{"product_id":"milestones-of-a-cello-legend-feuermann-emanuel","title":"EMANUEL FEUERMANN: Milestones of a Cello Legend (10 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_a5dcf294-f51a-49fc-9eb4-d0541f3a0b05_480x480.png?v=1654314595\"\u003e\u003c\/p\u003e\n\u003cp\u003eEmanuel Feuermann (2nd Nov. 1902 - 25th May 1942) was the most important cellist of his time - perhaps even of the entire 20th century. His sudden death at age 39, presumably as a result of medical malpractice, shocked the entire music world. Toscanini and Ormandy, Serkin, Schnabel, Elman and Hubermann carried his coffin. The high esteem for Feuermann is still unanimous: \"A talent of the century\" (Jascha Heifetz), \"The greatest cellist of all time\" (Arthur Rubinstein). For the first time in this 10-CD set, the recordings reach from the beginnings in Berlin to the last test pressing (V. Herbert). Neither tape nor vinyl LPs existed yet, only the fragile shellac record with a playing time of three to seven minutes per side. Entire concerts had to be spread over several discs, nothing could be changed or repaired. That is why this set only presents live originals. Feuermann was a prodigy, debuted in Vienna at the age of 11 (Brahms' double concerto), received a teaching position at the Cologne Conservatory at the age of 16, and ten years later a professorship at the Hochschule in Berlin. As a Jew, he was laid off by the Nazis in 1933, performing in Europe, in Japan (1934 and 36) and in the United States, where he finally settled in 1938.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_a5dcf294-f51a-49fc-9eb4-d0541f3a0b05_480x480.png?v=1654314595\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e\u003cbr\u003e■ Johannes Brahms (1833 – 1897)\u003cbr\u003eDOUBLE CONCERTO FOR VIOLIN AND CELLO IN A MINOR, OP. 102\u003cbr\u003eDoppelkonzert für Violine und Cello, a-Moll, op.102\u003cbr\u003e1. I. Allegro 14‘23\u003cbr\u003e2. II. Andante 6‘41\u003cbr\u003e3. Vivace non troppo – Poco meno allegro 7‘38\u003cbr\u003e\u003cbr\u003eJascha Heifetz violin\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003ePhiladelphia Orchestra\u003cbr\u003econductor \/ Dirigent Eugene Ormandy\u003cbr\u003erecorded \/ aufgenommen Dec. 1939\u003cbr\u003e\u003cbr\u003e■ TRIO FOR PIANO, VIOLIN AND CELLO No. 1 IN B MAJOR, OP. 8\u003cbr\u003eTrio für Klavier, Violine und Cello Nr. 1, H-Dur, op. 8\u003cbr\u003e4. I. Allegro con brio 8‘52\u003cbr\u003e5. II. Scherzo: Allegro molto – Trio: Meno allegro 5‘46\u003cbr\u003e6. III. Adagio 7‘08\u003cbr\u003e7. IV. Finale: Allegro 5‘39\u003cbr\u003e\u003cbr\u003eArthur Rubinstein piano\u003cbr\u003eJascha Heifetz violin\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003erecorded \/ aufgenommen Sep. 1941\u003cbr\u003eTotal Time 56'16\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e\u003cbr\u003e■ Antonín Dvořák (1841 – 1904)\u003cbr\u003eCELLO CONCERTO IN B MINOR, OP. 104\u003cbr\u003eKonzert für Cello und Orchester, h-Moll, op. 104\u003cbr\u003e1. I. Allegro 12‘12\u003cbr\u003e2. II. Adagio ma non troppo 10‘37\u003cbr\u003e3. III. Allegro moderato – Andante – Allegro vivo 10‘37\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eOrchester der Berliner Staatsoper (Staatskapelle)\u003cbr\u003econductor \/ Dirigent Michael Taube\u003cbr\u003erecorded \/ aufgenommen April 30, 1928 \/ Sept. 29, 1929\u003cbr\u003efirst recording of this concert\u003cbr\u003e\u003cbr\u003e■ alternative takes:\u003cbr\u003e4. Allegro (conclusion) 3‘59\u003cbr\u003e5. Adagio ma non troppo (beginning) 7‘50\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003erecorded \/ aufgenommen Jan. 27 and April 30, 1928\u003cbr\u003e\u003cbr\u003e■ 6. II. Adagio ma non troppo 11‘40\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eOrchestra Frank Black\u003cbr\u003erecorded \/ aufgenommen ca. 1940\/41\u003cbr\u003eTotal Time 57'04\u003cbr\u003e\u003cbr\u003eCD 3\u003cbr\u003e\u003cbr\u003e■ Richard Strauss (1864 – 1949)\u003cbr\u003eDON QUIXOTE, OP. 35\u003cbr\u003eFantastic Variations on a Theme of a Knightly Character\u003cbr\u003eFantastische Variationen über ein Thema ritterlichen Charakters\u003cbr\u003e1. Introduction \/ Einleitung 5‘33\u003cbr\u003e2. Theme \/ Thema: Don Quixote, the Knight 2‘01\u003cbr\u003eof the Sorrowful Countenance\u003cbr\u003eDon Quixote, der Ritter von der traurigen Gestalt\u003cbr\u003e3. Variation I: The Adventure with the Windmills 2‘30\u003cbr\u003eDer Kampf mit den Windmühlen\u003cbr\u003e4. Variation II: The Battle with the Sheep 1‘27\u003cbr\u003eDer Kampf mit der Hammelherde\u003cbr\u003e5. Variation III. Dialogue of Knight and Squire 7‘28\u003cbr\u003eDialog zwischen Don Quixote und Sancho Pansa\u003cbr\u003e6. Variation IV: The Adventure with the Penitents 1‘50\u003cbr\u003eDas Abenteuer mit der Büßerprozession\u003cbr\u003e7. Variation V: The Knight’s Vigil \/ Des Ritters Nachtwache 4‘01\u003cbr\u003e8. Variation VI: The False Dulcinea \/ Die falsche Dulcinea 1‘02\u003cbr\u003e9. Variation VII: The Ride Trough the Air \/ Der Ritt durch die Lüfte 1‘01\u003cbr\u003e10. Variation VIII: The Adventure of the Enchanted Boat 1‘39\u003cbr\u003eFahrt auf dem verzauberten Nachen\u003cbr\u003e11. Variation IX: The Combat with the Two Magicians 1‘06\u003cbr\u003eKampf gegen vermeintliche Zauberer\u003cbr\u003e12. Variation X: The Defeat of Don Quixote by the Knight 3‘56\u003cbr\u003eof the White Moon \/ Der Zweikampf mit dem\u003cbr\u003e„Ritter vom blanken Mond“ und die Niederlage Don Quixotes\u003cbr\u003e13. Final \/ Finale: The Death of Don Quixote \/ Don Quixotes Tod 4‘42\u003cbr\u003eEmanuel Feuermann cello Philadelphia Orchestra\u003cbr\u003econductor \/ Dirigent Eugene Ormandy recorded \/ aufgenommen Feb. 24, 1940\u003cbr\u003eTotal Time 38‘20\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003e\u003cbr\u003e■ Ernest Bloch (1880 – 1959)\u003cbr\u003e1. SCHELOMO 19‘36\u003cbr\u003eHebrew Rhapsody for orchestra \/ Hebräische Rhapsodie\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003ePhiladelphia Orchestra\u003cbr\u003econductor \/ Dirigent Leopold Stokowski\u003cbr\u003erecorded \/ aufgenommen March 27, 1940\u003cbr\u003e\u003cbr\u003e■ Max Bruch (1838 – 1920)\u003cbr\u003e2. KOL NIDREI, OP. 47 8‘28\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eOrchester der Berliner Staatsoper (Staatskapelle)\u003cbr\u003econductor \/ Dirigent Frieder Weissmann\u003cbr\u003erecorded \/ aufgenommen ca. 1928\u003cbr\u003e\u003cbr\u003e■ Johann Sebastian Bach (1685 – 1750)\u003cbr\u003eSUITE No. 3 IN C MAJOR \/ C-DUR, BWV 1009\u003cbr\u003e3. Sarabande \u0026amp; Bourrées I, II 6‘42\u003cbr\u003eADAGIO IN A MINOR \/ A-MOLL (arr. Siloti \/ Casals)\u003cbr\u003e4. Take I 3‘31\u003cbr\u003e5. Take II 3‘30\u003cbr\u003e6. Take III 3‘26\u003cbr\u003eEmanuel Feuermann cello Franz Rupp piano (3-6)\u003cbr\u003erecorded \/ aufgenommen Aug. 1939, New York (3-6)\u003cbr\u003eTotal Time 45'33\u003cbr\u003e\u003cbr\u003eCD 5\u003cbr\u003e\u003cbr\u003e■ Franz Schubert (1797 – 1828)\u003cbr\u003eARPEGGIONE SONATA IN A MINOR, D. 821\u003cbr\u003eArpeggione-Sonate, a-Moll, D. 821\u003cbr\u003e1. I. Allegro moderato 7‘11\u003cbr\u003e2. II. Adagio 4‘13\u003cbr\u003e3. III. Allegretto 7‘03\u003cbr\u003e\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eGerald Moore piano\u003cbr\u003erecorded \/ aufgenommen June 29\/30, 1937\u003cbr\u003e\u003cbr\u003e■ TRIO FOR PIANO, VIOLIN AND CELLO No 1 IN B FLAT MAJOR, D. 898\u003cbr\u003eTrio für Klavier, Violine und Cello Nr. 1, B-Dur, D. 898\u003cbr\u003e4. I. Allegro moderato 10‘20\u003cbr\u003e5. II. Andante un poco mosso 7‘54\u003cbr\u003e6. III. Scherzo: Allegro 5‘29\u003cbr\u003e7. IV. Rondo: Allegro vivace 8‘15\u003cbr\u003e\u003cbr\u003eArthur Rubinstein piano\u003cbr\u003eJascha Heifetz violin\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003erecorded \/ aufgenommen Sep. 13, 1941\u003cbr\u003eTotal Time 50'34\u003cbr\u003e\u003cbr\u003eCD 6\u003cbr\u003e\u003cbr\u003e■ Ludwig van Beethoven (1770 – 1827)\u003cbr\u003eCELLO SONATA No. 3 IN A MAJOR, OP.69\u003cbr\u003eSonate für Cello und Klavier Nr. 3, A-Dur, op. 69\u003cbr\u003e1. I. Allegro ma non tanto 9‘12\u003cbr\u003e2. II. Scherzo: Allegro molto 3‘14\u003cbr\u003e3. III. Adagio cantabile 1‘44\u003cbr\u003e4. IV. Allegro vivace 5‘18\u003cbr\u003e\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eMyra Hess piano\u003cbr\u003erecorded \/ aufgenommen June 28\/29, 1937\u003cbr\u003e\u003cbr\u003e■ STRING TRIO (SERENADE) IN D MAJOR, OP. 8\u003cbr\u003eStreichtrio (Serenade), D-Dur, op. 8\u003cbr\u003e5. I. Marcia: Allegro – Adagio 7‘17\u003cbr\u003e6. II. Menuetto (Allegretto) \u0026amp; Trio 2‘09\u003cbr\u003e7. III. Adagio – Scherzo (Allegro molto) – Adagio – Allegro – Adagio 4‘33\u003cbr\u003e8. IV. Allegretto alla polacca 3‘10\u003cbr\u003e9. V. Andante quasi allegretto (Variazioni) – Marcia (Allegro) 8‘17\u003cbr\u003e\u003cbr\u003eSzymon Goldberg violin\u003cbr\u003ePaul Hindemith alto \/ Viola\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003erecorded \/ aufgenommen Jan. 22, 1934, London (1-9)\u003cbr\u003eTotal Time 45'01\u003cbr\u003e\u003cbr\u003eCD 7\u003cbr\u003e\u003cbr\u003e■ Ludwig van Beethoven (1770 – 1827)\u003cbr\u003e1. SEVEN VARIATIONS IN E FLAT MAJOR ON MOZART’S 8’55\u003cbr\u003e„BEI MÄNNERN, WELCHE LIEBE FÜHLEN“\u003cbr\u003eFROM “THE MAGIC FLUTE”\u003cbr\u003eSieben Variationen, Es-Dur, über „Bei Männern,\u003cbr\u003ewelche Liebe fühlen“ aus „Die Zauberflöte“ (Mozart)\u003cbr\u003eEmanuel Feuermann cello Theo van der Pas piano\u003cbr\u003erecorded \/ aufgenommen July 11, 1934\u003cbr\u003e\u003cbr\u003e■ TRIO FOR PIANO, VIOLIN AND CELLO No. 7 IN B FLAT MAJOR, OP. 97\u003cbr\u003eTrio für Klavier, Violine und Cello, B-Dur, op. 97 (“Archduke”\/„Erzherzog”)\u003cbr\u003e2. I. Allegro moderato 11‘45\u003cbr\u003e3. II. Scherzo: Allegro 6‘13\u003cbr\u003e4. III. Andante cantabile ma pero con moto 10‘20\u003cbr\u003e5. IV. Allegro moderato 6‘07\u003cbr\u003eArthur Rubinstein piano Jascha Heifetz violin Emanuel Feuermann cello\u003cbr\u003erecorded \/ aufgenommen Sept. 12\/13, 1941\u003cbr\u003e\u003cbr\u003e■ Georg Friedrich Händel (1685 – 1759)\u003cbr\u003e6. ADAGIO \u0026amp; ALLEGRO 7‘23\u003cbr\u003e\u003cbr\u003e■ Carl Maria von Weber (1786 – 1826)\u003cbr\u003e7. ANDANTINO 4‘24\u003cbr\u003eEmanuel Feuermann cello Franz Rupp (6) Gerald Moore (7) piano\u003cbr\u003erecorded \/ aufgenommen 1936\u003cbr\u003eTotal Time 55'26CD 8\u003cbr\u003e\u003cbr\u003e■ Joseph Haydn (1732 – 1809)\u003cbr\u003eCELLO CONCERTO IN D MAJOR, OP. 101\u003cbr\u003eKonzert für Cello und Orchester, D-Dur, op.101\u003cbr\u003e1. I. Allegro moderato 14‘24\u003cbr\u003e2. II. Adagio 5‘32\u003cbr\u003e3. III. Rondo: Allegro 5‘17\u003cbr\u003eEmanuel Feuermann cello Symphony Orchestra\u003cbr\u003econductor \/ Dirigent Malcolm Sargent recorded \/ aufgenommen Nov. 25, 1935\u003cbr\u003e\u003cbr\u003e■ Giovanni Sgambati (1841 – 1914)\u003cbr\u003e4. SERENATA NAPOLETANA 3‘18\u003cbr\u003e\u003cbr\u003e■ Gabriel Fauré (1845 – 1924)\u003cbr\u003e5. APRÈS UN RÊVE (arr. Casals) 2‘46\u003cbr\u003erecorded \/ aufgenommen Sept. 12\/13, 1941\u003cbr\u003e\u003cbr\u003e■ Frédéric Chopin (1810 – 1849)\u003cbr\u003e6. INTRODUCTION ET POLONAISE BRILLANTE 8‘51\u003cbr\u003eEmanuel Feuermann cello Franz Rupp (5, 6) Theo van der Pas (4) piano\u003cbr\u003erecorded \/ aufgenommen 1939 (5, 6) 1936 (4)\u003cbr\u003e\u003cbr\u003e■ Victor Herbert (1859 – 1924)\u003cbr\u003eCELLO CONCERTO No. 2\u003cbr\u003e7. Slow Movement \/ Langsamer Satz 4‘28\u003cbr\u003eEmanuel Feuermann cello Albert Hirsch piano\u003cbr\u003eprobably Feuermann’s last recording\u003cbr\u003eTotal Time 44'59\u003cbr\u003e\u003cbr\u003eCD 9\u003cbr\u003e\u003cbr\u003eThe Japanese Recordings\u003cbr\u003e\u003cbr\u003e■ Pjotr I. Tchaikovsky (1840 – 1893)\u003cbr\u003e1. Valse sentimentale, Op. 15\/6 2‘22\u003cbr\u003e\u003cbr\u003e■ Felix Mendelssohn-Bartholdy (1809 – 1847)\u003cbr\u003e2. Spring Song \/ Frühlingslied, Op. 62\/6 2‘22\u003cbr\u003e\u003cbr\u003e■ Benjamin Godard (1849 – 1895)\u003cbr\u003e3. Berceuse \/ Wiegenlied 3‘24\u003cbr\u003e\u003cbr\u003e■ Robert Schumann (1810 – 1856)\u003cbr\u003e4. Zigeunerleben, Op. 29\/3 3‘16\u003cbr\u003e\u003cbr\u003e■ Franz Schubert (1797 – 1828)\u003cbr\u003e5. Serenade \/ Ständchen 3‘28\u003cbr\u003e\u003cbr\u003e■ William Thomas Wrighton (1816 – 1880)\u003cbr\u003e6. Her Bright Smile Haunts Me Still 3‘03\u003cbr\u003e\u003cbr\u003e■ Camille Saint-Saëns (1835 – 1921)\u003cbr\u003e7. The Swan \/ Der Schwan (from „Le Carnaval des Animaux“) 2‘00\u003cbr\u003e\u003cbr\u003e■ Giuseppe Valentini (1681 – 1753)\u003cbr\u003e8. Gavotta e Allegro 3‘02\u003cbr\u003e\u003cbr\u003e■ Anton Rubinstein (1829 – 1894)\u003cbr\u003e9. Melody in F, Op. 3\/1 2‘32\u003cbr\u003e\u003cbr\u003e■ Frédéric Chopin (1810 – 1849)\u003cbr\u003e10. Nocturne in Eb, Op. 9\/2 4‘13\u003cbr\u003e\u003cbr\u003e■ Ernest Bloch (1880 – 1959)\u003cbr\u003e11. Prayer (No. 1 from “Jewish Life”) 3‘30\u003cbr\u003e12. Kojo no Tsuki (Taki) 3‘09\u003cbr\u003e13. Karatachi no Hana (Yamada) 3‘30\u003cbr\u003e14. Nabora (Yamada) 3‘10\u003cbr\u003e15. Ojoro Takashima (Yamada) 3‘23\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eWolfgang Rebner (1-11) Fritz Kitzinger (12-15) piano\u003cbr\u003erecorded \/ aufgenommen 1936 (1-11) 1934 (12-15)\u003cbr\u003eTotal Time 46'39\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003e\u003cbr\u003e■ Pablo de Sarasate (1844 – 1908)\u003cbr\u003e1. Zapateado 3‘33\u003cbr\u003e\u003cbr\u003e■ Isaac Albeniz (1860 – 1909)\u003cbr\u003e2. Tango 2‘12\u003cbr\u003e\u003cbr\u003e■ Karl J. Davidoff (1838 – 1889)\u003cbr\u003e3. At the Fountain \/ Am Springbrunnen 3‘33\u003cbr\u003eEmanuel Feuermann cello\u003cbr\u003eTeddy Saidenberg (1) Gerald Moore (2) Franz Rupp (3) piano\u003cbr\u003erecorded \/ aufgenommen 1936-40\u003cbr\u003e\u003cbr\u003e■ BONUS\u003cbr\u003eDON QUIXOTE , OP. 35\u003cbr\u003eFantastic Variations on an Theme of a Knightly Character\u003cbr\u003eFantastische Variationen über ein Thema ritterlichen Charakters\u003cbr\u003eRichard Strauss (1864 – 1949)\u003cbr\u003e4. Introduction \/ Einleitung – Theme \/ Thema – 39‘30\u003cbr\u003eVatriations \/ Variationen 1-10 – Final \/ Finale\u003cbr\u003eEmanuel Feuermann cello Carlton Cooley alto \/ Viola\u003cbr\u003eNBC Symphony Orchestra conductor \/ Dirigent Arturo Toscanini\u003cbr\u003erecorded \/ aufgenommen 1938, Live\u003cbr\u003eTotal Time 48'58\u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"EMANUEL FEUERMANN","offer_id":30262153379891,"sku":"4053796005175","price":20.09,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/71G7I8nJIKL._SL1000.jpg?v=1569632993","url":"https:\/\/classicselectworld.com\/en-de\/products\/milestones-of-a-cello-legend-feuermann-emanuel","provider":"ClassicSelect World","version":"1.0","type":"link"}