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Around the same time that Michael Korstick caused a sensation with the first and, to date, only recording of all Beethoven piano concertos (555 447-2), these recordings were also made. They shed light on the life of the "Titan" from the opposing perspectives of fashionable accessories and clever miniatures. These two aspects interweave in reverse chronological order: the Variations in C Minor from 1806 serve as the prelude, while the 24 variations on Righini’s Venni Amore from 1791 conclude the portrait. In between, musical snapshots of the Bagatelles Op. 33 (1802) and Op. 119 (1822) frame the variations on an original theme, Op. 76 (1809), which would later become the Turkish March. In every piece, from the smallest vignette to the most intricate keyboard trick, the boundless imagination of one who set out to instill fear is at work.
1: 32 Variations On an Original Theme in C Minor, WoO80 2: No. 1 in E-flat Major 3: No. 2 in C Major 4: No. 3 in F Major 5: No. 4 in a Major 6: No. 5 in C Major 7: No. 6 in D Major 8: No. 7 in A-flat Major 9: Allegretto in C Minor, WoO53 10: Six Variations On an Original Theme in D Major, Op. 76 11: No. 1 in G Minor 12: No. 2 in C Major 13: No. 3 in D Major 14: No. 4 in a Major 15: No. 5 in C Minor 16: No. 6 in G Major 17: No. 7 in C Major 18: No. 8 in C Major 19: No. 9 in a Minor 20: No. 10 in a Major 21: No. 11 in B-flat Major 22: 24 Variations On Righini's Air 'Venni Amore' in D Major, WoO65
With its uniquely broad and diverse repertoire ranging from Heinrich Schütz to Franz Lehár and from Josquin Desprez to Aulis Sallinen, cpo has attracted a worldwide listening audience whose members know that this diversity is not a random mix but instead represents a special selection bearing the producer’s personal signature.
For many years now CPO’s choice editions of classical treasures have earned it great significance in the international music world.
