{"product_id":"the-prestige-of-jazz","title":"THE PRESTIGE OF JAZZ - MILESTONES OF JAZZ LEGENDS (10 CDS)","description":"\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_black_shadow_2_522753e9-66ba-48ea-8558-b0cd53a478e3_480x480.png?v=1646166167\"\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing in the footsteps of our successful \"Blue Notes\" series, this 10 CD-wallet box presents \"Prestigious Hits\": original albums and stars playing the best of Modern Jazz from the 1950s. New York had become the world's Jazz Mecca by the 1940s. The glamorous ballrooms, such as the Savoy, were the venues for the greatest swing orchestras, the young beboppers experimented on a new sound and in Harlem's clubs that, as modern jazz, was to form the basis for all Jazz styles from the 1950s on.\u003cbr data-mce-fragment=\"1\"\u003eThese musicians were mostly documented by the kind of independent record labels, that were constantly shooting up from the ground, operated by fans with little finances but all the more ambition and enthusiasm. With the invention of the\u003cbr data-mce-fragment=\"1\"\u003elong-playing album and its establishment in jazz circles from 1956 on, these small businesses, some of which enjoy cult status today, experienced a strong momentum. Names like Norman Granz (Verve) or Alfred Lion and Francis Wolff (Blue Note) are at the forefront, especially since their labels later and after many changes of ownership ended up with majors, who repeatedly reactivated the logos for new musicians and re-issued their old treasures.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eBob Weinstock, who started his own label in 1949, is hardly known today except among experts, but his productions and artists are all the more famous and notorious. In the mid-50s (almost) all future Jazz stars were under contract with him for a few years: Miles Davis, John Coltrane, the Modern Jazz Quartet, Sonny Rollins, Gene Ammons, Sonny Stitt, Eric Dolphy, Eddie Lockjaw Davis, Thelonious Monk, Art Farmer, Donald Byrd and also swing greats like Coleman Hawkins and Arnett Cobb.\u003cbr data-mce-fragment=\"1\"\u003eHere you can find a first selection of these all-time classics and favorites, including a few names that were always relegated to the second row but still made important contributions to jazz history such as Lem Winchester, Mal Waldron or Jackie McLean.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom today's perspective, it is rather astonishing that Weinstock was able to produce so many masterpieces in so few years with his small label structure and despite such strong competition. Miles Davis, who eventually hurried off to Columbia, also made many albums for Weinstock. But even after the departure of many now big and sought-after names, Weinstock was able to concentrate on straight ahead and soul jazz (he always avoided Free Jazz) and to successfully direct his label until 1971 with musicians such as Shirley Scott, Eddie \"Lockjaw\" Davis, Sonny Criss, Charles Earland, Jack McDuff and many others.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_80976754-e9e0-46de-b62f-ac42fe034a4c_480x480.png?v=1646155801\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003cbr\u003e\u003cbr\u003e■ MILES DAVIS - COOKING WITH THE MILES DAVIS QUINTET\u003cbr\u003e1. My Funny Valentine 6.00\u003cbr\u003e(Richard Rodgers)\u003cbr\u003e2. Blues by Five 10.20\u003cbr\u003e(Miles Davis)\u003cbr\u003e3. Airegin 4.24\u003cbr\u003e(Sonny Rollins)\u003cbr\u003e4. Tune Up \/ When Lights 13.09\u003cbr\u003eAre Low\u003cbr\u003e\u003cbr\u003e(Miles Davis, Benny Carter)\u003cbr\u003eMiles Davis (tp)\u003cbr\u003eJohn Coltrane (ts)\u003cbr\u003eRed Garland (p)\u003cbr\u003ePaul Chambers (b)\u003cbr\u003ePhilly Joe Jones (drs)\u003cbr\u003eRecorded at Rudy Van Gelder Studio,\u003cbr\u003eHackensack, New Jersey\u003cbr\u003eon October 26, 1956\u003cbr\u003e\u003cbr\u003e■ HANK MOBLEY \/ AL COHN \/ JOHN COLTRANE \/ ZOOT SIMS - TENOR CONCLAVE\u003cbr\u003e5. Tenor Conclave 11.06\u003cbr\u003e(Hank Mobley)\u003cbr\u003e6. Just You, Just Me 9.30\u003cbr\u003e(Jesse Greer, Raymond Klages)\u003cbr\u003e7. Bob's Boys 8.21\u003cbr\u003e(H. Mobley)\u003cbr\u003e8. How Deep is the Ocean 15.08\u003cbr\u003e(Irving Berlin)\u003cbr\u003e\u003cbr\u003eHank Mobley (ts)\u003cbr\u003eAl Cohn (ts)\u003cbr\u003eJohn Coltrane (ts)\u003cbr\u003eZoot Sims (ts)\u003cbr\u003eRed Garland (p)\u003cbr\u003ePaul Chambers (b)\u003cbr\u003eArt Taylor (dr)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, NJ, September 7, 1956\u003cbr\u003eTotal Time 78.03\u003cbr\u003e\u003cbr\u003eCD 2\u003cbr\u003e\u003cbr\u003e■ MODERN JAZZ QUARTET - DJANGO\u003cbr\u003e1. Django 7.06\u003cbr\u003e(John Lewis)\u003cbr\u003e2. One Bass Hit 3.02\u003cbr\u003e(Dizzy Gillespie)\u003cbr\u003e3. La Ronde Suite 9.34\u003cbr\u003e(Lewis)\u003cbr\u003e4. The Queen's Fancy 3.16\u003cbr\u003e(Lewis)\u003cbr\u003e5. Delauney's Dilemma 4.01\u003cbr\u003e(Lewis)\u003cbr\u003e6. Autumn in New York 3.43\u003cbr\u003e(Vernon Duke)\u003cbr\u003e7. But Not for Me 3.46\u003cbr\u003e(George Gershwin, Ira Gershwin)\u003cbr\u003e8. Milano 4.23\u003cbr\u003e(Lewis)\u003cbr\u003e\u003cbr\u003eMilt Jackson (vibes)\u003cbr\u003eJohn Lewis (p)\u003cbr\u003ePercy Heath (b)\u003cbr\u003eKenny Clarke (drs)\u003cbr\u003eRecorded in Hackensack, New Jersey,\u003cbr\u003eon June 25, 1953 (4–7), New York, NY,\u003cbr\u003eDecember 23, 1954 (1, 2, 8)\u003cbr\u003eand January 9, 1955 (3)\u003cbr\u003e\u003cbr\u003e■ LEM WINCHESTER \/ OLIVER NELSON - NOCTURNE\u003cbr\u003e9. Nocturne 3.44\u003cbr\u003e(Oliver Nelson)\u003cbr\u003e10. Bob's Blues 5.30\u003cbr\u003e(Oliver Nelson)\u003cbr\u003e11. Man with a Horn 6.07\u003cbr\u003e(Bonnie Lake, Eddie Delange,\u003cbr\u003eJack Jenney)\u003cbr\u003e12. Early Morning 4.47\u003cbr\u003e(Oliver Nelson)\u003cbr\u003e13. In a Sentimental Mood 6.13\u003cbr\u003e(Duke Ellington, Irving Mills,\u003cbr\u003eManny Kurtz)\u003cbr\u003e14. Azur'te 5.41\u003cbr\u003e(Don Wolf, Wild Bill Davis)\u003cbr\u003e15. Time After Time 7.24\u003cbr\u003e(Jule Styne, Sammy Cahn)\u003cbr\u003eLem Winchester (vibes)\u003cbr\u003eOliver Nelson (as, ts)\u003cbr\u003eRichard Wyands (p)\u003cbr\u003eGeorge Duvivier (b)\u003cbr\u003eRoy Haynes (drs)\u003cbr\u003eRecorded in Englewood Cliffs,\u003cbr\u003eNew Jersey, on August 23, 1960\u003cbr\u003eTotal Time 78.43\u003cbr\u003e\u003cbr\u003eCD 3\u003cbr\u003e\u003cbr\u003e■ SONNY ROLLINS - MOVING OUT\u003cbr\u003e1. Movin' Out 4.32\u003cbr\u003e(Sonny Rollins)\u003cbr\u003e2. Swingin' for Bumsy 5.49\u003cbr\u003e(Sonny Rollins)\u003cbr\u003e3. Silk N' Satin 4.02\u003cbr\u003e(Sonny Rollins)\u003cbr\u003e4. Solid 6.27\u003cbr\u003e(Sonny Rollins)\u003cbr\u003e5. More Than You Know 10.49\u003cbr\u003e(Rose, Eliscu, Youmans)\u003cbr\u003e\u003cbr\u003eSonny Rollins (ts)\u003cbr\u003eKenny Dorham (tp: 1 to 4)\u003cbr\u003eElmo Hope (p: 1 to 4)\u003cbr\u003eThelonious Monk (p: 4)\u003cbr\u003ePercy Heath (b: 1 to 4)\u003cbr\u003eTommy Potter (b: 5)\u003cbr\u003eArt Blakey (drs: 1 to 4)\u003cbr\u003eArthur Taylor (drs: 5)\u003cbr\u003eRecorded in New York City\u003cbr\u003eon August 18, 1954 (tracks 1 to 4)\u003cbr\u003eand on October 25, 1954 (track 5)\u003cbr\u003e\u003cbr\u003e■ MAL WALDRON FEAT. JOHN COLTRANE\u003cbr\u003e6. From this Moment On 6.12\u003cbr\u003e(Cole Porter)\u003cbr\u003e7. J.M.'s Dream Doll 7.55\u003cbr\u003e(Mal Waldron)\u003cbr\u003e8. The Way You Look Tonight 8.22\u003cbr\u003e(Dorothy Fields, Jerome Kern)\u003cbr\u003e9. One by One 9.38\u003cbr\u003e(Mal Waldron)\u003cbr\u003e10. Don't Explain 6.55\u003cbr\u003e(Arthur Herzog Jr., Billie Holiday)\u003cbr\u003e11. Potpourri 6.36\u003cbr\u003e(Mal Waldron)\u003cbr\u003e\u003cbr\u003eMal Waldron (p)\u003cbr\u003eJohn Coltrane (ts)\u003cbr\u003eIdrees Sulieman (tp: 6, 8, 9)\u003cbr\u003eBill Hardman (tp: 7, 10, 11)\u003cbr\u003eSahib Shihab (as: 6, 8, 9)\u003cbr\u003eJackie McLean (as: 7, 10, 11)\u003cbr\u003eJulian Euell (b)\u003cbr\u003eEd Thigpen (drs: 6, 8, 9)\u003cbr\u003eArt Taylor (drs: 7, 10, 11)\u003cbr\u003eRecorded at Rudy Van Gelder Studio\u003cbr\u003ein Hackensack, New Jersey,\u003cbr\u003eon April 19 (tracks 7, 10,11)\u003cbr\u003eand May 17 (tracks 6, 8, 9), 1957\u003cbr\u003eTotal Time 77.38\u003cbr\u003e\u003cbr\u003eCD 4\u003cbr\u003e\u003cbr\u003e■ COLEMAN HAWKINS - SOUL\u003cbr\u003e1. Soul Blues 9.54\u003cbr\u003e(Coleman Hawkins)\u003cbr\u003e2. I Hadn't Anyone Till You 4.35\u003cbr\u003e(Ray Noble)\u003cbr\u003e3. Groovin' 5.45\u003cbr\u003e(Kenny Burrell)\u003cbr\u003e4. Greensleeves 3.13\u003cbr\u003e(traditional)\u003cbr\u003e5. Sunday Mornin  6.31\u003cbr\u003e(K. Burrell)\u003cbr\u003e6. Until the Real Thing 4.43\u003cbr\u003eComes Along\u003cbr\u003e(Alberta Nichols, L. E. Freeman,\u003cbr\u003eSammy Cahn, Saul Chaplin)\u003cbr\u003e7. Sweetnin' 6.51\u003cbr\u003e(C. Hawkins)\u003cbr\u003e\u003cbr\u003eColeman Hawkins (ts)\u003cbr\u003eKenny Burrell (git)\u003cbr\u003eRay Bryant (p)\u003cbr\u003eWendell Marshall (b)\u003cbr\u003eOsie Johnson (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, New Jersey,\u003cbr\u003eon November 7, 1958\u003cbr\u003e\u003cbr\u003e■ JOHN COLTRANE AND THE RED GARLAND TRIO\u003cbr\u003e8. Traneing In 12.35\u003cbr\u003e(John Coltrane)\u003cbr\u003e9. Slow Dance 5.28\u003cbr\u003e(Alonzo Levister)\u003cbr\u003e10. Bass Blues 7.46\u003cbr\u003e(J. Coltrane)\u003cbr\u003e11. You Leave Me Breathless 7.24\u003cbr\u003e(Ralph Freed, Friedrich Hollaender)\u003cbr\u003e12. Soft Lights and Sweet Music 4.41\u003cbr\u003e(Irving Berlin)\u003cbr\u003e\u003cbr\u003eJohn Coltrane (ts)\u003cbr\u003eRed Garland (p)\u003cbr\u003ePaul Chambers (b)\u003cbr\u003eArt Taylor (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, New Jersey,\u003cbr\u003eon August 23, 1957\u003cbr\u003eTotal Time 79.50\u003cbr\u003e\u003cbr\u003eCD 5\u003cbr\u003e\u003cbr\u003e■ ARNETT COBB - MOVIN' RIGHT ALONG\u003cbr\u003e1. Nitty Gritty 3.55\u003cbr\u003e(Arnett Cobb)\u003cbr\u003e2. All I Do Is Dream of You 4.03\u003cbr\u003e(Nacio Herb Brown, Arthur Freed)\u003cbr\u003e3. I Don't Stand a Ghost 5.24\u003cbr\u003eof a Chance with You\u003cbr\u003e(Bing Crosby, Ned Washington,\u003cbr\u003eVictor Young)\u003cbr\u003e4. Exactly Like You 6.32\u003cbr\u003e(Dorothy Fields, Jimmy McHugh)\u003cbr\u003e5. Walkin' 5.29\u003cbr\u003e(Richard Carpenter)\u003cbr\u003e6. Softly, as in a Morning Sunrise 4.09\u003cbr\u003e(Oscar Hammerstein II,\u003cbr\u003eSigmund Romberg)\u003cbr\u003e7. Fast Ride 4.13\u003cbr\u003e(Arnett Cobb)\u003cbr\u003e8. The Shy One 4.44\u003cbr\u003e(Arnett Cobb)\u003cbr\u003e\u003cbr\u003eArnett Cobb (ts)\u003cbr\u003eTommy Flanagan (p: 7)\u003cbr\u003eBobby Timmons (p:1-6 \u0026amp; 8)\u003cbr\u003eSam Jones (b)\u003cbr\u003eArt Taylor (drs)\u003cbr\u003eDanny Barrajanos (congas: 7)\u003cbr\u003eBuck Clarke (congas: 1-6 \u0026amp; 8)\u003cbr\u003eRecorded at Rudy van Gelder Studio\u003cbr\u003ein Englewood Cliffs, New Jersey,\u003cbr\u003eon February 16 (track 7) and\u003cbr\u003eFebruary 17 (tracks 1-6 \u0026amp; 8), 1960\u003cbr\u003e\u003cbr\u003e■ RED GARLAND TRIO \u0026amp; EDDIE LOCKJAW DAVIS - MOODSVILLE I\u003cbr\u003e9. We'll Be Together Again 5.38\u003cbr\u003e(Carl T. Fischer, Frankie Lane)\u003cbr\u003e10. Stella by Starlight 4.27\u003cbr\u003e(Ned Washington, Victor Young)\u003cbr\u003e11. I Heard You Cried Last Night 4.50\u003cbr\u003e(Ted Grouya)\u003cbr\u003e12. Softly Baby 5.56\u003cbr\u003e(Red Garland)\u003cbr\u003e13. When Your Lover Has Gone 5.55\u003cbr\u003e(Einar Aaron Swan)\u003cbr\u003e14. Wonder Why 4.26\u003cbr\u003e(Nicholas Brodzsky, Sammy Cahn)\u003cbr\u003e15. The Blue Room 5.46\u003cbr\u003e(Lorenz Hart, Richard Rodgers)\u003cbr\u003e16. The Red Blues 3.05\u003cbr\u003e(Red Garland)\u003cbr\u003e\u003cbr\u003eRed Garland (p)\u003cbr\u003eEddie \"Lockjaw\" Davis (ts: 9, 12 \u0026amp; 13)\u003cbr\u003eSam Jones (b)\u003cbr\u003eArt Taylor (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eEnglewood Cliffs, New Jersey,\u003cbr\u003eon December 11, 1959\u003cbr\u003eTotal Time 78.50\u003cbr\u003e\u003cbr\u003eCD 6\u003cbr\u003e\u003cbr\u003e■ THELONIOUS MONK AND SONNY ROLLINS\u003cbr\u003e1. The Way You Look Tonight 5.16\u003cbr\u003e(Dorothy Fields, Jerome Kern)\u003cbr\u003e2. I Want to Be Happy 7.45\u003cbr\u003e(Caesar, Youmans)\u003cbr\u003e3. Work 5.19\u003cbr\u003e(Thelonious Monk)\u003cbr\u003e4. Nutty 5.18\u003cbr\u003e(Thelonious Monk)\u003cbr\u003e5. Friday the 13th 10.34\u003cbr\u003e(Thelonious Monk)\u003cbr\u003e\u003cbr\u003eSonny Rollins (ts: 1, 2, 5)\u003cbr\u003eJulius Watkins (french horn: 5)\u003cbr\u003eThelonious Monk (p)\u003cbr\u003eTommy Potter (b: 1, 2)\u003cbr\u003ePercy Heath (b: 2-5)\u003cbr\u003eArthur Taylor (drs: 1, 2)\u003cbr\u003eArt Blakey (drs: 3, 4)\u003cbr\u003eWillie Jones (drs. 5)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, New Jersey,\u003cbr\u003eSeptember 22 and October 25, 1954\u003cbr\u003eand at WOR Studios, New York City,\u003cbr\u003eNovember 13, 1953\u003cbr\u003e\u003cbr\u003e■ JACKIE McLEAN QUINTET - JACKIE'S PAL\u003cbr\u003e6. Sweet Doll 6.05\u003cbr\u003e(Jackie McLean)\u003cbr\u003e7. Just for Marty 6.38\u003cbr\u003e(Bill Hardman)\u003cbr\u003e8. Dee's Dilemma 7.04\u003cbr\u003e(Mal Waldron)\u003cbr\u003e9. Sublues 8.02\u003cbr\u003e(Hardman)\u003cbr\u003e10. Steeplechase 8.10\u003cbr\u003e(Charlie Parker)\u003cbr\u003e11. It Could Happen to You 6.03\u003cbr\u003e(Johnny Burke, Jimmy Van Heusen)\u003cbr\u003e\u003cbr\u003eJackie McLean (as)\u003cbr\u003eBill Hardman (tp)\u003cbr\u003eMal Waldron (p)\u003cbr\u003ePaul Chambers (b)\u003cbr\u003ePhilly Joe Jones (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, New Jersey,\u003cbr\u003eon August 31, 1956\u003cbr\u003eTotal Time 76.20\u003cbr\u003e\u003cbr\u003eCD 7\u003cbr\u003e\u003cbr\u003e■ GENE AMMONS \/ SONNY STITT - SOUL SUMMIT\u003cbr\u003e1. Tubby 9.13\u003cbr\u003e(Gene Ammons)\u003cbr\u003e2. Dumplin' 5.00\u003cbr\u003e(Sonny Stitt)\u003cbr\u003e3. When You Wish Upon a Star 4.37\u003cbr\u003e(Leigh Harline, Ned Washington)\u003cbr\u003e4. Shuffle Twist 6.01\u003cbr\u003e(Gene Ammons)\u003cbr\u003e5. Sleeping Susan 5.41\u003cbr\u003e(Jimmy Mundy)\u003cbr\u003e6. Out in the Cold Again 6.50\u003cbr\u003e(Rube Bloom, Ted Koehler)\u003cbr\u003e\u003cbr\u003eGene Ammons, Sonny Stitt (ts)\u003cbr\u003eJack McDuff (organ)\u003cbr\u003eCharlie Persip (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eEnglewood Cliffs, New Jersey,\u003cbr\u003eon February 19, 1962\u003cbr\u003e\u003cbr\u003e■ GENE AMMONS - BOSS TENOR\u003cbr\u003e7. Hittin' the Jug 8.31\u003cbr\u003e(Gene Ammons)\u003cbr\u003e8. Close Your Eyes 3.48\u003cbr\u003e(Bernice Petkere)\u003cbr\u003e9. My Romance 4.17\u003cbr\u003e(Lorenz Hart, Richard Rodgers)\u003cbr\u003e10. Canadian Sunset 5.26\u003cbr\u003e(Norman Gimbel, Eddie Heywood)\u003cbr\u003e11. Blue Ammons Jug 4.59\u003cbr\u003e(Gene Ammons)\u003cbr\u003e12. Confirmation 5.24\u003cbr\u003e(Charlie Parker)\u003cbr\u003e13. Stompin' at the Savoy 3.35\u003cbr\u003e(Benny Goodman, Arthur Sampson,\u003cbr\u003eChick Webb, Andy Razaf)\u003cbr\u003e\u003cbr\u003eGene Ammons (ts)\u003cbr\u003eTommy Flanagan (p)\u003cbr\u003eDoug Watkins (b)\u003cbr\u003eArt Taylor (drs)\u003cbr\u003eRay Barretto (congas)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eEnglewood Cliffs, New Jersey,\u003cbr\u003eon June 16, 1960\u003cbr\u003eTotal Time 73.33\u003cbr\u003e\u003cbr\u003eCD 8\u003cbr\u003e\u003cbr\u003e■ ROLAND KIRK WITH JACK McDUFF - KIRK S WORK\u003cbr\u003e1. Three for Dizzy 5.15\u003cbr\u003e(Roland Kirk)\u003cbr\u003e2. Makin' Whoopee 5.10\u003cbr\u003e(Walter Donaldson, Gus Kahn)\u003cbr\u003e3. Funk Underneath 6.20\u003cbr\u003e(Roland Kirk)\u003cbr\u003e4. Kirk's Work 3.57\u003cbr\u003e(Roland Kirk)\u003cbr\u003e5. Doin' the Sixty-Eight 4.24\u003cbr\u003e(Roland Kirk)\u003cbr\u003e6. Too Late Now 3.54\u003cbr\u003e(Alan Jay Lerner, Burton Lane)\u003cbr\u003e7. Skater's Waltz 4.24\u003cbr\u003e(Charles Emile Waldteufel, arr. Kirk)\u003cbr\u003e\u003cbr\u003eRoland Kirk (ts, manzello, stritch,\u003cbr\u003efl, siren)\u003cbr\u003eJack McDuff (organ)\u003cbr\u003eJoe Benjamin (b)\u003cbr\u003eArthur Taylor (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eEnglewood Cliffs, New Jersey,\u003cbr\u003eon July 11, 1961\u003cbr\u003e\u003cbr\u003e■ LARRY YOUNG - GROOVE STREET\u003cbr\u003e8. Groove Street 4.58\u003cbr\u003e(Larry Young)\u003cbr\u003e9. I Found a New Baby 5.29\u003cbr\u003e(Jack Palmer, Spencer Williams)\u003cbr\u003e10. Sweet Lorraine 9.27\u003cbr\u003e(Cliff Burwell, Mitchell Parish)\u003cbr\u003e11. Gettin' Into It 14.28\u003cbr\u003e(L. Young)\u003cbr\u003e12. Talkin' 'Bout J. C. 5.57\u003cbr\u003e(L. Young)\u003cbr\u003e\u003cbr\u003eLarry Young (organ)\u003cbr\u003eBill Leslie (ts)\u003cbr\u003eThornel Schwartz (git)\u003cbr\u003eJimmie Smith (drs)\u003cbr\u003eRecorded on February 27, 1962\u003cbr\u003eTotal Time 73.48\u003cbr\u003e\u003cbr\u003eCD 9\u003cbr\u003e\u003cbr\u003e■ ART FARMER \/DONALD BYRD - 2 TRUMPETS\u003cbr\u003e1. The Third 7.38\u003cbr\u003e(Donald Byrd)\u003cbr\u003e2. Contour 7.34\u003cbr\u003e(Kenny Drew)\u003cbr\u003e3. When Your Lover Has Gone 5.11\u003cbr\u003e(Einar Aaaron Swan)\u003cbr\u003e4. Dig 14.27\u003cbr\u003e(Miles Davis)\u003cbr\u003e5. 'Round Midnight 6.40\u003cbr\u003e(Thelonious Monk, Cootie Williams,\u003cbr\u003eBernie Hanaghen)\u003cbr\u003e\u003cbr\u003eArt Farmer (tp: 1 to 4)\u003cbr\u003eDonald Byrd (tp: 1, 2, 4, 5)\u003cbr\u003eJackie McLean (as: 1, 2, 4)\u003cbr\u003eBarry Harris (p)\u003cbr\u003eDoug Watkins (b)\u003cbr\u003eArthur Taylor (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, New Jersey,\u003cbr\u003eon August 3, 1956\u003cbr\u003e\u003cbr\u003e■ SHIRLEY SCOTT - PLAYS THE DUKE\u003cbr\u003e6. Caravan 6.32\u003cbr\u003e(Juan Tizol, Edward \"Duke\" Ellington)\u003cbr\u003e7. Just Squeeze Me 3.33\u003cbr\u003e(Edward \"Duke\" Ellington)\u003cbr\u003e8. C Jam Blues 3.54\u003cbr\u003e(Edward \"Duke\" Ellington)\u003cbr\u003e9. Prelude to a Kiss 3.26\u003cbr\u003e(Edward \"Duke\" Ellington)\u003cbr\u003e10. In a Sentimental Mood 6.06\u003cbr\u003e(Edward \"Duke\" Ellington)\u003cbr\u003e11. In a Mellow Tone 4.04\u003cbr\u003e(Edward \"Duke\" Ellington)\u003cbr\u003e12. I've Got It Bad 5.22\u003cbr\u003e(Paul Webster, Edward \"Duke\"\u003cbr\u003eEllington)\u003cbr\u003e13. Just a-Sittin' and a-Rockin' 3.38\u003cbr\u003e(Edward \"Duke\" Ellington,\u003cbr\u003eBilly Strayhorn)\u003cbr\u003e\u003cbr\u003eShirley Scott (p, organ)\u003cbr\u003eGeorge Duvivier (b)\u003cbr\u003eArthur Edgehill (drs)\u003cbr\u003eRecorded at Rudy van Gelder Studio,\u003cbr\u003eHackensack, New Jersey,\u003cbr\u003eon April 24, 1959\u003cbr\u003eTotal Time 78.19\u003cbr\u003e\u003cbr\u003eCD 10\u003cbr\u003e\u003cbr\u003e■ ERIC DOLPHY - AT THE FIVE SPOT I\u003cbr\u003e1. Fire Waltz 13.40\u003cbr\u003e(Mal Waldron)\u003cbr\u003e2. Bee Vamp 12.29\u003cbr\u003e(Booker Little)\u003cbr\u003e3. The Prophet 21.21\u003cbr\u003e(Eric Dolphy)\u003cbr\u003e\u003cbr\u003eEric Dolphy (as, b-cl, fl)\u003cbr\u003eBooker Little (tp)\u003cbr\u003eMal (p)\u003cbr\u003eRichard Davis (b)\u003cbr\u003eEd Blackwell (drs)\u003cbr\u003eRecorded live at The Five Spot,\u003cbr\u003eNew York City on July 16, 1961\u003cbr\u003eTotal Time 47.31\u003c\/p\u003e","brand":"DOCUMENT","offers":[{"title":"Default Title","offer_id":42557437247738,"sku":"4053796005908","price":17.73,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/products\/17_20.jpg?v=1647981738","url":"https:\/\/classicselectworld.com\/en-de\/products\/the-prestige-of-jazz","provider":"ClassicSelect World","version":"1.0","type":"link"}