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HARMONIA MUNDI

"Poetical Humors" (Transcriptions for viola da gamba and accordion in 16th and 17th century England) - Les inAttendus - Les Inattendus

"Poetical Humors" (Transcriptions for viola da gamba and accordion in 16th and 17th century England) - Les inAttendus - Les Inattendus

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Unexpected? The pairing of viola da gamba and accordion is certainly that! But perhaps even more surprising is how well the singing strings of the veteran instrument harmonize with the subtly-vibrating reeds of the centuries-younger newcomer. Also unexpected is this cross-generational meeting of two musicians (what are the odds?), who found each other exploring the ‘poetical humours’ of early-seventeenth-century England. Recently reunited in the recording studio after several seasons of rapturously received recitals, with this well-timed album the duo Les inAttendus makes its first entry into the harmonia mundi catalogue.

TOBIAS HUME [1579-1645]
· What greater grief (2'15)
JOHN DOWLAND [1562/1563-1626]
· Shall I sue, shall I seek for grace? (4'20)
ORLANDO GIBBONS [1583-1625]
· Galliard a 3 (1'21)
MICHAEL EAST [c.1580-1648]
· And I as well as Thou (2'04)
JOHN DOWLAND [1562/1563-1626]
· Flow, my tears, fall from your springs (4'35)
· Can she excuse my wrongs (1'15)
THIERRY TIDROW [1986-]
· Into something rich and strange (9'36)
JOHN BULL [1562-63-1628]
· Goodnighte (3'41)
· Myself (2'54)
TOBIAS HUME [1579-1645]
· Sweete Musicke (5'12)
· Touch me sweetely (2'00)
ORLANDO GIBBONS [1583-1625]
· Fantasia (5'18)
TOBIAS HUME [1579-1645]
· Captain Humes Pavan (5'15)
PHILIPPE HERSANT [1948-]
· Lully Lullay (8'12)
JOHN DOWLAND [1562/1563-1626]
· In darkness let me dwell (4'19)

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