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DELPHIAN

Brahms: David Wilde Plays Brahms

Brahms: David Wilde Plays Brahms

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David Wilde’s power and individuality make a separation between composer and performer, between creator and re-creator unrealistic. He sees the simple grace and lyricism favoured by many pianists as an evasion of a deeper poetic truth, and if he gives us all of Brahms’s exulting strength in the fugue from the ‘Handel’ Variations, he is no less responsive to darker nights of the soul in the Three Intermezzi.

Always there is an open invitation to reappraise Brahms’s genius, not by a radical re-interpretation (the determinedly ‘different’ way of, say, Gould or Pogorelich) but by a probing look beneath the music’s surface life. David Wilde may be true to the composer, but he is a pianist to make you think again.

Two Rhapsodies, Op. 79
1 No 1 9:52
2 No 2 6:54
Variations On An Original Theme, Op. 21 No. 1
3 Thema 1:33
4 Variation 1 1:30
5 Variation 2 0:56
6 Variation 3 1:06
7 Variation 4 0:53
8 Variation 5 1:45
9 Variation 6 0:51
10 Variation 7 1:20
11 Variation 8 0:48
12 Variation 9 1:08
13 Variation 10 1:12
14 Variation 11 4:49
Three Intermezzi, Op. 117
15 No 1 7:00
16 No 2 6:03
17 No 3 6:16
Variations And Fugue On A Theme By Handel, Op. 24
18 Aria 1:01
19 Variation 1 0:49
20 Variation 2 0:40
21 Variation 3 0:46
22 Variation 4 0:51
23 Variation 5 1:00
24 Variation 6 0:59
25 Variation 7 0:37
26 Variation 8 0:38
27 Variation 9 1:22
28 Variation 10 0:32
29 Variation 11 0:44
30 Variation 12 0:49
31 Variation 13 1:40
32 Variation 14 0:43
33 Variation 15 0:51
34 Variation 16 0:33
35 Variation 17 0:31
36 Variation 18 0:44
37 Variation 19 0:50
38 Variation 20 1:32
39 Variation 21 0:59
40 Variation 22 0:50
41 Variation 23 0:39
42 Variation 24 0:36
43 Variation 25 0:41
44 Fuga 5:11
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