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Bach's music has always attracted arrangers and orchestrators - such as Stokowski, Elgar and Busoni, to name just three. Regardless of it's original version, Bach's music has an expressive power, drama and architectural logic that lend themselves well to expanded orchestral sonorities. Bassoonist and conductor Robin O'Neill buried his head in the Goldberg Variations, which he had discovered through Glenn Gould's recordings, during the first months of the Covid lockdown. Soon after that, the idea of making an arrangement for orchestra began to obsess him as he began hearing instrumental and orchestral sonorities in the keyboard work. Since the main challenge was to reclothe the music without damaging the subtle intricacy of the piece, and after much thought and experimentation, O'Neill chose instruments that Bach himself would have recognized for the solo parts. His reinterpretation of the Goldberg Variations offers a mixture of full orchestral variations interspersed with concertante ones involving two, three or four solo instruments, at times close to St Matthew Passion-style writing.Completed during a difficult period, this arrangement was made, in the words of O'Neill, in the hope that it expresses the joy and solace that Bach's music gives both performer and listener.
Goldberg Variations 1 Aria 3'53 2 Variation 1 1'36 3 Variation 2 1'09 4 Variation 3. Canone all Unisono 2'06 5 Variation 4 0'56 6 Variation 5 1'39 7 Variation 6. Canone alla Seconda 0'52 8 Variation 7. Al tempo di Giga 1'52 9 Variation 8 2'01 10 Variation 9. Canone alla Terza 1'20 11 Variation 10. Fughetta 1'21 12 Variation 11 2'15 13 Variation 12. Canone alla Quarta 2'11 14 Variation 13 5'24 15 Variation 14 2'25 16 Variation 15. Canone alla Quinta: Andante 2'25 17 Variation 16. Ouverture 2'44 18 Variation 17 2'01 19 Variation 18. Canone alla Sesta 1'20 20 Variation 19 1'06 21 Variation 20 2'29 22 Variation 21. Canone alla Settima 2'22 23 Variation 22. Alla breve 1'06 24 Variation 23 2'37 25 Variation 24. Canone all'Ottava 2'26 26 Variation 25. Adagio 8'41 27 Variation 26 1'59 28 Variation 27. Canone alla Nona 2'07 29 Variation 28 2'23 30 Variation 29 2'16 31 Variation 30. Quodlibet 1'54 32 Aria da Capo al Fine 2'03
