{"title":"NAXOS - ADDED IN AUGUST","description":null,"products":[{"product_id":"esenvalds-translations","title":"Ešenvalds: Translations - Portland State Chamber Choir, Sperry","description":"\u003cdiv\u003eThe multi-award-winning Latvian composer Ēriks Ešenvalds’ 21st-century choral sound is both exquisite and angular, and in this album he explores ideas of ‘translation’, legend and the divine. With his expanded tonality and employment of shimmering singing handbells in Translation, and the angelic use of the viola and cello in In paradisum he creates music of ravishing refinement. In Legend of the Walled-In Woman Ešenvalds transcribes and employs an authentic Albanian folk song.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eAquinas, Thomas - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e O salutaris hostia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 O salutaris hostia 03:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePetersen, Paulann - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e The Heavens' Flock\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 The Heavens' Flock 04:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Translation\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Translation 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAntonov, Simeon Ivanovich - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e My Thoughts\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 My Thoughts 09:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMüller, Wilhelm - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e Vineta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Vineta 12:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCamaj, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eElsie, Robert - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e Legend of the Walled-In Woman\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Legend of the Walled-In Woman 11:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e In paradisum\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 In paradisum 12:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 58:58\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991885750522,"sku":"8574124","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574124.jpg?v=1786729134"},{"product_id":"divine-redeemer","title":"Divine Redeemer (Works by BACH, J.S. \/ GOUNOD, C. \/ FRANCK, C. \/ BOULANGER, N. \/ PUCCINI, G.) - Christine Brewer, Paul Jacobs","description":"\u003cdiv\u003eTwo of America’s most celebrated musicians, both GRAMMY® Award-winners, join for a programme that ranges across the sacred vocal and organ repertoire. Some of the most beloved of all pieces, such as Franck’s Panis angelicus (taken from his Messe à 3 voix) are complemented by rarer items. Nadia Boulanger’s three organ pieces are heard alongside her sister Lili’s beautiful Pie Jesu while Max Reger’s sensitive organ arrangements of three Hugo Wolf songs are followed by the rousing Toccata and Fugue, Op. 59.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. to G.H. Stolzel)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Anna Magdalena Notenbuch (Clavier-Buchlein III): Bist du bei mir, BWV 508 (attrib. G.H. Stolzel) 03:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Prelude and Fugue in C Major, BWV 547\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Prelude 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Fugue 04:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGounod, Charles-François\u003c\/div\u003e\n\u003cdiv\u003ePhillips, Alfred - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Repentir (sung in English as O Divine Redeemer) (arr. for voice and organ)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Repentir (sung in English as O Divine Redeemer) (arr. for voice and organ) 05:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFranck, César\u003c\/div\u003e\n\u003cdiv\u003e Messe à 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus (arr. for voice and organ)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus (arr. for voice and organ) 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBoulanger, Nadia\u003c\/div\u003e\n\u003cdiv\u003e 3 Pieces for Organ\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. Prelude 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. Petit Canon 01:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. Improvisation 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBoulanger, Lili\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Pie Jesu (arr. for voice and organ)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Pie Jesu (arr. for voice and organ) 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePuccini, Giacomo\u003c\/div\u003e\n\u003cdiv\u003eGhislanzoni, Antonio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Salve Regina\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Salve Regina 04:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWolf, Hugo\u003c\/div\u003e\n\u003cdiv\u003eOcana - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHeyse, Paul - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eReger, Max - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Spanisches Liederbuch: Geistliche Lieder (arr. M. Reger for voice and organ) (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 3. Nun wandre, Maria 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 5. Fuhr mich, Kind, nach Bethlehem! 02:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWolf, Hugo\u003c\/div\u003e\n\u003cdiv\u003eReger, Max - Arranger\u003c\/div\u003e\n\u003cdiv\u003eMörike, Eduard - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Gedichte von Eduard Morike: No. 28. Gebet (arr. M. Reger for voice and organ)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Gedichte von Eduard Morike: No. 28. Gebet (arr. M. Reger for voice and organ) 02:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eReger, Max\u003c\/div\u003e\n\u003cdiv\u003e 12 Pieces, Op. 59 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 5. Toccata in D Minor 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 6. Fugue in D Major 05:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHandel, George Frideric\u003c\/div\u003e\n\u003cdiv\u003eDryden, John - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Ode for St. Cecilia's Day, HWV 76: Air: But oh! What art can teach (arr. for voice and organ)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Ode for St. Cecilia's Day, HWV 76: Air: But oh! What art can teach (arr. for voice and organ) 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:01:19\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991885914362,"sku":"8573524","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573524.jpg?v=1786307164"},{"product_id":"di-vittorio-sinfonias-nos-3-4","title":"Di Vittorio: Sinfonias Nos. 3 \u0026 4 \/ Ode Corelliana \/ Fanfara del Mare \/ Venere e Adone  - Chamber Orchestra of New York, Di Vittorio","description":"\u003cdiv\u003eSalvatore Di Vittorio is seen as heir to the Italian neo-Classical orchestral tradition with a narrative style notable for its colourful orchestration and ‘swelling lyricism’ (American Record Guide). This second volume of his orchestral works includes a vivid portrayal of the cultural and historical diversity of his home city in Overtura Palermo. Sinfonia No. 3 evokes the beauty and magnificence of Sicilian temples, while Sinfonia No. 4 ‘Metamorfosi’, based on Ovid, is Di Vittorio’s most important work to date. His Overtura Respighiana and Sinfonias Nos. 1 and 2 can be heard on Naxos 8.572333.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDi Vittorio, Salvatore\u003c\/div\u003e\n\u003cdiv\u003e Ode Corelliana\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Ode Corelliana 06:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fanfara del Mare su un Tema di Monteverdi (Sea Fanfare on a Theme by Monteverdi)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Fanfara del Mare su un Tema di Monteverdi (Sea Fanfare on a Theme by Monteverdi) 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Venere e Adone, pavana (Venus and Adonis, pavane)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Venere e Adone, pavana (Venus and Adonis, pavane) 06:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Overtura Palermo (Palermo Overture)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Overtura Palermo (Palermo Overture) 07:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e La Villa d'Este a Tivoli\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 La Villa d'Este a Tivoli 06:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sinfonia No. 3, \"Templi di Sicilia\" (Temples of Sicily)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Sinfonia No. 3, \"Templi di Sicilia\" (Temples of Sicily) 13:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sarabanda Antica\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Sarabanda Antica 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sinfonia No. 4, \"Metamorfosi\" (Metamorphoses)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Il Trionfo di Bacco (The Triumph of Bacchus) 09:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Venere e Adone (Venus and Adonis) 06:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Enea che Fugge da Troia (Aeneas Fleeing from Troy) 10:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:15:24\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991886340346,"sku":"8579033","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579033.jpg?v=1786467269"},{"product_id":"point-blank","title":"Point Blank (Wind Band Music by DOOLEY, P. \/ DANYEW, S. \/ MAGNUSON, R.D. \/ MCALLISTER, S. \/ HIGDON, J. ) - Illinois State University Wind Symphony","description":"\u003cdiv\u003eEach of these five contemporary American pieces for wind band, performed by one of the country’s leading ensembles, explores its own very personal soundscape. Paul Dooley delves into the world of Drum \u0026amp; Bass with electronically inspired orchestrations, whilst for Steve Danyew the exploration of counterpoint is paramount. In composer Roy David Magnuson’s own words, Innsmouth, Massachusetts—1927 is ‘pulpy horror music’ which depicts a night in H.P. Lovecraft’s terrifying The Shadow Over Innsmouth. In contrast, Scott McAllister’s Gone is meditative and prayerful. Pulitzer and GRAMMY® prizewinner Jennifer Higdon’s Percussion Concerto is heard here in its arrangement for wind ensemble.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eDooley, Paul\u003c\/div\u003e\n\u003cdiv\u003e Point Blank\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Point Blank 07:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDanyew, Steve\u003c\/div\u003e\n\u003cdiv\u003e Lauda\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Montis Dei 08:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Hymnus Anima Mea 06:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMagnuson, Roy David\u003c\/div\u003e\n\u003cdiv\u003e Innsmouth, Massachusetts - 1927\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Innsmouth, Massachusetts - 1927 06:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMcAllister, Scott\u003c\/div\u003e\n\u003cdiv\u003e Gone\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Gone 07:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHigdon, Jennifer\u003c\/div\u003e\n\u003cdiv\u003e Percussion Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Percussion Concerto 22:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:00:19\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991886536954,"sku":"8573334","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573334.jpg?v=1787498920"},{"product_id":"hawes-revelation-beatitudes-quantia-qualia","title":"Hawes: Revelation, Beatitudes \u0026 Quantia Qualia - The Elora Singers, Edison","description":"\u003cdiv\u003ePatrick Hawes has emerged in recent years as one of England’s most popular and inspirational choral composers. ‘The nine pieces that form Revelation are the result of my deep love of the Book of Revelation and its powerful imagery. Where else do you get thunder, lightning and demons as well as a gentle lamb? Another of my favourite New Testament texts is the Beatitudes from St Matthew’s Gospel—these are, quite simply, some of Christ’s most comforting and beautiful words.’ Quanta Qualia had such a profound impact on the audience at the 2015 Elora Festival that the choir insisted on its inclusion in this recording.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHawes, Patrick\u003c\/div\u003e\n\u003cdiv\u003e Revelation\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Prologue: This Prophecy 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. Coming with the Clouds 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. From the Throne 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. Worthy is the Lamb 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 4. A Great and Wondrous Sign 02:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 5. Fallen is Babylon the Great 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 6. Hallelujah (The Marriage of the Lamb) 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 7. I Saw a New Heaven 02:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Epilogue: The Alpha and the Omega 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Beatitudes\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 1. The Poor in Spirit 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 2. Those Who Mourn 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 3. The Meek 02:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 4. Those who Hunger and Thirst for Righteousness 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 5. The Merciful 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 6. The Pure in Heart 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 7. The Peacemakers 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 8. Those who are Persecuted for Righteousness' Sake 03:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Word\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 The Word 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHawes, Andrew - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHawes, Patrick\u003c\/div\u003e\n\u003cdiv\u003e Peace Beyond Thought\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Peace Beyond Thought 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Let Us Love\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Let Us Love 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHawes, Patrick\u003c\/div\u003e\n\u003cdiv\u003e The Edenham Eucharist: The Lord's Prayer\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 The Edenham Eucharist: The Lord's Prayer 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHawes, Patrick\u003c\/div\u003e\n\u003cdiv\u003e Be Still\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Be Still 02:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHawes, Andrew - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHawes, Patrick\u003c\/div\u003e\n\u003cdiv\u003e Quanta Qualia (version for alto saxophone and vocal ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Quanta Qualia (version for alto saxophone and vocal ensemble) 04:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:04:06\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991887782138,"sku":"8573720","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573720.jpg?v=1786739174"},{"product_id":"arutiunian-shostakovich-weinberg-trumpet-concertos","title":"Arutiunian \u0026 Weinberg: Trumpet Concertos; Shostakovich: Piano Concerto No. 1 - Merkelo, Jae-Hyuck Cho, Russian National Orchestra, Graf","description":"\u003cdiv\u003eThe trumpet has had many concertos written for it by composers from the Soviet era and beyond. Appealing in its unabashed melodies and colourfully nostalgic feel, Arutiunian’s Trumpet Concerto became popular in the West, while Weinberg’s emotive Trumpet Concerto in B flat major was summed up by Shostakovich as a ‘symphony for trumpet and orchestra’. Shostakovich’s own playful Concerto No. 1, Op. 35 is recorded here with Timofei Dokschizer’s extended trumpet part, bringing it closer to the Baroque ‘double concerto’ model that the composer may initially have intended.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eArutiunian, Alexander\u003c\/div\u003e\n\u003cdiv\u003e Trumpet Concerto (cadenza by T. Dokshizer)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Trumpet Concerto (cadenza by T. Dokshizer) 15:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeinberg, Mieczysław\u003c\/div\u003e\n\u003cdiv\u003e Trumpet Concerto in B-Flat Major, Op. 94\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Etudes 08:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Episodes - 09:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Fanfares 05:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eShostakovich, Dmitry\u003c\/div\u003e\n\u003cdiv\u003eDokshizer, Timofei - Arranger\u003c\/div\u003e\n\u003cdiv\u003eMerkelo, Paul - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 1 in C Minor, Op. 35 (with expanded trumpet part by T. Dokshizer and P. Merkelo)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro moderato 06:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Lento 06:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Moderato - 01:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Allegro con brio (cadenza by T. Dokshizer) 07:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:01:16\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991887880442,"sku":"8579117","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579117.jpg?v=1786123522"},{"product_id":"classical-moments-vol-2-classical-music-for-love","title":"Classical Moments, Vol. 2: Classical Music for Love","description":"\u003cdiv\u003eRachmaninov, Sergey\u003c\/div\u003e\n\u003cdiv\u003e Rhapsody on a Theme of Paganini, Op. 43: Variation 18\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Rhapsody on a Theme of Paganini, Op. 43: Variation 18 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 21 in C Major, K. 467: II. Andante\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Piano Concerto No. 21 in C Major, K. 467: II. Andante 06:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBorodin, Alexander Porfir'yevich\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 2 in D Major: III. Notturno: Andante\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 String Quartet No. 2 in D Major: III. Notturno: Andante 08:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMahler, Gustav\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 5 in C-Sharp Minor: IV. Adagietto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Symphony No. 5 in C-Sharp Minor: IV. Adagietto 12:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eShostakovich, Dmitry\u003c\/div\u003e\n\u003cdiv\u003e The Gadfly Suite, Op. 97a: VIII. Romance\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 The Gadfly Suite, Op. 97a: VIII. Romance 05:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBruch, Max\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio 08:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKhachaturian, Aram Il'yich\u003c\/div\u003e\n\u003cdiv\u003e Spartacus: Suite No. 2: Adagio of Spartacus and Phrygia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Spartacus: Suite No. 2: Adagio of Spartacus and Phrygia 08:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSibelius, Jean\u003c\/div\u003e\n\u003cdiv\u003e Rakastava (The Lover), Op. 14: I. Der Liebende (The Lover)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Rakastava (The Lover), Op. 14: I. Der Liebende (The Lover) 04:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e Romeo and Juliet Fantasy Overture (3rd version, 1880)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Romeo and Juliet Fantasy Overture (3rd version, 1880) 03:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGrieg, Edvard\u003c\/div\u003e\n\u003cdiv\u003e Olav Trygvason, Op. 50: Bonn (Prayer) (arr. for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Olav Trygvason, Op. 50: Bonn (Prayer) (arr. for piano) 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiadov, Anatol Konstantinovich\u003c\/div\u003e\n\u003cdiv\u003e The Enchanted Lake, Op. 62\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 The Enchanted Lake, Op. 62 07:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:11:38\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991887945978,"sku":"8555358","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.555358.jpg?v=1787502719"},{"product_id":"clarke-earthrise-turnbull-girot-santandreu-sortes-dia","title":"Earthrise (Wind Band Music by CLARKE, N. \/ TURNBULL, K. \/ SANTANDREU, J.) - Middle Tennessee State University Wind Ensemble, Thomas","description":"\u003cdiv\u003eThis program presents exciting new works by three composers whose backgrounds range from military bands to rock and jazz music. Nigel Clarke’s Earthrise represents the drama of the entire NASA Apollo 8 flight. This contrasts with the Heritage Suite, a representation of the day-to-day life of the historic market town of West Malling in Kent, England. Celebrating the Battle of Britain in 1940, Their Finest Hour uses the actual alarm bell which called the RAF fighter pilots to their planes. In Kit Turnbull’s striking evocation the trombone assumes the rôle of the griot, a poet, storyteller and musician who chronicles West African tribal stories through words, mime and movement. Jesús Santandreu’s Sortes Diabolorum evokes the violence of the Inquisition and the ultimate triumph of common sense over superstition.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eClarke, Nigel\u003c\/div\u003e\n\u003cdiv\u003e Earthrise\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Earthrise 18:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTurnbull, Kit\u003c\/div\u003e\n\u003cdiv\u003e Griot\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. The Orator 04:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. The Songsmith 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Dancers and Drummers 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eClarke, Nigel\u003c\/div\u003e\n\u003cdiv\u003e Heritage Suite (What Hope Saw)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Bric-a-brac Market 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Prayers and Plagues 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Cornucopia 01:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Hop Pickers Round 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 V. Warm Beer and Cricket 05:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 VI. Wyatt's Rebllion and Hope 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSantandreu, Jesus\u003c\/div\u003e\n\u003cdiv\u003e Sortes Diabolorum\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Sortes Diabolorum 18:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eClarke, Nigel\u003c\/div\u003e\n\u003cdiv\u003e Their Finest Hour\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Their Finest Hour 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:15:17\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991888044282,"sku":"8573184","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573184.jpg?v=1786399709"},{"product_id":"chill-with-tchaikovsky","title":"CHILL WITH TCHAIKOVSKY","description":"\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e The Sleeping Beauty, Op. 66: Entrance of the Good Fairies\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 The Sleeping Beauty, Op. 66: Entrance of the Good Fairies 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 6 Morceaux, Op. 19: No. 4. Nocturne (version for cello and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Nocturne in C-Sharp Minor, Op. 19. No. 4 04:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nutcracker: Danse arabe\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Nutcracker: Danse arabe 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nutcracker: Danse chinoise\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Nutcracker: Danse chinoise 01:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nutcracker: Danse des mirlitons\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Nutcracker: Danse des mirlitons 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 12 Morceaux, Op. 40: No.2. Chanson triste in G Minor\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 12 Morceaux, Op. 40: No.2. Chanson triste in G Minor 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Serenade in C Major, Op. 48: II. Waltzer\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Serenade for Strings: Waltzer 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eOstrovsky, Alexander - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e The Snow Maiden, Op. 12: Declamation of the Fairy of Spring\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 The Snow Maiden, Op. 12: Declamation of the Fairy of Spring 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 6 in B Minor, Op. 74, \"Pathétique\": II. Allegro con grazia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Symphony No. 6 in B Minor, Op. 74, \"Pathétique\": II. Allegro con grazia 08:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Swan Lake: Scene\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Swan Lake: Scene 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Album for the Young, Op. 39: No. 21. Sweet Dreams (Douce rêverie)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Album for the Young, Op. 39: No. 21. Sweet dreams 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in D Major, Op. 35: II. Canzonetta: Andante\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Violin Concerto in D Major, Op. 35: II. Canzonetta: Andante 07:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nutcracker: Danse de la fee\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Nutcracker: Danse de la fee 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMercz, Nora - Arranger\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e Valse sentimentale in F Minor, Op. 51, No. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Valse sentimentale in F Minor, Op. 51, No. 6 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino semplice - Prestissimo - Tempo 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino semplice - Prestissimo - Tempo 1 07:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:01:16\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991888273658,"sku":"8556785","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.556785.jpg?v=1787497107"},{"product_id":"eriks-esenvalds-the-doors-of-heaven","title":"Ešenvalds: The Doors of Heaven - Portland State Chamber Choir, Sperry","description":"\u003cdiv\u003eThe Latvian composer Ēriks Ešenvalds has rapidly become one of the world’s most performed choral composers. His ability to bring a dramatic text to life through textures that are lush yet permeated with a more stringent and angular aesthetic has ensured a steady stream of commissions from leading orchestras and choral forces. The four works here reflect an interest in the beauty of nature, religious faith and legend. The First Tears explores an Inuit story and employs subtle instrumental colouration from jaw harps and Native American flutes, whilst Passion and Resurrection is a profound and powerful exploration of Christ’s death and Resurrection.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e The First Tears\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 The First Tears 14:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSavage, Candace - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eNansen, Fridtjof - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKaila, Kari - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eReed, William - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHall, Charles Francis - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e Rivers of Light\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Rivers of Light 06:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSaint Francis of Assisi - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMother Teresa - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e A Drop in the Ocean\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 A Drop in the Ocean 07:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEšenvalds, Ēriks\u003c\/div\u003e\n\u003cdiv\u003e Passion and Resurrection\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part I 09:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part II 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part III 07:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part IV 08:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 58:38\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991888535802,"sku":"8579008","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579008.jpg?v=1786728981"},{"product_id":"breiner-slovak-dances-naughty-and-nice","title":"Breiner: Slovak Dances, Naughty and Sad - Palúch, Lenko, Friedl, Slovak Philharmonic, Breiner (2 CDs)","description":"\u003cdiv\u003ePeter Breiner is one of the world’s most performed composer\/arrangers, with a boundless musicality that has led him to create fusions of music from a variety of genres. Drawing on traditions established by Brahms and Dvořák and showcasing leading folk music soloists, his Slovak Dances are an exuberant and kaleidoscopic monument rooted in Slovak musical folklore. It comprises 16 symphonic fantasias on songs that evoke varying emotions with an autobiographical element that follows Breiner’s life from his origins in Humenné and Košice to New York.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eBreiner, Peter\u003c\/div\u003e\n\u003cdiv\u003e Slovenské tance, pochabé i smutné (Slovak Dances, Naughty and Sad)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Ej, zalužicko poľo (The field of Zalužice) 05:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Oddavac me budu (They will give me away) 08:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Dzifče počarovne (You enchanting girl, you …) 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Humeňanski koscelok (The little church of Humenné) 07:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Jaj, mamičko, svrbí ma (Oh, mother dear, it itches) 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Kvitne drobná ďatelinka (Tiny clovers blooming) 06:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. Uspávanky (Lullabies) 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. A muj ocec veľka balamuta (My father is but one big headache) 06:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 9. Píšťalôčka moja- Ititi, ititi (My little whistle – Ititi, ititi) 07:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 10. Na Kráľovej holi (On the King’s Mountain) 08:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 11. Šaľena ja bula (I must have been crazy) 06:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 12. Na košickej turňi (On the watchtower of Košice) 06:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 13. Vravela mi moja mati nesedávať potme (My mother told me not sit in the dark) 05:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 14. Šňila še mi v Americe novina (I had this dream in America) 05:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 15. Staré dievky, čo robíte (What are you doing, old spinsters) 04:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 16. Kapura, kapura (You little gate with bars) 03:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:38:43\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991888634106,"sku":"8574184-85","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574184-85.jpg?v=1786385514"},{"product_id":"prokofiev-the-year-1941-symphony-no-5","title":"Prokofiev: The Year 1941 - Symphony No. 5 - São Paulo Symphony, Alsop","description":"\u003cdiv\u003eWritten in 1944, Prokofiev’s Fifth Symphony is one of his greatest and most complete symphonic statements. At its première he himself called it “a symphony of the grandeur of the human spirit”. The first movement couples considerable strength with unexpected yet highly characteristic twists of melody. After a violent scherzo followed by a slow movement of sustained lyricism, with a fiercely dramatic middle section, the finale blazes with barely suppressed passion. The Year 1941 is another wartime work, a symphonic suite written in response to the German invasion of the Soviet Union. This is the first volume a of complete cycle of the Prokofiev Symphonies with the OSESP and Marin Alsop, the orchestra’s newly appointed principal conductor.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eProkofiev, Sergey\u003c\/div\u003e\n\u003cdiv\u003e The Year 1941, Op. 90\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. In the Struggle 04:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. In the Night 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. For the Brotherhood of Man 06:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 5 in B-Flat Major, Op. 100\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Andante 13:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Allegro marcato 09:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Adagio 12:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Allegro giocoso 09:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 59:47\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991888994554,"sku":"8573029","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573029.jpg?v=1787092318"},{"product_id":"v59-complete-piano-music","title":"LISZT: COMPLETE PIANO MUSIC, V. 59 - Schubert Transcriptions) - Dominic Cheli","description":"\u003cdiv\u003eLiszt, Franz\u003c\/div\u003e\n\u003cdiv\u003e 3 Schubert Marches, S426\/R251\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Trauermarsch (Grande marche funèbre) 19:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Grande marche 17:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Grande marche caractéristique 13:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Schuberts Ungarische Melodien aus dem ungarischen Divertissement zu 4 Händen, S425bis\/R250 (1846 facilitated version of Mélodies Hongroises d'après Schubert, S425\/R250)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 1. Andante 08:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 2. Marcia 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 3. Allegretto 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Schubert - Soirées de Vienne: No. 6 in A Minor, S427\/6ii (1869 version for Sophie Menter)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Schubert - Soirées de Vienne: No. 6 in A Minor, S427\/6ii (1869 version for Sophie Menter) 09:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:19:31\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889092858,"sku":"8574172","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574172.jpg?v=1786400311"},{"product_id":"new-orchestral-hits-4-kids","title":"New Orchestral Hits 4 Kids","description":"\u003cdiv\u003eCatchy contemporary music for children performed by an orchestra is a rarity. New Orchestral Hits For Kids aims to open ears, new and old to the wonderful sounds of the orchestra. The songs are written, arranged and performed by two highly accomplished musicians, Mr. E aka Erik Johannessen of Jaga Jazzist fame and Me aka Martin Hagfors an acclaimed songwriter, artist and lyricist. The orchestra is the Norwegian Radio Orchestra directed by Anders Eljas of Chess and ABBA fame and by the eloquent Ingar Bergby.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe orchestra is augmented by the internationally renowned Sami artist, Mari Boine, The Norwegian Girls Choir and percussionist Heming Valebjørg of The Oslo Symphony Orchestra. Enjoy!\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Sleep Like a Rock\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Sleep Like a Rock 03:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e What's The Number On Your Door?\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 What's The Number On Your Door? 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Wet Socks\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Wet Socks 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Long, Long\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Long, Long 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e A Major Birthday\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 A Major Birthday 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Story of the Girl On The Moon\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 The Story of the Girl On The Moon 05:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Planet Of The Rats\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Planet Of The Rats 03:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The P Dance\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 The P Dance 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Mistake #9\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Mistake #9 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Robot XP3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Robot XP3 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSmørdal, Jan Martin\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Woods At Night\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 The Woods At Night 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin\u003c\/div\u003e\n\u003cdiv\u003eJohannessen, Erik\u003c\/div\u003e\n\u003cdiv\u003eHagfors, Martin - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Lonesome Bird\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Lonesome Bird 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 38:15\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889322234,"sku":"8574126","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574126.jpg?v=1787496367"},{"product_id":"lalo-symphonie-espagnole-manen-violin-concerto-no-1","title":"Lalo: Symphonie espagnole - Manén: Violin Concerto No. 1 - Tianwa Yang, Barcelona Symphony and Catalonia National Orchestra, Darrell Ang)","description":"\u003cdiv\u003eThese two concertos—one a staple of the repertoire, the other almost unknown—share melodic richness and a Spanish influence. Lalo’s Symphonie espagnole reflects the quicksilver technique of its dedicatee, Pablo de Sarasate, in its ingenious and virtuosic passagework, with its moods and rhythms indelibly Iberian in feel. Joan Manén, in his day almost as famous as his fellow Catalan Pau Casals, was an admired virtuoso violinist and a prominent composer. His Concierto español, the first of three violin concertos, is suffused with technical demands, lyric warmth, and rhapsodic nostalgia. Soloist Tianwa Yang’s Sarasate recordings have received international acclaim.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eLalo, Édouard\u003c\/div\u003e\n\u003cdiv\u003e Symphonie espagnole, Op. 21\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro non troppo 07:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Scherzando: Allegro molto 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Intermezzo: Allegretto non troppo 05:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Andante 07:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Rondo: Allegro 07:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eManén, Joan\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto No. 1, \"Concierto español\", Op. A-7\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Allegretto ben moderato 13:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Lamento - Adagio ma non troppo 08:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro molto 07:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:02:55\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889420538,"sku":"8573067","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573067.jpg?v=1787091752"},{"product_id":"chen-yi-music-for-wind-band","title":"Chen, Yi: Music for Wind Band (Suite for Cello and Chamber Winds \/ KC Capriccio \/ Feng \/ Tu) - Enyeart, Texas Tech University Symphonic Wind Ensemble, McKoin","description":"\u003cdiv\u003eChinese American composer Chen Yi brings a unique compositional voice to the wind ensemble by fusing the traditions and sounds of the East with those of her adopted West. This collection of world première recordings ranges from the first wind quintet of 1987, inspired by the booming tide of Chaoyin Cave in Southeastern China, to the Suite for Cello and Chamber Winds of 2004 in which Chen borrows extensively from folk-tunes, Chinese percussion, stringed, and wind instruments. The exuberant KC Capriccio contrasts with the gripping intensity of Tu, which is dedicated to the victims of the 9\/11 tragedy.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eChen, Yi\u003c\/div\u003e\n\u003cdiv\u003e KC Capriccio\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 KC Capriccio 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Suite for Cello and Chamber Winds\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Lusheng Ensemble 04:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Echoes of the Set Bells 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Romance of Hsiao and Ch'in 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. Flower Drums in Dance 06:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Feng\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Introduction 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Rondo 07:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Woodwind Quintet\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Woodwind Quintet 08:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Tu (version for wind ensemble)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Tu (version for wind ensemble) 10:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 53:45\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889518842,"sku":"8572838","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572838.jpg?v=1786398538"},{"product_id":"bright-sheng-northern-lights","title":"Bright: Northern Lights \/ Melodies of a Flute \/ 4 Movements for Piano Trio - Dan Zhu, J. Schwarz, Trey Lee, Bright Sheng","description":"\u003cdiv\u003eAcclaimed Chinese\/American composer Bright Sheng has been fascinated by folk music for his entire career and Northern Lights is his first work to use Scandinavian folk music, exploring its kinship with American sources such as Appalachian and Bluegrass music. Inspired by ancient Chinese poetry, Melodies of a Flute captures deep and sensuous moods of love and longing, while Hot Pepper refers to the spicy cuisine of Si Chuan province. Bright Sheng combines Chinese and Western musical ideas to create luminous, deeply expressive and rhythmic scores, giving new meaning to the idea of music as a universal language.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSheng, Bright\u003c\/div\u003e\n\u003cdiv\u003e Northern Lights\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. eighth note = 88 06:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. quarter note = 69 04:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. quarter note = 63-66 07:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. quarter note = 144-152 03:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Melodies of a Flute\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Flute and Phoenix 12:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Lotus Flowers 04:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Movements for Piano Trio\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. eighth note = 54 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. quarter note = 72 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. quarter note = 112 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Nostalgia, eighth note = 66 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sweet May Again\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Sweet May Again 09:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Hot Pepper\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 I. quarter note = 46-50 05:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 II. quarter note = 126-144 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889617146,"sku":"8579014","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579014.jpg?v=1786386959"},{"product_id":"i-saw-eternity","title":"I Saw Eternity: Canadian Choral Music (CORLIS, T. \/ ENNS, L. \/ TIEFENBACH, P. \/ WATSON HENDERSON, R.) - Elora Festival Singers, Edison","description":"\u003cdiv\u003eThis recording brings together eleven leading composers whose origins in or strong associations with Canada are manifest in their central position in Canadian musical life. In a programme through which the power of tradition and faith flows strongly, themes are explored ranging from paradise and heavenly fulfilment to tragic loss; and from timeless hymn and psalm texts to an exploration of the brevity of human existence in the title work, I Saw Eternity. One of the finest chamber choirs in Canada and beyond, the Elora Festival Singers’ ‘must-have’ (Gramophone) programme of Eric Whitacre (8.559677) is just one of their many acclaimed recordings.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCorlis, Timothy\u003c\/div\u003e\n\u003cdiv\u003e Missa Pax: Gloria\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Missa Pax: Gloria 07:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVaughan, Henry - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEnns, Leonard\u003c\/div\u003e\n\u003cdiv\u003e I saw eternity\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I saw eternity 06:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eTiefenbach, Peter\u003c\/div\u003e\n\u003cdiv\u003e Nunc Dimittis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Nunc Dimittis 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eWatson Henderson, Ruth\u003c\/div\u003e\n\u003cdiv\u003e Missa Brevis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Kyrie 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Gloria 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Sanctus - Hosanna - Benedictus 04:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Agnus Dei 02:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHousman, A.E. - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCorlis, Timothy\u003c\/div\u003e\n\u003cdiv\u003e Loveliest of Trees\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Loveliest of Trees 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWatts, Isaac - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eDonne, John - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHalley, Paul\u003c\/div\u003e\n\u003cdiv\u003e Bring Us, O Lord God\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Bring Us, O Lord God 06:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGalbraith, Craig\u003c\/div\u003e\n\u003cdiv\u003e Let All Mortal Flesh Keep Silence\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Let All Mortal Flesh Keep Silence 06:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTagore, Rabindranath - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMozetich, Marjan\u003c\/div\u003e\n\u003cdiv\u003e Flying Swans\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Flying Swans 08:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSirett, Mark\u003c\/div\u003e\n\u003cdiv\u003e Bless the Lord for the Good Land\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Bless the Lord for the Good Land 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBuhr, Glenn\u003c\/div\u003e\n\u003cdiv\u003e Ritchot Mass: Agnus Dei (version for chorus and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Ritchot Mass: Agnus Dei (version for chorus and piano) 06:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRaminsh, Imant\u003c\/div\u003e\n\u003cdiv\u003e Psalm 23, \"The Lord Is My Shepherd\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Psalm 23, \"The Lord Is My Shepherd\" 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChatman, Stephen\u003c\/div\u003e\n\u003cdiv\u003eRossetti, Christina - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 2 Rossetti Songs: No. 2. Remember\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 2 Rossetti Songs: No. 2. Remember 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:13:58\u003c\/div\u003e\n\u003cdiv\u003eLess\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889682682,"sku":"8572812","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572812.jpg?v=1786741175"},{"product_id":"birds-of-love-and-prey","title":"Birds of Love and Prey (Songs by SIMPSON, A.E. \/ KITCHEN, E. \/ THIBAUDEAU, G.) - Deborah Sternberg","description":"\u003cdiv\u003eSoprano Deborah Sternberg brings together three song cycles themed on birds, each with its own unique flavour and expressive vocabulary. Andrew Earle Simpson’s eloquent skills as a composer and pianist are united in Birds of Love and Prey, in which both antique and modern textual sources contrast songbirds and predators in a variety of ways. Eric Kitchen uses transcriptions of actual birdsong in The Olney Avian Verse of William Cowper, while Gabriel Thibaudeau’s Cycle Avicellus portrays birds within landscapes using a language of modern impressionism.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eSimpson, Andrew Earle\u003c\/div\u003e\n\u003cdiv\u003eTennyson, Alfred - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eAristophanes - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eSimpson, Andrew Earle - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKeats, John - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eFerrario, S.B. - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMillett, E.N. - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBarbier, Jules - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Birds of Love and Prey\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Prologue: Bird Cadenza 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. O Beloved Nightingale 01:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. The Tit and the Lovebird 02:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. The Eagle 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 4. Night Interlude 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 5. The Owl and the Nightingale 05:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 6. Bird Cadenza 00:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 7. The Turtle Dove 04:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 8. Interlude 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 9. Blest are the Birds on the Wing 02:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKitchen, Eric\u003c\/div\u003e\n\u003cdiv\u003eCowper, William - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Olney Avian Verse of William Cowper\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 1. The Faithful Bird 05:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 2. To the Nightingale 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 3. On the Swallow 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 4. Sparrows Self-domesticated 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 5. Invitation to the Redbreast 04:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eThibaudeau, Gabriel\u003c\/div\u003e\n\u003cdiv\u003eBielinski, Mykalle - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cycle Avicellus\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 1. De ton perchoir (From your perch) 05:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 2. Blanc harfang (Snowy owl) 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 3. Ils partent (They're leaving) 04:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 4. Envol (Soaring) 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:00:42\u003c\/div\u003e\n\u003cdiv\u003eLess\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991889780986,"sku":"8579064","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579064.jpg?v=1786304618"},{"product_id":"part-music-for-unaccompanied-choir","title":"PART: Music for Unaccompanied Choir - Elora Singers","description":"\u003cdiv\u003e\n\u003cp\u003eArvo Pärt was born at Paide in Estonia on 11 September 1935. He studied with Harri Otsa and Veijo Tormis, then at the Tallinn Conservatory with Heino Eller, graduating in 1963. His first works adopt an undemanding neo-classical style, but a clandestine study of serial technique became apparent in Nekrolog (1960), heralding a series of scores, such as Perpetuum Mobile and the First 'Polyphonic' Symphony, which afforded Pärt notoriety amid the warily-conservative establishment of the period. A growing interest in the music of Bach led Pärt to combine the famous B-A-C-H motif with often wildly extraneous material, as in the cello concerto Pro et Contra and the Second Symphony (both 1966). The climax of this period came with Credo (1968), in which Bach and Modernism openly conflict in a work whose unabashed Christianity was considered a direct provocation to Soviet officialdom.\u003c\/p\u003e\n\u003cp\u003eRather than pursue this line of thinking, Pärt retreated into virtual silence. The Third Symphony of 1971 [Naxos 8.554591] gave notice of an intense interest in early music, notably Gregorian chant, but not until 1976 did he begin to compose fluently, now using a tonal technique he termed 'tintinnabuli', in which the bell-like resonance of notes in a triad underscores a melodic voice which revolves step-wise around a central pitch. Several works now considered classics followed, Tabula Rasa [Naxos 8.554591], Fratres and Cantus in memoriam Benjamin Britten [Naxos 8.553750], culminating in 1982 with the St John Passion [Naxos 8.555860]. This paved the way for a sequence of mainly sacred choral works, consolidating Pärt's reputation among the most significant composers at work today. The present disc provides a view of his music over a decade: one in which the focussing on harmonic and rhythmic, thus expressive essentials is always apparent.\u003c\/p\u003e\n\u003cp\u003eWritten for a commission to mark the 350th anniversary of the Karlstad Diocese in Sweden, Tribute to Caesar (1997) sets verse from the Gospel of St Matthew, where Jesus confronts the Pharisees with their hypocrisy. Within its modest dimensions, the piece contrasts overtly chordal passages with those in which a melodic declamation predominates, the two being integrated with the unassuming skill that is a hallmark of Pärt's most recent music for unaccompanied choir.\u003c\/p\u003e\n\u003cp\u003eAlthough the coupling of Magnificat and Nunc dimittis is a procedural 'given' in the Evening Service of the Anglican tradition, Pärt's setting of the former text was only joined by the latter after twelve years, his Nunc dimittis being written to a commission from St Mary's Episcopal Church in Edinburgh and first heard at the Edinburgh Festival in August 2001. The words taken from the Gospel of St Luke are set with an emphasis on the gentle radiance that they so directly evoke: the part-writing shifts between degrees of dissonance with a sense of growing intensity, and reaches its brief but fervent climax at the words 'lumen ad revelationem', with a simple but powerful shift to the major.\u003c\/p\u003e\n\u003cp\u003eThe setting of Bogoróditse Djévo was written for the annual Service of Nine Lessons and Carols at King's College, Cambridge, in 1992. As befits this most emotionally-charged of hymns, Pärt imbues his tribute to the Virgin Mary with direct expressive vibrancy.\u003c\/p\u003e\n\u003cp\u003eTriodion (1998) was a commission from Lancing College, Sussex, to mark the 150th anniversary of its founding. Fifty years before, Benjamin Britten, a composer much admired by Pärt, had composed his cantata St Nicolas for the centenary of the school, a connection Pärt underlined by commemorating the saint, who is also the patron saint of Lancing, in the last of three Odes drawn from the Orthodox Prayer Book. The work itself begins with an Introduction, offering praise to the Holy Trinity, then proceeds with Odes directed to Jesus the Son of God, the Most Holy Birthgiver of God and to the Holy Saint Nicholas respectively, before a brief dedicatory Coda (marked ad libitum, as is the Introduction). Each of the Odes is rhythmically static, while harmonic movement similarly ceases in each of the final supplications, where Pärt's music can be heard at its starkest and most unadorned.\u003c\/p\u003e\n\u003cp\u003eA further commission from Karlstad to mark its 350th anniversary, The Woman with the Alabaster Box (1997), again sets verse from the Gospel of St Matthew, where Jesus reproaches his disciples for highhandedness shown to a woman who pours fine ointment over his head in tribute. Pärt is characteristically noninterventionist in his treatment of the conflicting points of view, the simple homophonic and stepwise melodic writing creating music of euphonious melancholy.\u003c\/p\u003e\n\u003cp\u003eComposed to commemorate the 900th anniversary of the founding of Norwich Cathedral in 1996, I Am the True Vine sets verse from the Gospel of St John. Each stanza deals, to a greater or lesser degree, with the image of a branch in the process of growth that brings with it fruitfulness and hence fulfillment: hence the systematic repetition of notes, the entry of voices and the interplay of registers, to evoke the vine metaphor as one of change within continuity.\u003c\/p\u003e\n\u003cp\u003eCompleted in 1997, and first heard at Cologne Cathedral the following year, Kanon Pokajanen is Pärt's largest work after the St John Passion, its succession of odes emerging from the start of the 1990s. As with its companions in the cycle, Ode VII, which takes its text from the liturgical morning canon of repentance, is permeated by Russian Orthodox idioms, whether in its sonorous, triadic harmonies or in the recourse to parallel motion, to create music of a dark-hued and also intensely felt contemplation.\u003c\/p\u003e\n\u003cp\u003eCommissioned by the Cultural Department of Milan to commemorate the 1600th anniversary of the death of St Ambrose, often credited with the authorship of the Te Deum, Dopo la vittoria had its première at the city's San Simpliciano Basilica in December 1997. Unusually for Pärt, this description, translated into Italian from an original Russian source, of the baptism of St Augustine by St Ambrose, is set with keen responsiveness to its narrative qualities. At three points, words from the latter's famous text are given an especial emphasis, as if to confirm that this is a present-day 'sacred cantata' with direct textual and musical links to those from the past.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003e Triodion\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Introduction: ad libitum - Ode I: O Jesus the Son of God, Have Mercy upon Us 04:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Ode II: O Most Holy Birth-giver of God, Save Us 04:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Ode III: O Holy Saint Nicholas, Pray to God for Us - Coda: ad libitum 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Tribute to Caesar\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Tribute to Caesar 05:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nunc dimittis\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Nunc dimittis 06:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003e Kanon Pokajanen: Ode VII: Memento\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Kanon Pokajanen: Ode VII: Memento 07:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003eBible - New Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e I am the true vine\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I am the true vine 06:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Woman with the Alabaster Box\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 The Woman with the Alabaster Box 05:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePärt, Arvo\u003c\/div\u003e\n\u003cdiv\u003e Dopo la vittoria (After the Victory)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Dopo la vittoria (After the Victory) 10:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Bogoroditse Djevo (Mother of God and Virgin)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Bogoroditse Djevo (Mother of God and Virgin) 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 57:26\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991890010362,"sku":"8570239","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.570239.jpg?v=1786400904"},{"product_id":"mantar-heritage","title":"Music from the Promised Land (Mandolin and Guitar Duets by LAVRY, M. \/ BEN-HAIM, P. \/ FREIDLIN, J. \/ BRAUN, Y. \/ BARDANASHVILI, I.) - Duo Mantar","description":"\u003cdiv\u003eThis selection of pieces for mandolin and guitar represents the rich variety of music from Israel. Styles range from the diaspora of Babylonian Jewry through European klezmer traditions, and Balkan Ladino songs, to contemporary influences from America. Paul Ben-Haim and Marc Lavry pioneered the use of music originating in the Jewish East, and Jan Freidlin continues the tradition, employing Oriental dance figures in his music. Oren Lok’s Ahava is an homage to love, while Ittai Rosenbaum’s Duet offers a vibrant and jazzy conclusion to this wide-ranging conspectus.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eLavry, Marc\u003c\/div\u003e\n\u003cdiv\u003eNestor, Gregg - Arranger\u003c\/div\u003e\n\u003cdiv\u003e 3 Jewish Dances, Op. 192 (arr. G. Nestor for mandolin and guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Jewish Wedding Dance – Sher: Allegro molto 01:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Yemenite Wedding Dance: Andante 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Hora: Allegro vivo 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBen-Haim, Paul\u003c\/div\u003e\n\u003cdiv\u003eNestor, Gregg - Arranger\u003c\/div\u003e\n\u003cdiv\u003e 3 Songs Without Words (arr. G. Nestor for mandolin and guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Arioso 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Ballad 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Sephardic Melody 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFreidlin, Jan\u003c\/div\u003e\n\u003cdiv\u003e Oriental Pantomime\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Oriental Pantomime 05:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Mist Over the Lake (version for mandolin and guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Mist Over the Lake (version for mandolin and guitar) 04:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBraun, Yehezkel\u003c\/div\u003e\n\u003cdiv\u003e Sonata for Mandolin and Guitar\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Fantasia 05:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Aria 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Variazione 04:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBardanashvili, Ioseb\u003c\/div\u003e\n\u003cdiv\u003e The Memories\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 The Memories 11:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLok, Oren\u003c\/div\u003e\n\u003cdiv\u003e Ahava\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Ahava 08:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRosenbaum, Ittai\u003c\/div\u003e\n\u003cdiv\u003eNestor, Gregg - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Duet for Mandolin and Piano (arr. G. Nestor for mandolin and guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Duet for Mandolin and Piano (arr. G. Nestor for mandolin and guitar) 10:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:12:37\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991890272506,"sku":"8573962","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573962.jpg?v=1787092237"},{"product_id":"symphony-mathis-der-maler","title":"HINDEMITH, P.: Nusch-Nuschi-Tänze \/ Sancta Susanna \/ Symphony, \"Mathis der Maler\" - Stundyte, R. Morloc, ORF Vienna Radio Symphony, Alsop","description":"\u003cdiv\u003ePaul Hindemith’s life was dominated by the events of the two world wars. In 1917, his discovery of contemporary Expressionist poetry and drama transformed him from a talented student to Germany’s leading new composer. His one-act operas Sancta Susanna and Das Nusch-Nuschi date from this period. Sancta Susanna – Hindemith’s first masterpiece – combines religious and erotic symbolism into an eerie narrative that was shocking for its time, whereas the dance suite from Das Nusch-Nuschi emphasises the plot’s origin as a Burmese comedy. The three symphonic movements from the opera Mathis der Maler refer to the three panels of the Isenheim Altarpiece by Renaissance painter Matthias Grünewald, but also graphically reflect Hindemith’s own artistic struggles in Nazi Germany.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHindemith, Paul\u003c\/div\u003e\n\u003cdiv\u003e Nusch-Nuschi-Tänze\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Sehr lebhaft - 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Mäßig lebhaft - 04:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Allegro marziale 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHindemith, Paul\u003c\/div\u003e\n\u003cdiv\u003eStramm, August - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Sancta Susanna, Op. 21\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Sehr langsam. Mit Ausdruck und Wärme - Ohne Takteinteilung. Sehr ruhig: Sancta Susanna! (Klementia, Susanna) 07:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Sehr langsam, wie im Vorspiel: Ave Maria! (Susanna, Maid, Servant) 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Lebhaft: Satanas (Susanna, Klementia) 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Fast unmerklich langsamer als das vorige Hauptzeitmaß: Wir trugen sie fort… (Klementia, Susanna) 06:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Langsam: Kyrie eleison (Old Nun, Chorus of Nuns, Susanna, Klementia) 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHindemith, Paul\u003c\/div\u003e\n\u003cdiv\u003e Symphony, \"Mathis der Maler\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 I. Engelkonzert 08:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 II. Grablegung 04:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 III. Versuchung des heiligen Antonius 13:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:00:54\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891386618,"sku":"8574283","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574283.jpg?v=1787518332"},{"product_id":"chopins-ghosts","title":"REALE: Cello and Piano Works (Chopin's Ghosts) - K. Cook, C. Guzman","description":"\u003cdiv\u003eMulti-award-winning composer Paul Reale has a distinctly American voice, enriched and given touches of familiarity through references to folk idiom and musical ancestors such as Bartók and Kodály. This program brings together Reale’s works for cello and piano. His earliest, Séance, is a haunting combination of modernist sounds and Baroque melodies. The operatic Cello Sonata No. 1 daringly uses What Shall We Do with the Drunken Sailor as the backbone of its finale, and the recent Chopin’s Ghost explores the Romantic composer’s long, weaving lines and evokes his poetic spirit.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eReale, Paul\u003c\/div\u003e\n\u003cdiv\u003e Durch die Jahrzeiten II\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Joseph, lieber Joseph mein 00:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Alle Vogel 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Ich bin das ganz Jahr 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Kommet ihr Hirten 01:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 2, \"Chopin's Ghost\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Introduction: Chorale Gone Bad 04:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Reflection 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Macabre Dance 03:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Chopin 03:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Séance (2017 revised version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Séance (2017 revised version) 09:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Sonata No. 1 (2015 revised version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 I. Overture 04:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 II. Recitative I 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 III. Aria 05:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 IV. Recitative II 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 V. Finale 05:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Wexford Carol\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Wexford Carol 06:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 58:15\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891419386,"sku":"8559820","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559820.jpg?v=1787497303"},{"product_id":"burge-sinfonia-antiqua-one-sail-forgotten-dreams-upper-c","title":"Burge: Sinfonia Antiqua; One Sail; Forgotten Dreams; Upper Canada Fiddle Suite - G'froerer, Mercer, Thirteen Strings Chamber Orchestra, Mallon","description":"\u003cp\u003eJohn Burge is a JUNO Award-winning composer and a passionate advocate for Canadian music who has a strong affinity with writing for string instruments. All of the works in this recording were commissioned and premiered by the Thirteen Strings Chamber Orchestra. Opening with the joyous and celebratory Sinfonia Antiqua, the mood shifts to an evocative and impressionistic atmosphere in Forgotten Dreams, while One Sail captures the compelling power of poetic imagery. The Upper Canada Fiddle Suite blends tradition and nostalgia with entirely original inventiveness, and concludes an album that perfectly represents Burge’s eloquent and deeply expressive compositional style.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eBurge, John\u003c\/div\u003e\n\u003cdiv\u003e Sinfonia Antiqua\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. French Overture: Maestoso - Allegro 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Minuet: Grazioso - Trio: L'istesso tempo 06:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Aria: Largo 06:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Gigue: Poco allegro 04:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Forgotten Dreams (version for flute and string orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Forgotten Dreams (version for flute and string orchestra) 08:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e One Sail\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 One Sail 14:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Upper Canada Fiddle Suite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Reel: Moderately fast 04:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Waltz: With simplicity 06:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Jig: Vigorously 06:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:03:56\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891452154,"sku":"8579073","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579073.jpg?v=1786306622"},{"product_id":"kodaly-sonata-for-solo-cello-duo-for-violin-cello-lig","title":"Kodály: Sonata for Solo Cello - Duo for Violin \u0026 Cello - LIGETI, G.: Sonata for Solo Cello - H. Weiss, G. Schwabe","description":"\u003cdiv\u003eZoltán Kodály’s later years were dominated by a series of choral works but his early reputation centred upon chamber music, notably two string quartets, a Cello Sonata (8.553160) and the two masterpieces heard on this recording. The Duo for Violin and Cello, Op. 7 combines Classical form with folk influence, while the Sonata for Solo Cello, Op. 8, with its expanded harmonies and tone colours, is one of the greatest solo cello works since Bach’s Cello Suites. György Ligeti continued the Hungarian lineage with his Sonata for Solo Cello, a succinct but pivotal work in his compositional development.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eKodály, Zoltán\u003c\/div\u003e\n\u003cdiv\u003e Duo for Violin and Cello, Op. 7\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro serioso, non troppo 08:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Adagio 08:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Maestoso e largamente, ma non troppo lento - Presto 09:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLigeti, György\u003c\/div\u003e\n\u003cdiv\u003e Sonata for Solo Cello\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Dialogo 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Capriccio 03:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKodály, Zoltán\u003c\/div\u003e\n\u003cdiv\u003e Sonata for Solo Cello, Op. 8\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Allegro maestoso ma appassionato 08:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Adagio (con grand' espressione) 10:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro molto vivace 11:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:04:44\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891484922,"sku":"8574202","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574202.jpg?v=1787091607"},{"product_id":"guitar-recital-marko-topchii","title":"Marko Topchii: Guitar Recital (BARRIOS MANGORÉ, A. \/ BLIOKH, K. \/ DOWLAND, J. \/ DUMOND, A. \/ GILARDINO, A. \/ HAND, F. \/ POULENC, F. \/ ROUSSEL, A.)","description":"\u003cdiv\u003eThis recital by Marko Topchii, winner of the 2023 Guitar Foundation of America Competition, ranges widely across the repertoire, from a Renaissance lute masterpiece by John Dowland, through early 20th-century neo-Romanticism, to the technical challenges of the present day. The programme includes the only works for guitar composed by Roussel and Poulenc – both of which are endlessly evocative. Barrios Mangoré’s sublime Un sueño en la floresta, three Studies by Angelo Gilardino, the competition’s set piece by Frederic Hand, and Konstantin Bliokh’s contemporary Sonata No. 6 ‘Kharkiv’ complete Topchii’s diverse programme.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRoussel, Albert\u003c\/div\u003e\n\u003cdiv\u003e Segovia, Op. 29\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Segovia, Op. 29 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBarrios Mangoré, Agustín\u003c\/div\u003e\n\u003cdiv\u003e Un sueño en la floresta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Un sueño en la floresta 08:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePoulenc, Francis\u003c\/div\u003e\n\u003cdiv\u003e Sarabande, FP 179\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Sarabande, FP 179 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGilardino, Angelo\u003c\/div\u003e\n\u003cdiv\u003e Studi di virtuosità e di trascendenza (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 18. El rosario (Omaggio a Manuel de Falla) 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 32. Embarquement pour Cythère (Omaggio a Jean-Antoine Watteau) 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 19. Jondo (Omaggio a Joaquín Turina) 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDumond, Arnaud\u003c\/div\u003e\n\u003cdiv\u003e 5 hommages français: No. 5. Hommage à Ravel (Comme un hommage)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 5 hommages français: No. 5. Hommage à Ravel (Comme un hommage) 04:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDowland, John\u003c\/div\u003e\n\u003cdiv\u003e Fantasia in G Minor, P. 71\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Fantasia in G Minor, P. 71 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHand, Frederic\u003c\/div\u003e\n\u003cdiv\u003e Undercurrents\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Undercurrents 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBliokh, Konstantin\u003c\/div\u003e\n\u003cdiv\u003e Guitar Sonata No. 6, Op. 48, \"Kharkiv\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 I. Moderato 05:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 II. Scherzo 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 III. Adagio con libertà 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 IV. Andante poco rubato 04:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKoehne, Graeme\u003c\/div\u003e\n\u003cdiv\u003e A Closed World of Fine Feelings and Grand Design\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 A Closed World of Fine Feelings and Grand Design 08:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:09:01\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891583226,"sku":"8574630","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574630.jpg?v=1786738901"},{"product_id":"schubert-string-quint-string-trio","title":"Schubert: String Quintet, D. 956 \/ String Trio, D. 581 - Aviv Quartet, Peled","description":"\u003cdiv\u003eSchubert, Franz\u003c\/div\u003e\n\u003cdiv\u003e String Trio in B-Flat Major, D. 581\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro moderato 05:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante 05:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Menuetto: Allegretto 04:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Rondo: Allegretto 06:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Quintet in C Major, Op. 163, D. 956\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Allegro ma non troppo 20:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Adagio 15:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Scherzo: Presto 10:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Allegretto 10:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:18:34\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891747066,"sku":"8573891","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573891.jpg?v=1787515970"},{"product_id":"trio-for-horn-violin-piano","title":"BOLCOM: Trio for Horn, Violin and Piano \/ Suite No. 2 for Solo Violin - S. Gross, Ficsor, Finehouse","description":"\u003cdiv\u003eRecipient of the National Medal of Arts, Pulitzer Prize, and a GRAMMY Award, William Bolcom is one of America’s most senior and internationally acclaimed composers. Commissioned to expand upon the under-represented horn trio repertoire, Bolcom has written a modern counterpart to Brahms’ Trio for Horn, Violin and Piano, Op. 40, in which he incorporates multiple styles into a substantial composition. The Suite No. 2 for Solo Violin is by turns frenzied, melancholic and light-hearted. Bolcom states, “Both works are performed beautifully and well recorded. Bravi tutti!”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBolcom, William\u003c\/div\u003e\n\u003cdiv\u003e Trio for Horn, Violin and Piano\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Plodding, implacably controlled 04:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Headlong, brutal 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. As if from far away; misterioso 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Quick March. Very controlled and resolute, without tempo change 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Suite No. 2 for Solo Violin\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Morning music 03:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Dancing in place 01:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Northern Nigun 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Lenny in spats 00:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 V. Tempo di gavotte 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 VI. Barcarolle 04:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 VII. Fuga malinconica 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 VIII. Tarantella 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 IX. Finale: Evening Music 03:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 39:52\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891845370,"sku":"8579102","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579102.jpg?v=1787519501"},{"product_id":"great-comedy-overtures","title":"Great Comedy Overtures - Royal Scottish National Orchestra, Friedel","description":"\u003cdiv\u003eThe flourishing genre of the comic opera had its roots in eighteenth-century Italian opera buffa, whose irrepressible brio was soon taken up outside the country’s borders. In France it produced opéra comique and operetta, and in German-speaking countries Spieloper and Viennese operetta. Some of the world’s most popular comic opera overtures, filled with gorgeous tunes, brilliant orchestration and race-to-the-finish endings, are presented here. They include staples of the concert repertoire such as Hérold’s dramatic Zampa, the textual delicacy of Wolf-Ferrari’s Il segreto di Susanna and the vivid colour of Lortzing’s Zar und Zimmermann.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eHérold, Ferdinand\u003c\/div\u003e\n\u003cdiv\u003e Zampa: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Zampa: Overture 08:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eNicolai, Otto\u003c\/div\u003e\n\u003cdiv\u003e Die lustigen Weiber von Windsor: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Die lustigen Weiber von Windsor: Overture 08:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWolf-Ferrari, Ermanno\u003c\/div\u003e\n\u003cdiv\u003e Il segreto di Susanna: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Il segreto di Susanna: Overture 03:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eThomas, Ambroise\u003c\/div\u003e\n\u003cdiv\u003e Mignon: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Mignon: Overture 08:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eReznicek, Emil Nikolaus von\u003c\/div\u003e\n\u003cdiv\u003e Donna Diana: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Donna Diana: Overture 06:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFlotow, Friedrich von\u003c\/div\u003e\n\u003cdiv\u003e Martha: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Martha: Overture 08:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAuber, Daniel-François\u003c\/div\u003e\n\u003cdiv\u003e Fra Diavolo, S. 18: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Fra Diavolo, S. 18: Overture 08:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLortzing, Albert\u003c\/div\u003e\n\u003cdiv\u003e Zar und Zimmermann: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Zar und Zimmermann: Overture 06:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eCimarosa, Domenico\u003c\/div\u003e\n\u003cdiv\u003e Il matrimonio segreto: Overture (1792 Vienna version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Il matrimonio segreto: Overture (1792 Vienna version) 06:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAdam, Adolphe\u003c\/div\u003e\n\u003cdiv\u003e Si j'étais roi: Overture\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Si j'étais roi: Overture 07:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMottl, Felix - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCornelius, Peter\u003c\/div\u003e\n\u003cdiv\u003e Der Barbier von Bagdad: Overture (arr. F. Mottl for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Der Barbier von Bagdad: Overture (arr. F. Mottl for orchestra) 08:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:19:42\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891910906,"sku":"8573418","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573418.jpg?v=1786730651"},{"product_id":"leshnoff-elegy-violin-concerto-no-2-of-thee-i-sing","title":"Leshnoff: Elegy; Violin Concerto No. 2; Of Thee I Sing - Bendix-Balgley, Canterbury Voices, Oklahoma City Philharmonic, Mickelthwate","description":"\u003cdiv\u003eThis is Naxos’s fifth album devoted to the music of leading American composer, Jonathan Leshnoff. He was GRAMMY-nominated for his album Violins of Hope (Naxos 8.559809) and is among the most frequently performed of living composers. The themes of these recent works are remembrance, memorialization, and hopefulness. Elegy addresses ideas of harmony and discord through contrasting thematic ideas. The Violin Concerto No. 2 follows the ‘symphony-concerto’ model with a resonant and lyrical slow movement inspired by Jewish mysticism at its core. Pulsating harmonies eventually subside into serene and hopeful writing in Of Thee I Sing, written in an act of creative transcendence to commemorate the 1995 Oklahoma City bombing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eLeshnoff, Jonathan\u003c\/div\u003e\n\u003cdiv\u003e Elegy\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Elegy 08:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto No. 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Broad 06:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Very Slow, \"Chokhmah Yud\" 09:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Scherzo 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. Fast 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLeshnoff, Jonathan\u003c\/div\u003e\n\u003cdiv\u003eSmith, Samuel Francis - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Of Thee I Sing\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Of Thee I Sing 22:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 56:01\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891943674,"sku":"8559927","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559927.jpg?v=1787091850"},{"product_id":"chill-with-vivaldi","title":"CHILL WITH VIVALDI","description":"\u003cdiv\u003eVivaldi, Antonio\u003c\/div\u003e\n\u003cdiv\u003e Concerto for 2 Violins in A Minor, Op. 3, No. 8, RV 522: II. Larghetto e spirituoso\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Concerto for 2 Violins in A Minor, Op. 3, No. 8, RV 522: II. Larghetto e spirituoso 04:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Four Seasons, Spring: Largo e sempre pianissimo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 The Four Seasons, Spring: Largo e sempre pianissimo 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLagoya, Alexandre\u003c\/div\u003e\n\u003cdiv\u003e Guitar Concerto in A Major: II. Larghetto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Guitar Concerto in A: Larghetto (after A. Vivaldi's Trio Concerto in C Major, RV 82) 07:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVivaldi, Antonio\u003c\/div\u003e\n\u003cdiv\u003e The Four Seasons, Summer: Adagio\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 The Four Seasons, Summer: Adagio 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Flute Concerto in D Major, RV 90, \"Il Gardellino\": II. Largo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Flute Concerto in D Major: Il gardellino - Largo 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Flute Concerto in D Minor: Largo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Flute Concerto in D Minor: Largo 03:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Four Seasons, Autumn: Adagio molto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 The Four Seasons, Autumn: Adagio molto 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Concerto in C Minor: Adagio\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Cello Concerto in C Minor: Adagio 02:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Concerto in D Minor, RV 407: II. Largo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Cello Concerto in D Minor: Largo 02:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Four Seasons: Violin Concerto in F Minor, Op. 8, No. 4, RV 297, \"L'inverno\" (Winter): II. Largo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 The Four Seasons: Violin Concerto in F Minor, Op. 8, No. 4, RV 297, \"L'inverno\" (Winter): II. Largo 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in G Major, RV 314: II. Adagio (Torino manuscript version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Violin Concerto in G Major, RV 314: II. Adagio (Torino manuscript version) 03:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in A Major, RV 341: II. Largo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Violin Concerto in A Major, RV 341: II. Largo 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVivaldi, Antonio\u003c\/div\u003e\n\u003cdiv\u003e Gloria in D Major, RV 589: Et in terra pax\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Gloria in D: Et in terra pax 05:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eVivaldi, Antonio\u003c\/div\u003e\n\u003cdiv\u003e Concerto for 2 Mandolins in G Major: Andante\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Concerto for 2 Mandolins in G Major: Andante 03:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Chamber Concerto in D Major, RV 93: II. Largo (arr. for guitar and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Guitar Concerto in D Major: Largo 05:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 55:40\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991891976442,"sku":"8556779","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.556779.jpg?v=1787497194"},{"product_id":"poulenc-choral-music","title":"Poulenc: Choral Music - Mass in G Major \/ 7 Chansons \/ Motets - Elora Festival Singers, Edison","description":"\u003cdiv\u003eBrought up in the Roman Catholic faith, which he abandoned in 1917 following the death of his father, Poulenc returned to the Church in 1936 after the death of his close friend and fellow composer Pierre-Octave Ferroud. Together these events caused a spiritual crisis in Poulenc’s life which led to a series of important compositions for chorus. The powerful Mass in G major, dedicated to the memory of his father, is notable for its daring use of tonality, though the playfulness of Poulenc’s ‘Les Six’ period is not absent. In the Sept Chansons, set to surrealist texts, and in the two sets of Motets—both very personal and penitential—Poulenc generates a huge range of emotion.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eApollinaire, Guillaume - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eÉluard, Paul - Lyricist\u003c\/div\u003e\n\u003cdiv\u003ePoulenc, Francis\u003c\/div\u003e\n\u003cdiv\u003e 7 Chansons, FP 81\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. La blanche neige (The White Snow) 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. A peine defiguree (Barely Disfigured) 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Par une nuit nouvelle (Through a New Night) 01:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Tous les droits (All the Rights) 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Belle et ressemblante (Beautiful and Resembling) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Marie (Marie) 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. Luire (To Dawn) 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMass Text - Lyricist\u003c\/div\u003e\n\u003cdiv\u003ePoulenc, Francis\u003c\/div\u003e\n\u003cdiv\u003e Mass in G Major, FP 89\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Kyrie 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Gloria 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Sanctus 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Benedictus 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Agnus Dei 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePoulenc, Francis\u003c\/div\u003e\n\u003cdiv\u003e 4 Motets pour un Temps de Penitence, FP 97\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 1. Timor et tremor venerunt super me 02:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 2. Vinea mea electa 03:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 3. Tenebrae factae sunt 03:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 4. Tristis est anima mea 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 4 Motets pour le Temps de Noel, FP 152\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 1. O magnum mysterium 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 2. Quem vidistis pastores dicite 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 3. Videntes stellam 02:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 4. Hodie Christus natus est 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 54:13\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991892074746,"sku":"8572978","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572978.jpg?v=1787502836"},{"product_id":"delius-a-mass-of-life","title":"Delius: A Mass of Life - Bournemouth Symphony Orchestra, Bach Choir, David Hill (2 CDs)","description":"\u003cdiv\u003eLong an admirer of Nietzsche’s poetry, Frederick Delius composed A Mass of Life while at the height of his powers, blending passages from Also Sprach Zarathustra into orchestral textures of great expressive depth and striking beauty. Written in his final years, the Prelude and Idyll sourced music from a long discarded opera, transforming a story of lust and vengeance into one which emphasizes the transience of life and love. David Hill’s previous BSO recordings include a “perfectly judged” Dies natalis by Gerald Finzi (The Guardian on 8.570417), while his Vaughan Williams Sancta Civitas (8.572424) was described as “thrilling…a great case for a neglected work”. (Classic FM)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eNietzsche, Friedrich - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eDelius, Frederick\u003c\/div\u003e\n\u003cdiv\u003e A Mass of Life\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part I: O Du mein Wille! (Chorus) 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part I: Erhebt eure Herzen (Baritone) 02:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part I: In dein Auge schaute ich jungst (Chorus, Tenor, Soprano, Mezzo-Soprano, Baritone) 13:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part I: Wehe mir! (Baritone, Chorus) 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I: Nacht ist es (Chorus, Baritone) 08:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part II: Auf den Bergen - 05:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part II: Herauf! nun herauf (Chorus, Soprano, Mezzo-Soprano, Tenor) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part II: Susse Leier! (Baritone) 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part II: Lento - La la la (Chorus) - Lasst vom Tanze nicht ab (Baritone, Chorus) 18:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part II: Heisser Mittag schlaft (Chorus, Baritone, Mezzo-Soprano, Soprano, Tenor) 14:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part II: Gottes Weh ist tiefer (Baritone, Chorus) 04:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part II: Kommt! Lasst uns jetzo wandeln! (Chorus, Baritone, Tenor, Mezzo-Soprano, Soprano) 13:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDelius, Frederick\u003c\/div\u003e\n\u003cdiv\u003eWhitman, Walt - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Prelude and Idyll\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Prelude - 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Idyll: Once I passed through a populous city (Baritone, Soprano) 16:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:58:19\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991892140282,"sku":"8572861-62","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572861-62.jpg?v=1786041929"},{"product_id":"moravec-sanctuary-road","title":"Moravec: Sanctuary Road - L. Mitchell, Bryce-Davis, Blue, Merriweather, Burton, Oratorio Society of New York, Tritle","description":"\u003cdiv\u003eLIBRETTO BY MARK CAMPBELL (b. 1953)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter the success of his opera The Shining, Pulitzer Prize-winning composer Paul Moravec has once again collaborated with librettist Mark Campbell to create the second of his “American historical oratorios.” Sanctuary Road draws on the astonishing stories to be found in William Still’s book The Underground Railroad, which documents the network of secret routes and safe houses used by African American slaves to escape into free states and Canada during the early- to mid-1800s. The epic nature of these stories of courage, perseverance and sacrifice is transformed into an enthralling saga, heard here at its world premiere performance at Carnegie Hall—a performance acclaimed by BroadwayWorld for its “riveting, pulsating wall of sound [and] stellar soloists.”\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eMoravec, Paul\u003c\/div\u003e\n\u003cdiv\u003eCampbell, Mark - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Sanctuary Road\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Write (William Still, soloists, chorus) 06:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Quietly (soloists) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Reward! (chorus, soloists) 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 The Same Train (Ellen Craft) 04:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Interview I (William Still, baritone) 00:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Run I (Wesley Harris) 01:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 This Side Up (Henry \"Box\" Brown) 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I Waited (chorus) 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Run II (Wesley Harris) 00:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Interview II (William Still, soprano) 00:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Aunt Abigail (Harriet Eglan, Charlotte Giles) 03:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Run III (Wesley Harris, chorus) 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Interview III (William Still, soloists) 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Rain (Clarissa Davis, soloists) 04:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Interlude: 1861-1865 (chorus) 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Finale (William Still, soloists, chorus) 09:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eNot Applicable, na\u003c\/div\u003e\n\u003cdiv\u003e Write It! - Reflections on Sanctuary Road\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Write It! - Reflections on Sanctuary Road 20:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:10:19\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991897547002,"sku":"8559884","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559884.jpg?v=1787492746"},{"product_id":"j-s-bach-cello-suites-vol-2-arr-j-mcfadden-for-guitar","title":"Bach: Cello Suites, Vol. 2 (arr. J. McFadden for guitar) - Jeffrey McFadden","description":"\u003cdiv\u003eJ.S. Bach’s Cello Suites are believed to have been written in the Saxon town of Cöthen between 1717 and 1723. They stand near the apex of Bach’s compositions for a single instrument and contain some of his most beautiful and vivid writing. Jeffrey McFadden’s guitar arrangements augment these elements with their own harmonic complexity, creating a new string medium for these epochal works. Volume 1, containing the first three suites, is on 8.573625. ‘McFadden's ability to make the guitar sing is second to none’ (Daily Telegraph, UK).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eMcFadden, Jeffrey - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 4 in E-Flat Major, BWV 1010 (arr. J. McFadden for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Prélude 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Allemande 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Courante 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Sarabande 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Bourrée I-II 04:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Gigue 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 5 in C Minor, BWV 1011 (arr. J. McFadden for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Prélude 05:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Allemande 05:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Courante 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Sarabande 02:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 V. Gavotte I-II 04:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 VI. Gigue 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Cello Suite No. 6 in D Major, BWV 1012 (arr. J. McFadden for guitar)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 I. Prélude 04:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 II. Allemande 06:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 III. Courante 03:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 IV. Sarabande 04:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 V. Gavotte I-II 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 VI. Gigue 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:10:36\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991897612538,"sku":"8573626","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573626.jpg?v=1786741264"},{"product_id":"long-ago-and-far-away","title":"LONG AGO AND FAR AWAY: Classic Songs of Love and Romance - Carewe, Bickley, Royal Philharmonic, Balcombe","description":"\u003cdiv\u003eThis album of some of the 20th century’s most captivating songs and standards are heard here in dazzling new arrangements by Richard Balcombe. With a perfect marriage of words and music, these classic songs have a timeless appeal. Whether written for movies, revues or musicals, or specifically for the most renowned singers of the day, all the greatest composers and lyricists of the time are represented in this outstanding new collection.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eKern, Jerome\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eGershwin, Ira - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Cover Girl: Long Ago (and Far Away) (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Cover Girl: Long Ago (and Far Away) (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eNoble, Ray\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eNoble, Ray - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Very Thought of You (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 The Very Thought of You (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGershwin, George\u003c\/div\u003e\n\u003cdiv\u003eGershwin, Ira - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Shall We Dance: They All Laughed (arr. R. Balcombe and M. Carewe for 2 voices and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Shall We Dance: They All Laughed (arr. R. Balcombe and M. Carewe for 2 voices and orchestra) 02:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGershwin, George\u003c\/div\u003e\n\u003cdiv\u003eGershwin, Ira - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Oh, Kay!: Someone to Watch Over Me (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Oh, Kay!: Someone to Watch Over Me (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKern, Jerome\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eFields, Dorothy - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Swing Time: The Way You Look Tonight (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Swing Time: The Way You Look Tonight (arr. R. Balcombe and M. Carewe for voice and orchestra) 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Swing Time: A Fine Romance (arr. R. Balcombe and M. Carewe for 2 voices and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Swing Time: A Fine Romance (arr. R. Balcombe and M. Carewe for 2 voices and orchestra) 02:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRodgers, Richard\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eHart, Lorenz - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Babes in Arms: My Funny Valentine (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Babes in Arms: My Funny Valentine (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRodgers, Richard\u003c\/div\u003e\n\u003cdiv\u003eHart, Lorenz - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Pal Joey: I Could Write a Book (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Pal Joey: I Could Write a Book (arr. R. Balcombe and M. Carewe for voice and orchestra) 04:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLane, Burton\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eFreed, Ralph - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Babes on Broadway: How About You? (arr. R. Balcombe and M. Carewe for 2 voices and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Babes on Broadway: How About You? (arr. R. Balcombe and M. Carewe for 2 voices and orchestra) 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGershwin, George\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eGershwin, Ira - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Shall We Dance: They Can't Take That Away from Me (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Shall We Dance: They Can't Take That Away from Me (arr. R. Balcombe and M. Carewe for voice and orchestra) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRodgers, Richard\u003c\/div\u003e\n\u003cdiv\u003eHart, Lorenz - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Babes in Arms: Where or When (arr. R. Balcombe and M. Carewe for 2 voices and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Babes in Arms: Where or When (arr. R. Balcombe and M. Carewe for 2 voices and orchestra) 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePorter, Cole\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003ePorter, Cole - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Seven Lively Arts: Ev'rytime We Say Goodbye (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Seven Lively Arts: Ev'rytime We Say Goodbye (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKern, Jerome\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eHammerstein II, Oscar - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e High, Wide and Handsome: The Folks who Live on the Hill (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 High, Wide and Handsome: The Folks who Live on the Hill (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJones, Isham\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eKahn, Gus - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003e It Had to be You (arr. R. Balcombe and M. Carewe for 2 voices and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 It Had to be You (arr. R. Balcombe and M. Carewe for 2 voices and orchestra) 04:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBerlin, Irving\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBerlin, Irving - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e What'll I Do? (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 What'll I Do? (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKern, Jerome\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eHammerstein II, Oscar - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Very Warm for May: All the Things You Are (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Very Warm for May: All the Things You Are (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGershwin, George\u003c\/div\u003e\n\u003cdiv\u003eGershwin, Ira - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003e The Goldwyn Follies: Our Love is Here to Stay (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 The Goldwyn Follies: Our Love is Here to Stay (arr. R. Balcombe and M. Carewe for voice and orchestra) 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSherwin, Manning\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eMaschwitz, Eric - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e A Nightingale Sang in Berkeley Square (arr. R. Balcombe and M. Carewe for voice and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 A Nightingale Sang in Berkeley Square (arr. R. Balcombe and M. Carewe for voice and orchestra) 03:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eEllington, Duke\u003c\/div\u003e\n\u003cdiv\u003eCarewe, Mary - Arranger\u003c\/div\u003e\n\u003cdiv\u003eRussell, Bob - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBalcombe, Richard - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Don't Get Around Much Anymore (arr. R. Balcombe and M. Carewe for 2 voices and orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Don't Get Around Much Anymore (arr. R. Balcombe and M. Carewe for 2 voices and orchestra) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:04:27\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991897809146,"sku":"8574258","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.574258.jpg?v=1787091998"},{"product_id":"weinberg-symphony-no-17-op-137-memory-suite-for-orch","title":"Weinberg: Symphony No. 17, Op. 137 \"Memory\" \u0026 Suite for Orchestra - Siberian State Symphony, Lande","description":"\u003cdiv\u003eOne of the most significant projects of Mieczysław Weinberg’s later years was his symphonic trilogy On the Threshold of War. Symphony No. 17, which bears the dedication ‘In memory of the fallen in the Great Patriotic War’, is the largest-scale of the three and a probing work of considerable depth and unforgettable power. Symphonies Nos. 18 and 19 can be heard on Naxos 8.573190 and 8.572752. With its eloquent themes and ready climaxes, the Suite is one of Weinberg’s most intriguing scores to have survived the difficult early 1950s. This performance is thought to be both the first of the work and the first recording.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeinberg, Mieczysław\u003c\/div\u003e\n\u003cdiv\u003e Suite for Orchestra\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Romance 03:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Humoresque 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Waltz 05:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Polka 03:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Galop 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 17, Op. 137, \"Memory\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Adagio sostenuto 09:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Allegro molto 15:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Allegro moderato, pesante 04:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 IV. Andante 16:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:04:49\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991897940218,"sku":"8573565","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573565.jpg?v=1787092971"},{"product_id":"casterede-complete-works-for-flute-vol-1","title":"Castérède: Complete Works for Flute, Vol. 1 Sonatine d'Avril \/ 3 moments musicaux d’après Corot \/ Flûtes en vacances - du Toit, Doreen Lee","description":"\u003cdiv\u003eCastérède, Jacques\u003c\/div\u003e\n\u003cdiv\u003e Sonatine d'Avril\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro, non troppo vivo 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Ben moderato 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Tema con variazioni 03:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 moments musicaux d’après Corot\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Mortefontaine 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Fontainebleau - Les Rochers 03:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. L’Église dans les arbres 04:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Flûtes en vacances\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Flûtes pastorales 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Flûtes joyeuses 02:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Flûtes rêveuses (Flûte 4 tacet) 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Flûtes légères 02:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ciels\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 I. ...de novembre: Gris et tanquille 05:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 II. ...de mars: Vif et ensoleillé 04:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sonatine de Mai\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 I. Allegretto piacevole 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 II. Chanson de la brise 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 III. Dans le bleu de la nuit 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 IV. Final 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898038522,"sku":"8573949","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573949.jpg?v=1786398167"},{"product_id":"tavener-lament-for-jerusalem","title":"TAVENER: Lament for Jerusalem - Choir of London Orchestra, Jeremy Summerly","description":"\u003cdiv\u003eSir John Tavener’s Lament for Jerusalem, described by the composer as a mystical love song, brings together Christian, Judaic, and Islamic texts. Sung in Greek and English, it is both a cri de cœur at the loss of peace in a place where religions once co-existed in harmony, and an affirmation of the power of love to bring together all “who seek God, from whatever tradition they come”. Lament for Jerusalem is heard in this recording in the composer’s specially re-worked version for the Choir of London’s groundbreaking visit to Jerusalem, Ramallah, and Bethlehem in December 2004.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eTavener, John\u003c\/div\u003e\n\u003cdiv\u003e Lament for Jerusalem\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Cycle I: Stanza I - By the waters of Babylon (Chorus) 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Cycle I: Cosmic Lament I - Listen to the reed-flute (Countertenor, Soprano, Chorus) 04:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Cycle II: Stanza II - For there, they that had taken us captive (Chorus) 01:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Cycle II: Cosmic Lament II - 'Tis the fire of love (Countertenor, Soprano, Chorus) 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Cycle III: Stanza III - How shall we sing the Lord’s song in a strange land? (Chorus) 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Cycle III: Cosmic Lament III - Hail to thee Divine love! (Countertenor, Soprano, Chorus) 05:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 VII. Cycle IV: Stanza IV - Let my tongue cleave to my throat (Chorus) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 VIII. Cycle IV: Cosmic Lament IV - If my Beloved touched me with His lips (Countertenor, Soprano, Chorus) 06:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 IX. Cycle V: Stanza V - Remember, O Lord, the sons of Edom (Chorus) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 X. Cycle V: Cosmic Lament V - The beloved is all (Countertenor, Soprano, Chorus) 06:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 XI. Cycle VI: Stanza VI - O daughter of Babylon (Chorus) 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 XII. Cycle VI: Cosmic Lament VI - Love desires this secret should be revealed (Countertenor, Soprano) 07:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 XIII. Cycle VII: Stanza VII - Since thou receivest the supplications of sinners (Chorus) 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 XIV. Cycle VII: Cosmic Lament VII - Dost thou know why the mirror does not reflect (Countertenor, Soprano, Chorus) 07:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 54:34\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898104058,"sku":"8557826","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557826.jpg?v=1787092665"},{"product_id":"early-music-for-meditation","title":"EARLY MUSIC FOR MEDITATION","description":"\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003e Mevlana\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Mevlana 12:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Nevestinko oro\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Nevestinko oro 03:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Lamento di Tristano: La Rotta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Lamento di Tristano: La Rotta 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Guardame las vacas\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Guardame las vacas 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eByrd, William\u003c\/div\u003e\n\u003cdiv\u003e Pavan\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Pavan 03:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMilano, Francesco da\u003c\/div\u003e\n\u003cdiv\u003e Ricercar (13)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Ricercar (13) 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Carmina Burana: Axe Phebus aureo\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Carmina Burana: Axe Phebus aureo 05:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Carmina Burana: Katerine collaudemus\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Carmina Burana: Katerine collaudemus 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eArcadelt, Jacques\u003c\/div\u003e\n\u003cdiv\u003e La pastorella mia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 La pastorella mia 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Perla mya cara\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Perla mya cara 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDall'Aquila, Marco\u003c\/div\u003e\n\u003cdiv\u003e Saltarello, \"La traditora\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Saltarello, \"La traditora\" 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBuxtehude, Dieterich\u003c\/div\u003e\n\u003cdiv\u003e Nun komm der Heiden Heiland\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Nun komm der Heiden Heiland 02:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTraditional\u003c\/div\u003e\n\u003cdiv\u003e Sephardic Songs: A la nana (Lullaby)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Sephardic Songs: A la nana (Lullaby) 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMilano, Francesco da\u003c\/div\u003e\n\u003cdiv\u003e Fantasia sexta\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Fantasia sexta 02:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eStriggio, Alessandro - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e L'Orfeo, Act III: Possente spirto (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 L'Orfeo, Act III: Possente spirto (excerpt) 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMonteverdi, Claudio\u003c\/div\u003e\n\u003cdiv\u003eRinuccini, Ottavio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Lamento d'Arianna (Lament of Ariadne) (excerpt)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Lamento d'Arianna (Lament of Ariadne) (excerpt) 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJosquin des Prez\u003c\/div\u003e\n\u003cdiv\u003e Mille regretz\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Mille regretz 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eTabourot, Jehan\u003c\/div\u003e\n\u003cdiv\u003e Belle qui tiens ma vie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Belle qui tiens ma vie 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:01:06\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898202362,"sku":"8557652","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.557652.jpg?v=1786398924"},{"product_id":"mendelssohn-violin-concertos-violin-sonata-in-f-minor","title":"Mendelssohn: Violin Concertos; Violin Sonata in F minor - Tianwa Yang, Descharmes, Sinfonia Finlandia Jyvaskyla, P. Gallois","description":"\u003cdiv\u003eFilled with Mendelssohn’s signature freshness and lightness of touch, the Violin Concerto in D minor and the Sonata, Op 4 are youthful products but written with an assurance which is startling in its maturity. The substantial earlier concerto gives a foretaste of the originality and soaring inspiration which has made the Violin Concerto, Op 64 one of the most enduring works of its age. Acclaimed as “an unquestioned master of the violin” (American Record Guide), Tianwa Yang has quickly established herself as a leading international performer and recording artist, with highly acclaimed discs of works by Sarasate, Piazzolla and Wolfgang Rihm.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eMendelssohn, Felix\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in E Minor, Op. 64, MWV O14\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro molto appassionato - 12:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante - Allegretto non troppo - 08:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro molto vivace 05:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto in D Minor, MWV O3\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Allegro 08:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Andante 07:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Allegro 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Violin Sonata in F Minor, Op. 4, MWV Q12\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Adagio - Allegro moderato 07:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Poco adagio 07:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Allegro agitato 04:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:06:41\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898333434,"sku":"8572662","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.572662.jpg?v=1787491839"},{"product_id":"ravel-orchestral-works-vol-4","title":"Ravel: Orchestral Works, Vol. 4 - Daphnis et Chloé \/ Une barque sur l'océan (Spirito, Lyon National Orchestra, Slatkin)","description":"\u003cdiv\u003eComposed for Sergey Diaghilev’s Ballets Russes, Ravel’s ‘symphonie chorégraphique’ Daphnis et Chloé is based on a classical Greco-Roman love story set on the island of Lesbos. He described the work as ‘a vast musical fresco’, and with its extraordinarily passionate music, lush harmonies and orchestration, is considered both his masterpiece and the epitome of Impressionism in music. Orchestrated from the third of his Miroirs for piano, Ravel’s Une barque sur l’océan is an evocative portrayal of the ever-changing moods of the sea.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRavel, Maurice\u003c\/div\u003e\n\u003cdiv\u003e Daphnis et Chloé\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part I: Introduction 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part I: Danse religieuse 05:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part I: Danse des jeunes filles - Danse des jeunes gens - Danse générale 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part I: Daphnis s'approche 00:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I: Danse grotesque de Dorcon 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part I: Danse légère et gracieuse de Daphnis 03:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part I: Danse de Lyceion - Enlèvement de Chloé 04:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part I: Nocturne 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part I: Danse lente et mystérieuse des Nymphes 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part II: Interlude 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part II: Danse guerrière 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Part II: Danse suppliante de Chloé 06:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part III: Lever du jour 05:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part III: Pantomime 06:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part III: Danse générale 04:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Miroirs: No. 3. Une barque sur l'océan (version for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Miroirs: No. 3. Une barque sur l'océan (version for orchestra) 07:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:05:45\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898431738,"sku":"8573545","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573545.jpg?v=1787503275"},{"product_id":"my-first-piano-album","title":"MY FIRST PIANO ALBUM","description":"\u003cdiv\u003eListen to the piano turn into a bumblebee, a donkey, trolls, a bird, a horse and a butterfly! Sometimes it isn’t anything except a piano, but the music coming out of it is exciting and beautiful. Can you spot Twinkle, Twinkle, Little Star? Mozart makes it twinkle in all kinds of different ways. There are so many things to enjoy here, and all from one amazing musical instrument: the piano.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eGrieg, Edvard\u003c\/div\u003e\n\u003cdiv\u003e Lyric Pieces, Op. 54: No. 3. March of the Trolls\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Lyric Pieces, Op. 54: No. 3. March of the Trolls 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRachmaninov, Sergey - Arranger\u003c\/div\u003e\n\u003cdiv\u003eRimsky-Korsakov, Nikolay Andreyevich\u003c\/div\u003e\n\u003cdiv\u003e Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee (arr. S. Rachmaninov for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Tale of Tsar Saltan, Op. 57: Flight of the Bumble-bee (arr. S. Rachmaninov for piano) 01:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBartók, Béla\u003c\/div\u003e\n\u003cdiv\u003e For Children, BB 53, Vol. 2 (based on Hungarian folk tunes)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 For Children, BB 53, Vol. 2 (based on Hungarian folk tunes): No. 27. Jest 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e For Children, BB 53, Vol. 3 (based on Slovakian folk tunes)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 For Children, BB 53, Vol. 3 (based on Slovakian folk tunes): No. 61. Pleasantry 01:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSchubert, Franz\u003c\/div\u003e\n\u003cdiv\u003e 3 Marches militaires, Op. 51, D. 733\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 3 Marches militaires, Op. 51, D. 733: I. Allegro vivace in D Major 05:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eChopin, Fryderyk\u003c\/div\u003e\n\u003cdiv\u003e Waltz No. 6 in D-Flat Major, Op. 64, No. 1, \"Minute\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Waltz No. 6 in D-Flat Major, Op. 64, No. 1, \"Minute\" 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eJoplin, Scott\u003c\/div\u003e\n\u003cdiv\u003e Maple Leaf Rag (version for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Maple Leaf Rag 03:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, \"Moonlight\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, \"Moonlight\": I. Adagio sostenuto 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFauré, Gabriel\u003c\/div\u003e\n\u003cdiv\u003e Dolly, Op. 56 (version for piano 4 hands)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. Berceuse: Allegretto moderato 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 6. Le pas espagnol: Allegro 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGrieg, Edvard\u003c\/div\u003e\n\u003cdiv\u003e Lyric Pieces, Book 3, Op. 43: No. 4. Little bird\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Lyric Pieces, Op. 43: No. 4. Little bird 01:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eScarlatti, Domenico\u003c\/div\u003e\n\u003cdiv\u003e Keyboard Sonata in G Major, K.125\/L.487\/P.152\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Keyboard Sonata in G Major, K.125\/L.487\/P.152 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSchumann, Robert\u003c\/div\u003e\n\u003cdiv\u003e Album für die Jugend (Album for the Young), Op. 68, Part II: Für Erwachsenere\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Album für die Jugend (Album for the Young), Op. 68, Part II: Fur Erwachsenere: No. 23. Reiterstuck 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003cdiv\u003e Piano Sonata No. 11 in A Major, K. 331\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Piano Sonata No. 11 in A Major, K. 331: III. Rondo alla turca: Allegretto 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBach, Johann Sebastian\u003c\/div\u003e\n\u003cdiv\u003e French Suite No. 5 in G Major, BWV 816\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 French Suite No. 5 in G Major, BWV 816: VII. Gigue 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eIbert, Jacques\u003c\/div\u003e\n\u003cdiv\u003e Histoires (Stories)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Histoires (Stories): II. Le petit ane blanc (The Little White Donkey) 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHaydn, Franz Joseph\u003c\/div\u003e\n\u003cdiv\u003e Keyboard Sonata No. 50 in D Major, Hob.XVI:37\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Piano Sonata No. 50 in D Major, Hob.XVI:37: I. Allegro con brio 04:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDebussy, Claude\u003c\/div\u003e\n\u003cdiv\u003e Suite bergamasque: III. Clair de lune\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Suite bergamasque: III. Clair de lune 05:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeethoven, Ludwig van\u003c\/div\u003e\n\u003cdiv\u003e Bagatelle in A Minor, WoO 59, \"Für Elise\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Bagatelle in A Minor, WoO 59, \"Für Elise\" 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMozart, Wolfgang Amadeus\u003c\/div\u003e\n\u003cdiv\u003e 12 Variations on Ah, vous dirai-je, maman, K. 265\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 12 Variations on Ah, vous dirai-je, maman, K. 265 (excerpt) 05:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDvořák, Antonín\u003c\/div\u003e\n\u003cdiv\u003e Slavonic Dances Nos. 9-16, Op. 72\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Slavonic Dance No. 15 in A Major, Op. 72, No. 7 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGrieg, Edvard\u003c\/div\u003e\n\u003cdiv\u003e Lyric Pieces, Book 3, Op. 43: No. 1. Butterfly\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Lyric Pieces, Op. 43: No. 1. Butterfly 01:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLiszt, Franz\u003c\/div\u003e\n\u003cdiv\u003e 12 Études d'exécution transcendante, S139\/R2b\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 12 Etudes d'execution transcendante, S139\/R2b: No. 2 in A Minor, \"Fusees\" 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDebussy, Claude\u003c\/div\u003e\n\u003cdiv\u003e Children's Corner\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Children's Corner: VI. Golliwog's cakewalk 03:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMendelssohn, Felix\u003c\/div\u003e\n\u003cdiv\u003e Lieder ohne Worte (Songs without Words), Book 6, Op. 67 (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 34 in C Major, Op. 67, No. 4, MWV U182, \"Spinnerlied\" 01:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eNagy, Péter - Arranger\u003c\/div\u003e\n\u003cdiv\u003eBrahms, Johannes\u003c\/div\u003e\n\u003cdiv\u003e 5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy for piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy) 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRachmaninov, Sergey\u003c\/div\u003e\n\u003cdiv\u003e Polka italienne\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 Polka italienne 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:15:35\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898628346,"sku":"8578207","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.578207.jpg?v=1787495821"},{"product_id":"tchaikovsky-piano-concerto-no-2-concert-fantasia","title":"Tchaikovsky: Piano Concerto No. 2 \u0026 Concert Fantasia - Nebolsin, New Zealand Symphony, M. Stern","description":"\u003cdiv\u003eTchaikovsky has long maintained his position as among the most popular of all composers, his unequalled gift for melody and colourful orchestration given added depth through a rich Russian soulfulness. The Second Piano Concerto has always lived under the shadow of the famous First but, played here in the composer’s original version, is full of life-enhancing character and emotion. Both this and the Concert Fantasia also contain beautiful chamber-music sections allowing unique interaction between soloist and orchestra.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eTchaikovsky, Pyotr Il'yich\u003c\/div\u003e\n\u003cdiv\u003e Piano Concerto No. 2 in G Major, Op. 44\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro brillante 20:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante non troppo 14:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Allegro con fuoco 07:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Concert Fantasia, Op. 56\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Quasi Rondo: Andante mosso 15:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Contrastes: Andante cantabile - Molto vivace 13:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:12:21\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991898693882,"sku":"8573462","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.573462.jpg?v=1787518442"},{"product_id":"rodrigo-guitar-works-vol-1","title":"Rodrigo: Guitar Works, Vol. 1 - Jérémy Jouve","description":"\u003cdiv\u003eJoaquín Rodrigo, composer of the celebrated guitar concerto, Concierto de Aranjuez (Naxos 8.555841), is acknowledged as one of the great Spanish composers of the twentieth century. Although his compositions for solo guitar comprise no more than some 25 titles, each one is a committed artistic statement intended to do honour to Spain’s national instrument by extending its expressive capabilities. The works range from impressionistic geographically-inspired vignettes to more challenging forms, such as the Sonata giocosa, Rodrigo’s first sonata for the guitar, and distilled essences of traditional dances, such as the fandango in Tres piezas españolas, as well as some masterpieces that are distinctly in a genre of their own.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eRodrigo, Joaquín\u003c\/div\u003e\n\u003cdiv\u003e 3 Piezas Españolas (3 Spanish Pieces)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 2. Fandango 04:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. Passacaglia 05:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Zapateado 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sonata Giocosa\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. 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Waga! Woge, du Welle! (Rhinemaidens) 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Scene 1: Hehe! Ihr Nicker! (Alberich, Rhinemaidens) 01:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Scene 1: Garstig glatter glitschiger Glimmer! (Alberich, Rhinemaidens) 08:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund (Rhinemaidens, Alberich) 04:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Scene 1: Nur wer der Minne Macht entsagt (Woglinde, her sisters, Alberich) 01:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Scene 1: Der Welt Erbe gewänn' ich zu eigen durch dich? (Alberich, Rhinemaidens) 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Scene 1: Haltet den Räuber! 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Eiltest du so (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Scene 2: Immer ist Undank Loges Lohn! (Loge, Wotan, Fasolt, Fafner, Fricka) 07:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Scene 2: Ein Runenzauber zwingt das Gold zum Reif (Loge, Donner, Wotan, Froh, Fricka, Fafner) 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Scene 2: Hör', Wotan, der Harrenden Wort! (Fafner, Wotan, Fasolt, Freia) 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Scene 2: Schwester! Brüder! Rettet! (Freia, Froh, Donner, Loge, Fricka) 05:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Scene 2: Wotan, Gemahl, unsel'ger Mann (Fricka, Wotan, Loge, Donner, Froh) 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Scene 3: Verwandlungsmusik 02:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Scene 3: Hehe! Hehe! Hieher! Hieher! Tückischer Zwerg! (Alberich, Mime) 00:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Scene 3: Schau, du Schelm! (Alberich, Mime) 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Scene 3: Nibelheim hier: durch bleiche Nebel (Loge, Mime, Wotan) 06:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Scene 3: Nehmt euch in acht! Alberich naht (Mime, Wotan, Alberich) 05:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Scene 3: Die in linder Lüfte Weh'n da oben ihr lebt (Alberich, Wotan, Loge) 06:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Scene 3: Ohe! Ohe! Schreckliche Schlange (Loge, Wotan, Alberich) 02:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Scene 3: Dort, die Kröte, greife sie rasch! (Loge, Alberich) 04:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Scene 4: Da, Vetter, sitze du fest! (Loge, Alberich, Wotan) 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Scene 4: Wohlan, die Nibelungen rief ich mir nah' (Alberich, Wotan) 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Scene 4: Gezahlt hab' ich, nun laß' mich ziehn! (Alberich, Loge, Wotan) 05:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Scene 4: Ist er gelöst? (Loge, Wotan, Alberich) 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Scene 4: Lauschtest du seinem Liebesgruß? (Loge, Wotan, Froh, Donner, Fricka) 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Scene 4: Lieblichste Schwester, süßeste Lust! (Fricka, Fasolt, Wotan) 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Scene 4: Gepflanzt sind die Pfähle nach Pfandes Maaß (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasolt, Freia) 06:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Scene 4: Weiche, Wotan, weiche! Flieh' des Ringes Fluch! (Erda, Wotan) 05:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Scene 4: Soll ich sorgen und fürchten (Wotan, Fricka, Froh, Donner, Freia) 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Scene 4: Halt, du Gieriger! Gönne mir auch was! (Fasolt, Fafner, Loge) 01:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Scene 4: Nun blinzle nach Freias Blick! (Fafner, Wotan, Loge, Fricka, Donner) 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Scene 4: Heda! Heda! Hedo! Zu mir, du Geduft! (Donner) 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Scene 4: Bruder, hieher! Weise der Brücke den Weg! (Donner, Froh) 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Scene 4: Abendlich strahlt der Sonne Auge (Wotan) 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Scene 4: So grüß' ich (Wotan, Fricka, Loge) 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Scene 4: Rheingold! Rheingold! Reines Gold! (Rhinemaidens, Wotan, Loge) 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991899644154,"sku":"8660374-75","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.660374-75.jpg?v=1786400461"},{"product_id":"dvoraks-prophecy-film-1","title":"Dvořák's New World Symphony - A Lens on the American Experience of Race (Dvořák's Prophecy) (DVD)","description":"\u003cp\u003eDVOŘÁK’S PROPHECY – A New Narrative for American Classical Music\u003c\/p\u003e\n\u003cp\u003eFilm 1: Dvořák’s New World Symphony – A Lens on the American Experience of Race\u003c\/p\u003e\n\u003cp\u003eA PostClassical Ensemble ‘More than Music’ film\u003cbr\u003eWritten and produced by Joseph Horowitz\u003cbr\u003eVisual presentation by Peter Bogdanoff\u003c\/p\u003e\n\u003cp\u003eThis first film in the series keys on Dvořák’s prophecy and explores its present-day pertinence. In New York City and Spillville, Iowa, Dvořák boldly chose to regard African Americans and Native Americans as representative Americans. That decision was both acclaimed and ridiculed at the time. It remains inspirational. His New World Symphony, still the best-known and best-loved symphonic work conceived on American soil, is saturated with the influence of plantation song, and also with Henry Wadsworth Longfellow’s The Song of Hiawatha. This act of appropriation, my film argues, was an act of empathy performed by a great humanitarian. The musical selections here are mainly taken from the Hiawatha Melodrama, which I co-composed with the music historian Michael Beckerman with orchestrations by Angel Gil-Ordóñez. It mates Dvořák with Longfellow. The participating commentators include the music historians Mark Clague and Lorenzo Candelaria, the literary historian Brian Yothers, the conductor JoAnn Falletta, faculty members from Howard University – and also (sagely commenting on cultural appropriation) the bass-baritone Kevin Deas, with whom I have long enjoyed the privilege of performing the spiritual arrangements of Dvořák’s assistant Harry Burleigh. – J.H.\u003c\/p\u003e\n\u003cp\u003eMusic:\u003cbr\u003eAntonín Dvořák\u003cbr\u003eHarry Burleigh\u003cbr\u003eMichael Beckerman\u003cbr\u003eJoseph Horowitz\u003c\/p\u003e\n\u003cp\u003ewith\u003cbr\u003eKevin Deas\u003cbr\u003ePostClassical Ensemble\u003cbr\u003eAngel Gil-Ordóñez\u003cbr\u003eMark Clague\u003cbr\u003eLorenzo Candelaria\u003cbr\u003eKehembe Eichelberger\u003cbr\u003eJoAnn Falletta\u003cbr\u003eMatthew Franke\u003cbr\u003eJoseph Horowitz\u003cbr\u003eBrian Yothers\u003c\/p\u003e\n\u003cp\u003ePicture format: NTSC 16:9\u003cbr\u003eSound format: PCM Stereo\u003cbr\u003eRegion code: 0 (worldwide)\u003cbr\u003eAudio language: English\u003cbr\u003eRunning time: 83 mins\u003c\/p\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991899742458,"sku":"2110703","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/2.110703.jpg?v=1786307273"},{"product_id":"balada-works-for-clarinet","title":"Balada: Works for Clarinet","description":"\u003cdiv\u003eBarcelona native Leonardo Balada’s creative style has been labelled ‘Dalí’s surrealism in music’—an aspect of his work explored in this programme through the technique of ‘sound transformation’ in which abstract musical materials become familiar melody. Fusing traditional and contemporary elements, Caprichos Nos. 6 and 7 engage intimately with Spanish culture and history, while the virtuoso Double Concerto, heard here in an arrangement for flute, clarinet and piano, blends well-known Mexican folk tunes with the composer’s distinctive avant-garde style.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBalada, Leonardo\u003c\/div\u003e\n\u003cdiv\u003e Caprichos No. 7, \"Fantasies of La Tarara\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Obsesiones (Obsessions) 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Sorpresas (Surprises) 05:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Íntimo (Intimate) 06:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Frenesí (Frenzy) 05:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Caprichos No. 6\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 I. Enojo (Anger) 02:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 II. Lágrimas (Tears) 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 III. Angustias (Anguish) 03:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 IV. Escalofríos (Shivers) 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Double Concerto for Oboe and Clarinet (version for flute, clarinet and piano)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Double Concerto for Oboe and Clarinet (version for flute, clarinet and piano) 19:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 51:32\u003c\/div\u003e","brand":"NAXOS","offers":[{"title":"Default Title","offer_id":49991899807994,"sku":"8579056","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.579056.jpg?v=1786293888"},{"product_id":"bartok-concerto-for-orchestra-sz-116-music-for-strings","title":"Bartók: Concerto for Orchestra, Sz. 116 \u0026 Music for Strings, Percussion and Celesta - Baltimore Symphony, Alsop","description":"\u003cdiv\u003eBéla Bartók’s Concerto for Orchestra, one of his greatest works, was written in the United States after the composer was forced to flee Hungary during World War II. It is not only a brilliant display vehicle for each instrumental section but a work of considerable structural ingenuity that unites classical forms and sonorities with the pungency of folk rhythms and harmonies. Music for Strings, Percussion and Celesta explores darker moods through a score of marvellously poised symmetry. This release follows Marin Alsop’s ‘riveting’ (Gramophone) Baltimore Symphony recordings of Dvořák’s symphonies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBartók, Béla\u003c\/div\u003e\n\u003cdiv\u003e Concerto for Orchestra, BB 123\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Introduzione: Andante non troppo - Allegro vivace 09:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Giuoco delle coppie: Allegro scherzando 06:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Elegia: Andante non troppo 07:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Intermezzo interrotto: Allegretto 04:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Finale: Pesante - Presto 09:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Music for Strings, Percussion and Celesta, BB 114\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 I. Andante tranquillo 07:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 II. Allegro 07:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 III. Adagio 07:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 IV. 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