Heinrich Scheidemann’s significance as a composer lies in his absorption of the influence of his teacher Sweelinck, and his subsequent forging of a new, independent style in North German music in the first half of the seventeenth-century. Volume 7 includes one of his significant settings of the Magnificat and presents chorales, liturgical extemporisations, and keyboard realisations of vocal motets. Also included are some brief dance pieces showing Scheidemann’s lighter side.
Scheidemann, Heinrich
Magnificat II Toni, WV 15
1 Verse 1 01:40
2 Verse 2 07:21
3 Verse 3 05:20
4 Verse 4 03:18
Fantasia in D Minor, WV 83
5 Fantasia in D Minor, WV 83 05:03
Courant and Variations in D Minor, WV 125
6 Courant and Variations in D Minor, WV 125 01:55
Es ist gewisslich an der Zeit, WV 59
7 Verse 1 01:37
8 Verse 2 02:21
Vom Himmel hoch da komm ich her, WV 69
9 Verse 1 01:03
10 Verse 2 01:08
11 Verse 3 - Verse 4 02:45
Courant and Variations in F Major, WV 127
12 Courant and Variations in F Major, WV 127 03:27
Dixit Maria ad angelum, WV 52 (after Hassler)
13 Dixit Maria ad angelum, WV 52 (after Hassler) 05:16
Courant and 2 Variations in A Minor, WV 130
14 Courant and 2 Variations in A Minor, WV 130 04:05
Praeambulum in D Minor, WV 31
15 Praeambulum in D Minor, WV 31 01:11
Betrubet ist zu dieser Frist, WV 104
16 Betrubet ist zu dieser Frist, WV 104 03:40
Aus tiefer Not schrei ich zu dir, WV 2
17 Verse 1 02:34
18 Verse 2 02:03
Mascherata in C Major, WV 109 (after R. Johnson)
19 Mascherata in C Major, WV 109 (after R. Johnson) 01:43
Praeambulum in E Minor, WV 37
20 Praeambulum in E Minor, WV 37 01:36
A solus ortus cardine, WV 1
21 Verse 1 02:59
22 Verse 2 02:48
Allemand in D Minor, WV 114, "Franzosischer"
23 Allemand in D Minor, WV 114, "Franzosischer" 01:14
Courant and Variations in D Minor, WV 122
24 Courant and Variations in D Minor, WV 122 02:29
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