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ALFRED DELLER: CAMPION, PURCELL, BUXTEHUDE

ALFRED DELLER: CAMPION, PURCELL, BUXTEHUDE

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For music-lovers who grew up between the 1950s and the 1970s, Alfred Deller (1912โ€“1979) was the embodiment of the countertenor voice, just as Segovia was the guitar and Casals was the cello. Many who heard his earliest LPs will have applauded the words that Sir Michael Tippett uttered on first hearing Deller live, as early as 1944: โ€˜In that moment, the centuries rolled backโ€™. Two of those early LPs โ€“ or portions of them โ€“ are newly remastered and reissued here in a unique compilation.


Entirely new to CD are the opening works of Buxtehude which originally accompanied the performance of Bachโ€™s Magnificat, directed by Pierre Colombo, on another recent Eloquence issue (484 0411). For many critics it was the lesser-known Buxtehude items, recorded by Lโ€™Oiseau-Lyre in 1955, that made the LP desirable, not only for the relative unfamiliarity of the Jubilate and In dulci jubilo settings, but for the chance to enjoy Dellerโ€™s artistry at the peak of his form (a later, stereo recording is vocally drier and tighter).

Introduced by a pair of fantasias from the Milanese lutenist Canova, Deller adds a sequence of songs by Thomas Campion, encompassing not only the classic Never Weather-beaten Sail but also sacred items such as Author of Light. Again the stereo remakes do not recapture the agility and purity of Dellerโ€™s voice at its finest as heard here, delicate, clear and ringing all at once.

Five years after founding the Deller Consort in 1950, Deller made his first recording of the last and finest of the six odes written by Purcell for Queen Mary, Come, ye Sons of Art. The performance was directed by another English โ€˜house artistโ€™ for Lโ€™Oiseau-Lyre and early-music specialist, Anthony Lewis, and originally issued as a 10-inch EP. This is its first complete CD reissue on Decca.

DIETERICH BUXTEHUDE (?1637โ€“1707)

1 Jubilate Domino, BuxWV 64

Alfred Deller, countertenor ยท Eli Goren, Leonard Friedman, violins

Anna Shuttleworth, cello ยท Desmond Duprรฉ, viola da gamba


2 Fugue in C major, BuxWV 174*

Denis Vaughan, organ


3 In dulci jubilo, BuxWV 52*

Eileen McLoughlin, soprano ยท Alfred Deller, countertenor ยท Maurice Bevan, bass-baritone

Eli Goren, Leonard Friedman, violins ยท Anna Shuttleworth, cello

Desmond Duprรฉ, viola da gamba ยท Denis Vaughan, organ


FRANCESCO CANOVA DA MILANO (1497โ€“1543)

4 Lute Fantasias Nos. 30 and 40 (ed. A.J. Ness)*

5 Lute Fantasia (unnumbered)ยฐ

Desmond Duprรฉ, lute


THOMAS CAMPION (1567โ€“1620)

6 Never Weather-beaten Sail

7 Most Sweet and Pleasing are Thy ways, O God

8 Author of Light

9 To music bent


ANONYMOUS (attrib. CAMPION)

10 Miserere my Maker (c. 1615)

Alfred Deller, countertenor ยท Desmond Duprรฉ, lute


HENRY PURCELL (1659โ€“1695)

11โ€“19 Come, Ye Sons of Art, Z. 323*

Margaret Ritchie, soprano ยท Alfred Deller, John Whitworth, countertenors ยท Bruce Boyce, baritone

St. Anthony Singers ยท Ensemble Orchestral de Lโ€™Oiseau-Lyre

Anthony Lewis


* FIRST CD RELEASE ON DECCA

ยฐ PREVIOUSLY UNPUBLISHED


โ€˜Anthony Lewis shows us again his complete understanding of Purcellโ€™s style โ€ฆ there could be no better introduction to Purcellโ€™s music.โ€™ Gramophone, October 1954 (Purcell)

โ€˜A stunning performance โ€ฆ The orchestral playing is a pure joy โ€ฆ Alfred Deller and John Whitworth manage [โ€˜Sound the trumpetโ€™] with extraordinary grace and vocal coloration โ€ฆ a lovely record; highly recommended.โ€™ High Fidelity, May 1955 (Purcell)

โ€˜The best record Deller has yet made โ€ฆ exemplary enunciation and beauty of tone โ€ฆ A disc not to miss.โ€™ Gramophone, March 1956 (Buxtehude, Campion)

โ€˜Mr. Deller is on good form โ€ฆ The recording is intimate and clear โ€ฆ most desirable.โ€™ High Fidelity, August 1956 (Buxtehude, Campion)

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