nights, Op. 10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Arthur Butterworth\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(10:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Evening \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6 Rain \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7 Night Sky \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e8 Italian Dance\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Christopher Headington\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e9 Regent Street\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – John Longmire (2)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e10 Quavers\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Howard Skempton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11 Intermezzo\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Howard Skempton\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTwo Expressions\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Peter Racine Fricker\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(5:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12 No. 1 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13 No. 2 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eEight Miniatures\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – David Power (6)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(8:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14 No. 1 0:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15 No. 2 1:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e16 No. 3 0:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e17 No. 4 1:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e18 No. 5 0:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e19 No. 6 0:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e20 No. 7 0:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e21 No. 8 2:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCippyn\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposed By – Peter Reynolds (6)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e(9:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e22 I. 1:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e23 II. 1:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e24 III. 0:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e25 IV. 1:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e26 V 1:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e27 VI. 1:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e28 VII. 1:28\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853078769914,"sku":"GP789","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/MTctMzg0Mi5qcGVn.jpg?v=1778108374"},{"product_id":"prado-complete-cartas-celestes-vol-2","title":"REZENDE DE ALMEIDA PRADO, J.A.: Cartas Celestes, Vol. 2 - Nos. 4-6 - Aleyson Scopel","description":"\u003cdiv\u003eCartas Celestes (Celestial Charts) is a colossal 18-movement cycle of works depicting celestial bodies to be seen in the Brazilian sky, for which Almeida Prado, one of Brazil’s most prolific and best-known composers, invented a new harmonic language called “transtonality”. Dense and rhythmically charged and saturated in the richest colours, Nos. 4, 5 and 6 complete the composer’s portrayal of the planets.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRezende de Almeida Prado, José Antônio\u003c\/div\u003e\n\u003cdiv\u003e Cartas Celestes No. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Cartas Celestes No. 4 30:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cartas Celestes No. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Cartas Celestes No. 5 24:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cartas Celestes No. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Cartas Celestes No. 6 21:40\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079097594,"sku":"GP710","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP710.jpg?v=1780242039"},{"product_id":"kozeluch-complete-keyboard-sonatas-vol-9","title":"Koželuch: Complete Keyboard Sonatas, Vol. 9 - Kemp English","description":"\u003cp\u003eAs in every other volume of this complete cycle, the Ninth is full of contrasts, no more so than between the Sturm und Drang proportions of Sonata No. 36 and the simple yet beautiful style galant of No. 37. Foretastes of Koželuch’s Scottish song settings can be heard in Sonatas Nos. 33 and 35 while the slow movements of Nos. 34 and 35 are notable for their lyrical beauty.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on period instruments:\u003cbr\u003eFortepiano by Paul Downie (NZ), after Anton Walter (c. 1795) (Tracks 1–10);\u003cbr\u003eHarpsichord by Longman and Broderip (built by Thomas Culliford), 1785 (Tracks 11–13)\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata in G Minor, Op. 35, No. 3, P. XII:34 () (00:16:21 )\u003cbr\u003e1\u003cbr\u003eI. Largo - Allegro agitato * (00:10:20)\u003cbr\u003e2\u003cbr\u003eII. Allegretto * (00:05:58)\u003cbr\u003e \u003cbr\u003ePiano Sonata in E-Flat Major, Op. 38, No. 1, P. XII:35 (1791) (00:18:30 )\u003cbr\u003e3\u003cbr\u003eI. Allegro * (00:09:55)\u003cbr\u003e4\u003cbr\u003eII. Adagio * (00:02:53)\u003cbr\u003e5\u003cbr\u003eIII. Rondeau: Allegro molto * (00:05:43)\u003cbr\u003e \u003cbr\u003ePiano Sonata in C Major, Op. 38, No. 2, P. XII:36 (1793) (00:15:08 )\u003cbr\u003e6\u003cbr\u003eI. Allegro (00:07:52)\u003cbr\u003e7\u003cbr\u003eII. Adagio (00:02:55)\u003cbr\u003e8\u003cbr\u003eIII. Rondeau: Allegretto (00:04:22)\u003cbr\u003e \u003cbr\u003ePiano Sonata in F Minor, Op. 38, No. 3, P. XII:37 () (00:15:01 )\u003cbr\u003e9\u003cbr\u003eI. Largo - Allegro agitato (00:12:26)\u003cbr\u003e10\u003cbr\u003eII. Allegretto (00:06:09)\u003cbr\u003e \u003cbr\u003ePiano Sonata in G Major, P. XII:50 (1807) (00:06:15 )\u003cbr\u003e11\u003cbr\u003eI. Moderato * (00:02:12)\u003cbr\u003e12\u003cbr\u003eII. Menuetto * (00:02:31)\u003cbr\u003e13\u003cbr\u003eIII. Allegro * (00:01:42)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079163130,"sku":"GP733","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp733.jpg?v=1778194632"},{"product_id":"vanhal-keyboard-capriccios","title":"Vanhal: Keyboard Capriccios - Michael Tsalka","description":"\u003cp\u003eOne of the leading composers of the Classical and early Romantic eras, Vanhal played a vital role in the development of Viennese music between 1750 and 1780. He composed prolifically in many genres, including a large number of quartets, symphonies, sacred works, vocal and instrumental works. Vanhal was at his most inspirational and improvisational in his keyboard Capriccios composed in the 1780s, which are some of the most creative examples of the Viennese Classical style, not least in their almost symphonic force.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Yamaha Grand Piano.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 1 in F Major, \"Clementis and Silentis\" () (00:09:59 )\u003cbr\u003e1\u003cbr\u003eI. Adagio - Allegro (00:05:28)\u003cbr\u003e2\u003cbr\u003eII. Andante (00:01:47)\u003cbr\u003e3\u003cbr\u003eIII. Allegro molto (00:02:46)\u003cbr\u003e \u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 2 in G Minor, \"Amoroso\" () (00:15:16 )\u003cbr\u003e4\u003cbr\u003eI. Adagio - Allegro moderato (00:07:45)\u003cbr\u003e5\u003cbr\u003eII. Andante (00:04:01)\u003cbr\u003e6\u003cbr\u003eIII. Allegretto (00:03:30)\u003cbr\u003e \u003cbr\u003e3 Neue Caprice-Sonaten, Op. 31: No. 3 in F Minor, \"Dolente\" () (00:12:07 )\u003cbr\u003e7\u003cbr\u003eI. Adagio - Allegro (00:04:50)\u003cbr\u003e8\u003cbr\u003eII. Adagio (00:03:09)\u003cbr\u003e9\u003cbr\u003eIII. Allegro (00:04:05)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 1 in G Major () (00:14:32 )\u003cbr\u003e10\u003cbr\u003eI. Adagio - Allegro moderato (00:08:05)\u003cbr\u003e11\u003cbr\u003eII. Andantino (00:04:21)\u003cbr\u003e12\u003cbr\u003eIII. Allegretto (00:02:09)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 2 in E-Flat Major () (00:13:51 )\u003cbr\u003e13\u003cbr\u003eI. Adagio - Allegro moderato (00:08:44)\u003cbr\u003e14\u003cbr\u003eII. Rondo: Allegro (00:05:07)\u003cbr\u003e \u003cbr\u003e3 Caprices, Op. 36: No. 3 in G Minor () (00:14:07 )\u003cbr\u003e15\u003cbr\u003eI. Adagio - Allegro moderato (00:06:27)\u003cbr\u003e16\u003cbr\u003eII. Rondo: Allegro (00:07:45)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079228666,"sku":"GP680","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp680.jpg?v=1778192518"},{"product_id":"rieti-complete-piano-solo-duo-music-vol-2","title":"Rieti: Complete Piano Solo \u0026 Duo Music, Vol. 2 - Virginia Rossetti, Giorgio Koukl","description":"\u003cdiv\u003eVittorio Rieti’s admission that his musical style was largely neo-Classical belies a cosmopolitan openness to influences that range from Les Six, the Second Viennese School and Stravinsky. This recording shows a youthful and at times mischievous approach – Rieti frequently puts a smile on the face of his music, united with a fondness for brevity, and melodies reminiscent of the atmosphere of Parisian clubs. The Chess Serenade has a whiff of New York Broadway about it, and the dance character in many of these pieces reflects Rieti’s successful work for the stage. Following on from the critically acclaimed first volume (GP921), Giorgio Koukl – described as ‘one of the five or six greatest living pianists today’ by The Art Music Lounge – is once again joined in the works for piano duo by the prize-winning pianist Virginia Rossetti.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRieti, Vittorio\u003c\/div\u003e\n\u003cdiv\u003e Briciole\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Berceuse 01:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Il Carillon rotto 01:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Il Carillon scordato 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Chopin-Debussy 01:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Marionette 01:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 2 Studi\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. Semplice e con moto 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. Scorrevole 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Suite (1926): IV. Canzonetta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Piano Suite (1926): IV. Canzonetta 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Chess Serenade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Prelude 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Gavotte 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Serenade 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 IV. Valse 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 V. Clown March 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Contrasti\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 1. Preludio 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 2. Variazioni 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 3. Bagatella 00:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 4. Elegia 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 5. Girandola 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e New Waltzes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 1. Belinda Waltz 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 2. Valse Caprice 06:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 3. Valse Champêtre 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 4. Valse Légère 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 5. Valse Lente 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 6. Rondo Waltz 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Chironomos\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 I. Preludio 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 II. Allegro volante 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 III. Intermezzo 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 IV. Mazurka 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 V. Improvviso 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 VI. Epilogo 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Valse pour Léonor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 31 Valse pour Léonor 01:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Piano Pieces (1992)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 32 No. 1. Tempo giusto 01:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 33 No. 2. L'istesso tempo 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 34 No. 3. Andante poco mosso 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 35 No. 4. Allegro alla tarantella 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079326970,"sku":"GP938","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP938_c9454173-89e2-427a-bdfb-2f62e151d737.jpg?v=1780242725"},{"product_id":"vorisek-complete-works-for-piano-vol-3","title":"Voríšek: Complete Works for Piano, Vol. 3 - 12 Rhapsodies - Biljana Urban","description":"\u003cdiv\u003eJan Hugo Voříšek, the ‘prodigy from Prague’, arrived in Vienna at the age of 22 and almost immediately earned the approval and admiration of Beethoven. His works foreshadow Schubert, Chopin and Schumann but he was so individualistic a composer that he resists easy categorisation either as a Classicist or a Romantic. This third and last volume of his complete piano works is devoted to the Twelve Rhapsodies, Op. 1, which extend the form of the scherzo in a lyrical vein suggestive of Brahms’ Two Rhapsodies, Op. 79.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eVoříšek, Jan Hugo\u003c\/div\u003e\n\u003cdiv\u003e 12 Rhapsodies, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1 in C-Sharp Minor: Allegro 07:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2 in E Major: Allegro 05:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3 in A Minor: Allegro con brio 08:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4 in F Major: Vivace 05:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5 in F Minor: Allegro 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6 in A-Flat Major: Allegretto ma agitato 07:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7 in D Minor: Allegro furioso 05:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8 in D Major: Veloce, ardito 04:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9 in G Minor: Allegro appassionato 05:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10 in C Major: Allegro risvegliato 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11 in B Minor: Allegro brioso 07:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 12 in E-Flat Major: Allegro tempestoso 06:3\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079392506,"sku":"GP672","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP672.jpg?v=1780243905"},{"product_id":"gan-ru-piano-music-vol-2-12-etudes-for-extended-piano","title":"Gan-Ru: Piano Music, Vol. 2 (12 Etudes for Extended Piano) - Yiming Zhang","description":"\u003cdiv\u003eGe Gan-ru, ‘China’s first avant-garde composer’, is regarded as one of the most original voices of his generation. Composed in close collaboration with pianist Yiming Zhang, 12 Études for Extended Piano explores techniques using the hands on the strings and keys of the piano, as well as employing a variety of objects to create effects that range from menacing darkness to the kaleidoscopic magic of harmonics, and from skilful drumming to atmospheres as calm as flowing water. Yiming Zhang continues his survey of Ge Gan-ru’s piano music in this second volume of the composer’s works.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eGe, Gan-Ru\u003c\/div\u003e\n\u003cdiv\u003e 12 Études for Extended Piano\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Harmonics 05:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Rhythm on A 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Pizzicato 04:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Muted 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Glissando across Strings 04:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Drumming 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. With Soft Plectrums 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. With Finger Cymbal 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9. With Paper 05:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10. With Rubber Mallets and Magnets 05:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11. With Hard Plectrum 05:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 12. With Drum Mallets 05:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079458042,"sku":"GP940","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP940.jpg?v=1780236067"},{"product_id":"tcherepnin-piano-music-vol-5","title":"Tcherepnin: Piano Music, Vol. 5 - Giorgio Koukl","description":"\u003cp\u003e \u003cbr\u003e8 Preludes, Op. 9 (1920) (00:08:32 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Moderato (00:01:22)\u003cbr\u003e2\u003cbr\u003eNo. 2. Lent (00:01:43)\u003cbr\u003e3\u003cbr\u003eNo. 3. Rubato (00:00:40)\u003cbr\u003e4\u003cbr\u003eNo. 4. Sostenuto (00:00:57)\u003cbr\u003e5\u003cbr\u003eNo. 5. Lento (00:01:07)\u003cbr\u003e6\u003cbr\u003eNo. 6. Agitato (00:00:51)\u003cbr\u003e7\u003cbr\u003eNo. 7. Rubato (00:00:45)\u003cbr\u003e8\u003cbr\u003eNo. 8. Sostenuto tranquillo (00:01:03)\u003cbr\u003e \u003cbr\u003eArabesques, Op. 11 (1921) (00:05:23 )\u003cbr\u003e9\u003cbr\u003eNo. 1. Andantino (00:01:38)\u003cbr\u003e10\u003cbr\u003eNo. 2. Allegro vivo (00:01:27)\u003cbr\u003e11\u003cbr\u003eNo. 3. Allegretto (00:00:57)\u003cbr\u003e12\u003cbr\u003eNo. 4. Presto (00:01:20)\u003cbr\u003e \u003cbr\u003e12 Pieces (1969) (00:09:57 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Moderato * (00:00:55)\u003cbr\u003e14\u003cbr\u003eNo. 2. Lento * (00:00:38)\u003cbr\u003e15\u003cbr\u003eNo. 3. Animato * (00:00:41)\u003cbr\u003e16\u003cbr\u003eNo. 4. Agitato - No. 5. — * (00:01:10)\u003cbr\u003e17\u003cbr\u003eNo. 6. Molto animato * (00:00:46)\u003cbr\u003e18\u003cbr\u003eNo. 7. Lento * (00:01:15)\u003cbr\u003e19\u003cbr\u003eNo. 8. En allant * (00:01:23)\u003cbr\u003e20\u003cbr\u003eNo. 9. — * (00:00:32)\u003cbr\u003e21\u003cbr\u003eNo. 10. Lento * (00:01:10)\u003cbr\u003e22\u003cbr\u003eNo. 11. Ascension * (00:00:53)\u003cbr\u003e23\u003cbr\u003eNo. 12. Jeu de cubes * (00:00:31)\u003cbr\u003e \u003cbr\u003eOpivochki, Op. 109 (1977) (00:30:55 )\u003cbr\u003e24\u003cbr\u003eNo. 1. Lento * (00:00:49)\u003cbr\u003e25\u003cbr\u003eNo. 2. Moderato * (00:00:29)\u003cbr\u003e26\u003cbr\u003eNo. 3. Slowly * (00:01:19)\u003cbr\u003e27\u003cbr\u003eNo. 4. Very slowly * (00:01:09)\u003cbr\u003e28\u003cbr\u003eNo. 5. — * (00:00:46)\u003cbr\u003e29\u003cbr\u003eNo. 6. For the beginning of a merry Pickwick overture * (00:00:21)\u003cbr\u003e30\u003cbr\u003eNo. 7. — * (00:00:26)\u003cbr\u003e31\u003cbr\u003eNo. 8. So sad at heart * (00:00:54)\u003cbr\u003e32\u003cbr\u003eNo. 9. Animato * (00:00:21)\u003cbr\u003e33\u003cbr\u003eNo. 10. — * (00:00:53)\u003cbr\u003e34\u003cbr\u003eNo. 11. — * (00:00:42)\u003cbr\u003e35\u003cbr\u003eNo. 12. — * (00:00:23)\u003cbr\u003e36\u003cbr\u003eNo. 13. — * (00:00:37)\u003cbr\u003e37\u003cbr\u003eNo. 14. — * (00:00:42)\u003cbr\u003e38\u003cbr\u003eNo. 15. — * (00:00:47)\u003cbr\u003e39\u003cbr\u003eNo. 16. — * (00:00:48)\u003cbr\u003e40\u003cbr\u003eNo. 17. Animato * (00:00:54)\u003cbr\u003e41\u003cbr\u003eNo. 18. Recitando * (00:00:53)\u003cbr\u003e42\u003cbr\u003eNo. 19. — * (00:00:25)\u003cbr\u003e43\u003cbr\u003eNo. 20. — * (00:01:02)\u003cbr\u003e44\u003cbr\u003eNo. 21. — * (00:00:52)\u003cbr\u003e45\u003cbr\u003eNo. 22. Lento * (00:01:14)\u003cbr\u003e46\u003cbr\u003eNo. 23. Mesto * (00:00:47)\u003cbr\u003e47\u003cbr\u003eNo. 24. — * (00:01:04)\u003cbr\u003e48\u003cbr\u003eNo. 25. Lento * (00:01:30)\u003cbr\u003e49\u003cbr\u003eNo. 26. Lento * (00:00:43)\u003cbr\u003e50\u003cbr\u003eNo. 27. Andantino * (00:00:22)\u003cbr\u003e51\u003cbr\u003eNo. 28. — * (00:00:20)\u003cbr\u003e52\u003cbr\u003eNo. 29. En allant * (00:00:39)\u003cbr\u003e53\u003cbr\u003eNo. 30. Animato * (00:00:27)\u003cbr\u003e54\u003cbr\u003eNo. 31. Moderato * (00:00:31)\u003cbr\u003e55\u003cbr\u003eNo. 32. Left hand * (00:00:54)\u003cbr\u003e56\u003cbr\u003eNo. 33. Lento * (00:00:20)\u003cbr\u003e57\u003cbr\u003eNo. 34. — * (00:00:41)\u003cbr\u003e58\u003cbr\u003eNo. 35. — * (00:01:12)\u003cbr\u003e59\u003cbr\u003eNo. 36. Grave * (00:01:58)\u003cbr\u003e60\u003cbr\u003eNo. 37. Lento * (00:00:41)\u003cbr\u003e61\u003cbr\u003eNo. 38. Lento * (00:00:27)\u003cbr\u003e62\u003cbr\u003eNo. 39. — * (00:01:17)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079556346,"sku":"GP650","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp650.jpg?v=1778190861"},{"product_id":"castiglioni-complete-piano-works-vol-2","title":"Castiglioni: Complete Piano Works, Vol. 2 - Aldo Orvieto","description":"\u003cp\u003eNiccolò Castiglioni’s music has at its heart a quest for different timbres and new musical perspectives. After the neo-Classical exercises of his student years he moved towards serial techniques with explorations of contrast and transformation. Castiglioni made his name with Inizio di movimento, consolidating this with Cangianti in which the piano becomes a ‘lyrical instrument of the most tender poetry’. The award-winning Italian pianist Aldo Orvieto continues his survey of piano works by one of Italy’s most unique 20th-century composers.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e5 Innodie (1953) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Ostinato (00:01:43)\u003cbr\u003e2\u003cbr\u003eNo. 2. Giubilazione (00:00:54)\u003cbr\u003e3\u003cbr\u003eNo. 3. Contrappunto su sol (00:01:35)\u003cbr\u003e4\u003cbr\u003eNo. 4. Inno (00:02:04)\u003cbr\u003e5\u003cbr\u003eNo. 5. Contrappunto su un canto fermo, \"Ubi caritas et amor, Deus ibi est\" (00:02:18)\u003cbr\u003e \u003cbr\u003e3 Studi (1954) (00:05:00 )\u003cbr\u003e6\u003cbr\u003eNo. 1. Il più presto possibile (00:00:17)\u003cbr\u003e7\u003cbr\u003eNo. 2. Lento e sempre ugualmente pianissimo (00:01:10)\u003cbr\u003e8\u003cbr\u003eNo. 3. Il più presto possibile (00:02:23)\u003cbr\u003e9\u003cbr\u003eInizio di movimento (1958) (00:02:58)\u003cbr\u003e10\u003cbr\u003eCangianti (1959) (00:10:24)\u003cbr\u003e \u003cbr\u003e3 Pezzi (1978) (00:16:00 )\u003cbr\u003e11\u003cbr\u003eNo. 1. Sweet (00:05:41)\u003cbr\u003e12\u003cbr\u003eNo. 2. Kinderlied ohne Worte (00:05:10)\u003cbr\u003e13\u003cbr\u003eNo. 3. Fregi (00:06:31)\u003cbr\u003e \u003cbr\u003eDulce refrigerium (1984) (00:09:00 )\u003cbr\u003e14\u003cbr\u003eNo. 1. Humilitas (00:01:49)\u003cbr\u003e15\u003cbr\u003eNo. 2. Humus (00:02:00)\u003cbr\u003e16\u003cbr\u003eNo. 3. Urquelle (00:01:20)\u003cbr\u003e17\u003cbr\u003eNo. 4. Lied (00:01:55)\u003cbr\u003e18\u003cbr\u003eNo. 5. Liebeslied (00:01:07)\u003cbr\u003e19\u003cbr\u003eNo. 6. Choral, \"Ah! ritorni il vecchio affetto a regnar nel vostro cor\" (00:00:17)\u003cbr\u003e20\u003cbr\u003eHe (1990) (00:08:30)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079589114,"sku":"GP863","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp863.jpg?v=1778195158"},{"product_id":"indy-piano-sonata-in-e-tableaux-de-voyage-excerpts","title":"D'Indy: Piano Sonata in E - Tableaux de Voyage (excerpts) - Jean-Pierre Armengaud","description":"\u003cp\u003eA student of Franck, Vincent d’Indy founded the Schola Cantorum de Paris where he taught for many years. He was also a conductor, with a busy schedule of international touring. His compositions were permeated by the influence of Wagner—he attended the premiere of the Ring cycle—but in time he also absorbed the influence of French folk music, especially from the Vivarais, his ancestral home.\u003c\/p\u003e\n\u003cp\u003eVincent d’Indy’s large-scale Piano Sonata is one of a small but masterful sequence of non-programmatic instrumental works that he wrote in the first decade of the 20th century. Notable for a novel application of variation form in its opening movement it fuses experimentation with expressive power. Poetic atmospheres and landscapes are evoked in the Tableaux de voyage, postcards of his walks in Germany.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003ePiano Sonata, Op. 63 (1907) (00:35:00 )\u003cbr\u003e1\u003cbr\u003eI. Modéré: [Introduction] - (00:04:14)\u003cbr\u003e2\u003cbr\u003eI. Variation 1: Un peu plus animé - (00:01:44)\u003cbr\u003e3\u003cbr\u003eI. Variation 2: Lent - (00:02:10)\u003cbr\u003e4\u003cbr\u003eI. Variation 3: Plus vite - (00:02:26)\u003cbr\u003e5\u003cbr\u003eI. Variation 4: Modérément animé - (00:01:51)\u003cbr\u003e6\u003cbr\u003eI. Premier mouvement du thème - (00:01:23)\u003cbr\u003e7\u003cbr\u003eI. Thema mutatum (00:03:03)\u003cbr\u003e8\u003cbr\u003eII. Très animé - (00:00:48)\u003cbr\u003e9\u003cbr\u003eII. Un peu moins vite - (00:02:04)\u003cbr\u003e10\u003cbr\u003eII. Premier mouvement: Très animé - (00:00:30)\u003cbr\u003e11\u003cbr\u003eII. [bars 99-156] - (00:02:05)\u003cbr\u003e12\u003cbr\u003eII. Au mouvement (00:01:48)\u003cbr\u003e13\u003cbr\u003eIII. Modéré - (00:02:43)\u003cbr\u003e14\u003cbr\u003eIII. Même mouvement - (00:01:21)\u003cbr\u003e15\u003cbr\u003eIII. Un peu plus animé - (00:00:26)\u003cbr\u003e16\u003cbr\u003eIII. Au mouvement - (00:01:56)\u003cbr\u003e17\u003cbr\u003eIII. Premier mouvement - (00:02:27)\u003cbr\u003e18\u003cbr\u003eIII. Thema premier mouvement - (00:01:02)\u003cbr\u003e19\u003cbr\u003eIII. Au mouvement - (00:01:15)\u003cbr\u003e20\u003cbr\u003eIII. Un peu plus animé - (00:00:33)\u003cbr\u003e21\u003cbr\u003eIII. [bars 245-287] - (00:01:54)\u003cbr\u003e22\u003cbr\u003eIII. Au mouvement - (00:01:37)\u003cbr\u003e23\u003cbr\u003eIII. Thema: Très large et puissant (00:03:41)\u003cbr\u003e \u003cbr\u003eTableaux de voyage, Op. 33 (1889) (00:37:00 )\u003cbr\u003e24\u003cbr\u003eNo. 1. ? (00:01:48)\u003cbr\u003e25\u003cbr\u003eNo. 3. Pâturage (00:02:54)\u003cbr\u003e26\u003cbr\u003eNo. 4. Lac Vert (00:02:13)\u003cbr\u003e27\u003cbr\u003eNo. 5. Le Glas (00:02:55)\u003cbr\u003e28\u003cbr\u003eNo. 11. Beuron (00:02:07)\u003cbr\u003e29\u003cbr\u003eNo. 12. La Pluie (00:05:20)\u003cbr\u003e30\u003cbr\u003eNo. 13. Rêve (00:05:53)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079687418,"sku":"GP756","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp756.jpg?v=1778190620"},{"product_id":"ekanayaka-reinventions-rhapsodies-for-piano","title":"Ekanayaka: Reinventions – Rhapsodies for Piano","description":"\u003cdiv\u003eTanya Ekanayaka is one of Sri Lanka’s foremost pianists and an internationally acclaimed composer. Her ‘deeply autobiographical’ piano compositions, or reinventions, introduce a novel and hybrid musical genre that takes a wide variety of Sri Lankan melodies—ancient, folk and popular—and blends them with motifs inspired by the tonal centres of established classical compositions by Bach, Beethoven, Ravel and others.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eEkanayaka, Tanya\u003c\/div\u003e\n\u003cdiv\u003e Adahas: Of Wings Of Roots\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Adahas: Of Wings Of Roots 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dew Encounters: Of Scottish Walks, Vannam (Udara) \u0026amp; Sri Lanka's Bugs Bunny\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Dew Encounters: Of Scottish Walks, Vannam (Udara) and Sri Lanka's Bugs Bunny 04:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dhaivaya: Alter(ing) Hue\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Dhaivaya: Alter(ing) Hue 10:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vannam (Gajaga, Mayura \u0026amp; Hanuma) \u0026amp; You\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Vannam (Gajaga, Mayura and Hanuma) and You 09:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e In Lotus: Olu Pipila With Moment\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 In Lotus: Olu Pipila With Moment 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Labyrinth; Vannam Lent\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Labyrinth; Vannam Lent 05:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 2013\/14 June Echoes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 2013\/14 June Echoes 15:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079752954,"sku":"GP693","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP693.jpg?v=1780235654"},{"product_id":"frid-piano-works","title":"Frid: Piano Works - Children's Pieces, Opp. 25, 39, 41; Inventions, Op. 46 - Elisaveta Blumina","description":"\u003cp\u003eGrigori (Grigory) Samuilovich Frid was a distinguished member of the generation of composers born in Russia just before the Revolution of 1917. Frid’s significant corpus of piano music can trace its lineage to Tchaikovsky, Mussorgsky and Stravinsky, and his skill in conjuring entire worlds in music can be heard throughout this recording. His albums of Children’s Pieces are rich in gems that evoke poetic nostalgia, seasonal moods and witty pictorial descriptions that genuinely transcend their didactic purpose. In these world première recordings, distinguished pianist Elisaveta Blumina reveals Frid’s extraordinary character – a gifted composer, pedagogue and artist who lived his life to the full, despite many personal setbacks and difficulties.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Pieces for Piano 4 Hands: No. 1. Allegretto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 6 Pieces for Piano 4 Hands: No. 1. Allegretto 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Children's Pieces, Op. 41 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. On a Summer's Morning 00:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. Mishka 00:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. Dance (Scherzo) 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 4. Duet 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 5. The Merry Fiddler 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. March 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. Byliny Tune 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9. Gallop. Etude 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10. Autumn Tale 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11. Two Girlfriends. Canon 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 13. Morning Stroll 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 14. Toccata 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 15. Flute and Double Bass 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 16. Melody 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 17. Dance of the Silvan Dew Drops. Étude 01:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 19. Joke 00:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 20. Gaidar's Tale 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 21. Accordion 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 22. Thoughtful Waltz 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Inventions, Op. 46 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 1. Tranquillo 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 6. Allegretto 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 8. Andante risoluto - Adagio 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 9. Allegretto - Poco sostenuto 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Children's Pieces, Op. 25 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 No. 3. Song of Spring 00:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 No. 5. Lily of the Valley 01:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 No. 6. In the Summer 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 No. 8. Noon 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Children's Pieces, Op. 39 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 No. 4. Sad Song 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 No. 8. Polka 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 31 No. 10. Strolling Around 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 32 No. 15. The Shepherd Boy 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 33 No. 16. Clocks 00:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 34 No. 17. Negro Lullaby 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 35 No. 19. Ditty 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 36 No. 22. Sadly 00:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 37 No. 23. In Springtime 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 38 No. 25. Nocturne 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 39 No. 28. On the Riverbank. Udmurt Melody 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 40 No. 30. Masha Sleeps 00:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 41 No. 32. Chicklets 00:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 42 No. 33. The Baby Bird 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 43 No. 37. Rain. Étude 00:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 44 No. 38. Humorous Song 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 45 No. 40. The Path. Étude 00:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 46 No. 41. Fughetta 01:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 47 No. 42. Invention in B minor 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 48 No. 43. Little Waltz 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079818490,"sku":"GP870","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP870.jpg?v=1780235892"},{"product_id":"turk-keyboard-sonatas-collection-1-2","title":"Turk: Keyboard Sonatas Collection 1 \u0026 2 - Michael Tsalka, spinet (2 CDs)","description":"\u003cp\u003eDaniel Gottlob Türk is best known for his influential pedagogical treatise Klavierschule (1789). His 48 inventive and varied keyboard sonatas were influenced by Sonatas of other North German composers such as C. P. E. Bach and J. W. Hässler. The five historical keyboards employed in this recording reflect the diversity of the instruments available in Türk’s day. The twelve sonatas encompassed in his first and second collections show how the composer’s sensitive, at times dramatic, oratorical style relates beautifully to the nuanced expressive capabilities of these instruments.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on period instruments:\u003cbr\u003eCD1, Sonata No. 1: Spinet by Johann Heinrich Silbermann, Strasbourg, 1785\u003cbr\u003eCD1, Sonata No. 2; CD2, Sonatas Nos. 4 \u0026amp; 6: Harpsichord by Joseph Kirkman [Kirckman], London, 17895\u003cbr\u003eCD1, Sonata Nos. 3 \u0026amp; 6; CD2, Sonata No. 2: Fortepiano by Anton Martin Thӱm, Vienna, ca. 1815–20\u003cbr\u003eCD1, Sonata No. 4; CD2, Sonata No. 3: Tangent Piano by Frantz Jacob Spath \u0026amp; Christoph Friedrich Schmahl, Regensburg, ca. 1780\u003cbr\u003eCD1, sonata No. 5; CD2, Sonatas Nos. 1 \u0026amp; 5: Clavichord by Johann paul Kraemer \u0026amp; Sons, Göttingen, 1804\u003c\/p\u003e\n\u003cp\u003eDisc 1\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 1 in C Major (1777) (00:12:12 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto * (00:05:10)\u003cbr\u003e2\u003cbr\u003eII. Un poco adagio * (00:02:43)\u003cbr\u003e3\u003cbr\u003eIII. Allegro * (00:04:26)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 2 in B-Flat Major (1777) (00:14:00 )\u003cbr\u003e4\u003cbr\u003eI. Allegro grazioso * (00:07:13)\u003cbr\u003e5\u003cbr\u003eII. Largo * (00:01:27)\u003cbr\u003e6\u003cbr\u003eIII. Tempo di minuetto * (00:04:06)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 3 in D Major (1777) (00:11:53 )\u003cbr\u003e7\u003cbr\u003eI. Allegro di molto * (00:07:40)\u003cbr\u003e8\u003cbr\u003eII. Largo e tenero * (00:02:52)\u003cbr\u003e9\u003cbr\u003eIII. Un poco allegro * (00:03:38)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 4 in G Minor (1777) (00:11:53 )\u003cbr\u003e10\u003cbr\u003eI. Allegro con spirito * (00:04:51)\u003cbr\u003e11\u003cbr\u003eII. Andantino. Un poco adagio * (00:02:27)\u003cbr\u003e12\u003cbr\u003eIII. Presto * (00:04:43)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 5 in A Minor (1777) (00:13:00 )\u003cbr\u003e13\u003cbr\u003eI. Allegro * (00:05:08)\u003cbr\u003e14\u003cbr\u003eII. Affectuoso * (00:03:24)\u003cbr\u003e15\u003cbr\u003eIII. Allegro assai * (00:04:37)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 1 (1776): Sonata No. 6 in F Major (1777) (00:13:18 )\u003cbr\u003e16\u003cbr\u003eI. Moderato * (00:06:14)\u003cbr\u003e17\u003cbr\u003eII. Adagio * (00:02:44)\u003cbr\u003e18\u003cbr\u003eIII. Rondeau: Moderato * (00:04:32)\u003cbr\u003eDisc 2\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas (1777), Collection 2: Sonata No. 1 in D Minor (1777) (00:14:32 )\u003cbr\u003e1\u003cbr\u003eI. Allegretto * (00:06:34)\u003cbr\u003e2\u003cbr\u003eII. Adagio * (00:03:05)\u003cbr\u003e3\u003cbr\u003eIII. Allegro assai * (00:04:59)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 2 in E-Flat Major (1777) (00:14:05 )\u003cbr\u003e4\u003cbr\u003eI. Allegro con spirito * (00:06:14)\u003cbr\u003e5\u003cbr\u003eII. Adagio assai * (00:02:48)\u003cbr\u003e6\u003cbr\u003eIII. Tempo di minuetto * (00:05:11)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 3 in A Major (1777) (00:09:44 )\u003cbr\u003e7\u003cbr\u003eI. Presto * (00:04:43)\u003cbr\u003e8\u003cbr\u003eII. Andante * (00:02:38)\u003cbr\u003e9\u003cbr\u003eIII. Prestissimo * (00:02:30)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 4 in G Minor (1777) (00:13:57 )\u003cbr\u003e10\u003cbr\u003eI. Allegretto grazioso * (00:06:59)\u003cbr\u003e11\u003cbr\u003eII. Largo molto e tenero * (00:02:40)\u003cbr\u003e12\u003cbr\u003eIII. Allegro assai e scherzando * (00:04:25)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 5 in C Minor (1777) (00:13:32 )\u003cbr\u003e13\u003cbr\u003eI. Allegro moderato * (00:05:57)\u003cbr\u003e14\u003cbr\u003eII. Larghetto * (00:01:41)\u003cbr\u003e15\u003cbr\u003eIII. Allegro spirituoso * (00:06:01)\u003cbr\u003e \u003cbr\u003e12 Keyboard Sonatas, Collection 2 (1777): Sonata No. 6 in G Major (1777) (00:12:27 )\u003cbr\u003e16\u003cbr\u003eI. Allegro di molto * (00:04:17)\u003cbr\u003e17\u003cbr\u003eII. Grave * (00:03:24)\u003cbr\u003e18\u003cbr\u003eIII. Poco allegro * (00:04:59)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079884026,"sku":"GP627-28","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp627-28.jpg?v=1778192427"},{"product_id":"elmas-complete-piano-works-vol-2","title":"Elmas: Complete Piano Works, Vol. 2 - Mazurkas - Mikael Ayrapetyan","description":"\u003cdiv\u003eA child prodigy, Stephan Elmas met Franz Liszt and made his acclaimed Viennese performing debut in 1885. Like Chopin, Elmas combined the character of folk-music dance forms to create sophisticated and deeply personal statements, and his Mazurkas are musical poems and paintings in which depictions of everyday scenes are combined with soulful lyricism. This world premiere recording by Armenian music specialist Mikael Ayrapetyan provides ample evidence of the great contribution Elmas’s Mazurkas make to the piano repertoire and to the musical heritage of Armenia and beyond.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eElmas, Stephan\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 1 in F-Sharp Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Mazurka No. 1 in F-Sharp Major (ed. M. Ayrapetyan) 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 2 in E-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Mazurka No. 2 in E-Flat Major (ed. M. Ayrapetyan) 03:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 3 in B-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Mazurka No. 3 in B-Flat Major (ed. M. Ayrapetyan) 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 4 in E Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Mazurka No. 4 in E Major (ed. M. Ayrapetyan) 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 5 in C-Sharp Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Mazurka No. 5 in C-Sharp Minor (ed. M. Ayrapetyan) 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 6 in D Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Mazurka No. 6 in D Minor (ed. M. Ayrapetyan) 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 7 in E Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Mazurka No. 7 in E Minor (ed. M. Ayrapetyan) 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 8 in D Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Mazurka No. 8 in D Major (ed. M. Ayrapetyan) 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 9 in D Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Mazurka No. 9 in D Minor (ed. M. Ayrapetyan) 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 10 in C-Sharp Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Mazurka No. 10 in C-Sharp Minor (ed. M. Ayrapetyan) 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 11 in B-Flat Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Mazurka No. 11 in B-Flat Minor (ed. M. Ayrapetyan) 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 12 in A-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Mazurka No. 12 in A-Flat Major (ed. M. Ayrapetyan) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 13 in B-Flat Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Mazurka No. 13 in B-Flat Minor (ed. M. Ayrapetyan) 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 14 in A Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Mazurka No. 14 in A Minor (ed. M. Ayrapetyan) 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 15 in G Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Mazurka No. 15 in G Minor (ed. M. Ayrapetyan) 01:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 16 in C Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Mazurka No. 16 in C Minor (ed. M. Ayrapetyan) 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 17 in D-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Mazurka No. 17 in D-Flat Major (ed. M. Ayrapetyan) 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 18 in D Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Mazurka No. 18 in D Minor (ed. M. Ayrapetyan) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 19 in B Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Mazurka No. 19 in B Minor (ed. M. Ayrapetyan) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 20 in E Minor (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Mazurka No. 20 in E Minor (ed. M. Ayrapetyan) 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 21 in F Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Mazurka No. 21 in F Major (ed. M. Ayrapetyan) 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 22 in B-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Mazurka No. 22 in B-Flat Major (ed. M. Ayrapetyan) 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 23 in A Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Mazurka No. 23 in A Major (ed. M. Ayrapetyan) 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 24 in B-Flat Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Mazurka No. 24 in B-Flat Major (ed. M. Ayrapetyan) 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 25 in A Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Mazurka No. 25 in A Major (ed. M. Ayrapetyan) 03:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 26 in F Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Mazurka No. 26 in F Major (ed. M. Ayrapetyan) 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mazurka No. 27 in B Major (ed. M. Ayrapetyan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Mazurka No. 27 in B Major (ed. M. Ayrapetyan) 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079949562,"sku":"GP928","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP928.jpg?v=1780235768"},{"product_id":"szechenyi-piano-music-from-a-hungarian-dynasty-1800-1920","title":"Széchényi: Piano Music from a Hungarian Dynasty, 1800-1920 - István Kassai, György Lázár","description":"\u003cdiv\u003eSzéchényi, Félicie\u003c\/div\u003e\n\u003cdiv\u003e Dorette, Polka française, Op. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Dorette, Polka française, Op. 4 02:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Herzblatt (Sweetheart), Polka-Mazur, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Herzblatt (Sweetheart), Polka-Mazur, Op. 1 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Immer lustig (Always Cheerful), Polka française\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Immer lustig (Always Cheerful), Polka française 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 7 Uhr früh (7 in the Morning), Polka schnell, Op. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 7 Uhr früh (7 in the Morning), Polka schnell, Op. 3 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Franciska\u003c\/div\u003e\n\u003cdiv\u003e 6 Ländler\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 6 Ländler 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Lajos\u003c\/div\u003e\n\u003cdiv\u003e 3 Magyar tántzok (3 Hungarian Dances)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. — 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. — 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. — 01:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Deutscher mit Coda\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Deutscher mit Coda 03:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 10 Ländler und 1 Mazurka\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 10 Ländler und 1 Mazurka 08:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Ödön\u003c\/div\u003e\n\u003cdiv\u003e Hajósegyleti Polka (Shipowners Association Polka)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Hajósegyleti Polka (Shipowners Association Polka) 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Marien-Polka\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Marien-Polka 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Viszontlátási örömhangok keringő (Joyful Sounds of Goodbye, Waltz)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Viszontlátási örömhangok keringő (Joyful Sounds of Goodbye, Waltz) 07:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Pull-on! galopp\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Pull-on! galopp 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Regatta négyes (Regatta Foursome)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Regatta négyes (Regatta Foursome) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ez az élet gyöngyélet, Csilli csárdás (This Life is a Pearly Life)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Ez az élet gyöngyélet, Csilli csárdás (This Life is a Pearly Life) 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Hableány polka (Mermaid Polka)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Hableány polka (Mermaid Polka) 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Gisa\u003c\/div\u003e\n\u003cdiv\u003eGound, Robert - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Abendsonne (Setting Sun), Act III: Vorspiel (arr. R. Gound for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Abendsonne (Setting Sun), Act III: Vorspiel (arr. R. Gound for piano) 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Andor\u003c\/div\u003e\n\u003cdiv\u003e Ein Marsch mehr! (One More March!)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Ein Marsch mehr! (One More March!) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Gedanken-Walzer (Thinking Waltz)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Gedanken-Walzer (Thinking Waltz) 06:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Tritsch-Tratsch-Polka\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Tritsch-Tratsch-Polka 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzéchényi, Imre\u003c\/div\u003e\n\u003cdiv\u003e 3 Walzer for piano 4 hands: No. 1. —\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 3 Walzer for piano 4 hands: No. 1. — 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853079982330,"sku":"GP786","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP786.jpg?v=1780243546"},{"product_id":"solal-works-for-piano-2-pianos","title":"Solal: Works for Piano \u0026 2 Pianos - Eric Ferrand-N’Kaoua","description":"\u003cdiv\u003eEuropean jazz legend Martial Solal is an imaginative and creative thinker for the piano, and one never straightjacketed by music genres. Voyage en Anatolie is a kind of survey of Jazz, with 13 brilliantly linked variations. The Jazz Preludes and Études explore piquant harmonies through innovative pianistic figures, whilst the Exercice de concert offers a stunningly transcribed improvisation. Solal himself plays the first piano part in the Ballade for two pianos.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSolal, Martial\u003c\/div\u003e\n\u003cdiv\u003e Voyage en Anatolie (Journey to Anatolia)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Voyage en Anatolie (Journey to Anatolia) 05:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Jazz Preludes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. — 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. — 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. — 01:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 4. — 03:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 5. — 02:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 6. — 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 7. — 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWetzel, Pascal\u003c\/div\u003e\n\u003cdiv\u003eSolal, Martial\u003c\/div\u003e\n\u003cdiv\u003e Exercice de Concert (Concert Exercise)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Exercice de Concert (Concert Exercise) 05:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSolal, Martial\u003c\/div\u003e\n\u003cdiv\u003e 11 Etudes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 1. La Nonchalante (The Nonchalant) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 2. La Syncopée (The Syncopated) 01:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 3. La Jazzifiante (The Jazzyfying) 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 4. La Joyeuse (The Joyful) 01:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 5. La Charmante (The Charming) 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 6. La Calme et agitée (The Calm and Agitated) 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 7. La Chantante (The Singing) 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 8. La Motorisée (The Motorized) 00:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 9. La Tonique (The Tonic) 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 10. La Trépidante (The Thrilling) 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 11. La Lancinante (The Haunting) 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade for 2 Pianos\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Ballade for 2 Pianos 06:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853080113402,"sku":"GP697","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/71-r9jB99hL._SL1200.jpg?v=1780243037"},{"product_id":"szczerbinski-complete-piano-music-vol-2","title":"Szczerbinski: Complete Piano Music, Vol. 2 - Giorgio Koukl","description":"\u003cdiv\u003ePolish composer Alfons Szczerbiński was a Romantic who revered Bach, Haydn and Mozart above all others. Many of his scores were lost during the First World War or destroyed by the composer himself. His most extrovert music exudes the panache and rhythmic brio of Chopin whilst his series of Chansons sans paroles display a flair for harmonic fantasy and melodic beauty reminiscent of Mendelssohn. Giorgio Koukl’s second volume of Szczerbiński’s complete piano music reveals yet more discoveries by this unjustly neglected composer.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Polonez in B-Flat Major, Op. 13\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Polonez in B-Flat Major, Op. 13 08:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Rondeau in F Major, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Rondeau in F Major, Op. 1 06:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Romances sans paroles, Op. 8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 1. Souvenir 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 2. Désir du printemps 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 3. Méditation 02:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Tema e variazioni in G Minor (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Tema e variazioni in G Minor (edited and completed by G. Koukl) 08:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Chanson sans paroles in E Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Chanson sans paroles in E Minor 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Capriccio in D Minor (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Capriccio in D Minor (edited and completed by G. Koukl) 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Chanson sans paroles in A-Flat Major, Op. 16\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Chanson sans paroles in A-Flat Major, Op. 16 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Andante con variazioni in F Major (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Andante con variazioni in F Major (edited and completed by G. Koukl) 12:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003e Chanson sans paroles in C-Sharp Minor, Op. 31\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Chanson sans paroles in C-Sharp Minor, Op. 31 05:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSzczerbiński, Alfons\u003c\/div\u003e\n\u003cdiv\u003eKoukl, Giorgio - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Fuga in C Major (edited and completed by G. Koukl)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Fuga in C Major (edited and completed by G. Koukl) 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853080867066,"sku":"GP884","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP884.jpg?v=1780243213"},{"product_id":"jaberi-the-bab-piano-sonatas-ballades","title":"Jaberi: The Báb – Piano Sonatas \u0026 Ballades","description":"\u003cdiv\u003eIranian composer Afshin Jaberi’s powerful music combines 19th-century western piano traditions with eastern melodic influences. It is strongly connected with the message of equality and peaceful unity promoted by his religious faith. The Báb Ballades depict dramatic heroism and tragic sacrifice, while the Sonatas express the horrors of war and the fragility of remote cultures, out of which new hope and the chance for reconciliation can emerge.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eJaberi, Afshin\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 1, \"The Seeker\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro 06:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Rondo: Allegro 07:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 2, \"The Path to Peace\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Agitato 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Andante 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Allegretto 05:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 3, \"The Bedouin\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Andante - Allegro 07:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Adagio 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Rondo 05:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade No. 1, \"The Herold\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Ballade No. 1, \"The Herold\" 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade No. 2, \"Eroica\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Ballade No. 2, \"Eroica\" 12:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade No. 3, \"The Martyrdom\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Ballade No. 3, \"The Martyrdom\" 09:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853083095290,"sku":"GP694","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP694.jpg?v=1780236884"},{"product_id":"harsanyi-complete-piano-works-vol-1","title":"Harsányi: Complete Piano Works, Vol. 1 - Giorgio Koukl","description":"\u003cp\u003eTibor Harsányi is always associated with ‘L’École de Paris’, a loosely knit collection of expatriate composers living in the city, among them Martinů, Tansman and Tcherepnin. He embraced music from a wide variety of sources, notably from North and South America, and this enriched his own music’s rhythmic vitality and sense of colour.\u003c\/p\u003e\n\u003cp\u003eIn his piano music, Harsányi drew on diverse source material, a free-spirted absorption of Hungarian traditions, neo-Baroque, the comic and jazz, as can be heard in the 5 Préludes brefs. Baby-Dancing draws on the foxtrot, Boston, czárdás and samba, while La Semaine, seven pieces, one for each day of the week, contains nocturnes of stillness, off-beat folk songs and a wealth of colour and verve.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003e5 Préludes brefs (1928) (00:10:00 )\u003cbr\u003e1\u003cbr\u003eNo. 1. Lento * (00:02:54)\u003cbr\u003e2\u003cbr\u003eNo. 2. Allegro * (00:01:37)\u003cbr\u003e3\u003cbr\u003eNo. 3. Allegretto grazioso * (00:01:28)\u003cbr\u003e4\u003cbr\u003eNo. 4. Allegro * (00:01:21)\u003cbr\u003e5\u003cbr\u003eNo. 5. Lento * (00:02:22)\u003cbr\u003e \u003cbr\u003eLa Semaine (1924) (00:11:00 )\u003cbr\u003e6\u003cbr\u003eNo. 1. Pour lundi: Allegro agitato molto * (00:01:13)\u003cbr\u003e7\u003cbr\u003eNo. 2. Pour mardi: Allegretto grazioso * (00:01:04)\u003cbr\u003e8\u003cbr\u003eNo. 3. Pour mercredi: Andante cantabile * (00:01:55)\u003cbr\u003e9\u003cbr\u003eNo. 4. Pour jeudi: Tempo di Fox-trot * (00:01:31)\u003cbr\u003e10\u003cbr\u003eNo. 5. Pour vendredi: Allegretto sostenuto * (00:01:27)\u003cbr\u003e11\u003cbr\u003eNo. 6. Pour samedi: Allegro * (00:01:39)\u003cbr\u003e12\u003cbr\u003eNo. 7. Pour dimanche: Sostenuto * (00:02:18)\u003cbr\u003e \u003cbr\u003ePastorales (1934) (00:07:00 )\u003cbr\u003e13\u003cbr\u003eNo. 1. Prélude: Allegro giusto, ben ritmato * (00:01:28)\u003cbr\u003e14\u003cbr\u003eNo. 2. Elégie: Allegretto quasi andantino * (00:01:42)\u003cbr\u003e15\u003cbr\u003eNo. 3. Musette: Allegro ma non troppo * (00:01:48)\u003cbr\u003e16\u003cbr\u003eNo. 4. Danse: Allegro giocoso * (00:01:27)\u003cbr\u003e \u003cbr\u003eBaby-Dancing (1934) (00:11:00 )\u003cbr\u003e17\u003cbr\u003eNo. 1. Fox-Trot: Allegretto * (00:01:10)\u003cbr\u003e18\u003cbr\u003eNo. 2. Tango: Andante quasi allegretto * (00:01:12)\u003cbr\u003e19\u003cbr\u003eNo. 3. Boston: Andantino * (00:01:32)\u003cbr\u003e20\u003cbr\u003eNo. 4. Csárdás I: Allegretto - No. 5. Csárdás II: Vivo * (00:02:44)\u003cbr\u003e21\u003cbr\u003eNo. 6. Blue: Andantino * (00:01:59)\u003cbr\u003e22\u003cbr\u003eNo. 7. Samba: Allegro * (00:01:16)\u003cbr\u003e23\u003cbr\u003eNo. 8. One-Step: Allegretto * (00:01:07)\u003cbr\u003e \u003cbr\u003eBagatelles (1930) (00:10:00 )\u003cbr\u003e24\u003cbr\u003eNo. 1. Tempo di marcia * (00:01:46)\u003cbr\u003e25\u003cbr\u003eNo. 2. Andante * (00:02:18)\u003cbr\u003e26\u003cbr\u003eNo. 3. Allegretto scherzando * (00:02:24)\u003cbr\u003e27\u003cbr\u003eNo. 4. Lento * (00:01:42)\u003cbr\u003e28\u003cbr\u003eNo. 5. Allegro * (00:01:53)\u003cbr\u003e \u003cbr\u003e5 Études rythmiques (c1933) (00:10:00 )\u003cbr\u003e29\u003cbr\u003eNo. 1. Allegro vivace * (00:02:17)\u003cbr\u003e30\u003cbr\u003eNo. 2. Moderato cantabile ma ben ritmato * (00:01:46)\u003cbr\u003e31\u003cbr\u003eNo. 3. Allegro giocoso * (00:01:32)\u003cbr\u003e32\u003cbr\u003eNo. 4. Quasi andantino * (00:02:25)\u003cbr\u003e33\u003cbr\u003eNo. 5. Allegro giusto * (00:01:46)\u003cbr\u003e34\u003cbr\u003eVocalise-étude, \"Blues\" (version for piano) (1929) * (00:02:42)\u003cbr\u003e \u003cbr\u003e6 Pièces courtes (1927) (00:09:00 )\u003cbr\u003e35\u003cbr\u003eNo. 1. Tempo di marcia * (00:02:29)\u003cbr\u003e36\u003cbr\u003eNo. 2. Andante * (00:01:44)\u003cbr\u003e37\u003cbr\u003eNo. 3. Allegro * (00:01:24)\u003cbr\u003e38\u003cbr\u003eNo. 4. Lento * (00:01:01)\u003cbr\u003e39\u003cbr\u003eNo. 5. Allegro ma non troppo * (00:01:07)\u003cbr\u003e40\u003cbr\u003eNo. 6. Presto * (00:01:15)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087158522,"sku":"GP806","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp806.jpg?v=1778191745"},{"product_id":"kuula-complete-works-for-solo-piano","title":"Kuula: Complete Works for Solo Piano - Adam Johnson","description":"\u003cdiv\u003eFinnish composer and conductor Toivo Kuula was a student of Sibelius, and pieces such as the majestic Juhlamarssi (‘Festive March’) share the great master’s national flavour while the descriptive folktales of Satukuvia create their own beautifully romantic atmosphere. Kuula’s piano music is notable for its vast array of colour and variety of style, from the melancholy Surumarssi (‘Funeral March’) (from Six Pieces, Op. 26) to the lighthearted Schottis (‘Scottish Dance’), while countless Finnish couples have been married to the accompaniment of Kuula’s Häämarssi (‘Wedding March’).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eKuula, Toivo\u003c\/div\u003e\n\u003cdiv\u003e Satukuvia pianolle (3 Folk-Tale pictures), Op. 19\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Andante semplice 05:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Presto 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Tranquillamento 05:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Piano Pieces, Op. 3b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 1. Elegia (Elegy) 04:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 2. Häämarssi (Wedding March) 05:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 3. Pikku gavotti (Little Gavotte) 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Juhlamarssi (Festive March), Op. 13b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Juhlamarssi (Festive March), Op. 13b 09:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Lampaanpolska (Mutton Dance)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Lampaanpolska (Dance of the Sheep) 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Air varié in E Minor, \"Variations on a Finnish Air\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Air varié in E Minor, \"Variations on a Finnish Air\" 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Schottis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Schottis (Scottish Dance) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Piano Pieces, Op. 26\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 1. Piirileikki (Round Dance) 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 2. Paimentunnelma (Pastoral Atmosphere) 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 3. Tanssi-improvisaatio (Dance Improvisation) 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 4. Nocturne 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 5. Rauha (Peace) 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 6. Surumarssi (Funeral March) 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Virta venhettä vie, Op. 4, No. 5b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Virta venhettä vie (The Current Carries the Boat), Op. 4, No. 5b 03:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Venelaulu (Barcarolle), Op. 21, No. 2b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Venelaulu (Barcarolle), Op. 21, No. 2b 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vanha syyslaulu (An Old Autumn Song), Op. 24, No. 3b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Vanha syyslaulu (An Old Autumn Song), Op. 24, No. 3b 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Invention in E Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Invention in E Minor 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087256826,"sku":"GP780","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP780.jpg?v=1780237140"},{"product_id":"palmgren-complete-piano-works-vol-4","title":"Palmgren: Complete Piano Works, Vol. 4 - Jouni Somero","description":"\u003cdiv\u003eSelim Palmgren studied with Busoni and developed a formidable technique, later becoming one of the leading Nordic composer-pianists of his generation. This fourth volume of Palmgren’s complete piano works reveals yet more remarkable contributions to 20th-century piano literature including one of his masterpieces, the Nocturne in Three Scenes, a compound of Impressionist and Romantic elements. His fruitful years in America are reflected by the jazz-influenced Three Fantasies and throughout one can hear examples of the beautiful folk-based music that is so much a feature of his compositions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePalmgren, Selim\u003c\/div\u003e\n\u003cdiv\u003e Vårbäckarnas brus (The Rushing of the Spring Brooklets)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Vårbäckarnas brus (The Rushing of the Spring Brooklets) 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Valse d'amour\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Valse d'amour 07:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Une nocturne en trois scenes (Nocturne in Three Scenes), Op. 72\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 1. Les étoiles scintillent (Stars Twinkling) 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 2. Chanson de nuit (Song of the Night) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 3. L'aube (Dawn) 02:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Fantasier (3 Fantasies), Op. 82\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. En sommarfantasi (A Summer Phantasy) 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. En höstdröm (A Dream of Fall) 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. Ett minne (A Memory) 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Triptych, Op. 81\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. En dröm om vår (A Dream of Spring) 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 2. Rapsodi (Rhapsody) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 3. Vaggsång för sårade hjärtan (A Lullaby for Wounded Hearts) 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Uusia klaveeriskitsejä (New Piano-sketches), Op. 87\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 1. Preludium 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 2. Humoreski (Humoresque) 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 3. Kesäinen laulu (A Summersong) 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 4. Staccato (Staccato-Etude) 00:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 5. Maininki (Swell) 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 6. Epiloogi (Epilogue) 01:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Pieni romanssi (Small Romance)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Pieni romanssi (Small Romance) 00:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Juhlatilaisuus (Festive Occasion)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Juhlatilaisuus (Festive Occasion) 00:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Vakava välikohtaus (A Serious Incident)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Vakava välikohtaus (A Serious Incident) 00:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e En längtansvals och andra klaverstycken (A Waltz of Longing and Other Piano Pieces), Op. 49\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 1. Finsk visa (A Finnish Song) 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 2. Scherzino 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 3. Cantilena 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 No. 4. En längtansvals (A Waltz of Longing) 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Spinning Song, Op. 76, No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Spinning Song, Op. 76, No. 1 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude in A-Flat Major, Op. 76, No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Etude in A-Flat Major, Op. 76, No. 2 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Lullaby, Op. 76, No. 3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Lullaby, Op. 76, No. 3 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude in A Minor, Op. 76, No. 4\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 Etude in A Minor, Op. 76, No. 4 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Contradictions, Op. 76, No. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 29 Contradictions, Op. 76, No. 5 00:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Pinwheel, Op. 76, No. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 30 The Pinwheel, Op. 76, No. 6 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087453434,"sku":"GP907","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP907.jpg?v=1780241735"},{"product_id":"a-whole-in-twelve","title":"Ayrapetyan: A Whole in Twelve","description":"\u003cdiv\u003e\u003cspan\u003eArmenian pianist Mikael Ayrapetyan has become internationally recognised for performances of his country’s music all over the world with his Secrets of Armenia project. Ayrapetyan’s piano cycle A Whole in 12 is special to his artistic life, being both a deeply personal and universal story told in scenes that range from inner peace and feelings of endless space, to all-consuming creative impulses and the magic of Christmas, contrasting vibrant textural complexity with profoundly expressive lyricism.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eAutumnal (2018) * (00:04:31)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe lady plays (2018) * (00:05:03)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eLonging (2018) * (00:04:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDilemma (2018) * (00:04:30)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eArousal (2018) * (00:04:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003ePrayer (2018) * (00:05:06)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eClouds (2018) * (00:04:52)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe First Snow (2018) * (00:03:18)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChristmas Eve (2018) * (00:04:37)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTotality (2018) * (00:05:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eRain and rendezvous (2018) * (00:04:15)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFinality (2018) * (00:04:15)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087518970,"sku":"GP809","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/91EjqwovUgL._SL1500.jpg?v=1778109706"},{"product_id":"alfred-cortot-piano-arrangements","title":"Alfred Cortot: Piano Arrangements (Bach • Brahms • Chopin • Fauré • Franck • Schubert) Yue He","description":"\u003cdiv\u003e\u003cspan\u003eegendary pianist Alfred Cortot’s distinguished reputation as an educator is demonstrated in these magnificent arrangements of chamber music for solo piano. They cover every aspect of technique and expression, from Bach’s demanding Toccata and Fugue in D minor to Fauré’s delectable Dolly Suite and the grand scale of Franck’s Violin Sonata. Award-winning pianist He Yue is a young and rising star of the Chinese musical firmament.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eTracklist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFauré, Gabriel\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eDolly, Op. 56 (arr. A Cortot for piano) (1896) (00:14:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 1. Berceuse: Allegretto moderato (00:02:32)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 2. Mi-a-ou: Allegro vivo (00:01:58)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 3. Le jardin de Dolly: Andantino (00:02:21)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 4. Kitty-valse: Tempo di valse (00:02:19)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 5. Tendresse: Andante (00:03:11)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e6\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eNo. 6. Le pas espagnol: Allegro (00:02:07)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBach, Johann Sebastian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e7\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eToccata and Fugue in D Minor, BWV 565 (arr. A. Cortot for piano) (1708) (00:08:48)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBrahms, Johannes\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e5 Lieder, Op. 49: No. 4. Wiegenlied (arr. A. Cortot for piano) (1868) (00:02:13)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eBach, Johann Sebastian\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eKeyboard Concerto in F Minor, BWV 1056: II. Largo (arr. A. Cortot for piano as Arioso) (1742) (00:02:23)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eChopin, Fryderyk\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eCello Sonata in G Minor, Op. 65: III. Largo (arr. A. Cortot for piano) (1846) (00:02:40)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eSchubert, Franz\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eHeidenroslein, Op. 3, No. 3, D. 257 (arr. A. Cortot for piano) (1815) (00:01:43)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eFranck, César\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eViolin Sonata in A Major, M. 8 (arr. A. Cortot for piano) (1886) (00:25:00 )\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eI. Allegretto ben moderato (00:05:53)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eII. Allegro (00:07:44)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIII. Recitativo - Fantasia: Ben moderato - molto lento (00:05:56)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eIV. Allegretto poco mosso (00:05:57)\u003c\/span\u003e\u003c\/div\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087584506,"sku":"GP641","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp641.jpg?v=1778173323"},{"product_id":"nenov-piano-music","title":"Nenov: Piano Music - Viktor Valkov","description":"\u003cdiv\u003eDimitar Nenov was a leading figure of early 20th-century Bulgarian classical music. The entire range of his solo piano works is covered on this recording, from the austere and dissonant Cinema Suite to the romantic Etudes and exquisite Theme and Variations in F sharp major. The highly charged Toccata is Nenov’s most popular work, while Fairy Tale and Dance, his last work for piano, is the most distilled example of his art.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eNenov, Dimitar\u003c\/div\u003e\n\u003cdiv\u003e Theme and Variations in F-Sharp Major\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Theme and Variations in F-Sharp Major 16:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fairytale and Dance\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Fairytale and Dance 02:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Miniatures\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 1. Prelude 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 2. Song 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 3. Staccato 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 4. Pastoral 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 5. Bagpipe 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dance\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Dance 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Etude No. 1 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Etude No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Etude No. 2 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Toccata\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Toccata 08:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cinema Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 I. Presto 00:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 II. — 04:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 III. Sehr schnell (Da capo ad infinitum) 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 IV. Langsam 04:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 V. Sehr langsame Ganze 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 VI. Presto 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087650042,"sku":"GP652","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/GP652.jpg?v=1780239582"},{"product_id":"burgess-the-bad-tempered-electronic-keyboard","title":"Burgess: The Bad-Tempered Electronic Keyboard - Stephane Ginsburgh","description":"\u003cp\u003eDuring a prolific period in his artistic life, both musically and as an author—he often referred to himself principally as a composer who had drifted into authorship – Anthony Burgess composed a set of 24 Preludes and Fugues called The Bad-Tempered Electronic Keyboard, written to celebrate the 300th anniversary of the birth of Johann Sebastian Bach. This ingenious and inventive piece, with its brief romantic and music hall elements, oscillates between the classicism of Bach and the modernity of Shostakovich, whose own set of Preludes and Fugues had been written in 1950–51.\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e \u003cbr\u003eThe Bad-Tempered Electronic Keyboard (1985) (00:14:00 )\u003cbr\u003e1\u003cbr\u003ePrelude No. 1 in C Major * (00:00:43)\u003cbr\u003e2\u003cbr\u003eFugue No. 1 in C Major * (00:01:50)\u003cbr\u003e3\u003cbr\u003ePrelude No. 2 in D-Flat Major * (00:00:43)\u003cbr\u003e4\u003cbr\u003eFugue No. 2 in D-Flat Major * (00:01:12)\u003cbr\u003e5\u003cbr\u003ePrelude No. 3 in D Major * (00:01:33)\u003cbr\u003e6\u003cbr\u003eFugue No. 3 in D Major * (00:01:04)\u003cbr\u003e7\u003cbr\u003ePrelude No. 4 in E-Flat Major * (00:01:02)\u003cbr\u003e8\u003cbr\u003eFugue No. 4 in E-Flat Major * (00:01:32)\u003cbr\u003e9\u003cbr\u003ePrelude No. 5 in E Major * (00:01:22)\u003cbr\u003e10\u003cbr\u003eFugue No. 5 in E Major * (00:01:19)\u003cbr\u003e11\u003cbr\u003ePrelude No. 6 in F Major * (00:00:47)\u003cbr\u003e12\u003cbr\u003eFugue No. 6 in F Major * (00:01:35)\u003cbr\u003e13\u003cbr\u003ePrelude No. 7 in G-Flat Major * (00:00:54)\u003cbr\u003e14\u003cbr\u003eFugue No. 7 in G-Flat Major * (00:02:05)\u003cbr\u003e15\u003cbr\u003ePrelude No. 8 in G Major * (00:01:50)\u003cbr\u003e16\u003cbr\u003eFugue No. 8 in G Major * (00:01:55)\u003cbr\u003e17\u003cbr\u003ePrelude No. 9 in A-Flat Major * (00:01:26)\u003cbr\u003e18\u003cbr\u003eFugue No. 9 in A-Flat Major * (00:02:28)\u003cbr\u003e19\u003cbr\u003ePrelude No. 10 in A Major * (00:00:45)\u003cbr\u003e20\u003cbr\u003eFugue No. 10 in A Major * (00:01:51)\u003cbr\u003e21\u003cbr\u003ePrelude No. 11 in B-Flat Major * (00:00:33)\u003cbr\u003e22\u003cbr\u003eFugue No. 11 in B-Flat Major * (00:01:57)\u003cbr\u003e23\u003cbr\u003ePrelude No. 12 in B Major * (00:03:31)\u003cbr\u003e24\u003cbr\u003eFugue No. 12 in B Major * (00:02:37)\u003cbr\u003e25\u003cbr\u003ePrelude No. 13 in C Minor * (00:02:17)\u003cbr\u003e26\u003cbr\u003eFugue No. 13 in C Minor * (00:01:26)\u003cbr\u003e27\u003cbr\u003ePrelude No. 14 in C-Sharp Minor * (00:01:12)\u003cbr\u003e28\u003cbr\u003eFugue No. 14 in C-Sharp Minor * (00:02:35)\u003cbr\u003e29\u003cbr\u003ePrelude No. 15 in D Minor * (00:01:31)\u003cbr\u003e30\u003cbr\u003eFugue No. 15 in D Minor * (00:01:13)\u003cbr\u003e31\u003cbr\u003ePrelude No. 16 in E-Flat Minor * (00:02:31)\u003cbr\u003e32\u003cbr\u003eFugue No. 16 in E-Flat Minor * (00:02:22)\u003cbr\u003e33\u003cbr\u003ePrelude No. 17 in E Minor * (00:01:39)\u003cbr\u003e34\u003cbr\u003eFugue No. 17 in E Minor * (00:01:04)\u003cbr\u003e35\u003cbr\u003ePrelude No. 18 in F Minor * (00:01:39)\u003cbr\u003e36\u003cbr\u003eFugue No. 18 in F Minor * (00:01:38)\u003cbr\u003e37\u003cbr\u003ePrelude No. 19 in F-Sharp Minor * (00:00:29)\u003cbr\u003e38\u003cbr\u003eFugue No. 19 in F-Sharp Minor * (00:00:55)\u003cbr\u003e39\u003cbr\u003ePrelude No. 20 in G Minor * (00:02:17)\u003cbr\u003e40\u003cbr\u003eFugue No. 20 in G Minor * (00:02:46)\u003cbr\u003e41\u003cbr\u003ePrelude No. 21 in G-Sharp Minor * (00:02:06)\u003cbr\u003e42\u003cbr\u003eFugue No. 21 in G-Sharp Minor * (00:01:46)\u003cbr\u003e43\u003cbr\u003ePrelude No. 22 in A Minor * (00:01:08)\u003cbr\u003e44\u003cbr\u003eFugue No. 22 in A Minor * (00:02:12)\u003cbr\u003e45\u003cbr\u003ePrelude No. 23 in B-Flat Minor, \"Fantasia on B.A.C.H.\" * (00:03:03)\u003cbr\u003e46\u003cbr\u003eFugue No. 23 in B-Flat Minor * (00:01:20)\u003cbr\u003e47\u003cbr\u003ePrelude No. 24 in B Minor * (00:02:15)\u003cbr\u003e48\u003cbr\u003eFugue No. 24 in B Minor * (00:03:33)\u003cbr\u003e49\u003cbr\u003eFinale: Natale 1985 (1985) * (00:02:04)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087781114,"sku":"GP773","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp773.jpg?v=1778190036"},{"product_id":"hassler-360-preludes-in-all-major-minor-keys-fantaisie-e","title":"Hässler: 360 Preludes in All Major \u0026 Minor Keys, Fantaisie et Sonate • Grande Sonate - Vitlaus von Horn (2 CDs)","description":"\u003cp\u003eJohann Wilhelm Hässler is remembered by musicologists for his contest in organ playing with Mozart, but the mostly premiere recordings show him to be an astonishing enigma whose predilection for composing miniatures reached a pinnacle with the 360 Preludes in All Keys. This remarkable tour de force shows an amazing control of textures and not insignificant humour, its style ranging from CPE Bach’s Empfindsamkeit to prophetic insights anticipating Schumann. The Grande Sonate is a true masterpiece that compares in scope, invention and effect with the best of Haydn’s sonatas.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a modern instrument: Steinway, Model D\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003eDisc 1\u003cbr\u003e \u003cbr\u003e360 Preludes in All Major and Minor Keys, Op. 47 (1817) (01:41:38 )\u003cbr\u003e1\u003cbr\u003e15 Preludes in C Major * (00:04:05)\u003cbr\u003e2\u003cbr\u003e15 Preludes in C Minor * (00:03:15)\u003cbr\u003e3\u003cbr\u003e15 Preludes in G Major * (00:02:31)\u003cbr\u003e4\u003cbr\u003e15 Preludes in G Minor * (00:03:02)\u003cbr\u003e5\u003cbr\u003e15 Preludes in D Major * (00:02:45)\u003cbr\u003e6\u003cbr\u003e15 Preludes in D Minor * (00:03:47)\u003cbr\u003e7\u003cbr\u003e15 Preludes in A Major * (00:03:51)\u003cbr\u003e8\u003cbr\u003e15 Preludes in A Minor * (00:03:45)\u003cbr\u003e9\u003cbr\u003e15 Preludes in E Major * (00:03:22)\u003cbr\u003e10\u003cbr\u003e15 Preludes in E Minor * (00:03:24)\u003cbr\u003e11\u003cbr\u003e15 Preludes in B Major * (00:04:04)\u003cbr\u003e12\u003cbr\u003e15 Preludes in B Minor * (00:03:41)\u003cbr\u003e13\u003cbr\u003e15 Preludes in F-Sharp Major * (00:03:40)\u003cbr\u003e14\u003cbr\u003e15 Preludes in F-Sharp Minor * (00:05:00)\u003cbr\u003e15\u003cbr\u003e15 Preludes in C-Sharp Major * (00:05:50)\u003cbr\u003e16\u003cbr\u003e15 Preludes in C-Sharp Minor * (00:06:11)\u003cbr\u003e17\u003cbr\u003e15 Preludes in A-Flat Major * (00:06:12)\u003cbr\u003e18\u003cbr\u003e15 Preludes in G-Sharp Minor * (00:04:27)\u003cbr\u003e19\u003cbr\u003e15 Preludes in E-Flat Major * (00:05:06)\u003cbr\u003eDisc 2\u003cbr\u003e \u003cbr\u003e360 Preludes in All Major and Minor Keys, Op. 47 (1817) (01:41:38 )\u003cbr\u003e1\u003cbr\u003e15 Preludes in E-Flat Minor * (00:03:33)\u003cbr\u003e2\u003cbr\u003e15 Preludes in B-Flat Major * (00:04:50)\u003cbr\u003e3\u003cbr\u003e15 Preludes in B-Flat Minor * (00:06:00)\u003cbr\u003e4\u003cbr\u003e15 Preludes in F Major * (00:04:18)\u003cbr\u003e5\u003cbr\u003e15 Preludes in F Minor * (00:10:03)\u003cbr\u003e \u003cbr\u003e6 Keyboard Sonatas: No. 6 in A Minor (1776) (00:13:26 )\u003cbr\u003e6\u003cbr\u003eI. Poco allegro (00:04:04)\u003cbr\u003e7\u003cbr\u003eII. Largo (00:01:48)\u003cbr\u003e8\u003cbr\u003eIII. Presto (00:04:55)\u003cbr\u003e \u003cbr\u003eFantaisie et Sonate in C Major, Op. 4 () (00:12:59 )\u003cbr\u003e9\u003cbr\u003eFantasia: Allegro (00:02:01)\u003cbr\u003e10\u003cbr\u003eSonata: I. Vivace (00:01:51)\u003cbr\u003e11\u003cbr\u003eSonata: II. Recitativo (00:03:18)\u003cbr\u003e12\u003cbr\u003eSonata: III. Andante (00:02:08)\u003cbr\u003e13\u003cbr\u003eSonata: IV. Allegro (00:02:07)\u003cbr\u003e \u003cbr\u003eGrande Sonate in E-Flat Major, Op. 26 () (00:21:33 )\u003cbr\u003e14\u003cbr\u003eI. Moderato * (00:07:05)\u003cbr\u003e15\u003cbr\u003eII. Adagio * (00:07:23)\u003cbr\u003e16\u003cbr\u003eIII. Rondo: Presto * (00:07:09)\u003c\/p\u003e","brand":"GRAND PIANO","offers":[{"title":"Default Title","offer_id":48853087846650,"sku":"GP686-87","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/gp686-87.jpg?v=1778194104"},{"product_id":"mozartiana-rarities-and-arrangements-performed-on-historica","title":"Mozartiana: Rarities and Arrangements Performed on Historica - Michael Tsalka, tangent piano","description":"\u003cp\u003eKeyboard arrangements of Mozart’s compositions, ranging from one of his earliest minuets to his tribute to J.S. Bach, reveal the variety and fecundity of his imagination, not least in the inspired collection made by the great pianist Edwin Fischer, and in the excerpts from the playful Londoner Skizzenbuch. They are performed on two original and newly restored instruments, the Tangentenflügel—a transitional keyboard instrument with a unique tone quality that sounds like a harpsichord endowed with dynamics—and the pantalon square piano. This is the first recording ever made of a historical pantalon.\u003c\/p\u003e\n\u003cp\u003eThis recording was made on a period instrument: Berner Tangentenflügel and Maucher Pantalon Square Piano from the Pooya Radbon Collection\u003c\/p\u003e\n\u003cp\u003eTracklist\u003cbr\u003e1\u003cbr\u003eAdagio in B Minor, K. 540 (1788) (00:08:07)\u003cbr\u003e \u003cbr\u003eMusik zu einer Pantomime Pantalon und Colombine, K. 446 (completed, edited and arranged by F. Beyer for piano) (1783) (00:24:49 )\u003cbr\u003e2\u003cbr\u003eOverture (arr. from Symphony No. 11 in D Major, K. 84: I. Allegro) (00:03:17)\u003cbr\u003e3\u003cbr\u003eNo. 1. Allegro: Pantalon und Colombine zanken sich (00:00:43)\u003cbr\u003e4\u003cbr\u003eNo. 2. Maestoso: Der Dottore kommt (00:02:05)\u003cbr\u003e5\u003cbr\u003eNo. 3. Allegro: Pierò kommt gelaufen. Pantalon, Pierò und Dottore liegen aufe der Erde (00:01:06)\u003cbr\u003e6\u003cbr\u003eNo. 4. Poco Adagio: Dottore und Colombine steht unbeweglich (00:00:48)\u003cbr\u003e7\u003cbr\u003eNo. 5. Andante molto: Pantalon und Pierò bringen den Tisch (00:00:50)\u003cbr\u003e8\u003cbr\u003eNo. 6. Adagio: Colombine ist ganz traurig - Allegro: Arlequin guckt aus dem Kasten heraus (00:04:47)\u003cbr\u003e9\u003cbr\u003eNo. 7. Allegro maestoso (00:01:05)\u003cbr\u003e10\u003cbr\u003eNo. 8. Larghetto: Pierò geht auf und ab, sieht den Türken (00:01:31)\u003cbr\u003e11\u003cbr\u003eNo. 9. Allegro (ma non troppo) - Presto (00:00:58)\u003cbr\u003e12\u003cbr\u003eNo. 10. Maestoso (00:02:49)\u003cbr\u003e13\u003cbr\u003eNo. 11. Allegro: Pierò fürchtet sich vor dem toten Arlequin - Marcia - Allegro (00:03:39)\u003cbr\u003e14\u003cbr\u003eNo. 12. Finale (arr. from Presto in D Major, K. 120) (00:01:11)\u003cbr\u003e15\u003cbr\u003eKeyboard Piece in F Major, K. Anh. A6 (previously known as K. 33B) (1766) (00:01:02)\u003cbr\u003e16\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Allegretto] in F Major, K. 15a (1765) (00:01:06)\u003cbr\u003e17\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Andantino] in C Major, K. 15b (1765) (00:01:33)\u003cbr\u003e18\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Contredanse] in F Major, K. 15h (1765) (00:00:50)\u003cbr\u003e19\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Minore] in A Minor, K. 15k (1765) (00:01:09)\u003cbr\u003e20\u003cbr\u003eLondon Sketchbook, K. Anh. 109b: [Siciliano] in D Minor, K. 15u (1765) (00:01:31)\u003cbr\u003e21\u003cbr\u003eMinuet in G Major, K. 1 (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 1) (1762) (00:02:14)\u003cbr\u003e22\u003cbr\u003eKeyboard Piece (Minuet) in F Major, K. 2 (arr. E. Fischer for tangent piano) (1762) (00:00:47)\u003cbr\u003e23\u003cbr\u003ePiece in D Major, K. Anh. H24, No. 18 (previously known as Minuet, K. 94) (arr. E. Fischer for piano as Mozartiana: I. 3 Menuette: No. 3) (1769) (00:01:18)\u003cbr\u003e24\u003cbr\u003eFantasy in F Minor, K. 608 (arr. E. Fischer for piano as Mozartiana: II.) (1791) (00:11:51)\u003cbr\u003e25\u003cbr\u003eAndantino in E-Flat Major, K. 236 (Mozart's arr. of Non vi turbate from C.W. Gluck's Alceste, arr. E. Fischer for piano as Mozartiana: III.) () (00:01:09)\u003cbr\u003e26\u003cbr\u003eContredanse in D Major, K. 534, \"Das Donnerwetter\" (arr. E. Fischer for piano as Mozartiana: IV.) (1788) (00:02:39)\u003cbr\u003e27\u003cbr\u003eRomance in A-Flat Major, K. Anh. 205\/K. Anh. C27.04 (arr. E. Fischer for piano as Mozartiana: V.) () (00:05:04)\u003cbr\u003e28\u003cbr\u003eVariations on an Arietta from G. Sarti's I Finti Eredi, K. Anh. 289\/K. Anh. C26.06 (arr. E. Fischer for piano as Mozartiana: VI.) 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