Howells: Cello Concerto, An English Mass & Other Works - The Choir of King's College Cambridge (2 SACDs)

Howells: Cello Concerto & An English Mass - A double-disc set of orchestral, choral and organ music by one of the most distinguished English composers of the 20th century. Herbert Howells’ An English Mass is presented by the Choir of King’s College, Cambridge with the Britten Sinfonia, recorded in the sublime acoustic of King’s College Chapel. Alongside the work is the magnificent orchestrated Te Deum from the Collegium Regale service, and a premiere recording of the Magnificat from the same service, orchestrated by John Rutter. For both these recordings, the Choir and orchestra are joined additionally by the King’s College mixed voice choir, King’s Voices.

Howells’ completed Cello Concerto is performed by former King’s chorister Guy Johnston, one of the UK’s best solo cellists, with the Britten Sinfonia directed by Christopher Seaman. Also recorded in King’s College Chapel, the surround-sound recording presents this glorious, but lesser-known work in a way never before heard, but in an environment perfectly suited to Howells’ music. Stephen Cleobury rounds off the second part of the album with three of Howells’ best-known organ works, performed on the recently-restored Harrison & Harrison organ, also presented here in surround-sound.

Accompanying the album are specially-written essays by two of the foremost experts on the composer. Paul Spicer explores how the thrilling Te Deum came about as the result of a bet between Howells and the Dean of King’s, and the subsequent canticle settings for cathedrals and foundations across the land for which Howells became so well-known. An English Mass, in contrast, is one of Howells’ darkest religious works, with an agonising and troubled presentation of much of the Mass, and Spicer’s essay considers Howells’ state of mind and some of the possible reasons for this. Jonathan Clinch’s essay describes the fascinating journey of completing Howells’ Cello Concerto, giving a remarkable insight into the mind of the composer and the history of the work itself.

Impeccably judged sound and balance throughout; authoritative annotations, too, from Paul Spicer and Jonathan Clinch. All told, a hugely rewarding issue, and absolutely not be missed’ (Gramophone)

CD1
1
Te Deum We praise thee, O God (Morning Canticle 1 from Collegium Regale 'King's College Cambridge Service')[8'53]
King's College Choir Cambridge, King's Voices, Britten Sinfonia, Sir Stephen Cleobury (conductor), Henry Websdale (organ)

An English Mass[35'08]
King's College Choir Cambridge, Britten Sinfonia

2
Kyrie[5'42]
Sir Stephen Cleobury (conductor), Henry Websdale (organ)

3
Credo I believe in one God, the Father Almighty[8'41]
Ben Parry (conductor), Dónal McCann (organ)

4
Sursum corda Lift up your hearts[0'58]
Sir Stephen Cleobury (conductor)

5
Sanctus Holy, holy, holy, Lord God of hosts[2'50]
Sir Stephen Cleobury (conductor), Henry Websdale (organ)

6
Benedictus Blessed is he that cometh in the name of the Lord[4'13]
Sir Stephen Cleobury (conductor), Henry Websdale (organ)

7
Agnus Dei O lamb of God[3'35]
Sir Stephen Cleobury (conductor), Henry Websdale (organ)

8
Gloria Glory be to God on high[9'09]
Sir Stephen Cleobury (conductor), Dónal McCann (organ)

9
Magnificat My soul doth magnify the Lord (Evening Canticle 1 from Collegium Regale 'King's College Cambridge Service')[4'57]arr. John Rutter (b1945)
King's College Choir Cambridge, King's Voices, Britten Sinfonia, Sir Stephen Cleobury (conductor), Dónal McCann (organ)
Cello Concerto[35'01]
Guy Johnston (cello), Britten Sinfonia, Christopher Seaman (conductor)

CD2
10
Fantasia: Tranquillo – Assai andante[17'08]

11
Threnody: Lento calmato – Assai teneramente[9'20]

12
Finale: Allegro vigoroso[8'33]

13
Paean (No 6 of Six Pieces for organ)[6'14]
Sir Stephen Cleobury (organ)

14
Master Tallis's Testament (No 3 of Six Pieces for organ)[6'44]
Sir Stephen Cleobury (organ)
Three Rhapsodies Op 17

15
No 3: C sharp minor[6'40]
Sir Stephen Cleobury (organ)