A feature that sets Cleobury’s version apart from most other recordings is the use of boys’ voices for the soprano and alto parts, heard immediately in the haunting a cappella opening of the Kyrie, the trebles sounding strikingly pure and radiant...Another feature of Cleobury’s recording is the fleetness of the interpretation...I never felt that the performance was too fast, however, the choice of tempos throughout in keeping with the freshness of the approach and the modest scale of the forces employed. --GRAMOPHONE
1 Ecce Sacerdos Magnus 6:04 Mass No. 2 In E Minor 2 Kyrie 5:43 3 Gloria 6:50 4 Credo 7:58 5 Sanctus 2:42 6 Benedictus 4:48 7 Agnus Dei 3:55 8 Tota Pulchra Es 4:48 9 Virga Jesse 3:17 10 Locus Iste 2:38 11 Ave Maria 3:05 12 Christus Factus Est 5:18
