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SAINT-SAENS: Saint-Saens et l'Abbe Liszt (Complete works for organ and motets, Vol. 1) - Vincent Genvrin, Choeur Sacrum

SAINT-SAENS: Saint-Saens et l'Abbe Liszt (Complete works for organ and motets, Vol. 1) - Vincent Genvrin, Choeur Sacrum

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Franz Liszt proved a decisive influence on French composer Camille Sant-Saëns, who was the first to adopt the genre of the Lisztian symphonic poem. From Veni Creator (dedicated to ‘l’abbé Liszt’) through various tributes to Bach (Preludes and Fugues) to the brilliant Dies Iræ, Saint-Saëns’s organ music – in its own way – mirrors Liszt’s contradictions, torn between the secular (salon virtuosity) and the sacred (mysticism).

Chœur Sacrum
Andris Veismanis, direction
Vincent Genvrin, orgue

Camille Saint-Saëns
1.    Veni creator    7'15
     Hymne pour quatre voix d'hommes à M. l'Abbé Liszt
2.    Thème, variation et choral sur le Dies Irae    6'22

 


     Franz Liszt (1811-1886)
3.    Salve Regina    4'24

 


     Camille Saint-Saëns
     Prélude et fugue en Ré mineur op. 109/1     
4.    Prélude    4'06
5.    Fugue    5'23
6.    Ave Maria op. 145    4'19
7.    Laudate dominum op. 149    2'33
8.    Troisième fantaisie op. 157    14'48

 


     Franz Liszt (1811-1886)
9.    La prédication aux oiseaux    13'12
     Transcription : Camille Saint-Saëns

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