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La Sublime Porte: Voix D'istanbul 1400-1800 - HESPERION XX, SAVALL (HYBRID SACD)

La Sublime Porte: Voix D'istanbul 1400-1800 - HESPERION XX, SAVALL (HYBRID SACD)

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HYBRID SACD

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Gürsoy Dinçer
Montserrat Figueras
Lior Elmaleh
HESPÈRION XXI
Jordi Savall
In 1453, some years before the fall of Granada in January 1492, a date which, after seven centuries, marked the conclusion of the Spanish Reconquista against the Arabs on the peninsula and the edict ordering the expulsion of the Jews in March of that same year, Mehmed II seized Constantinople and triggered the great division of the Mediterranean among the Christian nations and the Ottoman Empire.

1. Taksim & Makam « Uzzäl uşūleş Darb-i feth »
Dervis Mehmed (Mss. D. Cantemir n.209)
2. Segâh Kâr « Kâr-i Ses-âvâz » (Gürsoy Dinçer)
Hace Abdülkadir Meragi (1350 ?-1435)
3. Chanson et Danse « Siretsi yares taran-Noubar noubar »
Traditionnel d’Arménie
4. Por alli pasó un cavallero (M. Figueras, L. Elmaleh)
Romance Sépharade (Smyrne, XVIe s.)
5. Taksim & Makam « Bûselik uşūleş» (Mss. Dimitrie Cantemir 335)
Dimitrie Cantemir (1673-1723)
6. Hisar Ağir Semai (Gürsoy Dinçer)
Buhuri Zade Mustafa Efendi (Itri) (?-1712)
7. Taksim & Danse (kemençe & percussion)
Traditionnel d’Arménie
8. Prière (Lior Elmaleh, kemençe & oud)
Traditionnel Hébraïque
9. Taksim & Makam Rehavi Çember
Tanburi Angeli ( ? -1690) [Mss. Cantemir n. 297]
10. Gazel (Gürsoy Dinçer)
Improv. (trad. Ottomane) Poème de Fuzuli
11. Taksim & Makam « Hicâz uşūleş Devr-i Kebir »
Anonyme (Mss. D. Cantemir n. 220)
12. Punxa, punxa * (Montserrat Figueras)
Romance Séfarade Istanbul
13. El Rey que tanto madruga (instrumental)
Anonyme Sépharade (Smyrne, XVIe s.)
14. Hisar Buselik Şarki (Gürsoy Dinçer)
Tanburi Mustafa Çavus (1700 ?-1770)
15. Plainte « En Sarer II » (duo Duduk)
Goussan Ashot (Arménie)
16. Rast nakış beste « Amed nesim-i » (Gürsoy Dinçer)
Hace Abdülkadir Meragi (1350 ?-1435)

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