In quantity, quality and historical significance the work of Heinrich Scheidemann occupies the dominant position in North German organ music of the first half of the seventeenth century. Scheidemann assimilated Sweelinck’s language, combining his master’s polyphony and virtuosity with other elements, resulting in a new, independent style.
Scheidemann, Heinrich
Praeambulum in D Minor, WV 36
1 Praeambulum in D Minor, WV 36 03:04
Kyrie summum
2 Kyrie 01:51
3 Christe 02:13
4 Kyrie ultimum 02:20
Verbum caro factum est (after Hassler)
5 Verbum caro factum est 06:56
Jesus Christus, unser Heiland, der von uns II (5 variations)
6 Jesus Christus, unser Heiland, der von uns II 06:50
Es ist das Heil uns kommen her
7 Primus versus 01:48
8 Secundus versus 02:01
Canzona in G Major
9 Canzona in G Major 04:38
Gelobet seist du, Jesu Christ
10 Primus versus 01:23
11 Secundus versus 01:26
Gott sei gelobet und gebenedeiet
12 Gott sei gelobet und gebenedeiet 04:20
Herzlich lieb hab ich dich, o Herr
13 Herzlich lieb hab ich dich, o Herr 02:23
Magnificat VII Toni
14 Primus versus 01:51
15 Secundus versus 02:38
16 Tertius versus 03:47
17 Quartus versus 01:54
Jesu, wollst uns weisen
18 Jesu, wollst uns weisen 01:50
Vater unser im Himmelreich III
19 Vater unser im Himmelreich III 03:03
Praeambulum in F Major, WV 39
20 Praeambulum in F Major, WV 39 01:24
Ego sum panis vivus (after O. de Lassus)
21 Ego sum panis vivus (after O. de Lassus) 05:40
Wir glauben all' an einen Gott
22 Primus versus 03:46
23 Secundus versus 04:18
Praeambulum in D Minor, WV 32
24 Praeambulum in D Minor, WV 32 01:44
Total Playing Time: 01:13:08
