{"product_id":"dmitri-mitropoulus-the-complete-rca-and-columbia-album-collection-69-cds","title":"DMITRI MITROPOULOS: The Complete RCA And Columbia Album Collection (69 CDS)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eORDER THIS BOX NOW AND GET FREE SHIPPING - ON YOUR ENTIRE ORDER!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eOFFER IS FOR US RESIDENTS ONLY \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eORDERS WILL BE SHIPPED VIA USPS PRIORITY OR GROUND ADVANTAGE MAIL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/about_this_recording_transparent_20051b25-50f8-4e9c-b30a-013b1e24e5b7.png?v=1622733025\"\u003e\u003c\/p\u003e\n\u003cp\u003eSony Classical is proud to announce one of its most significant historic releases of recent years: a 69-CD box set containing the recorded legacy of Dimitri Mitropoulos (1896–1960), who ranks by general consensus among the 20th century’s most brilliant conductors. Many of these legendary performances have never before been transferred from their analogue masters and released on digital medium.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA lifelong ascetic and mystic, Mitropoulos was attracted in his youth to the monastic life but decided against following his older brothers into the Greek Orthodox Church when he learned that music was censured as a forbidden indulgence. After studying piano, composition, theory and conducting, first in his native Athens, then in Rome, Brussels and with Busoni in Berlin – where he served as Erich Kleiber’s assistant at the Staatsoper from 1921–24 – his career took flight in Athens. It was there that he developed his trademark style of conducting without baton or score and brought to his music-making all his religious fervour and passion along with his prodigious memory. As the critic Peter Quantrill astutely noted in an overview of his recordings in Gramophone: “Mitropoulos’s facility of memory could draw out [recurring melodic and motivic strands] at faster-than-usual tempi while maintaining an intuitive proportion between their sections. You seem to hear more of the music in a shorter space of time.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHis international fame began with a 1930 Berlin Philharmonic performance of the Prokofiev Third Piano Concerto, in which Mitropoulos appeared as both soloist and conductor. (He would repeat that tour de force a decade and a half later in Philadelphia, a performance included in this new set.) His American career was launched by sensational concerts with the Boston Symphony Orchestra in 1936, which promptly resulted in his appointment to succeed Eugene Ormandy as principal conductor of the Minneapolis Symphony (now Minnesota) Orchestra. He proceeded to bring that ensemble international fame through recordings which captured the force of his magnetic personality and electrifying musicianship. In Minneapolis, he enjoyed enormous success with critics and audiences, performing half of Mahler’s then still largely unfamiliar output (earning him American Mahler Society Medal of Honor in 1940) and commissioning numerous works by leading American and European composers to make the orchestra a bastion of modern music in the US.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMitropoulos’s association with the New York Philharmonic, which he first conducted in 1940, was hardly less successful artistically, though it was ultimately tarnished by critical hostility having more to do with his sexual orientation than his musical interpretations. From 1949, he served as the orchestra’s co-conductor with Leopold Stokowski, then from 1951 as music director until, after a period of joint leadership with Leonard Bernstein in 1958, he “abdicated with joy” in favour of his protégé, supposedly to devote more time to opera. During his New York years, he was also a commanding presence at the Metropolitan.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs Sony Classical’s massive new box set definitively demonstrates, Mitropoulos faithfully documented his eclectically wide-ranging repertoire on disc in Minneapolis and New York, even recording some favourite works in both cities. To cite a few highlights from the MINNEAPOLIS SYMPHONY years: there is the first-ever recording of Mahler’s First Symphony (1940), which “can still be counted among the finest the work has received” (Gramophone); Tchaikovsky’s Symphonies Nos. 4 (1940) and 2 (1946) as well as his First Piano Concerto with Arthur Rubinstein (1946) – “The soloist is in rare form, and this is an example of the grand manner in operation” (High Fidelity). Other symphonies for which Mitropoulos showed his special affinity in Minneapolis include the Borodin Second (1941; MusicWeb International: “The best performance of the Borodin symphony I’ve ever heard”), Schumann’s Second (1940) and “Rhenish” (1947), the Prokofiev “Classical” (1940) and Franck D minor (1940) – “Mitropoulos infuses his reading with unbearable intensity” (Classical Notes).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlso reissued here are Mitropoulos’s celebrated, incandescent Minneapolis readings of Rachmaninoff’s Second Symphony (1947) – “An excellent interpretation … beautifully recorded, with a resonant, spacious quality … played with smooth, virtuosic effect” (Gramophone) – and The Isle of the Dead (1945); as well as Brahms’s “St. Antoni” Variations (1942), Vaughan Williams’s Tallis Fantasia (1945), Ravel’s Tombeau de Couperin (1941) and Milhaud’s Le Boeuf sur le toit (1945). We have Mitropoulos’s fellow Busoni pupil Egon Petri as piano soloist in their teacher’s arrangement of Liszt’s Spanish Rhapsody (1940) and pianist Oscar Levant in concertos by Khachaturian (1950) and Anton Rubinstein (1952).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWith the NEW YORK PHILHARMONIC, Mitropoulos conducts the epoch-making first recording of Berg’s Wozzeck (1951) with Mack Harrell and Eileen Farrell – “It is difficult to conceive any other conductor having an equivalent grasp of the score; and Mitropoulos infused his knowledge and vitality into his soloists” (Gramophone); Schoenberg’s Verklärte Nacht, Erwartung with soprano Dorothy Dow (1951) and the first recording of his Violin Concerto, with Louis Krasner, Mitropoulos’s erstwhile Minneapolis concertmaster (1952); Krenek’s Symphonic Elegy (1951); and memorable Berlioz including an “almost hallucinatory” (Classical Net) Symphonie fantastique (1957) and excerpts from Roméo et Juliette (1952).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncluded from New York are also Mendelssohn’s “Scottish” and “Reformation” Symphonies (1953); Tchaikovsky’s Fifth Symphony (1954), Pathétique (1957) – “Mitropoulos achieves some remarkable flexibility of phrase for his expressive purposes … The first chord in the Adagio lamentoso movement of this recording sounds as if the conductor had reached the hearts of every individual string player” (New York Times) – and First Suite (1954); Scriabin’s Poème de l’extase and Promethée (1953); Shostakovich’s Symphonies Nos. 5 (1952) and 10 (1954) – “Mitropoulos had a particular affinity for this symphony. He gave its Western Hemisphere premiere in 1954 … This recording conveys an exciting spontaneity” (High Fidelity), “Mitropoulos’s pioneering account probes more deeply into the heart of this score than any of the recent newcomers” (Gramophone); Debussy’s La Mer (1950) and Stravinsky’s Petrushka (1951); excerpts from Prokofiev’s Romeo and Juliet (1957) as well as that composer’s Lieutenant Kijé and Kodály’s Háry János suites (1956); Vaughan Williams’s Fourth Symphony (1956) – “splendidly alert and unfailingly eloquent (nowhere more so than in the slow movement) … Mitropoulos’s deeply felt interpretation won the enthusiastic approbation of the composer” (Gramophone) – and his Tallis Fantasia in the conductor’s 1958 glorious stereo remake (BBC Music Magazine: “A marvel of fine string playing”).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOther New York recordings with a soloist include David Oistrakh’s “unmissable … spellbinding … not least because of the conducting” (Gramophone) first recording of the Shostakovich Violin Concerto No. 1 (1956); pianist Robert Casadesus in the Beethoven “Emperor” (1955), with “accompaniments as dynamic and exciting as the soloist’s playing” (Classics Today), and Falla’s Nights in the Gardens of Spain (1956–57) – “Remarkable … Listen to the mystery and menace that he and Mitropoulos find in the first movement’s second half, or to the huge passion they bring to its climax” (Classics Today); the Mendelssohn and Tchaikovsky (1954) and Prokofiev’s Second Violin Concerto (1952) with Zino Francescatti and the Prokofiev First Concerto with Isaac Stern (1956). Major American works from New York include the recording premiere of Roger Sessions’s Second Symphony (1950) – “one of the most important symphonic works ever produced in the United States” (Gramophone) – as well as Peter Mennin’s Third Symphony (1954), Gunther Schuller’s Symphony for Brass and Percussion (1956), Morton Gould’s Fall River Legend ballet suite (1952) and Leon Kirchner featured as soloist in his Piano Concerto No. 1 (1956).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFinally, the box also contains Mitropoulos’s complete METROPOLITAN OPERA sets: the world premiere of Samuel Barber’s Vanessa with Eleanor Steber, Nicolai Gedda, Regina Resnik and Rosalind Elias (1958) – “This recording stands the test of time as well as does the opera itself” (Penguin Guide); Verdi’s Un ballo in maschera with Zinka Milanov, Jan Peerce, Leonard Warren and the Met debut of Marian Anderson (1955); and Mussorgsky’s Boris Godunov (in English; abridged) with Giorgio Tozzi (1956).\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/TRACK_LISTING_WITH_WORLD_transparent_blue_background_correct_version_82944c51-2a60-4ef7-893d-e69ea2773e39.png?v=1658409003\"\u003e\u003c\/p\u003e\n\u003cp\u003eCD 1\u003c\/p\u003e\n\u003cp\u003eRhapsodie Espagnole BV 58\u003c\/p\u003e\n\u003cp\u003eArranged By – Ferruccio Busoni\u003c\/p\u003e\n\u003cp\u003eComposed By – Franz Liszt\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Egon Petri\u003c\/p\u003e\n\u003cp\u003e1-1                         Lento   1:07\u003c\/p\u003e\n\u003cp\u003e1-2                         I Jota Aragonaise. Allegro       4:17\u003c\/p\u003e\n\u003cp\u003e1-3                         II Un Poco Meno Allegro.\u2028 Allegretto Piacevole – Molto Vivace – Sempre Presto –            2:18\u003c\/p\u003e\n\u003cp\u003e1-4                         III Non Troppo Allegro –\u2028 Più Vivo, Ma Misurato       6:22\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In B Minor = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e1-5                         I Allegro – Animato Assai        6:29\u003c\/p\u003e\n\u003cp\u003e1-6                         II Scherzo. Prestissimo – Allegretto  4:46\u003c\/p\u003e\n\u003cp\u003e1-7                         III Andante       7:56\u003c\/p\u003e\n\u003cp\u003e1-8                         IV Finale. Allegro          5:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 2\u003c\/p\u003e\n\u003cp\u003eThamos, König In Ägypten K 345 (336a) = Thamos, King Of Egypt = Thamos, Roi D'Egypte (Incidental Music To The Heroic Drama In 5 Acts By Tobias Ph. Freiherr von Gebler)\u003c\/p\u003e\n\u003cp\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eLibretto By – Tobias Ph. Freiherr von Gebler*\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-1                         No. 2. Maestoso – Allegro      3:46\u003c\/p\u003e\n\u003cp\u003e2-2                         No. 3. Andante              3:58\u003c\/p\u003e\n\u003cp\u003e2 Elegiac Melodies Op. 34 = Zwei Elegische Melodien = Deux Mélodies Élégiaques For Strings\u003c\/p\u003e\n\u003cp\u003eComposed By – Edvard Grieg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-3                         No. 1: The Wounded Heart = Herzwunden = Blessures Du Cœur\u2028(Allegretto Espressivo)                2:39\u003c\/p\u003e\n\u003cp\u003e2-4                         No. 2: Last Spring= Leztter Frühling = Denier Printemps\u2028(Andante)          5:21\u003c\/p\u003e\n\u003cp\u003eToccata In C Major BWV 564 = C-Dur = En Ut Majeur\u003c\/p\u003e\n\u003cp\u003eArranged By – Leó Weiner\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-5                         Präludium. Allegro Non Troppo          5:41\u003c\/p\u003e\n\u003cp\u003e2-6                         Adagio 5:28\u003c\/p\u003e\n\u003cp\u003e2-7                         Fuga. Allegretto Ma Poco Moderato, Molto Deciso                4:02\u003c\/p\u003e\n\u003cp\u003e2-8                        Minuetto\u2028 (From Le Temple De La Paix)\u003c\/p\u003e\n\u003cp\u003eArranged By – Felix Mottl\u003c\/p\u003e\n\u003cp\u003eComposed By – Jean-Baptiste Lully\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:36\u003c\/p\u003e\n\u003cp\u003eSlavonic Dances Op. 46 = Slawische Tänze = Danses Slaves\u003c\/p\u003e\n\u003cp\u003eComposed By – Antonín Dvořák\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2-9                         No. 1 In C Major. Presto = C-Dur = En Ut Majeur      3:41\u003c\/p\u003e\n\u003cp\u003e2-10                      No. 3 In A-flat Major. Poco Allegro = As-Dur = En La Bémol Majeur             4:08\u003c\/p\u003e\n\u003cp\u003e2-11                      Joyeuse Marche (Marche Française) (Tempo Di Marcia, Molto Risoluto E Giocoso)\u003c\/p\u003e\n\u003cp\u003eComposed By – Emmanuel Chabrier\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:18\u003c\/p\u003e\n\u003cp\u003e2-12                      Marche Du Couronnement = Coronation March = Krönungsmarsch (From Le Prophète) (Tempo Di Marcia Maestoso)\u003c\/p\u003e\n\u003cp\u003eComposed By – Giacomo Meyerbeer\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e2:53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 3\u003c\/p\u003e\n\u003cp\u003e3-1                         Fantasia (Prelude) And Fugue In G Minor \"Great\" BWV 542 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eArranged By – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e12:48\u003c\/p\u003e\n\u003cp\u003e3-2                        Wir Glauben All An Einen Gott BWV 680 (Chorale Prelude From Clavier-Übung III)\u003c\/p\u003e\n\u003cp\u003eArranged By – H. Bösenroth\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:14\u003c\/p\u003e\n\u003cp\u003e3-3                         Overture No. 1 On 3 Greek Themes Op. 3 (Adagio – Allegro)\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Glazunov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e13:01\u003c\/p\u003e\n\u003cp\u003e3-4                        Pièce En Forme De Habanera (Presque Lent Et Avec Indolence)\u003c\/p\u003e\n\u003cp\u003eArranged By – Yves Chardon\u003c\/p\u003e\n\u003cp\u003eCello – Yves Chardon\u003c\/p\u003e\n\u003cp\u003eComposed By – Maurice Ravel\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:27\u003c\/p\u003e\n\u003cp\u003eChopiniana\u003c\/p\u003e\n\u003cp\u003eArranged By – Dimitri Rogal-Lewitzsky\u003c\/p\u003e\n\u003cp\u003eComposed By – Frédéric Chopin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e3-5                         Étude In C Minor \u2028\"Revolutionary\" Op. 10\/12 = C-Moll = En Ut Mineur \u2028(Allegro Con Fuoco) 2:41\u003c\/p\u003e\n\u003cp\u003e3-6                         Nocturne In C Minor Op. 48\/1 = C-Moll = En Ut Mineur (Lento)     5:50\u003c\/p\u003e\n\u003cp\u003e3-7                         Mazurka In B Minor Op. 33\/4 = H-Moll = En Si Mineur (Mesto)        5:41\u003c\/p\u003e\n\u003cp\u003e3-8                         Waltz In E Minor WN 29 = E-Moll = En Mi Mineur (Vivace) 2:59\u003c\/p\u003e\n\u003cp\u003e3-9                         Polonaise In A-flat Major \"Heroic\" Op. 53 = As-Dur »Heroische«\u2028 = En La Bémol Majeur « Héroïque » (Maestoso)             5:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 4\u003c\/p\u003e\n\u003cp\u003eConcerto No. 10 For 2 Pianos And Orchestra In E-flat Major K 365 (316a) = Es-Dur = En Mi Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra of Philadelphia*\u003c\/p\u003e\n\u003cp\u003ePiano – Victor Babin, Vitya Vronsky\u003c\/p\u003e\n\u003cp\u003e4-1                         I Allegro              9:27\u003c\/p\u003e\n\u003cp\u003e4-2                         II Andante         7:25\u003c\/p\u003e\n\u003cp\u003e4-3                         III Rondeau. Allegro    6:46\u003c\/p\u003e\n\u003cp\u003eConcerto No. 7 For 3 Pianos And Orchestra In F Major \"Lodron\" K 242 = F-Dur = En Fa Majeur\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos, Thomas Scherman\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Little Orchestra Society\u003c\/p\u003e\n\u003cp\u003ePiano – Unknown Artist, Victor Babin, Vitya Vronsky\u003c\/p\u003e\n\u003cp\u003e4-4                         I Allegro              8:23\u003c\/p\u003e\n\u003cp\u003e4-5                         II Adagio            9:22\u003c\/p\u003e\n\u003cp\u003e4-6                         III Rondeau. Tempo Di Menuetto       5:18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 5\u003c\/p\u003e\n\u003cp\u003e5-1                         Le Bœuf Sur Le Toit Or\u2028 \"The Nothing-Doing Bar\" Op. 58 - The Ox On The Roof = Der Ochse Auf Dem Dach (Ballet By Jean Cocteau)\u003c\/p\u003e\n\u003cp\u003eComposed By – Darius Milhaud\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e13:53\u003c\/p\u003e\n\u003cp\u003eLe Tombeau De Couperin M 68a\u003c\/p\u003e\n\u003cp\u003eComposed By – Maurice Ravel\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e5-2                         I Prélude. Vif   2:59\u003c\/p\u003e\n\u003cp\u003e5-3                         II Forlane. Allegretto  3:11\u003c\/p\u003e\n\u003cp\u003e5-4                         III Menuet. Allegro Moderato                3:17\u003c\/p\u003e\n\u003cp\u003e5-5                         IV Rigaudon. Assez Vif              2:19\u003c\/p\u003e\n\u003cp\u003e5-6                        Overture And Allegro From The Sonata La Sultane\u003c\/p\u003e\n\u003cp\u003eArranged By – Darius Milhaud\u003c\/p\u003e\n\u003cp\u003eComposed By – François Couperin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:39\u003c\/p\u003e\n\u003cp\u003e5-7                         La Procession Nocturne Op. 6 = The Nocturnal Procession = Die Nächtliche Prozession\u003c\/p\u003e\n\u003cp\u003eComposed By – Henri Rabaud\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e14:02\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 6\u003c\/p\u003e\n\u003cp\u003eSymphony In B-Flat Major Op. 20 = B-Dur = En Si Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ernest Chausson\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e6-1                         I Lent – Allegro Vivo    12:01\u003c\/p\u003e\n\u003cp\u003e6-2                         II Très Lent       8:15\u003c\/p\u003e\n\u003cp\u003e6-3                         III Animé            10:49\u003c\/p\u003e\n\u003cp\u003e6-4                        Portsmouth Point (Concert Overture)\u003c\/p\u003e\n\u003cp\u003eComposed By – William Walton*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 7\u003c\/p\u003e\n\u003cp\u003eManon Lescaut\u003c\/p\u003e\n\u003cp\u003eComposed By – Giacomo Puccini\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-1                         Intermezzo       3:41\u003c\/p\u003e\n\u003cp\u003eCavalleria Rusticana\u003c\/p\u003e\n\u003cp\u003eComposed By – Pietro Mascagni\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-2                         Intermezzo Sinfonico                3:53\u003c\/p\u003e\n\u003cp\u003eI Gioielli Della Madonna\u003c\/p\u003e\n\u003cp\u003eComposed By – Ermanno Wolf-Ferrari\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-3                         Intermezzo (Act II)       3:44\u003c\/p\u003e\n\u003cp\u003e7-4                         Intermezzo (Act III)      3:20\u003c\/p\u003e\n\u003cp\u003eSebastian - Ballet Suite\u003c\/p\u003e\n\u003cp\u003eComposed By – Gian Carlo Menotti\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003e7-5                         I Introduction. Adagio – Allegro Molto            2:01\u003c\/p\u003e\n\u003cp\u003e7-6                         II Barcarolle. Andante Con Moto       3:29\u003c\/p\u003e\n\u003cp\u003e7-7                         III Baruffa = Street Fight. Allegro Energico   1:23\u003c\/p\u003e\n\u003cp\u003e7-8                         IV Cortège. L'istesso Tempo 3:49\u003c\/p\u003e\n\u003cp\u003e7-9                         V Sebastian's Dance. Tempo Di Walzer         2:05\u003c\/p\u003e\n\u003cp\u003e7-10                      VII Pavane. Andante Calmo  3:46\u003c\/p\u003e\n\u003cp\u003eScènes Alsaciennes - Suite No. 7\u003c\/p\u003e\n\u003cp\u003eComposed By – Jules Massenet\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7-11                      I Dimanche Matin. Allegretto Moderato. Andante Religioso            6:04\u003c\/p\u003e\n\u003cp\u003e7-12                      II Au Cabaret. Allegro – Allegro Moderato Assai – Tempo I 4:59\u003c\/p\u003e\n\u003cp\u003e7-13                      III Sous Les Tilleuls. Adagio Sostenuto          4:27\u003c\/p\u003e\n\u003cp\u003e7-14                      IV Dimanche Soir. Allegro Moderato – Air Alsacien – Retraite Française (Dans Les Coulisses). Allegro Moderato – Allegro Vivo Assai  5:51\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 8\u003c\/p\u003e\n\u003cp\u003e8-1                         The Isle Of The Dead Op. 29 = Die Toteninsel = L'ile Des Morts (Symphonic Poem Based On The Painting By Arnold Böcklin)\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Rachmaninoff*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e20:17\u003c\/p\u003e\n\u003cp\u003e8-2                         Fantasia On A Theme By Thomas Tallis For Double String Orchestra\u003c\/p\u003e\n\u003cp\u003eComposed By – Ralph Vaughan Williams\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e14:55\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 9\u003c\/p\u003e\n\u003cp\u003eSymphony No. 1 In D Major \"Titan\"\u003c\/p\u003e\n\u003cp\u003eComposed By – Gustav Mahler\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e9-1                         I Langsam. Schleppend. Wie Ein Naturlaut – Immer Sehr Gemächlich   13:35\u003c\/p\u003e\n\u003cp\u003e9-2                         Il Kräftig Bewegt, Doch Nicht Zu Schnell – Trio. Recht Gemächlich            6:17\u003c\/p\u003e\n\u003cp\u003e9-3                         III Feierlich Und Gemessen, Ohne Zu Schleppen   10:26\u003c\/p\u003e\n\u003cp\u003e9-4                        IV Stürmisch Bewegt – Energisch – Sehr Gesangsvoll – Wieder Wie Zu Anfang. Stürmisch Bewegt – Sehr Langsam – Höchste Kraft. Wieder Vorwärts Drängend – Triumphal (Nicht Eilen)                17:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 10\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In C Minor \"Little Russian\" Op. 17 = C-Moll = En Ut Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e10-1                      I Andante Sostenuto – Allegro Vivo  9:12\u003c\/p\u003e\n\u003cp\u003e10-2                      I Andantino Marziale, Quasi Moderato          8:21\u003c\/p\u003e\n\u003cp\u003e10-3                      III Scherzo. Allegro Molto Vivace – Trio          4:24\u003c\/p\u003e\n\u003cp\u003e10-4                      IV Moderato Assai – Allegro Vivo – Presto    9:46\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 11\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra In D-flat Major Op. 38 = Des-Dur = En Ré Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Aram Khatchaturian\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Oscar Levant\u003c\/p\u003e\n\u003cp\u003e11-1                      I Allegro Ma Non Troppo\u2028 E Maestoso            14:55\u003c\/p\u003e\n\u003cp\u003e11-2                      II Andante Con Anima              10:57\u003c\/p\u003e\n\u003cp\u003e11-3                      III Allegro Brillante\u2028    8:57\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra\u2028No. 4 In D Minor Op. 70\u2028= D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Anton Rubinstein\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Oscar Levant\u003c\/p\u003e\n\u003cp\u003e11-4                      I Moderato Assai          12:38\u003c\/p\u003e\n\u003cp\u003e11-5                      II Andante         11:27\u003c\/p\u003e\n\u003cp\u003e11-6                      III Allegro           10:06\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 12\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 1 In B-flat Minor Op. 23 = B-Moll = En Si Bémol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Arthur Rubinstein\u003c\/p\u003e\n\u003cp\u003e12-1                      I Allegro Non Troppo E Molto Maestoso – Allegro Con Spirito         19:14\u003c\/p\u003e\n\u003cp\u003e12-2                      Il Andantino Semplice – Prestissimo – Tempo I        7:29\u003c\/p\u003e\n\u003cp\u003e12-3                      Ill Allegro Con Fuoco 6:27\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 13\u003c\/p\u003e\n\u003cp\u003eConcerto For 2 Pianos And Orchestra In D Minor FP 61 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Francis Poulenc\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – RCA Victor Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003ePiano – Arthur Whittemore, Jack Lowe\u003c\/p\u003e\n\u003cp\u003e13-1                      I Allegro Ma Non Troppo          7:39\u003c\/p\u003e\n\u003cp\u003e13-2                      Il Larghetto      6:39\u003c\/p\u003e\n\u003cp\u003e13-3                      III Finale. Allegro Molto            5:28\u003c\/p\u003e\n\u003cp\u003eVariations On A Theme By Joseph Haydn In B-flat Major \"St. Anthony Variations\" Op. 56b = B-Dur = En Si Bémol Majeur For 2 Pianos\u003c\/p\u003e\n\u003cp\u003eComposed By – Joseph Haydn\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – RCA Victor Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003ePiano – Arthur Whittemore, Jack Lowe\u003c\/p\u003e\n\u003cp\u003e13-4                      Thema. Chorale St. Antoni. Andante              1:56\u003c\/p\u003e\n\u003cp\u003e13-5                      Variation 1. Andante Con Moto          1:10\u003c\/p\u003e\n\u003cp\u003e13-6                      Variation 2. Vivace      0:59\u003c\/p\u003e\n\u003cp\u003e13-7                      Variation 3. Con Moto               1:32\u003c\/p\u003e\n\u003cp\u003e13-8                      Variation 4. Andante  1:46\u003c\/p\u003e\n\u003cp\u003e13-9                      Variation 5. Poco Presto          0:56\u003c\/p\u003e\n\u003cp\u003e13-10                   Variation 6. Vivace      1:09\u003c\/p\u003e\n\u003cp\u003e13-11                   Variation 7. Grazioso 2:32\u003c\/p\u003e\n\u003cp\u003e13-12                   Variation 8. Poco Presto          0:51\u003c\/p\u003e\n\u003cp\u003e13-13                   Finale. Andante            3:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 14\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 (To The Memory Of Franklin Delano Roosevelt)\u003c\/p\u003e\n\u003cp\u003eComposed By – Roger Sessions\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e14-1                      I Molto Agitato – Tranquillo E Misterioso       9:26\u003c\/p\u003e\n\u003cp\u003e14-2                      Il Allegretto Capriccioso         1:50\u003c\/p\u003e\n\u003cp\u003e14-3                      III Adagio, Tranquillo Ed Espressivo 7:31\u003c\/p\u003e\n\u003cp\u003e14-4                      IV Allegramente            6:25\u003c\/p\u003e\n\u003cp\u003e14-5                      Philharmonic Waltzes\u003c\/p\u003e\n\u003cp\u003eComposed By – Morton Gould\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e9:22\u003c\/p\u003e\n\u003cp\u003e14-6                      Le Roi D'Ys - Overture (Andante – Allegro – Andantino Non Troppo – Allegro - Presto)\u003c\/p\u003e\n\u003cp\u003eComposed By – Édouard Lalo\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e11:18\u003c\/p\u003e\n\u003cp\u003eOzark Set\u003c\/p\u003e\n\u003cp\u003eComposed By – Elie Siegmeister\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e14-7                      I Morning In The Hills 4:07\u003c\/p\u003e\n\u003cp\u003e14-8                      II Camp Meeting           2:54\u003c\/p\u003e\n\u003cp\u003e14-9                      Ill Lazy Afternoon         4:09\u003c\/p\u003e\n\u003cp\u003e14-10                   IV Saturday Night         3:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 15\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In E-flat Major \"Rhenish\" Op. 97 = Es-Dur »Rheinische« = En Mi Bémol Majeur « Rhénane »\u003c\/p\u003e\n\u003cp\u003eComposed By – Robert Schumann\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e15-1                      I Lebhaft            9:50\u003c\/p\u003e\n\u003cp\u003e15-2                      Il Scherzo. Sehr Mäßig              4:46\u003c\/p\u003e\n\u003cp\u003e15-3                      III Nicht Schnell            4:34\u003c\/p\u003e\n\u003cp\u003e15-4                      IV Feierlich       5:28\u003c\/p\u003e\n\u003cp\u003e15-5                      V Lebhaft – Schneller                5:03\u003c\/p\u003e\n\u003cp\u003e15-6                      Polka And Fugue (From Schwanda The Bagpiper)\u003c\/p\u003e\n\u003cp\u003eComposed By – Jaromír Weinberger*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:37\u003c\/p\u003e\n\u003cp\u003e15-7                      Minstrel Show\u003c\/p\u003e\n\u003cp\u003eComposed By – Morton Gould\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:44\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 16\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In E Minor Op. 27 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Rachmaninoff*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e16-1                      I Largo – Allegro Moderato     15:52\u003c\/p\u003e\n\u003cp\u003e16-2                      II Allegro Molto              7:26\u003c\/p\u003e\n\u003cp\u003e16-3                      III Adagio           11:05\u003c\/p\u003e\n\u003cp\u003e16-4                      IV Allegro Vivace          10:28\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 17\u003c\/p\u003e\n\u003cp\u003eSymphony In D Minor FWV 48 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – César Franck\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e17-1                      I Lento – Allegro Non Troppo – Allegro            19:19\u003c\/p\u003e\n\u003cp\u003e17-2                      II Allegretto      9:11\u003c\/p\u003e\n\u003cp\u003e17-3                      Ili Allegro Non Troppo               9:25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD18\u003c\/p\u003e\n\u003cp\u003eSymphony No. 4 In F Minor Op. 36 = F-Moll = En Fa Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e18-1                      I Andante Sostenuto – Moderato Con Anima – Moderato Assai, Quasi Andante – Allegro Con Anima       16:49\u003c\/p\u003e\n\u003cp\u003e18-2                      Il Andantino Modo Di Canzone           9:06\u003c\/p\u003e\n\u003cp\u003e18-3                      Ill Scherzo. Pizzicato Ostinato – Allegro        5:03\u003c\/p\u003e\n\u003cp\u003e18-4                      IV Finale. Allegro Con Fuoco                7:56\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 19\u003c\/p\u003e\n\u003cp\u003eSymphony No. 6 In F Major \"Pastoral\" Op. 68 = F-Dur = En Fa Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e19-1                      I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo (Awakening Of Cheerful Feelings Upon Arrival In The Country = Éveil D'impressions Agréables En Arrivant À La Campagne)       8:08\u003c\/p\u003e\n\u003cp\u003e19-2                      Il Szene Am Bach. Andante Molto Moto (Scene By The Brook = Au Bord Du Ruisseau)                12:18\u003c\/p\u003e\n\u003cp\u003e19-3                      III Lustiges Zusammensein Der Landleute. Allegro - Attacca = Merry Gathering Of Country Folk = Joyeuse Assemblée De Paysans         4:54\u003c\/p\u003e\n\u003cp\u003e19-4                      IV Gewitter, Sturm. Allegro - Attacca = Thunderstorm = Orage, Tempête                3:59\u003c\/p\u003e\n\u003cp\u003e19-5                      Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto = Shepherd's Song. Happy And Thankful Feelings After The Storm Chant Pastoral = Sentiments De Joie Et De Reconnaissance Après L'orage          10:01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 20\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In A Minor \"Scottish\" Op. 56 = A-Moll »Schottische« = En La Mineur « Écossaise »\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e20-1                      I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca              11:15\u003c\/p\u003e\n\u003cp\u003e20-2                      Il Vivace Non Troppo - Attacca           3:45\u003c\/p\u003e\n\u003cp\u003e20-3                      Ill Adagio - Attacca     9:33\u003c\/p\u003e\n\u003cp\u003e20-4                      IV Allegro Vivacissimo – Allegro Maestoso Assai    7:19\u003c\/p\u003e\n\u003cp\u003e20-5                      Capriccio Brillant For Piano And Orchestra In B Minor Op. 22 = H-Moll = En Si Mineur (Andante – Allegro Con Fuoco)\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Joanna Graudan\u003c\/p\u003e\n\u003cp\u003e10:49\u003c\/p\u003e\n\u003cp\u003e20-6                      Octet In E-flat Major Op. 20 = Es-Dur = En Mi Bémol Majeur - Ill Scherzo. Allegro Leggierissimo\u003c\/p\u003e\n\u003cp\u003eComposed By, Arranged By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 21\u003c\/p\u003e\n\u003cp\u003e21-1                      L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling\u003c\/p\u003e\n\u003cp\u003eComposed By – Paul Dukas\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e9:46\u003c\/p\u003e\n\u003cp\u003e4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or\u003c\/p\u003e\n\u003cp\u003eArranged By [Compiled and Edited By] – Alexander Glazunov, Maximilian Steinberg\u003c\/p\u003e\n\u003cp\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e21-2                      I Tsar Dodon In His Palace = Zar Dodon In Seinem Palast = Le Tsar Dodon Dans Son Palais                8:00\u003c\/p\u003e\n\u003cp\u003e21-3                      III Tsar Dodon As The Guest Of The Queen Of Shemakhan = Zar Dodon Bei Der Königin Von Schemacha Le Tsar Dodon Et La Reine Chemakha    4:36\u003c\/p\u003e\n\u003cp\u003e21-4                      IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon               3:55\u003c\/p\u003e\n\u003cp\u003eSymphony No. 1 In D Major \"Classical\" Op. 25 = D-Dur = Symphonie Classique En Ré Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e21-5                      I Allegro              3:56\u003c\/p\u003e\n\u003cp\u003e21-6                      Il Larghetto      4:09\u003c\/p\u003e\n\u003cp\u003e21-7                      Ill Gavotta. Non Troppo Allegro           1:16\u003c\/p\u003e\n\u003cp\u003e21-8                      IV Finale. Molto Vivace             3:04\u003c\/p\u003e\n\u003cp\u003e21-9                      Russian Sailors' Dance = Russischer Seemannstanz = Danse Des Marins Russes From The Red Poppy\u003c\/p\u003e\n\u003cp\u003eComposed By – Reinhold Glière\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e3:19\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 22\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In C Major Op. 61 = C-Dur = En Ut Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Robert Schumann\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e22-1                      I Sostenuto Assai – Allegro, Ma Non Troppo               11:26\u003c\/p\u003e\n\u003cp\u003e22-2                      II Scherzo. Allegro Vivace – Trio I – Trio II       6:36\u003c\/p\u003e\n\u003cp\u003e22-3                      III Adagio Espressivo 10:21\u003c\/p\u003e\n\u003cp\u003e22-4                      IV Allegro Molto Vivace            7:55\u003c\/p\u003e\n\u003cp\u003e4 Musical Pictures From The Opera The Golden Cockerel = Vier Musikalische Bilder Aus Der Oper Der Goldene Hahn = Quatre Tableaux Musicaux De L'opéra Le Coq D'or\u003c\/p\u003e\n\u003cp\u003eArranged By [Compiled and Edited By] – Alexander Glazunov, Maximilian Steinberg\u003c\/p\u003e\n\u003cp\u003eComposed By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e22-5                      IV The Wedding And Lamentable End Of Dodon = Die Hochzeit Und Das Beklagenswerte Ende Von Dodon = La Noce Et La Fin Pitoyable De Dodon               3:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 23\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 1 In E Minor Op. 11 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Frédéric Chopin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003ePiano – Edward Kilényi*\u003c\/p\u003e\n\u003cp\u003e23-1                      I Allegro Maestoso      15:34\u003c\/p\u003e\n\u003cp\u003e23-2                      II Romance. Larghetto - Attacca        8:40\u003c\/p\u003e\n\u003cp\u003e23-3                      III Rondo. Vivace          9:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 24\u003c\/p\u003e\n\u003cp\u003eVariations On A Theme By Joseph Haydn In B-flat Major \"St. Anthony Variations\" Op. 56a = B-Dur = En Si Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Joseph Haydn\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e24-1                      Thema. Chorale St. Antoni. Andante              2:06\u003c\/p\u003e\n\u003cp\u003e24-2                      Variation I. Poco Più Animato              1:29\u003c\/p\u003e\n\u003cp\u003e24-3                      Variation II. Più Vivace              1:01\u003c\/p\u003e\n\u003cp\u003e24-4                      Variation III. Con Moto             1:49\u003c\/p\u003e\n\u003cp\u003e24-4                      Variation IV. Andante Con Moto         1:53\u003c\/p\u003e\n\u003cp\u003e24-5                      Variation V. Vivace      0:49\u003c\/p\u003e\n\u003cp\u003e24-6                      Variation VI. Vivace    0:53\u003c\/p\u003e\n\u003cp\u003e24-7                      Variation VII. Grazioso              2:13\u003c\/p\u003e\n\u003cp\u003e24-8                      Variation VIII. Presto Non Troppo      1:13\u003c\/p\u003e\n\u003cp\u003e24-9                      Finale. Andante            3:23\u003c\/p\u003e\n\u003cp\u003e24-10                   Jubilation Overture = Jubel-Ouvertüre = Ouverture Du Jubilé\u003c\/p\u003e\n\u003cp\u003eComposed By – Carl Maria von Weber\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e6:54\u003c\/p\u003e\n\u003cp\u003e24-11                   Coriolan Overture Op. 62 (Allegro Con Brio)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e7:52\u003c\/p\u003e\n\u003cp\u003e24-12                   \"Leonore Ill\" Overture Op. 72a (Adagio – Allegro)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Minneapolis Symphony Orchestra (Minnesota Orchestra)*\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 25\u003c\/p\u003e\n\u003cp\u003e25-1                      Hebraic Rhapsody For Cello And Orchestra (Lento Moderato – Andante Moderato – Allegro Moderato – Allegro – Andante Moderato)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ernest Bloch\u003c\/p\u003e\n\u003cp\u003eOrchestra – Dimitri Mitropoulos, Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e21:44\u003c\/p\u003e\n\u003cp\u003e25-2                      Concerto For Cello And Orchestra No. 1 In A Minor Op. 33 = A-Moll = En La Mineur (Allegro Non Troppo – Animato - Allegro Molto – Tempo I – Allegretto Con Moto – Tempo I – Un Peu Moins Vite – Molto Allegro)\u003c\/p\u003e\n\u003cp\u003eCello – Leonard Rose\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e19:18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 26\u003c\/p\u003e\n\u003cp\u003ePétrouchka = Petrushka = Petruschka (Burlesque In 4 Tableaux) - Original Version (1911)\u003c\/p\u003e\n\u003cp\u003eComposed By – Igor Stravinsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e26-1                      Tableau I | Fête Populaire De La Semaine Grasse = The Shrovetide Fair = Jahrmarkt In Der Fastnachtswoche       0:50\u003c\/p\u003e\n\u003cp\u003e26-2                      La Foule = The Crowds = Die Menge               4:13\u003c\/p\u003e\n\u003cp\u003e26-3                      Le Tour De Passe-passe = The Magic Trick = Hokuspokus 1:41\u003c\/p\u003e\n\u003cp\u003e26-4                      Danse Russe = Russian Dance = Russischer Tanz 2:46\u003c\/p\u003e\n\u003cp\u003e26-5                      Tableau II | Chez Pétrouchka = Petrushka's Room = Bei Petruschka          4:26\u003c\/p\u003e\n\u003cp\u003e26-6                      Tableau III | Chez Le Maure = The Moor's Room = Beim Mohren   3:07\u003c\/p\u003e\n\u003cp\u003e26-7                      Danse De La Ballerine = Dance Of The Ballerina = Tanz Der Ballerina      0:41\u003c\/p\u003e\n\u003cp\u003e26-8                      Valse. La Ballerine Et Le Maure = Waltz. The Ballerina And The Moor = Walzer. Die Ballerina Und Der Mohr           3:25\u003c\/p\u003e\n\u003cp\u003e26-9                      Tableau IV | Fête Populaire De La Semaine Grasse (Vers Le Soir) = The Shrovetide Fair (Towards Evening) = Jahrmarkt In Der Fastnachtswoche (Gegen Abend)               1:09\u003c\/p\u003e\n\u003cp\u003e26-10                   Danse Des Nounous = Dance Of The Nursemaids = Tanz Der Ammen    2:10\u003c\/p\u003e\n\u003cp\u003e26-11                   Le Paysan Et L'Ours = The Peasant And The Bear = Der Bauer Und Der Bär          1:29\u003c\/p\u003e\n\u003cp\u003e26-12                   Un Marchand Fêtard Avec Deux Tziganes = The Jovial Merchant With Two Gypsy Girls = Der Genusssüchtige Kaufmann Mit Zwei Zigeunerinnen   0:52\u003c\/p\u003e\n\u003cp\u003e26-13                   Danse Des Cochers Et Des Palefreniers = Dance Of The Coachmen And Grooms = Tanz Der Kutscher Und Stallknechte          1:54\u003c\/p\u003e\n\u003cp\u003e26-14                   Les Déguisés – La Rixe : Le Maure Et Pétrouchka = The Masqueraders – The Fight: The Moor And Petrushka = Die Maskierten – Der Kampf: Der Mohr Und Petruschka 2:05\u003c\/p\u003e\n\u003cp\u003e26-15                   Mort De Pétrouchka – La Police Et Le Charlatan – Apparition Du Double De Pétrouchka = Death Of Petrushka - The Police And The Charlatan - Apparition Of Petroushka's Double = Petruschkas Tod – Die Polizei Und Der Gaukler – Erscheinung Von Petruschkas Geist               2:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 27\u003c\/p\u003e\n\u003cp\u003eWozzeck Op. 7 (Opera In 3 Acts After Georg Büchner's Woyzeck)\u003c\/p\u003e\n\u003cp\u003eAlto Vocals [Margret] – Edwina Eustis\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [1st Apprentice] – Adolph Anderson\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Wozzeck] – Mack Harrell\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Doctor] – Ralph Herbert\u003c\/p\u003e\n\u003cp\u003eChorus – Chorus Of The Schola Cantorum*, The High School Of Music And Art Chorus*\u003c\/p\u003e\n\u003cp\u003eChorus Master – Hugh Ross\u003c\/p\u003e\n\u003cp\u003eComposed By – Alban Berg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Marie's Boy] – Bess Ann Herdt\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Marie] – Eileen Farrell\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [2nd Apprentice] – Hubert Norville\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Andres] – David Lloyd (3)\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Captain, Soldier, Fool] – Joseph Mordino\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Drum Major] – Frederick Jagel\u003c\/p\u003e\n\u003cp\u003e27-1.1                  Act I - 5 Character Pieces | Scene 1: The Captain Der Hauptmann = Le Capitaine          7:30\u003c\/p\u003e\n\u003cp\u003e27-1.2                  \"Langsam, Wozzeck, Langsam!\" (Captain, Wozzeck)\u003c\/p\u003e\n\u003cp\u003e27-2                      Scene 2: Andres \"Du, Der Platz Ist Verflucht!\" (Wozzeck, Andres)              7:49\u003c\/p\u003e\n\u003cp\u003e27-3                      Scene 3: Marie \"Tschin Bum! Hörst Du, Bub? Da Kommen Sie!\" (Marie, Margret, Wozzeck)                8:39\u003c\/p\u003e\n\u003cp\u003e27-4                      Scene 4: The Doctor \"Was Erleb' Ich, Wozzeck?\" (Doctor, Wozzeck)        6:40\u003c\/p\u003e\n\u003cp\u003e27-5                      Scene 5: The Drum Major = Der Tambourmajor \"Geh Einmal Vor Dich Hin\" (Marie, Drum Major) 3:47\u003c\/p\u003e\n\u003cp\u003e27-6                      Act II - Symphony In 5 Movements | Scene 1: Sonata Movement \"Was Die Steine Glänzen!\" (Marie, Wozzeck)  4:58\u003c\/p\u003e\n\u003cp\u003e27-7                      Scene 2: Invention And Fugue On 3 Themes \"Wohin So Eilig, Geehrtester Herr Sargnagel?\" (Captain, Doctor, Wozzeck)  7:57\u003c\/p\u003e\n\u003cp\u003e27-8                      Scene 3: Largo \"Guten Tag, Franz\" ... \"Ich Seh' Nichts\" (Marie, Wozzeck)               3:34\u003c\/p\u003e\n\u003cp\u003e27-9                      Scene 4: Extended Scherzo And Trio Movement \"Ich Hab Ein Hemdlein An\" (1st And 2nd Apprentices, Wozzeck, Marie, Drum Major, Lads, Soldiers, Andres, Fool)             9:14\u003c\/p\u003e\n\u003cp\u003e27-10                   Scene 5: Rondo Marziale Con Introduzione \"Oh! Oh! Andres! Ich Kann Nicht Schlafen\" (Wozzeck, Andres, Drum Major, Soldiers)   5:21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 28\u003c\/p\u003e\n\u003cp\u003e28-1                      Act III - 6 Inventions | Scene 1: Invention On A Theme (Theme, 7 Variations \u0026amp; Fugue) \"Und Ist Kein Betrug In Seinem Munde Erfunden Worden\" (Marie)          4:45\u003c\/p\u003e\n\u003cp\u003e28-2                      Scene 2: Invention On 1 Note (B) \"Dort Links Geht's In Die Stadt\" (Marie, Wozzeck)       4:15\u003c\/p\u003e\n\u003cp\u003e28-3                      Scene 3: Invention On A Rhythm \"Tanzt Alle; Tanzt Nur Zu!\" (Wozzeck, Margret, Lads, Harlots)             3:46\u003c\/p\u003e\n\u003cp\u003e28-4.1                 Scene 4: Invention On A 6-Note Chord \"Das Messer? Wo Ist Das Messer?\" (Wozzeck, Captain, Doctor)          4:08\u003c\/p\u003e\n\u003cp\u003e28-4.2                 Orchestral Interlude In D Minor – Invention On A Key\u003c\/p\u003e\n\u003cp\u003e28-5                      Epilogue. Scene 5: Invention On A Quaver Rhythm \"Ringel, Ringel, Rosenkranz\" (Children, Marie's Boy)    5:21\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 29\u003c\/p\u003e\n\u003cp\u003eLa Mer L 109 = The Sea = Das Meer (3 Symphonic Sketches)\u003c\/p\u003e\n\u003cp\u003eComposed By – Claude Debussy\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e29-1                      I De L'aube À Midi Sur La Mer = From Dawn To Midday On The Sea = Vom Morgen Bis Zum Mittag Auf Dem Meer (Très Lent)       8:28\u003c\/p\u003e\n\u003cp\u003e29-2                      Il Jeux De Vagues = Play Of The Waves = Spiel Der Wellen (Allegro)           6:07\u003c\/p\u003e\n\u003cp\u003e29-3                      III Dialogue Du Vent Et De La Mer = Dialogue Of The Wind And The Sea = Gespräch Zwischen Wind Und Meer (Animé Et Tumultueux) 8:01\u003c\/p\u003e\n\u003cp\u003eIbéria L 122\/2 (From Images Pour Orchestre)\u003c\/p\u003e\n\u003cp\u003eComposed By – Claude Debussy\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003e29-4                      I Par Les Rues Et Par Les Chemins = In The Streets And Byways = In Den Straßen Und Gassen               6:56\u003c\/p\u003e\n\u003cp\u003e29-5                      II Les Parfums De La Nuit = The Fragrances Of The Night = Die Düfte Der Nacht               7:52\u003c\/p\u003e\n\u003cp\u003e29-6                      Ill Le Matin D'un Jour De Fête = The Morning Of A Festival Day = Der Morgen Eines Festtags                4:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 30\u003c\/p\u003e\n\u003cp\u003eErwartung Op. 17 = Expectation = Attente (Monodrama In 1 Act For Soprano And Orchestra)\u003c\/p\u003e\n\u003cp\u003eComposed By – Arnold Schoenberg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Dorothy Dow\u003c\/p\u003e\n\u003cp\u003eText By – Marie Pappenheim\u003c\/p\u003e\n\u003cp\u003e30-1                      Scene 1 | \"Hier Hinein?... Man Sieht Den Weg Nicht\"          2:48\u003c\/p\u003e\n\u003cp\u003e30-2                      Scene 2 | \"Ist Das Noch Der Weg?\"  2:43\u003c\/p\u003e\n\u003cp\u003e30-3                      Scene 3 | \"Da Kommt Ein Licht!\"        1:45\u003c\/p\u003e\n\u003cp\u003e30-4                      Scene 4 | \"Er Ist Auch Nicht Da\"         1:57\u003c\/p\u003e\n\u003cp\u003e30-5                      \"Das Mondlicht... Nein Dort\"               7:59\u003c\/p\u003e\n\u003cp\u003e30-6                      \"Nein, Das Ist Doch Nicht Möglich\" 1:35\u003c\/p\u003e\n\u003cp\u003e30-7                      \"Du Siehst Wieder Dort Hin!\"               6:26\u003c\/p\u003e\n\u003cp\u003e30-8                      \"Der Morgen Trennt Uns\"        3:13\u003c\/p\u003e\n\u003cp\u003e30-9                      Symphonic Elegy Op. 105 For String Orchestra (In Memoriam Anton Webern)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ernst Krenek\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e15:32\u003c\/p\u003e\n\u003cp\u003e30-10                   Verklärte Nacht Op. 4 = Transfigured Night = La Nuit Transfigurée After The Poem By Richard Dehmel (Version For String Orchestra (1943))\u003c\/p\u003e\n\u003cp\u003eComposed By – Arnold Schoenberg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos, Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e25:15\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD31\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 1 In G Minor Op. 26 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Max Bruch\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e31-1                      I Vorspiel. Allegro Moderato - Attacca            8:12\u003c\/p\u003e\n\u003cp\u003e31-2                      Il Adagio            8:32\u003c\/p\u003e\n\u003cp\u003e31-3                      Ili Finale. Allegro Energico – Presto  6:57\u003c\/p\u003e\n\u003cp\u003e31-4                      Romance For Violin And Orchestra No. 1 In G Major Op. 40 = G-Dur = En Sol Majeur (Andante)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e7:30\u003c\/p\u003e\n\u003cp\u003e31-5                      Romance For Violin And Orchestra No. 2 In F Major Op. 50 = F-Dur = En Fa Majeur (Andante Cantabile)\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e8:45\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 3 In B Minor Op. 61 = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e31-6                      I Allegro Non Troppo  8:17\u003c\/p\u003e\n\u003cp\u003e31-7                      Il Andantino Quasi Allegretto               7:20\u003c\/p\u003e\n\u003cp\u003e31-8                      III Molto Moderato E Maestoso – Allegro Non Troppo – Più Allegro              9:25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 32\u003c\/p\u003e\n\u003cp\u003eCakewalk (Ballet Suite Adapted And Orchestrated By Hershey Kay)\u003c\/p\u003e\n\u003cp\u003eAdapted By, Orchestrated By – Hershey Kay\u003c\/p\u003e\n\u003cp\u003eComposed By – Louis Moreau Gottschalk\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003e32-1                      I Grand Introductory Walkaround     3:05\u003c\/p\u003e\n\u003cp\u003e32-2                      Il 3 Variations | Wallflower Waltz –    2:10\u003c\/p\u003e\n\u003cp\u003e32-3                      Sleight Of Feet –           2:00\u003c\/p\u003e\n\u003cp\u003e32-4                      Perpendicular Points –             2:12\u003c\/p\u003e\n\u003cp\u003e32-5                      III Freebee        3:57\u003c\/p\u003e\n\u003cp\u003e32-6                      IV Magic Act | Entrance Of The Magicians –                1:08\u003c\/p\u003e\n\u003cp\u003e32-7                      Venus And The Three Graces –           1:19\u003c\/p\u003e\n\u003cp\u003e32-8                      The Wild Pony –             1:50\u003c\/p\u003e\n\u003cp\u003e32-9                      Pas De Deux –                3:25\u003c\/p\u003e\n\u003cp\u003e32-10                   Ride-out –         0:37\u003c\/p\u003e\n\u003cp\u003e32-11                   V Finale. Gala Cakewalk         3:35\u003c\/p\u003e\n\u003cp\u003eFall River Legend (Ballet Suite)\u003c\/p\u003e\n\u003cp\u003eComposed By – Morton Gould\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e32-12                   I Prologue And Waltzes            3:21\u003c\/p\u003e\n\u003cp\u003e32-13                   II Elegy                3:31\u003c\/p\u003e\n\u003cp\u003e32-14                   III Church Social          3:33\u003c\/p\u003e\n\u003cp\u003e32-15                   IV Serenade    3:34\u003c\/p\u003e\n\u003cp\u003e32-16                   V Hymnal Variations  4:23\u003c\/p\u003e\n\u003cp\u003e32-17                   VI Cotillion       3:37\u003c\/p\u003e\n\u003cp\u003e32-18                   VII Epilogue     2:41\u003c\/p\u003e\n\u003cp\u003e32-19                   Overture And Allegro From The Sonata \"La Sultane\"\u003c\/p\u003e\n\u003cp\u003eArranged By – Darius Milhaud\u003c\/p\u003e\n\u003cp\u003eComposed By – François Couperin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e6:50\u003c\/p\u003e\n\u003cp\u003e32-20                   Symphonic Allegro\u003c\/p\u003e\n\u003cp\u003eComposed By – Roy Travis\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:31\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 33\u003c\/p\u003e\n\u003cp\u003eRoméo Et Juliette Op. 17 (Symphonie Dramatique; Complete Orchestral Score)\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e33-1                      Part I | Introduction. Combats – Tumulte – Intervention Du Prince. Allegro Fugato – Fièrement, Un Peu Retenu Et Avec Le Caractère Du Récitatif = Fighting – Tumult – Intervention Of The Prince = Kämpfe – Tumult – Intervention Des Prinzen          4:11\u003c\/p\u003e\n\u003cp\u003e33-2                      Part II | II Roméo Seul – Tristesse – Bruits Lointains De Concert Et De Bal – Grande Fête Chez Capulet. Andante Malinconico E Sostenuto - Larghetto Espressivo - Allegro = Romeo Alone - Sadness - Distant Sounds Of Music And Dancing - Great Festivities At The Capulets' = Romeo Allein – Traurigkeit – Entfernte Klänge von Konzert Und Ball – Großes Fest Bei Den Capulets     12:51\u003c\/p\u003e\n\u003cp\u003e33-3                      III Nuit Sereine – Le Jardin De Capulet, Silencieux Et Désert – Scène D'amour. Allegretto – Adagio = Serene Night – The Capulets' Garden, Silent And Deserted – Love Scene = Heitere Nacht – Der Garten Der Capulets, Still Und Verlassen – Liebesszene  15:17\u003c\/p\u003e\n\u003cp\u003e33-4                      IV La Reine Mab, Ou La Fée Des Songes. Scherzo. Prestissimo = Queen Mab, The Dream Fairy = Königin Mab Oder Die Traumfee        7:35\u003c\/p\u003e\n\u003cp\u003e33-5                      Part III VI Roméo Au Tombeau Des Capulets. Invocation – Réveil De Juliette – Joie Délirante – Dernières Angoisses Et Mort Des Deux Amants. Allegro Agitato E Disperato, Con Moto – Largo — L'istesso Tempo – Allegro Vivace Ed Appassionato Assai – L'istesso Tempo = Romeo In The Family Vault Of The Capulets – Invocation 6:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 34\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e34-1                      I Allegro Moderato       10:17\u003c\/p\u003e\n\u003cp\u003e34-2                      II Andante Assai – Allegretto – Andante Assai           8:49\u003c\/p\u003e\n\u003cp\u003e34-3                      III Allegro, Ben Marcato            6:13\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin, Strings And Basso Continuo No. 2 In E Major BWV 1042 = E–Dur = En Mi Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – George Szell\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e34-4                      I Allegro              8:10\u003c\/p\u003e\n\u003cp\u003e34-5                      II Adagio            7:14\u003c\/p\u003e\n\u003cp\u003e34-6                      III Allegro Assai             2:55\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 3 In C Major Op. 26 = C–Dur = En Ut Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Robin Hood Dell Orchestra Of Philadelphia*\u003c\/p\u003e\n\u003cp\u003ePiano – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003e34-7                      I Andante – Allegro      8:48\u003c\/p\u003e\n\u003cp\u003e34-8                      II Tema. Andantino – Variation I. L'istesso Tempo – Var. II. Allegro – Var. III. Allegro Moderato – Var. IV. Andantino Meditativo – Var. V. Allegro Giusto – Tema. L'istesso Tempo         8:18\u003c\/p\u003e\n\u003cp\u003e34-9                      III Allegro Ma Non Troppo       8:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 35\u003c\/p\u003e\n\u003cp\u003eLe Poème De L'Extase (Symphony No. 4)\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Scriabin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eTrumpet – William Vacchiano\u003c\/p\u003e\n\u003cp\u003e35-1                      Andante. Languido – Lento. Soavamente – 1:35\u003c\/p\u003e\n\u003cp\u003e35-2                      Allegro Volando –         0:26\u003c\/p\u003e\n\u003cp\u003e35-3                      Lento. Allegro Non Troppo – Moderato Avec Délice –           3:26\u003c\/p\u003e\n\u003cp\u003e35-4                      Allegro – Allegro Dramatico – Tragico –          3:59\u003c\/p\u003e\n\u003cp\u003e35-5                      Lento –               1:07\u003c\/p\u003e\n\u003cp\u003e35-6                      Allegro Volando –         0:33\u003c\/p\u003e\n\u003cp\u003e35-7                      Lento – Allegro – Charmé – Scherzando –    5:06\u003c\/p\u003e\n\u003cp\u003e35-8                      Allegro Molto. Leggierissimo. Volando – Maestoso               2:22\u003c\/p\u003e\n\u003cp\u003e35-9                      Prométhée. Le Poème Du Feu (Symphony No. 5) Op. 60 For Large Orchestra And Piano. Lento. Brumeux – Prestissimo\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Scriabin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Leonid Hambro\u003c\/p\u003e\n\u003cp\u003e20:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 36\u003c\/p\u003e\n\u003cp\u003eSymphony No. 5 In D Minor Op. 47 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Dmitri Shostakovich\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e36-1                      I Moderato - Allegro Non Troppo - Poco Sostenuto - Largamente - Più Mosso - Moderato                16:52\u003c\/p\u003e\n\u003cp\u003e36-2                      II Allegretto – Largamente – Poco Più Mosso             5:13\u003c\/p\u003e\n\u003cp\u003e36-3                      III Largo              14:33\u003c\/p\u003e\n\u003cp\u003e36-4                      IV Allegro Non Troppo – Allegro – Più Mosso              8:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 37\u003c\/p\u003e\n\u003cp\u003eCaucasian Sketches - Orchestral Suite No. 1 Op. 10 = Kaukasische Skizzen = Esquisses Caucasiennes\u003c\/p\u003e\n\u003cp\u003eComposed By – Mikhail Ippolitov-Ivanov\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e37-1                      No. 1: In The Mountain Pass = Im Engpass = Dans Le Defilé. Allegro Moderato – Moderato Assai – Tempo I             9:01\u003c\/p\u003e\n\u003cp\u003e37-2                      No. 2: In The Village = Dorfszene = Dans L'aoul. Larghetto – Allegretto Grazioso – Tempo I                4:50\u003c\/p\u003e\n\u003cp\u003e37-3                      No. 3: In The Mosque = In Der Moschee = Dans La Mosquée. Adagietto 3:46\u003c\/p\u003e\n\u003cp\u003e37-4                      No. 4: Procession Of The Sardar = Aufzug Des Sardar = Cortège Du Serdar.        4:03\u003c\/p\u003e\n\u003cp\u003ePolovtsian Dances From Prince Igor - Act II = Polowetzer Tänze = Danses Polovtsiennes\u003c\/p\u003e\n\u003cp\u003eArranged By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e37-5                      Dance Of The Polovtsian Maidens = Tanz Der Polowetzer Mädchen = Danse Des Filles Polovtsiennes                2:21\u003c\/p\u003e\n\u003cp\u003e37-6                      Polovtsian Dance. Introduzione. Andantino –           0:50\u003c\/p\u003e\n\u003cp\u003e37-7                      [Andantino –]  1:45\u003c\/p\u003e\n\u003cp\u003e37-8                      Allegro Vivo –  1:19\u003c\/p\u003e\n\u003cp\u003e37-9                      Allegro –             2:26\u003c\/p\u003e\n\u003cp\u003e37-10                   Presto – Moderato Alla Breve – Presto – Allegro Con Spirito – Più Animato            5:50\u003c\/p\u003e\n\u003cp\u003e37-11                   In The Steppes Of Central Asia = Eine Steppenskizze Aus Mittelasien = Dans Les Steppes De L'Asie Centrale\u003c\/p\u003e\n\u003cp\u003eArranged By – Alexander Glazunov\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:51\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 38\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra Op. 36\u003c\/p\u003e\n\u003cp\u003eComposed By – Arnold Schoenberg\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Louis Krasner\u003c\/p\u003e\n\u003cp\u003e38-1                      I Poco Allegro 12:19\u003c\/p\u003e\n\u003cp\u003e38-2                      II Andante Grazioso   7:41\u003c\/p\u003e\n\u003cp\u003e38-3                      III Finale. Allegro           11:20\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra \"To The Memory Of An Angel\" = »Dem Andenken Eines Engels« = « À La Mémoire D'un Ange »\u003c\/p\u003e\n\u003cp\u003eComposed By – Alban Berg\u003c\/p\u003e\n\u003cp\u003eConductor – Artur Rodzínski*\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Cleveland Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Louis Krasner\u003c\/p\u003e\n\u003cp\u003e38-4                      Andante (♩= 56) – Allegretto (♪= 112) (Scherzando)\u003c\/p\u003e\n\u003cp\u003e38-5                      Allegro (♩= 69) (Ma Sempre Rubato, Frei Wie Eine Kadenz) – Adagio (♩= 54)          12:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 39\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In A Minor \"Scottish\" Op. 56 = A-Moll »Schottische« = En La Mineur « Ecossaise »\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e39-1                      I Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come I - Attacca              10:57\u003c\/p\u003e\n\u003cp\u003e39-2                      Il Vivace Non Troppo - Attacca           3:54\u003c\/p\u003e\n\u003cp\u003e39-3                      III Adagio - Attacca     8:51\u003c\/p\u003e\n\u003cp\u003e39-4                      IV Allegro Vivacissimo – Allegro Maestoso Assai    7:49\u003c\/p\u003e\n\u003cp\u003eSymphony No. 5 In D Major \/ D Minor \"Reformation\" Op. 107 = D-Dur\/D-Moll = En Ré Majeur\/ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e39-5                      I Andante – Allegro Con Fuoco            10:04\u003c\/p\u003e\n\u003cp\u003e39-6                      Il Allegro Vivace            5:34\u003c\/p\u003e\n\u003cp\u003e39-7                      Ill Andante - Attacca  3:33\u003c\/p\u003e\n\u003cp\u003e39-8                      IV Chorale: \"Ein' Feste Burg Ist Unser Gott\". Andante Con Moto – Allegro Vivace – Allegro Maestoso Assai            7:57\u003c\/p\u003e\n\u003cp\u003e39-9                      The Hebrides (\"Fingal's Cave\") Op. 26 = Die Hebriden (»Die Fingalshöhle«) = Les Hébrides (« La Grotte De Fingal ») - Concert Overture\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e39-10                   Ruy Blas Op. 95 - Overture To The Play By Victor Hugo (Lento - Allegro Molto)\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:15\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 40\u003c\/p\u003e\n\u003cp\u003eSymphony No. 10 In E Minor Op. 93 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Dmitri Shostakovich\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e40-1                      I Moderato        20:58\u003c\/p\u003e\n\u003cp\u003e40-2                      Il Allegro            3:50\u003c\/p\u003e\n\u003cp\u003e40-3                      Ill Allegretto     10:31\u003c\/p\u003e\n\u003cp\u003e40-4                      IV Andante – Allegro   13:06\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 41\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3 In G Major Op. 42 = G-Dur = En Sol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Wallingford Riegger\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Eastman-Rochester Symphony Orchestra*\u003c\/p\u003e\n\u003cp\u003e41-1                I Moderato – Allegro   8:19\u003c\/p\u003e\n\u003cp\u003e41-2                Il Andante Affettuoso        5:49\u003c\/p\u003e\n\u003cp\u003e41-3                III Moderato – Allegro Molto    5:21\u003c\/p\u003e\n\u003cp\u003e41-4                IV Beginning Rather Slowly – Allegro – Allegro Feroce – Moderato     6:35\u003c\/p\u003e\n\u003cp\u003eSymphony No. 3\u003c\/p\u003e\n\u003cp\u003eComposed By – Peter Mennin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e41-5                I Allegro Robusto        5:14\u003c\/p\u003e\n\u003cp\u003e41-6                Il Andante Moderato 9:04\u003c\/p\u003e\n\u003cp\u003e41-7                Ill Allegro Assai   7:55\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 42\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLes Nuits D'été Op. 7 = Summer Nights = Sommernächte\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By – Théophile Gautier\u003c\/p\u003e\n\u003cp\u003e42-1                I Villanelle: \"Quand Viendra La Saison Nouvelle\" (Ländliches Lied)       2:51\u003c\/p\u003e\n\u003cp\u003e42-2               II Le Spectre De La Rose = The Wraith Of A Rose = Der Geist Der Rose: \"Soulève Ta Paupière Close\"    6:24\u003c\/p\u003e\n\u003cp\u003e42-3               III Sur Les Lagunes (Lamento) = On The Lagoons = Auf Den Lagunen: \"Ma Belle Amie Est Morte\" 7:20\u003c\/p\u003e\n\u003cp\u003e42-4               IV Absence = Trennung: \"Reviens, Reviens, Ma Bien-aimée!\"       5:41\u003c\/p\u003e\n\u003cp\u003e42-5               V Au Cimetière (Clair De Lune) = In The Graveyard (Moonlight) = Auf Dem Friedhof (Mondschein): \"Connaissez-vous La Blanche Tombe\"  5:50\u003c\/p\u003e\n\u003cp\u003e42-6               VI L'île Inconnue = The Unknown Land = Die Unbekannte Insel: \"Dites, La Jeune Belle\"  3:53\u003c\/p\u003e\n\u003cp\u003e42-7                La Captive. Rèverie = The Captive Maid. Revery = Die Gefangene. Träumerei Op. 12\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By – Victor Hugo\u003c\/p\u003e\n\u003cp\u003e7:55\u003c\/p\u003e\n\u003cp\u003e42-8               Le Jeune Pâtre Breton = The Young Breton Shepherd = Der Junge Bretonische Hirte Op. 13\/4\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By [from Fleurs des landes] – Auguste Brizeux\u003c\/p\u003e\n\u003cp\u003e5:52\u003c\/p\u003e\n\u003cp\u003e42-9               Zaide. Boléro Op. 19\/1\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Jean Morel\u003c\/p\u003e\n\u003cp\u003eOrchestra – Columbia Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eText By [from Feuillets d'Album] – Roger De Beauvoir\u003c\/p\u003e\n\u003cp\u003e3:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 43\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra In E Minor = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e43-1                I Allegro Molto Appassionato - Attacca        11:40\u003c\/p\u003e\n\u003cp\u003e43-2               Il Andante     7:26\u003c\/p\u003e\n\u003cp\u003e43-3               III Allegretto Non Troppo – Allegro 6:10\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra In D Major Op. 35 = D-Dur = En Ré Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Felix Mendelssohn*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e43-4               I Allegro Moderato – Moderato Assai    17:02\u003c\/p\u003e\n\u003cp\u003e43-5               Il Canzonetta. Andante - Attacca  6:34\u003c\/p\u003e\n\u003cp\u003e43-6               III Finale. Allegro Vivacissimo 9:22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 44\u003c\/p\u003e\n\u003cp\u003eSymphony No. 2 In B Minor = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Alexander Borodin\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e44-1                I Allegro – Animato Assai  6:56\u003c\/p\u003e\n\u003cp\u003e44-2               II Scherzo. Prestissimo – Allegretto       5:11\u003c\/p\u003e\n\u003cp\u003e44-3               III Andante    8:15\u003c\/p\u003e\n\u003cp\u003e44-4               IV Finale. Allegro 6:23\u003c\/p\u003e\n\u003cp\u003eSuite No. 1 In D Minor Op. 43 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e44-5               I Introduzione E Fuga. Andante Sostenuto – Moderato E Con Anima    9:54\u003c\/p\u003e\n\u003cp\u003e44-6               Il Divertimento. Allegro Moderato  5:01\u003c\/p\u003e\n\u003cp\u003e44-7                IV Marche Miniature. Moderato Con Moto  2:02\u003c\/p\u003e\n\u003cp\u003e44-8               V Scherzo. Allegro Con Moto  7:10\u003c\/p\u003e\n\u003cp\u003e44-9               VI Gavotte. Allegro     5:01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 45\u003c\/p\u003e\n\u003cp\u003eSymphony No. 5 In E Minor Op. 64 = E-Moll = En Mi Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e45-1                I Andante – Allegro Con Anima       12:29\u003c\/p\u003e\n\u003cp\u003e45-2               II Andante Cantabile, Con Alcuna Licenza – Moderato Con Anima – Andante Mosso – Allegro Non Troppo – Tempo I 12:57\u003c\/p\u003e\n\u003cp\u003e45-3               III Valse. Allegro Moderato       5:58\u003c\/p\u003e\n\u003cp\u003e45-4                IV Finale. Andante Maestoso – Allegro Vivace – Molto Vivace – Moderato Assai E Molto Maestoso – Presto        11:34\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 46\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 1 In A Minor Op. 77 = A-Moll = En La Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Dmitri Shostakovich\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e46-1                I Nocturne. Moderato        12:01\u003c\/p\u003e\n\u003cp\u003e46-2               Il Scherzo. Allegro Non Troppo       6:14\u003c\/p\u003e\n\u003cp\u003e46-3               Iil Passacaglia. Andante – Cadenza - Attacca        13:20\u003c\/p\u003e\n\u003cp\u003e46-4               IV Burlesque. Allegro Con Brio – Presto       4:45\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 47\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 5 In E-flat Major \"Emperor\" Op. 73 = Es-Dur = En Mi Bémol Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Robert Casadesus\u003c\/p\u003e\n\u003cp\u003e47-1                I Allegro 18:58\u003c\/p\u003e\n\u003cp\u003e47-2               Il Adagio Un Poco Moto - Attacca  6:40\u003c\/p\u003e\n\u003cp\u003e47-3               III Rondo. Allegro        10:04\u003c\/p\u003e\n\u003cp\u003eConcerto For 3 Keyboards, Strings And Basso Continuo In D Minor BWV 1063 = D-Moll = En Ré Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Johann Sebastian Bach\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Gaby Casadesus, Jean Casadesus, Robert Casadesus\u003c\/p\u003e\n\u003cp\u003e47-4               I [...]        5:37\u003c\/p\u003e\n\u003cp\u003e47-5               Il Alla Siciliana    5:32\u003c\/p\u003e\n\u003cp\u003e47-6               Ill Allegro 5:05     5:05\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 48\u003c\/p\u003e\n\u003cp\u003eLieutenant Kijé Suite Op. 60\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e48-1                I Kijé's Birth = Kijés Geburt = Naissance De Kijé        3:51\u003c\/p\u003e\n\u003cp\u003e48-2               Il Romance  4:36\u003c\/p\u003e\n\u003cp\u003e48-3                Ill Kijé's Wedding = Kijés Hochzeit = Noces De Kijé 2:48\u003c\/p\u003e\n\u003cp\u003e48-4               IV Troïka        2:39\u003c\/p\u003e\n\u003cp\u003e48-5               V Kijé's Burial = Kijés Begräbnis = Enterrement De Kijé 6:05\u003c\/p\u003e\n\u003cp\u003eHáry János Suite\u003c\/p\u003e\n\u003cp\u003eComposed By – Zoltán Kodály\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e48-6               I Prelude. The Fairy Tale Begins = Vorspiel. Das Märchen Beginnt Prélude. L'Histoire Commence. Con Moto – Tranquillo, Molto Moderato     3:22\u003c\/p\u003e\n\u003cp\u003e48-7                Il Viennese Musical Clock = Wiener Spielwerk = L'Horloge Musicale De Vienne. Allegretto   2:09\u003c\/p\u003e\n\u003cp\u003e48-8               III Song = Lied = Chanson. Andante, Poco Rubato        5:45\u003c\/p\u003e\n\u003cp\u003e48-9               V The Battle And Defeat Of Napoleon = Schlacht Und Niederlage Napoleons = Bataille Et Défaite De Napoléon. Alla Marcia   4:07\u003c\/p\u003e\n\u003cp\u003e48-10             V Intermezzo. Andante Maestoso, Ma Con Fuoco        4:33\u003c\/p\u003e\n\u003cp\u003e48-11             VI Entrance Of The Emperor And His Court = Einzug Des Kaiserlichen Hofes = Entrée De La Cour Impériale. Alla Marcia   2:50\u003c\/p\u003e\n\u003cp\u003e                                                                                                                                               \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 49\u003c\/p\u003e\n\u003cp\u003e49-1                Danse Macabre Op. 40 = Dance Of Death = Totentanz\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003eViolin – John Corigliano (2)\u003c\/p\u003e\n\u003cp\u003e7:25\u003c\/p\u003e\n\u003cp\u003e49-2               Le Rouet D'Omphal Op. 31 = The Spinning Wheel Of Omphale = Omphales Spinnrad\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:10\u003c\/p\u003e\n\u003cp\u003e49-3               Phaëton Op. 39\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e8:47\u003c\/p\u003e\n\u003cp\u003e49-4               La Jeunesse D'Hercule Op. 50 = Hercules' Youth = Herkules' Jugend\u003c\/p\u003e\n\u003cp\u003eComposed By – Camille Saint-Saëns\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e16:14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 50\u003c\/p\u003e\n\u003cp\u003eSymphony No. 4 In F Minor = F-Moll = En Fa Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ralph Vaughan Williams\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e50-1                I Allegro – Lento  7:49\u003c\/p\u003e\n\u003cp\u003e50-2               II Andante Moderato 9:49\u003c\/p\u003e\n\u003cp\u003e50-3               III Scherzo. Allegro Molto - Attacca       5:39\u003c\/p\u003e\n\u003cp\u003e50-4               IV Finale Con Epilogo Fugato  8:01\u003c\/p\u003e\n\u003cp\u003e50-5               V Allegro Molto – Con Anima  12:46\u003c\/p\u003e\n\u003cp\u003e50-6               Fantasia On A Theme By Thomas Tallis For Double String Orchestra\u003c\/p\u003e\n\u003cp\u003eComposed By – Ralph Vaughan Williams\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 51\u003c\/p\u003e\n\u003cp\u003eSymphony For Brass And Percussion Op. 16\u003c\/p\u003e\n\u003cp\u003eComposed By – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003e51-1                I Andante (♩ = 66-69) – Allegro (𝅗𝅥 = 72-76)    4:50\u003c\/p\u003e\n\u003cp\u003e51-2                II Vivace (𝅗𝅥. = 84) 4:09\u003c\/p\u003e\n\u003cp\u003e51-3                III Lento Desolato (𝅘𝅥𝅮 = 69)        3:10\u003c\/p\u003e\n\u003cp\u003e51-4                IV Introduction. Quasi Cadenza (𝅗𝅥 = 88-92) - Allegro (♩ = 144, In 4) 5:15\u003c\/p\u003e\n\u003cp\u003e51-5                Poem For Brass\u003c\/p\u003e\n\u003cp\u003eComposed By – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eConductor – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003eFlugelhorn – Miles Davis\u003c\/p\u003e\n\u003cp\u003eTrombone – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eTrumpet – Joe Wilder\u003c\/p\u003e\n\u003cp\u003e10:04\u003c\/p\u003e\n\u003cp\u003e51-6                Three Little Feelings\u003c\/p\u003e\n\u003cp\u003eComposed By – John Lewis (2)\u003c\/p\u003e\n\u003cp\u003eConductor – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003eFlugelhorn, Trumpet – Miles Davis\u003c\/p\u003e\n\u003cp\u003eTrombone – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eTrumpet – Joe Wilder\u003c\/p\u003e\n\u003cp\u003e10:45\u003c\/p\u003e\n\u003cp\u003e51-7                Pharaoh\u003c\/p\u003e\n\u003cp\u003eComposed By – Jimmy Giuffre\u003c\/p\u003e\n\u003cp\u003eConductor – Gunther Schuller\u003c\/p\u003e\n\u003cp\u003eConductor [Schuller] – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eEnsemble – The Brass Ensemble Of The Jazz And Classical Music Society*\u003c\/p\u003e\n\u003cp\u003eTrombone – J.J. Johnson\u003c\/p\u003e\n\u003cp\u003eTrumpet – Joe Wilder\u003c\/p\u003e\n\u003cp\u003e4:32\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 52\u003c\/p\u003e\n\u003cp\u003eCredendum (Article of Faith)\u003c\/p\u003e\n\u003cp\u003eComposed By – William Schuman\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003e52-1                I Declaration. Moderato Con Fuoco - Attacca        3:11\u003c\/p\u003e\n\u003cp\u003e52-2               Il Chorale. Lento - Attacca       7:24\u003c\/p\u003e\n\u003cp\u003e52-3               III Finale. Presto  6:57\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 1\u003c\/p\u003e\n\u003cp\u003eComposed By – Leon Kirchner\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Leon Kirchner\u003c\/p\u003e\n\u003cp\u003e52-4               I Allegro ♩= ca. 92       10:50\u003c\/p\u003e\n\u003cp\u003e52-5               II ♩= 72-76     10:05\u003c\/p\u003e\n\u003cp\u003e52-6               II ♩= 66-72     9:25\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 53\u003c\/p\u003e\n\u003cp\u003eNoches En Los Jardines De España Nights = In The Gardens Of Spain = Nächte In Den Gärten Spaniens = Nuits Dans Les Jardins D'Espagne (Symphonic Impressions For Piano And Orchestra)\u003c\/p\u003e\n\u003cp\u003eComposed By – Manuel de Falla*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003ePiano – Robert Casadesus\u003c\/p\u003e\n\u003cp\u003e53-1                I En El Generalite        9:43\u003c\/p\u003e\n\u003cp\u003e53-2               Il Danza Lejana - Attacca 4:38\u003c\/p\u003e\n\u003cp\u003e53-3               Ill En Los Jardines De La Sierra De Córdoba        8:35\u003c\/p\u003e\n\u003cp\u003eEl Sombrero De Tres Picos - Suite No. 2 = The Three-Cornered Hat = Der Dreispitz = Le Tricorne\u003c\/p\u003e\n\u003cp\u003eComposed By – Manuel de Falla*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e53-4               I Danza De Los Vecinos (Seguidilla) = Dance Of The Neighbours = Tanz Der Nachbarn = Danse Des Voisins        3:05\u003c\/p\u003e\n\u003cp\u003e53-5               Il Danza Del Molinero (Farruca) = Dance Of The Miller = Tanz Des Müllers = Danse Du Meunier  2:57\u003c\/p\u003e\n\u003cp\u003e53-6                III Danza Final (Jota) = Final Dance = Schlusstanz = Danse Finale    6:00\u003c\/p\u003e\n\u003cp\u003e53-7                Intermedio - Danza Española No. 1 (from La Vida Breve)\u003c\/p\u003e\n\u003cp\u003eComposed By – Manuel de Falla*\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:01\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 54\u003c\/p\u003e\n\u003cp\u003e54-1                L'Apprenti Sorcier = The Sorcerer's Apprentice = Der Zauberlehrling (Scherzo After A Ballad By Goethe)\u003c\/p\u003e\n\u003cp\u003eComposed By – Paul Dukas\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e9:41\u003c\/p\u003e\n\u003cp\u003e54-2               Polka And Fugue From Schwanda, The Bagpiper\u003c\/p\u003e\n\u003cp\u003eComposed By – Jaromir Weinberger\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e7:36\u003c\/p\u003e\n\u003cp\u003e54-3               Anz Der Sieben Schleier = Dance Of The Seven Veils = Danse Des Sept Voiles From Salome Op. 54\u003c\/p\u003e\n\u003cp\u003eComposed By – Richard Strauss\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e8:47\u003c\/p\u003e\n\u003cp\u003eLes Préludes S 97 (Symphonic Poem No. 3 After Alphonse De Lamartine)\u003c\/p\u003e\n\u003cp\u003eComposed By – Franz Liszt\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – Philharmonic-Symphony Orchestra Of New York (New York Philharmonic)*\u003c\/p\u003e\n\u003cp\u003e54-4               Andante – Andante Maestoso –     2:59\u003c\/p\u003e\n\u003cp\u003e54-5               L'istesso Tempo – L'istesso Tempo –     1:09\u003c\/p\u003e\n\u003cp\u003e54-6                Allegro Ma Non Troppo – Allegro Tempestuoso –        3:02\u003c\/p\u003e\n\u003cp\u003e54-7                Allegretto Pastorale – Allegro Marziale –      3:05\u003c\/p\u003e\n\u003cp\u003e54-8               Allegro Marziale Animato –      3:34\u003c\/p\u003e\n\u003cp\u003e54-9               Andante Maestoso    2:48\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 55\u003c\/p\u003e\n\u003cp\u003eSymphony No. 6 In B Minor \"Pathétique\" Op. 74 = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e55-1                I Adagio – Allegro Non Troppo – Andante – Moderato Mosso – Andante – Moderato Assai – Allegro Vivo – Andante Come Prima – Andante Mosso      15:38\u003c\/p\u003e\n\u003cp\u003e55-2               Il Allegro Con Grazia  7:35\u003c\/p\u003e\n\u003cp\u003e55-3               Ili Allegro Molto Vivace     8:39\u003c\/p\u003e\n\u003cp\u003e55-4               IV Finale. Adagio Lamentoso – Andante      8:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 56\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 1 In D Major Op. 19 = D-Dur = En Ré Majeur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eViolin – Isaac Stern\u003c\/p\u003e\n\u003cp\u003e56-1                I Andantino – Andante Assai   8:57\u003c\/p\u003e\n\u003cp\u003e56-2               II Scherzo. Vivacissimo    3:33\u003c\/p\u003e\n\u003cp\u003e56-3                III Moderato – Allegro Moderato – Moderato – Più Tranquillo     7:34\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra No. 2 In G Minor Op. 63 = G-Moll = En Sol Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Leonard Bernstein\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eViolin – Isaac Stern\u003c\/p\u003e\n\u003cp\u003e56-4               I Allegro Moderato      10:37\u003c\/p\u003e\n\u003cp\u003e56-5               Il Andante Assai – Allegretto – Andante Assai        10:23\u003c\/p\u003e\n\u003cp\u003e56-6               III Allegro, Ben Marcato    6:04\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 57\u003c\/p\u003e\n\u003cp\u003eVanessa Op. 32 (Original 1957 Version)\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Nicholas] – George Cehanovsky\u003c\/p\u003e\n\u003cp\u003eBass Vocals [The Old Doctor] – Giorgio Tozzi, Giorgio Tozzi\u003c\/p\u003e\n\u003cp\u003eChorus – Metropolitan Opera Chorus\u003c\/p\u003e\n\u003cp\u003eChorus Master – Kurt Adler*\u003c\/p\u003e\n\u003cp\u003eComposed By – Samuel Barber\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eConductor [Assistant Conductor] – Ignace Strasfogel\u003c\/p\u003e\n\u003cp\u003eLibretto By – Gian Carlo Menotti\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Erika] – Rosalind Elias\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [The Old Baroness] – Regina Resnik\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Vanessa] – Eleanor Steber\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [A Footman] – Robert Nagy (2)\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Anatol] – Nicolai Gedda\u003c\/p\u003e\n\u003cp\u003e57-1                Act | \"Potage Crème Aux Perles\" (Erika)       3:31\u003c\/p\u003e\n\u003cp\u003e57-2               \"No, I cannot understand\" (Vanessa)   4:59\u003c\/p\u003e\n\u003cp\u003e57-3               \"Must The Winter Come So Soon?\" (Erika) 2:16\u003c\/p\u003e\n\u003cp\u003e57-4               \"Listen! ... They Are Here\" (Erika)   1:38\u003c\/p\u003e\n\u003cp\u003e57-5               \"Do Not Utter A Word, Anatol\" (Vanessa)    4:45\u003c\/p\u003e\n\u003cp\u003e57-6               \"Yes, I Believe I Shall Love You\" (Anatol)      1:50\u003c\/p\u003e\n\u003cp\u003e57-7                \"Who Are You?\" (Erika)     5:40\u003c\/p\u003e\n\u003cp\u003e57-8               Act II | \"And Then?\" – \"He Made Me Drink\" (Baroness)    4:09\u003c\/p\u003e\n\u003cp\u003e57-9               \"No, You Are Not As Good A Skater...\" (Vanessa)        2:59\u003c\/p\u003e\n\u003cp\u003e57-10             \"Under The Willow Tree\" (Doctor)  2:21\u003c\/p\u003e\n\u003cp\u003e57-11             \"Erika, I Am So Happy\" (Vanessa)  1:19\u003c\/p\u003e\n\u003cp\u003e57-12             \"Our Arms Entwined\" (Vanessa)    4:03\u003c\/p\u003e\n\u003cp\u003e57-13             \"Did You Hear Her?\" (Erika)     4:01\u003c\/p\u003e\n\u003cp\u003e57-14             \"Outside This House The World Has Changed\" (Anatol) 5:11\u003c\/p\u003e\n\u003cp\u003e57-15             Orchestral Interlude – Hymn  4:35\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 58\u003c\/p\u003e\n\u003cp\u003e58-1                Act III | \"The Count And Countess D'Albany\" (Baroness)    3:17\u003c\/p\u003e\n\u003cp\u003e58-2               \"I Should Never Have Been A Doctor\" (Doctor)        3:14\u003c\/p\u003e\n\u003cp\u003e58-3               \"Here You Are!\" (Vanessa)       1:24\u003c\/p\u003e\n\u003cp\u003e58-4               \"At Last I've Found You\"' (Anatol)   6:22\u003c\/p\u003e\n\u003cp\u003e58-5               \"Nothing To Worry About\" (Doctor)       6:26\u003c\/p\u003e\n\u003cp\u003e58-6               Act IV | Scene 1 | \"Why Did No One Warn Me?\" (Vanessa)     4:28\u003c\/p\u003e\n\u003cp\u003e58-7                \"Why Must The Greatest Sorrows\" (Vanessa)        2:02\u003c\/p\u003e\n\u003cp\u003e58-8               \"There, Look!\" (Doctor)     5:25\u003c\/p\u003e\n\u003cp\u003e58-9               \"Anatol, Tell Me The Truth!\" (Vanessa)  1:06\u003c\/p\u003e\n\u003cp\u003e58-10             \"Take Me Away\"  1:25\u003c\/p\u003e\n\u003cp\u003e58-11             Grandmother!\" – \"Yes, Erika\" (Erika, Baroness)        2:18\u003c\/p\u003e\n\u003cp\u003e58-12             Intermezzo. With Quiet Motion      3:33\u003c\/p\u003e\n\u003cp\u003e58-13             Scene 2 | \"By The Time We Arrive\" (Anatol) 1:02\u003c\/p\u003e\n\u003cp\u003e58-14             \"For Every Love There Is A Last Farewell\" (Doctor)        2:20\u003c\/p\u003e\n\u003cp\u003e58-15             \"And You, My Friend\" (Vanessa)     6:08\u003c\/p\u003e\n\u003cp\u003e58-16             Quintet: \"To Leave, To Break\" (Vanessa, Anatol, Erika, Baroness, Doctor)  3:43\u003c\/p\u003e\n\u003cp\u003e58-17             \"Goodbye, Erika\" – \"Goodbye, Be Happy, Aunt Vanessa\" (Vanessa, Erika)       6:14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 59\u003c\/p\u003e\n\u003cp\u003eRomeo And Juliet Op. 64 - Excerpts From Ballet Suites No. 1 Op. 64a And No. 2 Op. 64b\u003c\/p\u003e\n\u003cp\u003eComposed By – Sergei Prokofiev\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e59-1                The Montagues And Capulets = Montagues Und Capulets = Montaigus Et Capulets (Suite No. 2\/1) Andante – Allegro Pesante – Moderato Tranquillo – Allegro Pesante        44:25\u003c\/p\u003e\n\u003cp\u003e59-2                Juliet, The Young Girl = Das Mädchen Julia = La Jeune Juliette (Suite No. 2\/2) Vivace – Più Tranquillo (Quasi Andantino) – Più Animato – Più Animato (Vivace II)  4:16\u003c\/p\u003e\n\u003cp\u003e59-3               Folk Dance = Volkstanz - Danse Populaire (Suite No. 1\/1) Allegro Giocoso  4:20\u003c\/p\u003e\n\u003cp\u003e59-4               Masks = Masken - Masques (Suite No. 1\/5) Andante Marciale       2:16\u003c\/p\u003e\n\u003cp\u003e59-5               Romeo Und Julia = Roméo Et Juliette (Suite No. 1\/6) Larghetto – Andante 6:38\u003c\/p\u003e\n\u003cp\u003e59-6               Death Of Tybalt = Tybalts Tod = Mort De Tybalt (Suite No. 1\/7) Precipitato – Presto – Adagio Drammatico        4:42\u003c\/p\u003e\n\u003cp\u003e59-7                Romeo And Juliet Before Parting = Romeo Bei Julia Vor Der Trennung = Roméo Auprès De Juliette Avant Leur Séparation (Suite No. 2\/5) Lento – Andante - Adagio – Poco Più Animato – Adagio – Andante   8:22\u003c\/p\u003e\n\u003cp\u003e59-8               Friar Laurence = Pater Lorenzo = Frère Laurent (Suite No. 2\/3) Andante Espressivo      2:43\u003c\/p\u003e\n\u003cp\u003e59-9               Romeo At Juliet's Tomb = Romeo Am Grabe Julias = Roméo Au Tombeau De Juliette (Suite No. 2\/7) Adagio Funebre – Adagio       5:49\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 60\u003c\/p\u003e\n\u003cp\u003eBoris Godunov (Abridged, Sung In English)\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Andrey Shchelkalov \/ Mitiukha] – Arthur Budney\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Rangoni] – Frank Valentino*\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Boris Godunov] – Giorgio Tozzi\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Brother Pimen] – Norman Scott\u003c\/p\u003e\n\u003cp\u003eChorus – Metropolitan Opera Chorus\u003c\/p\u003e\n\u003cp\u003eChorus Master – Kurt Adler*\u003c\/p\u003e\n\u003cp\u003eComposed By – Modest Mussorgsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eConductor [Assistant Conductor] – Ignace Strasfogel\u003c\/p\u003e\n\u003cp\u003eLibretto By – Modest Mussorgsky\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Fyodor] – Margaret Roggero\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Maria Mnishek] – Nell Rankin\u003c\/p\u003e\n\u003cp\u003eMezzo-soprano Vocals [Xenia's nurse] – Sandra Warfield\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Xenia] – Laurel Hurley\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Grigory; Dimitri the Pretender] – Albert Da Costa\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Price Vasiliy Ivanovich Shuisky] – Charles Kullman\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Simpleton] – Paul Franke\u003c\/p\u003e\n\u003cp\u003eText By – Pushkin*\u003c\/p\u003e\n\u003cp\u003eText By [Edited By] – Karol Rathaus\u003c\/p\u003e\n\u003cp\u003eTranslated By – John Gutman\u003c\/p\u003e\n\u003cp\u003e60-1                Act I | Scene 2 | Introduction   1:40\u003c\/p\u003e\n\u003cp\u003e60-2                \"Long May He Live, Tsar Boris Fyodorovich!\" (Shuisky, Chorus)       2:24\u003c\/p\u003e\n\u003cp\u003e60-3               My Heart Is Sad\" (Boris)   2:54\u003c\/p\u003e\n\u003cp\u003e60-4               \"Glory!\" (Chorus)        1:21\u003c\/p\u003e\n\u003cp\u003e60-5               Scene 3 | Introduction      0:33\u003c\/p\u003e\n\u003cp\u003e60-6               \"Just one more page\" (Pimen) 1:13\u003c\/p\u003e\n\u003cp\u003e60-7                \"All Through The Night\" (Grigory, Pimen)     1:05\u003c\/p\u003e\n\u003cp\u003e60-8               \"But Now, I Want To Ask\" (Grigory) 3:40\u003c\/p\u003e\n\u003cp\u003e60-9               \"How Old Was He, Dimitri, The Tsarevich?\" (Grigory, Pimen)  2:12\u003c\/p\u003e\n\u003cp\u003e60-10             \"This Is The Matin Bell\" (Pimen, Chorus, Grigory)        2:52\u003c\/p\u003e\n\u003cp\u003e60-11             Act II | \"Where Are You, Love Of Mine\" (Xenia, Fyodor)  2:11\u003c\/p\u003e\n\u003cp\u003e60-12             \"My Child, Darling Tsarevna\" (Nurse, Xenia, Fyodor)  2:11\u003c\/p\u003e\n\u003cp\u003e60-13             \"Here's A Tale\" (Fyodor, Nurse)       1:25\u003c\/p\u003e\n\u003cp\u003e60-14             \"What's This?\" (Boris, Nurse, Xenia, Fyodor)        3:14\u003c\/p\u003e\n\u003cp\u003e60-15             \"The Time Will Come\" (Boris)  2:39\u003c\/p\u003e\n\u003cp\u003e60-16             \"Like Lightning, Death Sweeps Down\" (Boris, Nurses) 3:46\u003c\/p\u003e\n\u003cp\u003e60-17             \"Almighty Tsar And Lord\" (Boyar, Boris, Fyodor, Shuisky)        1:45\u003c\/p\u003e\n\u003cp\u003e60-18             \"Believe Me, Tsar\" (Shuisky, Boris, Fyodor) 2:33\u003c\/p\u003e\n\u003cp\u003e60-19             \"The Day In Uglich\" (Boris, Shuisky)      1:31\u003c\/p\u003e\n\u003cp\u003e60-20             \"You Don't Believe Me, Tsar\" (Shuisky, Boris)        2:48\u003c\/p\u003e\n\u003cp\u003e60-21             \"Ah! For Some Air\" (Boris)        3:10\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 61\u003c\/p\u003e\n\u003cp\u003e61-1                Act III | Scene 1 | \"In Humbleness, As Servant Of The Lord\" (Rangoni, Marina)   1:02\u003c\/p\u003e\n\u003cp\u003e61-2                \"Hear Me, Child\" (Rangoni, Marina)      2:23\u003c\/p\u003e\n\u003cp\u003e61-3                \"Enslave With Your Beauty\" (Rangoni, Marina)        3:32\u003c\/p\u003e\n\u003cp\u003e61-4                To Me Who Comes From The Lord\" (Rangoni)        1:07\u003c\/p\u003e\n\u003cp\u003e61-5                Scene 2 | Introduction. Alla Polacca    2:40\u003c\/p\u003e\n\u003cp\u003e61-6               \"You Have Come, Beloved\" (Grigory, Marina)        3:32\u003c\/p\u003e\n\u003cp\u003e61-7                \"No, Marina!\" (Grigory, Marina, Rangoni)    4:56\u003c\/p\u003e\n\u003cp\u003e61-8                Act IV | Scene 1 I Introduction 1:35\u003c\/p\u003e\n\u003cp\u003e61-9                \"Listen, Brothers\" (Mitiukha, Chorus)  1:18\u003c\/p\u003e\n\u003cp\u003e61-10             \"Trrr, Trrr – His Hat Is Of Tin\" (chorus, Simpleton)        1:38\u003c\/p\u003e\n\u003cp\u003e61-11             \"Greetings, Greetings\" (Chorus, Simpleton)        2:18\u003c\/p\u003e\n\u003cp\u003e61-12              \"Why Does He Cry So?\" (Boris, Simpleton, Shuisky)        3:08\u003c\/p\u003e\n\u003cp\u003e61-13              Scene 2 | Introduction      1:29\u003c\/p\u003e\n\u003cp\u003e61-14             \"You Have Met To Judge A Traitor\" (Shchelkalov)        0:51\u003c\/p\u003e\n\u003cp\u003e61-15             \"Yes! Let's Take A Vote On It\" (Boyars, Chorus)        2:01\u003c\/p\u003e\n\u003cp\u003e61-16              \"But... Shuisky Is Not With Us?\" (Boyars, Shuisky)        2:26\u003c\/p\u003e\n\u003cp\u003e61-17              \"Oh, What A Frightful Scene I Witnessed\"' (Shuisky, Boyars, Boris)    1:57\u003c\/p\u003e\n\u003cp\u003e61-18             \"I Called For You, My Counsel\" (Boris, Shuisky)        2:14\u003c\/p\u003e\n\u003cp\u003e61-19              \"My Name Is Pimen\" (Pimen, Boris)      2:03\u003c\/p\u003e\n\u003cp\u003e61-20             \"In Vain I Tried To Heal Them\" (Pimen) 2:18\u003c\/p\u003e\n\u003cp\u003e61-21             \"Next Morning I Remembered\" (Pimen, Boris)        1:12\u003c\/p\u003e\n\u003cp\u003e61-22             \"I Want To See My Son\" (Boris)       2:23\u003c\/p\u003e\n\u003cp\u003e61-23             \"Do Not Trust The Boyars\" (Boris)  1:54\u003c\/p\u003e\n\u003cp\u003e61-24             \"Father! See My Children\" (Boris)  1:39\u003c\/p\u003e\n\u003cp\u003e61-25             \"Hear Those Sepulchral Sounds\" (Boris, Chorus, Fyodor)  2:24\u003c\/p\u003e\n\u003cp\u003e61-26             \"It Is Not Time Yet\" (Boris, Boyars) 1:54\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 62\u003c\/p\u003e\n\u003cp\u003eSymphonie Fantastique Op. 14 = Episode De La Vie D'un Artiste = Episode In The Life Of An Artist = Episode Aus Dem Leben Eines Künstlers\u003c\/p\u003e\n\u003cp\u003eComposed By – Hector Berlioz\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e62-1                I Rêveries – Passions = Dreams – Passions = Träume – Leidenschaften (Largo – Allegro Agitato Ed Appassionato Assai) 13:45\u003c\/p\u003e\n\u003cp\u003e62-2               Il Un Bal = A Ball = Ein Ball (Valse Allegro Non Troppo)  6:29\u003c\/p\u003e\n\u003cp\u003e62-3               III Scène Aux Champs = Scene In The Country = Szene Aut Dem Lande (Adagio)      14:55\u003c\/p\u003e\n\u003cp\u003e62-4               IV Marche Au Supplice = March To The Scaffold = Gang Zum Richtplatz (Allegretto Non Troppo)   5:10\u003c\/p\u003e\n\u003cp\u003e62-5               V Songe D'une Nuit De Sabbat = Dream Of A Sabbath Night = Traum Einer Sabbatnacht (Larghetto – Allegro)  10:14\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 63\u003c\/p\u003e\n\u003cp\u003e63-1                Slavonic March Op. 31 = Slawischer Marsch = Marche Slave (Moderato In Modo Di Marcia Funebre – Più Mosso. Allegro – Andante Molto Maestoso – Allegro Risoluto)\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e10:00\u003c\/p\u003e\n\u003cp\u003e63-2               A Night On Bald Mountain = Eine Nacht Auf Dem Kahlen Berge = Une Nuit Sur Le Mont Chauve (Allegro Feroce)\u003c\/p\u003e\n\u003cp\u003eComposed By – Modest Mussorgsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eOrchestrated By – Nikolai Rimsky-Korsakov\u003c\/p\u003e\n\u003cp\u003e11:05\u003c\/p\u003e\n\u003cp\u003e63-3               Capriccio Italien Op. 45 (Andante Un Poco Rubato – Allegro Moderato – Andante – Presto – Allegro Moderato – Presto – Prestissimo)\u003c\/p\u003e\n\u003cp\u003eComposed By – Pyotr Ilyich Tchaikovsky\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e4 Greek Dances Op. 11 = Vier Griechische Tänze = Quatre Danses Grecques\u003c\/p\u003e\n\u003cp\u003eComposed By – Nikos Skalkottas\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003e63-4               Peloponnisiakost       2:03\u003c\/p\u003e\n\u003cp\u003e63-5               Epirotikos     1:57\u003c\/p\u003e\n\u003cp\u003e63-6               Hostianos     3:36\u003c\/p\u003e\n\u003cp\u003e63-7                Kleftikos        2:10\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 64\u003c\/p\u003e\n\u003cp\u003eUn Ballo In Maschera = A Masked Ball = Ein Maskenball (Excerpts)\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Renato] – Leonard Warren\u003c\/p\u003e\n\u003cp\u003eComposed By – Giuseppe Verdi\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eContralto Vocals [Ulrica] – Marian Anderson\u003c\/p\u003e\n\u003cp\u003eLibretto By – Antonio Somma\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Amelia] – Zinka Milanov\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Oscar] – Roberta Peters\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Riccardo] – Jan Peerce\u003c\/p\u003e\n\u003cp\u003eText By – Eugène Scribe\u003c\/p\u003e\n\u003cp\u003e64-1                Preludio 4:22\u003c\/p\u003e\n\u003cp\u003e64-2               Act I | Scene 1 | \"Alla Vita Che T'arride\" (Renato)        3:34\u003c\/p\u003e\n\u003cp\u003e64-3               Scene 2 | \"Re Dell'abisso, Affrettati\" (Ulrica, Riccardo)      6:59\u003c\/p\u003e\n\u003cp\u003e64-4               АСТ II | \"Ecco L'orrido Campo ... Ma Dall'arido Stelo Divulsa\" (Amelia)     9:09\u003c\/p\u003e\n\u003cp\u003e64-5               \"Teco Io Sto\" (Riccardo, Amelia)    5:08\u003c\/p\u003e\n\u003cp\u003e64-6               \"M'Ami, M'ami\" (Riccardo, Amelia) – \"Ahimè! S'appressa Alcun!\" (Amelia, Riccardo, Renato) 8:34\u003c\/p\u003e\n\u003cp\u003e64-7                Act III | Scene 1 | \"Morrò, Ma Prima In Grazia\" (Amelia, Renato) 4:29\u003c\/p\u003e\n\u003cp\u003e64-8               \"Alzati! Là Tuo Figlio ... Eri Tu\" (Renato)        6:23\u003c\/p\u003e\n\u003cp\u003e64-9                Scene 2 | \"Forse La Soglia Attinse ... Ma Se M'è Forza Perderti\" (Riccardo)       5:13\u003c\/p\u003e\n\u003cp\u003e64-10             Scene 3 | \"Saper Vorreste\" (Oscar)       2:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 65\u003c\/p\u003e\n\u003cp\u003eConcerto For Violin And Orchestra In B Minor = H-Moll = En Si Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – William Walton*\u003c\/p\u003e\n\u003cp\u003eConductor – Eugene Ormandy\u003c\/p\u003e\n\u003cp\u003eOrchestra – The Philadelphia Orchestra\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e65-1                I Andante Tranquillo  10:41\u003c\/p\u003e\n\u003cp\u003e65-2               Il Presto Capriccioso Alla Napolitana  6:13\u003c\/p\u003e\n\u003cp\u003e65-3               Ill Vivace       11:56\u003c\/p\u003e\n\u003cp\u003eSymphonie Espagnole In D Minor Op. 21 = D-Moll = En Ré Mineur For Violin And Orchestra\u003c\/p\u003e\n\u003cp\u003eComposed By – Édouard Lalo\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003eViolin – Zino Francescatti\u003c\/p\u003e\n\u003cp\u003e65-4               I Allegro Non Troppo  7:37\u003c\/p\u003e\n\u003cp\u003e65-5               Il Scherzando. Allegro Molto   4:10\u003c\/p\u003e\n\u003cp\u003e65-6               IV Andante   6:40\u003c\/p\u003e\n\u003cp\u003e65-7                V Rondo. Allegro 8:06\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 66\u003c\/p\u003e\n\u003cp\u003eSonata For Oboe And Piano\u003c\/p\u003e\n\u003cp\u003eComposed By – Paul Hindemith\u003c\/p\u003e\n\u003cp\u003eOboe – Harold Gomberg\u003c\/p\u003e\n\u003cp\u003ePiano – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003e66-1                I Munter 3:51\u003c\/p\u003e\n\u003cp\u003e66-2               Il Sehr Langsam – Lebhaft – Sehr Langsam, Wie Zuerst – Lebhatt 8:28\u003c\/p\u003e\n\u003cp\u003e2 Rhapsodies For Oboe, Viola And Piano After 2 Poems By Maurice Rollinat\u003c\/p\u003e\n\u003cp\u003eComposed By – Charles Martin Loeffler\u003c\/p\u003e\n\u003cp\u003eOboe – Harold Gomberg\u003c\/p\u003e\n\u003cp\u003ePiano – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eViola – Milton Katims\u003c\/p\u003e\n\u003cp\u003e66-3               No. 1: L'Étang = The Pond = Der Weiher (Lento (Un Poco Andante) – Le Double Plus Vite – Molto Lamentoso – Adagio Molto – Andante)  9:47\u003c\/p\u003e\n\u003cp\u003e66-4               No. 2: La Cornemuse = The Bagpipe = Der Dudelsack (Un Poco Maestoso – Andante – Allegro – Le Double Plus Lent – Andante Grazioso – Moderato – Andante)        13:30\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 67\u003c\/p\u003e\n\u003cp\u003eConcerto For Piano And Orchestra No. 3 In C Minor Op. 37 = C-Moll = En Ut Mineur\u003c\/p\u003e\n\u003cp\u003eComposed By – Ludwig van Beethoven\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eOrchestra – New York Philharmonic\u003c\/p\u003e\n\u003cp\u003ePiano – Jean Casadesus\u003c\/p\u003e\n\u003cp\u003e67-1                I Allegro Con Brio       14:33\u003c\/p\u003e\n\u003cp\u003e67-2               Il Largo  8:50\u003c\/p\u003e\n\u003cp\u003e67-3               III Rondo. Allegro        8:40\u003c\/p\u003e\n\u003cp\u003e9 Variations On A Minuet By Jean-Pierre Duport K 573\u003c\/p\u003e\n\u003cp\u003eComposed By – Wolfgang Amadeus Mozart\u003c\/p\u003e\n\u003cp\u003e(12:41)\u003c\/p\u003e\n\u003cp\u003e67-4.1            [Thema]\u003c\/p\u003e\n\u003cp\u003e67-4.2            Var. I\u003c\/p\u003e\n\u003cp\u003e67-4.3            Var. II\u003c\/p\u003e\n\u003cp\u003e67-4.4            Var. III\u003c\/p\u003e\n\u003cp\u003e67-4.5            Var. IV\u003c\/p\u003e\n\u003cp\u003e67-4.6            Var. V\u003c\/p\u003e\n\u003cp\u003e67-4.7            Var. VI\u003c\/p\u003e\n\u003cp\u003e67-4.8            Var. VII\u003c\/p\u003e\n\u003cp\u003e67-4.9            Var. VIII. Adagio\u003c\/p\u003e\n\u003cp\u003e67-4.10         Var. IX. Allegro – Tempo I\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 68\u003c\/p\u003e\n\u003cp\u003eUn Ballo In Maschera = A Masked Ball = Ein Maskenball\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Renato] – Robert Merrill\u003c\/p\u003e\n\u003cp\u003eBaritone Vocals [Silvano] – Calvin Marsh\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Samuel] – Giorgio Tozzi\u003c\/p\u003e\n\u003cp\u003eBass Vocals [Tom] – Norman Scott\u003c\/p\u003e\n\u003cp\u003eComposed By – Giuseppe Verdi\u003c\/p\u003e\n\u003cp\u003eConductor – Dimitri Mitropoulos\u003c\/p\u003e\n\u003cp\u003eContralto Vocals [Ulrica] – Marian Anderson\u003c\/p\u003e\n\u003cp\u003eLibretto By – Marian Anderson\u003c\/p\u003e\n\u003cp\u003eOrchestra – Metropolitan Opera Orchestra*\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Amelia] – Zinka Milanov\u003c\/p\u003e\n\u003cp\u003eSoprano Vocals [Oscar] – Roberta Peters\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [A Judge] – James McCracken\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [A Servant] – Charles Anthony (3)\u003c\/p\u003e\n\u003cp\u003eTenor Vocals [Riccardo] – Jan Peerce\u003c\/p\u003e\n\u003cp\u003e68-1                Prelude 3:54\u003c\/p\u003e\n\u003cp\u003e68-2               Act I | Scene 1 \"Posa In Pace, A' Bei Sogni Ristora\" (Samuel, Tom, Chorus)    1:29\u003c\/p\u003e\n\u003cp\u003e68-3               \"S'avanza Il Re ... La Rivedrà Nell'estasi\" (Oscar, Riccardo, Samuel, Tom, Chorus)   3:24\u003c\/p\u003e\n\u003cp\u003e68-4               \"Il Cenno Mio Di Là Con Essi Attendi\" (Riccardo, Oscar, Renato)    2:21\u003c\/p\u003e\n\u003cp\u003e68-5               \"Alla Vita Che T'arride\" (Renato)    2:41\u003c\/p\u003e\n\u003cp\u003e68-6               \"Il Primo Giudice\" (Oscar, Riccardo, Judge)        1:27\u003c\/p\u003e\n\u003cp\u003e68-7                \"Volta La Terrea\" (Oscar)  1:45\u003c\/p\u003e\n\u003cp\u003e68-8               \"Signori, Oggi D'Ulrica ... Ogni Cura Si Doni Al Diletto\" (Riccardo, Renato, Oscar, Chorus)        2:55\u003c\/p\u003e\n\u003cp\u003e68-9               Scene 2 | \"Zitti. ... L'incanto Non Dèssi Turbare ... Re Dell'abisso, Affrettati\"' (Ulrica, Chorus) 3:32\u003c\/p\u003e\n\u003cp\u003e68-10             \"Arrivo Il Primo! ... È Lui! È Lui! Ne' Palpiti\" (Riccardo, Ulrica, Chorus)       2:45\u003c\/p\u003e\n\u003cp\u003e68-11             \"Su, Fatemi Largo\" (Silvano, Ulrica, Riccardo, Servant, Chorus)        3:11\u003c\/p\u003e\n\u003cp\u003e68-12             \"Che V'agita Così?\" (Ulrica, Amelia, Riccardo)        1:23\u003c\/p\u003e\n\u003cp\u003e68-13             \"Della Città All'occaso\" (Ulrica, Amelia, Riccardo, Chorus) 3:50\u003c\/p\u003e\n\u003cp\u003e68-14             \"Su, Profetessa ... Di' Tu Se Fedele\" (Samuel, Tom, Oscar, Riccardo, Chorus)      3:33\u003c\/p\u003e\n\u003cp\u003e68-15             \"Chi Voi Siate\" (Ulrica, Riccardo, Samuel, Oscar, Tom, Chorus)       2:17\u003c\/p\u003e\n\u003cp\u003e68-16             \"È Scherzo Od È Follia\" (Riccardo, Ulrica, Samuel, Tom, Oscar, Chorus) 3:33\u003c\/p\u003e\n\u003cp\u003e68-17             \"Finisci Il Vaticinio\" (Riccardo, Ulrica, Samuel, Tom, Renato, Silvano, Oscar, Chorus) 4:22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD 69\u003c\/p\u003e\n\u003cp\u003e69-1                Act Il | Prelude     2:12\u003c\/p\u003e\n\u003cp\u003e69-2               \"Ecco L'orrido Campo\" (Amelia)    1:22\u003c\/p\u003e\n\u003cp\u003e69-3               \"Ma Dall'arido Stelo Divulsa\" (Amelia) 5:33\u003c\/p\u003e\n\u003cp\u003e69-4               \"Teco Io Sto ... Non Sai Tu Che Se L'anima Mia\" (Riccardo, Amelia)     5:29\u003c\/p\u003e\n\u003cp\u003e69-5               \"Oh, Qual Soave Brivido\" (Riccardo, Amelia)        3:42\u003c\/p\u003e\n\u003cp\u003e69-6               \"Ahimè! S'appressa Alcun! ... Odi Tu Come Fremono\" (Amelia, Riccardo, Renato) 4:34\u003c\/p\u003e\n\u003cp\u003e69-7                \"Seguitemi\" (Renato, Amelia, Samuel, Tom, Chorus) 2:26\u003c\/p\u003e\n\u003cp\u003e69-8               \"Ve' Se Di Notte Qui Colla Sposa\" (Samuel, Tom, Renato, Amelia, Chorus) 5:12\u003c\/p\u003e\n\u003cp\u003e69-9               Act III | Scene 1 | \"A Tal Colpa È Nulla Il Pianto\" (Renato, Amelia) 2:15\u003c\/p\u003e\n\u003cp\u003e69-10             \"Morrò, Ma Prima In Grazia\" (Amelia)   4:29\u003c\/p\u003e\n\u003cp\u003e69-11             \"Alzati! Là Tuo Figlio\" (Renato)        1:39\u003c\/p\u003e\n\u003cp\u003e69-12             \"Eri Tu Che Macchiavi\" (Renato)    4:43\u003c\/p\u003e\n\u003cp\u003e69-13             \"Siam Soli. Udite\" (Renato, Tom, Samuel)  3:44\u003c\/p\u003e\n\u003cp\u003e69-14             \"E Chi Vien? Tu?\" (Renato, Amelia, Samuel, Tom)        3:50\u003c\/p\u003e\n\u003cp\u003e69-15             \"Il Messaggio Entri ... Ah! Di Che Fulgor\" (Renato, Oscar, Amelia, Samuel, Tom) 3:37\u003c\/p\u003e\n\u003cp\u003e69-16             Scene 2 | \"Forse La Soglia Attinse ... Ma Se M'è Forza Perderti\" (Riccardo)       5:03\u003c\/p\u003e\n\u003cp\u003e69-17             \"Ah! Dessa È Là\" (Riccardo, Oscar)       1:20\u003c\/p\u003e\n\u003cp\u003e69-18             Scene 3 | \"Fervono Amori E Danze\" (Samuel, Renato, Tom, Oscar, Chorus) 2:14\u003c\/p\u003e\n\u003cp\u003e69-19             \"Saper Vorreste\" (Oscar)  1:57\u003c\/p\u003e\n\u003cp\u003e69-20             \"Fervono Amori E Danze\" (Renato, Oscar, Chorus) 1:32\u003c\/p\u003e\n\u003cp\u003e69-21             \"Ah! Perchè Qui! Fuggite\" (Amelia, Riccardo, Renato, Oscar, Chorus)    5:03\u003c\/p\u003e\n\u003cp\u003e69-22             \"Ella È Pura: In Braccio A Morte\" (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, Chorus) 4:26\u003c\/p\u003e","brand":"SONY CLASSICAL","offers":[{"title":"Default Title","offer_id":47546254557434,"sku":"0194398882529","price":149.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0067\/4660\/3571\/files\/NDUtNzY0NC5qcGVn.jpg?v=1753393502","url":"https:\/\/classicselectworld.com\/products\/dmitri-mitropoulus-the-complete-rca-and-columbia-album-collection-69-cds","provider":"ClassicSelect World","version":"1.0","type":"link"}