Bach: Notebooks for Anna Magdalena - Mahan Esfahani, Carolyn Sampson

                            
1
Minuet in F major BWVAnh113[1'46]
Mahan Esfahani (clavichord)
2
Minuets in G major / G minor BWVAnh114 & 115[3'33]Christian Pezold (1677-by 2 June 1733)
Mahan Esfahani (clavichord)
3
Rondeau in B flat major BWVAnh183[4'16]François Couperin (1668-1733)
Mahan Esfahani (clavichord)
4
Minuet in G major BWVAnh116[1'43]
Mahan Esfahani (clavichord)
5
Polonaise in F major BWVAnh117[1'18]
Mahan Esfahani (harpsichord)
6
Minuet in B flat major BWVAnh118[1'23]
Mahan Esfahani (harpsichord)
7
Polonaise in G minor BWVAnh119[1'12]
Mahan Esfahani (clavichord)
8
Wer nur den lieben Gott lässt walten BWV691[1'35]
Mahan Esfahani (clavichord)
9
Gib dich zufrieden BWV510[1'20]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
10
Gib dich zufrieden BWV511[1'14]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
11
Minuet in A minor BWVAnh120[1'28]
Mahan Esfahani (clavichord)
12
Minuet in C minor BWVAnh121[1'03]
Mahan Esfahani (clavichord)
13
March in D major BWVAnh122[1'04]Carl Philipp Emanuel Bach (1714-1788)
Mahan Esfahani (harpsichord)
14
Polonaise in G minor BWVAnh123[1'19]Carl Philipp Emanuel Bach (1714-1788)
Mahan Esfahani (harpsichord)
15
March in G major BWVAnh124[1'25]Carl Philipp Emanuel Bach (1714-1788)
Mahan Esfahani (clavichord)
16
Polonaise in G minor BWVAnh125[1'59]Carl Philipp Emanuel Bach (1714-1788)
Mahan Esfahani (clavichord)
17
Erbauliche Gedanken eines Tobackrauchers BWV515a  So oft ich meine Tobackspfeife[5'28]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
18
Menuet fait par Mons Böhm in G major[1'08]Georg Böhm (1661-1733)
Mahan Esfahani (clavichord)
19
Musette in D major BWVAnh126[0'42]
Mahan Esfahani (harpsichord)
20
March in E flat major BWVAnh127[1'12]Carl Philipp Emanuel Bach (1714-1788)
Mahan Esfahani (harpsichord)
21
Polonaise in D minor BWVAnh128[1'16]
Mahan Esfahani (harpsichord)
22
Bist du bei mir BWV508[2'46]Gottfried Heinrich Stölzel (1690-1749)
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
23
Aria  (Movement 1 of Goldberg Variations 'Aria mit verschiedenen Veränderungen', BWV988)[4'21]
Mahan Esfahani (clavichord)
24
Solo per il cembalo BWVAnh129[2'12]Carl Philipp Emanuel Bach (1714-1788)
Mahan Esfahani (harpsichord)
25
Polonaise in G major BWVAnh130[2'00]Johann Adolf Hasse (1699-1783)
Mahan Esfahani (clavichord)
26
Prelude  (No 1 in C major, BWV846. Movement 1 of The well-tempered Clavier Book 1, BWV846-869)[2'10]
Mahan Esfahani (clavichord)
27
Rigaudon in F major BWVAnh131[0'44]Johann Christian Bach (1735-1782)
Mahan Esfahani (harpsichord)
28
Warum betrübst du dich? BWV516[1'37]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
29
Ich habe genug  (No 2, Recitativo from Ich habe genug, BWV82)[1'06]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
30
Schlummert ein, ihr matten Augen  (No 3, Aria from Ich habe genug, BWV82)[7'09]
Carolyn Sampson (soprano), Mahan Esfahani (clavichord)
31
Schaffs mit mir, Gott BWV514[0'57]
Carolyn Sampson (soprano), Mahan Esfahani (clavichord)
32
Minuet in D minor BWVAnh132[0'54]
Mahan Esfahani (clavichord)
33
Willst du dein Herz mir schenken BWV518[2'57]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
34
Dir, dir, Jehova, will ich singen BWV299b[0'55]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
35
Wie wohl ist mir, o Freund der Seelen BWV517[1'32]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
36
Gedenke doch, mein Geist, zurücke BWV509[0'57]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
37
O Ewigkeit, du Donnerwort BWV513[1'22]
Carolyn Sampson (soprano), Mahan Esfahani (harpsichord)
38
Jesus, meine Zuversicht BWV728[1'49]
Mahan Esfahani (clavichord)
39
Minuet in G major BWV841[1'17]
Mahan Esfahani (harpsichord)
40
Bist du bei mir BWV508[2'40]Gottfried Heinrich Stölzel (1690-1749)
Carolyn Sampson (soprano), Mahan Esfahani (clavichord)