Bach: Piano Transcriptions, Vol. 4 (Samuel Feinberg) - Martin Roscoe (2 CDs)

 

This fourth volume in our series of Bach transcriptions brings the first recording of the complete works in the genre by the hugely neglected figure of Samuil Feinberg. Feinberg belongs firmly in the grand tradition of the 19th-century pianist/composer that stretches from Chopin to Godowsky via Liszt and Busoni. Unfortunately his modernist compositional tendencies and the fact that he was Jewish led to his being sidelined within the Soviet regime, his ‘elitist’ music being rarely performed and his performing career constrained within the USSR. It is likely that his transcriptions were a creative response to the restrictions placed on his original music; no one could deny Bach his rightful place in the musical world and his organ music, from which all these works originated, was little known in Russia. No doubt Feinberg, the virtuoso, was also fascinated with the challenges of recreating the works pianistically as had Busoni before him, and it is to this composer that Feinberg’s transcriptional style can most easily be compared.

His earliest transcription, the Vivaldi/Bach concerto, is also his most superficially virtuosic; it’s interesting that thereafter his choice of music tends to come from Bach’s later output where his polyphony and harmonic language is at its most complex. These are magnificent realizations of works often still too little known in their original guise which will fascinate both for their pianistic ingenuity and their intrinsic musical worth.

 

Prelude and Fugue in E minor 'The wedge' BWV548[13'21]arr. Samuil Feinberg (1890-1962)

CD1

1

Prelude[6'03]

2

Fugue[7'18]

3

Largo  (Movement 2 of Trio Sonata in C major, BWV529)[7'40]arr. Samuil Feinberg (1890-1962)

Thirteen Chorale Preludes

4

Allein Gott in der Höh sei Ehr BWV663[5'48]arr. Samuil Feinberg (1890-1962)

5

Allein Gott in der Höh sei Ehr BWV711[3'12]arr. Samuil Feinberg (1890-1962)

6

Allein Gott in der Höh sei Ehr BWV662[7'08]arr. Samuil Feinberg (1890-1962)

7

An Wasserflüssen Babylon BWV653[5'07]arr. Samuil Feinberg (1890-1962)

8

Ein feste Burg ist unser Gott BWV720[3'15]arr. Samuil Feinberg (1890-1962)

9

Von Gott will ich nicht lassen BWV658[6'02]arr. Samuil Feinberg (1890-1962)

10

Wer nur den lieben Gott lässt walten BWV647[2'37]arr. Samuil Feinberg (1890-1962)

11

Kommst du nun, Jesu, vom Himmel herunter BWV650[3'21]arr. Samuil Feinberg (1890-1962)

12

Herr Jesu Christ, dich zu uns wend BWV655[3'41]arr. Samuil Feinberg (1890-1962)

13

Jesus Christus, unser Heiland BWV665[4'21]arr. Samuil Feinberg (1890-1962)

14

Nun komm, der Heiden Heiland BWV659[4'31]arr. Samuil Feinberg (1890-1962)

15

Ach bleib' bei uns, Herr Jesu Christ BWV649[2'34]arr. Samuil Feinberg (1890-1962)

16

Fantasia super Valet will ich dir geben BWV735[3'36]arr. Samuil Feinberg (1890-1962)

Concerto in A minor RV522 BWV593[13'01]Antonio Vivaldi (1678-1741), arr. Johann Sebastian Bach (1685-1750) & Samuil Feinberg (1890-1962)

CD2

17

Allegro[4'07]

18

Adagio[3'55]

19

Allegro[4'59]