{"title":"NAXOS AMERICAN - ADDED JULY 22","description":null,"products":[{"product_id":"helps-robert-chamber-music-with-piano-helps-atos-trio-hoppe-hehn-heinemeyer-niskala-krug-carbone-dodge-schneemann-wouters-van-den-oudenweijer-schne","title":"HELPS: CHAMBER MUSIC WITH PIANO - HELPS; ATOS TRIO; SPECTRUM CONCERTS BERLIN (2 CDS)","description":"\u003cp\u003eRobert Helps in Berlin\u003cbr\u003e\u003cbr\u003eChamber Music with Piano\u003cbr\u003e\u003cbr\u003eRobert Helps (piano)\u003cbr\u003e\u003cbr\u003eSpectrum Concerrts Berlin \u0026amp; Atos Trio\u003c\/p\u003e\n\u003cp\u003eGodowsky: Studies on Chopin Etudes - No. 45 in E\u003cbr\u003eGodowsky: Studies on the Chopin Etudes (complete)\u003cbr\u003eHelps: Duo for Cello \u0026amp; Piano\u003cbr\u003eHelps: Fantasy\u003cbr\u003eHelps: Piano Quartet\u003cbr\u003eHelps: Piano Trios (2)\u003cbr\u003eHelps: Postlude\u003cbr\u003eHelps: Quintet\u003cbr\u003eHelps: Shall We Dance\u003cbr\u003eIreland: Love is a sickness full of woes\u003cbr\u003eIreland: The Darkened Valley\u003cbr\u003eMendelssohn: Schilflied, Op. 71 No. 4\u003cbr\u003ePoulenc: Intermezzo in A flat major, FP118\u003c\/p\u003e\n\u003cp\u003eThis recording is an exploration of Robert Helps’s ‘subtle sound world’ (ClassicsToday.com on Naxos 8559199), and his shared history with Spectrum Concerts Berlin. Highly regarded as a ‘musician’s musician’, Helps is featured as both composer and pianist. Postlude is suffused with an atmosphere of reminiscence, and the flow of ‘endless melody’ in the Piano Quartet is comparable to Scriabin. Associations with the Second Viennese School are heard in the poetic Quintet and the virtuoso Fantasy, while the two Piano Trios mark the stylistic boundaries of his career. Helps’s Shall We Dance for piano (CD 2, Track 12) was among his last recordings.\u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":31678329389143,"sku":"8559696-97","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71XKMYfwO1L._SL1050.jpg?v=1585670339"},{"product_id":"bolcom-songs-of-innocence-and-experie","title":"BOLCOM: SONGS OF INNOCENCE AND EXPERIENCE - University of Michigan School of Music Orchestra, Leonard Slatkin (3 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1193\/6852\/files\/gramophone_guide_review_large.gif?v=1517002486\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is a magnum opus that occupied Bolcom for 25 years, starting as early as 1956. He's drawn on a wide range of musical styles to parallel Blake's method of moving from sophisticated to almost folk idioms. In some features – diatonic writing, English text and children's voices – Britten's Spring Symphony is in the background, but Bolcom is defined by the styles he juxtaposes with carefully calculated transitions in between.\u003cbr\u003eSome of the most memorable moments involve popular idioms, evoking his ragtime performances or the songs he recorded so vividly with his wife Joan Morris. The word-setting is straightforward, reflecting the strophic poems, and refreshingly free from elaboration. The Songs of Innocence are charming and pastoral but in the Songs of Experience there's real anger at the human predicament. This recording is based on a live performance with massive forces comprising 10 soloists, three choirs totalling almost 350 singers and a full symphony orchestra plus a harmonica and various extra electronic players and percussion. Nathan Lee Graham is an actor-singer who can project his catchy tunes and spoken poems; Joan Morris exercises all her magic in a range of styles, but Thomas Young seems too consistently declamatory. Christine Brewer is magisterial in numbers that reflect the modernistic side of Bolcom, and Carmen Pelton has a rare purity of sound. This unique Blake spectacular makes a cumulative impact that represents Bolcom's wide stylistic embrace at its most ambitious.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMeasha Brueggergosman, Ilona Davidson (soprano), Joan Morris (mezzo-soprano), Nathan Lee Graham (baritone), Thomas Young (tenor), Tommy Morgan (harmonica), Peter Ruth (harmonica, vocals)\u003cbr\u003e\u003cbr\u003eUniversity of Michigan School of Music Symphony Orchestra \u0026amp; Musical Society, Leonard Slatkin\u003c\/p\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eBolcom, William\u003c\/div\u003e\n\u003cdiv\u003e Songs of Innocence\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part 1: Introduction 03:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part 1: The Ecchoing Green 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part 1: The Lamb 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part 1: The Shepherd 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part 1: Infant Joy 01:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part 1: The Little Black Boy 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part 2: Laughing Song 00:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part 2: Spring 01:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part 2: A Cradle Song 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part 2: Nurse's Song 01:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part 2: Holy Thursday 01:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Part 2: The Blossom 00:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part 2: Interlude 00:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part 2: The Chimney Sweeper 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part 2: The Divine Image 03:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Part 3: Nocturne 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Part 3: Night 05:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Part 3: A Dream 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Part 3: On Another's Sorrow 01:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Part 3: The Little Boy Lost 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Part 3: The Little Boy Found 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Part 3: Coda 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e Songs of Experience, Volume I\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part 1: Introduction 02:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part 1: Hear the Voice of the Bard 02:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part 1: Interlude 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part 1: Earth's Answer 04:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part 2: Nurse's Song 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part 2: The Fly 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part 2: The Tyger 01:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part 2: The Little Girl Lost 01:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part 2: In the Southern Clime 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part 2: The Little Girl Found 04:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part 3: The Clod and the Pebble 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Part 3: The Little Vagabond 02:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part 3: Holy Thursday 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part 3: A Poison Tree 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part 3: The Angel 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Part 3: The Sick Rose 03:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Part 3: To Tirzah 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 3\u003c\/div\u003e\n\u003cdiv\u003e Songs of Experience, Volume II\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part 4: The Voice of the Ancient Bard 02:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part 4: My Pretty Rose Tree 01:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part 4: Ah! Sun-Flower 02:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part 4: The Lilly 01:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part 5: Introduction 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part 5: The Garden of Love 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part 5: A Little Boy Lost 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part 5: A Little Girl Lost 04:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part 5: Infant Sorrow 02:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Part 5: Vocalise 02:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Part 6: London 03:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Part 6: The School-Boy 03:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Part 6: The Chimney Sweeper 01:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Part 6: The Human Abstract 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Part 6: Interlude - Voces Clamandae 01:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Part 6: A Divine Image 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 02:17:11\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":31678330863703,"sku":"8559216-18","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/636943921623.jpg?v=1585670408"},{"product_id":"siegmeister-piano-music-vol-2","title":"SIEGMEISTER: PIANO MUSIC VOL. 2 - BOULTON","description":"\u003cp\u003eElie Siegmeister: Piano Music, Vol. 2\u003cbr\u003e\u003cbr\u003eKenneth Boulton (piano)\u003c\/p\u003e\n\u003cp\u003eSiegmeister: From These Shores\u003cbr\u003eSiegmeister: Piano Sonata No. 2\u003cbr\u003eSiegmeister: Piano Sonata No. 3\u003cbr\u003eSiegmeister: Sunday in Brooklyn\u003cbr\u003eSiegmeister: Theme and Variations No. 1\u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":31678336237655,"sku":"636943902127","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/5161Ph7Xo6L.jpg?v=1585670502"},{"product_id":"adams-john-i-was-looking-soloists-holst-sinfonietta","title":"ADAMS: I WAS LOOKING AT THE CEILING AND THEN I SAW THE SKY - HOLST SINFONIETTA (2 CDS)","description":"\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1193\/6852\/files\/gramophone_guide_review_large.gif?v=1517002486\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Adams's stylistic range is vast, yet even in such a diverse output, I Was Looking at the Ceiling and Then I Saw the Sky (1995) stands apart. Conceived, in the composer's words, as 'a Broadway style show', it draws its musical inspiration from popular song, moving from doo-wop to gospel, from pop ballad to the blues. The text, a poetic piece of social and political commentary by June Jordan, introduces us to seven young Angelenos whose intertwined lives are transformed by the 1994 Northridge earthquake. There's no recitative, no spoken dialogue; the story is told through song and ensemble. This posed a problem when Nonesuch issued a composer-conducted recording of excerpts in 1998, cutting seven of the 22 vocal numbers. Here, Naxos gives us the complete score.\u003cbr\u003eIt hard to state that the narrative flows a whole lot more smoothly when the show is heard in its entirety. There are still quite a few jarring gaps, although one certainly gets a better sense of the characters as well as a heightened sense of drama. Missing from the Nonesuch recording, for example, was the crucial post-earthquake scene involving Tiffany, Mike and Rick – the score's longest number. As for the performance: the Freiburg-based Holst-Sinfonietta Band plays its intricate part with tightly coiled energy for conductor Klaus Simon; the mostly German cast copes reasonably well with the different American dialects (only Lilith Gardell's Tiffany fails to convince); and although the women's voices can turn shrill Adams Opera when pressed, all the singers sound fresh and youthful. Indeed, Martina Mühlpointner may not have the extraordinary tonal richness of Audra McDonald (Nonesuch) but her wideeyed rendition of 'Consuelo's Dream' – one of the piece's prettiest and most effective numbers – is also deeply affecting. Not all the songs in Ceiling\/Sky are as successful as this one but I'd guess that there's enough here to make this daring experiment in American musical theatre attractive to more than just Adams's fans.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAdams, J: I was looking at the ceiling and then I saw the sky\u003cbr\u003e\u003cbr\u003eJeannette Friedrich, Lilith Gardell, Darius De Haas, Jonas Holst, Martina Muhlpointner, Markus Alexander Neisser \u0026amp; Kimako Xavier Trotman\u003cbr\u003e\u003cbr\u003eThe Band of the Holst-Sinfonietta, Klaus Simon\u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":31678339088471,"sku":"8669003-04","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/519Q4EGSAKL.jpg?v=1585670512"},{"product_id":"barber-violin-concerto-music-for-a-scene-from-shelley-sou","title":"Barber: Orchestral Works, Vol. 3 - Violin Concerto \/ Music for a Scene from Shelley - Buswell, Royal Scottish National Orchestra, M. Alsop","description":"\u003cdiv\u003eOne of the best loved and most frequently performed American composers of the twentieth century, Samuel Barber developed his own highly individual voice quite independent of the modernist mainstream. Unquestionably one of Barber’s most popular works, the Violin Concerto is a key work, marking his transition from dreamy neo-romanticism to a more modernist style. Music for a Scene from Shelley is an earlier work, dating from 1933, and seeks to evoke the atmosphere of Shelley’s poetry in musical terms. The Serenade is an arrangement of an earlier work for string quartet written when Barber was just eighteen. The ballet suite Souvenirs is made up of short dance movements in different genres.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBarber, Samuel\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto, Op. 14\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro 10:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Andante 08:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Presto in moto perpetuoso 04:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Souvenirs, Op. 28 (version for orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. Waltz (The Lobby) 04:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Schottische (Third Floor Hallway) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Pas de Deux (A Corner of the Ballroom) 04:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 IV. Two-Step (Tea in the Palm Court) 01:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 V. Hesitation-Tango (A Bedroom Affair) 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 VI. Galop (The Next Afternoon) 02:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Serenade, Op. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 I. Un poco adagio - Allegro con sprito 03:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 II. Andante con moto 02:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 III. Dance - Allegro giocoso 04:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Music for a Scene from Shelley, Op. 7\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Music for a Scene from Shelley, Op. 7 09:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:04:19\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733798297850,"sku":"8559044","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559044.jpg?v=1784738408"},{"product_id":"john-adams-violin-concerto-john-corigliano-the-red-violi","title":"ADAMS, J.: Violin Concerto \/ CORIGLIANO: Chaconne from The Red Violin - Chloe Hanslip, Royal Philharmonic","description":"\u003cdiv\u003eThe works on this disc offer a broad survey of American violin music. John Corigliano's Chaconne is a set of variations based on his music for the 1998 film The Red Violin, while George Enescu's Romanian Rhapsody No. 1 is a nineteeth-century fantasia on a traditional melody, here in an arrangement by the Hollywood film composer Franz Waxman. Waxman's own Tristan and Isolde Fantasia includes a demanding obbligato piano part, and originally formed an emotional climax to the 1946 film Humoresque. The disc closes with John Adams's hugely popular Violin Concerto, a virtuosic masterpiece in which the soloist almost never stops playing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eCorigliano Jr., John\u003c\/div\u003e\n\u003cdiv\u003e The Red Violin: Chaconne\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 The Red Violin: Chaconne 16:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eEnescu, George\u003c\/div\u003e\n\u003cdiv\u003eWaxman, Franz - Arranger\u003c\/div\u003e\n\u003cdiv\u003e 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major (arr. F. Waxman)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 2 Romanian Rhapsody, Op. 11: No. 1 in A Major (arr. F. Waxman) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWaxman, Franz\u003c\/div\u003e\n\u003cdiv\u003e Tristan and Isolde Fantasia\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Tristan and Isolde Fantasia 11:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eAdams, John\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 I. quarter note = 78 15:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 II. Chaconne: Body Through Which the Dream Flows 10:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 III. Toccare 07:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:03:49\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733798428922,"sku":"8559302","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559302.jpg?v=1784745563"},{"product_id":"leshnoff-j-violin-concerto-distant-reflections-string","title":"Leshnoff: Violin Concerto \/ Distant Reflections \/ String Quartet No. 1 - Wetherbee, Baltimore Chamber Orchestra, Thakar, Carpe Diem String Quartet","description":"\u003cdiv\u003eNamed by the Baltimore Sun as an ‘Artist to Watch’, New Jerseyborn Jonathan Leshnoff is swiftly gaining international recognition. This disc shows three facets of his musical personality: the Violin Concerto, praised as ‘remarkably assured, cohesively constructed and radiantly lyrical’; Distant Reflections, a lyrically meditative chamber work that reaches an intense climax before fading back into silence; and the String Quartet No. 1 “Pearl German”, whose four movements trace the cycle of seasons through an everchanging musical landscape.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eLeshnoff, Jonathan\u003c\/div\u003e\n\u003cdiv\u003e Violin Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Allegro 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Slow 07:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Scherzo 03:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Slow - Fast 04:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Elegy 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Distant Reflections\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Distant Reflections 10:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 1, \"Pearl German\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Winter 06:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Spring 03:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Summer 05:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 IV. Autumn 05:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 55:56\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733798592762,"sku":"8559398","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559398.jpg?v=1784745921"},{"product_id":"whitacre-choral-music","title":"Whitacre: Choral Music - Elora Festival Singers, Edison","description":"\u003cdiv\u003eEric Whitacre’s dedication to the beauty of sound, paired with exquisite texts, results in a poetic combination that creates a unique sonic experience. These works are existential choral moments, beautifully crafted, and harmonised to express a compressed moment in time. Such sublime sonorities transcend descriptions such as ‘warm’, ‘glistening’ or ‘shimmering’, although these features of his choral works do suggest affinities with the sound worlds of Arvo Pärt or John Tavener, for instance. However, Whitacre’s fluid lines and blossoming harmonies give his music its own highly personal and irresistible magic.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eSilvestri, Charles Anthony - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Her Sacred Spirit Soars\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Her Sacred Spirit Soars 06:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003ePaz, Octavio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e A Boy and a Girl\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 A Boy and a Girl 03:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eRukeyser, Muriel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003ePaz, Octavio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Water Night\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Water Night 04:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eRumi - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e This Marriage\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 This Marriage 02:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eSilvestri, Charles Anthony - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eEsch, Edward - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Lux Aurumque\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Lux aurumque (Light of Gold) 03:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eCummings, E. E. - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e little tree\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 little tree 05:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e When David Heard\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 When David Heard 12:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eSilvestri, Charles Anthony - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Leonardo Dreams of His Flying Machine\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Leonardo Dreams of His Flying Machine 08:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eCummings, E. E. - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e i thank you God for most this amazing day\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 i thank you God for most this amazing day 06:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003eSilvestri, Charles Anthony - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Sleep\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Sleep 04:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhitacre, Eric\u003c\/div\u003e\n\u003cdiv\u003ePaz, Octavio - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Little Birds\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Little Birds 03:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:02:00\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733798985978,"sku":"8559677","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559677.jpg?v=1784747204"},{"product_id":"glass-string-quartet-no-5-suite-from-dracula-string-sex","title":"Glass: String Quartet No. 5, Suite from Dracula \u0026 String Sextet - Carducci String Quartet, O'Duill, Rosefield","description":"\u003cdiv\u003ePhilip Glass’ Fifth String Quartet is the most substantial of his five quartets and the most traditional, using formal structures and expressive contrasts which go far beyond minimalism. While maintaining Glass’ unmistakable personal style, this is a quartet which delivers both driving energy and an unforgettable, threnody-like tenderness. Glass chose a string quartet for his score to the film Dracula to ‘evoke the feeling of the world of the 19th century’, the music underpinning the film’s visual drama while avoiding obvious ‘horror’ effects. The String Sextet is an arrangement of Glass’s Third Symphony (Naxos 8.559202), combining symphonic scale with the intimacy synonymous with the chamber music genre. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eGlass, Philip\u003c\/div\u003e\n\u003cdiv\u003e String Quartet No. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. — 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. — 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. — 06:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. — 04:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. — 07:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dracula (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Titles 01:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Journey to the Inn 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Excellent Mr. Renfield 02:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 The Storm 01:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 In the Theatre 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Woman in White 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Dr. Van Helsing and Dracula 02:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 The End of Dracula 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eGlass, Philip\u003c\/div\u003e\n\u003cdiv\u003eRiesman, Michael - Arranger\u003c\/div\u003e\n\u003cdiv\u003e String Sextet (arr. M. Riesman from Symphony No. 3)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 I. — 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 II. — 05:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 III. — 09:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 IV. — 03:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:05:10\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733799149818,"sku":"8559766","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559766.jpg?v=1784744560"},{"product_id":"danielpour-toward-a-season-of-peace","title":"Danielpour: Toward a Season of Peace - Plitmann, Pacific Chorale, Pacific Symphony, St. Clair","description":"\u003cp\u003eOne of the most sought-after and acclaimed composers of his generation, Richard Danielpour refers to himself as “an American composer with a Middle Eastern memory.” His distinctive voice is part of a rich neo-Romantic heritage which includes composers such as Copland, Bernstein and Barber. Toward a Season of Peace is an oratorio which explores violence and war in the name of religion, using the season of spring as a metaphor for change and transformation toward songs of peace through forgiveness. Danielpour’s insistence on music having “an immediate visceral impact” can be heard throughout his oeuvre, and the beautifully translated Persian poetry and rich spirit of harmony in Toward a Season of Peace make it symbolic of a brighter future for everyone.\u003c\/p\u003e\n\u003cdiv\u003eDanielpour, Richard\u003c\/div\u003e\n\u003cdiv\u003eArabi, Ibn - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBible - Old Testament - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMutanabbi, Al - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eRumi - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Toward a Season of Peace\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Annunciation 08:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Vision 06:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Celebration 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Atonement 08:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Consecration 08:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Parable 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 VII. Apotheosis 10:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 50:37\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733799313658,"sku":"8559772","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559772.jpg?v=1784739423"},{"product_id":"leshnoff-symphony-no-4-guitar-concerto-starburst","title":"Leshnoff: Symphony No. 4 \/ Guitar Concerto \/ Starburst - Vieaux, Nashville Symphony, Guerrero","description":"\u003cdiv\u003eDistinguished by The New York Times as “a leader of contemporary American lyricism,” composer Jonathan Leshnoff is renowned for his music’s striking harmonies, structural complexity and powerful themes. Leshnoff’s works have been performed by more than 60 orchestras worldwide, including commissions from Carnegie Hall, the Atlanta, Baltimore, Dallas, Kansas City, and Nashville Symphony orchestras, the Buffalo Philharmonic Orchestra, and the IRIS and Philadelphia orchestras. Jonathan Leshnoff’s Symphony No. 4 is a powerful new work written for the Violins of Hope, a collection of restored instruments that survived the Holocaust (www.violinsofhopensh.com). The composer draws inspiration from an ancient Jewish mystical text, Heichalos, to explore spiritual and ethical questions at the heart of the Jewish experience. This world premiere recording also features his energetic Starburst and his Guitar Concerto, a stunning virtuoso showcase for soloist Jason Vieaux.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eLeshnoff, Jonathan\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 4, \"Heichalos\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part I: Fast: Hey: Binah 08:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part II: Slow 13:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Guitar Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 I. Maestoso, allegro 07:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 II. Vav: Hod, adagio 08:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 III. Finale: Lively 08:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Starburst\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Starburst 07:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 54:46\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733799444730,"sku":"8559809","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559809.jpg?v=1784746275"},{"product_id":"bolcom-music-for-solo-piano","title":"Bolcom: Music for Solo Piano - Oppens, Taylor, Finehouse, Olevsky (3 CDs)","description":"\u003cdiv\u003eWilliam Bolcom was awarded the 1988 Pulitzer Prize in Music for his 12 New Etudes for piano, and his music has always revolved around works for the instrument on which he still performs as a soloist and accompanist. This collection of mostly première recordings reveals student pieces that negotiate 20th-century musical battles between the avant-garde influences of Boulez and Messiaen and Bolcom’s love of Schumann, as well as later work that embraces the 1960s ragtime revival and draws inspiration from friends and colleagues in every phase of his distinguished six-decade career. Elegantly performed by friends of the composer, this wide-ranging program is summed up by Bolcom as ‘cleaning house’ in the Charles Ives tradition.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eBolcom, William\u003c\/div\u003e\n\u003cdiv\u003e New York Lights, Concert Paraphrase\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 New York Lights, Concert Paraphrase 03:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Fantasy-Sonata\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 I. Maestoso, ma non largo 08:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 II. Burlesque: Allegro, very rhythmic 02:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 III. Andante, cantando ed un poco misterioso - Variations - Andante 08:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 IV. Finale: Burlesqued Variations and coda 05:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e 3 Dance Portraits\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 1. The Dead Moth Tango 04:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 2. Knock-Stück 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 3. Abbacadabra 04:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Spring Dances\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. Lively 01:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 2. Slow and contemplative 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 3. Clowns: Fast and with humor 01:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 4. Cantabile 02:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e 12 Piano Etudes (revised 1966 version)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Book 1: No. 1. Slowly, mysteriously 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Book 1: No. 2. Flowing, underground 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Book 1: No. 3. Sonorously, moderato 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Book 1: No. 4. With constrained expression 02:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Book 2: No. 5. Tranquil, mystic 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Book 2: No. 6. Scherzino - Variations 01:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Book 2: No. 7. Fast and declamatory; Ferociously; Scherzando 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Book 2: No. 8. Softly, very slowly 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Book 3: No. 9. Tremolando 01:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Book 3: No. 10. Gestures 03:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Book 3: No. 11. Very rhythmic, light 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Book 3: No. 12. Apotheosis: Slowly, with majesty 09:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Night Pieces\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 1. Andante 01:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 2. quarter note = 86 00:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 3. Sostenuto 01:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 4. quarter note = 92 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 5. Largo 01:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Conversations with Andre\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 No. 1. Molto allegro 00:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 No. 2. Moderato, comodo 00:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 No. 3. Presto 00:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 No. 4. Andantino. Più lento 00:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 No. 5. Allegro risoluto 00:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 No. 6. Andante maestoso 01:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Estela: Rag Latino\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Estela: Rag Latino 05:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Night Meditations\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 No. 1. Moderato 02:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 No. 2. Cantabile 02:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 27 No. 3. Lively - Misterioso 02:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 28 No. 4. Calmo, moderato 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 3\u003c\/div\u003e\n\u003cdiv\u003e Romantic Pieces\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Andantino 01:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Allegro grazioso 01:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Lento sostenuto 04:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Presto ma non troppo 05:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Andante grazioso e piacevole 04:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Chorale 02:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. Allegretto 06:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Brooklyn Dodge\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 The Brooklyn Dodge 05:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Variations on a Theme by George Rochberg\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Variations on a Theme by George Rochberg 08:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dream Music No. 1\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Dream Music No. 1 11:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Ballade\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Ballade 13:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 02:53:16\u003c\/div\u003e\n\u003cdiv\u003eLess\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733799739642,"sku":"8559832-34","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559832-34.jpg?v=1784738976"},{"product_id":"ian-krouse-armenian-requiem-op-66","title":"Krouse: Armenian Requiem, Op. 66 - Lark Master Singers, Tziatzan Children's Choir, UCLA Philharmonia, Stulberg(2 CDs)","description":"\u003cdiv\u003eComposed to mark the centenary of the genocide of 1915, the Armenian Requiem is a large-scale sacred work structured around the liturgical chants encountered in requiem services appended to the traditional Armenian Mass. It is written in a form that, uniquely for the music of the country, is not based wholly on the model of the Latin Mass. Instead, taking the precedent of Britten’s War Requiem, Ian Krouse embeds poems as interludes, and his work—a poignant meditation on loss couched in a marriage of Western and Armenian forms—offers both conciliation and hope.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eKrouse, Ian\u003c\/div\u003e\n\u003cdiv\u003eSiamanto - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eShnorhali, Nerses - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKetadarz, Catholicos Peter I - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eSevak, Paruyr - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eAharonian, Avetis - Lyricist\u003c\/div\u003e\n\u003cdiv\u003ePeshiktashlian, Mkrtich - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKhachatur of Taron - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eJohn Chrysostom - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKaputikian, Sylva - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eNarekatsi, Grigor - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eVaroujan, Daniel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eAlishan, Ghevond - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Armenian Requiem, Op. 66\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part I: Prelude: I Want to Die Singing 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part I: Khorhurd khorin (Mystery Profound), \"The Creation\" 11:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part I: Interlude I: Naze's Lullaby 07:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part I: Vor haneyits (Creator of All Beings) 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part I: Interlude II: Moon of the Armenian Tombs, \"The Flood\" 18:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part I: Qahanayq (We Priests and People) 02:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Part II: Interlude III: Book of Lamentations 16:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Part II: I verin Yerusaghem (In Supernal Jerusalem) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Part II: Interlude IV, \"Reqviyem\" 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Part II: Ter voghormya (Lord, Have Mercy) 03:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Part II: Interlude V: 3-Voice Mass 04:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Part II: Govya Yerusaghem (Praise the Lord, O Jerusalem) 02:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Part II: Interlude VI: Brothers We Are 05:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Part II: Yeghitsi anun Tyarn (Blessed Be the Lord's Name) 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Part II: Postlude: Blessing of the Land 06:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:35:01\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733799805178,"sku":"8559846-47","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559846-47.jpg?v=1784745456"},{"product_id":"sousa-music-for-wind-band-vol-20","title":"Sousa: Music for Wind Band, Vol. 20 - Royal Welsh College of Music and Drama Wind Orchestra, Brion","description":"\u003cdiv\u003eJohn Philip Sousa personified turn-of-the-century America—the comparative innocence and brash energy of an advancing nation. His ever-touring band represented America across the globe and brought lively and entertaining music to hundreds of American towns. Sousa’s name is eternally connected with famous marches such as The Stars and Stripes Forever, but his exceptional inventiveness also saw the creation of popular operettas such as El Capitan. This program also includes Sousa’s adaptations of humorous songs and popular ballads as well as his Good-Bye, based on the idea of Haydn’s ‘Farewell’ Symphony but with a modern twist.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eSousa, John Philip\u003c\/div\u003e\n\u003cdiv\u003e Oh, How I've Waited for You\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Oh, How I've Waited for You 06:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSousa, John Philip\u003c\/div\u003e\n\u003cdiv\u003eRagone, Vincent - Arranger\u003c\/div\u003e\n\u003cdiv\u003e El Capitan (arr. V. Ragone as First Fantasia for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 El Capitan (arr. V. Ragone as First Fantasia for wind band) 11:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSousa, John Philip\u003c\/div\u003e\n\u003cdiv\u003e Chris and the Wonderful Lamp, Act II: The Patient Egg (version for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Chris and the Wonderful Lamp, Act II: The Patient Egg (version for wind band) 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Free Lance, Act II: Girls Who Have Loved, \"The Mystery of History\" (version for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 The Free Lance, Act II: Girls Who Have Loved, \"The Mystery of History\" (version for wind band) 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e The Bride Elect, Act II: The Snow Baby (version for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 The Bride Elect, Act II: The Snow Baby (version for wind band) 03:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e A Bouquet of Beloved Inspirations\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 A Bouquet of Beloved Inspirations 17:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Good-Bye\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Good-Bye 11:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Follow the Swallow\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Follow the Swallow 05:30\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:02:05\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800231162,"sku":"8559850","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559850.jpg?v=1784746741"},{"product_id":"rouse-symphony-no-5-supplica-concerto-for-orchestra","title":"Rouse: Symphony No. 5 \/ Supplica \/ Concerto for Orchestra - Nashville Symphony, Guerrero","description":"\u003cdiv\u003eFew contemporary artists have been as significant as Pulitzer Prize and GRAMMY Award winner Christopher Rouse, whose imaginative approach made him one of the most frequently performed composers during his lifetime. The Concerto for Orchestra is a ‘hyper-concerto’ that gives each player a chance to shine, while the mournful intimacy and passion of Supplica unfolds somewhat like the slow movement of a Bruckner or Mahler symphony. Rouse’s Fifth Symphony fondly recalls Beethoven’s mighty Fifth but blurs the lines between tradition and modernity, transporting the listener from turbulence to serenity. It was described as “brilliant, exciting and at times hauntingly beautiful” in The Dallas Morning News.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eRouse, Christopher\u003c\/div\u003e\n\u003cdiv\u003e Symphony No. 5\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Symphony No. 5 30:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Supplica\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Supplica 12:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Concerto for Orchestra\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Concerto for Orchestra 29:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:11:21\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800329466,"sku":"8559852","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559852.jpg?v=1784746481"},{"product_id":"gompper-cello-concerto-double-bass-concerto-moonburst","title":"Gompper: Cello Concerto; Double Bass Concerto; Moonburst - Gill, Orhon, Royal Philharmonic, Siffert","description":"\u003cdiv\u003eDavid Gompper is an award-winning composer and the recipient of a Guggenheim Fellowship in 2020. His luminously orchestrated and expressive works have attracted admiration throughout the Us, Europe and beyond. Opening with relentless energy, the second movement of the Cello Concerto is spectral and dreamlike, while the Double Bass Concerto explores the light effects of a solar eclipse, using the soloist to suggest shadows, auras and glimpses of sound. A partner work to Sunburst (8.559835), the multi-layered Moonburst reflects the transformational imagery of nocturnal sounds and perceptions.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eGompper, David\u003c\/div\u003e\n\u003cdiv\u003e Cello Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Mnemosyne 13:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Lethe 09:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Double Bass Concerto\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 I. Penumbra 11:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 II. Umbra - III. Antumbra 15:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Sunburst and Moonburst\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Sunburst and Moonburst: II. Moonburst 10:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:00:08\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800362234,"sku":"8559855","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559855.jpg?v=1784744854"},{"product_id":"danielpour-talking-to-aphrodite-symphony-for-strings-ka","title":"Danielpour: Talking to Aphrodite; Symphony for Strings; Kaddish - S. Shafer, M. Semyonov, Pravilov, Russian String Orchestra, Rachlevsky","description":"\u003cdiv\u003eThese three recordings cement the bond between the award-winning composer Richard Danielpour and the conductor Misha Rachlevsky, one of the composer’s most dedicated and perceptive interpreters. It was Rachlevsky who gave the American premiere of Symphony for Strings, a transcription of the Sixth String Quartet—a work saturated in farewells, complete with a hymn and variations. Talking to Aphrodite is the result of a collaboration between Danielpour and the writer Erica Jong, while Kaddish addresses the eternal issues of life, death and eventual peace.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDanielpour, Richard\u003c\/div\u003e\n\u003cdiv\u003eJong, Erica - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Talking to Aphrodite\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. Adagio - Animando 04:17\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. Molto moderato 04:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. Agitated, presto (ben misurato) 03:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. Solemn, with simple flowing motion 03:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. Playfully (in the manner of a tango) 04:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Graceful, simply flowing 07:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDanielpour, Richard\u003c\/div\u003e\n\u003cdiv\u003e Symphony for Strings, \"…For Love is Strong as Death…\" (arr. of String Quartet No. 6, \"Addio\" for string orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 I. Moderato e triste - Agitato 10:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 II. Presto giocoso 07:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 III. Cantabile e sostenuto - Agitato 15:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Kaddish (version for violin and string orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Kaddish (version for violin and string orchestra) 17:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:17:39\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800526074,"sku":"8559857","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559857.jpg?v=1784739131"},{"product_id":"sousa-music-for-wind-band-vol-21","title":"Sousa: Music for Wind Band, Vol. 21 - Royal Birmingham Conservatoire Wind Orchestra, Brion","description":"\u003cdiv\u003eThis current volume of Sousa’s music for wind band presents three exceptional examples of Sousa’s musical creativity. Chris and the Wonderful Lamp is an enchanting retelling of the Aladdin legend, while Showing Off Before Company is a clever routine Sousa often used to open matinee concerts. The painstaking reconstruction of Sisterhood of the States allows us to hear the ‘ballet’ that incorporated music from each of the 48 states for a spectacular show in 1916.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eSousa, John Philip\u003c\/div\u003e\n\u003cdiv\u003ePurton, Mike - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Chris and the Wonderful Lamp (arr. M. Purton for wind band) (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Chris and the Wonderful Lamp (arr. M. Purton for wind band) (excerpts) 21:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSousa, John Philip\u003c\/div\u003e\n\u003cdiv\u003eArambula, Manuel A. - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Sisterhood of the States (reconstructed by M.A. Arambula for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Sisterhood of the States (reconstructed by M.A. Arambula for wind band) 10:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eSousa, John Philip\u003c\/div\u003e\n\u003cdiv\u003eTam, Kevin R. - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Showing Off Before Company (reconstructed by K.R. Tam for wind band)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Showing Off Before Company (reconstructed by K.R. Tam for wind band) 33:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:05:52\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800657146,"sku":"8559863","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559863.jpg?v=1784746847"},{"product_id":"krouse-nocturnes-invocation","title":"Krouse: Nocturnes; Invocation - Rivera, Chernov, Pogossian, Sutre, R. O'Neill, Lysy, Hanulik, Maryanne Kim","description":"\u003cdiv\u003eIan Krouse has been acclaimed by Gramophone as “one of the most communicative and intriguing” of today’s composers, his style drawing on historical and traditional influences as well as being innovative and modern. With references to Beethoven and Schubert, metaphors of darkness and light are conveyed with powerful emotion in Nocturnes, which sets four texts by well-known Armenian poets to form an odyssey through the mind of a man at mid-life. With profound sadness at its heart, Invocation explores the intangibility of love, contrasting atonality and tonality to express emotional outpourings that ultimately remain ephemeral and elusive.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eKrouse, Ian\u003c\/div\u003e\n\u003cdiv\u003eMetzarents, Misak - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMahari, Gurgen - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eTerian, Vahan - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Nocturnes, Op. 60\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Twilight 09:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. Love Song 04:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. The Night 08:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Hymn 06:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eKrouse, Ian\u003c\/div\u003e\n\u003cdiv\u003eShakespeare, William - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eNeruda, Pablo - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKim, So Wol - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eTachihara, Michizō - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Invocation, Op. 54\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 1. Weary with Toil 04:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 2. Cuántas veces, amor 05:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 3. Mata Aru Yoru Ni 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 4. Cho-hon 09:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 54:43\u003c\/div\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800788218,"sku":"8559877","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559877.jpg?v=1784745704"},{"product_id":"herrmann-whitman-reconstructed-by-c-husted-2019","title":"Herrmann: Whitman (reconstructed by C. Husted, 2019); Psycho: A Narrative for String Orchestra - Sharp, Horwitz, Nicely, PostClassical Ensemble, Gil-Ordóñez","description":"\u003cdiv\u003eBernard Herrmann was famous for his film scores, but he was also a leading figure in music for radio, to which he brought his inimitable palette of mood and sonority. Whitman, whose subject is Walt Whitman’s collection of poems Leaves of Grass, was a 1944 radio drama, a genre now much neglected but revived in this newly restored version. Psycho: A Narrative for String Orchestra is not a suite or excerpts from the film but a concert work, re-ordered and re-composed, while Souvenirs de voyage is one of the most polished and seductive of all American chamber works.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eHerrmann, Bernard\u003c\/div\u003e\n\u003cdiv\u003eCorwin, Norman - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHusted, Christopher - Arranger\u003c\/div\u003e\n\u003cdiv\u003eWhitman, Walt - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Whitman - Radio Play by Norman Corwin (reconstructed by C. Husted, 2019)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Introduction: I, Walt Whitman, heard that you asked for something to prove this puzzle the New World (Whitman) 00:45\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Welcome: You! Whoever you are! (Whitman) 01:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Perpetual Journey: I tramp a perpetual journey (Whitman) 04:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Listen: Listen: when the psalm sings instead of the singer (Whitman, Stranger, Cynic) 02:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Cosmos: A cosmos, of Manhattan, the son! (Whitman, Stranger) 01:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Song: A simple separate person (Whitman, Cynic) 02:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Oath: I celebrate myself, and sing myself (Whitman, Child) 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Miracles: I believe a leaf of grass is no less than the journey-work of the stars (Whitman, Child) 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Battle: Of life immense in passion, pulse and power, I sing (Whitman) 01:22\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 War: I will acknowledge contemporary lands (Whitman, Radio Voice) 06:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Ships: Flaunt out, O sea, your separate flags of nations! (Whitman) 02:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Divinity: Listener out there! (Whitman) 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Finale: I see not America only (Whitman) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHerrmann, Bernard\u003c\/div\u003e\n\u003cdiv\u003e Souvenirs de voyage\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 I. Lento: Molto tranquillo 09:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 II. Berceuse: Andante 06:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 III. Andantino: Canto amoroso 07:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eHerrmann, Bernard\u003c\/div\u003e\n\u003cdiv\u003eMauceri, John - Arranger\u003c\/div\u003e\n\u003cdiv\u003e Psycho: A Narrative for String Orchestra (reconstructed by J. Mauceri for string orchestra)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Psycho: A Narrative for String Orchestra (reconstructed by J. Mauceri for string orchestra) 15:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:11:12\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800853754,"sku":"8559883","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559883.jpg?v=1784745352"},{"product_id":"daugherty-this-land-sings-inspired-by-the-life-and-times-o","title":"Daugherty: This Land Sings: Inspired by the Life and Times of Woody Guthrie - Socolofsky, J. Daugherty, Dogs of Desire, D.A. Miller","description":"\u003cdiv\u003eIn This Land Sings, GRAMMY Award-winning composer Michael Daugherty has created an original musical tribute to the singer-songwriter and political activist Woody Guthrie (1912–1967). Traveling the backroads of America from coast to coast with a guitar and harmonica, Woody Guthrie performed folk songs of love, wandering and social justice during the Great Depression and the Second World War. Daugherty has composed his own original songs and instrumental interludes that give haunting expression, ironic wit and contemporary relevance to political, social and environmental themes from Guthrie’s era. Under the baton of GRAMMY Award-winning conductor David Alan Miller, the Albany Symphony’s new music ensemble Dogs of Desire, joined by soprano Annika Socolofsky and baritone John Daugherty, give a poignant and rousing performance.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDaugherty, Michael\u003c\/div\u003e\n\u003cdiv\u003eHill, Joe - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHayes, Alfred - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eDaugherty, Michael - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eOppenheim, James - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eSandberg, Carl - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eTwain, Mark - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e This Land Sings: Inspired by the Life and Times of Woody Guthrie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 No. 1. Overture 00:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 2. The Ghost and Will of Joe Hill 05:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 3. Perpetual Motion Man 02:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 4. Marfa Lights 04:50\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 5. Hear the Dust Blow 03:59\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 6. Graceland 03:00\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 7. Forbidden Fruit 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 8. Hot Air 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 9. Bread and Roses 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 10. This Land Sings 06:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 11. Silver Bullet 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 12. This Trombone Kills Fascists 01:39\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 13. Don't Sing Me a Love Song 04:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 14. My Heart is Burning 02:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 15. I'm Gonna Walk That Lonesome Valley 03:12\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 16. Mermaid Avenue 06:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 No. 17. Wayfaring Stranger \/ 900 Miles 06:20\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 01:05:21\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733800886522,"sku":"8559889","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559889.jpg?v=1784739528"},{"product_id":"laitman-the-secret-exit","title":"Laitman: The Secret Exit \/ I Never Saw Another Butterfly \/ Living in the Body \/ OPPERMAN, K.: Un seul -Hurst-Wajszczuk, Gainey","description":"\u003cdiv\u003eThis collection of songs with voice and clarinet has at its heart Lori Laitman’s profoundly moving cycle I Never Saw Another Butterfly, which sets the words of hope and desolation written by children imprisoned in the Terezín concentration camp. Inspired by this poignant music, Kristine Hurst-Wajszczuk and Denise Gainey commissioned a follow-up, The Secret Exit, on poems by Nobel Laureate Nelly Sachs that reflect on life and death. Newly arranged for voice and clarinet, Living In The Body is a cycle about love, memory and resilience. The program is completed with Diana Rosenblum’s delightful setting of Winter Rain and Kalmen Opperman’s haunting Un seul.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eOpperman, Kalmen\u003c\/div\u003e\n\u003cdiv\u003e Un seul\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Un seul 04:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLaitman, Lori\u003c\/div\u003e\n\u003cdiv\u003eMead, Ruth - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eSachs, Nelly - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eHamburger, Michael - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eMead, Matthew - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e The Secret Exit\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. What Rose Out of the White Leaves of Your Body 06:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. When in Early Summer 05:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. Child 04:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLaitman, Lori\u003c\/div\u003e\n\u003cdiv\u003eBass, Franta - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eFriedmann, Pavel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eKosek, Miroslav - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eLöwy, Hanus - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eBachner - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e I Never Saw Another Butterfly (version for voice and clarinet)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 No. 1. The Butterfly 04:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 No. 2. Yes, That's the Way Things Are 02:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 No. 3. Birdsong 03:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 No. 4. The Garden 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 5. Man Proposes, God Disposes 00:52\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 6. The Old House 03:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eLaitman, Lori\u003c\/div\u003e\n\u003cdiv\u003eSutphen, Joyce - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Living in the Body (version for voice and clarinet) (excerpts)\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 1. Burning the Woods of My Childhood 03:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 2. Living in the Body 02:32\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 4. Lost at Table 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 5. Bring on the Rain 01:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 6. Crossroads 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eRosenblum, Diana\u003c\/div\u003e\n\u003cdiv\u003eRossetti, Christina - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Winter Rain\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Winter Rain 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 52:54\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733801017594,"sku":"8559890","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559890.jpg?v=1784745812"},{"product_id":"americas-neglected-composer","title":"FARWELL: AMERICA'S NEGLECTED COMPOSER (Songs, Choral and Piano Works) - W. Sharp, Arciuli, Dakota String Quartet","description":"\u003cdiv\u003eArthur Farwell has been called ‘the most neglected composer in [American musical] history.’ Hounded by accusations of ‘cultural appropriation,’ he has posthumously fallen prey to changing notions of cultural authenticity. As the leader of the ‘Indianists’ movement, Farwell believed it was a democratic obligation of Americans of European descent to try to understand the indigenous Americans they displaced and oppressed. To this end, he merged Indian music and lore with Western concert forms – today, a controversial practice. The performances here recorded originated at a landmark PostClassical Ensemble festival at Washington’s National Cathedral.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFarwell, Arthur\u003c\/div\u003e\n\u003cdiv\u003e String Quartet, Op. 65, \"The Hako\"\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 String Quartet, Op. 65, \"The Hako\" 17:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFarwell, Arthur\u003c\/div\u003e\n\u003cdiv\u003eFarwell, Arthur - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 3 Indian Songs, Op. 32\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 No. 1. Song of the Deathless Voice 02:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 No. 2. Inketunga's Thunder Song 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 No. 3. The Old Man's Love Song 03:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFarwell, Arthur\u003c\/div\u003e\n\u003cdiv\u003eTraditional - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e 4 Indian Songs, Op. 102: No. 3. Pawnee Horses\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 4 Indian Songs, Op. 102: No. 3. Pawnee Horses 02:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eFarwell, Arthur\u003c\/div\u003e\n\u003cdiv\u003e From Mesa and Plain, Op. 20: No. 2. Pawnee Horses\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 From Mesa and Plain, Op. 20: No. 2. Pawnee Horses 01:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Navajo War Dance No. 2, Op. 29\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Navajo War Dance No. 2, Op. 29 03:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Dawn, Fantasy on 2 Indian Themes, Op. 12\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Dawn, Fantasy on 2 Indian Themes, Op. 12 06:15\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Impressions of the Wa-Wan Ceremony of the Omahas, Op. 21\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 No. 1. Receiving the Messenger 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 No. 2. Nearing the Village 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 No. 3. Song of Approach 02:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 No. 4. Laying Down the Pipes 01:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 No. 5. Raising the Pipes 00:54\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 No. 6. Invocation 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 No. 7. Song of Peace 01:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 No. 8. Choral 01:38\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 52:41\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733801050362,"sku":"8559900","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559900.jpg?v=1784738159"},{"product_id":"gottsch-sunset-princess-yurievskaya","title":"Gottsch: Sunset; Princess Yurievskaya - Huifang Chen, Calhoun, Leefei Chen-Jenkins, South Florida Symphony, S.M. Alfonso","description":"\u003cdiv\u003eJohn D. Gottsch spent his youth in the lake country of Florida, which instilled in him a love of nature that has informed his music ever since. His symphonic poem Sunset is almost cinematic in its opulence and in its depiction of both the beauty and fragility of Key West, and the area’s vulnerability to climate change. By contrast, Princess Yurievskaya charts the passionate love of Catherine Dolgorukova and Tsar Alexander II from their first meeting and eventual marriage, to his assassination. This vivid narrative is full of exciting dances and torrid romance, irradiated with evocative orchestral solos.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eGottsch, John D.\u003c\/div\u003e\n\u003cdiv\u003e Sunset\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 I. From Ocean's Depths - 02:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 II. An Island Is Born - 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 III. With Life Teeming - 03:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 IV. And Soaring Magnificent Frigates Vigilant - 02:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 V. For the Impending Tempest - 02:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 VI. Raising the Waters - 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 VII. As the Island Sunsets Into the Sea 03:01\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e Princess Yurievskaya\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 I. Allegretto festoso - 01:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 II. Vivace con slancio - 00:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 III. Maestoso trionfale - 01:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 IV. Allegretto dolente - 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 V. Prestissimo deciso - 02:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 VI. Larghetto serioso - 02:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 VII. Allegro con doloroso - 01:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 VIII. Presto animato - 01:57\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 IX. Allegro nobilmente - 02:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 X. Andante con dolore - 04:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 XI. Allegro appassionato - 04:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 XII. Tempo di valser viennese - 05:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 XIII. Allegro appassionato - 05:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 XIV. Presto agitato 01:03\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 54:14\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733801345274,"sku":"8559901","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.559901.jpg?v=1784745077"},{"product_id":"taylor-d-peter-ibbetson-opera","title":"Taylor: Peter Ibbetson - Griffey, Flanigan, Zeller, Seattle Symphony, Schwarz (2 CDs)","description":"\u003cdiv\u003eFrom its triumphant, star-studded première in 1931 until 1985, Peter Ibbetson was the most-performed American opera at the Metropolitan Opera in New York. The story (based on the novel by George Du Maurier) of two star-crossed lovers who secretly escape to a mystical “dream world” was immensely popular in the 1930s, and was the subject of several Hollywood films. Composer Deems Taylor—known to millions as the host of the original Disney Fantasia movie—was at that time a leading voice in American music. His lush, romantic \/ impressionist music and masterful dramatic timing make Peter Ibbetson a most rewarding listening experience, and a “must” for all opera fans. Rediscover an American classic with this world-première recording featuring some of today’s leading opera stars.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eTaylor, Deems\u003c\/div\u003e\n\u003cdiv\u003eTaylor, Deems - Lyricist\u003c\/div\u003e\n\u003cdiv\u003eCollier, Constance - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Peter Ibbetson, Op. 20\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Act I: Dear Lady, shall we dance? (Colonel Ibbetson, Mrs Deane, Mrs Glyn, Madge, Charlie, Guy, Diana) 04:31\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Act I: Dear Friend, what is the poem called? (Colonel Ibbetson, Mrs Glyn, Charlie, Guy) 04:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Act I: Bravo, Colonel, Bravo! (Guests, Diana, Madge, Charlie, Guy, Mrs Glyn, Mrs Deane, Colonel Ibbetson, Servant, Peter Ibbetson) 04:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Act I: I can see again the old garden at Passy (Peter, Voice of Mme Seraskier, Voice of Pasquier de la Marière, Mrs Deane) 08:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Act I: And now, do as I tell you! (Mrs Deane, Peter, Colonel Ibbetson, Servant, Mary, Duchess of Towers, Mrs Glyn, Madge, Diana, Charlie, Guy, Guests) 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Act I: I could never dedicate my days (Mary) 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Act I: What a sad fate is ours (Diana, Madge, Charlie, Guy, Mary, Peter, Mrs Deane, Colonel Ibbetson) 03:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Act II Scene 1: Par ici, monsieur (Achille, Peter, Victorine) 06:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act II Scene 1: Monsieur, m'excusera si je garde mon chapeau (Major Duquesnois, Peter, Nurse) 07:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act II Scene 1: Who is that lady yonder, in the carriage? (Peter, Victorine, Chorus of the Dream) 06:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act II Scene 2: Dors, mignonne, c'est l'heure qui sonne (Voice of Mme Seraskier, Mary, Peter) 07:02\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act II Scene 2: Give me your hands (Mary, Peter) 05:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act II Scene 2: Comme un chien dans un jeu de quille (Captain Ibbetson, Mme Pasquier, Peter) 03:09\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act II: Orchestral Interlude - The Storm 02:04\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act II Scene 3: Par ici, Madame la Duchesse (Achille, Mary, Victorine) 00:55\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Act II Scene 3: You are Peter Ibbetson (Mary, Peter) 05:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Act II Scene 3: My God…Mimsey! (Peter, Mary) 07:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Act III Scene 1: I wish he would come (Mrs Glyn, Mrs Deane, Peter, Servant) 05:08\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Act III Scene 1: Comme un chien dans un jeu de quille (Colonel Ibbetson, Peter, Mrs Glyn, Mrs Deane) 03:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Act III Scene 2: Is it time? (Peter, Chaplain) 06:56\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Act III Scene 2: Is the Chaplain there? (Mrs Deane, Peter, the Prison Governor, Chaplain) 06:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Act III Scene 3: En revenant d'Auvergne (Chorus of the Dream, Peter) 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Act III Scene 3: She does not hear! (Peter, Mary) 09:25\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act III Scene 4, Epilogue: How is he tonight? (Mrs Deane, Turnkey, Peter) 06:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act III Scene 4, Epilogue: Beloved… Mimsey! Mimsey! (Mary, Peter, Chorus of the Dream) 07:19\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 02:14:20\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733801640186,"sku":"8669016-17","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.669016-17.jpg?v=1784747047"},{"product_id":"robert-aldridge-sister-carrie-live","title":"Aldridge: Sister Carrie (Live) - Zabala, Phares, M. Morgan, Jordheim, Florentine Opera Chorus, Milwaukee Symphony, Boggs (2 CDs)","description":"\u003cdiv\u003eDescribed by Opera News as “an important addition to the American operatic canon,” Sister Carrie takes as its themes the lure of money and social standing. Robert Aldridge’s inventive score is richly melodic and unapologetically tonal. Herschel Garfein’s libretto is based on Theodore Dreiser’s groundbreaking 1900 novel, which depicts a smalltown girl’s tortuous path to fame and her lover’s abject descent into despair. Aldridge and Garfein’s Elmer Gantry (Naxos 8.669032-33) was a two-time GRAMMY® Award-winner.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTracklist\u003c\/div\u003e\n\u003cdiv\u003e Artist details\u003c\/div\u003e\n\u003cdiv\u003eDisc 1\u003c\/div\u003e\n\u003cdiv\u003eAldridge, Robert Livingston\u003c\/div\u003e\n\u003cdiv\u003eGarfein, Herschel - Lyricist\u003c\/div\u003e\n\u003cdiv\u003e Sister Carrie\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Overture: Carrie arrives in Chicago, 1900 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Overture: She finds work in a vast shoe factory 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Act I Scene 1: Four on. Four off (Carrie, Women) 00:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Act I Scene 1: There is music here, Bill (Drouet, Women, Carrie) 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Act I Scene 1: Here's a very good worker who can't make it go (Drouet, Carrie, Women) 02:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Act I Scene 2: Lord! But I'm glad I ran into you! (Drouet, Carrie) 04:11\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Act I Scene 2: Duet: You belong in places like this (Drouet, Carrie, Waiter) 04:13\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Act I Scene 2: Quartet: I can help you get along (Drouet, Carrie, Minnie, Hanson) 05:27\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act I Scene 3: Everything is paid for (Carrie) 04:53\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act I Scene 4: It's five, five. (Men, Maître D') 03:29\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act I Scene 4: It's opening night at McVickar's (Hurstwood, Maître D', Men, Waiters, Women) 01:23\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act I Scene 4: Scene: There they are! - Aria: My dears, why have you forsaken me? (Hurstwood, Patrons, Drouet, Actors, Carrie) 03:37\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act I Scene 4: Trio with ensemble: Fine. Try the bright ingénue (Hurstwood, Carrrie, Drouet, Crowd, Quartet of Actors) 03:34\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act I Scene 5: Is dinner ready yet? (Hurstwood, Mrs. Hurstwood, George Jr., Jessica) 04:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act I Scene 5: Duet in the Park: My darling! (Hurstwood, Carrie) 03:21\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Act I Scene 5: And one day if I came to you (Hurstwood, Carrie) 03:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Act I Scene 5: Oh - Have you made up your mind … (Hurstwood, Mrs. Hurstwood) 02:05\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Act I Scene 6: No, Carrie No, No (Hurstwood, Maître D') 01:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Act I Scene 6: Mister Hurstwood? - Duet: Petition for Dissolution… (Detective, Hurstwood, Mrs. Hurstwood) 01:47\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Act I Scene 6: The Embezzlement Aria: I'll lock up (Hurstwood) 01:58\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Act I Scene 6: You are the only wonder (Hurstwood) 02:10\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Act I Scene 6: Closing doors (Hurstwood) 02:06\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Act I Scene 7: What did he say? (Carrie, Maid, Hurstwood) 02:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Act I Scene 7: Duet on the Train: Remember what you said to me that night in the park (Hurstwood, Carrie) 02:44\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Act I Scene 7: When you asked if you could be with me, what did I say? (Carrie, Hurstwood) 02:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Act I Scene 7: I have only dreams, Carrie (Hurstwood, Carrie) 03:43\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eDisc 2\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 1 Act II Scene 1: Duet with ensemble: This is a moment I only knew in my dreams (Hurstwood, Carrie, Mrs. Vance) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 2 Act II Scene 1: Arietta: We adore these two (Mrs. Vance) 02:14\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 3 Act II Scene 1: Congratulations! (Ames, Mr. Vance, Hurstwood, Ed, Carrie, Guests) 02:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 4 Act II Scene 2: My darling… (Hurstwood, Ed, Carrie) 03:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 5 Act II Scene 2: I have my first audition today (Carrie, Hurstwood) 03:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 6 Act II Scene 3, Operetta, \"The Wives of Abdul\": Oh Abdul (Choral Women, Chorus Master, Dance Captain, Dancing Women, Stage Manager, Carrie, Lola, Director) 01:40\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 7 Act II Scene 3, Operetta, \"The Wives of Abdul\": We're consultin' with the Sultan (Lola, Carrie, Chorus Master, Chorus, Dance Captain, Women's Chorus, Stage Director) 01:41\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 8 Act II Scene 3: And their father, poor old Goriot (Ames, Mr. Vance, Mrs. Vance, Carrie, Chorus of Waiters) 01:33\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 9 Act II Scene 3: Would anyone like to hear my news? (Carrie, Mr. Vance, Mrs. Vance, Ames, Chorus of Waiters, Hurstwood) 02:51\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 10 Act II Scene 3: You're a nice one to talk about who we can associate with! (Carrie, Hurstwood) 01:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 11 Act II Scene 3: I could be rather late (Carrie, Hurstwood) 01:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 12 Act II Scene 4: Recitative: You're a dandy, Hurstwood (Hurstwood) 01:18\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 13 Act II Scene 4: Aria: I'm at home in the world (Hurstwood) 04:26\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 14 Act II Scene 5: Ladies and Gentlemen (Director, Chorus Men, Chorus Women, Lola, Overfed, Abdul, Carrie) 05:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 15 Act II Scene 5, Operetta, \"The Wives of Abdul\": I'm really quite distracted (Abdul, Men, Hurstwood, Carrie) 02:24\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 16 Act II Scene 6: The Letter Duet: Dear George… (Carrie, Hurstwood) 03:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 17 Act II Scene 7: Carrie Madenda (Hurstwood) 01:48\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 18 Act II Scene 7: Mash Notes Duet: Are you ready? (Carrie, Lola) 04:07\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 19 Act II Scene 8: Must be getting on ten (Men) 03:35\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 20 Act II Scene 8: Shiloh. Antietam (Captain, Men, Farley, Hurstwood) 04:36\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 21 Act II Scene 9: Rise up (Women's Chorus, Strikers, Replacements, Farley, Head Replacement Worker, Hurstwood) 02:42\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 22 Act II Scene 9: If you have any real feeling, hide it like a treasure (Carrie, Ames, Women's Chorus, Strikers, Replacements, Hurstwood, Farley, Head Striker, Another Striker) 05:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 23 Act II Scene 10: Finale: I know you, Carrie (Ames, Carrie, Hurstwood, Captain, Men) 03:28\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 24 Act II Scene 10: I'd like a better room, with private heat (Hurstwood, Clerk) 01:16\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 25 Act II Scene 10: Have you heard? Have you heard? (Onstage Women, Carrie) 01:46\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e 26 Act II Scene 10: That's you all right (Hurstwood, Homeless Men, Lola, Carrie, Onstage Women, Captain) 04:49\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTotal Playing Time: 02:33:34\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Naxos American","offers":[{"title":"Default Title","offer_id":49733801771258,"sku":"8669039-40","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/8.669039-40.jpg?v=1784746382"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/collections\/NAXOS_AMERICAN_CLASSICS_SALE_f1679c79-93c6-4d4e-8444-c0ec756749a7.jpg?v=1784735902","url":"https:\/\/classicselectworld.com\/en-de\/collections\/naxos-american-added-july-21.oembed?page=2","provider":"ClassicSelect World","version":"1.0","type":"link"}