{"product_id":"sir-charles-mackerras-the-complete-warner-classics-recordings-63-cds","title":"Sir Charles Mackerras: The Complete Warner Classics Recordings (63 CDs)","description":"\u003cp\u003eSir Charles Mackerras was a towering figure in the world of classical music - renowned for his versatility, meticulous scholarship, and electrifying performances as principal conductor of the English National Opera and a frequent guest conductor with leading orchestras and opera companies worldwide. Mackerras was particularly celebrated for bringing a revelatory freshness to familiar scores through his deep understanding of period performance practices and original manuscripts. This set covers a substantial part of his recorded legacy, ranging over half a century, from his debut on record in 1951 to his finest later recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACKLISTINGWITHWORLDtransparentbluebackground_3_480x480.png?v=1667855310\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Handel: Music For The Royal Fireworks \/ Concerto A Due Cori In F Major \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003eMusic For The Royal Fireworks, HWV 351\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eEnsemble – Wind Ensemble [Of Some 70 Unidentified Musicians]*\u003c\/div\u003e\n\u003cdiv\u003e1-1\u003cspan\u003e \u003c\/span\u003eI. Overture: Adagio - [Allegro] - Lentement - [Allegro]\u003cspan\u003e \u003c\/span\u003e10:06\u003c\/div\u003e\n\u003cdiv\u003e1-2\u003cspan\u003e \u003c\/span\u003eII. Bourée\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e1-3\u003cspan\u003e \u003c\/span\u003eIII. La Paix: Largo Alla Siciliana\u003cspan\u003e \u003c\/span\u003e4:17\u003c\/div\u003e\n\u003cdiv\u003e1-4\u003cspan\u003e \u003c\/span\u003eIV. La Rejouissance: Allegro\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e1-5\u003cspan\u003e \u003c\/span\u003eV. Minuet I -\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e1-6\u003cspan\u003e \u003c\/span\u003e__ Minuet II\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e1-7\u003cspan\u003e \u003c\/span\u003eV. Alt. Minuets I \u0026amp; II (With Fireworks And Cannon Effects)\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003eConcerto A Due Cori In F Major\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Georg Friedrich Händel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e1-8\u003cspan\u003e \u003c\/span\u003eI. Pomposo [HWV 333.1]\u003cspan\u003e \u003c\/span\u003e2:10\u003c\/div\u003e\n\u003cdiv\u003e1-9\u003cspan\u003e \u003c\/span\u003eII. Allegro [HWV 333.2]\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e1-10\u003cspan\u003e \u003c\/span\u003eIII. A Tempo Giusto [HWV 333.3]\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e1-11\u003cspan\u003e \u003c\/span\u003eIV. Largo [HWV 334.4]\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e1-12\u003cspan\u003e \u003c\/span\u003eV. Allegro Non Troppo [HWV 333.5]\u003cspan\u003e \u003c\/span\u003e3:50\u003c\/div\u003e\n\u003cdiv\u003e1-13\u003cspan\u003e \u003c\/span\u003eVI. Allegro Non Troppo [HWV 334.3]\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e1-14\u003cspan\u003e \u003c\/span\u003eVII. Andante Larghetto [HWV 334.6]\u003cspan\u003e \u003c\/span\u003e4:56\u003c\/div\u003e\n\u003cdiv\u003e1-15\u003cspan\u003e \u003c\/span\u003eVIII. Allegro [HWV 334.6]\u003cspan\u003e \u003c\/span\u003e2:04\u003c\/div\u003e\n\u003cdiv\u003eWater Music, Suite\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Hamilton Harty\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1-16\u003cspan\u003e \u003c\/span\u003eI. Allegro [HWV 348.3]\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003e1-17\u003cspan\u003e \u003c\/span\u003eIII. Bourrée [HWV 348.8]\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e1-18\u003cspan\u003e \u003c\/span\u003eIV. Hornpipe [HWV 348.9]\u003cspan\u003e \u003c\/span\u003e1:12\u003c\/div\u003e\n\u003cdiv\u003e1-19\u003cspan\u003e \u003c\/span\u003eIV. Allegro Deciso [Alla Hornpipe] [HWV 349.2]\u003cspan\u003e \u003c\/span\u003e3:26\u003c\/div\u003e\n\u003cdiv\u003eBerenice, HWV 38\u003c\/div\u003e\n\u003cdiv\u003eArranged By – William G. Whittaker*\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1-20\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e4:46\u003c\/div\u003e\n\u003cdiv\u003e1-21\u003cspan\u003e \u003c\/span\u003ePrince Of Denmark's March \"Trumpet Voluntary\"\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Henry Wood\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Jeremiah Clarke\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – George Eskdale\u003c\/div\u003e\n\u003cdiv\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e1-22\u003cspan\u003e \u003c\/span\u003eFanfare For \"God Save The King\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gordon Jacob\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e0:42\u003c\/div\u003e\n\u003cdiv\u003e1-23\u003cspan\u003e \u003c\/span\u003eGod Save The King\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003eHandel: Messiah In Basil Lam's Edition, Based on Handel's Own Performances\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMessiah, HWV 56\u003c\/div\u003e\n\u003cdiv\u003eBass Vocals – Raimund Herincx\u003c\/div\u003e\n\u003cdiv\u003eBasso Continuo [Cello] – Keith Harvey\u003c\/div\u003e\n\u003cdiv\u003eBasso Continuo [Double Bass] – Adrian Beers\u003c\/div\u003e\n\u003cdiv\u003eBasso Continuo [Harpsichord] – Maurits Sillem\u003c\/div\u003e\n\u003cdiv\u003eBasso Continuo [Organ] – Alan Harverson\u003c\/div\u003e\n\u003cdiv\u003eChorus – Ambrosian Singers*\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – John McCarthy\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eContralto Vocals – Dame Janet Baker*\u003c\/div\u003e\n\u003cdiv\u003eLeader – Emanuel Hurwitz\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Basil Lam\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Elizabeth Harwood\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Robert Tear\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – Philip Jones\u003c\/div\u003e\n\u003cdiv\u003e(2:35:09)\u003c\/div\u003e\n\u003cdiv\u003e2-1 -- 2-22\u003cspan\u003e \u003c\/span\u003ePart The First\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e2-23 -- 3-20\u003cspan\u003e \u003c\/span\u003ePart the Second\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e3-21 -- 3-33\u003cspan\u003e \u003c\/span\u003ePart the Third\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eHandel: Music For The Royal Fireworks\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMusic For The Royal Fireworks, HWV 351 (In The Original Version For Wind Band)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e4-1\u003cspan\u003e \u003c\/span\u003eI. Overture: Adagio - [Allegro] - Lentement - [Allegro]\u003cspan\u003e \u003c\/span\u003e12:50\u003c\/div\u003e\n\u003cdiv\u003e4-2\u003cspan\u003e \u003c\/span\u003eII. Bourrée\u003cspan\u003e \u003c\/span\u003e1:40\u003c\/div\u003e\n\u003cdiv\u003e4-3\u003cspan\u003e \u003c\/span\u003eIII. La Paix: Largo Alla Siciliana\u003cspan\u003e \u003c\/span\u003e4:05\u003c\/div\u003e\n\u003cdiv\u003e4-4\u003cspan\u003e \u003c\/span\u003eIV. La Rejouissance: Allegro\u003cspan\u003e \u003c\/span\u003e3:07\u003c\/div\u003e\n\u003cdiv\u003e4-5\u003cspan\u003e \u003c\/span\u003eV. Minuet I -\u003cspan\u003e \u003c\/span\u003e1:22\u003c\/div\u003e\n\u003cdiv\u003e4-6\u003cspan\u003e \u003c\/span\u003e__ Minuet II\u003cspan\u003e \u003c\/span\u003e2:53\u003c\/div\u003e\n\u003cdiv\u003eConcerto A Due Cori No. 2 In F Major, HWV 333\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e4-7\u003cspan\u003e \u003c\/span\u003eI. Pomposo\u003cspan\u003e \u003c\/span\u003e1:52\u003c\/div\u003e\n\u003cdiv\u003e4-8\u003cspan\u003e \u003c\/span\u003eII Allegro\u003cspan\u003e \u003c\/span\u003e2:10\u003c\/div\u003e\n\u003cdiv\u003e4-9\u003cspan\u003e \u003c\/span\u003eIII. A Tempo Giusto\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e4-10\u003cspan\u003e \u003c\/span\u003eIV. Largo\u003cspan\u003e \u003c\/span\u003e2:30\u003c\/div\u003e\n\u003cdiv\u003e4-11\u003cspan\u003e \u003c\/span\u003eV. Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003e4-12\u003cspan\u003e \u003c\/span\u003eVI. A Tempo Ordinario\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003eConcerto Grosso In F Major, HWV 335b\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Georg Friedrich Händel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e4-13\u003cspan\u003e \u003c\/span\u003eI. Largo\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e4-14\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003eConcerto Grosso In D Major, HWV 335a\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e4-15\u003cspan\u003e \u003c\/span\u003eI. Largo\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e4-16\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e4-17\u003cspan\u003e \u003c\/span\u003eIII. Air\u003cspan\u003e \u003c\/span\u003e1:26\u003c\/div\u003e\n\u003cdiv\u003e4-18\u003cspan\u003e \u003c\/span\u003eIV. Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003eWater Music: Suite No. 1 In F Major, HWV 348\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5-1\u003cspan\u003e \u003c\/span\u003eI. Overture\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003e5-2\u003cspan\u003e \u003c\/span\u003eII. Adagio E Staccato\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e5-3\u003cspan\u003e \u003c\/span\u003eIII.\u003cspan\u003e \u003c\/span\u003e2:32\u003c\/div\u003e\n\u003cdiv\u003e5-4\u003cspan\u003e \u003c\/span\u003eIV. Andante\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e5-5\u003cspan\u003e \u003c\/span\u003e(Da Capo)\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e5-6\u003cspan\u003e \u003c\/span\u003eV. Minuet\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e5-7\u003cspan\u003e \u003c\/span\u003eVI. Air\u003cspan\u003e \u003c\/span\u003e3:53\u003c\/div\u003e\n\u003cdiv\u003e5-8\u003cspan\u003e \u003c\/span\u003eVII. Minuet\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e5-9\u003cspan\u003e \u003c\/span\u003eVIII. Bourrée\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e5-10\u003cspan\u003e \u003c\/span\u003eIX. Hornpipe\u003cspan\u003e \u003c\/span\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e5-11\u003cspan\u003e \u003c\/span\u003eX.\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003eWater Music: Suite No. 3 In G Major, HWV 350\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5-12\u003cspan\u003e \u003c\/span\u003eXVI.\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e5-13\u003cspan\u003e \u003c\/span\u003eXVII. Rigaudon - Presto\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e5-14\u003cspan\u003e \u003c\/span\u003eXVIII.\u003cspan\u003e \u003c\/span\u003e0:52\u003c\/div\u003e\n\u003cdiv\u003e5-15\u003cspan\u003e \u003c\/span\u003eXVII. (Da Capo)\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e5-16\u003cspan\u003e \u003c\/span\u003eXIX. Menuet II\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e5-17\u003cspan\u003e \u003c\/span\u003eXX.\u003cspan\u003e \u003c\/span\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e5-18\u003cspan\u003e \u003c\/span\u003eXXI.\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e5-19\u003cspan\u003e \u003c\/span\u003eXXII.\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e5-20\u003cspan\u003e \u003c\/span\u003eXXI. (Da Capo)\u003cspan\u003e \u003c\/span\u003e0:31\u003c\/div\u003e\n\u003cdiv\u003eWater Music: Suite No. 2 In D Major, HWV 349\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5-21\u003cspan\u003e \u003c\/span\u003eXI.\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e5-22\u003cspan\u003e \u003c\/span\u003eXII. Alla Hornpipe\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e5-23\u003cspan\u003e \u003c\/span\u003eXIII. Minuet\u003cspan\u003e \u003c\/span\u003e1:16\u003c\/div\u003e\n\u003cdiv\u003e5-24\u003cspan\u003e \u003c\/span\u003eXIV. Lentement\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e5-25\u003cspan\u003e \u003c\/span\u003eXV. Bourrée\u003cspan\u003e \u003c\/span\u003e1:10\u003c\/div\u003e\n\u003cdiv\u003e5-26\u003cspan\u003e \u003c\/span\u003eXIII. (Da Capo)\u003cspan\u003e \u003c\/span\u003e1:17\u003c\/div\u003e\n\u003cdiv\u003eHandel: Concerti Grossi Op. 3\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eNo. 1 In B-flat Major, HWV 312\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6-1\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e6-2\u003cspan\u003e \u003c\/span\u003eII. Largo\u003cspan\u003e \u003c\/span\u003e4:41\u003c\/div\u003e\n\u003cdiv\u003e6-3\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e1:37\u003c\/div\u003e\n\u003cdiv\u003eNo. 2 In B-flat Major, HWV 313\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6-4\u003cspan\u003e \u003c\/span\u003eI. Vivace\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e6-5\u003cspan\u003e \u003c\/span\u003eII. Largo\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e6-6\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e6-7\u003cspan\u003e \u003c\/span\u003eIV. Moderato\u003cspan\u003e \u003c\/span\u003e1:46\u003c\/div\u003e\n\u003cdiv\u003e6-8\u003cspan\u003e \u003c\/span\u003eV. Allegro\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003eNo. 3 In G Major, HWV 314\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6-9\u003cspan\u003e \u003c\/span\u003eI. Larghetto E Staccato - Allegro\u003cspan\u003e \u003c\/span\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003e6-10\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e1:05\u003c\/div\u003e\n\u003cdiv\u003e6-11\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003eNo. 4 In F Major, HWV 315\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6-12\u003cspan\u003e \u003c\/span\u003eI. Andante - Allegro\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e6-13\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e2:22\u003c\/div\u003e\n\u003cdiv\u003e6-14\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e6-15\u003cspan\u003e \u003c\/span\u003eIV. Minuetto\u003cspan\u003e \u003c\/span\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003eNo. 5 In D Minor, HWV 316\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6-16\u003cspan\u003e \u003c\/span\u003eI. Largo\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e6-17\u003cspan\u003e \u003c\/span\u003eII. Fuga, Allegro\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e6-18\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e6-19\u003cspan\u003e \u003c\/span\u003eIV. Allegro, Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e1:46\u003c\/div\u003e\n\u003cdiv\u003e6-20\u003cspan\u003e \u003c\/span\u003eV. Allegro\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003eNo. 6 In D Major, HWV 317\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Prague Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6-21\u003cspan\u003e \u003c\/span\u003eI. Vivace\u003cspan\u003e \u003c\/span\u003e3:07\u003c\/div\u003e\n\u003cdiv\u003e6-22\u003cspan\u003e \u003c\/span\u003eII. Allegro\u003cspan\u003e \u003c\/span\u003e3:56\u003c\/div\u003e\n\u003cdiv\u003eMaurice André: Trumpet Concertos By Albinoni, Handel, Telemann, Hertel\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Trumpet In D Minor, After Recorder Sonata In D Minor, HWV 367a\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Frideric Handel*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor [Reconstituted And Orchestrated By] – Jean Thilde\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – Maurice André\u003c\/div\u003e\n\u003cdiv\u003e7-1\u003cspan\u003e \u003c\/span\u003eI. Largo\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e7-2\u003cspan\u003e \u003c\/span\u003eII. Vivace\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e7-3\u003cspan\u003e \u003c\/span\u003eIII. Furioso\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e7-4\u003cspan\u003e \u003c\/span\u003eIV. Adagio\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e7-5\u003cspan\u003e \u003c\/span\u003eV. Alla Breve\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003eTrumpet Concerto In B-flat Major, Op. 7 No. 3\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Bernhard Paumgartner\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tomaso Albinoni\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – Maurice André\u003c\/div\u003e\n\u003cdiv\u003e7-6\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e7-7\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e7-8\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003eTrumpet Concerto In D Major, Op 7 No. 6\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Bernhard Paumgartner\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Tomaso Albinoni\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – Maurice André\u003c\/div\u003e\n\u003cdiv\u003e7-9\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e7-10\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e7-11\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003eConcerto For 2 Oboes \u0026amp; Trumpet In D Major, TWV 53:D2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Georg Philipp Telemann\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor – Hermann Töttcher, Karl Grebe\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – Maurice André\u003c\/div\u003e\n\u003cdiv\u003e7-12\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e3:24\u003c\/div\u003e\n\u003cdiv\u003e7-13\u003cspan\u003e \u003c\/span\u003eII. Grave\u003cspan\u003e \u003c\/span\u003e1:04\u003c\/div\u003e\n\u003cdiv\u003e7-14\u003cspan\u003e \u003c\/span\u003eIII. Aria -\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e7-15\u003cspan\u003e \u003c\/span\u003e__ [Grave]\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e7-16\u003cspan\u003e \u003c\/span\u003eIV. Vivace\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003eTrumpet Concerto No. 1 In E-flat Major\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Wilhelm Hertel\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eTrumpet – Maurice André\u003c\/div\u003e\n\u003cdiv\u003e7-17\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e4:56\u003c\/div\u003e\n\u003cdiv\u003e7-18\u003cspan\u003e \u003c\/span\u003eII. Larghetto\u003cspan\u003e \u003c\/span\u003e4:35\u003c\/div\u003e\n\u003cdiv\u003e7-19\u003cspan\u003e \u003c\/span\u003eIII. Vivace\u003cspan\u003e \u003c\/span\u003e3:49\u003c\/div\u003e\n\u003cdiv\u003eGolden Guinea Collector Series: Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e8-1\u003cspan\u003e \u003c\/span\u003eMarch No. 1 In C Major K. 408\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003eDivertimento No 1 In E-flat Major, K. 113\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e8-2\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e4:26\u003c\/div\u003e\n\u003cdiv\u003e8-3\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e4:17\u003c\/div\u003e\n\u003cdiv\u003e8-4\u003cspan\u003e \u003c\/span\u003eIII. Menuetto\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e8-5\u003cspan\u003e \u003c\/span\u003eIV. Allegro\u003cspan\u003e \u003c\/span\u003e3:26\u003c\/div\u003e\n\u003cdiv\u003e6 German Dances, K. 600\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e8-6\u003cspan\u003e \u003c\/span\u003eI. No. 1 In C Major\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e8-7\u003cspan\u003e \u003c\/span\u003eII. No. 2 In F Major\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e8-8\u003cspan\u003e \u003c\/span\u003eIII. No. 3 In B-flat Major\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e8-9\u003cspan\u003e \u003c\/span\u003eIV. No. 4 In E-flat Major\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e8-10\u003cspan\u003e \u003c\/span\u003eV. No. 5 In G Major\u003cspan\u003e \u003c\/span\u003e1:42\u003c\/div\u003e\n\u003cdiv\u003e8-11\u003cspan\u003e \u003c\/span\u003eVI. No. 6 In D Major\u003cspan\u003e \u003c\/span\u003e1:59\u003c\/div\u003e\n\u003cdiv\u003e2 Minuets, K. 604\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e8-12\u003cspan\u003e \u003c\/span\u003eNo. 1 In B-flat Major\u003cspan\u003e \u003c\/span\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e8-13\u003cspan\u003e \u003c\/span\u003eNo. 2 In E-flat Major\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003eLes Petits Riens, Ballet-pantomime, K. Anh. 10\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e8-14\u003cspan\u003e \u003c\/span\u003eOuverture\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e8-15\u003cspan\u003e \u003c\/span\u003eI. Largo\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e8-16\u003cspan\u003e \u003c\/span\u003eII. Gavotte\u003cspan\u003e \u003c\/span\u003e0:33\u003c\/div\u003e\n\u003cdiv\u003e8-17\u003cspan\u003e \u003c\/span\u003eIII. Andantino\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e8-18\u003cspan\u003e \u003c\/span\u003eIV. Allegro\u003cspan\u003e \u003c\/span\u003e0:10\u003c\/div\u003e\n\u003cdiv\u003e8-19\u003cspan\u003e \u003c\/span\u003eV. Larghetto\u003cspan\u003e \u003c\/span\u003e1:15\u003c\/div\u003e\n\u003cdiv\u003e8-20\u003cspan\u003e \u003c\/span\u003eVI. Gavotte Joyeuse\u003cspan\u003e \u003c\/span\u003e1:21\u003c\/div\u003e\n\u003cdiv\u003e8-21\u003cspan\u003e \u003c\/span\u003eVII. Adagio\u003cspan\u003e \u003c\/span\u003e1:21\u003c\/div\u003e\n\u003cdiv\u003e8-22\u003cspan\u003e \u003c\/span\u003eVIII. Gigue: Presto\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e8-23\u003cspan\u003e \u003c\/span\u003eIX. Gavotte Gracieuse\u003cspan\u003e \u003c\/span\u003e1:01\u003c\/div\u003e\n\u003cdiv\u003e8-24\u003cspan\u003e \u003c\/span\u003eX. Pantomime\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e8-25\u003cspan\u003e \u003c\/span\u003eXI. Passepied\u003cspan\u003e \u003c\/span\u003e0:27\u003c\/div\u003e\n\u003cdiv\u003e8-26\u003cspan\u003e \u003c\/span\u003eXII. Gavotte\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e8-27\u003cspan\u003e \u003c\/span\u003eXIII. Andante\u003cspan\u003e \u003c\/span\u003e1:55\u003c\/div\u003e\n\u003cdiv\u003e8-28\u003cspan\u003e \u003c\/span\u003eMarch No. 2 In D Major, K. 408\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003eMozart: Piano Concerto No.20 \/ Piano Concert No.23\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePiano Concerto No. 20 In D Minor, K. 466\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Allan Schiller\u003c\/div\u003e\n\u003cdiv\u003e9-1\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003c\/div\u003e\n\u003cdiv\u003eCadenza – Beethoven*\u003c\/div\u003e\n\u003cdiv\u003e14:34\u003c\/div\u003e\n\u003cdiv\u003e9-2\u003cspan\u003e \u003c\/span\u003eII. Romance\u003cspan\u003e \u003c\/span\u003e8:26\u003c\/div\u003e\n\u003cdiv\u003e9-3\u003cspan\u003e \u003c\/span\u003eIII. Rondo: Allegro Assai\u003c\/div\u003e\n\u003cdiv\u003eCadenza – Beethoven*\u003c\/div\u003e\n\u003cdiv\u003e7:46\u003c\/div\u003e\n\u003cdiv\u003ePiano Concerto No. 23 In A Major, K. 488\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Allan Schiller\u003c\/div\u003e\n\u003cdiv\u003e9-4\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003c\/div\u003e\n\u003cdiv\u003eCadenza – Mozart*\u003c\/div\u003e\n\u003cdiv\u003e11:06\u003c\/div\u003e\n\u003cdiv\u003e9-5\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e7:00\u003c\/div\u003e\n\u003cdiv\u003e9-6\u003cspan\u003e \u003c\/span\u003eIII. Allegro Assai\u003cspan\u003e \u003c\/span\u003e7:58\u003c\/div\u003e\n\u003cdiv\u003eMozart: Symphony No.38 In D 'Prague' \/ Symphony No.36 In C 'Linz'\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 36 In C Major, K. 425 \"Linz\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e10-1\u003cspan\u003e \u003c\/span\u003eI. Adagio - Allegro Spiritoso\u003cspan\u003e \u003c\/span\u003e11:21\u003c\/div\u003e\n\u003cdiv\u003e10-2\u003cspan\u003e \u003c\/span\u003eII. Poco Adagio\u003cspan\u003e \u003c\/span\u003e7:34\u003c\/div\u003e\n\u003cdiv\u003e10-3\u003cspan\u003e \u003c\/span\u003eIII. Menuetto\u003cspan\u003e \u003c\/span\u003e3:26\u003c\/div\u003e\n\u003cdiv\u003e10-4\u003cspan\u003e \u003c\/span\u003eIV. Presto\u003cspan\u003e \u003c\/span\u003e10:52\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 38 In D Major, K. 504 \"Prague\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e10-5\u003cspan\u003e \u003c\/span\u003eI. Adagio - Allegro\u003cspan\u003e \u003c\/span\u003e14:11\u003c\/div\u003e\n\u003cdiv\u003e10-6\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e9:53\u003c\/div\u003e\n\u003cdiv\u003e10-7\u003cspan\u003e \u003c\/span\u003eIII. Finale: Presto\u003cspan\u003e \u003c\/span\u003e7:36\u003c\/div\u003e\n\u003cdiv\u003eMozart: Symphony No.40 \/ Symphony No.41\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 40 In G Minor, K. 550\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e11-1\u003cspan\u003e \u003c\/span\u003eI. Molto Allegro\u003cspan\u003e \u003c\/span\u003e7:51\u003c\/div\u003e\n\u003cdiv\u003e11-2\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e8:05\u003c\/div\u003e\n\u003cdiv\u003e11-3\u003cspan\u003e \u003c\/span\u003eIII. Menuetto: Allegretto\u003cspan\u003e \u003c\/span\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003e11-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro Assai\u003cspan\u003e \u003c\/span\u003e9:28\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 41 In C Major, K. 551 \"Jupiter\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e11-5\u003cspan\u003e \u003c\/span\u003eI. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e8:55\u003c\/div\u003e\n\u003cdiv\u003e11-6\u003cspan\u003e \u003c\/span\u003eII. Andante Cantabile\u003cspan\u003e \u003c\/span\u003e9:20\u003c\/div\u003e\n\u003cdiv\u003e11-7\u003cspan\u003e \u003c\/span\u003eIII. Menuetto: Allegretto\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e11-8\u003cspan\u003e \u003c\/span\u003eIV. Molto Allegro\u003cspan\u003e \u003c\/span\u003e6:18\u003c\/div\u003e\n\u003cdiv\u003eMozart: Flute Concerto In G Major \/ Sinfonia Concertante\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSinfonia Concertante In E-flat Major, K. 297b For Oboe, Clarinet, Horn, Bassoon \u0026amp; Orchestra\u003c\/div\u003e\n\u003cdiv\u003eBassoon – John Price (4)\u003c\/div\u003e\n\u003cdiv\u003eClarinet – Robert Hill (6)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eHorn – Nicholas Busch\u003c\/div\u003e\n\u003cdiv\u003eOboe – David Theodore\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e12-1\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e12:47\u003c\/div\u003e\n\u003cdiv\u003e12-2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e7:44\u003c\/div\u003e\n\u003cdiv\u003e12-3\u003cspan\u003e \u003c\/span\u003eIII. Andantino Con Variazioni\u003cspan\u003e \u003c\/span\u003e8:59\u003c\/div\u003e\n\u003cdiv\u003eFlute Concerto No. 1 In G Major, k. 313\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eFlute – Jonathan Snowden\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e12-4\u003cspan\u003e \u003c\/span\u003eI. Allegro Maestoso\u003cspan\u003e \u003c\/span\u003e8:22\u003c\/div\u003e\n\u003cdiv\u003e12-5\u003cspan\u003e \u003c\/span\u003eII. Adagio Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e9:46\u003c\/div\u003e\n\u003cdiv\u003e12-6\u003cspan\u003e \u003c\/span\u003eIII. Rondo: Tempo Di Menuetto\u003cspan\u003e \u003c\/span\u003e7:17\u003c\/div\u003e\n\u003cdiv\u003eBarbara Frittoli: Mozart\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eCosi Fan Tutte, Opera Buffa, k. 588\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Barbara Frittoli\u003c\/div\u003e\n\u003cdiv\u003e13-1\u003cspan\u003e \u003c\/span\u003e\"Temerari, Sortiete ... Come Scoglio\" Fiordiligi\u003cspan\u003e \u003c\/span\u003e6:12\u003c\/div\u003e\n\u003cdiv\u003e13-2\u003cspan\u003e \u003c\/span\u003e\"Ei Parte ... Per Pieta\" Fiordiligi\u003cspan\u003e \u003c\/span\u003e9:50\u003c\/div\u003e\n\u003cdiv\u003eLe Nozze Di Figaro, Opera Buffa, K. 492\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Barbara Frittoli\u003c\/div\u003e\n\u003cdiv\u003e13-3\u003cspan\u003e \u003c\/span\u003e\"Porgi, amor\" Contessa\u003cspan\u003e \u003c\/span\u003e3:57\u003c\/div\u003e\n\u003cdiv\u003e13-4\u003cspan\u003e \u003c\/span\u003e\"E Susanna Non Vien! ... Dove Sono\" Contessa\u003cspan\u003e \u003c\/span\u003e6:39\u003c\/div\u003e\n\u003cdiv\u003eIdomeneo, Re Di Creta, Opera Seria, K. 366\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Barbara Frittoli\u003c\/div\u003e\n\u003cdiv\u003e13-5\u003cspan\u003e \u003c\/span\u003e\"O Smania! Oh Furie! ... D'Oreste, D'Alace\" Elettra\u003cspan\u003e \u003c\/span\u003e4:07\u003c\/div\u003e\n\u003cdiv\u003eDon Giovanni, Dramma Giocoso, K. 527\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Barbara Frittoli\u003c\/div\u003e\n\u003cdiv\u003e13-6\u003cspan\u003e \u003c\/span\u003e\"In Quali Eccessi, O Numi ... Mi Tradi Quell'alma Ingrata\" Donna Elvira\u003cspan\u003e \u003c\/span\u003e6:04\u003c\/div\u003e\n\u003cdiv\u003e13-7\u003cspan\u003e \u003c\/span\u003e\"Crudele! ... Non Mi Dir\" Donna Anna\u003cspan\u003e \u003c\/span\u003e7:06\u003c\/div\u003e\n\u003cdiv\u003e13-8\u003cspan\u003e \u003c\/span\u003e\"Bella Mia Fiamma, Addio!\", Concert Aria, K. 528\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Barbara Frittoli\u003c\/div\u003e\n\u003cdiv\u003e10:50\u003c\/div\u003e\n\u003cdiv\u003eMozart: Idomeneo\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIdomeneo, Re Di Creta, Opera Seria, K. 366\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [La Voce] – John Relyea\u003c\/div\u003e\n\u003cdiv\u003eBasso Continuo [Cello] – Ursula Smith (2)\u003c\/div\u003e\n\u003cdiv\u003eBasso Continuo [Harpsichord] – Ian Page (3)\u003c\/div\u003e\n\u003cdiv\u003eChorus – Edinburgh Festival Chorus\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – David Jones (18)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giambattista Varesco*\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals [Idamante] – Lorraine Hunt Lieberson\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Elettra] – Barbara Frittoli\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Ilia] – Lisa Milne\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Arbace] – Anthony Rolfe Johnson\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Gran Sacerdote] – Paul Charles Clarke\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals [Idomeneo] – Ian Bostridge\u003c\/div\u003e\n\u003cdiv\u003e14-1 -- 14-26\u003cspan\u003e \u003c\/span\u003eSinfonia \/ Act 1 \/ Act 2 (Beginning)\u003cspan\u003e \u003c\/span\u003e1:18:30\u003c\/div\u003e\n\u003cdiv\u003e15-1 -- 15-24\u003cspan\u003e \u003c\/span\u003eAct 2 (Conclusion) \/ Act 3 (Beginning)\u003cspan\u003e \u003c\/span\u003e1:08:35\u003c\/div\u003e\n\u003cdiv\u003e16-1 -- 16-13\u003cspan\u003e \u003c\/span\u003eAct 3 (Conclusion)\u003cspan\u003e \u003c\/span\u003e51:29\u003c\/div\u003e\n\u003cdiv\u003eBallet Music, K. 367\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Scottish Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e16-14\u003cspan\u003e \u003c\/span\u003eChaconne: Allegro\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003e16-15\u003cspan\u003e \u003c\/span\u003eLarghetto\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e16-16\u003cspan\u003e \u003c\/span\u003eLa Chaconne, Qui Reprend: Allegro\u003cspan\u003e \u003c\/span\u003e2:46\u003c\/div\u003e\n\u003cdiv\u003e16-17\u003cspan\u003e \u003c\/span\u003ePas Seul: Largo\u003cspan\u003e \u003c\/span\u003e4:27\u003c\/div\u003e\n\u003cdiv\u003e16-18\u003cspan\u003e \u003c\/span\u003eAppendix: Ballo Delle Donne Cretesi (Gavotte)\u003cspan\u003e \u003c\/span\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003eBeethoven Symphonies No. 1 \u0026amp; No. 3 \"Eroica\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 1 In C Major, Op. 21\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e17-1\u003cspan\u003e \u003c\/span\u003eI. Adagio Molto - Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e8:26\u003c\/div\u003e\n\u003cdiv\u003e17-2\u003cspan\u003e \u003c\/span\u003eII. Andante Cantabile Con Moto\u003cspan\u003e \u003c\/span\u003e7:02\u003c\/div\u003e\n\u003cdiv\u003e17-3\u003cspan\u003e \u003c\/span\u003eIII. Menuetto: Allegro Molto E Vivace\u003cspan\u003e \u003c\/span\u003e3:49\u003c\/div\u003e\n\u003cdiv\u003e17-4\u003cspan\u003e \u003c\/span\u003eIV. Adagio - Allegro Molto E Vivace\u003cspan\u003e \u003c\/span\u003e5:44\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 3 In E-flat Major, Op. 55 \"Eroica\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e17-5\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e15:38\u003c\/div\u003e\n\u003cdiv\u003e17-6\u003cspan\u003e \u003c\/span\u003eII. Marcia Funebre: Adagio Assai\u003cspan\u003e \u003c\/span\u003e12:59\u003c\/div\u003e\n\u003cdiv\u003e17-7\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:19\u003c\/div\u003e\n\u003cdiv\u003e17-8\u003cspan\u003e \u003c\/span\u003eIV. Finale: Allegro Molto\u003cspan\u003e \u003c\/span\u003e10:42\u003c\/div\u003e\n\u003cdiv\u003eBeethoven Symphonies Nos. 2 \u0026amp; 8\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 2 In D Major, Op. 36\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e18-1\u003cspan\u003e \u003c\/span\u003eI. Adagio Molto - Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e11:41\u003c\/div\u003e\n\u003cdiv\u003e18-2\u003cspan\u003e \u003c\/span\u003eII. Larghetto\u003cspan\u003e \u003c\/span\u003e9:49\u003c\/div\u003e\n\u003cdiv\u003e18-3\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Allegro\u003cspan\u003e \u003c\/span\u003e4:20\u003c\/div\u003e\n\u003cdiv\u003e18-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro Molto\u003cspan\u003e \u003c\/span\u003e6:10\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 8 In F Major, Op. 93\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e18-5\u003cspan\u003e \u003c\/span\u003eI. Allegro Vivace E Con Brio\u003cspan\u003e \u003c\/span\u003e8:35\u003c\/div\u003e\n\u003cdiv\u003e18-6\u003cspan\u003e \u003c\/span\u003eII. Allegretto Scherzando\u003cspan\u003e \u003c\/span\u003e3:40\u003c\/div\u003e\n\u003cdiv\u003e18-7\u003cspan\u003e \u003c\/span\u003eIII. Tempo Di Menuetto\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e18-8\u003cspan\u003e \u003c\/span\u003eIV. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e7:07\u003c\/div\u003e\n\u003cdiv\u003eBeethoven: Symphony No.4 \/ Symphony No.6 'Pastoral'\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 4 In B-flat Major, Op. 60\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e19-1\u003cspan\u003e \u003c\/span\u003eI. Adagio - Allegro Vivace\u003cspan\u003e \u003c\/span\u003e10:51\u003c\/div\u003e\n\u003cdiv\u003e19-2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e8:28\u003c\/div\u003e\n\u003cdiv\u003e19-3\u003cspan\u003e \u003c\/span\u003eIII. Menuetto: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e19-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e6:32\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 6 In F Major, Op. 68 \"Pastoral\"\u003c\/div\u003e\n\u003cdiv\u003eAutomatic Orchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003e19-5\u003cspan\u003e \u003c\/span\u003eI. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande: Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e11:18\u003c\/div\u003e\n\u003cdiv\u003e19-6\u003cspan\u003e \u003c\/span\u003eII. Szene Am Bach: Andante Molto Moto\u003cspan\u003e \u003c\/span\u003e11:13\u003c\/div\u003e\n\u003cdiv\u003e19-7\u003cspan\u003e \u003c\/span\u003eIII. Lustiges Zusammensein Der Landleute: Allegro -\u003cspan\u003e \u003c\/span\u003e4:47\u003c\/div\u003e\n\u003cdiv\u003e19-8\u003cspan\u003e \u003c\/span\u003eIV. Gewitter, Sturm: Allegro -\u003cspan\u003e \u003c\/span\u003e3:19\u003c\/div\u003e\n\u003cdiv\u003e19-9\u003cspan\u003e \u003c\/span\u003eV. Hirtengesang. Frohe Und Danbare Gefühle Nach Dem Sturm: Allegretto\u003cspan\u003e \u003c\/span\u003e8:47\u003c\/div\u003e\n\u003cdiv\u003eBeethoven Symphonies No.5 \u0026amp; No.7\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 5 In C Minor, Op. 67\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e20-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e6:41\u003c\/div\u003e\n\u003cdiv\u003e20-2\u003cspan\u003e \u003c\/span\u003eII. Andante Con Moto\u003cspan\u003e \u003c\/span\u003e8:44\u003c\/div\u003e\n\u003cdiv\u003e20-3\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Allegro -\u003cspan\u003e \u003c\/span\u003e4:45\u003c\/div\u003e\n\u003cdiv\u003e20-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro - Presto\u003cspan\u003e \u003c\/span\u003e10:19\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 7 In A Major, Op. 92\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e20-5\u003cspan\u003e \u003c\/span\u003eI. Poco Sostenuto - Vivace\u003cspan\u003e \u003c\/span\u003e12:40\u003c\/div\u003e\n\u003cdiv\u003e20-6\u003cspan\u003e \u003c\/span\u003eII. Allegretto\u003cspan\u003e \u003c\/span\u003e7:57\u003c\/div\u003e\n\u003cdiv\u003e20-7\u003cspan\u003e \u003c\/span\u003eIII. Presto - Assai Meno Presto\u003cspan\u003e \u003c\/span\u003e8:07\u003c\/div\u003e\n\u003cdiv\u003e20-8\u003cspan\u003e \u003c\/span\u003eIV. Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e8:34\u003c\/div\u003e\n\u003cdiv\u003eBeethoven Symphony No. 9 'Choral'\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 9 In D Minor, Op. 125 \"Choral\"\u003c\/div\u003e\n\u003cdiv\u003eAlto Vocals – Della Jones\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals – Bryn Terfel\u003c\/div\u003e\n\u003cdiv\u003eChorus – Royal Liverpool Philharmonic Choir\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Ian Tracey\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Joan Rodgers\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Peter Bronder\u003c\/div\u003e\n\u003cdiv\u003eText By – Friedrich Schiller\u003c\/div\u003e\n\u003cdiv\u003e(1:01:01)\u003c\/div\u003e\n\u003cdiv\u003e21-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Ma Non Troppo, Un Poco Maestoso\u003cspan\u003e \u003c\/span\u003e13:50\u003c\/div\u003e\n\u003cdiv\u003e21-2\u003cspan\u003e \u003c\/span\u003eII. Molto Vivace - Presto\u003cspan\u003e \u003c\/span\u003e13:41\u003c\/div\u003e\n\u003cdiv\u003e21-3\u003cspan\u003e \u003c\/span\u003eIII. Adagio Molto E Cantabile - Andante Moderato\u003cspan\u003e \u003c\/span\u003e11:55\u003c\/div\u003e\n\u003cdiv\u003e21-4\u003cspan\u003e \u003c\/span\u003eIV. Presto - Allegro Assai -\u003cspan\u003e \u003c\/span\u003e5:29\u003c\/div\u003e\n\u003cdiv\u003e21-5\u003cspan\u003e \u003c\/span\u003ePresto - Recitativo - Allegro Assai -\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e21-6\u003cspan\u003e \u003c\/span\u003eAlla Marcia: Allegro Assai Vivace -\u003cspan\u003e \u003c\/span\u003e3:51\u003c\/div\u003e\n\u003cdiv\u003e21-7\u003cspan\u003e \u003c\/span\u003eAndante Maestoso - Adagio Ma Non Troppo, Ma Divoto -\u003cspan\u003e \u003c\/span\u003e3:14\u003c\/div\u003e\n\u003cdiv\u003e21-8\u003cspan\u003e \u003c\/span\u003eAllegro Energico E Sempre Ben Marcato -\u003cspan\u003e \u003c\/span\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e21-9\u003cspan\u003e \u003c\/span\u003eAllegro Ma Non Tanto -\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e21-10\u003cspan\u003e \u003c\/span\u003ePoco Allegro, Stringendo Il Tempo, Sempre Più Allegro -\u003cspan\u003e \u003c\/span\u003e0:07\u003c\/div\u003e\n\u003cdiv\u003e21-11\u003cspan\u003e \u003c\/span\u003ePresto -\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e21-12\u003cspan\u003e \u003c\/span\u003eMaestoso - Prestissimo\u003cspan\u003e \u003c\/span\u003e0:35\u003c\/div\u003e\n\u003cdiv\u003eBeethoven • Mendelssohn - Violin Concertos\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eViolin Concerto In D Major, Op. 61\u003c\/div\u003e\n\u003cdiv\u003eCadenza [Cadenzas By] – Monica Huggett\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ludwig van Beethoven\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003eViolin – Monica Huggett\u003c\/div\u003e\n\u003cdiv\u003e22-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e21:51\u003c\/div\u003e\n\u003cdiv\u003e22-2\u003cspan\u003e \u003c\/span\u003eII. Larghetto\u003cspan\u003e \u003c\/span\u003e7:58\u003c\/div\u003e\n\u003cdiv\u003e22-3\u003cspan\u003e \u003c\/span\u003eIII. Rondo: Allegro\u003cspan\u003e \u003c\/span\u003e9:06\u003c\/div\u003e\n\u003cdiv\u003eViolin Concerto In E Minor, Op. 64, MWV 0 14\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Felix Mendelssohn*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003eViolin – Monica Huggett\u003c\/div\u003e\n\u003cdiv\u003e22-4\u003cspan\u003e \u003c\/span\u003eI. Allegro Molto Appassionato\u003cspan\u003e \u003c\/span\u003e12:54\u003c\/div\u003e\n\u003cdiv\u003e22-5\u003cspan\u003e \u003c\/span\u003eII. Andante\u003cspan\u003e \u003c\/span\u003e7:14\u003c\/div\u003e\n\u003cdiv\u003e22-6\u003cspan\u003e \u003c\/span\u003eIII. Allegretto Non Troppo - Allegro Molto Vivace\u003cspan\u003e \u003c\/span\u003e7:03\u003c\/div\u003e\n\u003cdiv\u003eSchubert: Symphony No.5 \/ Symphony No.8\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 5 In B-flat Major, D.485\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Schubert\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e23-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e7:05\u003c\/div\u003e\n\u003cdiv\u003e23-2\u003cspan\u003e \u003c\/span\u003eII. Andante Con Moto\u003cspan\u003e \u003c\/span\u003e9:11\u003c\/div\u003e\n\u003cdiv\u003e23-3\u003cspan\u003e \u003c\/span\u003eIII. Menuetto: Allegro Molto - Trio\u003cspan\u003e \u003c\/span\u003e4:45\u003c\/div\u003e\n\u003cdiv\u003e23-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e7:56\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 8 In B Minor, D.759 \"Unfinished\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Schubert\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003eScore Editor [III \u0026amp; IV Completed By] – Brian Newbould\u003c\/div\u003e\n\u003cdiv\u003e23-5\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e13:32\u003c\/div\u003e\n\u003cdiv\u003e23-6\u003cspan\u003e \u003c\/span\u003eII. Andante Con Moto\u003cspan\u003e \u003c\/span\u003e10:28\u003c\/div\u003e\n\u003cdiv\u003e23-7\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e6:34\u003c\/div\u003e\n\u003cdiv\u003e23-8\u003cspan\u003e \u003c\/span\u003eIV. Allegro Molto Moderato\u003cspan\u003e \u003c\/span\u003e7:43\u003c\/div\u003e\n\u003cdiv\u003eRosamunde, Incidental Music, Op. 26, D.797\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Schubert\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e23-8\u003cspan\u003e \u003c\/span\u003eEntr'acte Music No.1\u003cspan\u003e \u003c\/span\u003e7:43\u003c\/div\u003e\n\u003cdiv\u003e23-9\u003cspan\u003e \u003c\/span\u003eBallet Music No. 2 In G Major\u003cspan\u003e \u003c\/span\u003e6:50\u003c\/div\u003e\n\u003cdiv\u003eSchubert: Sinfonie C-dur • Symphony No.9 In C Major 'Die Grosse' 'The Great' 'La Grande'\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 9 In C Major, D.944 \"The Great\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Franz Schubert\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e(59:30)\u003c\/div\u003e\n\u003cdiv\u003e24-1\u003cspan\u003e \u003c\/span\u003eI. Andante - Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e16:25\u003c\/div\u003e\n\u003cdiv\u003e24-2\u003cspan\u003e \u003c\/span\u003eII. Andante Con Moto\u003cspan\u003e \u003c\/span\u003e14:01\u003c\/div\u003e\n\u003cdiv\u003e24-3\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Allegro Vivace - Trio\u003cspan\u003e \u003c\/span\u003e13:40\u003c\/div\u003e\n\u003cdiv\u003e24-4\u003cspan\u003e \u003c\/span\u003eIV. Finale: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e15:23\u003c\/div\u003e\n\u003cdiv\u003eFavorite Ballet Music\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eWilliam Tell\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gioacchino Rossini\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e25-1\u003cspan\u003e \u003c\/span\u003eBallet Music\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Charles Godfrey (3)\u003c\/div\u003e\n\u003cdiv\u003e8:52\u003c\/div\u003e\n\u003cdiv\u003eSylvia, Ballet Suite\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Léo Delibes\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e25-2\u003cspan\u003e \u003c\/span\u003eI. Les Chasseresses\u003cspan\u003e \u003c\/span\u003e3:47\u003c\/div\u003e\n\u003cdiv\u003e25-3\u003cspan\u003e \u003c\/span\u003eII. Intermezzo Et Valse Lente\u003cspan\u003e \u003c\/span\u003e4:20\u003c\/div\u003e\n\u003cdiv\u003e25-4\u003cspan\u003e \u003c\/span\u003eIII. Pizzicati\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e25-5\u003cspan\u003e \u003c\/span\u003eIV. Cortège De Bacchus\u003cspan\u003e \u003c\/span\u003e5:59\u003c\/div\u003e\n\u003cdiv\u003eFaust: Ballet Music From Act 5\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Charles Gounod\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e25-6\u003cspan\u003e \u003c\/span\u003eI. Les Nubiennes\u003cspan\u003e \u003c\/span\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003e25-7\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e4:12\u003c\/div\u003e\n\u003cdiv\u003e25-8\u003cspan\u003e \u003c\/span\u003eIII. Danse Antique\u003cspan\u003e \u003c\/span\u003e1:31\u003c\/div\u003e\n\u003cdiv\u003e25-9\u003cspan\u003e \u003c\/span\u003eIV. Variations De Cléopâtre\u003cspan\u003e \u003c\/span\u003e1:39\u003c\/div\u003e\n\u003cdiv\u003e25-10\u003cspan\u003e \u003c\/span\u003eV. Les Troyens\u003cspan\u003e \u003c\/span\u003e2:30\u003c\/div\u003e\n\u003cdiv\u003e25-11\u003cspan\u003e \u003c\/span\u003eVI. Variations Du Miroir\u003cspan\u003e \u003c\/span\u003e1:52\u003c\/div\u003e\n\u003cdiv\u003e25-12\u003cspan\u003e \u003c\/span\u003eVII. Danse De Phryné\u003cspan\u003e \u003c\/span\u003e2:46\u003c\/div\u003e\n\u003cdiv\u003eCoppélia, Ballet Suite\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Léo Delibes\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e25-13\u003cspan\u003e \u003c\/span\u003eI. Prélude Et Mazurka\u003cspan\u003e \u003c\/span\u003e5:36\u003c\/div\u003e\n\u003cdiv\u003e25-14\u003cspan\u003e \u003c\/span\u003eII. Valse\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e25-15\u003cspan\u003e \u003c\/span\u003eIII. Czárdás\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003eBerlioz: \"La Damnation De Faust\" \/ \"Les Troyans\" \/ Overture \"Le Carnaval Romain\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLa Damnation De Faust, Légende Dramatique, Op. 24, H. 111\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Hector Berlioz\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-1\u003cspan\u003e \u003c\/span\u003eI. Marche Hongroise\u003cspan\u003e \u003c\/span\u003e4:53\u003c\/div\u003e\n\u003cdiv\u003e26-2\u003cspan\u003e \u003c\/span\u003eII. Ballet Des Sylphes\u003cspan\u003e \u003c\/span\u003e2:49\u003c\/div\u003e\n\u003cdiv\u003e26-3\u003cspan\u003e \u003c\/span\u003eIII. Menuet Des Follets\u003cspan\u003e \u003c\/span\u003e5:53\u003c\/div\u003e\n\u003cdiv\u003eLes Troyens, Opera, H. 133\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Hector Berlioz\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-4\u003cspan\u003e \u003c\/span\u003eMarche Troyenne\u003cspan\u003e \u003c\/span\u003e5:48\u003c\/div\u003e\n\u003cdiv\u003eLe Carnaval Romain\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Hector Berlioz\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-5\u003cspan\u003e \u003c\/span\u003eOuverture Caractéristique, Op. 9, H. 95\u003cspan\u003e \u003c\/span\u003e8:59\u003c\/div\u003e\n\u003cdiv\u003eRussian And Ludmilla\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Mikhail Glinka*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-6\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e5:23\u003c\/div\u003e\n\u003cdiv\u003eSorochinsky Fair\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Modest Mussorgsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-7\u003cspan\u003e \u003c\/span\u003eGopak\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Anatoly Liadov\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e1:48\u003c\/div\u003e\n\u003cdiv\u003eConcert Waltz\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Alexander Glazunov\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-8\u003cspan\u003e \u003c\/span\u003eNo. 1, Op. 47\u003cspan\u003e \u003c\/span\u003e8:22\u003c\/div\u003e\n\u003cdiv\u003eThe Snow Maiden, Suite\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-9\u003cspan\u003e \u003c\/span\u003eDance Of The Tumblers\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003eTsar Saltan\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-10\u003cspan\u003e \u003c\/span\u003eFlight Of The Bumblebee\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003eThe Red Poppy, Op. 70\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Reinhold Glière\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-11\u003cspan\u003e \u003c\/span\u003eRussian Sailors' Dance\u003cspan\u003e \u003c\/span\u003e3:32\u003c\/div\u003e\n\u003cdiv\u003eCaucasian Sketches, Op. 10\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Mikhail Ippolitov-Ivanov\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e26-12\u003cspan\u003e \u003c\/span\u003eProcession Of The Sardar\u003cspan\u003e \u003c\/span\u003e4:04\u003c\/div\u003e\n\u003cdiv\u003eMendelssohn: Sinfonie Nr.4 In A-Dur \"Italienische\" \/ Ouvertüre Und Schauspielmusik Zu \"Ein Sommernachstraum\"\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 4 In A Major \"Italian\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Felix Mendelssohn*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e27-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Vivace\u003cspan\u003e \u003c\/span\u003e10:28\u003c\/div\u003e\n\u003cdiv\u003e27-2\u003cspan\u003e \u003c\/span\u003eII. Andante Con Moto\u003cspan\u003e \u003c\/span\u003e5:37\u003c\/div\u003e\n\u003cdiv\u003e27-3\u003cspan\u003e \u003c\/span\u003eIII. Con Moto Moderato\u003cspan\u003e \u003c\/span\u003e6:43\u003c\/div\u003e\n\u003cdiv\u003e27-4\u003cspan\u003e \u003c\/span\u003eIV. Salterello: Presto\u003cspan\u003e \u003c\/span\u003e5:38\u003c\/div\u003e\n\u003cdiv\u003eA Midsummer Night's Dream\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Felix Mendelssohn*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e27-5\u003cspan\u003e \u003c\/span\u003eOverture, Op. 21\u003cspan\u003e \u003c\/span\u003e11:56\u003c\/div\u003e\n\u003cdiv\u003eA Midsummer Night's Dream, Incidental Music, Op. 61\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Felix Mendelssohn*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e27-6\u003cspan\u003e \u003c\/span\u003eNo. 1 Scherzo: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e27-7\u003cspan\u003e \u003c\/span\u003eNo. 2a Melodram: L'istesso Tempo\u003cspan\u003e \u003c\/span\u003e1:29\u003c\/div\u003e\n\u003cdiv\u003e27-8\u003cspan\u003e \u003c\/span\u003eNo. 2b March Of The Fairies: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e0:28\u003c\/div\u003e\n\u003cdiv\u003e27-9\u003cspan\u003e \u003c\/span\u003eNo. 5 Intermezzo: Allegro Appassionato\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e27-10\u003cspan\u003e \u003c\/span\u003eNo. 7 Nocturne: Con Moto Tranquillo\u003cspan\u003e \u003c\/span\u003e5:49\u003c\/div\u003e\n\u003cdiv\u003e27-11\u003cspan\u003e \u003c\/span\u003eNo. 11 Dance Of The Clowns (Bergamasca): Allegro Di Molto\u003cspan\u003e \u003c\/span\u003e1:36\u003c\/div\u003e\n\u003cdiv\u003e27-12\u003cspan\u003e \u003c\/span\u003eNo. 9 Wedding March: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003eLes Patineurs \/ Les Sylphides \/ Dance Of The Hours\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLes Sylphides: Ballet Music\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Gordon Jacob\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frédéric Chopin\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e28-1\u003cspan\u003e \u003c\/span\u003eI. Prelude In A Major, Op. 28 No. 7\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e28-2\u003cspan\u003e \u003c\/span\u003eII. Nocturne In A-flat Major, Op. 32 No. 2\u003cspan\u003e \u003c\/span\u003e6:30\u003c\/div\u003e\n\u003cdiv\u003e28-3\u003cspan\u003e \u003c\/span\u003eIII. Waltz In G-flat Major, Op. 70 No. 1\u003cspan\u003e \u003c\/span\u003e2:17\u003c\/div\u003e\n\u003cdiv\u003e28-4\u003cspan\u003e \u003c\/span\u003eIV. Mazurka In D Major, Op. 33 No. 2\u003cspan\u003e \u003c\/span\u003e2:47\u003c\/div\u003e\n\u003cdiv\u003e28-5\u003cspan\u003e \u003c\/span\u003eV. Mazurka In C Major, Op. 67 No. 3\u003cspan\u003e \u003c\/span\u003e2:05\u003c\/div\u003e\n\u003cdiv\u003e28-6\u003cspan\u003e \u003c\/span\u003eVI. Prelude In A Major, Op. 28 No.7 (Reprise)\u003cspan\u003e \u003c\/span\u003e3:01\u003c\/div\u003e\n\u003cdiv\u003e28-7\u003cspan\u003e \u003c\/span\u003eVII. Waltz In C-sharp Minor, Op. 64 No. 2\u003cspan\u003e \u003c\/span\u003e4:28\u003c\/div\u003e\n\u003cdiv\u003e28-8\u003cspan\u003e \u003c\/span\u003eVIII. Grande Valse Brilliante In E-flat Major, Op. 18\u003cspan\u003e \u003c\/span\u003e5:32\u003c\/div\u003e\n\u003cdiv\u003eLa Gioconda\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Amilcare Ponchielli\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e28-9\u003cspan\u003e \u003c\/span\u003eDance Of The Hours (Act 2)\u003cspan\u003e \u003c\/span\u003e9:46\u003c\/div\u003e\n\u003cdiv\u003eLes Patineurs, Ballet Suite\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Constant Lambert\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Meyerbeer\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e28-10\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato E Pesante, Un Poco Più Mosso\u003cspan\u003e \u003c\/span\u003e3:28\u003c\/div\u003e\n\u003cdiv\u003e28-11\u003cspan\u003e \u003c\/span\u003eII. Andante Espressivo\u003cspan\u003e \u003c\/span\u003e2:22\u003c\/div\u003e\n\u003cdiv\u003e28-12\u003cspan\u003e \u003c\/span\u003eIII. Allegretto Scherzoso\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e28-13\u003cspan\u003e \u003c\/span\u003eIV. Andantino\u003cspan\u003e \u003c\/span\u003e2:00\u003c\/div\u003e\n\u003cdiv\u003e28-14\u003cspan\u003e \u003c\/span\u003eV. Allegro Con Spirito\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e[Waltz Selections From Music By Tchaikovsky]\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Age Of Enlightenment\u003c\/div\u003e\n\u003cdiv\u003e28-15\u003cspan\u003e \u003c\/span\u003eThe Sleeping Beauty, Op. 66: Waltz (Act 1)\u003cspan\u003e \u003c\/span\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003e28-16\u003cspan\u003e \u003c\/span\u003eEugene Onegin, Op. 24: Waltz (Act 2)\u003cspan\u003e \u003c\/span\u003e6:00\u003c\/div\u003e\n\u003cdiv\u003e28-17\u003cspan\u003e \u003c\/span\u003eSwan Lake, Op. 20: Waltz (Act I)\u003cspan\u003e \u003c\/span\u003e6:34\u003c\/div\u003e\n\u003cdiv\u003e28-18\u003cspan\u003e \u003c\/span\u003eSymphony No. 5 In E Minor, Op. 64: III. Waltz\u003cspan\u003e \u003c\/span\u003e6:05\u003c\/div\u003e\n\u003cdiv\u003e28-19\u003cspan\u003e \u003c\/span\u003eNutcracker, Suite, Op. 71a: Waltz Of The Flowers\u003cspan\u003e \u003c\/span\u003e6:05\u003c\/div\u003e\n\u003cdiv\u003eLady And The Fool\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe Lady And The Fool, Ballet\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e29-1\u003cspan\u003e \u003c\/span\u003ePrologue __ I. Prelude\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e29-2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e3:44\u003c\/div\u003e\n\u003cdiv\u003e29-3\u003cspan\u003e \u003c\/span\u003eIII.Divertissement: Allegretto\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003e29-4\u003cspan\u003e \u003c\/span\u003eAct 1 __ IV. Tarantella And Entrance Of Lady And Clowns\u003cspan\u003e \u003c\/span\u003e6:45\u003c\/div\u003e\n\u003cdiv\u003e29-5\u003cspan\u003e \u003c\/span\u003eV. Commedia Allegro Vivace\u003cspan\u003e \u003c\/span\u003e5:32\u003c\/div\u003e\n\u003cdiv\u003e29-6\u003cspan\u003e \u003c\/span\u003e__ Allegro Vivace\u003cspan\u003e \u003c\/span\u003e0:52\u003c\/div\u003e\n\u003cdiv\u003e29-7\u003cspan\u003e \u003c\/span\u003eVI. Grand Adage\u003cspan\u003e \u003c\/span\u003e6:32\u003c\/div\u003e\n\u003cdiv\u003e29-8\u003cspan\u003e \u003c\/span\u003eVII. Scene And Entrée\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e29-9\u003cspan\u003e \u003c\/span\u003eVIII. Solo Signor Midas\u003cspan\u003e \u003c\/span\u003e1:05\u003c\/div\u003e\n\u003cdiv\u003e29-10\u003cspan\u003e \u003c\/span\u003e__ Entreé And Solo Prince Of Arroganza\u003cspan\u003e \u003c\/span\u003e2:42\u003c\/div\u003e\n\u003cdiv\u003e29-11\u003cspan\u003e \u003c\/span\u003eIX. Dance Of The Débutantes\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e29-12\u003cspan\u003e \u003c\/span\u003eX. Variation Capitano Adoncino\u003cspan\u003e \u003c\/span\u003e1:43\u003c\/div\u003e\n\u003cdiv\u003e29-13\u003cspan\u003e \u003c\/span\u003eXI. Coda: Pas De Cinq\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e29-14\u003cspan\u003e \u003c\/span\u003eXII. Scene And Pas De Deux\u003cspan\u003e \u003c\/span\u003e6:24\u003c\/div\u003e\n\u003cdiv\u003e29-15\u003cspan\u003e \u003c\/span\u003eXIII. Finale\u003cspan\u003e \u003c\/span\u003e6:38\u003c\/div\u003e\n\u003cdiv\u003e29-16\u003cspan\u003e \u003c\/span\u003eEpilogue __ XIV. Adagio Molto Calmo\u003cspan\u003e \u003c\/span\u003e2:02\u003c\/div\u003e\n\u003cdiv\u003eVerdi Ballet Music\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIl Trovatore: Ballet Music From Act 3\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Promenade Orchestra\u003c\/div\u003e\n\u003cdiv\u003e30-1\u003cspan\u003e \u003c\/span\u003ePas Des Bohémiens\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e30-2\u003cspan\u003e \u003c\/span\u003eGitanilla\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e30-3\u003cspan\u003e \u003c\/span\u003eEnsemble\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e30-4\u003cspan\u003e \u003c\/span\u003eLa Bohémienne\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e30-5\u003cspan\u003e \u003c\/span\u003eGalop\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003eI Vespri Siciliani: Ballet Music From Act 3\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Promenade Orchestra\u003c\/div\u003e\n\u003cdiv\u003e30-6\u003cspan\u003e \u003c\/span\u003eL'inverno\u003cspan\u003e \u003c\/span\u003e4:45\u003c\/div\u003e\n\u003cdiv\u003e30-7\u003cspan\u003e \u003c\/span\u003eLa Primavera\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e30-8\u003cspan\u003e \u003c\/span\u003eL'estate\u003cspan\u003e \u003c\/span\u003e3:46\u003c\/div\u003e\n\u003cdiv\u003e30-9\u003cspan\u003e \u003c\/span\u003eL'autunno\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e[Selected Verdi Overtures]\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Promenade Orchestra\u003c\/div\u003e\n\u003cdiv\u003e30-10\u003cspan\u003e \u003c\/span\u003eLa Forza Del Destino: Overture\u003cspan\u003e \u003c\/span\u003e7:50\u003c\/div\u003e\n\u003cdiv\u003e30-11\u003cspan\u003e \u003c\/span\u003eNabucco: Overture\u003cspan\u003e \u003c\/span\u003e8:05\u003c\/div\u003e\n\u003cdiv\u003e30-12\u003cspan\u003e \u003c\/span\u003eAlzira: Overture\u003cspan\u003e \u003c\/span\u003e6:30\u003c\/div\u003e\n\u003cdiv\u003e30-13\u003cspan\u003e \u003c\/span\u003eLuisa Miller: Overture\u003cspan\u003e \u003c\/span\u003e5:36\u003c\/div\u003e\n\u003cdiv\u003eOtello\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Royal Opera House, Covent Garden\u003c\/div\u003e\n\u003cdiv\u003e30-14\u003cspan\u003e \u003c\/span\u003eBallet Music From Act 3\u003cspan\u003e \u003c\/span\u003e6:15\u003c\/div\u003e\n\u003cdiv\u003eLakmé: Ballet Music From Act 2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Léo Delibes\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Royal Opera House, Covent Garden\u003c\/div\u003e\n\u003cdiv\u003e30-15\u003cspan\u003e \u003c\/span\u003eEntrée Et Terana\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e30-16\u003cspan\u003e \u003c\/span\u003eRektah\u003cspan\u003e \u003c\/span\u003e1:07\u003c\/div\u003e\n\u003cdiv\u003e30-17\u003cspan\u003e \u003c\/span\u003ePersian\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e30-18\u003cspan\u003e \u003c\/span\u003eCoda\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003eCaballé \/ Martí: Great Opera Duets\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eUn Ballo In Maschera (Act 2) Amelia, Riccardo\/Gustavo\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Antonio Somma\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Bernabé Martí\u003c\/div\u003e\n\u003cdiv\u003e31-1\u003cspan\u003e \u003c\/span\u003e\"Teco Is Sto\"\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e31-2\u003cspan\u003e \u003c\/span\u003e\"Non Sai Tu Che Se L'anima Mia\"\u003cspan\u003e \u003c\/span\u003e3:33\u003c\/div\u003e\n\u003cdiv\u003e31-3\u003cspan\u003e \u003c\/span\u003e\"M'ami! M'ami!\"\u003cspan\u003e \u003c\/span\u003e4:15\u003c\/div\u003e\n\u003cdiv\u003eLes Huguenots (Act 4, Scene 6) Valentine, Raoul\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Meyerbeer\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Emile Deschamps, Eugène Scribe\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Bernabé Martí\u003c\/div\u003e\n\u003cdiv\u003e31-4\u003cspan\u003e \u003c\/span\u003e\"Ou Courez-vous? Raoul, Repondez-moi ... Le Danger Presse, Et Le Temps Vole\"\u003cspan\u003e \u003c\/span\u003e6:07\u003c\/div\u003e\n\u003cdiv\u003e31-5\u003cspan\u003e \u003c\/span\u003e\"Oui, Tu L'as Dit ... Oui, Tu M'aimes!\"\u003cspan\u003e \u003c\/span\u003e5:43\u003c\/div\u003e\n\u003cdiv\u003e31-6\u003cspan\u003e \u003c\/span\u003e\"Plus D'amour!...Plus D'Ivresse!\"\u003cspan\u003e \u003c\/span\u003e5:32\u003c\/div\u003e\n\u003cdiv\u003eAndrea Chénier (Act 4) Maddelena, Chenier\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Umberto Giordano\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Luigi Illica\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Bernabé Martí\u003c\/div\u003e\n\u003cdiv\u003e31-7\u003cspan\u003e \u003c\/span\u003e\"Vicino A Te\"\u003cspan\u003e \u003c\/span\u003e7:36\u003c\/div\u003e\n\u003cdiv\u003eManon Lescaut (Act 4) Manon, Des Grieux\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Giacosa, Luigi Illica, Marco Praga\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Bernabé Martí\u003c\/div\u003e\n\u003cdiv\u003e31-8\u003cspan\u003e \u003c\/span\u003e\"Dunque Questa Lettiga! Tu, Tu, Amore?\"\u003cspan\u003e \u003c\/span\u003e8:22\u003c\/div\u003e\n\u003cdiv\u003ePoliuto (Act 3, Scene 2) Paolina, Poliuto\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gaetano Donizetti\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Salvatore Cammarano\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Bernabé Martí\u003c\/div\u003e\n\u003cdiv\u003e31-9\u003cspan\u003e \u003c\/span\u003e\"Donna! Malvagio! Vision Gradita!\"\u003cspan\u003e \u003c\/span\u003e5:26\u003c\/div\u003e\n\u003cdiv\u003e31-10\u003cspan\u003e \u003c\/span\u003e\"Ah! Fuggi Da Morte\"\u003cspan\u003e \u003c\/span\u003e4:45\u003c\/div\u003e\n\u003cdiv\u003e31-11\u003cspan\u003e \u003c\/span\u003e\"Il Suon Dell'arpe Angeliche\"\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003eWagner: Highlights From Götterdãmmerung\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eGötterdãmmerung (Highlights)\u003c\/div\u003e\n\u003cdiv\u003eComposed By, Libretto By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Rita Hunter\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Alberto Remedios\u003c\/div\u003e\n\u003cdiv\u003e32-1\u003cspan\u003e \u003c\/span\u003eDawn Music\u003cspan\u003e \u003c\/span\u003e3:41\u003c\/div\u003e\n\u003cdiv\u003e32-2\u003cspan\u003e \u003c\/span\u003e\"Zu Neuen Taten\" (Brünnhilde)\u003cspan\u003e \u003c\/span\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e32-3\u003cspan\u003e \u003c\/span\u003e\"Mehr Gabst Du, Wunderfrau\" (Siegfried, Brünnhilde)\u003cspan\u003e \u003c\/span\u003e10:03\u003c\/div\u003e\n\u003cdiv\u003e32-4\u003cspan\u003e \u003c\/span\u003eSiegfried's Rhine Journey\u003cspan\u003e \u003c\/span\u003e5:51\u003c\/div\u003e\n\u003cdiv\u003e32-5\u003cspan\u003e \u003c\/span\u003eSiegfried's Funeral March\u003cspan\u003e \u003c\/span\u003e9:27\u003c\/div\u003e\n\u003cdiv\u003e32-6\u003cspan\u003e \u003c\/span\u003e\"Starke Scheite Schichet Mir Dort\"\u003cspan\u003e \u003c\/span\u003e9:29\u003c\/div\u003e\n\u003cdiv\u003e32-7\u003cspan\u003e \u003c\/span\u003e\"Mein Erbe Nun Nehm' Ich Zu Eigen\"\u003cspan\u003e \u003c\/span\u003e2:41\u003c\/div\u003e\n\u003cdiv\u003e32-8\u003cspan\u003e \u003c\/span\u003e\"Fliegt heim, Ihr Raben\" (Brünnhilde)\u003cspan\u003e \u003c\/span\u003e3:40\u003c\/div\u003e\n\u003cdiv\u003e32-9\u003cspan\u003e \u003c\/span\u003eZurück Vom Ring\u003cspan\u003e \u003c\/span\u003e4:16\u003c\/div\u003e\n\u003cdiv\u003eGaite Parisienne \/ Graduation Ball\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLa Gaîté Parisienne, Ballet\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Manuel Rosenthal\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Jacques Offenbach\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e33-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e33-2\u003cspan\u003e \u003c\/span\u003eEmtrance Of The Cocodettes\u003cspan\u003e \u003c\/span\u003e2:42\u003c\/div\u003e\n\u003cdiv\u003e33-3\u003cspan\u003e \u003c\/span\u003eWaltz\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e33-4\u003cspan\u003e \u003c\/span\u003eGalop: Entrée Du Brésilien\u003cspan\u003e \u003c\/span\u003e1:10\u003c\/div\u003e\n\u003cdiv\u003e33-5\u003cspan\u003e \u003c\/span\u003eWaltz\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e33-6\u003cspan\u003e \u003c\/span\u003eMarch\u003cspan\u003e \u003c\/span\u003e1:29\u003c\/div\u003e\n\u003cdiv\u003e33-7\u003cspan\u003e \u003c\/span\u003eWaltz\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e33-8\u003cspan\u003e \u003c\/span\u003eCancan And Quadrille\u003cspan\u003e \u003c\/span\u003e5:46\u003c\/div\u003e\n\u003cdiv\u003e33-9\u003cspan\u003e \u003c\/span\u003eBarcarolle\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003eGraduation Ball, Ballet\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Antal Dorati\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Strauss II*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e33-10\u003cspan\u003e \u003c\/span\u003eIntroduction\u003cspan\u003e \u003c\/span\u003e0:38\u003c\/div\u003e\n\u003cdiv\u003e33-11\u003cspan\u003e \u003c\/span\u003eWaltz Of The Girls\u003cspan\u003e \u003c\/span\u003e4:44\u003c\/div\u003e\n\u003cdiv\u003e33-12\u003cspan\u003e \u003c\/span\u003eArrival Of The Cadets\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e33-13\u003cspan\u003e \u003c\/span\u003eAnnouncement Of The Show\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e33-14\u003cspan\u003e \u003c\/span\u003eQuick March - Drummer's Dance\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e33-15\u003cspan\u003e \u003c\/span\u003eRomantic Pas De Deux\u003cspan\u003e \u003c\/span\u003e3:41\u003c\/div\u003e\n\u003cdiv\u003e33-16\u003cspan\u003e \u003c\/span\u003eQuick Waltz\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e33-17\u003cspan\u003e \u003c\/span\u003ePerpetuum Mobile\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Original Version] – Johann Strauss Jr.\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Ending] – Antal Dorati\u003c\/div\u003e\n\u003cdiv\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e33-18\u003cspan\u003e \u003c\/span\u003eMazurka\u003cspan\u003e \u003c\/span\u003e1:44\u003c\/div\u003e\n\u003cdiv\u003e33-19\u003cspan\u003e \u003c\/span\u003eGrand Galop\u003cspan\u003e \u003c\/span\u003e4:36\u003c\/div\u003e\n\u003cdiv\u003e[Three Works By Johann Strauss II, First Release - Previously Unpublished]\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johann Strauss II*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e33-20\u003cspan\u003e \u003c\/span\u003ePerpetuum Mobile, Op. 257\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e33-21\u003cspan\u003e \u003c\/span\u003eUnter Donner Und Blitz, Op. 324\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e33-22\u003cspan\u003e \u003c\/span\u003eTritsch-Tratsch Polka, Op. 214\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eDelibes: La Source \/ Messager: Les Deux Pigeons\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLa Source: Ballet Music From Act 2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Léo Delibes\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Royal Opera House, Covent Garden\u003c\/div\u003e\n\u003cdiv\u003e34-1\u003cspan\u003e \u003c\/span\u003eNo. 18 Divertissement __ Pas Des Voiles\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e34-2\u003cspan\u003e \u003c\/span\u003e__ Andante\u003cspan\u003e \u003c\/span\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e34-3\u003cspan\u003e \u003c\/span\u003e__ Variation\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e34-4\u003cspan\u003e \u003c\/span\u003e__ Final: Danse Circassienne\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e34-5\u003cspan\u003e \u003c\/span\u003eNo. 19 Scène\u003cspan\u003e \u003c\/span\u003e3:28\u003c\/div\u003e\n\u003cdiv\u003e34-6\u003cspan\u003e \u003c\/span\u003eNo. 20 Pas De Naïla (Scherzo-polka)\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e34-7\u003cspan\u003e \u003c\/span\u003eNo. 21 Scène Et Pas D'action\u003cspan\u003e \u003c\/span\u003e4:04\u003c\/div\u003e\n\u003cdiv\u003e34-8\u003cspan\u003e \u003c\/span\u003eNo. 22 Mazurka\u003cspan\u003e \u003c\/span\u003e2:23\u003c\/div\u003e\n\u003cdiv\u003e34-9\u003cspan\u003e \u003c\/span\u003eNo. 23b Scène\u003cspan\u003e \u003c\/span\u003e0:25\u003c\/div\u003e\n\u003cdiv\u003e34-10\u003cspan\u003e \u003c\/span\u003eNo. 24 Marche Dansés Et Final\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003eLes Deux Pigeons, Ballet Suite\u003c\/div\u003e\n\u003cdiv\u003eComposed By – André Messager\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Orchestra Of The Royal Opera House, Covent Garden\u003c\/div\u003e\n\u003cdiv\u003e34-11\u003cspan\u003e \u003c\/span\u003eAct I __ Entrée Des Tziganes\u003cspan\u003e \u003c\/span\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e34-12\u003cspan\u003e \u003c\/span\u003eEntrée De Pépio\u003cspan\u003e \u003c\/span\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e34-13\u003cspan\u003e \u003c\/span\u003ePas Des Deux Pigeons\u003cspan\u003e \u003c\/span\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e34-14\u003cspan\u003e \u003c\/span\u003eThème Et Variations\u003cspan\u003e \u003c\/span\u003e5:12\u003c\/div\u003e\n\u003cdiv\u003e34-15\u003cspan\u003e \u003c\/span\u003eAct 2 Divertissement __ Entrée\u003cspan\u003e \u003c\/span\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003e34-16\u003cspan\u003e \u003c\/span\u003eDanse Hongroise\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e34-17\u003cspan\u003e \u003c\/span\u003eFinal\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003eFaust: Ballet Music From Act 5\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Charles Gounod\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e34-18\u003cspan\u003e \u003c\/span\u003eLes Nubiennes\u003cspan\u003e \u003c\/span\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e34-19\u003cspan\u003e \u003c\/span\u003eAdagio\u003cspan\u003e \u003c\/span\u003e4:19\u003c\/div\u003e\n\u003cdiv\u003e34-29\u003cspan\u003e \u003c\/span\u003eDanse Antique\u003cspan\u003e \u003c\/span\u003e1:27\u003c\/div\u003e\n\u003cdiv\u003e34-21\u003cspan\u003e \u003c\/span\u003eVariation De Cléopâtre\u003cspan\u003e \u003c\/span\u003e1:33\u003c\/div\u003e\n\u003cdiv\u003e34-22\u003cspan\u003e \u003c\/span\u003eLes Troyens\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e34-23\u003cspan\u003e \u003c\/span\u003eVariation Du Miroir\u003cspan\u003e \u003c\/span\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e34-24\u003cspan\u003e \u003c\/span\u003eDanse De Phryné\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e34-25\u003cspan\u003e \u003c\/span\u003eEspaña, Rhapsody For Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Emmanuel Chabrier\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e34-26\u003cspan\u003e \u003c\/span\u003eLe Roi Malgré Lui (Act 2): Fete Polonaise\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Emmanuel Chabrier\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e7:41\u003c\/div\u003e\n\u003cdiv\u003eMussorgsky • Pictures From An Exhibition \/ A Night On The Bare Mountain \/ Borodin • Prince Igor: Overture And Polovtsian Dances\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePictures At An Exhibition\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Modest Mussorgsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Maurice Ravel\u003c\/div\u003e\n\u003cdiv\u003e35-1\u003cspan\u003e \u003c\/span\u003ePromenade\u003cspan\u003e \u003c\/span\u003e1:33\u003c\/div\u003e\n\u003cdiv\u003e35-2\u003cspan\u003e \u003c\/span\u003eI. Gnomus\u003cspan\u003e \u003c\/span\u003e2:29\u003c\/div\u003e\n\u003cdiv\u003e35-3\u003cspan\u003e \u003c\/span\u003ePromenade\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e35-4\u003cspan\u003e \u003c\/span\u003eII. Il Vecchio Castello\u003cspan\u003e \u003c\/span\u003e4:35\u003c\/div\u003e\n\u003cdiv\u003e35-5\u003cspan\u003e \u003c\/span\u003ePromenade\u003cspan\u003e \u003c\/span\u003e0:28\u003c\/div\u003e\n\u003cdiv\u003e35-6\u003cspan\u003e \u003c\/span\u003eIII. Tuileries (Dispute D'enfants Après Jeux)\u003cspan\u003e \u003c\/span\u003e1:01\u003c\/div\u003e\n\u003cdiv\u003e35-7\u003cspan\u003e \u003c\/span\u003ePromenade\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e35-8\u003cspan\u003e \u003c\/span\u003eIV. Bydlo\u003cspan\u003e \u003c\/span\u003e0:37\u003c\/div\u003e\n\u003cdiv\u003e35-9\u003cspan\u003e \u003c\/span\u003eV. Ballet Of The Unhatched Chicks\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e35-10\u003cspan\u003e \u003c\/span\u003eVI. Samuel Goldenberg And Schmuÿle\u003cspan\u003e \u003c\/span\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e35-11\u003cspan\u003e \u003c\/span\u003eVII. Limoges, Le Marché (La Grande Nouvelle)\u003cspan\u003e \u003c\/span\u003e1:20\u003c\/div\u003e\n\u003cdiv\u003e35-12\u003cspan\u003e \u003c\/span\u003eVIII. Catacombae (Sepulcrum Romanum)\u003cspan\u003e \u003c\/span\u003e2:06\u003c\/div\u003e\n\u003cdiv\u003e35-13\u003cspan\u003e \u003c\/span\u003eCum Mortuis In Lingua Mortua\u003cspan\u003e \u003c\/span\u003e2:00\u003c\/div\u003e\n\u003cdiv\u003e35-14\u003cspan\u003e \u003c\/span\u003eIX. The Hut On Hen's Legs (Baba Yaga)\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e35-15\u003cspan\u003e \u003c\/span\u003eX. The Bogatyr Gates (In The Capital In Kyiv)\u003cspan\u003e \u003c\/span\u003e5:15\u003c\/div\u003e\n\u003cdiv\u003e35-16\u003cspan\u003e \u003c\/span\u003eA Night On The Bare Mountain\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Modest Mussorgsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Nikolai Rimsky-Korsakov\u003c\/div\u003e\n\u003cdiv\u003e11:10\u003c\/div\u003e\n\u003cdiv\u003ePrince Igor, Opera\u003c\/div\u003e\n\u003cdiv\u003eChorus – Royal Liverpool Philharmonic Choir\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Alexander Borodin\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e35-17\u003cspan\u003e \u003c\/span\u003eOverture\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Glazunov*\u003c\/div\u003e\n\u003cdiv\u003e10:45\u003c\/div\u003e\n\u003cdiv\u003e35-18\u003cspan\u003e \u003c\/span\u003eNo. 17 Polovtsian Dances __ I.\u003cspan\u003e \u003c\/span\u003e2:13\u003c\/div\u003e\n\u003cdiv\u003e35-19\u003cspan\u003e \u003c\/span\u003eII.\u003cspan\u003e \u003c\/span\u003e2:21\u003c\/div\u003e\n\u003cdiv\u003e35-20\u003cspan\u003e \u003c\/span\u003eIII.\u003cspan\u003e \u003c\/span\u003e1:09\u003c\/div\u003e\n\u003cdiv\u003e35-21\u003cspan\u003e \u003c\/span\u003eIV.\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003e35-22\u003cspan\u003e \u003c\/span\u003eV.\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003eSymposium: Joseph Cooper Piano\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e36-1\u003cspan\u003e \u003c\/span\u003ePiano Concerto No. 3 In E-flat Major, Op. Posth. 75\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Alexander Tchaikovsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Joseph Cooper\u003c\/div\u003e\n\u003cdiv\u003e14:56\u003c\/div\u003e\n\u003cdiv\u003eConcerto Symphonique No. 4, Op. 102\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Henry Litolff\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Joseph Cooper\u003c\/div\u003e\n\u003cdiv\u003e36-2\u003cspan\u003e \u003c\/span\u003eII. Scherzo\u003cspan\u003e \u003c\/span\u003e6:51\u003c\/div\u003e\n\u003cdiv\u003eKonzertstück In F Minor, Op. 79, J.282 For Piano And Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Carl Maria von Weber\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Joseph Cooper\u003c\/div\u003e\n\u003cdiv\u003e36-3\u003cspan\u003e \u003c\/span\u003eLarghetto Affetuoso -\u003cspan\u003e \u003c\/span\u003e5:32\u003c\/div\u003e\n\u003cdiv\u003e36-4\u003cspan\u003e \u003c\/span\u003eAllegro Passionato -\u003cspan\u003e \u003c\/span\u003e4:33\u003c\/div\u003e\n\u003cdiv\u003e36-5\u003cspan\u003e \u003c\/span\u003eAdagio - Tempo Di Marcia\u003cspan\u003e \u003c\/span\u003e7:43\u003c\/div\u003e\n\u003cdiv\u003e36-6\u003cspan\u003e \u003c\/span\u003eWedding Cake (Caprice Valse, Op. 76)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Camille Saint-Saëns\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Joseph Cooper\u003c\/div\u003e\n\u003cdiv\u003e6:31\u003c\/div\u003e\n\u003cdiv\u003e36-7\u003cspan\u003e \u003c\/span\u003eRapsodia Sinfonica, Op. 66\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Joaquín Turina\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003ePiano – Joseph Cooper\u003c\/div\u003e\n\u003cdiv\u003e8:52\u003c\/div\u003e\n\u003cdiv\u003e1812 Overture ...\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1812 Overture In E-flat Major, Op. 49\u003c\/div\u003e\n\u003cdiv\u003eBand [Military Band] – Band Of The Welsh Guards\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOther [Percussion Effects] – Guns Of The King's Troop, Royal Horse Artillery*\u003c\/div\u003e\n\u003cdiv\u003e37-1\u003cspan\u003e \u003c\/span\u003eLargo -\u003cspan\u003e \u003c\/span\u003e5:07\u003c\/div\u003e\n\u003cdiv\u003e37-2\u003cspan\u003e \u003c\/span\u003eAllegro Giusto\u003cspan\u003e \u003c\/span\u003e11:07\u003c\/div\u003e\n\u003cdiv\u003e37-3\u003cspan\u003e \u003c\/span\u003eRussland And Ludmilla: Overture\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Mikhail Ivanovich Glinka\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003e37-4\u003cspan\u003e \u003c\/span\u003eLohengrin, WWV 75: Prelude To Act 3\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Wagner\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e3:27\u003c\/div\u003e\n\u003cdiv\u003e37-5\u003cspan\u003e \u003c\/span\u003eA Night On The Bare Mountain\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Modest Mussorgsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Nikolai Rimsky-Korsakov\u003c\/div\u003e\n\u003cdiv\u003e10:06\u003c\/div\u003e\n\u003cdiv\u003e37-6\u003cspan\u003e \u003c\/span\u003eTill Eulenspiegels Lustige Streiche, Tone Poem, Op. 28\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Strauss\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e15:12\u003c\/div\u003e\n\u003cdiv\u003e37-7\u003cspan\u003e \u003c\/span\u003eDon Juan, Tone Poem\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Richard Strauss\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e17:33\u003c\/div\u003e\n\u003cdiv\u003eDvořák: Symphony No. 8, Op.88 In G Major \/ Symphonic Variations Op. 78\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 8 In G Major, Op. 88, B. 163\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e38-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Con Brio\u003cspan\u003e \u003c\/span\u003e10:02\u003c\/div\u003e\n\u003cdiv\u003e38-2\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e10:53\u003c\/div\u003e\n\u003cdiv\u003e38-3\u003cspan\u003e \u003c\/span\u003eIII. Allegretto Grazioso\u003cspan\u003e \u003c\/span\u003e6:14\u003c\/div\u003e\n\u003cdiv\u003e38-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e10:12\u003c\/div\u003e\n\u003cdiv\u003eSymphonic Variations In C Major, Op. 78, B. 70\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e38-5\u003cspan\u003e \u003c\/span\u003eTheme\u003cspan\u003e \u003c\/span\u003e0:37\u003c\/div\u003e\n\u003cdiv\u003e38-6\u003cspan\u003e \u003c\/span\u003eVariations I-III\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e38-7\u003cspan\u003e \u003c\/span\u003eVariations IV-VI\u003cspan\u003e \u003c\/span\u003e1:31\u003c\/div\u003e\n\u003cdiv\u003e38-8\u003cspan\u003e \u003c\/span\u003eVariations VII-IX\u003cspan\u003e \u003c\/span\u003e1:38\u003c\/div\u003e\n\u003cdiv\u003e38-9\u003cspan\u003e \u003c\/span\u003eVariations X-XII\u003cspan\u003e \u003c\/span\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e38-10\u003cspan\u003e \u003c\/span\u003eVariations XIII-XV\u003cspan\u003e \u003c\/span\u003e2:19\u003c\/div\u003e\n\u003cdiv\u003e38-11\u003cspan\u003e \u003c\/span\u003eVariations XVI-XVIII\u003cspan\u003e \u003c\/span\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e38-12\u003cspan\u003e \u003c\/span\u003eVariations XIX-XXI\u003cspan\u003e \u003c\/span\u003e1:23\u003c\/div\u003e\n\u003cdiv\u003e38-13\u003cspan\u003e \u003c\/span\u003eVariations XXII-XXIV\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e38-14\u003cspan\u003e \u003c\/span\u003eVariations XXV-XXVII\u003cspan\u003e \u003c\/span\u003e1:56\u003c\/div\u003e\n\u003cdiv\u003e38-15\u003cspan\u003e \u003c\/span\u003eFinale\u003cspan\u003e \u003c\/span\u003e4:00\u003c\/div\u003e\n\u003cdiv\u003eDvořák: Symphony No. 9 \"From The New World\" \/ Symphony No. 7\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 9 In E Minor, Op. 95, B. 178 \"From The New World\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e39-1\u003cspan\u003e \u003c\/span\u003eI. Adagio - Allegro Molto\u003cspan\u003e \u003c\/span\u003e9:28\u003c\/div\u003e\n\u003cdiv\u003e39-2\u003cspan\u003e \u003c\/span\u003eII. Largo\u003cspan\u003e \u003c\/span\u003e13:18\u003c\/div\u003e\n\u003cdiv\u003e39-3\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Molto Vivace\u003cspan\u003e \u003c\/span\u003e8:00\u003c\/div\u003e\n\u003cdiv\u003e39-4\u003cspan\u003e \u003c\/span\u003eIV. Allegro Con Fuoco\u003cspan\u003e \u003c\/span\u003e11:29\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 7 In D Major, Op. 70, B. 141\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e39-5\u003cspan\u003e \u003c\/span\u003eI. Allegro Maestoso\u003cspan\u003e \u003c\/span\u003e10:28\u003c\/div\u003e\n\u003cdiv\u003e39-6\u003cspan\u003e \u003c\/span\u003eII. Poco Adagio\u003cspan\u003e \u003c\/span\u003e10:23\u003c\/div\u003e\n\u003cdiv\u003e39-7\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Vivace\u003cspan\u003e \u003c\/span\u003e7:29\u003c\/div\u003e\n\u003cdiv\u003e39-8\u003cspan\u003e \u003c\/span\u003eIV. Finale: Allegro\u003cspan\u003e \u003c\/span\u003e8:48\u003c\/div\u003e\n\u003cdiv\u003eDvořák Legends Nos. 1-10, Op. 59 • Romance • Nocturne Op. 40\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e40-1\u003cspan\u003e \u003c\/span\u003eRomance In F Minor, Op. 11, B. 39 For Violin And Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eViolin – Stephanie Gonley\u003c\/div\u003e\n\u003cdiv\u003e10:58\u003c\/div\u003e\n\u003cdiv\u003eLegends, Op. 59, B. 122\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e40-2\u003cspan\u003e \u003c\/span\u003eNo. 1 In D Minor: Allegretto Non Troppo Quasi Andantino\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e40-3\u003cspan\u003e \u003c\/span\u003eNo. 2 In G Major: Molto Moderato\u003cspan\u003e \u003c\/span\u003e4:16\u003c\/div\u003e\n\u003cdiv\u003e40-4\u003cspan\u003e \u003c\/span\u003eNo. 3 In G Minor: Allegro Giusto\u003cspan\u003e \u003c\/span\u003e4:01\u003c\/div\u003e\n\u003cdiv\u003e40-5\u003cspan\u003e \u003c\/span\u003eNo. 4 In C Major: Molto Maestoso\u003cspan\u003e \u003c\/span\u003e5:38\u003c\/div\u003e\n\u003cdiv\u003e40-6\u003cspan\u003e \u003c\/span\u003eNo. 5 In A-flat Major: Allegro Giusto\u003cspan\u003e \u003c\/span\u003e4:23\u003c\/div\u003e\n\u003cdiv\u003e40-7\u003cspan\u003e \u003c\/span\u003eNo. 6 In C-sharp Minor: Allegro Con Moto\u003cspan\u003e \u003c\/span\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003e40-8\u003cspan\u003e \u003c\/span\u003eNo. 7 In A Major: Allegretto Grazioso\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e40-9\u003cspan\u003e \u003c\/span\u003eNo. 8 In F Major: Un Poco Allegretto\u003cspan\u003e \u003c\/span\u003e3:40\u003c\/div\u003e\n\u003cdiv\u003e40-10\u003cspan\u003e \u003c\/span\u003eNo. 9 In D Major: Andante\u003cspan\u003e \u003c\/span\u003e2:37\u003c\/div\u003e\n\u003cdiv\u003e40-11\u003cspan\u003e \u003c\/span\u003eNo. 10 In B-Flat Minor: Andante\u003cspan\u003e \u003c\/span\u003e3:53\u003c\/div\u003e\n\u003cdiv\u003e40-12\u003cspan\u003e \u003c\/span\u003eNocturne In B Major, Op. 40, B. 47\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6:44\u003c\/div\u003e\n\u003cdiv\u003eDvořák • String Serenade, Op. 22 ... [Two Works By Janáček]\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eString Serenade In E Major, Op. 22, B. 52\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – English Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003e41-1\u003cspan\u003e \u003c\/span\u003eI. Moderato\u003cspan\u003e \u003c\/span\u003e4:41\u003c\/div\u003e\n\u003cdiv\u003e41-2\u003cspan\u003e \u003c\/span\u003eII. Tempo Di Valse\u003cspan\u003e \u003c\/span\u003e6:48\u003c\/div\u003e\n\u003cdiv\u003e41-3\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Vivace\u003cspan\u003e \u003c\/span\u003e5:36\u003c\/div\u003e\n\u003cdiv\u003e41-4\u003cspan\u003e \u003c\/span\u003eIV. Larghetto\u003cspan\u003e \u003c\/span\u003e6:12\u003c\/div\u003e\n\u003cdiv\u003e41-5\u003cspan\u003e \u003c\/span\u003eV. Finale: Allegro Vivace\u003cspan\u003e \u003c\/span\u003e6:11\u003c\/div\u003e\n\u003cdiv\u003eCapriccio, JW 7\/12 For Piano Left Hand \u0026amp; Chamber Ensemble\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Leoš Janáček\u003c\/div\u003e\n\u003cdiv\u003eOrchestra [Soloists From] – Orchestre De L'Opéra National De Paris*\u003c\/div\u003e\n\u003cdiv\u003ePiano – Mikhaïl Rudy\u003c\/div\u003e\n\u003cdiv\u003e41-6\u003cspan\u003e \u003c\/span\u003eI. Allegro\u003cspan\u003e \u003c\/span\u003e5:04\u003c\/div\u003e\n\u003cdiv\u003e41-7\u003cspan\u003e \u003c\/span\u003eII. Adagio\u003cspan\u003e \u003c\/span\u003e5:34\u003c\/div\u003e\n\u003cdiv\u003e41-8\u003cspan\u003e \u003c\/span\u003eIII. Allegretto\u003cspan\u003e \u003c\/span\u003e3:48\u003c\/div\u003e\n\u003cdiv\u003e41-9\u003cspan\u003e \u003c\/span\u003eIV. Andante\u003cspan\u003e \u003c\/span\u003e6:02\u003c\/div\u003e\n\u003cdiv\u003eConcertino, JW 7\/11 For Piano \u0026amp; Chamber Ensemble\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Leoš Janáček\u003c\/div\u003e\n\u003cdiv\u003eOrchestra [Soloists From] – Orchestre De L'Opéra National De Paris*\u003c\/div\u003e\n\u003cdiv\u003ePiano – Mikhaïl Rudy\u003c\/div\u003e\n\u003cdiv\u003e41-10\u003cspan\u003e \u003c\/span\u003eI. Moderato\u003cspan\u003e \u003c\/span\u003e5:36\u003c\/div\u003e\n\u003cdiv\u003e41-11\u003cspan\u003e \u003c\/span\u003eII. Più Mosso\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e41-12\u003cspan\u003e \u003c\/span\u003eIII. Con Moto\u003cspan\u003e \u003c\/span\u003e3:28\u003c\/div\u003e\n\u003cdiv\u003e41-13\u003cspan\u003e \u003c\/span\u003eIV. Allegro\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003eCharles Mackerras Conducts Dvořák • Smetana • Brahms • Bartók • Enesco\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSlavonic Dances\u003c\/div\u003e\n\u003cdiv\u003eAutomatic Orchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Antonín Dvořák\u003c\/div\u003e\n\u003cdiv\u003e42-1\u003cspan\u003e \u003c\/span\u003eNo. 1 In C Major, Op. 46 No. 1\u003cspan\u003e \u003c\/span\u003e3:44\u003c\/div\u003e\n\u003cdiv\u003e42-2\u003cspan\u003e \u003c\/span\u003eNo. 2 In E Minor, Op. 46 No. 2\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e42-3\u003cspan\u003e \u003c\/span\u003eNo. 3 In A-flat Major, Op. 46 No. 3\u003cspan\u003e \u003c\/span\u003e4:24\u003c\/div\u003e\n\u003cdiv\u003e42-4\u003cspan\u003e \u003c\/span\u003eNo. 10 In E Minor, Op. 72 No. 2\u003cspan\u003e \u003c\/span\u003e4:53\u003c\/div\u003e\n\u003cdiv\u003eThe Bartered Bride, Comic Opera\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Bedřich Smetana\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e42-5\u003cspan\u003e \u003c\/span\u003ePolka\u003cspan\u003e \u003c\/span\u003e4:54\u003c\/div\u003e\n\u003cdiv\u003e42-6\u003cspan\u003e \u003c\/span\u003eFuriant\u003cspan\u003e \u003c\/span\u003e2:18\u003c\/div\u003e\n\u003cdiv\u003eHungarian Dances, WoO 1\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Albert Parlow\u003c\/div\u003e\n\u003cdiv\u003e42-7\u003cspan\u003e \u003c\/span\u003eNo. 5 In G Minor\u003cspan\u003e \u003c\/span\u003e2:55\u003c\/div\u003e\n\u003cdiv\u003e42-8\u003cspan\u003e \u003c\/span\u003eNo. 6 In D Major\u003cspan\u003e \u003c\/span\u003e3:42\u003c\/div\u003e\n\u003cdiv\u003e42-9\u003cspan\u003e \u003c\/span\u003eRomanian Folk Dances, Sz. 68\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Béla Bartók\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Zoltan Szekely\u003c\/div\u003e\n\u003cdiv\u003e5:35\u003c\/div\u003e\n\u003cdiv\u003e42-10\u003cspan\u003e \u003c\/span\u003eRomanian Rhapsody No. 1, Op. 11\u003c\/div\u003e\n\u003cdiv\u003eComposed By – George Enescu\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e11:45\u003c\/div\u003e\n\u003cdiv\u003e\"Pineapple Poll\" Ballet (Sullivan Arr. Mackerras)\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePineapple Poll, Ballet\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Sadler's Wells Orchestra\u003c\/div\u003e\n\u003cdiv\u003e43-1\u003cspan\u003e \u003c\/span\u003eScene 1 __ Opening Dance\u003cspan\u003e \u003c\/span\u003e3:41\u003c\/div\u003e\n\u003cdiv\u003e43-2\u003cspan\u003e \u003c\/span\u003ePoll's Solo \u0026amp; Pas De Deux\u003cspan\u003e \u003c\/span\u003e3:27\u003c\/div\u003e\n\u003cdiv\u003e43-3\u003cspan\u003e \u003c\/span\u003eBelaye's Solo\u003cspan\u003e \u003c\/span\u003e3:10\u003c\/div\u003e\n\u003cdiv\u003e43-4\u003cspan\u003e \u003c\/span\u003ePas De Trois\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e43-5\u003cspan\u003e \u003c\/span\u003eFinale\u003cspan\u003e \u003c\/span\u003e3:56\u003c\/div\u003e\n\u003cdiv\u003e43-6\u003cspan\u003e \u003c\/span\u003eScene 2 __ Poll's Solo\u003cspan\u003e \u003c\/span\u003e3:26\u003c\/div\u003e\n\u003cdiv\u003e43-7\u003cspan\u003e \u003c\/span\u003eJasper's Solo\u003cspan\u003e \u003c\/span\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e43-8\u003cspan\u003e \u003c\/span\u003eScene 3 __ Belaye's Solo \u0026amp; Sailors' Drill\u003cspan\u003e \u003c\/span\u003e3:27\u003c\/div\u003e\n\u003cdiv\u003e43-9\u003cspan\u003e \u003c\/span\u003ePoll's Solo\u003cspan\u003e \u003c\/span\u003e4:11\u003c\/div\u003e\n\u003cdiv\u003e43-10\u003cspan\u003e \u003c\/span\u003eEntry Of Belaye With Blanche As Bride\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e43-11\u003cspan\u003e \u003c\/span\u003eReconciliation\u003cspan\u003e \u003c\/span\u003e2:54\u003c\/div\u003e\n\u003cdiv\u003e43-12\u003cspan\u003e \u003c\/span\u003eGrand Finale\u003cspan\u003e \u003c\/span\u003e5:52\u003c\/div\u003e\n\u003cdiv\u003e43-13\u003cspan\u003e \u003c\/span\u003eThe Yeomen Of The Guard, Savoy Opera: Overture\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan (2)\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5:00\u003c\/div\u003e\n\u003cdiv\u003e43-14\u003cspan\u003e \u003c\/span\u003eThe Mikado, Savoy Opera: Overture\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e8:31\u003c\/div\u003e\n\u003cdiv\u003e43-15\u003cspan\u003e \u003c\/span\u003eIolanthe, Savoy Opera: Overture\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e7:39\u003c\/div\u003e\n\u003cdiv\u003e43-16\u003cspan\u003e \u003c\/span\u003eRuddigore, Savoy Opera: Overture\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6:26\u003c\/div\u003e\n\u003cdiv\u003ePineapple Poll\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePineapple Poll, Ballet\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e44-1\u003cspan\u003e \u003c\/span\u003eScene 1 __ Opening Dance\u003cspan\u003e \u003c\/span\u003e3:40\u003c\/div\u003e\n\u003cdiv\u003e44-2\u003cspan\u003e \u003c\/span\u003ePoll's Solo \u0026amp; Pas De Deux\u003cspan\u003e \u003c\/span\u003e3:37\u003c\/div\u003e\n\u003cdiv\u003e44-3\u003cspan\u003e \u003c\/span\u003eBelaye's Solo\u003cspan\u003e \u003c\/span\u003e3:21\u003c\/div\u003e\n\u003cdiv\u003e44-4\u003cspan\u003e \u003c\/span\u003ePas De Trois\u003cspan\u003e \u003c\/span\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e44-5\u003cspan\u003e \u003c\/span\u003eFinale\u003cspan\u003e \u003c\/span\u003e3:56\u003c\/div\u003e\n\u003cdiv\u003e44-6\u003cspan\u003e \u003c\/span\u003eScene 2 __ Poll's Solo\u003cspan\u003e \u003c\/span\u003e3:58\u003c\/div\u003e\n\u003cdiv\u003e44-7\u003cspan\u003e \u003c\/span\u003eJasper's Solo\u003cspan\u003e \u003c\/span\u003e3:50\u003c\/div\u003e\n\u003cdiv\u003e44-8\u003cspan\u003e \u003c\/span\u003eScene 3 __ Belaye's Solo \u0026amp; Sailors' Drill\u003cspan\u003e \u003c\/span\u003e3:27\u003c\/div\u003e\n\u003cdiv\u003e44-9\u003cspan\u003e \u003c\/span\u003ePoll's Solo\u003cspan\u003e \u003c\/span\u003e4:37\u003c\/div\u003e\n\u003cdiv\u003e44-10\u003cspan\u003e \u003c\/span\u003eEntry Of Belaye With Blanche As Bride\u003cspan\u003e \u003c\/span\u003e3:31\u003c\/div\u003e\n\u003cdiv\u003e44-11\u003cspan\u003e \u003c\/span\u003eReconciliation\u003cspan\u003e \u003c\/span\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e44-12\u003cspan\u003e \u003c\/span\u003eGrand Finale\u003cspan\u003e \u003c\/span\u003e5:33\u003c\/div\u003e\n\u003cdiv\u003ePineapple Poll Suite \/ Lady \u0026amp; The Fool Suite\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003ePineapple Poll, Ballet Suite\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e45-1\u003cspan\u003e \u003c\/span\u003eI. Opening Dance\u003cspan\u003e \u003c\/span\u003e3:47\u003c\/div\u003e\n\u003cdiv\u003e45-2\u003cspan\u003e \u003c\/span\u003eII. Poll's Solo \u0026amp; Pas De Deux\u003cspan\u003e \u003c\/span\u003e3:49\u003c\/div\u003e\n\u003cdiv\u003e45-3\u003cspan\u003e \u003c\/span\u003eIII. Belaye's Solo\u003cspan\u003e \u003c\/span\u003e3:26\u003c\/div\u003e\n\u003cdiv\u003e45-4\u003cspan\u003e \u003c\/span\u003eIV. Pas De Trois\u003cspan\u003e \u003c\/span\u003e3:18\u003c\/div\u003e\n\u003cdiv\u003e45-5\u003cspan\u003e \u003c\/span\u003eV. Jasper's Solo\u003cspan\u003e \u003c\/span\u003e3:59\u003c\/div\u003e\n\u003cdiv\u003e45-6\u003cspan\u003e \u003c\/span\u003eVI. Belaye's Solo And Sailors' Dance\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e45-7\u003cspan\u003e \u003c\/span\u003eVII. Reconciliation\u003cspan\u003e \u003c\/span\u003e3:29\u003c\/div\u003e\n\u003cdiv\u003e45-8\u003cspan\u003e \u003c\/span\u003eVIII. Grand Finale\u003cspan\u003e \u003c\/span\u003e5:44\u003c\/div\u003e\n\u003cdiv\u003eThe Lady \u0026amp; The Fool, Ballet Suite\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giuseppe Verdi\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e45-9\u003cspan\u003e \u003c\/span\u003eI. Tarantella\u003cspan\u003e \u003c\/span\u003e4:58\u003c\/div\u003e\n\u003cdiv\u003e45-10\u003cspan\u003e \u003c\/span\u003eII. Allegretto\u003cspan\u003e \u003c\/span\u003e2:42\u003c\/div\u003e\n\u003cdiv\u003e45-11\u003cspan\u003e \u003c\/span\u003eIII. Commedia\u003cspan\u003e \u003c\/span\u003e5:53\u003c\/div\u003e\n\u003cdiv\u003e45-12\u003cspan\u003e \u003c\/span\u003eIV. Grand Adagio\u003cspan\u003e \u003c\/span\u003e6:52\u003c\/div\u003e\n\u003cdiv\u003e45-13\u003cspan\u003e \u003c\/span\u003eV. Man's Solo\u003cspan\u003e \u003c\/span\u003e1:46\u003c\/div\u003e\n\u003cdiv\u003e45-14\u003cspan\u003e \u003c\/span\u003eVI. Pas De Deux\u003cspan\u003e \u003c\/span\u003e4:48\u003c\/div\u003e\n\u003cdiv\u003e45-15\u003cspan\u003e \u003c\/span\u003eFinale\u003cspan\u003e \u003c\/span\u003e2:58\u003c\/div\u003e\n\u003cdiv\u003eJanáček\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSinfonietta, JW 6\/18 For Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Leoš Janáček\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e46-1\u003cspan\u003e \u003c\/span\u003eI. Fanfares: Allegretto - Allegro - Maestoso\u003cspan\u003e \u003c\/span\u003e2:25\u003c\/div\u003e\n\u003cdiv\u003e46-2\u003cspan\u003e \u003c\/span\u003eII. Andante - Allegretto\u003cspan\u003e \u003c\/span\u003e6:18\u003c\/div\u003e\n\u003cdiv\u003e46-3\u003cspan\u003e \u003c\/span\u003eIII. Moderato\u003cspan\u003e \u003c\/span\u003e5:54\u003c\/div\u003e\n\u003cdiv\u003e46-4\u003cspan\u003e \u003c\/span\u003eIV. Allegretto\u003cspan\u003e \u003c\/span\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e46-5\u003cspan\u003e \u003c\/span\u003eV. Andante Con Moto\u003cspan\u003e \u003c\/span\u003e7:36\u003c\/div\u003e\n\u003cdiv\u003e4 Opera Overtures\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Leoš Janáček\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e46-6\u003cspan\u003e \u003c\/span\u003eThe Makropulos Affair\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003e46-7\u003cspan\u003e \u003c\/span\u003eKáťa Kabanová\u003cspan\u003e \u003c\/span\u003e4:49\u003c\/div\u003e\n\u003cdiv\u003e46-8\u003cspan\u003e \u003c\/span\u003eFrom The House Of The Dead\u003c\/div\u003e\n\u003cdiv\u003eViolin – Raymond Cohen\u003c\/div\u003e\n\u003cdiv\u003e5:40\u003c\/div\u003e\n\u003cdiv\u003e46-9\u003cspan\u003e \u003c\/span\u003eJealousy (Original Overture To Jenůfa)\u003cspan\u003e \u003c\/span\u003e5:52\u003c\/div\u003e\n\u003cdiv\u003eElgar: Enigma Variations \/ Falstaff - Symphonic Study\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eFalstaff, Symphonic Study, Op. 68\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Edward Elgar\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e47-1\u003cspan\u003e \u003c\/span\u003e1. Sir John Is Introduced By Several Themes\u003cspan\u003e \u003c\/span\u003e3:07\u003c\/div\u003e\n\u003cdiv\u003e47-2\u003cspan\u003e \u003c\/span\u003e2. Eastcheap\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e47-3\u003cspan\u003e \u003c\/span\u003e3. The Theme That Steadily Rises With Rich Harmony\u003cspan\u003e \u003c\/span\u003e1:13\u003c\/div\u003e\n\u003cdiv\u003e47-4\u003cspan\u003e \u003c\/span\u003e4. The Widespread, Octave-Looking Theme In The Strings\u003cspan\u003e \u003c\/span\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e47-5\u003cspan\u003e \u003c\/span\u003e5. Furtive Doings\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e47-6\u003cspan\u003e \u003c\/span\u003e6. Prince Henry Runs Up And\u003cspan\u003e \u003c\/span\u003e0:18\u003c\/div\u003e\n\u003cdiv\u003e47-7\u003cspan\u003e \u003c\/span\u003e7. The Fight Begins. Falstaff And Company Are Put To The Rout\u003cspan\u003e \u003c\/span\u003e2:07\u003c\/div\u003e\n\u003cdiv\u003e47-8\u003cspan\u003e \u003c\/span\u003e8. A Full Length Portrait of Mistress Quickly\u003cspan\u003e \u003c\/span\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e47-9\u003cspan\u003e \u003c\/span\u003e9. Falstaff Makes A Speech And\u003cspan\u003e \u003c\/span\u003e0:36\u003c\/div\u003e\n\u003cdiv\u003e47-10\u003cspan\u003e \u003c\/span\u003e10. His Drunken Failure Starts A Scene Of Raillery\u003cspan\u003e \u003c\/span\u003e0:55\u003c\/div\u003e\n\u003cdiv\u003e47-11\u003cspan\u003e \u003c\/span\u003e11. More Of Mistress Quickly\u003cspan\u003e \u003c\/span\u003e1:11\u003c\/div\u003e\n\u003cdiv\u003e47-12\u003cspan\u003e \u003c\/span\u003e12. He is Asleep And Snoring\u003cspan\u003e \u003c\/span\u003e1:19\u003c\/div\u003e\n\u003cdiv\u003e47-13\u003cspan\u003e \u003c\/span\u003eInterlude I. Falstaff's Dream\u003cspan\u003e \u003c\/span\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e47-14\u003cspan\u003e \u003c\/span\u003e13. Falstaff Is Summoned To Court\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e47-15\u003cspan\u003e \u003c\/span\u003e14. At Shallow's Orchard We Pass In Review Falstaff's Ragged Army Of Recruits\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e47-16\u003cspan\u003e \u003c\/span\u003e15. He Leads Them Into Battle\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e47-17\u003cspan\u003e \u003c\/span\u003e16. A Glimpse Of Rural Peace, And In That Setting\u003cspan\u003e \u003c\/span\u003e1:12\u003c\/div\u003e\n\u003cdiv\u003e47-18\u003cspan\u003e \u003c\/span\u003eInterlude II. Falstaff's Dream Of England\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e47-19\u003cspan\u003e \u003c\/span\u003e17. Harry The Fifth's The Man\u003cspan\u003e \u003c\/span\u003e0:19\u003c\/div\u003e\n\u003cdiv\u003e47-20\u003cspan\u003e \u003c\/span\u003e18. Falstaff's Boastful Theme\u003cspan\u003e \u003c\/span\u003e0:48\u003c\/div\u003e\n\u003cdiv\u003e47-21\u003cspan\u003e \u003c\/span\u003e19. Near Westminster On Coronation Day\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e47-22\u003cspan\u003e \u003c\/span\u003e20. A Recollection Of Their Past Mischief\u003cspan\u003e \u003c\/span\u003e0:47\u003c\/div\u003e\n\u003cdiv\u003e47-23\u003cspan\u003e \u003c\/span\u003e21. And Here Comes The King Himself\u003cspan\u003e \u003c\/span\u003e1:00\u003c\/div\u003e\n\u003cdiv\u003e47-24\u003cspan\u003e \u003c\/span\u003e22. Sir John Is Sternly Rebuffed\u003cspan\u003e \u003c\/span\u003e0:05\u003c\/div\u003e\n\u003cdiv\u003e47-25\u003cspan\u003e \u003c\/span\u003e23. Sir John Is Stunned, Tries To Speak\u003cspan\u003e \u003c\/span\u003e0:51\u003c\/div\u003e\n\u003cdiv\u003e47-26\u003cspan\u003e \u003c\/span\u003e24. The Procession Moves On\u003cspan\u003e \u003c\/span\u003e1:28\u003c\/div\u003e\n\u003cdiv\u003e47-27\u003cspan\u003e \u003c\/span\u003e25. We Are Now At The Inn, Where Sir John Lies, Near His End\u003cspan\u003e \u003c\/span\u003e0:32\u003c\/div\u003e\n\u003cdiv\u003e47-28\u003cspan\u003e \u003c\/span\u003e26. The Theme Of The Green Fields Of Gloucester\u003cspan\u003e \u003c\/span\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003eVariations On An Original Theme, Op. 36 \"Enigma\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Edward Elgar\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrgan – David Bell (5)\u003c\/div\u003e\n\u003cdiv\u003e47-29\u003cspan\u003e \u003c\/span\u003eTheme\u003cspan\u003e \u003c\/span\u003e1:32\u003c\/div\u003e\n\u003cdiv\u003e47-30\u003cspan\u003e \u003c\/span\u003eVariation I C.A.E.\u003cspan\u003e \u003c\/span\u003e1:58\u003c\/div\u003e\n\u003cdiv\u003e47-31\u003cspan\u003e \u003c\/span\u003eVariation II H.D.S-P.\u003cspan\u003e \u003c\/span\u003e0:44\u003c\/div\u003e\n\u003cdiv\u003e47-32\u003cspan\u003e \u003c\/span\u003eVariation III R.B.T.\u003cspan\u003e \u003c\/span\u003e1:25\u003c\/div\u003e\n\u003cdiv\u003e47-33\u003cspan\u003e \u003c\/span\u003eVariation IV W.M.B.\u003cspan\u003e \u003c\/span\u003e0:30\u003c\/div\u003e\n\u003cdiv\u003e47-34\u003cspan\u003e \u003c\/span\u003eVariation V R.P.A.\u003cspan\u003e \u003c\/span\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e47-35\u003cspan\u003e \u003c\/span\u003eVariation VI Ysobel\u003cspan\u003e \u003c\/span\u003e1:10\u003c\/div\u003e\n\u003cdiv\u003e47-36\u003cspan\u003e \u003c\/span\u003eVariation VII Troyte\u003cspan\u003e \u003c\/span\u003e0:54\u003c\/div\u003e\n\u003cdiv\u003e47-37\u003cspan\u003e \u003c\/span\u003eVariation VIII W.N.\u003cspan\u003e \u003c\/span\u003e1:46\u003c\/div\u003e\n\u003cdiv\u003e47-38\u003cspan\u003e \u003c\/span\u003eVariation IX Nimrod\u003cspan\u003e \u003c\/span\u003e4:18\u003c\/div\u003e\n\u003cdiv\u003e47-39\u003cspan\u003e \u003c\/span\u003eVariation X Dorabella\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e47-40\u003cspan\u003e \u003c\/span\u003eVariation XI G.R.S.\u003cspan\u003e \u003c\/span\u003e0:55\u003c\/div\u003e\n\u003cdiv\u003e47-41\u003cspan\u003e \u003c\/span\u003eVariation XII B.G.N.\u003cspan\u003e \u003c\/span\u003e2:51\u003c\/div\u003e\n\u003cdiv\u003e47-42\u003cspan\u003e \u003c\/span\u003eVariation XIII Romanza: ***\u003cspan\u003e \u003c\/span\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e47-43\u003cspan\u003e \u003c\/span\u003eVariation XIV Finale: E.D.U.\u003cspan\u003e \u003c\/span\u003e4:51\u003c\/div\u003e\n\u003cdiv\u003eSir Arthur Sullivan: Cello Concerto In D \/ Victor Herbert: Cello Concerto No.2 \/ Elgar: Romance\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e48-1\u003cspan\u003e \u003c\/span\u003eRomance In D Minor, Op. 62 For Cello \u0026amp; Orchestra\u003c\/div\u003e\n\u003cdiv\u003eCello – Julian Lloyd Webber\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Edward Elgar\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e6:02\u003c\/div\u003e\n\u003cdiv\u003eCello Concerto In D Major\u003c\/div\u003e\n\u003cdiv\u003eCello – Julian Lloyd Webber\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir Arthur Sullivan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eScore Editor [Reconstructed By] – David Mackie (2), Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e48-2\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003c\/div\u003e\n\u003cdiv\u003eCadenza – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003e3:26\u003c\/div\u003e\n\u003cdiv\u003e48-3\u003cspan\u003e \u003c\/span\u003eII. Andante Espressivo\u003cspan\u003e \u003c\/span\u003e6:56\u003c\/div\u003e\n\u003cdiv\u003e48-4\u003cspan\u003e \u003c\/span\u003eIII. Molto Vivace\u003cspan\u003e \u003c\/span\u003e7:08\u003c\/div\u003e\n\u003cdiv\u003eCello Concerto No. 2 In E Minor, Op. 30\u003c\/div\u003e\n\u003cdiv\u003eCello – Julian Lloyd Webber\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Victor Herbert\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e48-5\u003cspan\u003e \u003c\/span\u003eI. Allegro Impetuoso\u003cspan\u003e \u003c\/span\u003e8:23\u003c\/div\u003e\n\u003cdiv\u003e48-6\u003cspan\u003e \u003c\/span\u003eII. Lento - Andante Tranquillo\u003cspan\u003e \u003c\/span\u003e8:23\u003c\/div\u003e\n\u003cdiv\u003e48-7\u003cspan\u003e \u003c\/span\u003eIII. Allegro (Tempo I)\u003cspan\u003e \u003c\/span\u003e6:16\u003c\/div\u003e\n\u003cdiv\u003eMontserrat Caballé Puccini Arias\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eMadame Butterfly\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Giacosa, Luigi Illica\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-1\u003cspan\u003e \u003c\/span\u003e\"Un Bel Di Vedremo\" Cio-Cio-San\u003cspan\u003e \u003c\/span\u003e5:28\u003c\/div\u003e\n\u003cdiv\u003e49-2\u003cspan\u003e \u003c\/span\u003e\"Tu? Tu? Piccolo Iddio\" Cio-Cio-San\u003cspan\u003e \u003c\/span\u003e2:39\u003c\/div\u003e\n\u003cdiv\u003eManon Lescaut\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Giacosa, Luigi Illica\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-3\u003cspan\u003e \u003c\/span\u003e\"In Quelle Trine Morbide\" Manon\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003e49-4\u003cspan\u003e \u003c\/span\u003e\"Sola, Perduta, Abbandonata\" Manon\u003cspan\u003e \u003c\/span\u003e4:38\u003c\/div\u003e\n\u003cdiv\u003eTurandot\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Adami, Renato Simoni\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-5\u003cspan\u003e \u003c\/span\u003e\"Signore, Ascolta\" Liu\u003cspan\u003e \u003c\/span\u003e2:35\u003c\/div\u003e\n\u003cdiv\u003e49-6\u003cspan\u003e \u003c\/span\u003e\"Tu Che Di Gel Sei Cinta\" Liu\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003eGianni Schicchi\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giovacchino Forzano\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-7\u003cspan\u003e \u003c\/span\u003e\"O Mio Babbino Caro\" Lauretta\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003eTosca\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Giacosa, Luigi Illica\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-8\u003cspan\u003e \u003c\/span\u003e\"Vissi D'arte\" Tosca\u003cspan\u003e \u003c\/span\u003e3:40\u003c\/div\u003e\n\u003cdiv\u003eLa Bohème\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Giacosa, Luigi Illica\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-9\u003cspan\u003e \u003c\/span\u003e\"Si, Mi Chiamano Mimi\" Mimi\u003cspan\u003e \u003c\/span\u003e5:18\u003c\/div\u003e\n\u003cdiv\u003e49-10\u003cspan\u003e \u003c\/span\u003e\"Donde Lieta Usci Al Tuo Grido\" Mimi\u003cspan\u003e \u003c\/span\u003e3:29\u003c\/div\u003e\n\u003cdiv\u003eLe Villi\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Ferdinando Fontana\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-11\u003cspan\u003e \u003c\/span\u003e\"Se Come Voi Piccina Io Fossi\" Anna\u003cspan\u003e \u003c\/span\u003e5:17\u003c\/div\u003e\n\u003cdiv\u003eLa Rondine\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Giacomo Puccini\u003c\/div\u003e\n\u003cdiv\u003eLibretto By – Giuseppe Adami\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Montserrat Caballé\u003c\/div\u003e\n\u003cdiv\u003e49-12\u003cspan\u003e \u003c\/span\u003e\"Chi Il Bel Sogno Di Doretta\" Magda De Civry\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003eMahler Symphony No. 1\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 1 In D Major \"Titan\"\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gustav Mahler\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e(54:25)\u003c\/div\u003e\n\u003cdiv\u003e50-1\u003cspan\u003e \u003c\/span\u003eI. Langsam. Schleppend\u003cspan\u003e \u003c\/span\u003e16:04\u003c\/div\u003e\n\u003cdiv\u003e50-2\u003cspan\u003e \u003c\/span\u003eII. Kräftig Bewegt, Doch Nicht Zu Schnell\u003cspan\u003e \u003c\/span\u003e7:31\u003c\/div\u003e\n\u003cdiv\u003e50-3\u003cspan\u003e \u003c\/span\u003eIII. Feierlich Und Gemessen, Ohne Zu Schleppen\u003cspan\u003e \u003c\/span\u003e10:17\u003c\/div\u003e\n\u003cdiv\u003e50-4\u003cspan\u003e \u003c\/span\u003eIV. Stürmisch Bewegt\u003cspan\u003e \u003c\/span\u003e20:33\u003c\/div\u003e\n\u003cdiv\u003eMahler Symphony No. 5\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 5 In C-sharp Minor\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gustav Mahler\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e(1:09:59)\u003c\/div\u003e\n\u003cdiv\u003e51-1\u003cspan\u003e \u003c\/span\u003eI. Trauermarsch: In Gemessenem Schritt. Streng. Wie Ein Kondukt\u003cspan\u003e \u003c\/span\u003e13:46\u003c\/div\u003e\n\u003cdiv\u003e51-2\u003cspan\u003e \u003c\/span\u003eII. Stürmisch Bewegt, Mit Großter Vehemenz\u003cspan\u003e \u003c\/span\u003e14:43\u003c\/div\u003e\n\u003cdiv\u003e51-3\u003cspan\u003e \u003c\/span\u003eIII. Scherzo: Kräftig, Nicht Zu Schnell\u003c\/div\u003e\n\u003cdiv\u003eHorn – Claire Briggs\u003c\/div\u003e\n\u003cdiv\u003e16:23\u003c\/div\u003e\n\u003cdiv\u003e51-4\u003cspan\u003e \u003c\/span\u003eIV. Adagietto. Sehr Langsam\u003cspan\u003e \u003c\/span\u003e10:02\u003c\/div\u003e\n\u003cdiv\u003e51-5\u003cspan\u003e \u003c\/span\u003eV. Rondo-Finale: Allegro - Allegro Giocoso - Frisch\u003cspan\u003e \u003c\/span\u003e15:04\u003c\/div\u003e\n\u003cdiv\u003eMahler: Des Knaben Wunderhorn\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLieder Aus \"Des Knaben Wunderhorn\"\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals – Thomas Allen\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gustav Mahler\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Ann Murray\u003c\/div\u003e\n\u003cdiv\u003e52-1\u003cspan\u003e \u003c\/span\u003eNo. 11 Revelge\u003cspan\u003e \u003c\/span\u003e6:52\u003c\/div\u003e\n\u003cdiv\u003e52-2\u003cspan\u003e \u003c\/span\u003eNo. 5 Das Irdische Leben\u003cspan\u003e \u003c\/span\u003e2:50\u003c\/div\u003e\n\u003cdiv\u003e52-3\u003cspan\u003e \u003c\/span\u003eNo. 2 Verlor'ne Müh'\u003cspan\u003e \u003c\/span\u003e2:33\u003c\/div\u003e\n\u003cdiv\u003e52-4\u003cspan\u003e \u003c\/span\u003eNo. 7 Rheinlegendchen\u003cspan\u003e \u003c\/span\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e52-5\u003cspan\u003e \u003c\/span\u003eNo. 12 Der Tamboursg'sell\u003cspan\u003e \u003c\/span\u003e6:27\u003c\/div\u003e\n\u003cdiv\u003e52-6\u003cspan\u003e \u003c\/span\u003eNo. 1 Der Schildwache Nachtlied\u003cspan\u003e \u003c\/span\u003e6:10\u003c\/div\u003e\n\u003cdiv\u003e52-7\u003cspan\u003e \u003c\/span\u003eNo. 4 Wer Hat Des Liedlein Erdacht?\u003cspan\u003e \u003c\/span\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e52-8\u003cspan\u003e \u003c\/span\u003eNo. 10 Lob Des Hohen Verstandes\u003cspan\u003e \u003c\/span\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003e52-9\u003cspan\u003e \u003c\/span\u003eNo. 6 Des Antonius Von Padua Fischpredigt\u003cspan\u003e \u003c\/span\u003e4:04\u003c\/div\u003e\n\u003cdiv\u003e52-10\u003cspan\u003e \u003c\/span\u003eNo. 8 Lied Des Verfolgten Im Turm\u003cspan\u003e \u003c\/span\u003e3:55\u003c\/div\u003e\n\u003cdiv\u003e52-11\u003cspan\u003e \u003c\/span\u003eNo. 3 Trost Im Unglück\u003cspan\u003e \u003c\/span\u003e2:22\u003c\/div\u003e\n\u003cdiv\u003e52-12\u003cspan\u003e \u003c\/span\u003eNo. 9 Wo Die Schönen Trompeten Blasen\u003cspan\u003e \u003c\/span\u003e8:07\u003c\/div\u003e\n\u003cdiv\u003e52-13\u003cspan\u003e \u003c\/span\u003eAn Die Hoffnung, Op. 124\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Max Reger\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Friedrich Hölderlin\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e11:02\u003c\/div\u003e\n\u003cdiv\u003e7 Frühe Lieder\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Alban Berg\u003c\/div\u003e\n\u003cdiv\u003eMezzo-soprano Vocals – Christa Ludwig\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – New Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e52-14\u003cspan\u003e \u003c\/span\u003eNo. 1 Nacht\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Carl Hauptmann\u003c\/div\u003e\n\u003cdiv\u003e3:52\u003c\/div\u003e\n\u003cdiv\u003e52-15\u003cspan\u003e \u003c\/span\u003eNo. 2 Schilflied\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Nikolaus Lenau\u003c\/div\u003e\n\u003cdiv\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e52-16\u003cspan\u003e \u003c\/span\u003eNo. 3 Die Nachtigall\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Theodor Storm\u003c\/div\u003e\n\u003cdiv\u003e2:24\u003c\/div\u003e\n\u003cdiv\u003eDelius: Paris - The Song Of A Great City ...\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e53-1\u003cspan\u003e \u003c\/span\u003eParis, The Song Of A Great City, RT VI\/14\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frederick Delius\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e21:49\u003c\/div\u003e\n\u003cdiv\u003eConcerto For Violin, Cello And Orchestra, RT VII\/5\u003c\/div\u003e\n\u003cdiv\u003eCello – Raphael Wallfisch\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frederick Delius\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003eViolin – Tasmin Little\u003c\/div\u003e\n\u003cdiv\u003e53-2\u003cspan\u003e \u003c\/span\u003eI. Quietly -\u003cspan\u003e \u003c\/span\u003e6:21\u003c\/div\u003e\n\u003cdiv\u003e53-3\u003cspan\u003e \u003c\/span\u003eII. Slowly And Quietly -\u003cspan\u003e \u003c\/span\u003e6:54\u003c\/div\u003e\n\u003cdiv\u003e53-4\u003cspan\u003e \u003c\/span\u003eIII. Accel ... Tempo I\u003cspan\u003e \u003c\/span\u003e7:18\u003c\/div\u003e\n\u003cdiv\u003eCello Concerto, RT VII\/7\u003c\/div\u003e\n\u003cdiv\u003eCello – Raphael Wallfisch\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Frederick Delius\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e53-5\u003cspan\u003e \u003c\/span\u003eI. Slow -\u003cspan\u003e \u003c\/span\u003e6:38\u003c\/div\u003e\n\u003cdiv\u003e53-6\u003cspan\u003e \u003c\/span\u003eII. Becoming Slower -\u003cspan\u003e \u003c\/span\u003e5:27\u003c\/div\u003e\n\u003cdiv\u003e53-7\u003cspan\u003e \u003c\/span\u003eIII. Very Quietly -\u003cspan\u003e \u003c\/span\u003e1:18\u003c\/div\u003e\n\u003cdiv\u003e53-8\u003cspan\u003e \u003c\/span\u003eIV. Con Moto Tranquillo -\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e53-9\u003cspan\u003e \u003c\/span\u003eV. With Animation (Allegremente)\u003cspan\u003e \u003c\/span\u003e6:32\u003c\/div\u003e\n\u003cdiv\u003eRachmaninov: Symphony No. 3 \/ Symphonic Dances\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 3 In A Minor, Op. 44\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Rachmaninoff\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e54-1\u003cspan\u003e \u003c\/span\u003eI. Lento (Allegro Moderato)\u003cspan\u003e \u003c\/span\u003e17:15\u003c\/div\u003e\n\u003cdiv\u003e54-2\u003cspan\u003e \u003c\/span\u003eII. Adagio Ma Non Troppo\u003cspan\u003e \u003c\/span\u003e12:25\u003c\/div\u003e\n\u003cdiv\u003e54-3\u003cspan\u003e \u003c\/span\u003eIII. Allegro\u003cspan\u003e \u003c\/span\u003e12:59\u003c\/div\u003e\n\u003cdiv\u003eSymphonic Dances, Op. 45\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sergei Rachmaninoff\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e54-4\u003cspan\u003e \u003c\/span\u003eI. Non Allegro\u003cspan\u003e \u003c\/span\u003e11:59\u003c\/div\u003e\n\u003cdiv\u003e54-5\u003cspan\u003e \u003c\/span\u003eII. Andante Con Moto (Tempo Di Valse)\u003cspan\u003e \u003c\/span\u003e9:13\u003c\/div\u003e\n\u003cdiv\u003e54-6\u003cspan\u003e \u003c\/span\u003eIII. Lento Assai - Allegro Vivace\u003cspan\u003e \u003c\/span\u003e13:44\u003c\/div\u003e\n\u003cdiv\u003eHolst: The Planets \/ The Perfect Fool\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eThe Planets, Op. 32, Suite For Large Orchestra\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gustav Holst\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e55-1\u003cspan\u003e \u003c\/span\u003eI. Mars, The Bringer Of War\u003cspan\u003e \u003c\/span\u003e7:03\u003c\/div\u003e\n\u003cdiv\u003e55-2\u003cspan\u003e \u003c\/span\u003eII. Venus, The Bringer Of Peace\u003cspan\u003e \u003c\/span\u003e8:06\u003c\/div\u003e\n\u003cdiv\u003e55-3\u003cspan\u003e \u003c\/span\u003eIII. Mercury, The Winged Messenger\u003cspan\u003e \u003c\/span\u003e3:59\u003c\/div\u003e\n\u003cdiv\u003e55-4\u003cspan\u003e \u003c\/span\u003eIV. Jupiter, The Bringer Of Jollity\u003cspan\u003e \u003c\/span\u003e7:43\u003c\/div\u003e\n\u003cdiv\u003e55-5\u003cspan\u003e \u003c\/span\u003eV. Saturn, The Bringer Of Old Age\u003cspan\u003e \u003c\/span\u003e9:28\u003c\/div\u003e\n\u003cdiv\u003e55-6\u003cspan\u003e \u003c\/span\u003eVI. Uranus, The Magician\u003cspan\u003e \u003c\/span\u003e6:12\u003c\/div\u003e\n\u003cdiv\u003e55-7\u003cspan\u003e \u003c\/span\u003eVII. Neptune, The Mystic\u003cspan\u003e \u003c\/span\u003e6:57\u003c\/div\u003e\n\u003cdiv\u003e55-8\u003cspan\u003e \u003c\/span\u003eThe Perfect Fool, Ballet Music\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gustav Holst\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e10:57\u003c\/div\u003e\n\u003cdiv\u003eWolf-Ferrari ...\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIl Segreto Di Susanna, Intermezzo:\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ermanno Wolf-Ferrari\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-1\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e2:56\u003c\/div\u003e\n\u003cdiv\u003eI Quattro Rusteghi, Comic Opera\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ermanno Wolf-Ferrari\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-2\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e2:34\u003c\/div\u003e\n\u003cdiv\u003e56-3\u003cspan\u003e \u003c\/span\u003eIntermezzo\u003cspan\u003e \u003c\/span\u003e4:14\u003c\/div\u003e\n\u003cdiv\u003eI Gioielli Della Madonna, Suite\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Ermanno Wolf-Ferrari\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-4\u003cspan\u003e \u003c\/span\u003eI. Festa Popolare (Act 3)\u003cspan\u003e \u003c\/span\u003e4:55\u003c\/div\u003e\n\u003cdiv\u003e56-5\u003cspan\u003e \u003c\/span\u003eII. Intermezzo (Act 2)\u003cspan\u003e \u003c\/span\u003e4:39\u003c\/div\u003e\n\u003cdiv\u003e56-6\u003cspan\u003e \u003c\/span\u003eIII. Serenata (Act 3)\u003cspan\u003e \u003c\/span\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e56-7\u003cspan\u003e \u003c\/span\u003eIV. Danza Napolitana (Act 3)\u003cspan\u003e \u003c\/span\u003e3:56\u003c\/div\u003e\n\u003cdiv\u003eLa Fille Du Régiment, Comic Opera\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gaetano Donizetti\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-8\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e7:23\u003c\/div\u003e\n\u003cdiv\u003eDon Pasquale, Opera:\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Gaetano Donizetti\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-9\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e6:33\u003c\/div\u003e\n\u003cdiv\u003eThe Three-Cornered Hat: Ballet Music\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Manuel De Falla\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-10\u003cspan\u003e \u003c\/span\u003eDanza De Los Vecinos\u003cspan\u003e \u003c\/span\u003e3:16\u003c\/div\u003e\n\u003cdiv\u003e56-11\u003cspan\u003e \u003c\/span\u003eDanza Del Molinero\u003cspan\u003e \u003c\/span\u003e2:40\u003c\/div\u003e\n\u003cdiv\u003e56-12\u003cspan\u003e \u003c\/span\u003eDanza Final: Jota\u003cspan\u003e \u003c\/span\u003e6:14\u003c\/div\u003e\n\u003cdiv\u003eThe Bartered Bride, Comic Opera:\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Bedřich Smetana\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-13\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e6:25\u003c\/div\u003e\n\u003cdiv\u003eSchwanda The Bagpiper, Opera:\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Jaromir Weinberger\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e56-14\u003cspan\u003e \u003c\/span\u003ePolka \u0026amp; Fugue\u003cspan\u003e \u003c\/span\u003e8:04\u003c\/div\u003e\n\u003cdiv\u003eHavergal Brian: Symphony No. 7 \/ Symphony No. 31 \/ The Tinker's Wedding Comedy Overture\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e57-1\u003cspan\u003e \u003c\/span\u003eThe Tinker's Wedding, Comedy Overture No. 2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Havergal Brian\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e7:24\u003c\/div\u003e\n\u003cdiv\u003e57-2\u003cspan\u003e \u003c\/span\u003eSymphony No. 31\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Havergal Brian\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e13:31\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 7 In C Major\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Havergal Brian\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Liverpool Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e57-3\u003cspan\u003e \u003c\/span\u003eI. Allegro Moderato\u003cspan\u003e \u003c\/span\u003e9:34\u003c\/div\u003e\n\u003cdiv\u003e57-4\u003cspan\u003e \u003c\/span\u003eII. Allegro Moderato Ma Maestoso\u003cspan\u003e \u003c\/span\u003e6:57\u003c\/div\u003e\n\u003cdiv\u003e57-5\u003cspan\u003e \u003c\/span\u003eIII. Adagio - Allegro Moderato - Adagio\u003cspan\u003e \u003c\/span\u003e15:44\u003c\/div\u003e\n\u003cdiv\u003e57-6\u003cspan\u003e \u003c\/span\u003eIV. Epilogue: Once Upon A Time\u003cspan\u003e \u003c\/span\u003e10:00\u003c\/div\u003e\n\u003cdiv\u003eStravinsky • The Rite Of Spring ...\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLe Sacre Du Printemps, Tableaux De La Russie Païenne En Deux Parties\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Igor Stravinsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e58-1\u003cspan\u003e \u003c\/span\u003ePart 1: L'Adoration De La Terre __ I. Introduction\u003cspan\u003e \u003c\/span\u003e3:36\u003c\/div\u003e\n\u003cdiv\u003e58-2\u003cspan\u003e \u003c\/span\u003eII. Danses Des Adolescentes\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e58-3\u003cspan\u003e \u003c\/span\u003eIII. Jeu Du Rapt\u003cspan\u003e \u003c\/span\u003e1:16\u003c\/div\u003e\n\u003cdiv\u003e58-4\u003cspan\u003e \u003c\/span\u003eIV. Rondes Printanières\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e58-5\u003cspan\u003e \u003c\/span\u003eV. Jeux Des Cités Rivales\u003cspan\u003e \u003c\/span\u003e1:48\u003c\/div\u003e\n\u003cdiv\u003e58-6\u003cspan\u003e \u003c\/span\u003eVI. Cortège Du Sage\u003cspan\u003e \u003c\/span\u003e0:40\u003c\/div\u003e\n\u003cdiv\u003e58-7\u003cspan\u003e \u003c\/span\u003eVII. Adoration De La Terre\u003cspan\u003e \u003c\/span\u003e0:21\u003c\/div\u003e\n\u003cdiv\u003e58-8\u003cspan\u003e \u003c\/span\u003eVIII. Danse De La Terre\u003cspan\u003e \u003c\/span\u003e1:14\u003c\/div\u003e\n\u003cdiv\u003e58-9\u003cspan\u003e \u003c\/span\u003ePart 2: Le Sacrifice __ I. Introduction\u003cspan\u003e \u003c\/span\u003e4:05\u003c\/div\u003e\n\u003cdiv\u003e58-10\u003cspan\u003e \u003c\/span\u003eII. Cercles Mystérieux Des Adolescentes\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e58-11\u003cspan\u003e \u003c\/span\u003eIII. Glorification De L'Élue\u003cspan\u003e \u003c\/span\u003e1:31\u003c\/div\u003e\n\u003cdiv\u003e58-12\u003cspan\u003e \u003c\/span\u003eIV. Evocation Des Ancêtres\u003cspan\u003e \u003c\/span\u003e0:45\u003c\/div\u003e\n\u003cdiv\u003e58-13\u003cspan\u003e \u003c\/span\u003eV. Action Rituelle Des Ancêtres\u003cspan\u003e \u003c\/span\u003e3:22\u003c\/div\u003e\n\u003cdiv\u003e58-14\u003cspan\u003e \u003c\/span\u003eVI. Danse Sacrale\u003cspan\u003e \u003c\/span\u003e4:43\u003c\/div\u003e\n\u003cdiv\u003e58-15\u003cspan\u003e \u003c\/span\u003eFeu D'artifice, Op. 4\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Igor Stravinsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e3:50\u003c\/div\u003e\n\u003cdiv\u003e58-16\u003cspan\u003e \u003c\/span\u003eCircus Polka For A Young Elephant\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Igor Stravinsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e58-17\u003cspan\u003e \u003c\/span\u003eGreeting Prelude\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Igor Stravinsky\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e0:56\u003c\/div\u003e\n\u003cdiv\u003eFavourite Music Of Eric Coates\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e[7 Selections By Eric Coates]\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Eric Coates\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e59-1\u003cspan\u003e \u003c\/span\u003eThe Merrymakers, A Miniature Overture\u003cspan\u003e \u003c\/span\u003e4:34\u003c\/div\u003e\n\u003cdiv\u003e59-2\u003cspan\u003e \u003c\/span\u003eSummer Days, Suite: III. At The Dance\u003cspan\u003e \u003c\/span\u003e4:08\u003c\/div\u003e\n\u003cdiv\u003e59-3\u003cspan\u003e \u003c\/span\u003eThe Three Men, Suite: III. The Man From The Sea\u003cspan\u003e \u003c\/span\u003e5:07\u003c\/div\u003e\n\u003cdiv\u003e59-4\u003cspan\u003e \u003c\/span\u003eLondon Again, Suite: I. Oxford Street March\u003cspan\u003e \u003c\/span\u003e3:30\u003c\/div\u003e\n\u003cdiv\u003e59-5\u003cspan\u003e \u003c\/span\u003eThe Three Bears (A Phantasy), Suite\u003cspan\u003e \u003c\/span\u003e9:20\u003c\/div\u003e\n\u003cdiv\u003e59-6\u003cspan\u003e \u003c\/span\u003eBy The Sleepy Lagoon, Valse-serenade\u003cspan\u003e \u003c\/span\u003e3:09\u003c\/div\u003e\n\u003cdiv\u003e59-7\u003cspan\u003e \u003c\/span\u003eThe Three Elizabeths: Suite: III. Queen Elizabeth II March\u003cspan\u003e \u003c\/span\u003e5:54\u003c\/div\u003e\n\u003cdiv\u003eDonna Diana, Comic Opera\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Emil Von Reznicek*\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e59-8\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e5:29\u003c\/div\u003e\n\u003cdiv\u003eDer Schuss Von Der Kanzel (The Hunting Parson)\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Paul Burkhard\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Royal Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e59-9\u003cspan\u003e \u003c\/span\u003eOverture\u003cspan\u003e \u003c\/span\u003e7:12\u003c\/div\u003e\n\u003cdiv\u003e[3 Selections By Aaron Copland]\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Aaron Copland\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e59-10\u003cspan\u003e \u003c\/span\u003eEl Salón México, Ballet\u003cspan\u003e \u003c\/span\u003e11:12\u003c\/div\u003e\n\u003cdiv\u003e59-11\u003cspan\u003e \u003c\/span\u003eThe Quiet City (Concert Version, 1940)\u003cspan\u003e \u003c\/span\u003e10:37\u003c\/div\u003e\n\u003cdiv\u003e59-12\u003cspan\u003e \u003c\/span\u003eRodeo: Hoe Down\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003eSerenade For Strings, Op. 11\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Dag Wirén\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003e59-13\u003cspan\u003e \u003c\/span\u003eIII. Scherzo\u003cspan\u003e \u003c\/span\u003e3:11\u003c\/div\u003e\n\u003cdiv\u003e59-14\u003cspan\u003e \u003c\/span\u003eIV. March\u003cspan\u003e \u003c\/span\u003e5:06\u003c\/div\u003e\n\u003cdiv\u003eWalton: Symphony No.1 \u0026amp; No.2\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 1 In B-flat Minor\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir William Walton\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e60-1\u003cspan\u003e \u003c\/span\u003eI. Allegro Assai\u003cspan\u003e \u003c\/span\u003e14:19\u003c\/div\u003e\n\u003cdiv\u003e60-2\u003cspan\u003e \u003c\/span\u003eII. Presto, Con Malizia\u003cspan\u003e \u003c\/span\u003e5:58\u003c\/div\u003e\n\u003cdiv\u003e60-3\u003cspan\u003e \u003c\/span\u003eIII. Andante Con Malincolia\u003cspan\u003e \u003c\/span\u003e12:10\u003c\/div\u003e\n\u003cdiv\u003e60-4\u003cspan\u003e \u003c\/span\u003eIV. Maestoso - Brioso Ed Ardentemente - Vivacissimo - Maestoso\u003cspan\u003e \u003c\/span\u003e13:06\u003c\/div\u003e\n\u003cdiv\u003e60-5\u003cspan\u003e \u003c\/span\u003eSiesta\u003c\/div\u003e\n\u003cdiv\u003eCello – Matthias Feile\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir William Walton\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Philharmonic Orchestra\u003c\/div\u003e\n\u003cdiv\u003e5:08\u003c\/div\u003e\n\u003cdiv\u003eSymphony No. 2\u003c\/div\u003e\n\u003cdiv\u003eComposed By – Sir William Walton\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e60-6\u003cspan\u003e \u003c\/span\u003eI. Allegro Molto\u003cspan\u003e \u003c\/span\u003e8:55\u003c\/div\u003e\n\u003cdiv\u003e60-7\u003cspan\u003e \u003c\/span\u003eII. Lento Assai\u003cspan\u003e \u003c\/span\u003e9:51\u003c\/div\u003e\n\u003cdiv\u003e60-8\u003cspan\u003e \u003c\/span\u003eIII. Passacaglia. Theme: Risoluto - Variations - Fugato - Coda: Scherzando\u003cspan\u003e \u003c\/span\u003e9:38\u003c\/div\u003e\n\u003cdiv\u003eThe Elisabeth Schwarzkopf Christmas Album\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\"The Elisabeth Schwarzkopf Christmas Album\"\u003c\/div\u003e\n\u003cdiv\u003eArranged By, Orchestrated By – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eChorus – The Ambrosian Singers\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – John McCarthy\u003c\/div\u003e\n\u003cdiv\u003eGuitar – Julian Bream\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Philharmonia Orchestra\u003c\/div\u003e\n\u003cdiv\u003eOrgan – Denis Vaughan\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals – Elisabeth Schwarzkopf\u003c\/div\u003e\n\u003cdiv\u003e61-1\u003cspan\u003e \u003c\/span\u003eStille Nacht, Heilige Nacht (Original Version)\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Franz Xaver Gruber*, Joseph Mohr\u003c\/div\u003e\n\u003cdiv\u003e3:38\u003c\/div\u003e\n\u003cdiv\u003e61-2\u003cspan\u003e \u003c\/span\u003eO Come, All Ye Faithful\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eTranslated By [Latin Translation] – Frederick Oakeley\u003c\/div\u003e\n\u003cdiv\u003e3:13\u003c\/div\u003e\n\u003cdiv\u003e61-3\u003cspan\u003e \u003c\/span\u003eO Du Fröhliche\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Johannes Falk*\u003c\/div\u003e\n\u003cdiv\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e61-4\u003cspan\u003e \u003c\/span\u003eSandmännchen\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Johannes Brahms\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Wilhelm Von Zuccalmaglio*\u003c\/div\u003e\n\u003cdiv\u003e2:52\u003c\/div\u003e\n\u003cdiv\u003e61-5\u003cspan\u003e \u003c\/span\u003eUntreue \"In Einem Kühlwn Grunde\"\u003c\/div\u003e\n\u003cdiv\u003eMusic By – Christoph Willibald Gluck\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Joseph Von Eichendorff\u003c\/div\u003e\n\u003cdiv\u003e2:42\u003c\/div\u003e\n\u003cdiv\u003e61-6\u003cspan\u003e \u003c\/span\u003ePanis Angelicus\u003c\/div\u003e\n\u003cdiv\u003eMusic By – César Franck\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Thomas Aquinas\u003c\/div\u003e\n\u003cdiv\u003e4:41\u003c\/div\u003e\n\u003cdiv\u003e61-7\u003cspan\u003e \u003c\/span\u003eThe First Nowell\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e5:55\u003c\/div\u003e\n\u003cdiv\u003e61-8\u003cspan\u003e \u003c\/span\u003eIn Dulci Jubilo\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Heinrich Suso*\u003c\/div\u003e\n\u003cdiv\u003eTranslated By [Lyrics Translation] – Robert Lucas de Pearsall\u003c\/div\u003e\n\u003cdiv\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e61-9\u003cspan\u003e \u003c\/span\u003eWeinachten\u003c\/div\u003e\n\u003cdiv\u003eMusic By – Engelbert Humperdinck (2)\u003c\/div\u003e\n\u003cdiv\u003eLyrics By – Christian Hesse*\u003c\/div\u003e\n\u003cdiv\u003e3:12\u003c\/div\u003e\n\u003cdiv\u003e61-10\u003cspan\u003e \u003c\/span\u003eVon Himmel Hoch\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Martin Luther (3)\u003c\/div\u003e\n\u003cdiv\u003e3:15\u003c\/div\u003e\n\u003cdiv\u003e61-11\u003cspan\u003e \u003c\/span\u003eI Saw Three Ships Come Sailing By\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e1:26\u003c\/div\u003e\n\u003cdiv\u003e61-12\u003cspan\u003e \u003c\/span\u003eMaria Auf Dem Berge\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e1:51\u003c\/div\u003e\n\u003cdiv\u003e61-13\u003cspan\u003e \u003c\/span\u003eLasst Uns Erfreuen\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e3:27\u003c\/div\u003e\n\u003cdiv\u003eFolksongs Of The British Isles \/ Richard Lewis\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\"Folksongs Of The British Isles\"\u003c\/div\u003e\n\u003cdiv\u003eArranged By – Arne Dørumsgaard\u003c\/div\u003e\n\u003cdiv\u003eHarp – Tina Bonifacio\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Robert Masters Chamber Orchestra\u003c\/div\u003e\n\u003cdiv\u003eTenor Vocals – Richard Lewis (3)\u003c\/div\u003e\n\u003cdiv\u003e62-1\u003cspan\u003e \u003c\/span\u003eBingo\u003cspan\u003e \u003c\/span\u003e1:47\u003c\/div\u003e\n\u003cdiv\u003e62-2\u003cspan\u003e \u003c\/span\u003eAr Hyd Y Nos (All Through The Night)\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – John Ceiriog Hughes\u003c\/div\u003e\n\u003cdiv\u003e2:48\u003c\/div\u003e\n\u003cdiv\u003e62-3\u003cspan\u003e \u003c\/span\u003eKing Arthur's Servants\u003cspan\u003e \u003c\/span\u003e1:46\u003c\/div\u003e\n\u003cdiv\u003e62-4\u003cspan\u003e \u003c\/span\u003eGrad Geal Mo Chridh (An Eriskay Love-Lilt)\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Marjory Kennedy-Fraser\u003c\/div\u003e\n\u003cdiv\u003e3:46\u003c\/div\u003e\n\u003cdiv\u003e62-5\u003cspan\u003e \u003c\/span\u003eThe Helston Furry Dance\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Sir Alexander Boswell*\u003c\/div\u003e\n\u003cdiv\u003e1:57\u003c\/div\u003e\n\u003cdiv\u003e62-6\u003cspan\u003e \u003c\/span\u003eDafydd Y Garreg Wen\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – John Ceiriog Hughes\u003c\/div\u003e\n\u003cdiv\u003e2:59\u003c\/div\u003e\n\u003cdiv\u003e62-7\u003cspan\u003e \u003c\/span\u003eThe Foggy, Foggy Dew\u003cspan\u003e \u003c\/span\u003e3:17\u003c\/div\u003e\n\u003cdiv\u003e62-8\u003cspan\u003e \u003c\/span\u003eMo Nighhenn Chruinn, Donn\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e62-9\u003cspan\u003e \u003c\/span\u003eThe Shuttering Lovers\u003cspan\u003e \u003c\/span\u003e1:45\u003c\/div\u003e\n\u003cdiv\u003e62-10\u003cspan\u003e \u003c\/span\u003eThe Maypole Song\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – William Chappell (3)\u003c\/div\u003e\n\u003cdiv\u003e1:54\u003c\/div\u003e\n\u003cdiv\u003e62-11\u003cspan\u003e \u003c\/span\u003eLeezie Lindsay\u003cspan\u003e \u003c\/span\u003e3:45\u003c\/div\u003e\n\u003cdiv\u003e62-12\u003cspan\u003e \u003c\/span\u003eI Will Give My Love An Apple\u003cspan\u003e \u003c\/span\u003e1:49\u003c\/div\u003e\n\u003cdiv\u003e62-13\u003cspan\u003e \u003c\/span\u003eO Love, It Is A Killing Thing\u003cspan\u003e \u003c\/span\u003e2:15\u003c\/div\u003e\n\u003cdiv\u003e62-14\u003cspan\u003e \u003c\/span\u003eBuy Broom Buzzems\u003cspan\u003e \u003c\/span\u003e1:50\u003c\/div\u003e\n\u003cdiv\u003e62-15\u003cspan\u003e \u003c\/span\u003eO Waly, Waly\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Cecil Sharp\u003c\/div\u003e\n\u003cdiv\u003e5:12\u003c\/div\u003e\n\u003cdiv\u003e62-16\u003cspan\u003e \u003c\/span\u003eFine Flow'rs In The Valley\u003cspan\u003e \u003c\/span\u003e3:04\u003c\/div\u003e\n\u003cdiv\u003e62-17\u003cspan\u003e \u003c\/span\u003eShe Moved Thro' The Fair\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Padraic Colum\u003c\/div\u003e\n\u003cdiv\u003e2:31\u003c\/div\u003e\n\u003cdiv\u003e62-18\u003cspan\u003e \u003c\/span\u003eThere's None To Soothe\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e62-19\u003cspan\u003e \u003c\/span\u003eThe Briery Bush\u003cspan\u003e \u003c\/span\u003e2:20\u003c\/div\u003e\n\u003cdiv\u003e\"Peter Dawson Sings\"\u003c\/div\u003e\n\u003cdiv\u003eBass-Baritone Vocals – Peter Dawson\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – London Symphony Orchestra\u003c\/div\u003e\n\u003cdiv\u003e62-20\u003cspan\u003e \u003c\/span\u003eClancey Of The Overflow\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Albert Arlen, Andrew Barton \"Banjo\" Paterson*\u003c\/div\u003e\n\u003cdiv\u003e4:28\u003c\/div\u003e\n\u003cdiv\u003e62-21\u003cspan\u003e \u003c\/span\u003eMandalay Scena, Medley\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Charles Willeby, Gerard Cobb, Oley Speaks, Walter Hedgecock, Rudyard Kipling\u003c\/div\u003e\n\u003cdiv\u003e5:25\u003c\/div\u003e\n\u003cdiv\u003eA Little Nonsense ... Owen Brannigan\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\"A Little Nonsense\"\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Track 2] – Herbert Hughes\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Track 7] – Victor Hely-Hutchinson\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Tracks 3, 5, 6, 9-11] – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals – Owen Brannigan\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003e63-1\u003cspan\u003e \u003c\/span\u003eThe Story Of Cock Robin\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Ronald Binge\u003c\/div\u003e\n\u003cdiv\u003e6:20\u003c\/div\u003e\n\u003cdiv\u003e63-2\u003cspan\u003e \u003c\/span\u003eDoctor Foster\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003eOrchestrated By – Cyril Watters\u003c\/div\u003e\n\u003cdiv\u003e1:17\u003c\/div\u003e\n\u003cdiv\u003e63-3\u003cspan\u003e \u003c\/span\u003eSing A Song Of Sixpence\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – J. Michael Diack\u003c\/div\u003e\n\u003cdiv\u003e2:25\u003c\/div\u003e\n\u003cdiv\u003e63-4\u003cspan\u003e \u003c\/span\u003eOranges And Lemons\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e1:53\u003c\/div\u003e\n\u003cdiv\u003e63-5\u003cspan\u003e \u003c\/span\u003eMatilda\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Liza Lehmann, Hilaire Belloc\u003c\/div\u003e\n\u003cdiv\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e63-6\u003cspan\u003e \u003c\/span\u003eLittle Jack Horner\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – J. Michael Diack\u003c\/div\u003e\n\u003cdiv\u003e2:08\u003c\/div\u003e\n\u003cdiv\u003e63-7\u003cspan\u003e \u003c\/span\u003eThe Jolly Beggar\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e2:00\u003c\/div\u003e\n\u003cdiv\u003e63-8\u003cspan\u003e \u003c\/span\u003eA Good Roarin' Fire\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e0:50\u003c\/div\u003e\n\u003cdiv\u003e63-9\u003cspan\u003e \u003c\/span\u003eJack And Jill\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – J. Michael Diack\u003c\/div\u003e\n\u003cdiv\u003e2:01\u003c\/div\u003e\n\u003cdiv\u003e63-10\u003cspan\u003e \u003c\/span\u003eOld Mother Hubbard\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Victor Hely-Hutchinson\u003c\/div\u003e\n\u003cdiv\u003e2:45\u003c\/div\u003e\n\u003cdiv\u003e63-11\u003cspan\u003e \u003c\/span\u003eHenry King\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Liza Lehmann, Hilaire Belloc\u003c\/div\u003e\n\u003cdiv\u003e3:06\u003c\/div\u003e\n\u003cdiv\u003e63-12\u003cspan\u003e \u003c\/span\u003eThe Great Meet Pie\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e2:00\u003c\/div\u003e\n\u003cdiv\u003e63-13\u003cspan\u003e \u003c\/span\u003eThe Owl And The Pussy Cat\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Victor Hely-Hutchinson, Edward Lear (2)\u003c\/div\u003e\n\u003cdiv\u003e2:04\u003c\/div\u003e\n\u003cdiv\u003e63-14\u003cspan\u003e \u003c\/span\u003eThe Table And The Chair\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Victor Hely-Hutchinson, Edward Lear (2)\u003c\/div\u003e\n\u003cdiv\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e63-15\u003cspan\u003e \u003c\/span\u003eThe Duck And The Kangaroo\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Victor Hely-Hutchinson, Edward Lear (2)\u003c\/div\u003e\n\u003cdiv\u003e2:43\u003c\/div\u003e\n\u003cdiv\u003e63-16\u003cspan\u003e \u003c\/span\u003eThe Harrin' Heed\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e2:00\u003c\/div\u003e\n\u003cdiv\u003e63-17\u003cspan\u003e \u003c\/span\u003eThe Grand Old Duke Of York\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Ronald Binge\u003c\/div\u003e\n\u003cdiv\u003e3:34\u003c\/div\u003e\n\u003cdiv\u003e\"Sing The Songs Of Britain\"\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Tracks 18, 22, 24-26, 29, 30, 32] – Ernest Tomlinson\u003c\/div\u003e\n\u003cdiv\u003eArranged By [Tracks 19-21, 27, 28, 34] – Sir Charles Mackerras\u003c\/div\u003e\n\u003cdiv\u003eBaritone Vocals [Tracks 18, 20-21, 25-27, 29, 32, 34] – Owen Brannigan\u003c\/div\u003e\n\u003cdiv\u003eChorus Master – Charles Western\u003c\/div\u003e\n\u003cdiv\u003eChorus [Tracks 18, 20, 23-29, 31-32, 34] – The Henden Grammar School Choir\u003c\/div\u003e\n\u003cdiv\u003eOrchestra – Pro Arte Orchestra\u003c\/div\u003e\n\u003cdiv\u003eSoprano Vocals [Tracks 19-20, 22, 24-26, 30, 33] – Elizabeth Harwood\u003c\/div\u003e\n\u003cdiv\u003e63-18\u003cspan\u003e \u003c\/span\u003eThe Bay Of Biscay\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – John Davy, Andrew Terry\u003c\/div\u003e\n\u003cdiv\u003e2:36\u003c\/div\u003e\n\u003cdiv\u003e63-19\u003cspan\u003e \u003c\/span\u003eCherry Ripe\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Charles E. Horn*, Robert Herrick\u003c\/div\u003e\n\u003cdiv\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e63-20\u003cspan\u003e \u003c\/span\u003eIt Was A Lover And His Lass\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Thomas Morley, William Shakespeare\u003c\/div\u003e\n\u003cdiv\u003e2:22\u003c\/div\u003e\n\u003cdiv\u003e63-21\u003cspan\u003e \u003c\/span\u003eThe Miller Of Dee\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e1:34\u003c\/div\u003e\n\u003cdiv\u003e63-22\u003cspan\u003e \u003c\/span\u003eOh, The Oak And The Ash\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e3:05\u003c\/div\u003e\n\u003cdiv\u003e63-23\u003cspan\u003e \u003c\/span\u003eSigh No More, Ladies\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – R.J.S. Stevens*, William Shakespeare\u003c\/div\u003e\n\u003cdiv\u003e1:41\u003c\/div\u003e\n\u003cdiv\u003e63-24\u003cspan\u003e \u003c\/span\u003eEarly One Morning\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e63-25\u003cspan\u003e \u003c\/span\u003eThe Bailiff's Daughter Of Islington\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e3:02\u003c\/div\u003e\n\u003cdiv\u003e63-26\u003cspan\u003e \u003c\/span\u003eCharlie Is My Darling\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e2:11\u003c\/div\u003e\n\u003cdiv\u003e63-27\u003cspan\u003e \u003c\/span\u003eA-Hunting We Will Go\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional, Henry Fielding\u003c\/div\u003e\n\u003cdiv\u003e2:12\u003c\/div\u003e\n\u003cdiv\u003e63-28\u003cspan\u003e \u003c\/span\u003eThe Ash Grove\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional, John Oxenford\u003c\/div\u003e\n\u003cdiv\u003e3:08\u003c\/div\u003e\n\u003cdiv\u003e63-29\u003cspan\u003e \u003c\/span\u003eHeart Of Oak\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – William Boyce, David Garrick (3)\u003c\/div\u003e\n\u003cdiv\u003e2:16\u003c\/div\u003e\n\u003cdiv\u003e63-30\u003cspan\u003e \u003c\/span\u003eYe Banks And Braes\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional, Robert Burns (4)\u003c\/div\u003e\n\u003cdiv\u003e3:03\u003c\/div\u003e\n\u003cdiv\u003e63-31\u003cspan\u003e \u003c\/span\u003eThe Keel Row\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e1:22\u003c\/div\u003e\n\u003cdiv\u003e63-32\u003cspan\u003e \u003c\/span\u003eJohn Peel\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional, John W. Graves*\u003c\/div\u003e\n\u003cdiv\u003e2:27\u003c\/div\u003e\n\u003cdiv\u003e63-33\u003cspan\u003e \u003c\/span\u003eWhere The Bee Sucks\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Thomas Arne, William Shakespeare\u003c\/div\u003e\n\u003cdiv\u003e2:03\u003c\/div\u003e\n\u003cdiv\u003e63-34\u003cspan\u003e \u003c\/span\u003eThe Vicar Of Bray\u003c\/div\u003e\n\u003cdiv\u003eWritten-By – Traditional\u003c\/div\u003e\n\u003cdiv\u003e3:44\u003c\/div\u003e","brand":"WARNER CLASSICS","offers":[{"title":"Default Title","offer_id":68143284289786,"sku":"5021732623560","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/4463730-3460698.jpg?v=1794255478","url":"https:\/\/classicselectworld.com\/en-de\/products\/sir-charles-mackerras-the-complete-warner-classics-recordings-63-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}