{"product_id":"solomon","title":"SOLOMON: THE COMPLETE BEETHOVEN RECORDINGS (12 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_a5dcf294-f51a-49fc-9eb4-d0541f3a0b05_480x480.png?v=1654314595\"\u003e\u003c\/p\u003e\n\u003cp\u003e2020 is the Beethoven year as it marks the 250th birthday of the genius from Bonn – the perfect occasion to release Solomon’s complete Beethoven recordings. The internationally renowned music critic Joachim Kaiser counts the pianist among the \"few great Beethoven players of our time\" and praises his \"pianistic energy, which every person that cares about piano playing has to know and love\". Without a doubt the recordings of the sonatas (Solomon's complete recording of the piano sonatas unfortunately remained incomplete), namely the Grand Sonata for the Hammerklavier, \"Les Adieux\" and the \"Mondscheinsonate\" are among the most insistent interpretations that these works have experienced.\u003cbr\u003eBorn in London in 1902 as Solomon Cutner, the son of Jewish immigrants was a\u003cbr\u003eprodigy par excellence. A grand disciple of Clara Schumann’s, he already gave up his last name as a child. Not only, but especially his Beethoven interpretations made him legendary in the 1930s and 40s. Left with one-sided paralysis due to a stroke, his career found an abrupt end in 1956.\u003cbr\u003eOnly four works appear twice in Solomon's Beethoven discography; two of them - the Sonata Op. 111 (1948 and 1951), and the 3rd Piano Concerto (1944 and 1956) - are presented in this compilation of the entire Beethoven repertoire in both versions, which Solomon has recorded for vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_94cd161d-b5f2-42b6-8234-ac3110505111_480x480.png?v=1654314702\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e■ Beethoven Piano Concerto No. 1 in C\u003cbr\u003eMajor Op. 15 \/ Sonata No. 27 in E Minor Op. 90 (1958)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Concerto No. 1 in C Major Op. 15 \/ C-Dur\u003cbr\u003e1. I. Allegro con brio 13‘34\u003cbr\u003e2. II. Largo 12‘12\u003cbr\u003e3. III. Rondo: Allegro scherzando 8‘55\u003cbr\u003eSonata No. 27 in E Minor Op. 90 \/ e-Moll\u003cbr\u003e4. I. Mit Lebhaftigkeit und durchaus mit Empfindung 5‘59\u003cbr\u003eund Ausdruck\u003cbr\u003e5. II. Nicht zu geschwind und sehr singbar vorzutragen 7‘11\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003ePhilharmonia Orchestra conductor \/ Dirigent Herbert Menges (1-3)\u003cbr\u003erecorded \/ aufgenommen 1956\u003cbr\u003e■ Bonus\u003cbr\u003ePiano Sonata No. 7 in D Major Op. 10, 3 \/ D-Dur\u003cbr\u003e6. I. Presto 7‘05\u003cbr\u003e7. II. Largo e mesto 10‘09\u003cbr\u003e8. III. Minuet: Allegro \u0026amp; Trio 2‘43\u003cbr\u003e9. IV. Rondo: Allegro 4‘12\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1956 Total\u003cbr\u003eTime 72‘03\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 2\u003cbr\u003e■ Beethoven\u003cbr\u003ePiano Concerto No. 2 in B Flat Major\u003cbr\u003eOp. 19 (c. 1953)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Concerto No. 2 in B Flat Major op. 19 \/ B-Dur\u003cbr\u003e1. I. Allegro con brio 13‘28\u003cbr\u003e2. II. Adagio 8‘51\u003cbr\u003e3. III. Rondo: Molto allegro 6‘05\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003econductor \/ Dirigent André Cluytens\u003cbr\u003erecorded \/ aufgenommen 1952\u003cbr\u003eThe Emperor Concerto (1956)\u003cbr\u003ePiano Concerto No. 5 in E Flat Major\u003cbr\u003eOp. 73 “Emperor” \/ Es-Dur\u003cbr\u003e4. I. Allegro 19‘26\u003cbr\u003e5. II. Adagio un poco mosso 8‘23\u003cbr\u003e6. III. Rondo: Allegro. Più allegro 9‘46\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003econductor \/ Dirigent Herbert Menges\u003cbr\u003erecorded \/ aufgenommen 1955\u003cbr\u003eTotal Time 66‘02\u003c\/p\u003e\n\u003cp\u003eCD 3\u003cbr\u003e■ Beethoven\u003cbr\u003ePiano Concerto No. 3 in C Minor Op. 37\u003cbr\u003e(1958)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Concerto No. 3 in C Minor Op.\u003cbr\u003e37 \/ c-Moll\u003cbr\u003e1. I. Allegro con brio 16‘22\u003cbr\u003e2. II. Largo 10‘43\u003cbr\u003e3. III. Rondo: Allegro. Presto 8‘48\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003ePhilharmonia Orchestra conductor \/\u003cbr\u003eDirigent Herbert Menges\u003cbr\u003erecorded \/ aufgenommen 1956\u003cbr\u003e■ Bonus\u003cbr\u003ePiano Sonata No. 22 in F Major Op. 54 \/\u003cbr\u003eF-Dur\u003cbr\u003e4. I. In tempo di minuetto 4‘52\u003cbr\u003e5. II. Allegretto. Più allegro 4‘56\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003ePiano Sonata No. 28 in A Major Op.\u003cbr\u003e101 \/ A-Dur\u003cbr\u003e6. I. Allegretto ma non troppo 3‘43\u003cbr\u003e7. II. Vivace alla Marcia 5‘29\u003cbr\u003e8. III. Adagio ma non troppo 2‘31\u003cbr\u003e9. IV. Allegro 7‘07\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1951 (4-5)\u003cbr\u003e1954 (6-9)\u003cbr\u003eTotal Time 64‘33\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 4\u003cbr\u003e■ Beethoven\u003cbr\u003ePiano Concerto No. 4 in G major Op.\u003cbr\u003e58 \/ G-Dur (1955)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003e1. I. Allegro moderato 18‘10\u003cbr\u003e2. II. Andante con moto 5‘20\u003cbr\u003e3. III. Rondo: Vivace 9‘34\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003ePhilharmonia Orchestra\u003cbr\u003econductor \/ Dirigent André Cluytens\u003cbr\u003erecorded \/ aufgenommen 1952\u003cbr\u003e■ Bonus\u003cbr\u003ePiano Sonata No. 32 in C Minor Op.\u003cbr\u003e111 \/ c-Moll\u003cbr\u003e4. I. Maestoso. Allegro con brio ed\u003cbr\u003eppassionato 8‘43\u003cbr\u003e5. II. Arietta (con variazioni): Adagio\u003cbr\u003emolto semplice e cantabile 17‘58\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1951\u003cbr\u003eTotal Time 59‘46\u003c\/p\u003e\n\u003cp\u003eCD 5\u003cbr\u003e■ Beethoven\u003cbr\u003eTempest and Appassionata Sonatas\u003cbr\u003e(1956)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Sonata No. 17 in D Minor Op. 31,\u003cbr\u003e2 “Tempest” \/ d-Moll „Der Sturm“\u003cbr\u003e1. I. Largo. Allegro 8‘07\u003cbr\u003e2. II. Adagio 8‘10\u003cbr\u003e3. III. Allegretto 6‘08\u003cbr\u003eSonata No. 23 in F Minor Op. 57\u003cbr\u003e“Appassionata” \/ f-Moll\u003cbr\u003e4. I. Allegro assai. Adagio. Più allegro\u003cbr\u003e8‘50\u003cbr\u003e5. II. Andante con moto. Variazioni I-III –\u003cbr\u003eattacca: 7‘17\u003cbr\u003e6. III. Allegro, ma non troppo. Presto\u003cbr\u003e4‘53\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1954\u003cbr\u003e■ Bonus\u003cbr\u003ePiano Sonata No. 18 in E Flat Major Op.\u003cbr\u003e31, 3 \/ Es-Dur\u003cbr\u003e7. I. Allegro 9‘16\u003cbr\u003e8. II. Scherzo: Allegretto vivace 5‘29\u003cbr\u003e9. III. Minuet: Moderato grazioso \u0026amp; Trio.\u003cbr\u003eCoda 4‘25\u003cbr\u003e10. Presto con fuoco 4‘36\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1954 Total\u003cbr\u003eTime 67‘14\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 6\u003cbr\u003e■ Beethoven\u003cbr\u003eSonata No. 29 in B Flat Major Op. 106\u003cbr\u003e„Hammerklavier“ \/\u003cbr\u003eSonata No. 26 in E Flat Major Op. 81a\u003cbr\u003e„Les adieux“ (1953)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Sonata No. 29 in B Flat Major Op.\u003cbr\u003e106 „Hammerklavier“ \/ B-Dur\u003cbr\u003e1. I. Allegro 10'07\u003cbr\u003e2. II. Scherzo: Assai vivace. Presto 2'31\u003cbr\u003e3. III. Adagio sostenuto 22‘20\u003cbr\u003ePiano Sonata No. 26 in E Flat Major Op.\u003cbr\u003e81a „Les Adieux“ \/\u003cbr\u003eEs-Dur „Das Lebewohl“\u003cbr\u003e4. I. Adagio. Allegro (Abschied) 6'44\u003cbr\u003e5. II. Andante espressivo (Abwesenheit)\u003cbr\u003e3'50\u003cbr\u003e6. III. Viviacissimamente (Ankunft) 5‘27\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1952\u003cbr\u003eTotal Time 51‘02\u003c\/p\u003e\n\u003cp\u003eCD 7\u003cbr\u003e■ Beethoven\u003cbr\u003eSonata in C Minor Op. 13 \/ Sonata in E\u003cbr\u003eMajor Op. 109 (1954)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Sonata No. 8 in C Minor Op. 13\u003cbr\u003e„Pathétique“ \/ c-Moll\u003cbr\u003e1. I. Grave. Allegro di molto e con brio\u003cbr\u003e8‘54\u003cbr\u003e2. II. Adagio cantabile 6‘10\u003cbr\u003e3. III. Rondo: Allegro 4‘16\u003cbr\u003ePiano Sonata No. 30 in E Major Op.\u003cbr\u003e109 \/ E-Dur\u003cbr\u003e4. I. Vivace ma non troppo. Vivace\u003cbr\u003eespressivo 3‘39\u003cbr\u003e5. II. Prestissimo 2‘13\u003cbr\u003e6. III. Tema: Andante molto cantabile ed\u003cbr\u003eespressivo 13‘09\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1951\u003cbr\u003e■ Bonus\u003cbr\u003ePiano Sonata No. 14 in C Sharp Minor\u003cbr\u003eOp. 27, 2 “Moonlight” \/\u003cbr\u003ecis-Moll „Mondschein“\u003cbr\u003e7. I. Adagio sostenuto 8‘33\u003cbr\u003e8. II. Allegretto 1‘56\u003cbr\u003e9. III. Presto agitato. Adagio. Presto\u003cbr\u003eagitato 7‘22\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1952 Total\u003cbr\u003eTime 56‘14\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 8\u003cbr\u003e■ Beethoven\u003cbr\u003eSonata in E Flat Major Op. 27, 1 \/\u003cbr\u003eSonata in A Flat Major Op. 110 (1962)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Sonata No. 13 in E Flat Major Op.\u003cbr\u003e27, 1 \/ Es-Dur\u003cbr\u003e1. I. Andante. Poco meno mosso.\u003cbr\u003eAllegro. Tempo I 5‘38\u003cbr\u003e2. II. Allegro molto e vivace. Trio 1‘48\u003cbr\u003e3. III. Adagio con espressione – Allegro\u003cbr\u003evivace. Tempo I. Presto 9‘13\u003cbr\u003ePiano Sonata No. 31 in A Flat Major Op.\u003cbr\u003e110 \/ As-Dur\u003cbr\u003e4. I. Moderato cantabile molto\u003cbr\u003eespressivo 7‘08\u003cbr\u003e5. II. Allegro molto 1‘58\u003cbr\u003e6. III. Adagio, ma non troppo 10‘51\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1956\u003cbr\u003e■ Bonus\u003cbr\u003ePiano Sonata No. 32 in C Minor Op.\u003cbr\u003e111 \/ c-Moll\u003cbr\u003e7. I. Maestoso. Allegro con brio ed\u003cbr\u003eappassionato 9‘04\u003cbr\u003e8. II. Arietta (con variazioni): Adagio\u003cbr\u003emolto semplice e cantabile 19‘30\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1948\u003cbr\u003eTotal Time 65‘11\u003c\/p\u003e\n\u003cp\u003eCD 9\u003cbr\u003e■ Beethoven\u003cbr\u003eSonatas Op. 2 No. 1 in F Minor \u0026amp; No. 3\u003cbr\u003ein C Major (1954)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003ePiano Sonata No. 1 in F Minor Op. 2, 1 \/\u003cbr\u003ef-Moll\u003cbr\u003e1. I. Allegro 4‘57\u003cbr\u003e2. II. Adagio 5‘40\u003cbr\u003e3. III. Minuetto: Allegretto \u0026amp; Trio 3‘15\u003cbr\u003e4. IV. Prestissmo. L’istesso tempo 7‘25\u003cbr\u003ePiano Sonata No. 3 in C Major Op. 2, 3 \/\u003cbr\u003eC-Dur\u003cbr\u003e5. I. Allegro con brio 9‘38\u003cbr\u003e6. II. Adagio 7‘27\u003cbr\u003e7. III. Scherzo: Allegro 3‘04\u003cbr\u003e8. IV. Allegro assai 4‘55\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1951 (5-8)\u003cbr\u003e1952 (1-4)\u003cbr\u003eTotal Time 46‘22\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCD 10\u003cbr\u003e■ Beethoven\u003cbr\u003eSonatas for Violoncello \u0026amp; Piano Vol. I\u003cbr\u003e(1955)\u003cbr\u003eLudwig van Beethoven (1770 – 1827)\u003cbr\u003eCello Sonata in F Major Op. 5, 1 \/ F-Dur\u003cbr\u003e1. I. Adagio sostenuto 3‘35\u003cbr\u003e2. Allegro. Adagio. Presto. Tempo I\u003cbr\u003e11‘05\u003cbr\u003e3. II. Allegro vivace 7‘06\u003cbr\u003eSonatas for Violoncello \u0026amp; Piano Vol. II\u003cbr\u003e(1955)\u003cbr\u003eCello Sonata in G Minor Op. 5, 2 \/ g-Moll\u003cbr\u003e4. I. Adagio sostenuto e espressivo 6‘55\u003cbr\u003e5. II. Allegro molto più tosto presto 6‘50\u003cbr\u003e6. III. Rondo: Allegro 9‘18\u003cbr\u003eCello Sonata in A Major Op. 69 \/ A-Dur\u003cbr\u003e7. I. Allegro ma non tanto 11‘59\u003cbr\u003e8. II. Scherzo: Allegro molto 4‘58\u003cbr\u003e9. III. Adagio cantabile. Allegro vivace\u003cbr\u003e9‘07\u003cbr\u003eGregor Piatigorsky cello \/ Cello\u003cbr\u003eSolomon piano \/ Klavier\u003cbr\u003erecorded \/ aufgenommen 1954\u003cbr\u003eTotal Time 70‘56\u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":31370662641751,"sku":"4053796005526","price":22.46,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/SOLOMON_COVER.jpg?v=1577196682","url":"https:\/\/classicselectworld.com\/en-de\/products\/solomon","provider":"ClassicSelect World","version":"1.0","type":"link"}